#ACTUALLY not this arc. I think. this arc's going to be a lot of fun!! we'll see a few returning faces and lysandre will be back!!! the next

[chevelleneech]

I love the show for the lack of plot, tbh. I think around episode four or five I felt like it was getting bland, but that’s mainly because I didn’t think they’d actually follow through with Ody3. Granted all we got was a threesome at the moment, but I’m a little more optimistic, so I can see that being a better way to have the stories of the guests continue to flow into Max, Avery, and Tristan. I also think they should continue bringing in more of the crew we currently know, because I like all the actors so far.

Aside from that, I don’t think the show needs huge plots every season like 9-1-1, which I think turned people away initially. It almost made me not bother, because the trailers made me think they were going to go for a s7 opening cruise arc sort of drawn out series, but it’s not. The s7 arc was way more serious, whereas DO is sort of weightless. It’s almost more like a soap opera than a drama, which I’m enjoying so much.

I hope they don’t kill anyone off, but I do also like the idea of the show being in Max’s head for real. Yes, that’s an unconfirmed fandom theory, but how good would it be? Max still in a coma and living a life he’s always dreamt of? Doing what he loves as a doctor, finding love at the same time with two people he also has fun with?

Idk, I feel like this show has a lot of potential so long as they keep it fun. Once they start trying to make it serious or make the medical emergencies realistic, it’ll lose its light. I’m not watching this to see how cruise line first responders deal with a crisis. What grabbed me is the cast chemistry and the characters themselves, which is just as good as a procedural drama that wants to tell a fleshed out story through its characters and setting.

Doctor Odyssey is a show that is fun and quite unrealistic, but it’s comforting because the characters are enjoyable above all else. And they also have very solid weekly stories. 1x06 was very well acted, and even though only three medical professionals exist on the ship, and the captain is almost too comically devoted to his job… it works. It’s not Law & Order, it’s not Grey’s Anatomy. It’s a show that’s kind of a tv writers dream gig. A set cast, a set location, and free rein to write whatever plot and chaos you want.

Tbh, it’s almost like the show Bones. That show had serious moments and was a bit more grounded than Doctor Odyssey, but it still had a lot of fun with itself. It had whimsical episodes and even crossed over with the show Sleepy Hollow (a fantasy about the Headless Horseman), despite being a crime/medical drama itself. DO can be that. It’s a show that can decide to port in LA and crossover with 9-1-1, with Grey’s in Seattle, and can even dabble in fantasy if it wants by simply saying the crew was drugged by someone smuggling something aboard.

There is just so much space for this show to stretch its legs, but it has to be given the chance by the network.

people on reddit complaining about the plot (or lack thereof) in doctor odyssey… how do i break it to them that no one is watching that show for the damn plot! we’re here to see if those hot doctor and nurses get a bit challengers with it!

[dr-spectre]

As someone who's been in multiple fandom circles and calls themselves a Splatoon fan, I've seen a lot of focus and discussion on "THE LORE!!" and "CANON!!!" and to be honest with you... it's getting really tiring and I think people are just WAY TOO obsessed with what a wiki or an intern at Nintendo says rather than forming their own perspective on events and coming to their own unique conclusions.

Now, I wanna say, if talking about lore and discussing which elements are canon or not makes you happy and you love talking about that, then that's perfectly okay. It's fine. It's not for ME personally because my focus on Splatoon is the gameplay, music and the storytelling chops of each Hero Mode.

Story >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> Canon for me any day of the week i do not care.

Because, to get away from Splatoon for a second, for my Sonic fans out there, you remember when Sega and the people behind the show Sonic Prime said that it was canon to the mainline Sonic timeline? And if you said otherwise you were technically wrong because "oh Sega said this, so it MUST be true!"

........But then everyone said that Sonic Prime cannot be canon to the mainline Sonic timeline because it has a fuck ton of inconsistencies? Yeah.... funny. Basically, don't put a lot of focus into "what actually happened" and "oh this is what the multi billion dollar corporation said!" because there's always gonna be one guy out there that goes "um this information kinda fucking damages the story in a severe way." (And sometimes that one guy is me.... hehehehe....)

I could obviously talk about.... you know.... Hypno Callie again for the 50th trillion time.... (and i will)..... This bitch.... I wanna love you girlie i really fucking do but Nintendo and millions of people make it hard to....

Nintendo set up Callie's villain arc decently in Splatoon 1 with the Splatfest dialogue, the Squid Sister stories and the Sunken Scrolls, yet they ultimately damaged the progression of the arc by saying "nah fuck u she got kidnapped and brainwashed, removing all of her memories and free will because fuck telling a good story with satisfying set up and pay off that allows for character growth. Fundamentals of storytelling? What are those?" And it also destroyed Callie as a character by reducing her to an object that the player "must save from da evil Octavioooo" and "oh look at her! She put the stupid brainwashing shades onnn againnn!! such a dumb fucking moron dumbass piece of shit right guys?!? lmaoooooooooo!! explore the dangers of addiction and how you need to seriously change your life and be surrounded by those you love in order to change bad habits?? Themes?? PFFTTT! NAWWW! THAT'S LAMEEEE!! It's Callie! No one cares about Callie!! She's stupiddd!!!"

(I talked about Callie in a tumblr comment section one time and I got made fun of for by a guy way older than me. I love humanity.)

It also ruined DJ Octavio's character too because, if what Nintendo said is true about what he did then he cannot be redeemed in Splatoon 3. He cannot go back on the shit he's done. But they try to redeem him out of nowhere and now he's all chill with the New Squidbeak Splatoon and appeared in the Grand Fest.... Yet what he did to Callie which Nintendo loves to push is truly TRULY unredeemable and if that's the case then welp.... I call that bad writing, straight up. It's bad writing.

I really hate it when something happens in a story and you perceive it in a certain way where you feel like it elevates the events, but then the company behind the story chooses to pick the worst outcomes possible just because? And everyone rolls with it just cause? Ugh...

Lesson of today is, don't fucking listen obsessively to what a company says and suck it up. Consume media and come to your own conclusions on what happened. As long as you have tangible evidence to back up your claims you can make any interpretation you want to, whatever makes you feel happy bestie!

[mogamuncher]

“You're on a path in the woods. And at the end of that path, is a cabin. And in the basement of that cabin, is a knight. You are here to slay him. If you don't, it will be the end of the world.”

Please accept my meager shitty art as we come back for part three of the "Moga fuses her hyperfixations together" saga! Aka: Slay the Knight AU!

Here's what I think Emilia and Subaru would look like, in true STP fashion I imagine both would never be referred to by name, instead being The Knight and The Frozen Bond (hah, get it?)

I made Emilia a little scary (and kinda Satella-esque), but that's mainly because from what we see in The Princess and The Dragon route, The Long Quiet is just actually fucking scary, so having Emilia be similarly intimidating would be fun.

Though I do think her personality would remain the same in this au, mainly because she's nice enough that she would naturally play mediator to the the voices, but malleable enough that she could just end up going with their whims when pushed enough.

Now for Subaru, I actually wanted to give him a definitive outfit that would kinda function like the Princess's dress, something that is a constant in every design but changed to fit the theme, the recognizable trait that showcases that no matter how fucked up these forms get they're still the same person

That's kinda why the little cape is there, it's supposed to be a significant design choice that can be warped with future forms

For the official lore, I like to think that it's still actually very similar:

The Frozen Bond, the manifestation/god of stasis, consistency, the chilling frozen in time allure of stagnation

While Subaru would be something like The Returning Cycle, the manifestation/god if constant change, perspective and identities splitting depending on choices, the constant cycle of time

Together they'd make the cycle of life and death, in a sense, and since Echidna in canon was trying to find a way to reach immortality, it is only fitting that she would split them apart and attempt to pit them against the other, as to goad Emilia into killing Subaru, this ending the concept of change, making it so that there is no means of which others can die.

But that's what I have for the moment, now, let's talk about some more ideas I have for the IF Barus

The Prisoner, my beloved

I rewatched someone playing her route and it dawned on me when The Shifting Mound described her as a vessel, but she's oddly a lot like Slothbaru

The idea of someone cautious to the point of stagnation, content to let the world pass her and remain in inaction, I mean, that's literally what Sloth is shown to be in the og series. That's also inherently what Slothbaru did when he took Rem's hand and ran away, leaving everyone else to die, but gaining a happy life for himself

Prisoner is like an Slothbaru that can't take Rem's hand, content to let the world pass him by for the sake of self preservation, but stuck in one place without the chance of running away, he can only wait and see because he's inherently passive, as he thinks he has no other choice

The Adversary, however, is the funniest one I think

Someone mentioned in the last post in the tags that Adversary is kinda Smolbaru coded, so I went back to read the arena fights in arc 7 and y'know what? They're correct, they're absolutely right, The Adversary is very much just Smolbaru

Which is funny, because The Adversary is supposed to be bigger and stronger than usual, though maybe it's either just that his personality is Smolbaru and his appearance is still intimidating, or we go all in and have Smolbaru just absolutely kick Emilia's ass with his bare hands in this one

Either way, I love it, also this is the route where Priscilla (Voice of the Proud) would show up, so having an Arc 7 Baru here would be a nice touch

Ok so I'm about to sound unhinged, but the Grey's

What if they were Natsumi.

Now, look, I have no evidence to back me up on this, I'm going off from pure vibes alone, but like what if

Honestly, it would be fun to have most of the Deadbarus be in some way or another Natsumi coded, though that would be fused with the Baru that lead to their routes in the first place (like Arc 1 Baru for the Burned Grey and Slothbaru for the Drowned Grey)

I mean, look at The Wraith and The Spectre

Imagine if the Spectre was more akin to Natsumi in her purest form, since the Spectre is actually surprisingly chill and nice about this whole thing, and then if you attempt to leave him there, you get the Wraith

A withered rotten version of Natsumi, falling apart at the seams and determined to hitch a ride and finally leave

In more confirmed Barus; Wrathbaru as The Witch and The Thorn, Greedbaru as Happily Ever After and Arc 1-2 Baru as The Damsel, The Nightmare would be Gluttonybaru and A Moment Of Clarity would still be Gluttonybaru but with more Louis/Rui elements

Again, I accept suggestions, and tell me if you want me to make more art for this AU, maybe I can draw more Barus and also the voices, who knows?

[seeker-ophelia]

Ophelia’s Review, Part Two: Thedas, The Dragon Age System

Some things I need to get off my chest.

One. This does not feel like a Dragon Age game.

Two. That doesn’t mean I didn’t like it.

Three. I have a lot of feelings right now but I’ll come back when my brain has re-hydrated itself.

(I finished Veilguard at 10PM on Monday, and wrote this the morning after. And its still true, 5 days later.)

TLDR at the bottom

[Read Part 1 Here]

I do miss the heady blend of power, intrigue, danger, and sex that permeates these events games.

[Photo Cred: Dumped, Drunk & Dalish]

Because Veilguard is missing all of that.

Listen, it’s good. Great even. I loved it. Cried. Laughed. Dropped my controller and paced around the room for 5 minutes in anger and angst. Drank a bottle of wine in the bathtub after Solavellan’s happy ending (and my Rooks sad one). But this is not a Dragon Age game.

It is Dragon Age ADJACENT. Similar of course. The backbone is there. The direction, the vector, is there. But the execution…

Dragon Age (Origins through Inquisition) for me, was A Song of Ice and Fire. I love that series.

It was deep. It was harsh. It was MEAN. If offered me hope and then snatched it away. The world-building, the lore crafting, was intense and deep and required attention and critical thought. The characters were nuanced and troubled and real.

Veilguard, for me, is Eragon.

I also loved that series. It is pure and good and takes me on a journey through a fantastical land of dragons and heroes, of good versus evil, of mysteries and magic. But, it is juvenile. Its simple. It doesn’t try to be anything other than it is. Veilguard, is shallow.

The essence is there, beneath the surface Veil, pressing and bursting at the seams to escape, but is being held back by a gentrification of Thedas, the Tranquility of the Dragon Age world, if you would.

The Lore

I don’t want to go into to much about it (its going to be its own post, I think), but I love the lore of Dragon Age. I love learning about it. I love the questions, the pervasive theme that history is only as true as the historians who write it; things get lost, muddled, confused through and over time. And Veilguard, kind of feels like I’m being spoonfed? Like I’m a baby.

I think EA did BioWare a disservice by making this game for new players, instead of assuming that RPG players have the intelligence and wherewithal to comprehend at least a little bit of lore and history, or at the very least, introduce a cannon world state. You can have your cake and eat it to, but, as Veilguard shows, it diminishes the quality of the cake as a whole.

This game is an Action RPG. This is a game about combat. For the record, the first, second, third, 17th time I saw my Rook in their Takedown Animation, I said, out loud, ‘Dragon Age, G.O.T.Y.’ I swore at my inability to time dodges properly, I planned and schemed with primers and detonators and damage types. This is very reminiscent of The Witcher and Assassins Creed, for me (I have not played a ton of games, im sure there are others more like it). It was fun, it was challenging. But. This is not Dragon Age. Its Something Else™.

Dragon Age: Dark Origins

When people say Dragon Age is a dark game, they’re not talking about the gameplay, or the graphics, or the art direction.

Dragon Age deals with dark subject matter. Slavery. Racism. Religion. Politics. Power dynamics. Mages versus Templars. Addiction. Death. War. An unstoppable contagion that deals death indiscriminately. THAT’S what makes Dragon Age Dark.

These stories are deep. They’re hard. And yeah, they weren’t always handled properly (lookin’ at you, Gaider), but doing something wrong… looks like it might actually be better than pretending it doesn’t exist.

As a Sollavellan, I’m unspeakably glad they didn’t yassify Solas. He is still an unlikable character who has committed unspeakable war crimes. And we got a redemption arc that did not end in death. That’s a win for me.

But they kept his darkness at the expense of lightening literally EVERYTHING ELSE in Thedas.

What the fuck happened to Zevran’s Crows? I got the Puss-in-Boots-Found-Family Assassin Agency.

Where are the slaves in Minrathous? Where’s the trip to the upper city, gilded and clean, so we can compare it to the slums of Dock Town (which was not bad at all). Where is the “Rescue the Rabbits” Quest? Tevene Politics boils down to Dorian or Mave, “bad” or “good,” change from within, or power to the people.

The whole Qunari are just Bad™ now? The Antaam warriors turned into… what the fuck is even that? You know the advertising theory where women’s bodies are shown but not their heads or faces? This feels like that. Giant Grey Muscular Powerful Bodies with NoFace. THAT’S the Antaam? The Tamassrins really eliminate every embodiment of individuality from them? They’re just Storm Troopers?

And ‘Thal’enaste, what a lost plot thread to not have Lace and Solas meet in the deep roads, or Kal-Sharok, or fucking anywhere. Instead, you give her one little blurb of “companion banter.” Weak.

Where’s the racism towards the Elves? What happened to that? What happened to Dark Thedas? Oh, its actually all in the South, and thats destroyed now (lets put a pin in that for a minute).

The Companions

I have written and re-written this section 3 times. Its too long. I don’t need to mention them all. How to summarize them.

If you read my part 1, you’ll remember how I fell in love with Dragon Age 2, years after its release (after playing Inquisition, in fact), and how I fucking hard I fell for those very real, very troubled, very nuanced characters.

Anders and his quest for freedom, Fenris and his quest for vengeance. Merrill and her quest for knowledge, Isabella and her quest for… other cultures relics, I guess?

I hated the graphics in 2. It was the characters that carried that game. I don’t know how BioWare wrote them, but they failed to do that in VG.

My favourite character in Inquisition? Surprisingly, its not Solas. Its not even Cole, or the Iron Bull, or Dorian.

Its Cassandra.

I love her. Her story is SO complex. Her devotion to the Seekers, to the Andrastian Faith, is so pure, yet it does not impede her friendship with a Dalish elf who believes in gods that she does not. It does not stop her form forming close bonds with other people from different backgrounds, and although she is fearless in calling out the darkness in her own faith, its sins and its rot, she admits to her Herald that she is envious of the Heralds conviction.

Which character in Veilguard has that nuance?

The necromancer afraid of death? The Elvhen Engineer with ADHD? The literal Demon of Vyantium Puss-In-Boots? The smirking detective? The questioning Qunari? Or the gruff monster daddy?

Listen. I read trash. Smut, romantasy... I read objectively bad literature, for fun, all the time. And, I have a fantastic imagination. It is my own personal fleshing out of theses characters that saved me in this game.

But I should not have had to do that.

The Keep

I cannot explain to you, in words, how important those one-off codices and cameos are.

(Don’tThinkAboutIsabela Don’tThinkAboutIsabela Don’tThinkAboutIsabela).

*Grimaces* Okay.

I can speak no more about this. I am already writing a “Keep” DLC for Veilguard.

I would have rather lived in your world state than this abomination. Which leads me to…

‘The Soft Reboot’

So. The South is Gone. That’s the answer. The Hero of Ferelden. Hawke and their siblings. Everything is wiped clean, just as EA asked. All of the South, turned to the Hissings Wastes and the Anderfels, because of the Blight and the hubris of the Gods. What a tragedy. DA5 looks likes its overseas. Cool.

You know what would have been a better reboot?

Spite, taking over Lucanis’ body, walking through the Ossuary, or the catacombs of Minrathous, explaining to Rook how the heavy emotions of People manifest in the fade. The birth of a spirit. Or a demon.

Taash, meeting a spirit face to face in Arlathan, recoiling in disgust, until they help the spirit on its journey, and Taash begins to question their whole worldview surrounding demons. I- I mean spirits.

Emmerich, taking Rook on a lecture-walk through the fade, meeting spirits, solving puzzles, ‘you know, its not so bad in here, what’s the big deal?’

Bellara, instead of discovering Cyrian only to lose him, meets the demon formed of his death, and how to help him back into a spirit.

Neve, following a trail of wisps in the fade, learning things, memories, feelings, songs. Neve, reveling in the pure beauty of the wisps, until they lead her to Vir Dirthara, and her eyes grow wide, what is this place?

Davrin and Assan, after hard training in the High Anderfels, take a break, and while Rook and Davrin flirt, or joke, Assan finds a long string, and begins to play, the string growing and lengthening and thickening until a soft, feminine whisper fills the air, I Am So Sorry… And Rook and Davrin meet a strange spirit, a perfect combination of protection and regret, and they help her find her way home.

Harding, palms flat on the stone, pushing, working, threading her magic into a titan, tilting her face up to Rook, eyes shining blue, speaking in a thousand voices at once, let me show you what was lost, and for a millisecond, we FEEL Isatunoll.

The Dwarvhen was tranquil’d from their Memories, but the Elvhen were tranquil’d from the Fade.

And when Solas turns from Rook in Minrathous, I am sorry for this final betrayal, he is puzzled at the lack of retaliation, and turns to see the Veilguard, standing behind Rook, eyes locked on the giant eye-shaped rift in the sky.

Why are you not stopping me? He asks the group of misfits.

And Rook answers, I can admit when I was wrong. Tear it the fuck down.

And Solas, battered, bruised, and bloody, smiles, brandishes his ritual dagger with a flashy flip, banishes the blight, and tears down the Veil.

When I learned there were only going to be 3 choices carried over from the rest of the series into Veilguard, I tagged my complaint posts with something.

#You Cannot Dangle A Carrot In Front Of Me For 10 Years And Then Not Be Surprised At My Anger In Discovering It Was A Painted Dowel

Let me reiterate. I enjoyed this game. It was fun for me. I’m in the middle of my second playthrough and am planning a third, and a fourth. But this is NOT a Dragon Age game.

This is an EA game. And its good. But it could have been everything.

Bellanaris.

TLDR;

How torn I feel; lobotomized, rendered tranquil, separated from the memories, lore, and spirits, of the old Dragon Age, while still, like the Veilguard, wanting this world to endure.

Var lath vir suledin, BioWare.

For now.

[keep-on-trying]

Ok but, I want to try talk about this scene a bit more. Because I genuinely like how it's been slowly built up.

Like, every time we see Torame, he wants to play. We also pretty much always see him play with other animals. Some seem playful alongside, some try running away in animal-like chase game. At start, it was rough and he would go back frustrated sounding and all. So like, Torame coming in, wanting to play, and now actually says something positive about the Wonderful Precures and leaves off with a happy laughting smile. Torame genuinely had good fun. And I find it nice.

And after the girls realise it, they decide to want to play together with him too. It's pretty neat how Torame's first introduction was honestly a terrifying moment for the girls, what with him terrorizing at close range with Friendy, and the dangers he was able to do with the garugaru eggs. But now, it's slowly and slowly becoming clearer that Torame is like a playful wolf pup that wants to play, and happens to be using Niko-animals who got turned into Garugaru eggs. Don't think he's even considering the state Niko-animals are at during those forms. He just sees it all as fun.

I have a feeling that, if we do get some sort of villain redeem arc at the end, as I personally do think it's best route for this show's themes and all, Torame will be the first one. Maybe something happens that makes Torame lean more to the Precures and reveals something about the past, or Gaou himself. Because someone needs to tell about Gaou more. And it would seem Niko ain't willing. She is hiding things, and with regret I bet.

But yeh, lots to love in this ep, and I wanted to make a post specifically about this scene.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[svartalfhild]

More thoughts!

Illario is extremely sus.

THE CAMEOS!!!!! IN MINRATHOUS!!!!!

I always knew from the lore that the First Warden was a little bitch, but actually meeting him is a next level experience. What a fucking asshole.

Taash is such a fun character. They're so delightfully blunt, but also sweet in their own way. The gamer bros are so mad about Taash and those whiny little pieces of detritus can go fuck themselves.

Every now and again, there's a wild Matt Mercer, and I'm delighted. He Has The Range.

I'm genuinely enjoying the puzzles, which is a wild concept for a BioWare game. Finally, some good fucking level design.

They keep dropping deep lore bombshells that have put years of me going full Pepe Silvia over this world to shame, and I'm so excited about it.

Ghilan'nain is a straight up nasty bitch in every sense of the term, which I already kinda knew from Tevinter Nights, but fighting her makes me think Rook should invent bleach just to deal with her mess.

Emmrich's personal arc villain has energy somewhere between Yzma and Doc Ock, and I am very entertained.

Emmrich may not wear black, but he's the gothest motherfucker in this entire series and I couldn't be happier.

Everyone is so concerned about Lucanis' pantry living and it's very sweet but also hilarious.

I love watching Lucanis develop friendships with everyone else. That's right; open your heart, sad bird man.

Love how Taash is immediately Lucanis' #1 fan for assassin reasons and he's so confused by it.

Unlocking the pieces of Solas' backstory is so fun because you get worldview-altering lore drops and then the Veilguard has a family meeting every time to discuss the new info and read Solas for filth.

Absolutely worth reading any codex entries related to the Lighthouse or companions, because you get fun insight into the daily domestic living of the Veilguard in the Lighthouse on top of whatever lines you already get about it when they're talking to each other at home. They really are like a household.

I enjoyed the Descent DLC of Inquisition, so Harding's personal arc is an absolute joy.

All the gamer bros complaining that the game isn't dark, mature fantasy like the rest of the series are honestly probably just mad at the lack of Desire demons, because there is absolutely no shortage of dark shit in this game, y'all. I mean, for fuck's sake, the major factions in the story include 1) a struggling abolitionist resistance movement that routinely tangles with people engaging in horrifying ritual murder, 2) a guild of assassins who have way too much political power but have also been forced to become a resistance group because their country has no army, 3) the supposedly apolitical army of people who poison themselves to fight evil until they inevitably die horrible deaths, and 4) straight up necromancers. And that's just the factions! That's not even getting into the plot!

Neve and Lucanis continue to have stellar chemistry.

Bellara needs so many hugs and it frustrates me that I can't provide them.

Experienced a very funny glitch during Harding's second personal quest in Act 2 where something seemed off about my Rook and then I realized that her left boob was missing. Her left boob was Sir Not Appearing in This Film. Straight up had decided not to participate in this conversation. I lost my shit. I may share a screenshot of it at some point.

Taash admitting in an argument with Emmrich that they don't like him because they think necromancy is freaky allowed me the opportunity to be like "Do you think that about me? 🥺" as a Mourn Watcher, which I'm so glad of, because a lot of the companions are uncomfortable with Emmrich's necromancy and I have been dying to get the chance to call them out for not considering how that would make Rook feel.

Emmrich made a move on my Rook last night and *fans self* hoo lord. Lucanis better show up with some extremely strong game very soon, otherwise he will have thoroughly lost to Thedas' very own Hammer Horror Man.

(Davrin fell out of the running pretty quick, since his personality ended up not fitting well as a romance for my Rook. Ironically, when they first announced the companions, I was almost certain I would end up being a Davrin girlie. Alas, he is not the type I'd thought he'd be. He also failed to show up in a waistcoat, unlike the other two, and we all know how weak I am for a good waistcoat.)

I love that Act 2 is just like The Gang Goes To Therapy. Sometimes this involves killing things. Or people. But not always!

Some fun DATV things I'm experiencing:

Playing as female Rook makes the first few quests until you get Lucanis very Girls Night, which I really started to notice after a friend pointed it out and she is so right.

Neve is bestie.

Lucanis' intro cinematic made me feel so attacked. That shit was so my brand lol.

Lucanis and Neve's banter is hilarious and if I don't romance Lucanis I may end up shipping him with Neve.

Did Bellara's first personal quest and almost cried. Hit me a little close to home.

Neve's hangout quest was delightful. I want to chat and snack and walk around with her all day.

Neve and Bellara's developing friendship is so fun. I want to see a scene where Lucanis gets involved in their cooking adventures.

Shopping and getting coffee with Lucanis was like Oh No He's Thoughtful And Charming And I'm Weak.

Chose Lucanis over Neve in that one decision that made me want to scream and now she's hardened and I'm so sorry bestie I was thinking of the defenseless people and I will never be okay again.

Varric playing mentor to Rook got me right where it hurts. He's there for when you need an adultier adult to tell you that you're doing okay and that he's proud if you. I cry forever.

Assan and Manfred are my SONS and I LOVE THEM and I make the most ridiculous noises when they are on screen. THEY ARE SUCH GOOD BOYS.

The quest to acquire Emmrich is fucking delightful if you're a nice Mourn Watcher and you bring Bellara along. Just three huge nerds enjoying each other's company while doing dangerous shit.

Davrin and Emmrich's banter is like two dad's comparing notes.

As a Watcher, Myrna kinda feels like my mentor-mom, which is funny.

More thoughts to come. Just wanted to scribble down a few things so far for the people to let y'all know I'm having a fucking blast.

[bacchuschucklefuck]

class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)

[sensitiveheartless]

Thoughts on the hc that Dazai has a glass eye?

I'm just imagining Dazai getting injured on a case on his blind side, and Kunikida berates him and drags him to Yosano.

And Yosano is like "Really, again? How did it happen this time?" And Kunikida says "Idiot wasn't paying attention."

Dazai "No I was, its just my blind side."

And they both freak out because why? How? Huh? But his eye looks fine?

Yosano: Well, I can schedule an appointment and we can see if we can get you surgery or something-

Dazai: Oh its unsalvagable, I'm blind on that side.

Kunikida: Why does your eye look fine then??? (He thinks Dazai is fucking with him)

Dazai just smiles, reaches up and pull the glass eye out. Kunikida screams.

- Goblin anon

Oh my gosh alsksjdjfjf honestly I think this hc is great just for that potential moment of screaming confusion on Kunikida’s part, Dazai absolutely would do that XD

I guess in general I haven’t thought much about the implications of Dazai bandaging that eye! I know I’ve definitely seen fics and stuff where his vision is off in that eye in one way or another (@feralrookie wrote a fantastic soulmate AU where Dazai’s soulmark is on that eye and it gutted me in the best way). I think it’s really fun to see where different people go with it :0

I do think it’s interesting that he swaps which eye he bandages in the Beast universe…that feels like it has Implications but I’m not sure what they are, I’m not very skilled at analysis lol —Although, slightly related, I do love the moment in the Dark Era where Oda pulls those bandages off as he dies, because it seems like a visual representation of how much Dazai was hindering himself in the mafia (seriously, if there isn’t anything wrong with that eye, that means the dude was shooting guns without precise depth perception seemingly just for the heck of it) and then Oda pulls them off as he tells him to go live in the light and just aaaaaaaaaaaaa I am never not going to be emotional about the dark era ;;

…anyway this got off topic, basically all this to say I think that I think it’s cool how many different interpretations of it there are, and you could definitely do a lot with the glass eye headcanon alskjdjdjd

[oceandiagonale]

AND WITH THAT!!!! THE PLA ARC IS OFFICIALLY DONE!!!!

I'm going to add alt text over the weekend and answer things from my inbox and get the cover for the next arc done!!!! also now I can finally start playing pokemon sv!!!!

thank you to everyone who's joined at this arc and everyone in general for reading!!! 🥺🥺🥺

[cabeswaterdrowned]

remembering on my circa 2017 booklr I used to tell people to read Gemma Doyle by describing it as trc but with an all girls boarding school / all girl group in a historical setting… I was trying to do the lord’s work she deserved tumblr fame

[gen-is-gone]

I can't go five minutes in DW fandom without people being just atrociously mean about things that I love with the blissful unawareness of majority mainstream opinion holders that the people they're being mean about are like. In the space with them. And this in a space full of ardent fans of arguably some of the most esoteric obscure side stuff that everyone else disdains or doesn't even know. And I'm having fun for the most part but also like. It's just exhausting, constantly goddamn exhausting.

[t-u-i-t-c]

so i really like geats :)

[eternally-tired-cryptid]

on one hand I wanna write my fic ideas wherein my marvel oc gets sent to the alternate universe of Gotham and hijinks ensue whilst she tries to survive and get back and the batfam and such slowly learn more info abt her world and how it's being threatened atm and she needs to go back and help and whatnot.

But on the other hand, the readers wouldn't know the marvel related backstory of this OC and would have. No context for her going in

But ALSO then the readers would know abt as much abt this mysterious figure as the batcrew do, and get to learn via flash backs and her slowly revealing info to them as safety allows

Then there's also just a general. Idk if there's any sort of oc etiquette when it comes to writing oc centered fics? My brain goes so hogwild when I read anything that I usually avoid oc fics other people write just bc I usually read and enjoy fics at face value but I also go "now what would happen if this OC was here?" And that gets real complicated when other people's ocs are involved

[sparky-is-spiders]

Hi! I’m here suffering from lack of good Archivist!Sasha content as well 😭 On that note, do you have any fic on that topic you would recommend? Or just good Sasha fics in general, (or Jonsasha, if that’s your cup of tea)? Thank you in advance 😊

Tragically, I think there is a general dearth of good Archivist!Sasha content (and just about none of it Jonsasha content, as far as I can tell (and not only is Jonsasha my cup of tea, but the ONLY thing standing between it and the #1 OTP spot (currently occupied by JE) is the fact that the Jonsasha that I desperately crave exists in my brain and nowhere else)). Admittedly, I haven't looked very far into her tag yet (I should rectify that at some point tbh) but I've dug around the Jonsasha tag when I first got into it, and I know at least one fic where Sasha drifts towards Beholding through an interest in office gossip.

In terms of Jonsasha Ao3 has:

This very good Sasha lives fic where Jon shows up to Georgie's with an unconscious Sasha and everyone involved is very confused.

These two fics are cute also. The former is by @/suttttton and is them getting together, the latter is established Jonsasha from @/dickwheelie.

Eyevatar Sasha might actually be thinner on the ground (outside of fix-its where she solves everything and her canon reckless curiosity is completely ignored). Ao3 has:

This fic, which is Jongerry with outsider PoV Sasha. Just barely has the implication that she might be shifting towards the Eye (via prying into the lives of her coworkers) but gets a mention through sheer force of Excellent Sasha Characterization. I read this and I feel like I'm reading a fic from a Sasha Understander.

There's also this fic, which looks very promising but which I haven't actually gotten the chance to read yet, so I can't speak to its quality.

Unfortunately I've only gotten into Sasha fairly recently (especially as compared to Jon, who my brain latched onto in a deathgrip from the start), so I haven't gone through her tag yet. A scroll through the Archivist!Sasha or Beholding Avatar!Sasha tags pulls up a lot of fix-it and J//mart, which isn't really what I'm looking for from the concept. I'm sure there's more out there, and if/when I find them I'll come back to this ask probably, but I lucked into Reverse Nighthawks (I was on a Jongerry kick).

But god every day I wish that I could write romance and/or longfic, because about a year ago I read a Jonmichael fic that, when discussing alternate universes (where Jon ended the world) it's revealed that he once did an apocalypse out of love for his Archivist, Sasha James. And it was one (1) single line, but it struck me so hard because god. A perfect concept I think. The potential dynamics of Archivist!Sasha/Assistant!Jon are enthralling to me. Jon destroying the world (or helping her destroy the world? Cute date night I think: bringing about armageddon with your eldritch monster partner) for Sasha... anyway mostly I mentioned that one because My God if I have to live with that tantalizing AU rotating in the background of my mind 24/7 so do the rest of you.

[gaylittleguys]

it’s actually so fucked up and evil that random white npcs from bg3 that show up twice got more dedicated fans than Wyll