#A FUCKING WORDY TITLE
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"your secondary research, arguments and ideas were very original and impressive and showed very thorough demonstration. you should be incredibly proud of this work this is genuinely the best i've marked of yours in three years. also i know i told you that structure is subjective and there's no right way to structure an essay but you structured this wrong and your title is very wordy lol so here's a 66"
#I am so severely praying on her downfall she has no idea#i was going to be mysterious and not rant in the tags but i NEED TO omg#she wouldn't stfu about 'i want original ideas. give me something ORIGINAL GUYS'.#and this woman i'm absolutely convinced has it out for me because she has nitpicked and destroyed every single assignment i've done for her#(she marked me down for an audio recording of a presentation because apparently i didn't handle the subject matter 'maturely')#(she thinks i didn't want to say the words breasts or folds)#(I didn't CARE i was literally just out of breath from trying to fit 20 slides into a ten minute voice note but FINE WHATEVER)#so anyway for this essay i was like fucking bet i'm about to blow you away#but there was nothing she taught us in the seminars that was really worth expanding on#or that hadn't been taught or talked about before#so i went ahead and did this massive essay on eroticism of the decadence period. fin de siecle. victorian hellenism etc#all the research btw i did myself because all this woman did was mention pederasty maybe once in person#and she had the nerve to mention that i had 'planted the seeds for a first tier essay' like WHAT DOES THAT EVEN MEAN#if the only thing that it lacked was 'slightly awkward structure' 'occasional referencing mistakes' and a WORDY TITLE#A FUCKING WORDY TITLE#WHY NOT JUST GIVE IT A 70#noooooo she had to be different couldn't even give me a 68. fucking 66.#absolute tramp i fucking hate this woman idc#she's my personal tutor as well how absolutely useless
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#sonic & sega all-stars racing transformed#title's horribly wordy but my god#i wish i had this game on launch#it's so fucking good#also team sonic racing isn't real it can't hurt me#enjoy my shitty edit
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I Can See You
Pairing: single dad! Seonghwa x babysitter! f! yn
Word Count:Â 10,137
Warnings:Â cursing, alcohol consumption, a creepy old man in one scene, age gap (10 years but both are adults (and not just barely)), smut warnings under cut
Genre:Â Angst, fluff, smut, single parent au, M for mature audiences
Summary:Â When you took a job babysitting a young toddler, you didn't expect to be so drawn to the family. And more specifically, her frustratingly hot and single dad.
Smut Warnings: masturbation, sexual fantasies, riding, slight (if you squint) corruption kink, sliGHT breeding kink, unprotected sex (DONT DO THIS unless you discuss safely outside of sex!), breast play, overstimulation, undiscussed kinks (yn is fine with it. but discuss your fucking kinks guys *gun emoji*), slight cumplay
thank u to @pyeonghongrie and @mingsolo for beta'ing and for the title hehe <3 this is also a collab with @potatomountain who is also writing a dilf hwa (Bittersweet Neighbours), we're just on two sides of the spectrum lol...and this is so damn long
-
âHello, Iâm here for a babysitter interview with a Mr Park?â
âThat would be me. Miss (Y/N)?â
When you answered the ad in the newspaper about babysitting, you were so ready to see an older man, around his fifties. But this man looked so young, around his late twenties although youâre sure heâs probably forty. And youâre not one to judgeânearing your mid-twenties one wouldnât be expecting you to still babysit as a full-time job. But it pays the bills and helps you get some hands-on experience in your degree, child development.
âAh, yes. Thatâs me,â your words spill out as you realise he is awaiting an answer. Mentally, you berate yourself for the immediate blunder while Mr Parkâs eyes crinkle with amusement.
âCome on in and make yourself comfy on the couch. Iâll be right there. Would you like anything to drink?â Mr Parkâs voice is smooth like butter and you have a hard time making sure you donât get lost in it.
Again, you nod, actual wordy responses jumbled in your brain, walking to the couch and sitting down almost mechanically. If you were mentally present, you would have noticed the smile the older man sends your way.
He doesnât take too long, returning with two glasses of water. âYou didnât say what you wanted to drink so I just got you water. Is that okay?â
Thankfully, you finally can respond coherently and smile, albeit a little shakily. âYes, thank you so much.â
You take the glass with both hands, thanking him again quietly and taking a small sip before just holding it as you wait for him to be seated. Youâve felt awkward before, but this is a new extreme. Normally you pride yourself on keeping your cool in front of someone you think is hot, but Mr ParkâŠheâs something else. You try your best to keep your eyes trained on the coffee table, only letting yourself glance at him occasionally so he doesnât realise just how in awe you are.
âJihee will be home from school soon, so youâll see her soon. For now itâll just be old me and my questions,â Mr Park starts his interview as soon as he sits on the couch across from you. âNow, I saw in your application that your major was in child development? Can I ask why that interested you?â
You blink at him for a moment, not expecting that question. Sure, bringing it up was expected, but the way he sounds like heâs interviewing you for a position in a company amuses you. âUhâŠI just grew up with a lot of siblings and their kids. Iâm the youngest of six, and the oldest is sixteen years older than me so I have a lot of nieces and nephews as well. Children have always been a part of my life, and my first job was babysitting so itâs something Iâm very used to. Child development was just a way for me to learn even more and in a less⊠hands-on way. Poopy diapers are not my favourite.â You pause. âNot that I canât change them! Or that Jihee uses them. Sorry. I didnât mean to bring it up.â
Youâre so sure your face is bright red right now as you stumble over your words, and youâre ready to be kicked out, but all Mr Park does instead is laugh at your embarrassment. Itâs a little mean but itâs better than your worst conclusion so youâll take it. âItâs okay,â Mr Park smiles at you. âItâs okay to ramble, it was actually quite amusing. Now, Iâd just like to warn you, Jihee has trouble with working on schoolwork. While that usually isnât an issue, she may be asking you to help her with her homework and reading and I just thought Iâd give you a heads up. Would that cause any trouble?â
âIt wouldnât bother me, and Iâll try my best. I took childrenâs education in college as well so itâd be a good time for me to exercise that,â you laugh quietly. Your first dream was to be a governess, no matter how few jobs there are for that type of work.
Mr Park nods thoughtfully. âGlad to give you some experience in that,â he hums after careful consideration, a smile on his face. âHer struggles lie in understanding the problems and in English. If she faces any difficulty then I can always help out.â
Before either of you continues speaking, his watch beeps and he glances down. Without another word, he stands and goes to open the front door. âUhââ Your confusion escapes you before you can stop it.
âOh, Jiheeâs almost home and I always leave the door open for her,â he explains, eyes still trained on his watch. âYouâll get to meet her, and then we can discuss more details. And just to reiterate the ad, this is going to be a job that requires a lot of hours. I, of course, will be paying you for any sort of overtime if I need to stay at the office later. Does your schedule still allow for that?â
You hold back your smile. Your schedule mostly consists of scrolling the internet for job opportunities and eating lunch with your friends. âYes, I can do that,â you affirm. âIâll need holidays off, but I assume thatâs a given as youâll also be with Jihee?â
A smile pulls at the corner of Mr Parkâs mouth. âVery astute,â he chuckles. âNow, here she comes.â
The door swings open without another word from either of you and a little girl dressed in pink and ribbons barrels into Mr Parkâs knees. He lets out a quiet grunt, stabilising himself against the door as his hand strokes at her hair. âHello, Jihee,â he hums fondly. "How was school today?"
The young girl beams up at her father. "So fun!" she grins, her words slightly slurred in her excitement. "Today, Mrs Lee had us do shapes and my favourite colour is blue now! I have so many blue crayons."
Mr Park's eyebrow raises at the mention of crayons. "Do you have them with you?" he asks, and Jihee nods vigorously. "Can I see them?"
Another nod comes from the child and she immediately plops on the floor, pulling out her pencil case and opening it to reveal at least ten crayons, all of varying sizes. What stands out to you the most is that half of them are green. "See! All blue. But this one's my favourite." She grabs at a particularly long and skinny one, a shade of emerald green.
"Ah. Lovey, remember, your colours are a little different, right?" Mr Park talks in a gentle voice, very different from the very adult voice he used with you. "That's a green crayon."
Jihee's face drops. "Oh." Her bottom lip juts out in a pout.
Mr Park holds out his hand and Jihee drops the crayon into his palm. "You can't take the crayons from school anyway, dear. Why don't we leave these in your bag and you can give them back and apologise to Mrs Lee tomorrow?"
Jihee's pout grows bigger but she nods. "Okay, daddy," she agrees and Mr Park nods proudly.
"Now, do you want to meet your new friend?" You flinch as Mr Park mentions you, sitting up straighter in your chair before ultimately deciding to stand instead.
"Hi, Jihee," you do your best to speak with the same quiet tone Mr Park used. "I'm (Y/N)! It's nice to meet you."
You offer your hand for her to shake and Jihee looks at you, her thinking face almost a spitting image of her father's before she walks over and takes your hand with gusto. "Hi, Mrs (Y/N).â
"Ah, I'm not a Mrs," you correct her. "You can call me (Y/N)."
"Miss (Y/N)," Mr Park quietly interrupts and you nod, not wanting to override his parenting although being called 'miss' will catch you off-guard for the time being. "Why don't you tell her one thing about yourself and then Miss (Y/N) has to go, okay?"
Jihee's mouth twists in sadness, her hand still gripping yours. "Okay," she sighs again. "I get to talk to her more later though, right?"
Mr Park nods. "Of course. Miss (Y/N) will be spending a lot of time with you, so I'm glad you like her."
Jihee nods solemnly. "I like pretty people and you're super pretty," she tells you earnestly and your heart swells at the compliment.
âThank you, Jihee,â you thank her genuinely, although youâre amused at the fact that she considers her appreciation for physical looks a good introduction to herself. âIt was nice to meet you.â
With another decisive nod, Jihee turns and marches right off down the hall, presumably to her room. Mr Park turns to you, finally shutting his front door with a sigh. âThat was Jihee. Ball of energy extraordinaire. She comes home from school at one-thirty, and will put her own things away before coming to eat a snack. She has one worksheet to do a day but with your help sheâll get it fairy quickly. Iâll email you a list of house rules.â
You nod. âThat sounds perfect. What would the schedule look like? What time would I be here, and when would I expect you to come home?â
Mr Park hums, running a hand through his perfect hair. âFor her school days, Iâd like to have you in here maybe ten minutes before she comes. Iâll always leave her snack in the fridge and you can just pop it in the microwave and make yourself comfortable before she comes barrelling in. Then Iâll be home at five-thirty sharp whenever possible. Every other Saturday Iâm in the office for eight hours and youâll be watching Jihee for those days. If you canât do a Saturday, just let me know so I can get someone to watch her, but generally Iâd like you here from eight to five.â
You nod. All your friends have atypical work schedules so your Saturdays are empty in general, and since the weekdays are shorter hours you donât mind. âWhen it comes to after-school playdates, should I expect you to be home or would you like me to take care of them?â
Mr Parkâs lips tighten almost imperceptibly. âThat wonât be an issue. Jihee doesnât do playdates.â Your curiosity spikes at his short answer but his tone leaves no room for discussion so you donât press it. âIâll give you a key now. Tomorrow is my off-Saturday but if you can come in just to adjust yourself that would be great. I have some work to get done anyway so Iâll be mostly out of your hair although you can still ask me questions.â
You nod again. âYeah, that works,â you confirm after a quick check to your phone calendar. When you look up, Mr Park is already holding out a key and you take it after a momentâs hesitation. âIâll see you tomorrow, then.â
Mr Park nods, moving to open the door when Jihee calls out with a whining tone to her voice. âDaddy, I need help!â
Mr Park sighs but itâs full of affection for his daughter. âI would walk you to your car but she calls for me,â his head dips into an apologetic bow but you shake your head.
âDonât worry about it,â you smile at him. âThereâs no need for that at all.â That is one of the main reasons, but another part of you doesnât want him to know you have no car and you take the bus to his neighbourhood and then walk the rest of the way.
A twenty-four-year-old with no car? Itâs a little embarrassing, especially in the area you both live in where itâs almost required to have a car to do anything. Generally, your babysitting jobs were close enough to your home, but the salary of this job enticed you to give up walking.
As you exit, you can hear Jihee starting off her complaints about her jacket and you smile to yourself subconsciously.
-
Youâve been working with the Parks for almost a month now and generally, itâs a good time. You only really see Mr Park when he comes home, but by then you have one foot out the door. There are days when he looks so beaten down that you want to offer him some encouragement, but you donât want to step out of your boundaries. So, you just keep your head down and leave.
Jihee is sweet and easy-going, not hard for you to get along with. She always has some sort of fun idea for you to play along with and her schoolwork hasnât been too terrible although you dread when she starts getting into more difficult maths.
But today, as soon as Jihee walks into the door, you suspect something is wrong. She doesnât greet you as excitedly as she used to, just stalking straight into her bedroom and coming right now, settling herself down on the couch with a pout on her face.
âJihee, donât you want to eat?â you try to coax her to the dinner table, but she just shakes her head, immobile. You frown. Itâs strange for the usually talkative child to be this closed off. âDid something happen at school?â
Jihee glares at the coffee table, shaking her head. âNo,â she mutters but her cold-stone facade drops immediately as she suddenly bursts into tears. Your heart drops for the child crying on your couch and you immediately run to her and pull her into your arms. âWhy donât they like me?â she wails into your shirt and your heart drops.
You had suspected it when Mr Park shut down the playdate idea very quickly, but this just solidifies your thoughts. How could the kids at school not like such a sweet kid? As youâve been working for the Parks for quite a bit now, youâve grown to adore the young girl like she was one of your own nieces.
You donât say anything just yet, just patting her hair and doing your best to calm her down. It takes almost an hour but now she just curls up in your arms, her hands gripping your shirt as sheâs so close to falling asleep. You donât have the heart to wake up so you resign yourself to letting her sleep on you for now.
Within ten minutes, you fall asleep as well. Itâs not what you meant to do, but you couldnât have stopped yourself. When your eyes open again, Jihee is no longer in your arms and thereâs a large fluffy blanket laid on top of you. You blink yourself awake before panic sets in and you shoot up, looking around. âJihee?â you call out and hear deep laughter behind you. When your head snaps back you see Mr Park chuckling at your face.
âWelcome back to the land of the living, Miss (Y/N).â
It takes a minute for your words to register, blinking stupidly at your employer for a few moments before your face drops and you practically leap off the couch. âIâm so sorry!â you cry, bowing rapidly at a low angle. âI didnât mean to fall asleep and it wonât happen again.â
You keep your eyes lowered and you look up at him through your lashes, scared of how heâll react but to your surprise, Mr Parkâs smile grows and he shakes his head. âDonât worry about it, you looked comfortable and the doors were locked. Jihee didnât get into any trouble, just was a little bored since you were asleep.â
You shake your head. âRegardless, I shouldnât sleep on the job but thank you for the kindness. Jihee is very responsible for her age and it certainly reflects on your parenting.â You smile back at him.
âWell, thank you for your kind words. It means a lot to me as well,â Mr Park hums. âWould you like to join us for dinner? I know you usually leave around the time I get back but let me at least feed you before you go.â
You frown. âIâd like to, but I should get going,â you say absentmindedly. âI have to make it in time to catch the bus.â
Youâre looking around, trying to gather your belongings, when you realise how silent Mr Park is. And in turn, you realise what you just said. âYou take the bus?â His voice lowers and you stare at the look of concern he has on his face. âItâs practically dark by the time you leave and youâre walking to the bus stop by yourself?â
âAhâ itâs okay! Itâs not a far walk, just up the street.â You hurry to defend your choices, waving your hands. âIâve gotten home safe so far, no?â
Mr Park shakes his head. âNo, you canât take chances. Iâll drive you home tonight after dinner. You must stay.â
You stare up at him with wide eyes, but his stance is unwavering. And as much as you would usually protestâbeing taken home by a much older man would usually ring alarms in your headâthe idea of not having to wait in the cold and the dark by yourself is very appealing. And from how youâve interacted with him before, Mr Park seems very sweet, and you trust him just a little more than you probably should.
âWell, I do thank you for your kindness,â you sigh, nodding your head in concession. âBut this will be the only time.â
Mr Park chuckles, not taking you seriously. âWeâll see. Now come on. Tonight is beef stew and my younger brother will come for dinner as well.â
âUncle Uyu is coming?â You can hear Jiheeâs excited voice coming from the kitchen as well as her feet pittering on the floor as she launches herself into your lap. âHi again, Miss (Y/N).â
âHello again, Miss Jihee,â you tease, pressing the tip of your finger to her forehead and Jihee giggles.
âAre you staying for dinner?â You nod again and she screeches in happiness, not giving a second glance at how you wince at the sound. âI canât wait! I have to make you pretty! Come with me.â
With as much seriousness as she can muster in her body, she pulls you by the hand into her room as Mr Park watches the two of you with a soft smile and follows the two of you into Jiheeâs room. He takes a seat on the bed as Jihee fusses over your hair, styling it with her toddler's hands and putting an obscene amount of hair clips into it. But youâre whipped for the little girl and you let her do whatever she wants, ending up in two uneven pigtails and a plethora of Hello Kitty clips.
âDaddy, isnât it pretty?â Jihee giggles, moving your head to tilt so her father can take a look at her work. âItâs better than your hair to practice!â
Mr Park, mock-affronted, holds his hand to his chest. âBetrayed by my own daughter? Alas, but I can let it slide as this may very well be your best work.â
Jihee giggles, pressing her face against your cheek when the doorbell rings. âUncle Uyu!â As always, her focus is diverted by any new thing and she runs for the door, both you and Mr Park following shortly after. As she yanks the door open, a man around Seonghwaâs age greets her just as excitedly, bending down to pick her up and spin her around.
âJiji,â he cheers, âAlready so big?â His eyes find you and you offer a small wave. âAnd whoâs this? Seonghwa, you found a girl?â
Mr Parkâs jaw drops and your eyes widen as you rush to contradict. âOh, no, no, Iâm just the babysitter. Mr Park has kindly invited me for dinner.â
Wooyoung chuckles at the look on both your faces. âDonât worry, I just like to pull on Seonghwaâs leg. Youâre a little young for him too.â
You offer a smile. âYeah, and the forties are a little out of my age range as well,â you try to joke, but to your surprise, Wooyoung breaks out cackling, startling Jihee who starts laughing with him confusedly. Mr Parkâs shocked face has somehow become even more intense.
âYou think Iâm how old?â Wooyoung has reigned in his laughter although a smile still pulls at his lips. âIâm only thirty-four!â
A gasp made its way out of your mouth as you start bowing rapidly again in apology. âIâm so sorry! You look your age, I just assumed you had to be older.â
Mr Park sighs, although an amused smile now graces his face. âItâs okay, I can understand it. Iâll just be giving you a hard time from now on.â He punctuates with a wink and your eyes snap down to Jihee in embarrassment.
âLetâs get on with dinner so I can go home and just melt in embarrassment, okay?â you groan and the two older men laugh. Jihee seems to agree with your sentiment, declaring her hunger grumpily and you laugh and pick her up. âSee, even Jiheeâs on my side. Letâs eat now.â
Mr Park hums, stepping aside. âAll right, I see Iâm outnumbered now. I hope you donât mind how casual this dinner is, but I promise the food is worth it. Wooyoungâs the better cook, but heâs taught me a few tricks.â
You shrug. âAny food is good food to me. At home, I have instant ramen and fried rice so itâs a nice change.â
Out of disapproval, Mr Park shakes his head although the smile does not leave his face. âI do not miss my college diet. Please, take a seat.â He motions to the dinner table, pulling out a chair for you to seat yourself, sitting beside you as Wooyoung and Jihee join the other side of the table.
âSo, tell me about yourself (Y/N),â Wooyoung hums, leaning on the table by his elbows. âYouâre in college?â
You shake your head. âI graduated a year and a half ago, Iâm twenty-four now, but it feels like just yesterday I was taking my finals,â you chuckle. âWhat was your major, Mr Wooyoung?â
Wooyoung smiled, âPlease, call me Wooyoung. Mr Wooyoung just sounds weird. But to answer your question, my major was culinary, of course. Before I taught Hwa how to cook, he was hopeless. I think I was feeding him and Jihee primarily other than his sandwiches and canned soup.â He sighs, leaning back and smirking at Mr Park whose ears are red.
âHey, Youngah, I paid you for your work. Donât make me seem incompetent,â Mr Park snorts, leaning over to smack the back of his neck. âWooyoung may be eight years younger than me but he certainly acts like heâs five.â
You laugh at the banter. âMe and my siblings were the same way. Weâd always fight but in the end, we care for each other. Itâs sweet to see you guys act the same.â You smile, taking a bite of your stew. âThank you for letting me sit in on your family dinner.â
Mr Park shakes his head. âOf course. Canât let you walk on your own at night, you know. Iâd be happy to give you a ride home from now on.â
âAh, no, I canât make you do that,â you try and decline again but Seonghwa is having none of that.
âItâs not a matter of making me, I offered. I canât let my babysitter just stand around in the dark. Let me do this for you. Jihee cares for you, she wouldnât want to make you get hurt.â
You frown, pursing your lips. âI suppose I canât argue with that,â you concede. âThank you once again.â
Mr Park shakes his head, his hand moving up to ruffle your hair. âDonât worry about it.â His hand rests atop your head a moment longer before he remembers who he is in relation to you. âAh, sorry. Habit from Jihee.â
The heartfelt moment is cut loose by everyone amused at Mr Parkâs habit. Jihee immediately takes the initiative to start rambling about stickers, engrossing everyone in the conversation, Wooyoung being particularly vocal. The dinner is finished with no other events, and you offer to help clean up, ignoring Mr Park when he tries to protest.
âThank you for helping out,â he tries to thank you but you wave your hand dismissively.
âYou fed me and are driving me home. Itâs the least I could do. Shall we head out though? I donât want you to have to leave Jihee for too long.â
Mr Park nods, grabbing his keys and jangling them as he opens the door to the garage. You do your best to not show your surprise at the sight of his fancy car. Of course, you knew he was well off, but you never imagined youâd actually be sitting in his car. He even opens the door for you, letting you slide into the passenger seat.
You hold yourself stiffly, but Mr Park looks over and just laughs at you. âRelax, Iâm not going to bite you. Just let me know where to go and weâll be set. Want a piece of gum?â
He holds out a pack of gum and you gladly take the piece, happy for the distraction. Most of the car ride is silent, except for you telling him occasionally where to go. But as he pulls up to your street, he slows to a crawl.
âYou know, I donât want you to be uncomfortable around.me. Sure, Iâm your employer, but Iâm also a dad. I got the dad instinct, you know?â Your lips twitch at his attempt to be comforting. âReally, though. Donât hold yourself so tight around me. I donât mind doing this for you.â
You turn your eyes down. âThank you. Iâll try, itâs just a little weird for me if you understand. But I do appreciate everything youâre doing for me.â As you unbuckle your seatbelt, you smile at Mr Park. âI hope you have a good night.â
As you go to your apartment building, Mr Park leans out of his car and calls after you. âYou can call me Seonghwa, (Y/N). Mr Park makes me feel old.â
You laugh at his admission. âWeâll see, grandpa!â You canât help but tease him before running into your home, leaving an amused Seonghwa outside.
-
These days you and Seonghwa have become a lot more friendly. Heâs taken to driving you home despite your protests and during the car rides, some interesting conversations have happened. For example, you learnt that he built his company from the ground and yet is respected in many old money circles.
Okay, maybe you didnât learn that from a conversation, and instead just searched on the internet. But what can you say? Youâre curious about the man who happens to be your chargeâs father and the man who happens to be very very handsome.
Maybe you have a bit of a crush on Seonghwa, but you couldnât blame yourself. There was something about him. It is the aura he holds himself with, the kindness in his smile when he arrives home, and it helps that he is hot. Every so often, you canât help but find yourself glancing at his pretty hands, or his well-toned arms, and you have to look away before heat spreads up to your ears.
Youâre down bad, and itâs not getting any better. Every time you see Seonghwa, you want to jump him but it would be inappropriate. Not only is he your employer, but heâs also a decade older than you. Thereâs no way he would be interested in you, he probably sees you just as some kid.
With a sigh, you look down at your sketchbook. Today was supposed to be a fun day. Both Jihee and Seonghwa were off today, so you were spending the day with her as Seonghwa was still called into the office to put in some extra hours. But then the toddler fell sick and you were tasked with taking care of her.
At least it was a fairly easy jobâJihee slept most of the day and you were free to work on some of your more personal projects. Although your passion lies in children, you do enjoy drawing and even took a couple of classes in college. As you lay on the couch sketching, you get so lost in your mind you donât even register the door opening and the footsteps coming towards you.
âIs that me?â
A shriek rips its way out of your throat as you do your best to whirl around and hold your drawings to your chest, but your legs get caught in the blanket and you instead fall half off the couch to the ground. Your chin props your head up on the ground but your legs are still tangled on the couch, your arms twisted into the blanket, the sketchbook an armâs reach away.
âHi, Mrâ Seonghwa. How was work today?â you mumble half into the carpet, too embarrassed to look up. âJiheeâs taking a nap in her room.â
After a moment of silence, Seonghwa laughs, although itâs a little pained. âUh. Do you need help up?â
You groan, pulling one of your arms out from your cocoon prison. âThat would be great, thanks. Sorry.â
One of his cool hands gently takes your elbow as another comes to rest on your back. Itâs at the moment you realise your shirt has ridden up. You canât help but tense at the touch, hoping the embarrassment doesnât show on your face. âJiheeâs taking a nap?â
Youâre grateful he chose to brush over the incident. âYeahâ yeah. Sheâs not much better, but sheâs not much worse. Itâs just a simple cold, so she needs to sleep it off.â You chose to ignore the hand lingering on the small of your back, instead scooching back on your butt to distance yourself just a little bit. Heâs your employer, thereâs no way you can give in to your feelings.
But the couch seems to be against your plans, as when you try to pull the blankets off your feet you tumble into Seonghwaâs legs, knocking him down as you land on his firm chest. Your face is mere centimetres away from his and you freeze. âIââ you stammer out, Seonghwa equally as awkward.
âSorryââ He tries to sit up, but it just results in the blankets twisting tighter and pulling you two even closer together. You swear if you could hold your breath, you could feel and hear his heart beating. âAh, shit.â
You canât help but laugh a little at his profanity, not something youâve ever expected to hear from him. âWelcome back, Seonghwa.â
Seognhwaâs eyes widen, his blush deepens, and his head snaps away from you. Your brows furrow at the change in his features and you canât help but wonder if itâs from the proximity, or if itâs the proximity to you specifically. âAh. Letâs get out of this, shall we?â he coughs. He carefully detangles himself from the pile and holds out a hand to you.
You grasp it, noting his firm grip and letting him pull you up. âThanks.â
âIâll drive you back to your apartment first since Jiheeâs asleep right now. It wonât take long.â While Seonghwaâs voice remains warm, his eyes move away from you.
Suddenly a guilty feeling pools in your stomach and you turn away as well, bending to pick up your sketchbook silently. âOf course.â The disappointment fills your head as you internally admonish yourself for even trying to entertain your fantasies of the older man.
But, to your surprise, a warm hand pats you on your shoulder. âYou are good at art, (Y/N). You should continue to pursue and practice it, even as just a hobby.â His words make you look up into his eyes and you see a sparkle behind them. âYouâre a talented person, and you should take advantage of it.â
âThank you, Seonghwa,â you smile at him again. âOnce again, I appreciate the kindness you offer me.â
Seonghwa chuckles, spinning the car keys as youâve quickly found out is his habit. â(Y/N), thank you for putting up with such an old man who can offer you nothing but kindness.â
You snort. âYouâre not even that old, you geezer.â In retaliation, Seonghwa leans over and pokes you in the forehead.
âOh, hush and let me take you home.â
-
Itâs been almost six months since that day and your feelings have only intensified. But this time, you swear perhaps he may be returning your feelings too. Sometimes you catch him looking at you with a gentle smile, and his hand on your shoulder lingers a little longer than you think. But then he talks to an employee on the phone and you remember how accomplished he is. Even if he wasnât much older than you, thereâs no way you would fit into his lifestyle.
And, like any self-respecting person would do, you start to avoid him. What else are you going to do? Tell him? Youâd be crazy to even entertain the thought. Thereâs no way he would even take you seriously.
These days youâve just been going to work, and heading straight home. Seonghwa barely has time to catch you, and youâve been plotting with Jihee to keep him away. She doesnât quite understand why, but itâs fun to her so sheâs happy to. Youâre pretty sure half your wallet has gone to sticker sheets. But no matter how many stickers youâve bought, it doesnât help Seonghwa from figuring out something is amiss.
Itâs your one day off and youâre spending it at home, lounging around and just watching movies while you sulk about your tangled feelings. Watching all these romantic movies doesnât help at all and you groan. Thereâs no way youâre going to act like a lonely teenager, you declare to yourself. Youâll go to a club! Maybe meet someone closer to your age and you wonât feel like a wet sock anymore.
Thatâs it, youâve convinced yourself. Youâll give yourself a night out. Suddenly inspired, you throw off the blankets covering you and start donning your nicest clothes. Thereâs a club you used to frequent in your college days, and you havenât been back since you got the new job. Itâd be nice to let loose again.
As the nighttime approaches, youâre almost all ready to go. You have your outfit and your makeup, and all you need is your shoes. Once you pick out your favourite pair of heels (comfy and not too high), you make your way down. You can feel the excitement pounding out of your chest and you canât wait to get the night started.
As you enter the club, your body immediately relaxes as you take in the atmosphere. Itâs been so long, youâre just excited to have fun. Get drunk, find a nice guy, and forget your problems. You down drink after drink, hyping yourself up, but as late night comes, nothing happens. With a sigh, you plunk down your last drink, feeling the buzz of the alcohol burn in your veins.
Nothing will happen tonight, and you just have to come to terms with it. You place down a couple of bills to pay off your tab, tip, and stumble out of the bar. Youâre plastered. You can hardly walk in a straight line and you lean against the cool brick for a minute, letting the sensation sober you up a bit as you do your best to call up a taxi.
But before you can do so, a hand creeps onto your bare waist and your head snaps up to see a man, no younger than fifty, leering at you. âUh, hi?â you slur out, your hands fiddling with your phone as you try and discreetly move to the phone app. You may be plastered, but youâre not a fool and you know what could happen in this situation.
Unfortunately, the old man seems to know what youâre trying and he grabs one of your wrists. âNow, pretty lady, take a break there. Why donât you come hang out with me for a bit?â His words are greasy and slimy, and you almost gag at the idea of what heâs insinuating. At least Seonghwa isnât triple your ageâŠand heâs hot.
âAh, no thanks,â you manage to push past him, pressing your most recent contact and holding the phone to your ear. âIâm a little uhâŠâ Youâre cut off when whoever you call starts speaking.
â(Y/N)? Why are you calling me? Itâs nine.â Seonghwaâs voice crackles through the receiver. âAre you okay?â
âAh, shit,â you groan, stumbling to your side and colliding with the wall. âSorry, I didnât mean to call you. Iâm just out andââ
Once again, the old man approaches you and pulls you back by the waist. âCome on, pretty. Get off the phone and pay attention to me.â
You shake your head and pull away again, moving even more down the street. âNo, no, Iâm notâ just leave me alone. I want to go home,â you say, shaking your head, still holding the phone to your face. âJustâŠI wanna go home.â
â(Y/N), are you okay? Where are you?â You can hear the worry in Seonghwaâs voice rise and a faint jingling of keys. âIâm going to get you. Wooyoungâs here so he can watch Jihee. Talk to me, (Y/N).â
âIâm at the club Desire. Or near it. I donât know.â Your head is muddled and no matter where you look, the street signs are blurring and the old man is still trying to get your attention. âI just want to go home,â you repeat, tears springing to your eyes. âI thought I told you to leave me alone!â
The old man growls at your tone, grabbing at you again. âDonât be stupid, child. You can come home with me and Iâll teach you how to be proper for a man like you.â His breath reeks of alcohol and bad breath and you instinctively slap him across the face. Surprised, he jerks back, and you take a couple of shaky steps back again.
âLeave me be! I donât want you near me.â
The old manâs eyes narrow at you and he takes one menacing step forward, his hand raising to strike you but you bring up your arms to block the slap, whimpering in pain when the hit lands and your phone clatters out of your hand. âYou insolent child!â Your eyes squeeze shut and you hope Seonghwa gets there soon.
-
Seonghwa has never driven so fast in his life. Heâs racing through the lights and he counts his lucky stars that theyâre all green and that the police arenât around right now. He can hear arguing coming from his phone and heâs calm enough knowing youâre at least still on the phone. But then he hears a noise and what he assumes to be your phone falling on the ground. âFuck,â he mutters to himself. âPlease, please be okay, (Y/N).â
Stepping on the gas, he roars around the corner to the club you mentioned, praying youâre still there. As he gets out, heâs looking around but canât seem to find you. â(Y/N)?â he calls out. âWhere are you?â
He races down the street to find you pinned against the wall, your hands attempting to push an old geezer away and he sees red. He marches right up, grabbing his arm and pulling him away from your shaking figure. âFuck off,â he growls in his face, delighting in the fear that moves across his face. âDonât let me catch you near this place again. Now fuck off!â
He practically throws the old man to his knees before turning and cupping your face. âSeonghwa,â you practically sob. He can still see the drunken haze in your eyes but itâs almost completely cleared up now and his brow furrows even more.
âCome on, Iâm taking you home.â He pulls you along and you do your best to keep up with him in your inebriated state. âI canât believe you would do this! Have you no sense of security? Why didnât you get anyone to come with you? Why would you call a taxi outside of the establishment?â
He still opens the car door for you and you slide immediately in, eyes staring wide at the pristine dashboard. He slides in and puts the car in the ignition before sitting back and groaning in frustration. âI hope youâre ready to talk as soon as we get inside,â he gripes. âI still am so shocked, (Y/N). You act so mature about Jihee, but what happened then? You couldâve been hurtâŠno, you were hurt!â
He continues his rant driving up to your street, ushering you into the elevator and into your place. âDo you know how my heart dropped when I saw you struggling? I donât want to see you hurt. You need to take care of yourself.â
As he yells at you, his eyes rake over you to see if youâre injured any further, but something else stops him and the words die in his throat. Youâre wearing a sheer shirt, your lacy bra underneath just showing off your chest. Your leather skirt has ridden up your thighs and your eyes fill with unshed tears. And something burns in his brain.
Itâs been months since he hired you, and with each passing day, he finds himself more and more attracted to you. He berated himself every time these unwanted thoughts popped into his head. Sure, youâre sweet, good with kids, and are passionate about what you care about. But youâre also so young. You can do so much better than him, a single father with no prospects.
But seeing you like this, heat sparks in his gut and he leans in, his face mere inches away from yours. âWhen you wear things like that, it makes me want to rip them off you and do things even that creep couldnât even imagine,â his low voice pierces through your thoughts and your mouth gapes open.
âIâm okay with that,â you whisper, hand reaching out to brush against his chest, but Seonghwa blinks as he realises what he just tried to do, and he jerks back. Your eyes flash with hurt and Seonghwa would like to hit himself for doing that to you but he canât let you come onto him when youâre still drunk.
âIâ Iâm sorry,â you whisper, your hands reaching behind you to steady yourself on the wall. âI just felt so lonely. I wanted to be wanted.âÂ
Seonghwaâs breath stutters as he stares down into your wavering eyes. âIââ He wants you so bad. But he canât bring himself to say it. Not when youâre drunk. âGo to bed. Weâll talk in the morning.â
He turns away and hears your disappointed sigh alongside your footsteps trudging to your bedroom. With a groan, he sits on the couch with his head in his hands. He wants to reassure you, but he canât help but feel guilty about it. But heâs still straining in his pants and after locating your bathroom, he sits on the shower bench, leaning against the cool tile and breathing in and out. With a groan, he unzips his pants and pulls out his half-hard cock. The feeling of regret rises but he pushes it down to his gut as he spits in his hand and presses his thumb against the head of his dick.
As he wraps his hand around his cock and pumps it, he canât help but close his eyes and imagine you. You with your mouth wrapped around his cock, with your hands gripping his thighs. You seated on his throbbing member, grinding your hips against him as you lean down to kiss him. He can feel his dick jump and he wonders what itâll feel like to fill you with his cum.
He lets out a broken moan as his grip turns tighter. His image of you would scratch your nails down his back. He can almost hear your little whines and breathy moans as your hips work over him. Youâd lean in and whisper into his mouth, âSeonghwa, fuck me hard,â andâ
Seonghwa sighs as he looks down at his cum-coated hand and the mix of shame and relief swirling around his brain. Maybe he should just go to sleep on the couch and hope he doesnât dream of you. As he washes his hand and goes to lie down, he can already feel a stress headache coming on. He hopes youâll at least fare better in the morning.
-
When you awaken, you have a throbbing pain in your head and you groan and roll out of bed. Youâve taken your club shirt off as well as your skirt, but your bra and underpants are still on. Youâre sure your makeup is smudged too and you have no clue how you got home but all you want is some coffee and oatmeal.
You trudge to the kitchen, rubbing your eyes from sleep. Thereâs a blanket fallen on the floor so you toss it onto the couch and head straight into the kitchen to start your coffee maker. As you lean against the counter and yawn.
â(Y/N), are you feeling better?â
A voice calls out from behind you and you shriek, whirling around to see a sleepy Seonghwa, blanket wrapped around him and his hair a mess. You shriek again, realising how little youâre clothed and duck behind the counter, your cheeks flaming and your heart beating faster than you ever thought it could.
âWhat are you doing here?â you force out, your voice tight.
âDoâŠdo you not remember last night at all?â You do remember most of what happened. He took you home, but thatâs about as far as you remember. And youâre not sure you want to know the rest of it. But youâre far too embarrassed to admit, so you put your acting skills to use. Youâre not sure you can handle the shame of a real conversation.
âWhat?â you ask, forcing your voice to pitch higher as you slowly stand back up, hands covering your chest. âI didnâtâ Oh my God, Iâm so sorry if I came onto you. I was drunk, I mustâve been out of my mind. Please accept my deepest apologies.â
You notice Seonghwaâs eyes trail down to your chest and then snap back up to your face as if heâs forcing himself to and he chokes out a breath. Despite the headache, your mouth twitches. Maybe youâre still a little out of it. âNo, nothing like that. I fetched you from the club because you called me to save you from a creep. Then I took you home and we slept.â
You sigh. âIâm glad. I do apologise for whatever my behaviour was. It was out of line and it wonât happen again. I understand if you want to let me goââ
âNo!â Seonghwaâs outburst surprises you and your eyes widen. The lack of clothes youâre wearing has been long forgotten and you move around the counter to stand in front of him. Seonghwa has the decency to look a little embarrassed at the volume of his voice. âSorry. I justâŠitâs like youâre a part of our family already. I care for you just as much as I care for Jihee.â
Ah. He thinks of you like a child. Your suspicions were right. You turn slightly to face away from him, trying to keep the disappointment out of your voice. âI see. Well, I appreciate that. Itâs nice to have a second family,â you chuckle, internally beating yourself up. How could you even entertain the thought of the two of you being together? âLet me change, and Iâll walk you out.â
As you return to your room, you finally let your heart sink as tears brim in your eyes. You hastily wipe them away as you rummage in the pile of clothes on your bed for something fairly appropriate to wear. First, you make a fool of yourself in front of Seonghwa, and then your crush is unfounded. You canât seem to catch a break.
With a sigh, you pull on some shorts and a large shirt before heading back out. âHey, (Y/N), could we talk first?â Seonghwa asks, still standing in between the kitchen and the living room as his eyes flit around nervously.
After some hesitation, you finally find your voice. âSure? Whatâs up? You can sit on the couch if you want.â
Seonghwa takes a seat, hiking up his sweatpants and you move to the floor across the little coffee table. âLast nightâŠyou told me something.â Oh no. This is it. You bite your lower lip and look down, awaiting his next words. âUh. So. You think you came onto me, right? Well. It was. Uh. It may have been me.â
You blink at him foolishly as your brain tries to wrap itself around your head. âYou what?â
Seonghwa raises his hands and lowers his head ashamedly. âLet me explain, please. I saw you outside with that horrid excuse of a human and something in me snapped. I just wanted to protect you and I brought you home. But seeing you in that outfit? It just made me want you. And I told you. And you reciprocated. At least, you tried to.â He chuckles a little to himself, bringing up his hand to grip at his hair. âI told you we would talk in the morning. But one thing you said stuck with me. You wanted to be wanted. And all night Iâve been thinking about it. (Y/N), you were drunk. But you werenât that drunk. Something you said had truth to it. Please. For my own sanity, tell me how you feel about me. Please.â
His voice cracks at the last syllable and something in your heart hurts at the sound. âSeonghwa IâŠI do care for you. More than I should. Youâve shown me unbendable compassion and youâve never taken my words or myself for grantedâŠor treated me like a child. Against my better judgment, Iâve fallen for you.â You sigh, tightening your fists. âIâve been hating myself for the better part of six months because of it. You were so much better than me. In job, in maturity. What was I supposed to do? I went to the club to forget you, but it appears that didnât work.â
Seonghwa stands quickly, shuffling over to kneel in front of you. âHow could you think such a thing? Me better than you? Donât make me laugh. I may be older than you, and yes, I have a better-paying job. But in the end, how could you compare? Youâre amazing with Jihee. Youâve managed to teach her in ways I could hardly hope to imagine. And just because I have a higher wage doesnât mean your job is less important. I wasnât lying when I said it felt like you were already part of the family.â
âYou told me you thought of me like Jihee,â you argue, and Seonghwa laughs, leaning forward to take your hands.
âI said I care for you as much as I care for Jihee. Not in the same way, (Y/N).â Seonghwa smiles kindly. âI know if this does happen weâll need to put a lot of care into this, but if youâll have me, Iâd like to be with you.â
Youâre not sure whether this is a dream or not, staring up at Seonghwa with wide eyes. Youâd be a fool if you said no, but the worries in your head wonât seem to cease. Taking a deep breath, you push them aside and smile up at him. âIâll have you, Seonghwa.â
As soon as the words fall out of your mouth you can see Seonghwaâs eyes crinkle as he smiles and leans in, his nose almost touching yours. âMay I kiss you?â he murmurs in his deep voice, and instead of gracing him with a reply, you meet him in a soft kiss.
His large hands cup your face as he deepens the kiss, and his thumbs brush against your cheekbones. âYouâre so pretty,â he hums, pressing a multitude of pecks to your lips. âLast night I was so conflicted. Seeing you like that made me almost go insane.â
An idea sparks in your brain, and a smile widens on your face. Your fingers crawl up his shoulders to rest your arms on them. âHow insane?â you ask, and Seonghwaâs eyes darken.
âIâll show you,â he grows before capturing your lips with his once again. This time his arms shift to wrap around your waist and he pulls you closer until youâre practically pressed against his body. You squeak at the sudden movement but itâs swallowed by the kiss.
He pulls you onto his lap and you can feel the growing hardness in his slacks. You wriggle your hips a little, grinding down, and the moan that Seonghwa lets out is heaven to your ears. âFuck, (Y/N). Youâre so pretty,â he repeats, burying his face in your neck and nipping at the sensitive skin.
You whine at the pain blooming into pleasure and your hands fist into his hair. Your precious sounds get to Seonghwa and he groans, moving your legs to wrap around his waist and he hoists you up and brings you over to the couch. âYour noises are so pretty, baby,â Seonghwa groans into your mouth. âCanât wait to hear them when youâre wrapped around my cock.â
âPleaseââ is all you can muster out and your whines only serve to make Seonghwaâs cock harder in his pants.
With a groan, he pats your ass, motioning for you to move up. As soon as your hips lift, he grabs the waistband of your shorts and pulls them down to your knees, leaving your underwear and shirt on. In the same motion, he shoves his slacks and boxers down just far enough to let his cock spring free.
âSeonghwaââ you whine and something in Seonghwaâs stomach burns at the idea of you crying on his throbbing dick. He sits back, guiding you to sit right above his cock as he moves it to rub against your soaked underwear. Every time the angry-red tip of it brushes against your clit you let out breathy moans and it only serves to make Seonghwa impossibly harder.
âFuck, I canât wait any longer,â Seonghwa breathes, his free hand coming up to brush against your face. A smile blooms on your face as you bend to kiss him again.
âThen donât.â
Something flips in Seonghwaâs brain and he lifts you, pushes your underwear to the side, and lets his cock press into you slowly. The both of you throw your head back and groan loudly at the feeling of him slowly filling you up. Heâs not the biggest youâve had but that doesnât matter as the sting of the stretch is enough to make you drool. You can hardly speak as you whine nonsense into his ear and let your head drop to the crook of his neck.
âYou fit around me so well,â Seonghwa praises, his head spinning at the feeling of finally fucking you the way he dreamed of. It was only yesterday he was fucking into his hand at the thought of you and here he is, only a few hours later, his painfully hard member inside of you. âLook at you, a mess for me. Bet youâve never been with an older man before. Do I make you feel good, baby?â
You clench at his words. âFuck, yes, the best Iâve had,â you babble, squirming at the already overwhelming feeling. âYouâre so good to me.â
Seonghwa laughs delightedly at how gone you seem to be not five minutes in. âSo precious, especially for me, (Y/N). Sitting on my dick so prettily.â He gives a little experimental thrust upwards and you gasp. The noises you make are so addictive, he canât help but do it again. And again.
Youâre panting, moaning as he fills you up so deliciously and your hands grip at his now-wrinkled dress shirt. His cool hands slide up your baggy shirt to shove up your bra and cup your boobs. The weight of them sitting in his hands makes him groan as he leans in to mouth at them through your shirt.
âBeen dreaming about these tits since last night. Jerked off in the bathroom after seeing you, you know?â Your eyes widen at the admission and Seonghwa smirks at how embarrassed you look. âWanted you so bad and you thought I wouldnât like you in that way? Youâre so cute, (Y/N).â He punctuates each word with one thrust after another.
The feeling of his dick pumping into you as well as Seonghwaâs teeth scraping against the soft flesh of your tits makes you so overwhelmed. Itâs almost embarrassing how close you are already, and Seonghwa knows it, chucking up at you from between your chest. âAw, baby, youâre so far gone. Am I that good?â
You cry out and sink your teeth into the junction of his shoulder and neck. Youâre trying so hard to keep your noises down but Seonghwa isnât having any of that. His hand finds its way to your hair, gently tugging on it until your head falls back, exposing the column of your neck.
As his warm breath ghosts over it, you stiffen, and when he moves up from your chest to lick a stripe up it and nip at your earlobe, you come with a groan. Your hips are shaking from the intensity of it but his thrusts donât stop and soon youâre whining from the overstimulation.
And he still hasnât come.
âFuck, Seonghwa, itâs so much,â you groan, mouth hanging open. Seonghwa greedily swoops in to capture your lips once more, licking into your mouth as his thrusts become more and more erratic.
His dick twitches and he groans. âWhere do you want me? Iâm clean,â Seonghwa mumbles into your mouth.
You shift your hips a little. âIâm clean too and on the pill, so itâs on you. I donât care, I just want you, Hwa.â
Your words spark something in Seonghwa and he thrusts upwards, once, and his cum starts filling you. Itâs searingly hot, settling deep in your gut and you throw your head back and moan so goddamn loud. His throbbing cock is twitching like crazy and itâs still pumping cum into you. Seonghwaâs hand slides down your body to tweak at your nipples, thumb over your flesh, and finally come to rub little circles into your clit.
You gasp and it feels like youâre touching heaven from the extra stimulation. âGonna fill you up so well,â Seonghwa groans. âDo you think Jihee would like a sibling?âÂ
Your thoughts all blur together at his sentence and you come again with a groan. Your cunt squeezes around him so deliciously and a sob breaks its way out of your throat, one that Seonghwa eagerly swallows as he kisses you again.
His thrusts start to slow down and you slowly pull off his now-softening dick and settle back down on his lap. His hands push his leaking cum back into your pulsating pussy and you sigh at the feeling.
âWell, that was quite the escalation,â Seonghwa laughs quietly as he pulls both your and his pants back up and wraps his arms around you in a tight embrace. His hand pats your butt and you squirm and slap his chest softly.
âYouâre lucky Iâm on the pill.â You roll your eyes good-naturedly and Seonghwa hums, capturing your lips in his yet again. He canât get enough of your plush lips and youâre not complaining at all.
âIâm lucky to have you, period,â he sighs happily. âThank you for giving me a chance.â
You smile and sit up, ignoring the whines that come out of Seonghwaâs mouth at the lack of contact. âWell, I couldnât let you be a lonely old man,â you tease and Seonghwa smacks your ass again.
âCan old man do what I just did?â Youâre suddenly lying on your back with Seonghwa hovering over you, a crooked smile growing on his face. âOr do you need another demonstration?â
You smile and throw your arms around his shoulders and pull him closer. âI donât know, sir, maybe you should show me once more.â
With a nip to your lips, Seonghwa leans in and your eyes crinkle at the promise of whatâs to come.
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The excessively passive voice when talking about Minthe being intended to have BPD is hilarious. "It was thought to have her written with BPD"? So weird
Honestly, once you start noticing this passive voice in how Rachel writes and talks, it's kind of hard to unsee.
Like, for starters, the BPD example. It's very non-committal, almost as if to sound like she never actually wrote her with BPD, it was just an 'idea' that she could neither confirm or deny as canon. But then you read the episode with the slap and-
It's- it's literally called "Splitting". It's about as subtle as a brick to the face. This entire episode showcases Minthe having an actual literal episode of splitting and it's plain as day to anyone who can read the title card and put two and two together. So for the wording to be so passive around her characterization... it wasn't "thought" to have her written with BPD, she was written with BPD.
Another example that sticks out in my mind of Rachel's passive writing is far later in Season 3, when Demeter reunites with Persephone and naturally expects her to come back home with her.
This line still fucking bothers me to this day. Besides the fact that it's just really poorly written dialogue, Persephone describes her being in love with Hades as if it's just some coincidental thing that happened to her that she can't avoid and not a deliberate choice she's making. "It would seem" my ass, Persephone is a coward for not being upfront and just talking to her mother like an adult by saying, "Mother, I love you, and I understand why you want me to come home, but I'm in love with Hades and want to stay in the Underworld with him." Instead the way it's worded is almost designed to absolve Persephone of any and all agency in her own decisions and active participation in her relationship with Hades by instead making it out to be just some circumstance that she can't get herself out of.
Again, this isn't quite as egregious as the aforementioned BPD scene, but it's still irritating because Rachel writes like this a lot throughout LO. And it's not just the dialogue either, entire decisions throughout the comic are flip-flopped and kept vague by Rachel so she can give herself plausible deniability over the narrative. I could come up with some of my own examples, but I think she managed to speak for herself just fine in the end-of-series Q&A that left both critics and fans of the series massively confused and disappointed:
LO is full of half-committed plotlines because Rachel herself can't commit to her own decisions. So the decisions she does make are left vague enough that hardcore fans are willing enough to fill in the blanks themselves, but anyone who asks her genuinely what her plan was, she just gives the same wordy "IDK it's up to your interpretation!" response. It's like she thinks people are asking her as just another reader who can only speculate, but she's literally the author, so why is she acting like her guess is as good as theirs?
Well, because that's how she wrote LO. That's how she's always written comics, with vague half-finished thoughts and just enough for readers to do the mental gymnastics of making sense of it all just to give her the credit for "smart writing" that she never actually did because she stopped paying attention after the first sentence. And that method of being vague for the sake of audience interpretation is fine for illustrations or anything that isn't trying to be a concise narrative, but LO did try to be that and it really shows how hard it failed in doing so when its own creator can't even come up with something slightly plausible to explain all the questions people had in the end. "There is some backstory there" but proceeds to not actually expand on said backstory. "I like to imply things without outright telling people", so do I, but the difference is that Rachel is using that as a crutch to not answer the questions she setup for her readers and then didn't resolve after five years. There's not wanting to spoon feed people the plot, and then there's literally refusing to explain your decisions when writing said plot, almost because you don't know any more than they do.
The entirety of LO is rooted in Rachel's passiveness, from her inability to answer questions concisely to every little plot point that was established and dropped throughout the comic's run. Writing a story is a series of decisions, deciding what to keep, deciding what not to keep, deciding what has to be changed, etc. and Rachel just... doesn't seem like someone who's ever been capable of making those decisions, especially when she's writing an actual long form story to the end and doesn't have the luxury of dropping it whenever it feels convenient for her like she did several times with The Doctor Pepper Show. Once she was actually held to a standard, once she was actually signed into a contract that expected her to make those decisions, she failed to and it culminated in one of the messiest conclusions to a story I've seen since Game of Thrones.
LO is kind of like Schrodinger's Cat - a plot point can be or not be whatever it needs to be so that Rachel can be either praised for smart writing she never did or absolved of bad writing that she did do. It's equally parts interesting and vague enough that whatever her readers give her credit for writing, she can give them a thumbs-up and go "you're totally right, champ!" and proceed to take all the credit of being a "good writer" from the efforts of her own audience who had to jump through a million hoops to make sense of her own messy writing.
But when she's put on the spot by those very same readers to answer for her own decisions, she can't.
Because she never made them.
Because there was never anything "deeper" going on, that's just what her style of "distraction writing" made you believe. The plot never lets you stop to think about what you just read long enough before zipping away to the next thing and distracting you with a new twist or a new character or a new plot point, and before you know it, you've gone weeks without reading about the last thing that was established you probably haven't even realized that those questions never got answered. Sometimes Rachel remembers to get back to those things and resolves them within a handful of panels, other times she forgets them entirely and just leaves them to rot in the hopes that no one ever calls her out on it. And when they do... she can just pull the get-out-of-jail-free "Welp, it's up to your interpretation!" card and get that credit all over again for being deep and insightful, meanwhile those who are rightfully dissatisfied with that answer are blanket-accused of "getting mad at Rachel for not writing the story they wanted".
To close out this ask that, per tradition, turned into an essay, I'd like to recall the famous words of fictional detective Benoit Blanc: "Look into the clear center of this glass onion... Miles Bron is an idiot!"
#ask me anything#ama#anon ama#anon ask me anything#lore olympus critical#anti lore olympus#lo critical
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God I love how MCR titles their songs. Like on the one hand you have the Revenge-era style of really long, wordy, evocative titles that donât reference any specific lyrics but capture the vibes perfectly - âItâs Not a Fashion Statement, itâs a Fucking Deathwish,â âThe Jetset Life is Gonna Kill You,â âYou Know What They Do to Guys Like Us in Prisonâ - and on the other end of the spectrum youâve got fuckign. âGun.â
#naming your song 'gun': it's blunt but effective i guess#naming your song 'gun.' with a period: you're the funniest motherfuckers alive#mcr#my chemical romance#three cheers for sweet revenge#conventional weapons
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Positivity hour! Tell us about your favourite RP partner and your favourite thread! <3
OOH! i love positivity hour! cut for length because WORDY BITCH DISEASE STRIKES AGAIN APPARENTLY!
i don't think i could pin down just one favorite because i'm so incredibly lucky to have so many amazing partners during this sephblog golden age. this is only a few of the ppl who have touched my presence here and live in my brain rent free rn, i wish i could remember all of them but a shortlist will have to do o7
i will shoutout @harerazor and @tewwor for being my OGs, my rp besties, the truest mfs who always stick around through my year-long (sometimes years-long) absences and whenever i come back to discord or the dash, it's like we never left <3 AND for following me into my hyperfixation zones omg. writing windbreaker and jjk muses would be so much more lonely without u two in my life. <3
on the topic of OGs, @spiritcrown, @never-surrender and @bcdomens are the CREW!!!!!!!! THE FIRST PPL I EVER WROTE WITH AND SOME OF MY FAV FOLKS ON THIS HELLSITE you guys are the best. ily. connecting with u guys again felt like coming home.
@favorskill has ascended past the title of rp partner and into the title of friend. rio is one of my favorite people ever, genuinely, he's so cool and so skilled with writing/worldbuilding/watching his DICE MAKING SKILLS GROW has been so amazing too??? i care u so much rio. biting u. even when my brain is hopelessly deep in the fixation hole i am thinking about u and ur muses always <3
also shoutout to my wife @vsagis / @theixth (bc ik uve been on this one today) for just being like??? overall such a lovely person and an amazing writer??? our main dynamic is so deep and expansive we're starting to develop an extended universe for them. i love them i LOVE THEM TO DEATH. alex u match my freak ily i hope i get this job so we can hang out irl <3
speaking of matching my freak, @koseigu and i get along like a house on fire, and i don't think the world is truly ready for us. the more dynamics we develop, the more dangerous we become. everything we do with geto & sephsho ROCKS and i am terrified (excited) to see where seph and sukuna lead us in our newest explorations. we get up to some absolutely nasty (hot) shit with our creatures and it's always an amazing time. hehe
@chaoslulled hol you are so so so special to me. i owe u so many things and im so sorry omg but i literally never stop thinking about our threads & dynamics they're soooo good. i think you're one of the only partners i've actually been able to maintain Main Threads with over a long period of time?? there's something about the way we write together that makes that actually work in my brain which is super unusual JSDKJDHJKD i'm not complaining though, i love it so much. also your ocs are spinning around in my head on a daily basis, especially char because seph, chiaki and geto all like her very much. <3 ALSO. U ARE THE REASON I WRITE GETO. I HATE IT HERE HE WON'T LEAVE ME ALONE HOW COULD U DO THIS TO ME (affectionate). ur satoru is always the one he and seph come back to first because he is the original.
@quillheel and i have been mutuals for a while but didn't start regularly chatting until recently, and geto has been keeping me hostage in our 1x1 server over the last week or so, it's a problem, please help me. please. my crops are dying. also ur my current record breaker on "most fucked up start to an rp dynamic" with sukuna and rusa and im gonna be real i think u might hold that title for a while KJSDHIUSDHSJDHSJKDHJSKDH
@hinodae gray i think i would follow u to the ends of the earth. our little accidental threads have been some of my favorites ever, and i love to PIECES every one of our ship dynamics so far. thank u for being just as much of a slut for ships as i am, i feel like we match each other's energy and vibe so well!! TUMBLR BETTER UN-SHADOWBAN U SOON OR IM GONNA THROW HANDS >:'O
@eraserisms and @rcguish u two are like a package deal in my brain. D.A., the fact that we exist on the same chef wavelength always makes me so happy. i love seph and shota so much, they make me Hurt in all the best ways and i'm lookin forward to getting more into todoroki's voice so we can keep building out shota becoming his dad i mean mentoring him! and rys!!! i know ur absolutely going thru it rn so we haven't been talking as much lately, but i'm still just as feral for our dynamics as ever. seph and shouta's broken friendship. shou and orion's blossoming romance. seph has so many feelings and thoughts about silver that i don't even know how to articulate but that might need its own separate post. blowing u kisses.
lastly but not leastly, @gomannakami we only connected recently but we've already got this absolutely TRAGIC AND BEAUTIFUL set of pairings going on. satoru and chiaki are so stupidly cute and so so sad. seph and suguru are still in the beginning stages but i LOVE writing them sort of dancing around each other, the mutual pining is so spicy and delicious.
AS FOR THREADS!!!!!
ooh. hm. fuck. i think my first thought is always gonna be my longer-running threads with @chaoslulled â the one that stands out the most in my mind rn is the thread where satoru found seph on the brink of collapse after a hellhound kill. it was only the second thread we ever wrote together, and i ACUTELY remember how nervous i was that it was too intense and i was gonna scare hol away with it because that's happened so many times before. SJDHKSJHD
another one that comes to mind is one of my first threads with @tewwor's litho, which started with the simple inbox prompt "can't sleep?" and ended up turning into one of our longest threads to date and spiraling out into the longest fucking slowburn of this blog's career. i loved it. i'll never stop thinking about that apple.
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pythia, a supernatural rewrite. bloody mary, rough draft.
read it on ao3.
words: 6k notes: hi y'all! yes, you read that chapter title right - this is a little unconventional, but since I've unfortunately shifted hyperfixations and have drifted away from SPN, I thought I would post what I have for the next part of pythia. since I'm moving into resident evil land, I'm not sure if I'm going to come back to this ficâbut I absolutely didn't want to leave you guys empty-handed!! I'm so so sorry that this fic will go unfinished (for now), and I'm so grateful to those who were along for the ride with me. I have so much love for all the people who motivated me through writing this fic. all of you are beyond kind!! and I hope you enjoy this dose of pythia content, featuring some of my notes and process-work, lol. I only had a few heavy chunks of the beginning written, but the prose for this chap (ironically) started to get into the meat of what I really wrote this fic forâpsychic bullshit between reader and Sam. It was just too plain juicy to not share!! All of my spn fics will remain up, but if you keep up with me, expect lots of Leon Kennedy bullshit and tomfoolery. Again - thank you so much for your endless love and support, I had so much fun writing what I could of season one!! Thank you for reading and I hope you enjoy this unfinished chunk of silly/ansty Christmas drama :)
EAU CLAIRE, WISCONSIN - Dec 21st, evening.
Sam drops the stack of glossy, brand-new legal pads into his lap, and flashes his brother a plain smile. âThanks, Dean. I needed more of these.â From your spot seated on the living room rug, you twist your rings and wait for Deanâs witty reply. With all those notes youâre always makin', Sammy, Iâll hafta buy you some for New Years, too. You wait for him to make a crack about the gift he got Sam, something about diaries or his brotherâs girly handwriting.
Instead, Dean shrugs, âWell, then there ya go.â
Voila. And with that, the feeble threads youâd tried to braid into a proper Christmas are cut. Without a word, your Mom picks up the little wooden jewelry case the three of you had thrifted her and recedes into the dark hallways of the house. Dean peels himself out of his seat to clean up. Sam sighs, picking at the plastic seal around his legal pads. Hilariously, this all plays out while Paul McCartney chimes about what wonderful Christmastime heâs been having from the radio in your kitchen.
Technically, you hadnât just been celebrating Christmas. No, you managed to completely bomb both Christmas and the sacred Winter Solstice sabbat that the Proctors had been celebrating for a bajillion fucking years. The special sabbat that would have a real spiritual effect on you for the next couple months.
Youâd given it a good olâ college try. First, youâd painstakingly picked out gifts for the boys and your Mom. Good ass gifts, too, that youâd been hiding in your duffle since summertime. Hell, youâd been looking for the Eagles album you bought for Dean in tape form for at least two years. (Cool, Dean had said, half alive in his armchair after your chupacabra hunt in Illinois. He was at the ugly front end of a cold. Heâd sniffled, Donât have this one.) And knowing that this would be Samâs first Christmas without Jessâthe one person who had given him any kind of good holiday when he was away from homeâyouâd poured extra love into his gift, too.
Heâd been begging you to read Frankenstein since high school, and youâd dodged it because sometimes books that pushed too far into the âclassicsâ category could lose you. Mary Shelley got a little wordy at times. But you were a big girl with a big brain, so youâd read the whole thing for Sam⊠and annotated the whole thing for SamâŠ
Heâd taken one look at your labor of love and murmured, âGood. Glad you read it.â
âŠYeah. You had half a mind to check if heâd been replaced by a clone, hearing that. Fifteen-year-old Sam would have melted into a babbling, ecstatic mess if someone had carefully combed through one of his favorite books and shared their thoughts on it with him. Bare minimum, you figured heâd at least enjoy having his own copy of Shelleyâs work. All his other books had been lost in the fire.
But youâd given the book to a Sam who was twenty-two, not fifteen. Fine. People changed.
The boys being a collective bummer was something you could deal with. Sam was always sullen around the holidays, and you couldnât exactly be mad at Dean for being exhausted after a stressful hunt. But your MomâŠ
Beth used to make Yule her bitch. When you were a kid, come December 1st, the Proctor House could easily have been the center of all Wicca celebrations in the world. If working retail during the holidays tested oneâs love for festive music, then the non-stop winter songs bouncing off Bethâs vinyl player wouldâve made Santa beg to hear something else. Every room would gush with the smell of evergreen branches and holly. Your familyâs altar, the home of all the love and joy for the season, would be lush with offerings and presents. The candles you lit as a family to welcome the light of the new year would glow in a neat rowâyour little silver candle, your motherâs tall red one⊠and the biggest. Your Dadâs.
Now, your Dadâs candle was tucked away with the rest of the unused decorations in the attic. From your spot on the floor, you couldnât help but stare at your piss-poor excuse for a family altar. Beth hadnât âhad the timeâ to find the table runner your great-grandmother had embroidered just for that space. The small bouquet of mistletoe youâd brought sat pathetically on the wide, barren surface, framed by your familyâs dollar-store candles: silver for you, red for Mom, and twin green candles for the boys.Â
It was stupid. Really, you shouldnât have cared so much. You were almost twenty-five, and the older you got the less people cared about silly, trivial things like a single holiday out of the year. That was just a fact of life.
Still, an ugly ball of bitterness sat in your gut. She couldnât have tried to decorate? Even out on the road, youâd still found ways to make today a little special for the people you loved. Did she really have such little strength left in her? Youâd dragged the boys up to Wisconsin with you so your Mom didnât have to be alone. Was it really that impossible, after eleven whole years without your Dad, to try and be happy?
Fuck this. Yule isnât over yet. Thereâs still time for you to squeeze some life out of today, and youâre going to start straight at the source. You find your Mom in the kitchen, mindlessly swiping invisible crumbs off pristine counters. When she senses you paused behind her in the kitchen doorway, clutching in both hands the gift she got you this year, the radio suddenly needs to be toyed with. Then cleaned. There are gray strands in her hair that shine like tinsel in the low kitchen light.
âHey,â you say, your voice bright and christmas-card perfect. âI donât think I got to say thank you for the gift.â (You did. More than once already.) âItâs been a bit since I read this one.â The gift in question is your Dadâs second edition print of The Shining. Itâs even older than you are, with soft, petal-thin pages that reek of that wonderful old book musk. Rolling the flexed and cracked paperback between your hands, your Gift automatically picks up the distant echo of the hands that had touched these pages when they were new.
When you were little, youâd always found it kind of strange that your Dad considered this book his favorite. He was a sweet, soft-spoken person, and the mental image of him indulging in uncensored horror novels didnât mesh with the Ray preserved in your head. Having since grown up and read it for yourself, you understood that it was less about the gore of the Overlook and more about âthe shine;â the array of psychic abilities that kept five-year-old Danny Torrance alive through the book.
Years of having book-club with Sam had trained you to form cultivated opinions about the stuff you read, but The Shining existed in a realm that made it hard for you to describe how you felt about it. See, you had Danny Torranceâs shineâon the same level, too, enough shine to power the decades of ghostly ballroom parties and mob conspiracies inside the Overlook for a century. Seeing your Gift put onto a page so nakedly and cinematically made you uncomfortable. Yet, feeling the weight of your fatherâs book in your hands, standing in the kitchen he hasnât touched in a decade, you know that it mustâve comforted him. Back then, surrounded by a psychic mother-in-law, girlfriend, and daughter, it would've been impossible to survive without a little shine of his own. Youâre sure that your Dad's Gift was faint and unimpressive next to the psychic blackholes of your Mom and Grandma. Just enough to know if youâd skinned your elbow or had a nightmare. On the days that you came home from school tear-streaked and ruddy-faced, Dad would be waiting on the porch with soup.
You can still feel the faint psychic imprint of one of his whiskery kisses on your face. You donât have many vivid impressions of him left to feel; none that havenât been rubbed again and again, like the hollow of a fingerprint smoothed into the face of a rock over time.
Your Mom gives a non-committal hum at your attempt at conversation. Not because she doesnât careâyou can feel how much she cares from across the roomâbut because sheâs tired. Adult Tired, like when sheâd turn down your pleas to play together as a kid. Not tonight, baby. Mommaâs exhausted.
âMom,â you say, sounding as glossy and clean as a brand-new cookie tin. You open your mouth to say more, maybe to start in on one of your long-winded book-rants that had everyone wondering where Sam had suddenly appeared from. You know the answer, but you ask anyway, âThis was one of Dadâs favorite books, right? I vaguely remember him talking about the hedge animals.â Beth accidentally hits a button as sheâs dragging a rag over the shiny front of the radio, forcing Paul McCartney to have yet another wonderful Christmastime. She doesnât look at you.
âYup. But you knew that already, honey.â
Câmon. Nothing? She wonât even throw you the smallest, most pathetic olive branch? A psychic battle occurs. You get so frustrated all at once that your throat closes up, and that frustration balloons out into your family kitchen like the expansion of a bomb. You push. There is no give. The bubbling stormcloud of grief and loss hanging around Mom is there, then itâs not. The side of the kitchen your mother stands on is suddenly a void of absolute nothingness, empty of any feeling whatsoever, good or bad. Sheâs cutting you off from reading herâand protecting herself from your explosive emotions, as per usual.
Beth keeps cleaning the radio, her back to you.
Your rage bubbles out of you all at once. One day! One day out of the entire fucking year, the day your Dad always made special, and she canât even pull herself together for that. You know you should be a good daughter and empathize with the woman who made you, but youâve been a good daughter about this since you were twelve years old. Eleven Yules have gone by since your Dad passed. Just for one measly moment, you want to talk about him like heâs not a corpse rotting in the living room.
And the worst part is that Mom knows that. Sheâs known youâve felt that way all day, a slow-bubbling pot building to a boil across the room. The two of you can always feel each other. Youâre the only two who can; sheâs the only other radio tower that can receive your station in its purest quality, and yet she has the gall to shut all her signals down.
âFine!â You burst out, making the conversation physical.
It should feel good to yell, really. After the slow, ungratifying day youâve had, youâve been a shaken soda bottle waiting to implode. Instead, since youâre the crazy person yelling at nothing for no reason in the kitchen, your anger booms out of you and fizzes out in the same breath like a faulty firework. Fine. Fuck all of this. If you canât beat emâ, join emâ. If everyoneâs determined to rot the day away, then youâll go wallow in self-pity the Proctor-Winchester way, too. Merry fucking Christmas, and a happy fucking Yule.
There is no satisfying door to slam on your way out of the kitchen. You take a sharp right down the front hall, hoping to veer up the stairs and slam your feet down on every single step up to your room. If your Mom wants to live forever in the year your Dad died, by all meansâyouâll even bring home your thirteen-year-old self and her childish tantrums, just for time-accurate ambiance. Samâs standing frozen just outside the kitchen archway, and you catch his deer-in-headlights look as you go peeling around the corner. Youâre still keyed up with enough lashing rage to spare, so seeing him, just as hollowed-out and not there as your Mom, only feeds your pyre.
As you get to work thoroughly stomping the staircase to death, you hear him go into the kitchen and ask Beth about soup for Deanâs sore throat.
Upstairs is even more painfully quiet. Through the floor, Paul McCartney muffles down to a cheery mumble. All old houses shift around a little, but yours settles like it's alive, clicking, creaking, swaying. You donât look at the portraits of Proctor women up the stairwell. The dusty grandfather clock in the hall watches you with its stained glass face, and youâre so lost in your own headâ
âand Dadâd be so pissed we didnât decorate the altar or listen to the Tull Christmas album, heâd riot, heâd talk some sense into herâwouldnât think any of this is stupidâ âthat you donât hear it when it chimes. Muscle memory plants you right in front of your bedroom door. Having a good cry under the covers sounds like a perfect end to the night, right? And yet you stop. Your hand drops on the knob and stays there, unmoving. Maybe itâs your Gift, or good old-fashioned human instinct knowing when something in the home has been nudged two inches to the left, but the air in the hall tastes staler than usual. A draft? Your gaze is pulled all the way down to the opposite end of the hall, where the untouched, stately storage room door is ajar.
Your Mom probably left it open. Maybe sheâd gone in there to hunt around for all the heirloom Yule decorations, only to rediscover Dadâs football memorabilia or Dadâs engraved cigarette case and go bolting out of the room. âeverythingâs different without him, Sam and Mom and Dean too. So am I. Everythingâs twistedâwithout himâ Still riding the whirlwind, you stomp from one end of the yellowing, starry zodiac carpet (Aries) to the other (Pisces), the floorboards squeaking under your weight. You push the door and it goes shuddering into the darkness. This was one of many rooms in the house that Mom had banished you from as a kid, mostly as a way to shoo you away from the hunting world. Itâd given you this insatiable fascination with it as a result, but when you tug the chain to turn on the closest lamp, what it illuminates doesnât come close to the spectacular stories youâd made up in your head.
Itâs just a room. It has windows and shelves and old things, some from your childhood, some from your Momâs. Some from even further back than that. The closest fascinating thing is a shiny gold blob poking out of your baby things, which turns out to be Samâs eighth-grade mathlete trophy. You had no idea what possessed Mom to come up here so often. There was no way she wasnât in here at least a couple times a week; the tall metal storage shelf where she immortalized your Dadâs things was never dusty, and yet the whole room reeked of rotting books and insulation. You shove the box with Samâs trophy aside with your foot until it skids out of your way, and then send the heavy door shut behind you with a wall-shaking bang.
A flurry of dust hails down from the ceiling. You cough through the cloud, wandering in your blindness towards the neat row of plastic storage tubs labeled with your Dadâs name. Clothes. Misc. Books. Maybe thatâs where Mom had gotten your new copy of The Shining from, halfway through one of her sacred meditations over Dadâs things. You drop a hand onto the cold lid of the tub. Nothing, not even the slightest psychic imprint, reaches back.
What is she even holding onto anymore? You try the clothes next. The rounded corners of this bin have been scuffed gray from how many times itâs been pulled off and then pushed back on its shelf, again and again. The case feels as lifeless to you as it would for anyone else, but you try your luck and slide it out onto the floor. It comes loose with a solid thud.
When you were old enough, Beth would sometimes send you up into this room to grab things (spell ingredients, books you didnât keep downstairs). You would run full-tilt right up until you hit the storage room door, then pass inside like a stranger in a dangerous realm, watching where you stepped and always, always keeping your Dadâs shelf in the corner of your eye. On brave days you would pick up his silvery cigarette case and roll it between your palms. It grew harder and harder to feel him each time, the ghost of him whittled down like a rock made round by the current of a river.
When you crack off the lid, you expect some kind of smell. You donât remember what he smelled like, but you have a few guessesâcheap, vanilla-sweet aftershave, or maybe the woody stale smell of cigarette smoke you know you shouldnât love. Maybe both. It doesnât really matter. The neatly folded stacks of your Dadâs old shirts and jackets donât smell like a damn thing. You dip your face into a holey band-shirt with the sleeves scissored off, but all that comes back to you is the rotten smell of dusty insulation. Heâs hereâheâs right here in front of you, right in your fucking hands, and yet the whole world is dead of him. You canât sense even a sliver of him left.
The same old reservoir of despair pushes and pushes at your composure, wiggling through your cracks, widening them with a hundred thousand tons of pressure bearing down on you a minute. It is a day by day task to handle the reservoir. You like to think youâre good at handling it, at patching the cracks as they come and letting them breathe when the moment calls for it. But when you lift your face from the bin, the leak springsâreally, genuinely springs, like it hasnât in years.
You fall back onto your haunches, swallowing back sudden stinging tears. The bin and its askew lid go shrieking back onto the shelf with a lash of your foot.
-
The music downstairs stops. You canât tell how long itâs been.
When his death was fresh, and you were stuck deep, deep within the reservoir, youâd wondered if it would always feel this way. It got easier, right? And in many ways it hadâon most days you could talk about your Dad without it hurting, letting the damâs water run. The battle was still there, but it was a burden you were proud to carry if it meant his memory lived on in you. He would want you to be happy, your Mom used to urge. So you gave being happy your best shot, loving and giving as much as you could.
Thatâs what frustrated you so endlessly about your Mom. Sheâd been right; your Dad wouldâve wanted the two of you to move on, and yet she still entombed herself in the bottom of her reservoir far too often. There was no release, no acceptance with her. The dark part of you that wanted to pass blame wondered if this was all because of John, and how well Winchester grief happened to mingle with a Proctorâs. How would your motherâs life be different, if the evil thatâd taken Dad hadnât been put down a week later? Would she be just as hellbent? With your knees sore from pressing into the floor, you knew the answer. You knew if the thing thatâd taken Sam or Dean from you was right in front of you, youâd chase it until you were in your own grave. You knew that even after it was dead, you would be digging your nails into the backseat of the Impala and clawing for every psychic molecule of them left in the leather.
And thatâs what scared youâwas she just going to be chasing Dad forever, tilâ there wasnât a wisp of him left in the world to feel?Â
Something dawns on you, thudding through your mind like a rock dropped down a chute. With limp hands, you slide The Shining towards you on the worn wood floor, part the pages with your thumbs, and press your nose into the binding. Thereâs the smoky, earthy scent of old paper first⊠then something just underneath the surface that no one but you and your Mom can pick up.
Old books. Yes. Yes, thatâs what Dad had smelled like.
-
Youâre seated on the floor of the storage room, back pressed to one of the ancient metal shelves holding up your grammaâs VCR collection, when a blot of the future is tossed at you. Cheap deodorant and lemon cough drops.
Around a minute later, the stairs beyond the door squeak under someoneâs weight. Even without the roulette glimpse of the future, you can tell by the footfalls who it is. Heavy knuckles rap the door and come straight in without waiting for an answer. Behind him, the silence of the rest of the house is even heavier.
You try to sound like a reasonable adult, but the mopey teenager slips out anyway. âThought you were sick, Dean.â
He artfully dodges your point. (Dean is, after all, a master of the craft.) You donât look back at him, but the lemon cough-drops glimpse you got of him creates a clear picture: Deanâs whole body listing into the door frame, one hand on the knob, his face lacking its usual color. His cheeks have graduated from stubbly to scruffy, neglected. âHey,â he says. Itâs the, okay, youâre done cooling down, letâs have a grown-up conversation kind of hello.
You donât know what to say back. Youâre not sure if you can have any kind of conversation right now.
Dean rolls with it, trying to decide if this silence is begging for a subject change or a heart-to-heart. Youâre not sure what he goes for when he says, âI had an idea.â âDid it hurt?â You joke. Jokes you can do.
Thereâs his opening. After a beat, youâreâ
âfucking lobbed with a foam football. Like youâre fucking twelve. Deanâs throw arcs straight towards your head and bounces clean off the top, a perfect spiral. You yelp in outrage, and before you can think youâre following where the stupid ball went so you can clock him right in the face with it. Asshole. It loop-de-loops on the floor around an old dining chair, and you clamber on your knees to fish for it.
Just when you get the toy in your hands and youâre about to demolish him with it, Dean ducks behind the doorway, chuckling, âWoah! No face shots! You wouldnât bash a poor, sick guyâs face in, wouldâja?â
God. You canât fucking believe him. If anyone else did thatâŠ
You lower your hackles and drop the foam toy into a basket, far out of reach of congested troublemakers. When his shining eyes appear in the slit of the doorway again, your cheeks are aching with an impossible smile. âYouâre lucky itâs Christmas, loser. What is it?â
Dean hesitates a moment more, just in case youâve got something else to throw at him, then joins you in the storage room with the evil little oily smile you love. The same dust cloud that got you earlier descends on him in a rough coughing fit, but this lets him get a good look at the little mess youâve made: the book on the floor, your Dadâs things open and askew. When he clears his throat for the last time, he looks pained.
For your sake, you pretend itâs an empathetic kind of pained. And you know thatâs a part of itâDean doesnât enjoy seeing you and your Mom like this. But itâs an unfortunate fact of your life that you will have four times as much context for him than he will ever have for you. Just breathing the same dusty air as him, you know heâs been nursing a sinus headache since Monday, one thatâs made his head feel like itâs chock-full of stuffing, and that Sam made him canned chicken noodle soupâand at first he felt a little smug making Sam play nurse, until he stewed on it more andâ
âhate it when he gives me that dead-eyed look, like he canât even pretend to care anymore. Like heâs just dragging himself through this for our sake. Poor kid scares the shit outta me. Is this how itâs always gonna be? Sammy aching over her, night after night after nightâ
You know just touching the bins holding your Dadâs things that on a icy February afternoon in 1994, fifteen-year-old Dean had picked up the plastic tubs for your Mom from the store.
So when he gives you that pained look, you know itâs part-concern, part-fear. If this is what you look like eleven years after your Dadâs passing⊠if John never comes home from his hunting trip, is this what Dean will become? The loyal son, waiting and waiting on that porch for a man who would never come home?Â
Your whole life, youâve felt like you were becoming more and more like Dean; lately, it feels like heâs becoming so much like you. Your last four years on the road together had slowly but surely melded you together.
âOkay, so, Yuleâs a fire festival, right?â Dean grasps around in his memory for the yearly history lesson your Mom gives about the Wicca calendar. âUh, we lit candles⊠I thought about burning Bethâs Muppet Christmas CD with my lighter a couple times. Thatâs about all the fiery, burny-stuff we did today.â
âI love the Muppets Christmas album,â you pout.
âAfter the millionth partridge in John Denverâs goddamn pear tree, youâd change your mind,â Dean swears. âBut I was thinkinââwe got the firepit in the backyard, marshmallows, and I think I could put together some vodka shots. Then we can blow em' out and eat em' with the s'mores.â Your eyebrows raise. Only he, of all people, could take your sacred family traditions and twist them into such a wonderful, stupid-ass thing. Maybe itâs ridiculous, but⊠there is chocolate and graham crackers downstairs⊠and with how cold it is outside, a fire would be perfect⊠Itâs the best blend of weird Proctor-Winchester traditions you need to save Christmas and Yule. Dean takes your silence as glowing awe. âExactly. I told you, I'm a fuckin' genius. Helluva way to start the wiccan year, right? You in?â
Youâre well aware that this is an elaborate plan to coax you away from your moping. Still, itâs just too Dean to turn down. â...Hell yeah.â
At first R hopes that itâs just her and Dean, and that Sam and Beth keep their grief to themselves. But then she realizes how cruel and selfish sheâs beenâeveryone grieves in their own way, and just because she works through it by talking about it doesnât mean it will work for everyone. Itâs not good that Beth is holding on so tightly to her loss, but that doesnât mean R wants to leave them out.
Lead this into a touch of psychic!Dean and how he has a teeny tiny second sense for what she needs, just like her Dad did. Just enough shine to get by.
R and Dean come downstairs and invite Sam and Beth to their campfire đ
Or, at the very least, all the psychic happenings in the house echoing between them; if Dean's sharper instincts were as psychically heavy as a shadow falling on grass, then Sam's Static was six feet of snow in an arctic blizzard.
It tingles all the way up to your shoulder when Sam touches you. And that, oh, that was a whole new can of worms. As they get dressed for the snow outside and assemble the s'mores and flaming shots, you try not to head down that train of thought again.
Every time youâve glanced at Sam these past few weeks, youâd been unable to hide from what youâd sensed thereâfrom what youâd seen in the demon, and what you now knew to be completely and utterly true after reading its mind.
Sam had It. The Gift, the Shining, whatever the fuck you wanted to call it. Not the vague imprint of psychic-ness from loving one or sharing the Impala with one for four years; full-on, unlatched, REDRUM, I-saw-it-before-it-happened psychic abilities. In the weeks you'd had to sit with that revelation, you'd poked carefully at Sam from afar. Obviously, you knew what a fucking psychic felt like. The five-year-old Sam who'd cut Dean's gum out of your hair had not been psychic. Yet this Sam, twenty-two with three-fourths of an ivy league law degree under his belt, was as psychic as a fuckingâwell. You. He was just as psychic as you.
Without even a sliver of the same control or even understanding ofâof what he had, yes, but you were confident that if Sam was pushed, he could reach into your mind just as easily as you could reach into his. There had been a shift, then. At six, having gum cut out of your hair, you had been decidedly less psychic than you were at twenty-four. So Sam had gone through the Proctor Rite Of Passage; some terrible moment had cut him deep, deep enough to pull a new kind of blood to the surface. After Jessica, he had been... yeah.
It was fucking crazy. And yet it also slotted perfectly into some of the weirder things you understood about Sam; about who he was now and the vague, strobing flashes you got of his future. It freaked you the fuck out. Did Sam know? Did anyone know, besides you? Had your Mom recognized that spark in Sam, the same way she'd seen it in you? Had John?
And the plain existence of the Gift in Sam begged the questionâwhy? Had he just happened to drop from the tree as a different kind of apple? Or was this something you could trace back to his mother, the same way it traced back to yours? Had MaryâŠ?
The implications of that took pretty much everything you understood about Sam and Deanâs life, lined it up on the chopping block, and cleaved it in two. Needless to say, thinking about it made you sick. How could you even begin to bring this up to them?
You cursed your abilities with all you had. There were nights when you sat on the bathroom floor, wishing you could dig in with your nails and rip out whatever had put It in your head. Never in a billion fucking years would you have wished It upon anyone else; especially not Sam, good, selfless, wonderful Sam, who already ached so deeply for other people. Seeing their future, too? And even more often, seeing it and being helpless to change it?
He used to cry over squashed spiders as a kid. You'd felt a whole lot more than just spiders die.
âŠBeside that shuddering horror was another, far more selfish feeling. As scary as the implications could be, when you thought less about the Winchester family and more about your relationship with Sam, you were⊠excited. Relieved, even.
There were only four people in the entire world that you could share your Gift with. One of them has been six feet under for over a decade. Your Gift was a clingy, possessive creature, too. It was maybe two steps shy of being an eldritch horror. It poked through Deanâs dreams when you slept beside him, sucking them up like cigarette smoke. It breathed down Samâs neck wherever he went. If you wanted, no one could lie to youâall punchlines and stories were spoiled for you, you knew when people found you annoying or pretty or stupid. If that particular Proctor gene had skipped you, then maybe youâd be able to form relationships with people where you didnât immediately, intrinsically understand who they were and why. Dean would say, You need a drink. You would know without asking that he meant, You scare the ever-living hell out of me nâ I know I canât hide it from you. Fucking hell, kid, I wish I could.
You knew you were a freak. The tiny human vessel for the lashing, bubbling, soul-melting, cosmic weight of a star about to bloom into a black hole. Only your mom would ever understand what it felt like to exist on the fringe of time, between the exhaustive influence of the past and the vast, spotty expanse of the future. You were a tool to men like John; an anomaly for men like Bobby; and a responsibility to men like Dean.Â
But Sam⊠Your best friend Sam, heâd always tried to understand. Maybe heâd never fully get it, but the point was that he tried to. You remembered sitting with him on the curb outside your old high school, the concrete thrumming with music from the junior prom youâd both left behind inside.
How either of you had gotten dates was a miracle. You, the class weird-freak-emo punchline, and Sam, on his fourth round being the new kid that year, were two peas in a pod. Your date had never picked you up; Samâs had escaped with her friends long before their first dance. Neither of you were very broken up about it.
The future had sprawled in front of you that night as clear as could be. You must've sat and talked on the curb for three straight hours, pressed together at the hip with Samâs blazer around your shivering arms.
He was always beautiful in the boy-next-door kind of way, dimples popping with every good smile and freckles rising out of the too-short sleeves of his button-up. But that night heâd been fucking Helen of Troy, and the roar of the past and future slowed to a halt around him.Â
Do you really see the future all the time? Every second? Sam had curiously tilted his head, sending a gleaming swish of chocolatey hair out of his eyes.
Swallowing hard, youâd hesitated, Not every second. But a lot, yes.
Again, the head tilt, then the swish. His gaze was innocent and intrigued. No existential dread, no sweeping sense of fear. Just plain curiosity. Not even morbid curiosity. Sam had asked, What about right now?
Samâs cologneâoh god, his cologneâwas steaming off his borrowed jacket and floating around your head in a wonderful rosy fog. Youâd poked at the future. Sometimes things came back, sometimes they didnât. That night, the future had come back tasting like Samâs vanilla chapstick and junior prom punch, and your face had gone up in flames just sensing it. Heâd waited for an answer. Youâd blurted out the plain truth: In a minute or two, youâre gonna kiss me.
This kind of absolute, unshakable certainty about the future had made other huntersâ blood run cold. Youâd braced yourself for Samâs displeasure or worse, his fear. But instead, there were those dimples again, and Sam had the gall to bat his lashes at you and delightedly ask, Really? Thatâs what the magic eight ball has to say?
His big hand had dropped onto your knee and youâd squeaked out a shrill, Signs point to yes!
Sam loved the stupid magic eight-ball joke. You could feel him smiling about it as he kissed you, kissed you, hand-on-knee, his face tipping down to yours, the shitty school punch staining his lips as the two of you connected. At fifteen and sixteen respectively, this was the first kissing that either of you had ever done. Itâd been wetter and warmer than youâd expected, and Samâs vanilla chapstick had left the slightest print on your mouth, one that your tongue swiped over obsessively for the next month. Your Gift had chased him for weeks after that, silently and invisibly swarming him every time he entered a room.
Back then, your mind had been on the Curse. But now, you thought about what had led to the kiss in the first place. Sam hadnât kissed you on a night when your Gift had been crammed down deep where it could bother nobody but you. Heâd instead chosen the precise moment where your Gift was most raw, one of Its fingers coming down from the sky to press against the pulse of the future. It was small, but at a time in your life when youâd wanted to claw your Gift out with your bare hands, Sam had gotten the smallest glimpse of It and had fallen in love.
You couldnât help but see this thing inside him, his Static, and feel the exact same way. His powers were twisted and unavoidably demonic, and yet you kind of loved them. It made perfect sense to you. No one really understood you like Sam did. Now, it's clear why.
-
tags: @samssluttybangs @cookiemumster1 @lacilou @cevans-winchester @leigh70 @seraphimluxe @emily-roberts @emme-looou @aloneatpeace @williamstop @ornella0910 @chaoticshepardplaid @dakota-dream @lcvecstiel @goghkiss @spnexploration @stoneyggirl2 @urm0mmmbbg @mulattomoon @poeticsorcery @deansapplepie @rennydenny @babydollfoster @badlandsbrunette @hallecarey1 @pplanetcaravan @notanotherthembo
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Post Herbalist, Pre Pre-Medical traditional Witchcraft: a Joke but a reality.
Before I hand feed you my BITTER solar-infused coffee-induced rant, let me give a few ( comically self made) definitions: *see notes
Post Herbalist witchcraft: "energy work**" and magics that are performed by peoples with no means, funds, or ability to obtain herbs and knowledge of herbal medicine for magic and health. This loss of knowledge is due to colonization, fear of herbalisms ties to witchcraft, and the push for modern"white medicine. Note*- I fucking hate the term energy work, yet the magic itself is very very real and used by me.
Pre Pre-Medical witchcraft: -Not to be confused with Pre-med schooling in preparation for grad school.- Pre Pre-medical is what I call the average knowledge of modern medicine that the average person can obtain by ways of public K-12 schooling and the internet. Its place in witchcraft is the knowledge of medicine and the dangers of herbs and or anti-vaxx/med dangers within magical communities. In essence, Pre Pre-medical witchcraft is the belief in modern medicine as well as magical healing methods. Not to be confused with holistic healing which is utter bullshit when taught as completely factual in organized religious spaces.
With these definitions explained less blurred in the mind of the greater trad witch community, and ignorant tumblr onlookers, I move on to my spiel.
As a professional witch, conjurer, seer, and drama queen, I struggle to find a home amongst communities that have watered down witchcraft for a younger, whiter, and less informed audience. Gone are the days of nuance and professionalism. Today is now ruled by forever-beginners, eternal-newbs, and influencers turned teachers. With this post I hope to separate the wheat from the chaff and find the cream of the crop.
To practice witchcraft in a time where herbs are expensive yet taught as the only means to perform spells; and at a time when cities and suburbs have ruined free access to native plants; I find myself performing more prayer and power based magics. No longer do i spend money on herbs, candles and the like. Nor do I plan to purchase the land required to grow my own. I invest in verbal charms, prayer, writing, movement, and my own bodily secretions. I jokingly call this "Post herbalist Pre Pre-Medical witchcraft."It is more informed and rooted in history than generic "energy work". And is less concerned with the consumerism that is forced upon modern witches via herbs and more. The joke is the name is so humorously long and ignorant that it kind of works. I expect the internet will love it considering you folks love putting every adjective before "witch" such as "solar witches" and "crystal witches". Although I suspect people looking for such titles do not have the attention span to read this wordy blog post.
In 2020 I challenged myself to go a year without spending a dollar on my magic. Here we are in 2024 and I'm still going. Yes I use plant materials. Yes I buy things for spirit offerings. But no. I don't have a huge cabinet of herbs and candles. I fully rely on my spirits, my witchflame, the land, and my body to produce magic. No money required. I could spend another fifteen paragraphs explaining how to do so. But alas, i don't care to share. As I said, I am done engaging with forever-newbs who are at the same place they started in witchcraft ten years ago.
I hope my short yet long* rant leads you to... something useful
*note: this is actually a very short read. But in the modern internet sphere we are all unable to process information that's not in video format consisting of no more than 2 minutes. so this is a long post nowadays. hehe im really on a soap box today. sorry im so bitter.
#folk witchcraft#traditional witchcraft#transgender witches#beginner witch#folk catholicism#ozark magic#animism#santa muerte#folkloric witchcraft#witchcraft#the trans folk witch#ozark witchcraft#ozark mountains#ozark howler#ozark folk magic
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"Wordsville" and the Problem with Cash-Cow Copies
[note original day of creation was February 15, 2024. just...just for reference. trust me bro.]
Hello.
Tonight I am in a silly mood fueled by sleep deprivation.
That means you all get an introspective blog that I will complete within a week and then ask "why'd I write that?"
So here's what's on Seren's lovely table of discussion tonight...
Put...put away the glasses. You don't need your glasses. This is the highest-quality thing I can get.
But et voila. A little project in the works called Wordsville.
Now, at this point you might be asking why I'm referencing "cash-cow copies" in the title. And whoo-hoo...oooooh...well, I don't want to make this some kind of clickbait blog, so I might as well perfect the atomic bomb in five minutes and land it on you folks.
What if I were to tell you that this is a blatant, shameless, slap-a-digital-coat-on-it-and-call-it-a-day copy of Odd Squad?
Ahhh, see, now I have you intrigued. Hopefully. If you are, then peep down below and let me discuss things a little more in-depth for you non-believing hacks asking me if I'm borderline insane.
So to put things in perspective, allow me to explain what Wordsville is, starting with my own personal summary.
Wordsville is an up-and-coming episodic (not to be confused with serialized, that's a whole 'nother ballgame) TV series that is produced (and will later be distributed) by Sinking Ship Entertainment and is made with assistance from WNET, a PBS station located in New Jersey, and TVO Kids, PBS Kids's girlfriend from Canada that's definitely real.
It was announced back in October of last year with a press release from Kidscreen, which didn't give much info aside from the following blurb:
Wordsville stars two child detectives on the hunt for missing words that are causing chaos in their town.
Sounds a little familiar, don'tcha think? Two kid detectives, finding something missing...and that "something missing" is causing chaos where they live?
Oh, but if you think the similarities end there, then no. No the absolute fuck they do not. I've got my bathing suit on and God damn it if I'm not gonna jump all the way in the pool instead of dippin' my little toes in there.
Doing a little bit of digging reveals more tidbits from a casting call for the series. It's rather wordy (ayyyyyy I did a funy), so let's take it piece by piece and discuss accordingly.
Wordsville is a town populated entirely by kids
A town that is populated entirely by children? Now c'mon, surely that doesn't ring a be-
...Ah. Whaddya know. Yes it does.
And with the adults as useless and idiotic as they are, it might as well be a town full of solely children. Next question.
and itâs a place where words matter. A lot. Every kid citizen has a special connection to words. And that means that if something happens to a word, there are far-reaching consequences.
A special connection to words? Like how there are children who have a special connection to normalcy? Stopping, oh, I dunno, hypothetically speaking...
...oddness?
Okay okay, I'm reaching just a wee bit here, but you can't read this and not tell me it echoes the funny kids math show to some degree or another. If an odd thing happens to a person, the whole town suffers. You've seen it. I've seen it. It's been the basis for many an A and B-plot. Must I elaborate? Good, because I don't plan on it. Continuing.
If the Main Street Baker bakes delicious donuts and they all mysteriously disappear, nothing else in Wordsville can taste good until they are returned.
Town Baker walked so Main Street Baker can sprint while blowing their lungs out.
If the Town Doctorâs soothing medication gets swiped, the whole town gets uncontrollably itchy until the medicine-napper is uncovered.
Ignoring the incredibly dark implications of this as well as the implications of this shoddy knockoff town having only one single doctor...
Dr. O walked so the Town Doctor can sprint while blowing their lungs out...over their massive paycheck.
(I technically could have also put New Dr. O too, but I'd like to spring for iconic OG's here. New Dr. O is neither iconic nor an OG.)
And let me remind you that "Torontonians get uncontrollably itchy due to something odd" would, by technicality, classify as an odd problem. Because...I mean, y'know...the cause is something odd happening. Doing shit with words is odd. This needs absolutely no explaining.
If the Local Scientist does an experiment with electricity and all the lights in town go out, they wonât come back on until the experiment wrecker is revealed.
Yep, I've taken shots of every IPA I can. We nearly hit the main character quadfecta, if you discount Dr. "bro thinks she's part of the team" O. All they needed was a bit about a high governing body and we'd round out the quad squad in proper with Oprah!
There's also a sneaky lil' crumb in the form of that blurb relating to Oona, who did, indeed, experiment with electricity in one episode and wound up proving why she can never take up Crossfit.
Hmmmnnnnext!
In each crime, the episodic word disappears and canât return until the mystery is solved. The impact of the missing word is felt all over town.
This is another one of those things that I gotta wrench a hammy for in terms of comparisons, because about the only thing I can reasonably compare Odd Squad to is the second sentence.
See, here's the thing. You get oddness that happens to a person. Oftentimes, that oddness spreads to other people, whether directly (in the form of diseases and disorders) or indirectly (like the Town Baker's cakes being split in half, which wouldn't please Torontonians poppin' in for a whole cake and eyeing the display to get a feel for one). In a sense, normalcy disappears and, well, it can't return until [insert partner pair here] solve the case. It's kinda the entire schtick of Odd Squad as a franchise. It's formulaic, just like how Wordsville's "words disappear and nothing can be normal until the word returns" schtick is formulaic.
Is it a stretch? Perhaps. Mileage may vary. I think it's a bit of a stretch, personally. But hey, I'm a grown adult critiquing a ripoff of a kids STEM show. I shouldn't be talking. But I didn't start this fandom nearly 10 years ago just to let Sinking Ship's piss-poor attempt at really capitalizing on one of their biggest franchises sliiiiiide right by me on a floor smooth enough where I'm falling on my ass every 10 seconds.
Luckily, best friends and partners Sage and Chase are on the case and run the only detective agency in town. These tech-savvy sleuths solve mysteries entirely virtually because their reading, listening and digital literacy skills are their greatest strengths. Sage and Chase always catch their culprit and make sure everything is right with the word.
Now where in the McFuck do I start with this one? The PAW Patrol catchphrase thrown in complete with shared name? The fact that there is only one detective agency in the entire town? The fact that Sage and Chase are best friends as well as work partners? Or the pun that made me actively cringe in a way I haven't felt since Whitney told James she wanted to go on the lake?
I mean...this is about Odd Squad, so...I guess the second one sounds most plausible.
But that doesn't need explaining either. There is only one detective agency in town. There is one Odd Squad precinct per city or per state.
No, neither does the third bit. I already referenced Olive and Otto above. You should know what's up.
(I've also read that blurb five times now and...well...we'll get to the digital stuff in a bit. That just needs a whole side-set of word vomit.)
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In my digging of this series -- which, well, wasn't all that much -- I managed to find a few blurbs on our two main characters. The casting call for them, funny enough, called for, and I will quote this exactly, "talent to look 9."
As in, they want the actors to physically look 9 years old.
Which puts that qualifier in the same ballpark as Odd Squad UK's "talent must be Canadian but live in the UK". But at least that prerequisite actually had a legitimate earnest reason behind it, which is that the production needed to be Canadian in a lot more than just the "Canadian prodco works on a British series" sense. Hiring kids who have to physically look 9 years old and will probably be yoted onto the street the second puberty hits them like a truck is a practice not even the most egregious bosses of family-owned-and-operated businesses could pull off.
But enough about the qualifiers. Let's get started on our character comparisons and civil cidiscussion! (Oh the irony...)
And remember this: the casting call was handled by Larissa Mair Casting, who previously did casting for Odd Squad. So that means there will be tinny lil' crumbs of bonus material for me to dissect and discuss! Huzzah! Aw God why can't this happen for Odd Squad UK...man, I'm gonna have to go into my sobbing corner...
First up, we have Sly Sleuth, originally referred to as "Sage" here. I'll also be referring to him as "Sage" in this blog.
Sage is a great detective; thoughtful, extremely logical, and talented at getting information out of people.
Thoughtful of others. Logical. And can wrench information out of suspects like a badass.
Yep, we got an Olive that got hit with an Olando-fied beam. (And because half of you don't know who Olando is: Sage is meant to be a male Olive. I hope that clears things up for you.)
What else?
Nothing related to vocabulary or literacy gets by this investigator. Suspects can underestimate Sage but that is always a mistake. Sage doesnât scare easily and wonât take no for an answer, traits that make an excellent detective.
You could tell me this was how Olive was meant to be written in "My Better Half", word for word, and I would honestly believe you. Right down to asking, "Her name was Sage in pre-production?"
About the only place I can draw the line here is at Olive not scaring easily. We don't know Sage's backstory -- and once again, this is an episodic series, so don't expect much in the way of plot, backstory included -- but Olive, at least, has a legitimate reason for all the times she covers her ears at loud noises or sharply reacts to something startling.
The former is because of The Censor-Friendly Bullet Massacre of '15.
The latter is because Dalila Bela marched straight out of a viewing of Who Framed Roger Rabbit and never looked back.
I...can't really say either applies to Sage. At least not yet. We'll have to see if Sinking Ship decides to bring Wordsville into its lil' multiverse that Odd Squad and Dino Dana and Endlings and Playdate already share.
Sage is also wise, which is why the name âSageâ is completely appropriate.
Sooooo does that mean his name is Sly because he's cunning like a fox?
Well then in other news, Olive is named such because she was inspired by the famous Law and Order character Olivia Benson. I have fifteen folders that back me right the hell up. Also I contacted Sinking Ship the other day, they explicitly told me.
No, no, but in all seriousness. Olive, too, is very wise. Historian buff, knows her shit about Odd Squad, doo-dah, doo-dah.
Anyway, next up we have Chase, who was renamed to "Gabby Gumshoe". (I'll be referring to her as Chase in this blog, as well.) Let's see what's on the chopping block for her in terms of our favorite food-loving, hella tall, crazy silly blorbo.
Chase is a fantastic detective, but is also goofy[,] funny, visually oriented, and, like the name suggests, loves the âchaseâ.
Now there's a man who got hit with a yassified beam, right there.
I'll leave it up to you folks whether you consider Otto to be "visually oriented". But in terms of "loving the chase"...yeah, I'd say that fits.
To lay it down: Otto is a rookie agent. Common sense would lead anyone to assume that he has an absolute blast solving odd cases and absorbing every bit of knowledge about Odd Squad that he possibly can. He finds out a villain's on the loose? He's right there, by Olive's side, workin' to catch 'em. He finds out oddness has run rampant throughout the town? He's right on that shit.
Chase, on the other hand, is someone I wouldn't call a rookie. It's made quite evident that she is, for all intents and purposes, seasoned. Seasoned enough that she manages to keep the detective agency she works for afloat and get approval from the others in Wordsville, Sage included. This, perhaps, is because she's not really meant to be an audience surrogate in the same way Otto is. Otto, at least for the first few episodes, serves as a way to ease the audience into Odd Squad and show them what the organization is and what they do without yoting them into it and leaving them asking "Where am I?" more times than a drunkard. Chase doesn't fill that role, because it could be argued that such a show like Wordsville doesn't really need an audience surrogate. Whether that's true, though, remains to be seen.
People tend to underestimate this investigator, but Chase often notices things like a chocolate stain when someone said they didnât like chocolate or a squiggle of icing that turns out to be the antonym of the word theyâre tracking.
Y' take Otto's...Otto's love of food...and y' put it in a gorl...and BAM you got a character.
...
That isn't a joke. It's dead-on serious. Even the casting call script pins Chase as a kid with a sweet tooth! It's just Otto but with a less diverse palate! Otto eats everything! This kid eats sweets! God sakes, give her some juice, make her Oprah, I don't give a shit, fucking hell I'm driving 50 minutes to Burger Ki-
Chase is also great with computers and incredibly artistic. A graphic note taker[,] Chase loves to draw, has a great eye for details, is a big fan of the âzoom inâ function, and really enjoys creating animated re-enactments of Word Mysteries.
All right, we finally have somewhere we can draw the line.
No, not at being tech-literate. With being artistic.
Otto's artistic talent kind of varies throughout the franchise. In drawing on paper, he's pretty solid for an I-just-recently-turned-10-please-praise-me-year-old. In making paper airplanes, he's solid enough to take down a grown-ass man and rock his sunglasses when he's done for.
In computer drawing...well...if you can believe it, concepts like Ibispaint and Photoshop don't exist in the world of Odd Squad. (Okay, maaaaybe Photoshop does. I don't think it does. But it could be a good in-universe justification for it.)
We don't know Otto's digital artist merit because we never see him make any digital art. All of his art is solely non-digital. On Chase's side of things, she lives in an era where digital drawing is, like in real life, the norm. It's a contrast that might be one of the more glaring ones when it comes to comparing these two shows.
Now, as for the "creating animated re-enactments" schtick...if that isn't an excuse for Sinking Ship to work their animation magic after the Sandy Cheeks movie, then I honestly don't know what is. If you wanted to make the show animated, you could have made it animated. Would've been cheaper, too!
(And "Word Mysteries"...it's not as grating as Wild Kratts's "Wow Fact", but it's edging pretty close. I blame WNET. That's solely a PBS thing right there. TVO Kids would never.)
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So we've gotten the discussion about the two main characters out of the way. Now we can dive into the heartier meat. The kind where's it's purple on the inside but you still digest it anyway.
I'm talking, of course, about the sample scripts- script. Singular. There is one script. Uno.
Now, lemme give you a bit of a rundown: casting calls for Odd Squad -- really, most shows, but this is a blog about Odd Squad -- often come with sample scripts. This is so talents can read their parts aloud for the camera and have the tape submitted to the casting agency for consideration. Odd Squad in particular has had quite an interesting ride with sample scripts, from entire episode plots being adapted into final products (with a bit of tweaking) to characters having names different than what they're named in the final product (which is the case with both Sly and Gabby). They're nothing on the scale of ABC Me dropping episodes earlier than PBS or shorts getting dropped as an alleged April Fools prank, but they're pretty damn good crumbs to chew on.
The sample script starts out with Sage and Chase on, of course, a video call. (Sinking Ship made a Zoom reference once. Pray they do not make another by the name of a friendly drug called "Speed" or that term for peeing known as a "Whiz".) Chase explains that she just gave her office chair's wheels a tune-up, which, of course, makes her hungry. Hungry enough that she declares a "cookie break" and immediately takes out a ginormous cookie from hammerspace that just made the European bakery down the street from me start sobbing. (Look, they make good cookies. Giant cookies. Cookies I need two hands just to hold properly. Trust me, it's- it's massive.)
However, when she bites into the cookie, she finds that it tastes absolutely gross -- "not sweet, not even sour". While she ponders if her body has forcefully rejected one of the best sweet treats known to humankind, Sage begins to grow suspicious and asks if it's a Word Mystery they need to solve.
Which is, coincidentally enough, when the Main Street Baker calls in a fit of hysteria, explaining that their "delicious donuts" are gone. And because we can't take enough from Odd Squad, we get a bit of "literal humor" in the form of the donuts both being delicious (probably) and them spelling the word "delicious" prior to their disappearance. After Sage explains what "delicious" means as well as what synonyms are, it's shown that the culprit also struck other pastries, up to and including gingerbread people, which Sage absolutely takes personally because he's a kid of pure culture who gives a big "fuck you" to holiday-specific treats being enjoyed only during said holidays.
Chase, in true Otto fashion, decides to take more bites of her cookie and instantly regrets it. Sage, in true...well...Clint Eastwood fashion (I shit you not, that's literally what it says in the script), declares that they need to find the word "delicious" and fix the pastries.
And...yeah, that's about it. Like I said, there's really not much to go on with casting call sample scripts. Especially not ones from Larissa Mair.
My conclusive thoughts on it, you ask? Well...they can try to hide it, but all it's doing is enforcing my point. From the Main Street Baker having donuts missing similar to how the Town Baker had bagels missing in "Soundcheck", to Chase being an idiot who is obsessed with food the same way Otto is (right down to his willingness to drink Odd Todd's pickle juice when it tasted gross in "Bad Lemonade"!), even down to the "literal metaphor" kind of humor as it applies to singular words. Am I stretching? Perhaps. But these supposedly insignificant pieces are just part of the bigger picture, the larger issue at hand in this long-winded piece.
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The digital aspect of Wordsville is one of the ways they decided to put a twist on the precedent that Odd Squad set. And it's so blatant and in-your-face that it's on par with shoving a red flag in someone's eyes to blind them.
But here's the thing. The digital aspect been done. Amusingly enough, by the same company.
Lockdown is a show that fits right in with the others at the Shows-Made-During-the-COVID-Pandemic-About-the-COVID-Pandemic club. It was a way to capitalize on something in society that probably will never be relevant again until around 2050. Maybe even earlier than that, at the rate we're going.
I haven't seen it, so I can't speak much about it, but from my side of things it looks a lot like Unfriended if it took place during the pandemic and wasn't a horror movie and involved teens and not young adults/adults/I haven't seen the movie in many years bite me.
But the main difference between Lockdown and Wordsville, relevant to this editorial, is that Lockdown has a legitimate reason to be shot entirely on electronic devices. It's part of the plot. It works, I'm sure. For Wordsville, it makes no sense for the outline and isn't just limiting, but is downright insulting for something "rooted in the 21st century". It's good to be unique when making a show, but there's such a thing as trying too hard to be unique to the point where it's detrimental to your show's quality. Making the show be a digital-only angle isn't a smart move, especially for a detective procedural.
And if it's trying to differentiate itself from Odd Squad...well, do I got some bad news for you.
The show already did an entire Zoom parody in the span of an 11-minute episode.
And I still hate it with all the vitriol of an old woman who hates kids playing with beach balls in the yard pool. It sucks ass. It's entirely unneeded when you have three children sitting around the same table. I could vomit on you all day about it. But at least it's far more justified than Wordsville having its entire formula based on it. You can rip off a show without being limiting.
(don't. seriously. don't.)
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Before we get to the conclusion, I need to dive deep into Odd Squad's own popularity and explain it a little more beyond just little "trust me bro" tidbits.
If you've been following it for as long as I have, then it's no secret that Odd Squad is one of Sinking Ship's cash-cow franchises. You've got the main series, six different spinoffs, a live show, a book...and I didn't even provide a whole damn list! Point being, it's huge. It doesn't have many roots in pop culture, but from a certain angle, it is an absolutely massive franchise that continues to grow, even in spite of its controversies.
Unlike works such as SpongeBob or Bluey, Odd Squad isn't popular enough to get bonafide ripoffs. The formula is relatively easy to copy, and if anything there are shows that have a similar premise but aren't even close to ripoff territory (K.C. Undercover, for example). It's just that, for all the ripoffs people have done of shows and movies over the years, the motivation for industry bigwigs in taking Odd Squad and running with it just...isn't there. I can connect it to Disney or Dreamworks or Viacom all I want, but at best they have a vague awareness of it that only goes as far as "oh, that's a thing, I guess". At worst, they see it as a pile of shit that would never turn a decent profit.
It could be argued that Sinking Ship wasn't all too well-known in the entertainment sphere up until Odd Squad came around. Looking at their resume doesn't show all too much in the way of what's popular. This is Daniel Cook, Roll Play, Playdate...they don't stick in your head, right? Yeah, none of them stick in my head either. Odd Squad was their first big hit for them, something that really helped them gain ground as a company. It's the one that's pretty much linked with Sinking Ship in news articles. Like husband and wife, but for the TV industry.
But to Hollywood bigwigs, that means about as much as finding a stick on the ground. I guaran-goddamn-tee Bob Iger is not going to put his grubby little hands on the funny kids math franchise and twist the hell out of it. The only way that's happening is if you run "Odd Squad, but make it Disney" through an AI generator. (Which, for the record, I have not done. You can't really replicate Odd Squad characters in animation without making them look like they walked out of yet another Law and Order spinoff that's far more kid-friendly.)
However, even with Odd Squad's varying popularity, there are shows that go just a little beyond having a similar premise to it but don't dive into ripoff territory. Sort of like a next step up.
A long time ago, a few friends and I in an Odd Squad Discord server were discussing the show Numberjacks. You know, that show that Jacknjellify may or may not have used as inspiration for Four's design? Yeah, that's the bitch.
The show has a few similarities to Odd Squad. You've got the focus on math, a system for exiting the couch headquarters that's similar to the tube system, and even the existence of kid agents and incredibly odd villains, one of which, need I remind you, Twitter tried to make into a sexyman for all of two days to varying degrees of success.
I will admit, I haven't seen Numberjacks in several years. In fact, the last time I saw it was when it was brought up as an Odd Squad ripoff. If I recall correctly, the episode that I picked to watch on a whim was "Seaside Adventure", wherein a few numbers take a vacation and trouble occurs. Or something like that. I really can't remember many details.
One thing I do remember, though, is distinctly thinking that I could see the Odd Squad similarities, but...it's not a ripoff. The series premiered in 2006. By that point, Tim McKeon and Adam Peltzman were off on their own ventures as they wrote for cartoons and other things. Thus, Odd Squad hadn't been birthed yet. If anything, Odd Squad took cues from Numberjacks, not the other way around -- but even with the existence of Odd Squad UK, we don't know that for sure. I don't even know how popular Numberjacks was in the UK. I'm a dumb lil' American, not a Daphne-Moon-esque English woman.
Since then, I haven't found anything that has come close to what Wordsville aims to accomplish. Granted, though, I have not looked very hard. I'm moreso keeping an eye on PBS to see if they're going to try and rip off Odd Squad rather than keeping an eye on any random B-lister studio. (And no, I'm not talking about WNET. They are a PBS station, but I'm referring to PBS as a whole entire network, not a sole affiliate.)
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So the question remains: is Wordsville an Odd Squad ripoff?
Yes. On multiple counts. Right down to the name inspo. Guilty as charged. Right to jail.
From it being for the 4-7 demo not unlike Odd Squad's own 4-8 demo, to Sage and Chase being referred to as "Word Detectives" in lieu of "agents", to it being a detective procedural not unlike Odd Squad and its spinoffs, to the synopsis of the show being described as having "a case rooted in a vocabulary lesson" similar to Odd Squad having episodes rooted in STEM lessons, to it actively encouraging the audience to solve mysteries along with Sage and Chase...to Sage and Chase having alliterative theme naming...
Yeah, safe to say, we've got ourselves a ripoff.
There's no denying that Odd Squad is a fantastic franchise. Even through all of its issues, including financial controversies, heavy criticism, and mistreatment from PBS, it has remained strong for nearly 10 years, and will stay strong for many more. Maybe one of these days, it will plant roots deeper into pop culture and become one hell of a phenomenon. We'll have to see.
But the fact that Sinking Ship Entertainment has to resort to borrowing a concept that is unique in its nature, a concept that has already been done, a concept that has been given life and creativity by the people who birthed it, and then try to pass it off as its own original IP is not a good look on them. It's been done similarly before with their other big franchise, Dino Dan -- key word being "similarly" because it's one show and three spinoffs focusing on different characters. That isn't the case with Wordsville, though.
Put it this way: it's a company ripping off not someone else's IP, like many other companies have done and continue to do. It's a company ripping off their own IP.
And really, it doesn't matter how it's done. Stealing is stealing. At the end of the day, all it shows is a complete lack of creativity and a complete craving for the almighty dollar. More so if it's a company stealing from themselves and passing it along as okay.
In spite of this, however, I am perfectly willing to give Wordsville a shot when it comes out. Not so much to see if it's good (though my curiosity is piqued), and definitely not to hate-watch (which has the opposite intended effect on a show or movie), but to see just how far Sinking Ship is willing to push the envelope in affirming viewers and industry buddies alike that this is not, by any and all accounts, a copy of Odd Squad. I want to spot similarities. I want to take whiskey shots until I can do a zoom-zoom to a hospital and then ask if they've got a bottle on board the rig. I want to give a full, I-watched-this-show-now-here-are-my-overall-final-thoughts addendum on the entire issue.
As of now, Wordsville has no narrow timeframe. All I know is that it's releasing this year, likely on TVO Kids in Canada. Whether PBS as a whole will adopt it into its roster -- and if anything, it'll be WNET-exclusive, otherwise we would've heard something about it at the TCA Winter Press Tour a few days back -- for American audiences remains yet to be seen. Rest assured, though, that I'll be keeping an eye on it and rushing to it as soon as the first episode drops. After that, I'll give a proper addendum so I can finally put this issue to bed. Along with myself. Revenge bedtime procrastination is a bitch.
Thanks for reading. This honestly started out as something silly, but then I became analytical. So you got a mix of both in this one. This may or may not be the norm. Day-by-day, y'know?
Seren out.
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Hello beloved! Could I please ask about:
exit wounds (during skye) - aliit au (*grabby hands for the pain??*đ«Ł)
and/or if that's already been asked... I'm intrigued to know more about "one more push" đđ ??? PWEaSE đ„č tysm.
aaahh two!! tysm my dear đ„șđ i think i'll do exit wounds here then reblog with the second since i tend to get wordy
exit wounds
this is the doc for expanding on comet's time with skye - specifically how it started and how his absence impacted boost and sinker. the title is a placebo song that's very comet/sinker when comet leaves them for skye. it's been really difficult to work on because i never want bad things to happen to them đ„ș
what's in out of the ashes is very brief and i've also changed my mind about a key part - boost and sinker distrust skye from the very first day they meet him, which i no longer think serves the story. he's not some simple asshole, he's a master manipulator, and many abusers know how to charm not only their victims but also the people who would protect them - at least until they've got their claws into their victim.
i'm also changing the "reward" skye is holding over comet's head to get him to obey. currently it's the promise of being his collared sub, but it's going to be the promise of marriage and children - the things comet wanted with wooley, things that have always been incredibly important to him.
both of these things in the original diminish the relationship comet has with boost and sinker. they make it mean so much less than it does. he would never leave them to get a dom and if they said they didn't trust someone he would trust them.
comet/skye snippet:
âNo, I'd love to move in with you!â Comet assures him quickly. âItâs just.. moving away from Boost and Sink - I don't know.â
âWell you didn't think you'd live with them forever,â Skye laughs - and he does it so easily, like it was so obvious they'd split up eventually, that Comet is suddenly too embarrassed to admit otherwise.
But, yeah.. he kind of did.
His embarrassment must show on his face, though, because Skye is still laughing. âOh my god, you actually did, didn't you?â
Comet can feel his skin burning from the tips of his ears down to his neck. His defense comes weakly. âYeah, a little, I guess. Please don't laugh at me, Skye.. They're my best friends. I just - I never really thought about it.â
boost/sinker snippet:
[context: i think sinker coped with losing comet by drinking heavily and he and boost fought about comet a lot - what they did, what they should've done, if they could've changed it. they've just had some such fight, but i haven't written that. also. boost's parents died in a car accident about 10 years ago with him in the car which is how he got his scars]
âI'm not talking about this with you,â Sinker slurs. He turns away, deciding to take a different way home. Let Boost stew in his shit mood on his own, he thinks.
What happens next happens so fast that Sinker can't really make sense of it.
There are several noises - the blaring of a horn, the squealing of tires, voices yelling - two of them - all of them too loud. Then the blinding lights and the hands yanking him backward so suddenly his vision spins.
âSink- Sinker, I can't lose you, too!â Boost is shouting at him, grabbing him by the shoulders and shaking him hard. All he can do is freeze, eyes wide. âFor fuckâs sake, I can't lose my whole fucking family! What is wrong with you?â
The anguish in Boost's voice, the fear in his eyes, it chills Sinker to the bone. Boost is.. Boost is angry with him. Really, really angry.
Both of them just stare at each other for a long moment before Boostâs gaze drops to his hands where they still grip Sinker hard enough to bruise. His eyes widen and he lets go like he's been burned.
âSink..â he whispers, shaking his head subtly in disbelief. He swallows hard, looks down at his hands, then back up to Sinker's face with tears in his eyes. âI didn't- I'm so sorry. Did I-â
âI th- I think..â Sinker blinks a few times. âI think I need to throw up.â
âYeah,â Boost agrees quietly, wiping his eyes on the back of his hand. âYeah, I think you do.â
well đ„șđđ you wanted the pain đ„ș now take this. to feel better đ«â
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Was up wit sergie boy?
OKAY THE MOST LORE DENSE CHARACTER.... THANKS.... (i do love him though) @spinningblueberry tysm for also asking for sergei, i will get to anastasya soon!!
TW: self-harm, suicide and SA references i did not proof read any of this, there's too much writing i give up
Sergei was born into a very orthodox Jewish family.... And not a very autism-friendly household. Obviously autism at this point was not known to be a thing, so he was diagnosed with "childhood schizophrenia". He lived in a house packed with children... screaming children. It was hell to him.
His parents were both members of the Russian revolution and were true Leninists and Trotskyists. Sergei grew up learning their ideas and he was always warned about Stalin's dangerous ideology.
When he was 5, he gained a special interest in WW1 planes. He was.... obsessed. He had a whole collection under his bed. When he turned 7, his sister broke one of them. He still has NOT forgiven her.
His family travelled to Poland a lot, Sergei didn't know why, but he didn't mind because he had made a new friend, Andrzej. They hung out pretty much every moment of everyday. Sergei even learnt Polish to communicate easier with him. time to get chronolological after all that context
1933, Sergei is more independent now, he barely ever spends time at home, he just can't handle it. He spends most of his time in a small hut he built together with Andrzej. It's a place hidden deep in the forest, in a place no one would find them in. It was perfect. They were alone... and holy shit did their relationship get close. Andrzej was the one to ask Sergei out and he made sure to be as patient as he could with him, because Sergei is horrible with expressing himself, but he was over the moon. Sergei at this point has also begun a career as a poet. Although he is still barely a teenager, he spends his days writing away at his desk and advertising himself in town squares. No one ever seemed to notice him and Andrzej's "bond", even when Sergei continued to drop hints in his writing.
Andrzej and Sergei were both working on "Plans to Overthrow Stalin and Bring Back True Communism" (a very wordy title). They made plans to write to Trotsky and bring him back, but it was way too dangerous from where they were.
There had been talks of 'fascism' popping up around Europe. Most people would say "holy shit that's fucked up", but Sergei's idea was "this is perfect for poetry"... he's a freak. ANYWAY. Sergei became a travelling poet! He went first to Ukraine, where he met one of Andrzej's distant cousins, Anastasya. At this point, there has been a massive famine in her village, due to protests against the kolkhoz. Most of them had to rely on eating tree bark at this point, Sergei couldn't believe it............so he wrote a poem about it. He also took this time to learn new languages for his travels! So at this point, he knows Russian, Polish and learning German.
1935, he decides to check out Germany. There was talks about some idiot in power, spewing lies about Jews, so of course Sergei goes there to have a laugh. While on a walk, he bumps into a member of the HJ, Klaus, they have a long talk about... "the danger of the Untermensch", where Klaus is completely dead serious and Sergei is just messing around (kinda Jojo Rabbit style)
Somehow he had convinced this Nazi that he was one of them... That was kinda cool. So he went off to do more of his silly poetry.
Once he's back, even though at this point he is FIFTEEN YEARS OLD, Andrzej proposes to him. Obviously they both know their marriage is not happening any time soon, not with all the laws against it. But it was nice knowing that they had SOMETHING to symbolise how much they cared for each other. 1939, Germany invades Poland. Sergei is at Andrzej's when this happens. All he remembers was hearing the radio. Then Andrzej frantically hiding anything incriminating. He remembers screaming at Andrzej to run and Andrzej screaming back about hiding everything... He remembers the guns, he remembers the adrenaline as he ran as far as he could. He remembers Andrzej never coming back. He remembers finding his corpse in the doorway. If only he had ran with him.
Distraught and all alone, Sergei decides to go back to Germany. At least he had that.. Nazi friend?? Maybe he would turn out to be not so bad.. Sergei didn't even see the knife as he dropped down crying. Klaus... comforted him. Maybe he was right, maybe he wasn't so bad. Sergei stayed over with Klaus for a few months. The truth was a secret between him and Ida, who was much more understanding than Klaus could ever be. Klaus didn't like that Sergei wasn't eating their.. "normal food", but he kept quiet. Sergei knew he was being judged with every move, however.
A while later, Sergei hears about Klaus and Ida getting married. He wanted to scream. How come these monsters could marry, when him and his TRUE LOVE never could?! How could Ida take Klaus away from him. He was the closest looking replica to Andrzej. It felt like staring at Andrzej cheating on him.
Sergei at this point is almost like Klaus' dog. He has to do as he's told. He needs to be entertaining. He's forced to dress up, forced to be used as a punching bag when Klaus has a bad day. It was fine. As long as he made Klaus happy. (buddy was slowly developing stockholm syndrome)
1940, Ida is gone. Klaus is protecting her from the bombing. All he knows is she's somewhere in Britain and there was nothing to worry about. Now Sergei wasn't just entertainment, but he was pleasure. Anything Klaus wants, goes. It was always "Ida isn't here, someone has to do it". He was also forced to be Klaus' "housewife" for a while. Not because Sergei was good at chores or anything, just because it was funny to Klaus.
1942, Sergei spends most of his time helping Ida with her and Klaus' new child, Heike, he wants to make up for his previous hatred towards Ida. He wants to be a good person again. But he knows he's broken, so a few months later he goes back to his and Andrzej's cabin and hides himself from the world. He continues to write his poetry, but it has evolved into dark and twisted vents, rather than his usual romance and humour. He usually sends these to Stasya who publishes them. Although, after reading the first few poems he sent, she is obviously concerned about his mental state and decides to make the decision to leave her family to care for Sergei and good thing she did, because she walked in on Sergei about to slit his wrists. Sergei was not in his right mind at all. Everything was foggy, he could hear her concerned yelling but couldn't make out a single word. He just sat there. And he sobbed.
1945, the war is finally over. Sergei is still a little messed up, but at least he has someone to check on him everyday. Sergei had still been writing to Klaus to this point, just short love poems, with not much meaning behind them. They were all very general and he never signed his name. He guessed Klaus just gave them to Ida, or just threw them away. He didn't care anymore. He was tired of it though, so he stopped writing all together.
Sergei signed up for the secret service, after finally giving in. He told them everything he learnt from studying the Nazis (aka, just Klaus). He even requested to be allowed to shoot Klaus himself. They told him to wait, but he would definitely get the chance. 1959, Sergei cornered Klaus into an alleyway and shot him right in the head, before quickly storming off back home. He never spoke of it, but he could still see the blood splattered on the walls, the look of fear in Klaus' eyes. He only felt bad for Ida. He knew he had saved the kids though. He was at peace... 1962, Sergei has given up completely on looking after himself and he's given up on his religion. Stasya calls him over for their Shabbat dinner, but he just simply tells her "it's the end" (mysterious fucker). The next morning, she finds Sergei in his bed, choking up some sort of mixture of liquids, there's various cleaning supplies on the floor. Anastasya screams, shaking him, crying, trying to make him wash out his mouth with water, trying to make him throw it all up, but all he does is splutter out some foamy bleach and whisper "I'll tell Andrzej everything" I'm sorry guys... most of these characters die..... quite young.....
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Nine people i want to get to know better tag game
But itâs a new post because the other one was far too long
LAST SONG? - Currently listening to Die Together by Amanda Tenfjord, but the *last* song I listened to was the original version (according to the Spotify title) of John Denver's Take Me Home, Country Roads
FAVORITE COLOR? - Purple!!
CURRENTLY WATCHING? - Theoretically Star Trek: The Animated Series but also itâs been months since Iâve watched an episode so. You know. Other than that Iâve generally been getting into vintage film recently â discovered Kanopy has a load of Keaton & Chaplinâs work so I am going to make my way through those shortly
LAST MOVIE? - Buster Keatonâs The Haunted House if we count it, Last Suspect (2023) if we donât. It was the last movie I watched on the plane back to Canada from Taiwan, and while I enjoyed it I did prefer the other Chinese crime/legal proceedings movie I watched on the flight (The Invisible Guest from 2023). The plot twists from TIG felt really clever and purposeful within the context of the genre, whereas my internal monologue was more "WHAT IS GOING ON" by the time they got to the FUCKING MEAT GRINDER??? in Last Suspect. It was still a solid movie that I would rewatch, but again the meat grinder really comes out of nowhere.
SWEET/SPICY/SAVORY? - Savoury! Iâd like to get my spice tolerance up, but since coming back from Taiwan I feel like my sweetness tolerance has gone down. Beverages there truly are the exact amount of sugary for me (someone who thinks Brisk Lemonade is way sweeter than it should be)
RELATIONSHIP STATUS? - Single and far too busy & also uninvested in the possibility to mingle
CURRENT OBSESSIONS? - In case it isnât obvious, The Outsiders has been living in my mind for the past few months. Within that subset, Japanese-American Paul Holden specifically has me in a vice grip â Darryâs still my favourite character, but as a member of East Asian diaspora myself I am not immune to the implications Japanese-American Paul Holden has.
LAST THING YOU GOOGLED? - "try guys phoning it in" because i was trying to figure out how many episodes they were/what order they were in (update actually I had to stop answering to do something else and now it's "can you do police checks on minors" because they need to do that before I can volunteer somewhere but as I'm still a minor for a bit I don't know if I still have to get a police check or if I get to wait until I'm not)
This tagging list is a combination of people who actually fit the theme and people who do fit the title but whom I think Iâve already talked with too much to count for OPâs vision but who I am chickening out and putting anyway. Which is a really wordy way of saying I'm sometimes falling back on people I've interacted with before because I'm scared. Feel no pressure to participate, but if you do pretty please make a new post because the other reason I made a new post for this was because I fear what OP's notifs look like
@asexual-juliet @partiallypearl @granma-sweetie @sondheim-girly @hhuta @mishapen-moth @pesticine @mar-the-magician aaand a cheating blanket tag to anyone who wants to!
#reasons for tagging include a range of i've been meaning to ask you what you've been up to/how you are lately (pearl)#(i thought you already graduated are you going back for a second degree or are you getting your masters or was i wrong)#(if you don't see this i'll just send it in an ask like i was originally gonna)#to you interacted with me one (1) time#to you left really good tags on a post of mine once#chain tag game#og#me
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What songs would you say are considered to be the great Taylor Swift songs? Despite, of course, iconic ME!
i cant tell if this is sarcastic or not -- but i listed my top ten (not joking) taylor songs here and since you mentioned ME! im going to use this as an opportunity to be a hater. so here is a list 5 of my least favorite taylor swift songs that i wish i could erase from my brain:
you need to calm down. needs no further explanation, that song sucks ass. in my opinion its worse than ME!
i forgot that you existed. absolute garbage. like so much of taylor's songs that i hate, is more concerned with the real life drama and setting up a narrative than it is with being a good song. vocal delivery and production both sound lazy. it was an insane choice to open lover with this song, it sucks so bad, i hate it
so it goes. imo her most boring song and i think she agrees bc she didnt even play it on the rep tour. i posted a comment on reddit saying that once and got downvoted like crazy and i was like youre all lying to yourselves that song sucks
bejeweled. if bejeweled has one hater its me. i despise that song. the hook is so dumb and who allowed the sentence "familiarity breeds contempt dont put me in the basement when i want the penthouse of your heart" to be put to track. like enough of the mixed metaphors taylor. just say "set me free" or something and move on. and the stupid little repetitive synth on the chorus just grates on my nerves. ugh that song sucks. imo worse than vigilante shit even though that song sucks too.
suburban legends. hate everything about it, from the insane plastic summer line to the dumb title (its a bad attempt at a taylor swift "twist on a popular idiom" -- like that isnt even what urban legends means. its so dumb) to the insane wordiness of every line that just makes me doubt that it was actually written during 1989 era (like most 1989 era songs are ... simply not that wordy or obsessed with like 10 different mixed metaphors. taylor didnt really get that wordy until post folklore and i just think the 1989 vault (save for say dont go) is NOT actually from that era there i said it) anyway ya suburban legends haunts me god i hate that song
honorary mention for slut! also, because 1) it also sucks 2) there is no way she actually considered releasing THAT instead of blank space and that was such a bald faced lie i couldnt believe people bought it and 3) clink clink? be so fucking for real with me right now.
#answered#anonymous#taylor swift#god i fucking hate suburban legends#i always forget how much i hate it and then i hear it and im like. fuck this song#HAHA i was trying to be less of a hater since my anon accused me of not liking taylor swift bc of my hating#like anon u misunderstand me. i love her. but she has written and released some absolute garbage in the last 15+ years#and we need to be brave enough to admit that to ourselves
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I complained earlier about Byakuya's needlessly wordy title of Ultimate Heir Wealth-Inheriting Loinfruit, but I actually need to take a moment to complain about title localizations in DR1 some more.
Toko is the Ultimate Writing Prodigy.
Why not just say, "Ultimate Writer"? The word Prodigy isn't doing shit in that title. All Ultimates are prodigies. The whole concept of Ultimates or Super High-School Levels is to accredit child prodigies.
At least it's better than her Japanese title, the SHSL Literary Girl. Really? What even is that? Hifumi gets to be SHSL Doujin Author, and Toko's over here saddled with fucking Literary Girl. I'd be screaming down everyone's throat in every conversation too if I was the class literary girl.
Hina's Ultimate Swimming Pro title is fine but again I'm not sure why they didn't just say Swimmer?
Sayaka and Junko's title switches at least make a lot of sense. Sayaka is the SHSL Idol and Junko's the SHSL Gyaru, both of which are Japanese cultural references that could be lost on American audiences.
Idols and pop stars are close enough conceptually that it's an easy jump to make. Gyaru's a bit trickier to translate since so much of gyaru culture is about over-the-top westernized girly fashion; Fake tans and blonde dye jobs and long painted fake nails and the like. Over in the west that's just, like, fashion. So making her Ultimate Fashionista loses some of the intended artificiality of her persona but gets the point across.
There isn't really a Westernized concept for "purposefully appropriating a Western fashion aesthetic in order to stand out from everyone else". So the SHSL Gyaru was always doomed to be a little bit lost in translation.
Similar with Taka. Taka's the SHSL Public Morals Committee Member, which is another Japanese cultural reference. A public morals committee is a disciplinary organization made up of students whose job is to police the behavior of the other students.
"Ultimate Moral Compass" kinda works, but makes it sound like he's more just. Like. Incorruptibly Lawful Good, rather than the specific thing that he represents. Personally, I probably would have gone with Ultimate Hall Monitor.
Ultimate Clairvoyant is a suitable localization for SHSL Fortune Teller, if lacking a bit of specificity. SHSL Gang Leader became Ultimate Biker Gang Leader because while the bikes are fairly standard for Japanese gangs (to my understanding), there are different kinds of American gangs so the clarifier is helpful.
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We posted this on ao3 last night while we were Not Sober so if itâs wordy or confusing we wrote it, again, Not Sober. This is a rewrite of our very first vore fic (shrinking potions and witches)
[Ao3 Link]
Taglist: @poprockpanda @brick-a-doodle-do @local-squishmallow @dingbatnix @data-expunged-0 @da3dm
From Mouth to Mistake
[1730 words] [vomit, fear, violence, digestion mention]
Mining all day was an exhausting duty, but as leader of Business Bay, it was one Tommy wasnât exactly able to skip. Sweaty, tired and slightly delirious from the day-long excavation underground, the teen was happy to once again be on the surface. He made note of his boys, pointing out in his mind their schedules. Bitzel was caring for his cats, and headed inside his house. Luke had mentioned heâd be out spending time with friends right now. And Deo wasâŠ
âDeo?!â Tommyâs voice sounded throughout the open hills of the isolated bay in annoyed search of his friend. The man had assured Tommy theyâd meet soon, and yet, Deo was nowhere to be seen. And within Business Bay, it was fairly easy to spot anyone across the plains, mind the few buildings.
Retiring to the map, he made use of the paper, spotting out the member of the bay with the locator. It took Tommy a few takes to realize that the indicator being so near wasnât a mistake. Upon hearing a small distant shriek, Tommy turned all around in the way of the small sounds.
Settling to titling his head downward, a tiny speck of orange caught the blondeâs eyes. Tommyâs mouth went agape, realizing the tiny thing was Deo.
His hands came down fast around the miniature person, scooping him up right into his fingers, and lifting himself back up, Deo covered in his palms.
The tiny Deo squeaked out dizzily, yelping about how fast Tommy was moving.
âDeo! How in the fuck did you get so small?â Tommy found the situation a lot funnier than his friend did.
âTommy, this is serious!â The man whined, âa witch shrunk me!â
Wiping away a tear from his laughter, the blonde replaced the second handâs emptiness with a sharpened glinting sword. A low chuckle remained on his lips as Tommy headed in the pointed out direction, and easily slayed the mob.
âThat hard, huh?â Tommy mocked his small companion.
âEasier when youâre normal size!â He shot back.
Laughing still, Tommy continued, âWell, I guess we gotta get you back to n-â
Deo, holding his tiny map, cut off the blonde, âI was trying to tell you, Tommy, Icebomb is on his way over. Heâs gonna murder me if he sees Iâm this vulnerable!â
âLiterally,â Tommy hummed, âWhat should we do? Do I hide you?â
Deo stammered, âYes- quick, heâs right,â he took to pointing in the sky, the plane fast approaching, âthere.â
Tommy gasped, hand moving with a mind of its own up to his open mouth. Barely giving it a second to relay the idea, Tommy panted out, âHidinâ you here!-â before Deoâs body became engulfed in the dark wetness that was the inside of Tommyâs mouth.
The turning of the jetâs engine whirred to a halt as it settled on their territory.
Deo became painfully aware of the new sensations he was forced into. All of the sudden, his body was wet, clothes sticking grossly against his skin. A strong muscle jumped up at him, the red thing darting towards Deoâs head, thrusting him down into its wetness, pressing him claustrophobically between its sides. Deo was crushed, sandwiched between the tongue as it rolled lazily over his hat. The brunette exclaimed, reaching to grab it back before the intrusive tongue snatched it away.
The man gasped, and he tugged on the tongue. A shout was stuck in Deoâs throat, being smushed around, battled back and forth into the insides of Tommyâs cheeks. He was helpless against the blonde. Completely shrouded in darkness, Deo was left at the mercy of who he thought was his closest friend, now turned his captor.
Checking the map again, Icebombâs icon was right on top of their territory, and as he looked up, Tommy spot the plane not too far from them. He quickly pushed Deo to the back of his throat, fighting against the tugging and pulling on his uvula. The blonde tilted his head back, opening his maw to shout, âIâm trying to hide you, dickhead!â
Deo screamed for Bit and Luke to come help him, but of course, he was too small for anyone other than the predator to hear him. The words confused the brunette. How in Prime could Tommy be helping him when he was going to be digested? The realization terrified him. Tommy had been playing this whole time, and the moment Deo was weak, he was being eaten. Swallowed down, down, until he slowly burnt in the stomach acid, and died wrong about his supposed friend.
âGo down, dammit!â Tommy turned from Icebombâs sight, noticing the teen was leaving the plane and had seen the leader.
A finger reached inside. The sun blinded Deo as his sunglasses fell off his face and went straight down the death trap. He instinctively reached a hand out to catch them, the glasses slipping just past his fingertips and losing to the void. Deo cussed under his breath and realized his grip was slipping. Desperate fingers slid down the glossy surface. Cries left the brunette as his last two fingers left the uvula.
Deo fell, caught only by Tommyâs tightening esophagus. Survival instincts kicked in, and the brunetteâs mind was overtaken by the single only sheer need to escape. He used his nails, scraping into the malleable flesh suffocating him all around.
âAck,-â Tommy choked on his friend, âfuck!-â He covered his mouth with his hands, gulping hard to send the struggling Deo down. How many times was he needing to remind the dumbass this was their plan? There was a bigger threat than Tommy would ever be fast approaching from behind.
The muscles squeezed around Deoâs body, squishing him into the squishy flesh. He was drug deep down the throat. Swallow after swallow, eventually he was guided to the sphincter. The small tube-like entrance was shut tight until Deoâs shoes met the small hole. It then embraces the brunetteâs form, opening itself wide to accept the figure.
âTommy?â Icebomb asked with only a hint of suspicion.
One last gulp, and Tommy spun around like his life depended on it, stumbling over his own feet in the process, âIcebomb! Hello! Uh, whatâs up?â
âWhereâs Deo,â the other teen was quick to the point, âIâve got a little something I wanna show offâŠâ he brandished a shiny new sword, relishing over its polished look.
Tommy swallowed again, out of fear this time, âN-no idea!â He played it âcoolâ, acting incredibly not obvious, in his head.
âRiiight,â Icebomb gave him a suspicious glare, eyeing his entire body. Tommyâs hands came around his middle.
The sound of speaking was blaring in Deoâs ears, causing a ringing in his head. Tommyâs voice was so brash and loud, that Deo could feel his head spinning. The pulling of the sphincter brought the brunette to meet Tommyâs stomach. He fell in with a splash beneath him. A mixture of acid, saliva, and puddles of partially digested food were what surrounded Deo; such a âpleasantâ environment.
âI promise, no idea where he is,â the pool swished him around as Tommy moved.
The voices were so muffled amongst the loud thrumming of his quickened heart, Deoâs racing as well, the gurgling of the stomach walls, and the heavy breathing in Tommyâs nearby giant lungs.
âWhereâs he hiding?â
The stomach churned, gurgles and groans joining together in a cacophony of noise. A high pitched bubbling was the last uncomfortable sounding noise before Tommy let out a shy burp. The blonde coughed into his hand, readjusting himself.
âS-sorry, uh, but I donât know. Deo likes going missing, doesnât heâŠ?â Tommy laughed awkwardly.
Icebomb groaned, âFine, Iâm coming back later though,â he spat.
Metallic clanging and the sudden jostling of Doeâs body amongst the stomach altered the man of the altercation outside.
He felt hopeless, tears dripping off his chin into the mixture beneath him. Deo pitied how he could barely fend off a witch earlier, being overpowered so easy. The glass shattering echoed in his memory, recalling the shrinking process and how it left him feeling dizzy, lightheaded, and small. Not only was he hardly a few inches tall now, but he felt as small as he was. Pitiful, meak, and a quick meal.
Betrayed by his closest friend, banished to die alone in the acids.
But⊠he wasnât burning alive in the pool of stomach acid. There was a numb tingling against his skin and wet clothes, but nothing hurt, nor was he melting.
Deo was⊠safe?
âListen, get out of here, bitch, otherwise Iâm going to make you,â Tommy growled under his breath, watching Icebombâs expression falter.
He retreated, surrendering his diamond sword, âFine!â
Juggled around once more, Tommy gave Icebomb a scar to make sure heâd not be back soon.
The lungs and heart snuggling Deo heaved, beating and breathing harmoniously in a labored way. Tommy was panting, and his heartbeat was booming.
Deoâs heart ached alongside the giantâs, all the anxiety catching up to cause a very exhausted man to lose all his adrenaline.
Tommy was running, Deo could tell from the way the liquid sloshed side to side, like a tide bringing him in and washing him back out again and again.
A door slammed. Tommyâs stomach sunk, dropping Deo nauseously.
âOkay, okay, okay,â Tommy sighed out, âWeâre safe, Iâm letting you out now.â
A few attempts to gag himself, and Tommy finally had managed to get his body to react, the reflex dragging Deoâs soaked body back up and into Tommyâs, frankly disgusting, palms.
Deo shuddered in the cool air, shaking off the digested food and acid.
âYouâre okay!â Tommy beamed, âFuck, Deo Iâm so sorry, that was the stupidest thing Iâve ever done-, I shouldâve put you in a pocket or something!â
Deo heaved, âItâs okay, Tommy. I wasnât getting digested or anythingâŠâ he thought, âI think the potion let me live.â
Tommy gave a half smile, âIâm just happy youâre okay. That fucked scared me-â
âYou?â Deo laughed, âI thought I was going to die!â
âI thought Iâd killed you!â
The two shared in laughter over the odd situation. At least they could find the entertainment in it, rather than becoming traumatized from the near-death, and near-murder.
âLetâs never let that happen again,â Tommy chuckled.
Deo smiled, âNever again.â
Theyâd have to be extra careful around witches in the future.
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i use my sex as a weapon and the drinks are for free, iâm as cold as ice on the floor of the desert, i burn with the blood of water to find the sea, i use my wounded sex as a weapon and the drinks are for free
Victorialand __ a region in eastern Antarctica which fronts the western side of the Ross Sea and the Ross Ice Shelf, extending southward from 70°30âS to 78°00âS, and westward from the Ross Sea to the edge of the Antarctic Plateau. It was discovered by Captain James Clark Ross in January 1841 and named after Queen Victoria.
In 1981, lichens found at Victoria Land attracted the attention of NASA because lichens may give clues about where to look for the existence of extraterrestrial life on Mars or elsewhere. Dr. George Denton, a glaciologist at the University of New Hampshire, looked for microorganisms on Mount Lister, one of the highest in Antarctica; it has the same kind of sandstone in which lichens grow.
2. Victorialand is the fourth studio album by Scottish alternative rock band Cocteau Twins, released by 4AD in 1986. Working without bassist Simon Raymonde, vocalist Elizabeth Fraser and guitarist/producer Robin Guthrie opted for a subtler sound on the album. [âŠ]
The album title refers to the part of Antarctica known as Victoria Land, after Queen Victoria (and forming the British claim to the continent, currently dormant under international treaty). Some of the track titles were borrowed from passages on the Arctic and Antarctic in David Attenborough's The Living Planet, A Portrait of the Earth, the accompanying book to his 1984 BBC nature documentary series The Living Planet; an example is "Throughout the dark months of April and May, the birds display to one another and finally mate" on page 54.
the fics iâve penned so far with the actual victorialand collection are anonymous so iâll leave the links out until further notice đ
the title refers to tequila sunrise and Tijuana sunset as well as âTijuana bibleâ because at this point in time, you need to have brains and balls to do erotic fic.
you must donate exactly one (1) fuck to me for every 500 words i write. two fucks = 1000 words, three fucks = 1500 words, so on so forth. i have a tendency to get wordy with my erotic writing so a 10k beastie is a whopping 20 fucks given. no need to give up your anonymity if you like! thereâs no dodgy behavior here so iâll not only respect your privacy but i promise you, my hand on my grandparentsâ ashes, there wonât be any potentially dirty money going around making the fbi give you the side eye as time goes on. moneyâs tight, anyways, go spend it on flour or tissues.
anything goes with me, but since this is kinktober weâre talking, i should tell you that iâm not comfortable with anything pregnancy/breeding kink related, anything daddy kink-related, or anything having to do with virginity. i am also completely bored with standard penetration. i like it weird, much to everyoneâs chagrin.
iâm currently on hiatus/summer vacation on main and iâm working on my other wips right now, but iâll be off from vacay the day after labor day, september 3rd, 2024. kinktober 2024 fics wonât be dropping until 9pm pacific time on september 30th, so mark your calendars! i have my own prompts and iâm going to leave them as a little surprise for spooky season.
also: september 29th is alexâs birthday. Rosh Hashanah this year is on october 2nd at sunset. the 16th is the start date of Sukkoth. the 11th is Yom Kippur. who knows, i might pour out a little extra shot of whiskey instead of tequila for him. make a really gorgeous, really sexy jewish libra boy a nice manhattan đč
fic titles:
âTreacleâ
âAnd You Will Know Meâ
âCactus Jackâsâ
âCardamom Kissesâ
âBluebonnetsâ
âWandering, Wanderingâ
âHai-Barâ
âEspressoâ
âSongkran Droughtâ
âTierra Del Fuegoâ
âJack of Heartsâ
âAreias do Tempoâ
âRedâ
âLily Munster Has Got Nothinâ On Youâ
âUgly Truthâ
ââTil Tel Avivâ
âSandstoneâ
âPlaya La Ropaâ
âBastards and Boozehoundsâ
âPulmonariaâ
âPrayer Handsâ
âSpiderwebs on the Heartâ
âOlivesâ
âDon the Beachcomberâ
âLady Godivaâs Houseâ
âDevilâs Tea Timeâ
âTen Miles Highâ
âAmorsoloâ
âLilac Treehouseâ
âPainted Rosesâ
âLunatic Kibbitzâ
shabbat shalom, by the way âĄïž
#fanfic#fanfiction#kinktober#kinktober list#kinktober prompts#kinktober 2024#tijuana sunrise#tequila sunrise#testament#testament fanfic#also on ao3#writing#text#am yisrael chai#jumblr#in response to ~fics for gaza~
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