#1 fact for every day

[hiidkwhatimdoing7525]

4!

days until the bicentennial anniversary of Lafayette’s farewell tour begins!

fun fact: he had this little white dog that was lost and someone gave him another little white dog

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[secriden]

Going legitimately insane because all my brain has been able to chew on has been this particular callback and what it means for the headspace that Fadel is in at the end of episode 6.

Fadel starts the episode with his walls so utterly dismantled that he is able to verbally admit this desire to Bison (and, more importantly, himself) out loud . . . only to end the episode brokenheartedly discarding that dream as he instead offers to fashion himself into what he (thinks) Style wants, not knowing that he is already everything that Style has come to desire.

It's insane that Fadel even said that to Bison in the first place because the Fadel of episode 5 knew better than to believe it was possible for anyone to truly bare themselves to another person, knew better than to want to know and be known and chosen despite it all. To the Fadel of episode 5, "laying yourself bare" was an impossibility because of how much power it gives the other person, and Fadel's mind is too practical, his circumstances too complex, his heart too fragile to ever give that to anyone ever again.

But Fadel's walls began to crack in the face of Style's honesty and the shared pain of knowing what it is to loose someone precious; shuddered under the weight of Style pressing kisses to his scar and laying Fadel bare to bring him pleasure; shattered in the face of Style giving himself over to loving Fadel for a whole night -- and Fadel woke up half underneath the spread of Style's body and found himself already in love.

And do you know how I know this? Because of all the things Fadel could have said he liked about Style, he chooses this. It's not that Style is effortlessly kind and thoughtlessly generous at times. It's not that Style is hot and sexy and frankly kind of a slut (specifically for Fadel). It's not even that Style has secret, hidden depths and an unexpectedly shared pain which allows him to understand and empathise with Fadel in a way that no one but Bison has been able to for a very long time.

No, it's his cockiness. His arrogance. The way Style is unabashedly himself and makes no apologies for it. The way Style will literally dance to his own tune and sing at the top of his lungs with no care for anyone else's opinion unless it's to appreciate it. The way Style walks into the room and has the confidence to put his body on display and already know that he will be welcomed and wanted -- and this confidence meant that he assumed Fadel would find him attractive, and would not stop until Fadel eventually gave in to that attraction.

It's telling that it's these specific instances that come to mind when Fadel thinks about Style's lips. There are so many scenes and shots they could have chosen (because lbr here Dunk, and therefore Style, really does have amazing lips), so it feels very intentional that Fadel thinks firstly of the time Style refused to back off when Fadel pretended not to miss him, and then the moment when Fadel finally admitted that he did and was rewarded with Style's reassurance and reciprocated vulnerability and wholehearted embrace. Also, because this was the last episode that Style did not Know, and therefore was still being fully honest with Fadel. Both instances are Fadel appreciating in hindsight the way Style's very nature -- the way he would not give up, the way he keeps pushing and pushing even in the face of Fadel's seeming impassivity -- gives Fadel not only the opportunity but the impetus to finally let go of his control and acknowledge his feelings for Style.

It's explicit confirmation that Fadel enjoys and appreciates and has grown to love Style's personality and antics and the way he expresses himself.

So the Fadel in episode 6 dares to ask for Style's honesty and gives with it an explicit promise of trust and acceptance in return. After recognising the effort Style has had to put in to find ways to connect with Fadel (heavy metal vs pop rock), he now asks for Style to be real with him because Fadel understands himself to be ready to love, and in loving Style, is able to offer the very thing he wants the most from Style: "acceptance of who he really is".

We also see the evidence of Fadel's unspoken promise in the way that he now responds with an almost easy openness to Style's questions in stark contrast to the Fadel in the early part of the show. If he wants Style to accept him, he can't continue keeping all his secrets. So now, he gives Style pieces of himself with barely a thought, and lets Style use them to push and prod and drag to light the very things he used to keep hidden because he thought they weren't useful or helpful or worthy of being loved (see @sherrymagic's gorgeous gifset + my tags on it).

It's also in the way he now allows Style to take him outside of his comfort zone because he trusts that the private joys he's kept to himself are safe in Style's hands; that, moreover, Style will look to Fadel's happiness and not make a mockery of it.

I'm obsessed with the moment in the screenshot on the bottom right because Fadel looks so completely out of his element and almost in a state of shock. He's literally standing separated from the rest of the group in the composition of the shot, hesitation writ in every line of his body, while Style, who isn't even a fan of this band or this music, fits in with the band seamlessly.

But this hesitation isn't because of discomfort, it's nervousness and an almost joyous disbelief because Fadel could never have done this on his own, he would never have allowed himself the indulgence of actually showing his love for his favourite band if Style hadn't taken the initiative to drag him there and ask for the photo. And, oh, how wonderful it must have felt to see Style prove his own words by being right there by Fadel's side as he lets himself go, as he lets himself be himself without fear, for the first time in what must have felt like forever.

In a single, perfect night, Style has been exactly, precisely, breathtakingly everything Fadel could ever have wanted; because in a single night of Fadel finally having the courage to bare himself to another person, Style gave Fadel not only acceptance but a celebration of who Fadel is. With everything Style does that night, he ties himself to Fadel; he ties his happiness to Fadel's and his comfort to the warmth of Fadel's embrace. Style fashioned himself into exactly what Fadel wanted -- and now that Fadel has had a taste of it, how can he possibly go back?

Which is why Fadel already knows that it's too late for him, he knows that he is already in love; knows, moreover, that he has rewritten parts of himself to seek out and miss and yearn for Style; has even learned to love Style the way he understands Style wants to be loved.

So Fadel might as well keep the promise he made to Style with his lips pressed shut against the lies he didn't want to keep telling Style. He might as well give Style more days and nights and chances to spin his lies, because at least Fadel has the meager comfort of knowing he spoke the truth.

Because if Style wants to keep playing this game, if Style is able to so be so convincingly deceptive that Fadel can no longer trust himself to tell when Style is lying, then Fadel will take the punishment of choosing honesty in the face of his betrayal. Fadel will fashion himself into a heartless tool and allow himself the indulgence of playing this tantalising part -- because he may just find a way to save Bison in the process.

And to Fadel, it does not matter if his own heart gets broken along the way, because Fadel deserves the punishment of laying himself bare to the man who does not love him in return; he deserves to give Style the power of knowing the hold he has over Fadel.

But doing so is a punishment for Style, too, because if Fadel must love, then he is going to weaponise his own feelings in the fight he now thinks he has to wage against Style. Because two can play this game of cruelty, and Fadel does not care if this sword is double edged because cutting himself to pieces is a small price to pay if it means dragging Style along with him into hell.

After all, what's another crack when his whole entire world has already been so utterly and completely shattered?

[daisybell-on-a-carousel]

I may have many issues with Countdown but I can appreciate it for a few things and that includes Jason meeting murder Batman* (Earth-51 Batman)

I mean to start Jason clearly doesn't agree with the guy. He's very not into the whole "let's kill all these guys" attitude and thinks murder batman is crazy (and outright says so) But also. He puts on the suit he's given that this Batman made, he's fights with him. He mourns him. He's upset with the death. After Batman failed him on his own earth he meets one that accepts him

And augh. They haunt me. Aughh I wish I could write I wanna write and get to see a fic about them so so bad

(do Not tell me to just write it anyway please amd thank you. auuaaoighh)

Because like! The way murder batman was SO quick to start seeing Jason as his own dead Jason and start referring to him as such.

The way murder batman never got to know about Jason's Red Hooding but AUGH. Can you just IMAGINE the moral dilemma he'd have with that??! He probably would've killed a crime lord Jason before ever learning his identity, or learning it too late. Aughhhaoujgh

They had to kill off murderbatman he wouldve been too powerful otherwise. For example I think he wouldve Not been willing to let go of this living Jason

Multiverse kidnapping story where after meeting and then leaving, murder bat finds our Jason amd just. Fucking takes him and pretends it's his Jason. Augh that'd be so fun

This page is everything ^

Theyre so so normal about eachother. I'm chewing on them like a dog with its favorite toy btw

[peak-dumbass]

*emerges from the fog* have you heard of my boy called sideswipe he suffers from little bitch syndrome and unresolved trauma he refuses to talk about

I also think he’s aroace—*gets shot*

[chaosinstigator]

so checo gets a post but not daniel… gotcha

[triglycercule]

what if because dust and horror wouldn't wanna be called anything aside from sans in a multiverse context and they were both good buddies they both just start calling eachother sans. i'm sans (dust) and i'm sans (horror) ahh duo

becaaause horror in his eye(s) still sees himself as sans!! he's sans!! who else is he SUPPOSED to be god 😒😒 stop attatching this stupid fake name onto him that just points out all his shortcomings in his au and also just dehumanizes him (because i get that aus are named after a key trait of something but COME ON the guy's name is HORROR it's like naming a poor person "brokie" or something,,,). horror is PROUDLY sans smh

and dust ALSO sees himself as sans!!! like,,, granted he's definitely not a better sans than he was before considering everything he did (but he still doesn't like his past self's inaction) but he's STILL SANS. nothing about him changed (really?) enough to warrant the whole identity shift. like dude dont discredit him DONT DENY HIS WHOLE LIFE!!! he IS sans no matter what,,, dust doesnt wanna think about what he became if he's not sans now anyways lul :3

now could they fight over the right to the identity of sans??? possibly,,, but also consider this: there are literally infinite numbers of sanses in the multiverse. at some point the shiny title of Sans would be something horror and dust are used to around the multiverse!!! so why fight over the name (that so many others share already so its not exactly exclusive) when they can just decide to make each other feel better!!! be delusional TOGETHER 🤞

[somewhereincairparavel]

im so emotionally attached to jason grace it's not even funny atp. i literally think about him all day, I'm not exaggerating pls someone tell me they feel this way too 😮‍💨

[buttercupshands]

just some LoV sitting in the long lost bar in Ultra Impact in clothes that they didn't wear yet

[whirlybirbs]

it’s 5:20am i cannot sleep i am consumed with thoughts and yearning for keigo takami i need to be euthanized

[vizabel]

the great art of family, lies, and debt

[hiidkwhatimdoing7525]

2!

days until the bicentennial anniversary of Lafayette’s farewell tour begins!

fun fact: lafayette recognized former spy James Armistead Lafayette and ran to hug him. If you don’t know about James go learn about him RIGHT NOW he is amazing!!!

also shit I should have started this sooner because I have far too many facts and so few days so:

Lafayette also recognized a cannon they once used in the Revolution because it had a dent on it

It’s in the Yorktown battleground visiter center

He had a city named after him

he and 81 year old Jefferson drank a shit ton of wine at Monticello. Apparently they had to restock after he left

[platypusisnotonfire]

well.

I'm 30.

[silver-horse]

!!! To all the people posting AGAIN about the companions "scene count" and everybody just links "Source" it's an INCORRECT COUNT that I pulled out of my ass PLEASE be aware of this It's a scene count that 1 player made from memory! Please stop sharing it as a fact that Astarion has WAY more scenes than all your other faves! Wyll has fewer scenes than the others and that's about the only correct thing in that count I am sure it's an honest mistake but OP forgot to count multiple Shadowheart scenes. Same goes for Lae'ezel (possibly Gale as well) OP counted scenes for Astarion when similar scenes trigger for the other characters as well (on the same night). but OP only counted the Astarion scene and even counted it as "possibly romantic" because Astarion flirts in the scene and well.... that is part of his personality. that does not make a lot of his scenes "romance scenes" 🥴💀 (And Shadowheart's flirting didn't make OP count her scenes as "possibly romance scene")

[taruruchi]

I don't know how to explain where this came from but

[harbingerofsoup]

what really gets to me about the lawsuit arc is that no one really says the wrong thing when trying to reassure buck about everything in a general sense, they say what pretty much what you’d expect for the situation. so, on the first watch you’re sympathetic for buck but you still wonder why he’s reacting so strongly like damn guess this guy really likes his job.

then you watch buck begins. it literally recontexualizes everything especially the lawsuit cause while normally what was said to him would work, buck’s hyperspecific blend of trauma makes their attempts the worst thing they could possibly do to help, but none of them know that! so from their perspective buck comes across as unreasonable while in hindsight it’s actually a very clear trauma response

maybe one day i’ll do a rewatch so i can add specifics that show this instead of just vague incoherent ramblings