#...gonna make another post for this

[aparticularbandit]

....

the debate between whether to back-to-back memory chapters.

like.

there's a cutting off point. a separation point.

(a turning point where beyond this point it's got to stay together.)

but also this is intended to be one whole. sequence.

so i'm just staring at this like.

the thing is that because of how memory chapters are set up, it feels long, too. because for every memory, there's something else happening, too - and it's longer in this chapter than it has been in other memory chapters (because junko and ryoko are using the mechanics in a way that kyoko didn't), so it is just.

it is a long chapter that feels long.

and that...is not great.

so i think i'm going to put a chapter break??? at that point and then make that decision later, but for now, i want to try and keep it as one whole thing.

i just think that it's gonna end up hitting 7k or more, which is way longer than i want a chapter in this duology to be. ><;;;;;;

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[paiigemahoney]

9-1-1 | Bobby & Athena ↳ Bobby keeping his arm around Athena

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[azrael-777]

i love how instead of the voices haunting odysseus, for once they’ve come back to support him and help him. it’s encouraging instead of reminding him of all that’s terrible.

polites always says “greet the world with open arms”, reminding ody of how open arms failed him and got his men killed. now it’s changed to “you can relax my friend”, basically telling him to relax and keep pushing forward

eurylochus said “how much longer till your luck runs out”, reminding ody of how his luck did run out, partially because of his own actions. now he says “look at all we’ve lost and all we’ve learned” which (i’m assuming) refers to ody losing all 600 men, and learned the whole idea of ruthlessness is mercy upon ourselves.

anticlea says “waiting, waiting” reminding him of just how long he took to get home and how his mother died waiting. now she says “i’ll stay in your heart” giving him the strength he needs to keep pushing forward, someone else to fight for.

instead of the crew singing anything about letting the cyclops live or ody being the reason they die, they instead sing “odysseus. waiting, waiting, waiting” which i interpret as the men waiting for odysseus to make their deaths worth something, to bring them the justice they deserve. because if odysseus dies, the other deaths were for nothing.

ARGHHGH I LOVE THIS MUSICAL <333

[pnt03prcnt]

coolmovie watched it 8 times ..

[m1stl3t03]

uh idk what i should say i just decided to post my toddblack fanart (from 2023 till now) here

enjoy ig :)

this one's supposed to be a reference to that one meme with a girl staring at a man's chest (i hope you can see my vision 😔🙏)

these three are my favorite ESPECIALLY the last one im always scared i draw them too ooc and im kinda happy with how they turned out here !!

yep.

btw i draw them mostly pre canon so they're kinda soft(??) with each other yeah.... and well i love fluff sorry 😔

[xxplastic-cubexx]

oh noooo or whatever

bonus aka The Real Motive Behind This:

SURPRISE double bonus. textless ver of the first pic under the cut

[cairafea]

they're matching costumes.

[kaiserouo]

(prev)

FYI:

sudo shutdown now: Shut down immediately.

for i in $(seq 1000); do yes & done: Open 1000 "yes" process at the background. Each of them alone can throttle your CPU usage at 100%.

:(){ :|:& };:: Fork bomb, eats all your resources.

sudo rm -rf /: Erase the system and all your disks.

Don't run any of this if you don't know what you're doing.

[vvstual]

a list of palestinians who have reached out to me because tumblr seems to favor these types of posts (red= under 10% funded, orange= under 40% funded, pink= around halfway funded, blue= over 60% funded)

UPDATED NOV 2

35% @abedallhferwanagaza (and wife @olagaza) - vetted - gfm link €13,255 / €35,000

6% @abeerashraf91 - vetted (#79) - gfm link €3,165 / €50,000

2% @ahmedabuzuorfamily - vetted (#16) - gfm link €594 / €30,000

37% @ahmedziad - vetted (1, 2) - gfm link £11,019 / £30,000

4% @alimeq92 - vetted (#54) - gfm link €3,085 / €70,000

77.2% @aseelo680 - vetted - gfm link $77,278 / $100,000 (met and raised!)

61% @asmaayyad (and sister sama) - vetted (#43) - gfm link €27,465 / €45,000

11% @farahmohanad2 - vetted (#42) - gfm link $4,074 / $35,000

66% @fidaa-family2 - vetted - gfm link $79,391 / $120,000 (met and raised!)

19% @hadiah1111 - vetted - gfm link €9,290 / €50,000

76.3% @ibrahimsworld - vetted (#25) - gfm link €7,629 / €10,000

25% @khalid-sisters - vetted - gfm link $6,303 / $25,000 (goal raised by 10k)

7.4% @mariam-gaza - vetted - gfm link $1,487 / $20,000 gfm link missing

3% @maysaayahya85 - vetted - gfm link €1,152 / €35,000

22% @monagaza1 - vetted (#164) - gfm link $20,087 / $92,000

16% @mones1998gaza - vetted (#64) - gfm link $3,254 / $20,000

36% @nisreensuhail (as well as her family members) - vetted (1, 2 [#75]) - gfm link €17,822 / €50,000

95% @noorabd-1992 - vetted - gfm link $42,650 / $45,000 (so close!!!)

64% @omargaze2 - vetted - gfm link £12,851 / £20,000 goal

3% @samialkhalili - vetted (#21) - gfm link €901 / €30,000 (goal lowered by 20k)

19% @savemohammed - vetted (#57) - gfm link €3,899 / €20,000

38% @shamfarhat1 - vetted (#248) - gfm link $11,235 / $29,500

7% @shamraed - vetted (#8) - gfm link €2,304 / €35,000

1.7% @shery-89 - vetted - gfm link €871 / €50,000 gfm link missing

83% @wafaaresh6 - vetted - gfm link $70,415 / $85,000 (met and raised!)

[beneathsilverstars]

🌊🌊🌊🌊

[starlightseraph]

house is always very adamant about being the smartest person in the room, the one who can think in ways and find answers that others can’t.

people rarely dare to say, even as a joke, that they’re more intelligent than house, because he’s so obviously brilliant that it would just seem wrong. if they do, house tends to roll his eyes and ignore it.

but then, when wilson bests house in the stupidest games or prank wars, and cheekily declares that he’s the smart one, house just looks at him with the most adoring smile. like it’s such a soft and sweet look. tooth-rotting. he is so, so in love, oh my god.

[realstrap]

04/14/2024

‼️needed TODAY‼️

Hey yall, my partner needs their medication, without it they're susceptible to seizures, nausea bouts of chronic pain that leave them unable to function

I recently got employed as of last week (yay) but they pay bi weekly so I'm not getting anything until the 23rd, hopefully I won't have to keep doing this for much longer but they can't go another week with no relief, anything helps!!

$150 needed

CA: $lezsalt or $sleepyhen

VM: wildwotko

DM 4 PP

[medicalunprofessional]

never change, man !

[theoihalioistuff]

ARES IS NOT THE PROTECTOR OF WOMEN IN GREEK MYTHOLOGY.

He is never presented as such in any source, there is no evidence such a role was ever assigned to him in any account, and as far as I'm aware this popular yet unattested assertion is born from the echo-chambers of tumblr. In fact quite the opposite could be argued. TW for sexual assault.

This baffling claim seems to originate from a sort of shallow examination of the way Ares "behaves in myth", and the following arguments are the most frequently presented:

1. Ares protects his daughter Alkippe from assault, and is therefore morally opposed to rape. (Apollodorus 3.180, Pausanias 1.21.4, Suidas "Areios pagos", attributed to Hellanikos)

Curiously this argument is never applied to, among other examples: Apollo for defending his mother Leto from Tytios, Herakles for defending Hera from Porphyrion (or his wife Deianeira from Nessos), or Zeus for defending his sister Demeter from Iasion (in the versions where he attacks her), etc. The multiple accounts of rape of the previously mentioned figures did not conflict with these stories in greek thought: they're defending family members or women otherwise close to them. This sort of mentality is not uncommon even in contemporary times, e.g. a warrior may have no ethical problem killing men, but would not want his own family or loved ones to be killed. The same goes here for sexual assault.

2. There are no surviving accounts of Ares sexually assaulting anybody.

The idea that the ancient greeks pictured that, among all the gods, Ares was the only one who shied away from committing rape is baseless and borders on ridiculous. In this case absence of evidence is not evidence of absence.

The majority of surviving records regarding Ares' unions are presented in a genealogical manner, and do not go into details on their nature. This is the case for most works of mythography, where specifics of sexual encounters are to be found elsewhere. However, common motifs present in other accounts of rape also appear in stories concerning Ares' relationships, e.g. tropes like shape-shifting/the use of disguises, the victim being a huntress, secrecy, and the disposal of the concieved child, are to be found in the stories of Phylonome and Astyoche respectively:

Φυλονόμη Νυκτίμου καὶ Ἀρκαδίας θυγάτηρ ἐκυνήγει σὺν τῇ Ἀρτέμιδι: Ἄρης δ᾽ ἐν σχήματι ποιμένος ἔγκυον ἐποίησεν. ἡ δὲ τεκοῦσα διδύμους παῖδας καὶ φοβουμένη τὸν πατέρα ἔρριψεν εἰς τὸν Ἐρύμανθο

"Phylonome, the daughter of Nyktimos and Arkadia, was wont to hunt with Artemis; but Ares, in the guise of a shepherd, got her with child. She gave birth to twin children and, fearing her father, cast them into the [River] Erymanthos." (Pseudo-Plutarch, Greek and Roman Parallel Stories, 36)

οἳ δ᾽ Ἀσπληδόνα ναῖον ἰδ᾽ Ὀρχομενὸν Μινύειον, τῶν ἦρχ᾽ Ἀσκάλαφος καὶ Ἰάλμενος υἷες Ἄρηος οὓς τέκεν Ἀστυόχη δόμῳ Ἄκτορος Ἀζεΐδαο, παρθένος αἰδοίη ὑπερώϊον εἰσαναβᾶσα Ἄρηϊ κρατερῷ: ὃ δέ οἱ παρελέξατο λάθρῃ: τοῖς δὲ τριήκοντα γλαφυραὶ νέες ἐστιχόωντο.

"And they that dwelt in Aspledon and Orchomenus of the Minyae were led by Ascalaphus and Ialmenus, sons of Ares, whom, in the palace of Actor, son of Azeus, Astyoche, the honoured maiden, conceived of mighty Ares, when she had entered into her upper chamber; for he lay with her in secret" (Homer, Iliad 2. 512 ff)

In neither of these cases is a verb explicitly denoting rape used, though it is heavily implied by the context. The focus of the action is on the conception of sons, the nature of the interaction is secondary.

Other examples are found among the daughters of the river Asopos, who where (and here there's no confusion) ravished and kidnapped by different gods to different parts of the greek world, where they found local lines through children borne to their abductors and serve as eponyms. Surviving fragments from Corinna of Tanagra tell us:

"Asopos went to his haunts . . from you halls . . into woe . . Of these [nine] daughters Zeus, giver of good things, took his [Asopos'] child Aigina . . from her father's [house] . . while Korkyra and Salamis and lovely Euboia were stolen by father Poseidon, and Leto's son is in possession of Sinope and Thespia . . [and Tanagra was seized by Hermes] . . But to Asopos no one was able to make the matter clear, until . . [the seer Akraiphen reveals to him] 'And of your daughters father Zeus, king of all, has three; and Poseidon, ruler of the sea, married three; and Phoibos [Apollon] is master of the beds of two of them, and of one Hermes, good son of Maia. For so did the pair Eros and the Kypris persuade them, that they should go in secret to your house and take your nine daughters." (heavily fragmented papyrus. Corinna fr. 654)

"For your [Tanagra's] sake Hermes boxed against Ares." (Corinna fr. 666)

It seems that, similar to the myths of Beroe or Marpessa, the abducted maiden is fought over by two competing "suitors", and though we can infer that the outcome of the story is that Hermes gets to keep Tanagra, apparently by beating Ares in a boxing match, we don't actually know what happened or how it happened. In any case, Ares does mate with another daughter of Asopos, Harpina, who bears him Oinomaos according to some versions (Paus. 5.22.6; Stephanus Byzantium. Ethnica. A125.3; Diodorus Siculus 4. 73. 1). There is little reason to suppose that this encounter wasn't pictured as an abduction like the rest of her sisters.

The blatant statement that each of his affairs was envisioned as consensual is simply not true.

3. He was worshipped under the epithet Gynaikothoinas "feasted by women"

This was a local cult that existed in Tegea, the following reason is given:

"There is also an image of Ares in the marketplace of Tegea. Carved in relief on a slab it is called Gynaecothoenas. At the time of the Laconian war, when Charillus king of Lacedaemon made the first invasion, the women armed themselves and lay in ambush under the hill they call today Phylactris. When the armies met and the men on either side were performing many remarkable exploits, the women, they say, came on the scene and put the Lacedaemonians to flight. Marpessa, surnamed Choera, surpassed, they say, the other women in daring, while Charillus himself was one of the Spartan prisoners. The story goes on to say that he was set free without ransom, swore to the Tegeans that the Lacedaemonians would never again attack Tegea, and then broke his oath; that the women offered to Ares a sacrifice of victory on their own account without the men, and gave to the men no share in the meat of the victim. For this reason Ares got his surname." (Paus. 8.48.4-5)

As emphasised by Georgoudi in To Act, Not Submit: Women’s Attitudes in Situations of War in Ancient Greece (part of the highly recommendable collection of essays Women and War in Antiquity), "it is not necessary to see the operation of an invitation in the bestowal of the epithet Γυναικοθοίνας on Ares". The epithet is ambiguous, and can be translated both as "Host of the banquet of women" or "[He who is] invited to the banquet of women". In any case no act of divine intervention occurs, and the main reason for the women's act of devotion lies principally in recognising their decisive role in the routing of the Lakedaimonians. It's they who preside/participate in the feast of war, the men are excluded.

Also this a local epithet that isn't found anywhere else in Greece. As such it would be worth reminding that not every Ares is Gynaikothoinas, in the same way not every Zeus is Aithiopian, not every Demeter Erinys, and not every Artemis of Ephesos.

4. He was the patron god of the Amazons

He was considered progenitor of the Amazons because of their proverbial warlike nature and love of battle, the same reason he was associated with other "barbaric" tribes, like the Thracians or the Scythians. In this capacity he was also appointed as a suitable father/ancestor for other violent and savage characters who generally function as antagonists (e.g. Kyknos, Diomedes of Thrace, Tereos of Thrace, Oinomaos, Agrios and Oreios, Phlegyas, Lykos etc.). Also he was by no means the only god connected with the Amazons (they were in fact especially linked to Artemis, see Religious Cults Associated With the Amazons by Florence Mary Bennett, if only for the bibliography).

Similarly, Poseidon was considered patron and ancestor of the Phaiakians mainly because of their mastery over the art of seafaring (and was curiously also credited in genealogies as father to monsters and other disreputable figures).

On another note I have found no sources that claim he taught his amazon daughters how to fight, as I've seen often mentioned (though I admit I'd love to be proven wrong on that point).

5. Finally, the last reason Ares could never be portrayed as a protector of women is because of his divine assignation itself

The uncountable references to his love of bloodshed and man-slaying don't just stop short of the battlefield, but continue on to the conclusion and intended purpose of most waged wars in antiquity: the sacking of the city. The title Sacker of Cities as an epithet of Ares (though it is by no means exclusive to him) is encountered numerous times and in different variations (eg. τειχεσιπλήτης or πτολίπορθος), and the meaning behind the epithet is plain. Though it is hard to summarise without being reductionist, the sacking of a city entails the plundering of all its goods, the slaughtering of its men, and the sistematic raping and enslavement of the surviving women (to name only a small few of the literary references see The Iliad, The Trojan Women or The Women of Trachis). There is little need to emphasise that war as concieved of in ancient greece, especifically the brutal aspects of war Ares is most often associated with, directly entailed sexual violence against women as one of it's main concerns. The multiple references to Ares being an unloved or disliked deity are because of this, because war is horrifying (not because his daddy is a big old meany who hates him for no reason, Zeus makes very clear the motive for his contempt in the Iliad (5. 889-891): "Do not sit beside me and whine, you double-faced liar. To me you are most hateful of all gods who hold Olympos. Forever quarreling is dear to your heart, wars and battles.")

Ares was only the protector of women inasmuch as he could be averted or repelled (e.g. surviving apotropaic chants):

"There is no clash of brazen shields but our fight is with the war god, a war god ringed with the cries of men, a savage god who burns us; grant that he turn in racing course backward out of our country’s bounds, to the great palace of Amphitrite or where the waves of the thracian sea deny the stranger safe anchorage. Whatsoever escapes the night at last the light of day revisits; so smite him, Father Zeus, beneath your thunderbolt, for you are the lord of the lightning, the lightning that carries fire." (Shophocles, Oedipus Tyrannos, 190-202)

"And let no murderous havoc come upon the realm to ravage it, by arming Ares—foe to the dance and lute, parent of tears—and the shout of civil strife." (Aeschylus, Suppliant Women 678)

~~~~~

All that being said, this is a post about Ares as conceptualized and attested in ancient sources, made specifically in response to condescending statements about how "uhmmm, actually, in greek mythology Ares was a super-feminist himbo who was worshipped as the protector of women and was hated by his family for no reason, you idiot". It is factually incorrect. HOWEVER, far be it from me to tell anyone how they have to interact with this deity. Be it your retellings, your headcannons or your own personal religious attachments and beliefs towards Ares, those are your own provinces and prerogatives, and not what was being discussed here at all (I personally love art where Ares and Aphrodite goof around, or retellings where he plays with his daughters, or headcannons that showcase his more noble sides, etc.)

~~~~~

I've seen that other people on tumblr have made similar posts, the ones I've seen were by @deathlessathanasia and @en-theos . I have no idea how to link their posts, but they're really good so go check them out on their pages!