#-without caring about the writer
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marias-wonderland · 15 days ago
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Just to be clear, there is no physical evidence of Gaiman Sexually assaulting anybody. Only allegations.
I agree with the "innocent until proven guilty" mindset but like, why would 4 women (I think?) at the same time decide to accuse Gaiman of such shameful acts?
Then again, money talks and makes the world move around. So I'm on the fence about it.
Neither outcomes would surprise me. Whether we have to do with a man who tries to have sex left and right, without taking into account the woman's opinion, or with people who are after a person's fortune.
Only time will highlight the truth.
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anneapocalypse · 2 years ago
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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stuckinapril · 22 days ago
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I want the labels to not matter at all I truly just want to be doing things bc they speak to me and make me feel something
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imminent-danger-came · 6 months ago
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Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2x02 // 3x01 // 3x03 // 3x13 // 4x12
Team huddle!
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blueskittlesart · 10 months ago
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at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.
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dont-let-me-eat-pears · 6 months ago
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me to me: girl, don't do it.
me: *imagines an au where the show didn't practically forget about merlin and gwaine's friendship after series 3, and gwaine found out about his magic sometime in series 4, and merlin got to have a friend again who knew everything about him and who he could be his true self with and tell everything to and share sneaky, knowing looks with when he secretly performed magic and—*
me to me: well, now you've done it. enjoy the pain.
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lesbianralzarek · 6 months ago
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trying to not complain about the discrepancy between how much content fictional women and poc have vs the white dudes in every fucking fandom im in, because no one owes me fanart/fic and i can make shit myself, but holy fuck can any of you name a woman?
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coffeeisfortheresponsible · 4 months ago
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chat what if i made the angstiest animatic of lloyd and harumi and their horribly toxic relationship. would i be burned at the stake and called a llorumi shipper. or does media literacy still exist in the world
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emuthefandomcollector · 2 months ago
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So there are usually 2 different "hiding da body" culprits in Omari AUs, Aubrey & Hero.
I understand why people would use Hero (I've noticed that it isn't as common anymore), but it usually has to be written well for me to really.. get it? If you understand.
Like, I KNOW it's because he cares a lot about Mari (it's the whole reason he stayed inside for a whole year when she died), but.. it feels like.. super ooc for Hero.
I understand that it's a stressful situation and that he could be not thinking straight, but Hero seems like the kind of guy, no matter the situation, if he sees somebody hurt, to try to help them.. like calling an ambulance in extreme cases like this. He doesn't seem like he would go, "lol let's cover up his death"
Plus, Hero is like.. older than the younger kids, he's said to be 15 in a dialog line in Last Resort, iirc, so he would be more mature, as the younger kids would be 12-13, and there is a BIG mental difference between that.
Plus, Hero would have more common sense? I mean, he just doesn't seem like he would do it.
HOWEVER, I think Aubrey could be more plausible.
Even though Aubrey cares about Sunny, she also cares a lot about Mari. She literally transformed herself completely BECAUSE of Mari's death, and she was willing to basically say, "We aren't friends anymore, Sunny."
People tend to overlook Aubrey when it comes to AUs (especially Omari AUs)/in general. She went through so much, and they only really tend to look at Aubrey to ship her, but Aubrey has problems. She was literally growing up in an abusive household for gods sake, so I doubt she really has a completely sound mind, and due to growing up in a household, she hates. she views Sunny and Maris household as her second home and views Mari basically like a sister. -so yeah. She cares, a lot.
People forget sometimes that Basil did it because he cared for Sunny so much that he got tunnel vision and was only worried for him. He didn't want him to get in trouble (simplified), BUT he still cared for Mari, so it's not a problem of "but she cares for Sunny!!" It's a thing of Aubrey caring so much about Mari, basically her non-biological sister, that when she sees her in distress, ESPECIALLY while she herself is stressed, she wouldn't be thinking correctly. She would act irrationally just like Basil because she wouldn't know, she is too young and she hasn't grown up and might be too scared to pick up a phone and ask for help.
It's scary and traumatic for Basil in the OG game because he cared for Mari and that Sunny basically abandoned him for YEARS, and it could EASILY happen to Aubrey under the worst kinds of points, she COULD act irrationally when she is stressed and sees Mari basically having a mental breakdown. She COULD see SUNNY in pain, but in her brain, she thinks he's long gone. She COULD be too scared to pick up a phone, maybe due to stress or maybe because she doesn't want Mari to get in trouble (i.e., like Basil did).
For Aubrey, she was basically the closeest to Mari (and maybe also Sunny as well, but we only really see the past mostly through Sunnys eyes, so its unsure, and Sunny is very unreliable at times in Headspace), people sometimes forget this fact that Aubrey is close to Mari, so she could make more sense as a "hide a body simulator" culprit. Also, it's really fun exploring Aubrey in this way, lol :]
Basically:
Hero is unlikely because;
He is more mature (still young, yes, but 15 is way different than 12-13).
He would probably call for help and then help Mari calm down.
He seems like the kind of guy to have hope that he's alive instead of instantly thinking to hide a body
Why I think Aubrey would maybe make more sense;
Once again, very young and likely wouldn't know what to do as she isn't very developed mentally, and she wouldn't be used to able to handle this kind of stress.
Likely would jump to the conclusion that Sunny is dead and that she needs to help Mari be fine (she'd likely get a sort of tunnel vision like Basil)
She would act VERY irrationally. We have seen her do that even when she is about 16 or so years old.
She would try in any way she could to help Mari and could possibly think, "If she gets in trouble, she'll get more sad/it would be extremely bad."
She just wouldn't want anything worse to happen to the group, thus why she would hide the body so Mari wouldn't get in trouble and make things worse aswell
She could have a very hard time thinking about picking up a phone in these kinds of situations, note: because of age and/or mentality.
Overall, Hero can work if written well, and the characters can still bounce off each other properly, but usually Aubrey makes more sense.
(if this makes no sense I made this without taking my meds right after school and waiting 1 hour for a bus.)
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bitchthefuck1 · 5 months ago
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you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.
There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.
#like so much of their dynamic (esp but not exclusively in S3) has been about showing the ways that carmy's trauma and dysfunctional#attitude in the kitchen impacts other people and how even though he cares about syd and wants their partnership to work he keeps self#sabotaging and setting himself and by extension her and the restaurant up to fail and replicating the same toxic environments that#he grew up and trained in and this is very much consistent with his character and a natural continuation of the conflicts they've been#having since S1 but because him being shitty with her runs contrary to them getting together suddenly its 'ruining the story' and#out of character and only happening bc the writers just hate to see this ship winning and like. if you really think that i genuinely don't#know what show you've been watching bc it sure as shit wasn't this one. like it hurts to see him do this because you know#they could do something genuinely great together and that he's ruining a really good thing but this is also the reality of where he is rn#if he was just a good and supporting business partner and not deeply dysfunctional it would be wildly out of character#the problem w S3 wasn't that it 'ruined' their relationship it's that it had no clear focus overemphasized carmy's arc at the expense#of the other leads deprioritized the supporting cast while failing to give them their own arcs gave more screen time to#unecessary and uninteresting new 'comic relief' characters and let conflicts stagnate without resolving them or#letting them evolve over the course of the season.#this isn't exclusive to the bear this is a general trend ive noticed where as soon as the 'shipper' part of people's brains get activated#it's like they lose the ability to read the story any other way and it stops being about what's good for the narrative and starts being#about whether or not these two people kiss and anything that gets in the way of that is bad and anything that brings it closer is good#and it's usually whatever but it's really frustrating when the story ppl are doing that to is this good#it also makes people fundamentally incapable of treating any 'obstacle' to that romance in a way that isn't wildly meanspirited and#gross (esp bc those characters are usually women) which is exhausting. like no claire isn't evil or a 'pick me' or 'bad' for carmy#or a useless addition to the story or whatever other nonsense you guys have decided must be true to feel okay. she's a perfectly normal#character and their relationship is exploring some of the ways that carmy's inability to deal with or actually address his trauma#impacts the various relationships in his life. she doesn't even have to be a monster or a narrative mistake for him and syd to be#'destined' for each other or whatever. this isn't a middle school wattpad fic.#im definitely gonna get killed in the street for this but ive been looking for a good reason to spend less time on here so might as well#the bear#sydcarmy#sydney adamu#carmy berzatto
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laniidae-passerine · 6 months ago
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catch me laughing in the club awkwardly because this season has a 19 year old blonde female companion from London, a space travelling left of law brunette queer boy who flirts heavily with the doctor, absolutely zero writers of colour and no mention of sensitivity readers…….and next season the new companion is a woman of colour. uh oh!
#he’s not stupid enough to do Martha again but be REAL with me. do you think this man can handle writing for a brown woman and a black man#and make it in any way genuinely tasteful. the one race he’s punched down and the other he’s basically ignored during his tenure :/#rtd seems to think because he has the lived experience of the great struggles of being queer in the 80s and onwards#which was a serious struggle and came with its issues#that he understands being a person of colour? like he wrote an episode about racism and then laughed about not needing a sensitivity reader#before he handed it off to ncuti. but it needed one because it was a stupid episode because he’s white and moreover#seems to think he understands WITHOUT actually getting any of the nuance. which makes it worse.#im just concerned to put it lightly#like chibnall’s bad habit was ‘good episode followed by a bad episode so bad you forget the good episode even existed’#but at least he got writers of colour in to make some of those episodes! he actually cared! and also fumbled real bad (nazi uniform… ://)#still. he actually gave it a pretty good shot and opened some doors behind the scenes. like the writer’s room which is just as important#and also in the scenes tbf like yaz and ryan sharing scenes as poc companions during the same run was groundbreaking#and rtd just closed them again going actually no im doctor who’s most specialist boy and we should do my run all over again#stop this man. get someone new in. he is not much better than chibnall rn like he is not batting hits#stop letting the world’s most charismatic doctor (ncuti i will get rid of regeneration to keep you. i love you. wish you had better writing)#distract you from the fact RTD is doing a ‘biggest hits’ tour rn. stop him!!!!!!! please can we have a showrunner of colour! a woman! please#rtd critical#doctor who#dw
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shannonsketches · 5 months ago
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Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,
You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?
I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.
as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,
In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?
I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.
Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend
#I saw someone on Reddit say Toyotarou's Super was “sloppy bad fanfiction” and “WHAt was Toriyama thinking” as if Toriyama didn't write#the outlines and personally approve reject and give notes to Toyotarou the entire time aklsjdaljk#Like baby tell me you've never read the manga without telling me kljsajdka#Tell me you've Never Read Toriyama's Writing Even One Time without telling me#god i can't imagine what the original botg was going to be if Beerus' name was Virus#Toriyama looked at a Goku Saves the Day script and went “What if Goku loses immediately and needs Everyone's Help in order to even compete”#“What if this movie was about Vegeta and how much he's grown actually. What if Dragon Ball was idk... like...fun and meaningful”#“What if Goku gets his ass beat right away and can't win this fight even WITH help What if the best he can do is just Be Entertaining”#I hope you are enjoying your afterlife mr t i love your choices so so so much#Like my ABSOLUTE respect to the directors and board artists and animators and actors and crew who do amazing work in those films#but 90% of toei's producers and staff writers can meet me in the pit tbqfh#like granted it's been a long time but I feel like I enjoyed the REALLY old ones like Tree of Might and Worlds Strongest??#But Broly was SUCH a huge turn off and the future trunks movie was kind of my last straw for caring about any of the EU stuff askldj#gen the only part of the anime I like at all anymore are some of the unhinged choices the dub cast makes because you can tell#that they're having fun when they're not spending six hours screaming into a mic and that is extremely valuable to me
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knightofmordred · 3 months ago
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it's actually crazy that we have anne and aramis who slept together once and barely really interacted yet all fans can talk about is how much they dislike sylvie and more so, how much they dislike athos x sylvie when they discuss ships.
don't get me wrong, i like anne x aramis but logically they didn't have enough on screen time to be able to really build their relationship. in the beginning they had a fee build up moments until they finally slept together and of course after that, they barely interacted because anne naturally wanted to keep her distance in order to protect their son.
yet fans can't stop going on about their hatred for sylvie x athos when really they had a really good build up and after realising he was wrong, athos actually changed his perspective and of course they started a family together.
i know it's mainly fueled by racism and anti-blackness towards sylvie but my god do you bitches have anything else to talk about.
and by the way im NOT saying people should be moving their bitching onto anne x aramis, it just doesn't make sense to be to be discussing ships and yet i never see anything about a ship who barely interacted.
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autism-purgatory · 5 months ago
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came across writing advice that’s basically just “don’t make a timeline, don’t do math, don’t make you’re reader use any brain power they all have ADHD and yes you should listen to the cinemasins critic in your head and you’re stupid.”
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sonknuxadow · 1 year ago
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please tell me people are joking when they say sonic prime is queerbaiting with sonic and shadow. that is not whats going on here please be serious you guys just see sonic and shadow interact in any way and become unable to turn your shipping brains off
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i-will-physically-fight-you · 6 months ago
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The other day I was having a "struggle day" with writing. Nothing I write is coming out fluid, it is sluggish and stilted. I spent a majority of my time writing outlines, trying to tether abstract images that flicker like a distorted slideshow across my brain to a more concrete tangible form.
But if I was to tell certain people in my life this, their first suggestion would be, "If you're struggling with writing, you should use ChatGPT to help you!"
Pushing past the ethics debacle aside for a moment, I don't know how to describe how much that doesn't help with my plight. As much as I dislike creating a rough draft, it is where the idea takes birth. It's through writing the initial scene where I discover a character's motivation or a facet of the world that never crosses my mind until I begin carving away at its rough edges.
The machine doesn't understand the way I'd take a plot point and expand upon it. The machine can't capture my exact phrasing. Technology hasn't developed enough to take a vague idea sloshing inside my skull and glimmer it into existence in front of me in exactly the way I wanted it to be.
I don't always enjoy the rough draft process, but it is a crucial part of the process. I don't want a "paint by numbers" experience. I want to start with a blank canvas and finish with a nauseating, illustrative kaleidoscope of my innermost thoughts and feelings. I want my hands to be stained by the ink and sweat of my own efforts.
I don't care if I get "lost in the past" for wanting that, I'd rather let my words be unfettered and untainted by the uniformity of what a machine thinks is the most "right" way of phrasing words based on trillions of words unrightfully seized by avarice.
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