#(which was about a month ago)
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Baroque ~Distorted Delusions~ (1999) dev. Sting Entertainment
#baroque game#baroque ps1#baroque distorted delusions#baroque spoilers#gamingedit#gamediting#just felt like giffing something so this is from my last playthrough#which was about a month ago#I need to play it again!
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to the person on tiktok who said pandalily is the left and right side of the brain
you are so right
#in case it wasn’t obvious pandora is the left and lily is the right#i’ve been thinking about this ever since i saw it#which was about a month ago#i also say someone say pandalily should be called redpanda which is adorable#pandalily#redpanda#lily evans#pandora lovegood#pandora rosier#marauders fandom#wlw ships
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*has several debilitating disorders* idk maybe i'm just lazy
#cancelled my psychiatrist appt because i just couldn't get up and i felt i couldn't face her#she's probably mad with me now :/ she already talked to me about missing appointments but i just couldn't do it today#i fucking suck lol im disappointed in myself. my depression has gotten really bad lately which is all the more reason to talk to her but.#idk i've kind of given up also. i stopped therapy months ago. i dont think she was gonna really help me anyway tbh
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been replaying the Portal series I think this is where its heading
#i haven't drawn in like. half a month. which listen i know i don't post much here but i do draw a lot#i have another blog. but also sometimes i just don't post things. i draw for myself#just got burnt out from working on an animation final 😔#so anyway. eased myself back in with a silly comic about portal#my irl saw my shitty sketch and thought glados was painting chell which is very funny to me.#chelldos#but like. unrequited. glados is obsessed with chell. chell is not having a good time#portal#chell#GlaDOS#GlaD0S#my art#og post#1k#5k#10k#20k#30k#yuri#shipping#edit: i made this post almost a year ago and it haunts me. theres a typo. chell is out of character.#because i couldn't come up with a good reason for her to be there in the first place#and this was a shitty ms paint replicating drawing that i did just to get back into drawing#i didn't think it would gain much attention#i was Wrong#anyway someone in the comments said this is what happens when you speedrun thats an infintely better setup for the punchline#EDIT 2: ok i fixed it fuck you
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hey, just as a btw, a fic or a series not uploading for a year doesn't mean its abandoned.
Sometimes the authors have shit going on, other wips, or! it just needs to sit and marinate for a bit. Collecting all the flavor and details it wouldn't have otherwise.
it's okay for updates to take a while.
And if you're impatient? Why not leave a nice comment telling us (the author(s)) what you love about the fic or series? say that you love it, and are "waiting eagerly for the next chapter" and/or that you "would love to see x or y happen because it would mean-"
This could be a new fandom vibe because of all the "i have to drop this while people are still interested" energy, but its not universal, and i don't believe its good for the fandom ecosystem.
Have patience, and have compassion. Remember that authors are human and these fics? (or comics, animatics, whatever) This is our art. We care about it just as much, if not more than you.
#fandom#this is because a bit ago a coauthor and friend of mine got an ask about our series and i had to take a step back#it had only been a few months! in which i had a depressive episode and more life complications#it felt bad y'all. hearing that i wasn't doing enough.#the tone was overall positive#but come on#asking for the notes about the series after only six months of us not uploading? actually it mightve been shorter#i think my coauthor uploaded more recently than i did#good things come to those who wait applies to you too.#sorry for getting all serious but this was seriously bothering me#and i finally have the words!
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graph
bonus:
#xmen#xmen comics#magneto#is this the part where i have to tag everyone because everyone actually is like. semi significant in these. sure JVAELKVJEALK#cyclops#jean gray#beast#iceman#angel#warren worthington iii#hank mccoy#bobby drake#toad#mortimer toynbee#snap sketches#welcome back to Finally Drawing Months-Old Ideas VJELVKJAEKL#I Repeat love how you can tell what comics ive been reading based on what i draw like No Shit but still... lol ...#this comic is so niche but so is most of my stuff jVELAKJA I MADE THIS FOR MEEEE#it has my kids it has toad it has magneto being Unnecessary. this is for ME. also charlie lookin darlin but thats normal anyway#also hi remember how i was complaining about colors from my tablet some days ago.#i didnt realize the 'protective eye' setting was on. which yk makes the screen tinted yellow#LIKE I SAID OUT LOUD TO MY BROTHER 'lol my screen's yellowish' AND IT DIDNT CLICK#i only realized it was on when i went to turn it on at night one night and i was like. Oh 🧍♂️#anyways. sillies. all the kids....#see i thought i was gonna post this WAY earlier but as i was finishing the first version i. well i changed the last panel like three times#but even then i was like 'ok but i wanna draw the boys bein silly..' and indecisive as i was with which version i wanted#i . drew both. and have just made this a goofy two parter or whatever#ANYWAYS !!!! its great bein able to do personal stuff again ... i still have work this to do but its significantly less#so i feel more at ease to do small stuff like this#i do hope to tackle a bigger idea this month tho. while i was drawin this out all i could think of was That idea
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space sweepers but they're delivery people and are at no point on screen through the entire movie
#fantasy high#riz gukgak#kristen applebees#gorgug thistlespring#adaine abernant#fabian seacaster#figueroth faeth#the bad kids#half tempted to say these names are forum handles they use so much it pretty much became their professional names lol#I keep them teenagers bc its funnier that way#no real lore I just like drawing this. but I do think abt how theyre all weirdos too also bc thats funny to me#riz is a huge conspiracyhead who does everything by hands. he has a casio fx-570 in mint condition. nobody knows how he's maintaining it#he is nonetheless Really Good at his job. which somewhat tracks bc it's a job that requires keeping up with interstation conflicts#and new policies and an obsessive amount of planning. but he is Too Good at it. and also he dresses like that#kristen has the atomic engine that theoretically lets her unmake and remake matters with her mind. but it consumes a huge amount#of energy so it's mostly useless. she's still a cult survivor also#gorgug lives his entire life on a ship with his parents who quit a cushy deal maintaining a space station bc he wouldn't be allowed on#the low gravity let him grow very tall but also his oxygen saturation is pretty bad so he's got breathing support#fig is a robot who just found out she's a robot like two months ago. she's been assuming everyone's a robot like her and she's been feeling#very betrayed by her mom lying about that part. she's on a body mod spree which is rough bc system-specific parts are expensive#and so is adapting random parts to her system#fabian's still a pirate captain's son. can't say anything that'd be able to get the vibes across clearer than that#adaine went to tech/business school. she put her monthly allowance towards an ecoterrorist group in her academy which turned out to be an o#and she's currently wanted by UTS. more than fabian. which makes him slightly mad#she's also acquired a passion for low-tech weaponry on the way. she likes ice picks and cleavers#I think up all of this for no reason except that once again the idea of all these people being 1/teens and 2/on the same ship to be posties#is hilarious to me. esp. if they were in a forum group chat beforehand
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this is the iconic dinosaur horror jurassic park wishes it was
#so there's this person on twitter who is like an infamous drama starter and got a whole forum shut down once#and they wrote this (different) book that's one of the greatest so bad it's good things i've ever read#a few great things that happen in that:#characters get in a car crash and flee on foot. later it's casually mentioned one character had both her legs amputated 'due to fractures'#the character pretending to be american by wearing maga hats that have spy gear built into them#the spy gear in question is an alarm that blares if someone lies in their vicinity#'stuff protocol ' said the queen. 'i'm getting hammered tonight'#the chapter where the prime minister is trying to watch the news so she keeps wandering into bars and tv shops and getting kicked out#the dragon that's casually described as 'about the size of 1000 elephants'#the dragon that's a 'dog dragon hybrid with a chihuahua body and a giant dragon head'#the dragon that's owner punched it in the face and only lets people approach if they 'do the iconic royal wave'#the characters being described as 'the short one' 'the guy with the beard' etc#but there being a lengthy detailed description of the characters in harry potter#'apparently a dragon had burnt essex to cinders in a matter of minutes'#anyways i found out they also wrote (a political parody of indiana jones???) for this book of kids short stories years ago#and you know. we needed to know#so it took me like 4 months to track this precious lost media down#which was very worth it because it turns out it's full of many other iconic gems like CELLAR HELL by Elizabeth Elgie (12)
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The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.
#also idk how to tell you this but even if it were true. wealthy children potentially sacrificing their educational careers to protest is#a good thing actually. idk how to tell you that caring about people from other nations is good#personal#“this war has nothing to do with most students cuz nobody's getting drafted” idk how to explain to you that we should be angry#that our tuitions of 10s of thousands of dollars that we pay every year for an education is being used to fund a genocidal campaign#also the implication that if you go to a uni institution you are automatically privileged by participation no matter your bg#i didn't /want/ to go to this school. i was supposed to go to a school with an art/animation program. but i realized my immigrant#parents have been working their whole lives to get me here. and turning the opportunity down would be a disservice to their sacrifice#this is getting into convos of “what 2nd gen kids owe their parents” which is different for everyone but. yeah#i just get pissed off at seeing people misrepresenting student bodies as “wealthy” and “privileged” and “elite” when it's such a blatant li#i remember a year ago a friend told me they can't fly home to hong kong for winter break because the plane tickets are too expensive#so they have to find temporary housing around the area#last quarter for a film doc class my film partner made a doc on a small group of marxist grad students from india discussing praxis#during a rally a few months ago in response to police presence the coalition invited palestinian students to speak about their experiences#and lead songs and read poems they wrote. these are STUDENTS. are they elitist too?#this is not to disregard my own personal privilege either.#this whole narrative's just to rationalize a lack of empathy to me. seeing a 19yo student get shot by a rubber bullet and your first#reaction is “HAW! HAW! bet richy rich didn't see THAT coming when she put on her terrorist hood!”#newsflash. these big uni campuses are HAUNTED by the violence of past protests and revolutions and police brutality. we know.#why do you think these coalitions have been making reinforced barricades at record speed
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I haven't finished the world tour yet, and my thoughts on it are also not fully coherent yet, but there is something very nice about the care Grian takes in really pointing out those specific things that makes the bases, but that most people wouldn't notice. I think that it's also especially nice that he'sdoing this considering he's probably the biggest, albeit not necessarily the most well known, person on the server.
#hermitcraft#grian#Also I Did Not realise the server started a year ago. Which us embarrassing. It feels like it's been simultaneously 3 years and 4 months#Which usually means it's been about 1.5 years
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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thinking about gloria and thinking also about the actually undoubtedly latina women of felipe garzonas’s home country and how bruce and the gcpd and everyone except jason was willing to accept that they would be sacrificed on a predatory man’s altar in return for their own women’s safety, willing to live with and not contest the fact that garzonas was definitely going to go back and keep preying on women that he would have even more unfettered access to so long as it was off-page. how many had he already hurt and how little did bruce wayne ever think of them, a thousand miles from gotham
#do not get me wrong i am an abolitionist and i am anti-death penalty#i am not implying anything except#that the ease with which everyone had accepted garzonas being released back to some other country was chilling to me#they truly did not care.#this is out of my dms with yutro many many months ago#but i’m just thinking about it again. all the spheres of expendable people in the world#and the west’s inability to create any worlds in which we do not remain so#but anyway!#dc#felipe garzonas
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sketches ive never posted + sketches that i did, in fact, post, but they got nuked by tumblr and never saw the light of day
![Tumblr media](https://64.media.tumblr.com/d861890593ac243c6f66d12afab68c15/a0db635f7425854b-85/s540x810/4dd2ee3746cfdc04e4d8fcedae948edee478f7cc.jpg)
![Tumblr media](https://64.media.tumblr.com/169878329de4227d4eb02601e5b8fe3e/a0db635f7425854b-69/s540x810/e6bc47733d85d5d1af8ba7c12e22aad04874881e.jpg)
![Tumblr media](https://64.media.tumblr.com/1942ae43cc5b05a633ab33da589acbd5/a0db635f7425854b-4b/s540x810/df4023804ba6bd61c519d0a5cb9b83b26671a504.jpg)
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#edge of midnight#ol jericho sticks#lethica nightborne#marius renathyr#briggsy kratch#virgil#how do i tag virgil#virgil eom#in which i shamelessly (friend)ship marius and virgil#jericho x marius#jericho x lethica#marius x lethica#marius x lethica x jericho#dont even worry about it#all of these are from like. months ago tbh#i miss them#gonna start bdw soon
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smallidarity highschool au
came up with this au like actually 2 years ago where it's mainly empires 2 smallidarity centric, with Jimmy as a student council member and Joel as an honours student who doesn't like the way Jimmy runs things around the school.
As payback for the regulations Jimmy put up that Joel thought was stupid, Joel does these elaborate 'The Office' style pranks on Jimmy (specifically) while Jimmy retaliates by trying his best to dig up dirt on Joel. This banter goes on for a while— however Joel ends up doing the pranks less as a statement, and instead more just to see how Jimmy would react... with his comical, cartoony villain yells, and... weirdly cute face....? (YAOI YAOI YAOI YAOI)
very very old au drawings below:
from July 2023
![Tumblr media](https://64.media.tumblr.com/c6b1c69e9ea9b1afa3fa6ddf08e0ba38/72de33e0339f5cf0-97/s540x810/572954e032a9b6e65a1310faafd3586e9014cfaf.jpg)
😭😭 joel does NOT look like a highschooler here 😭😭😭😭 (i also wanted to draw angst in the first two ig idk a year later it's pretty cringe [i am still cringe]) (also partially inspired by when I read "Go for it, Nakamura!" and the mc reminded me of joel for no actual reason. or maybe i was just thinking about that manga while drawing smallidarity. idk)
from November 2022:
I think these doodles were genuinely the first instance of me converting from being against mcyt shipping to for shipping LMAOO
#smallidarity#my art#empiresshipping#finally writing out this au GOSH it's been in my head for so long#despite that I'm still not very sure about the au plot-wise ? 😭#like idk if i want canary curse limited life angst or not#(eg. Grian is the occult club president and Grian warns Joel about Jimmy's forboding demise#or to keep this au romance drama? without any fantasy stuff yk?#this was my first time making an au idk how else it goes lmao 😭#anyways hopefully day 2 of posting daily ✌️#smallidarity highschool au#<- I POSTED OTHER STUFF ON THIS AU BEFORE PLS CHECK IT OUT MAYBE#also btw this is separate from that highschool isekai harem anime posting i drew a few months ago#extra thoughts: 'solidarity' and 'smallishbeans' are nicknames they got for themselved#'Solidarity' (probably) comes from Jimmy's campaigning for Student Council President (which he's tried for and failed many times)#and 'Smallishbeans' comes from a running gag between Joel Lizzie and Oli from a bit he did when they where kids#where he would act like a 2010's millenial tumblr girl and call himself a 'smol bean'#smallidarity daily#day 2
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some WIPs from the 80s AU i never finished
#so… hi#i think…. i might start making some stuff here soon#i’ve been gone a lot longer than i intended to be#& i feel a lil bad about it bc i really miss my boys & bein here & all that but#idk it’s just been a rough month#but i’m starting to get the itch to create again#i have a very silly idea for the mbz AU#i also just really want to draw some stuff#i miss making things. i’m going nuts. i’ve hardly done anything fun in WEEKS#i’ve sort of started working on some new OCs but ngl#doing anything that doesn’t involve dhes or kel genuinely feels like i’m betraying them#but i have a concept that i really want to explore so that’s what i’m trying to do#i have been working on a few AUs here & there too but#but mostly nothing fun#i need to do something fun while i still can bc i’m starting at uni next month#& i just know i’m gonna have shit for free time then#i’m taking all in person classes which makes me very nervous#i’m trying to be excited about it but mostly it’s just causing me anxiety lol#but anyway. um. yea. hopefully i’ll catch up on everything & reply to the tags/asks i’ve gotten since i’ve been gone#if i reply to something you said/sent to me a month ago… pls just act like that’s not weird. thanks.#rainyrambles
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☆please do not repost or repurpose my work, thank you!☆
#dourdoodles#the arcana#the arcana game#the arcana valdemar#quaestor valdemar#valdemar#I finally got around to finishing this nfsodfhei I was being extra picky about it because this is partly a study on lighting and atmosphere#so by the time I realized my background was super plain I ended up deciding to do the bare minimum and just slap some lines in and call it#a day- but regardless I'm pretty happy with the outcome! It's been a bit since I've done a fully rendered piece in this specific style!#lately I've been drawing lots of skeles and my more cartoony style nodnod#well wait okay but the dabi one was also just from September >> which was... THREE MONTHS AGO MY GOD
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