#(certain kinds at least)

[idontmindifuforgetme]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[pixlatedvampire]

hi the literal whole entire reason i made these was bc i watched this 10 sec clip on youtube pls watch

[sneakysnowmannightshade07]

basically the pattern is: Mara does not like arrogant, extremely lazy people and lives by "you had it coming"

Favorite myth or fairy tale of all time?

It doesn’t really count as either but the parable of the Pharisee and the tax collector/publican. I just don't see it only being relatable in its original religious context but basically for anyone in any belief that has a "thank goodness I'm not like them!" attitude and how it's basically useless. I actually like quite a few of the parables.

Others I love would be the Peasant's Wise Daughter, The Ant and the Grasshopper, La Gallinita Roja, and the Tortoise and the Hare. There were also these stories about Mary-- one where this devout but simple minded man only knew the first two words of the Hail Mary and was made fun of, only to have a rose grow at his grave. (I think iirc) The other one involved the juggler who entertained Mary and in some versions he died afterwards, in peace.

I think some can notice a couple underlying themes in choosing these as my favorites.

Thanks for the question!

[the-witchhunter]

DP x DC: Homme Fatale

Noun. homme fatal (plural hommes fatals) An ultimately seductive and dangerous man; a womanizer.

On a bit of a Film Noir kick right now, so blame that

Imagine, if you will:

Danny, a private eye in Gotham, ever the hard boiled detective, sitting in his dark office, drinking coffee you could use to tar a roof. The office isn't in a good neighborhood but rent still ain't cheap. He's fixing to get a new case on his desk soon

Enter one Timothy Drake-Wayne, CEO of Wayne Enterprizes. He walked in shirt unbuttoned dangerously low in a suit sharp enough to cut yourself on and bags under his eyes to large to be counted as carry on. Mr. Drake has a job for him, one he wants to keep quite, and one important enough that he's willing to add a couple zeros to Danny's usual rate. This job is a dream come true... almost too good to be true...

or

Tim Drake aka Red Robin(yummm) needs plausible deniability on a case tied to his civilian identity and so hires a PI and lays down a trail of clues for him. All the while playing up the Noir tropes to flirt with the cute detective.

why doesn't he just take care of it as Red Robin? Shhhhh... the detective is cute and he's having too much fun playing the homme fatale

Bonus: Immediately after wrapping up Tim's case Kon walks into Danny's office dolled up in a vintage dress, period appropriate makeup done, all to play the part of the Femme Fatale and do the exact same thing Tim did. Does he know Tim literally just did that? Maybe, maybe not

[crustyfloor]

[icewindandboringhorror]

A very lacy sort of outfit, still always trying to find a way to use this shirt in things lol

[lunaryhues]

Me: "Can I please use all this energy to draw on an actual project"

My brain: "You will draw the same character over and over and you will like it."

Me: "Okay."

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[epickiya722]

"Megumi wants Yuji to be with his sister."

How? The fan translation states "walked off beside someone like you, Itadori" not "walked off beside you, Itadori". Clearly (apparently, not, my bad), Megumi was making a comparison.

If he is really trying to state something here about his sister's love life (which is weird, let's be real), he is probably trying to say he wants Tsumiki to have a partner that is a good person just as she and Yuji are.

Even with the framing, I don't think this is him imaging Tsumiki and Yuji dating. It's him imagining the most important, most cherished people in his life. Tsumiki, the only family he really has ever known and Yuji, the boy who has done everything he can to help Megumi since the day they met and forming a bond with him.

Also, when in the manga has Megumi actually been interested in looking for a partner for Tsumiki? He was trying to save her from the coma she got put in! And then later, save her from the Culling Games!

And just Megumi being Megumi, him playing matchmaker for his sister is so off!

"But what about the thing with Yuko?"

Megumi was a spectator if anything else, let's be real. It was Nobara helping Yuko out and Megumi was just there to react and answer questions.(Hell, Nobara even later got agitated at the idea of Yuji getting a partner before she does.) He brought a book with him, for crying out loud. Does that seem like someone who is trying to play matchmaker?

Him putting up a ten points sign was just another scene of him being impressed by Yuji. It was no different from when he said Yuji could beat any of them in a hand to hand fight without cursed energy involved or when he complimented straight to Yuji about how adaptable he is in a fight.

He wanted Yuji's life spared because he couldn't see another good person die. Not because "my comatose sister needs a boyfriend".

If Megumi wanted Tsumiki and Yuji to be "a couple", then how come he never bragged about how great of a person she is after Yuji (and Nobara) learned about her? How come he only told Yuji to "save him" and not "save Tsumiki" when he wanted help to save Tsumiki?

I already seeing people make the "Fushiguro wants the bloodline continued" "jokes" and honestly, ew, gross.

Maybe, it's just me, but it's feels invasive at the thought of one sibling trying to shape another sibling's love life.

Hell, even still, Megumi pushing Yuji to date his sister? He would really try to get Yuji to do that without considering how Yuji feels? For real?

It's him wishing that his sister had someone who she can also form a bond with just as he had with Yuji and for that someone to be like Yuji.

I'm actually surprised to not see those same people making the "Megumi wants Yuji and Tsumiki to date" even make a remark on Yuji saying how lonely he would be without Megumi.

Is it because you can't interpret it any other way than how much Yuji cares about Megumi? Because, didn't not too long ago people were trying to say Yuji didn't care for him? Now that the last two chapters (265 - 266) disproved that AGAIN, I feel like these people are grasping at straws to come up with anything to not admit that there are mutual feelings between Yuji and Megumi.

Same fandom were some people were making incest jokes at Megumi's expense so now he's "beating the allegations" that were never there in the first place. Huh? What?

[asurrogateblog]

The Syd Poll

the topic of this poll is one that is frequently avoided in the pink floyd fandom, but inevitably one we all consider – our individual views on what we think caused syd's psychological struggles (and by extension, led to his departure from the band). I think that – at least in this neighborhood of tumblr – this is a conversation we are capable of having in a way that is civil, nuanced, and at least minimally disrespectful to syd.

So, to help facilitate this, here are some ground rules:

let's all assume we have a mutual understanding of the complexities of this. syd could never actually be reduced down to a poll, and all of our viewpoints are limited in various ways

the poll options just serve as just a conversation starter, and responses are not necessarily a statement of absolute beliefs

feel free to discuss as much or as little of your own perspective as you feel comfortable sharing.

in the case that debates break out, please try to assume good intent – and also demonstrate it (unless, for instance, someone is being blatantly insulting beyond a misunderstanding that needs correcting)

please do NOT vote if you are not actually a pink floyd fan with at least basic knowledge about what we're talking about here.

The options I've included below are not meant to be exhaustive, they are simply the "theories" that I have seen most commonly circulated. I have also decided not to include combinations. I'm fairly sure we'd all agree multiple factors were involved. Rather than make the poll too complicated, I ask you to instead select the one that you think is the "most" important to your viewpoint, and clarify further in your tags/comments as you wish.

so. here we go.

READ BEFORE VOTING ^^^^

(note of correction: "late-onset schizophrenia" should just be "schizophrenia". the typical timeline for onset of symptoms is late adolescence/early adulthood, so syd would've been well within that period at the time)

[anghraine]

Speaking of the sidelining of Elizabeth's arc in pop culture/fandom takes on P&P, I do have a more uncharitable than usual speculation about it:

I don't think Elizabeth is written as an audience stand-in in a general sense. But the novel does give audiences a carefully-constructed space to fuck up in the same ways that Elizabeth does.

The audience participating in Elizabeth's flawed patterns of thinking and reacting and engaging with other people is not equivalent to Elizabeth doing it in-story. But I think the novel is more broadly concerned with these kinds of patterns in ways of thinking and approaching the world and especially approaching people in the world than with it as a purely in-story thing.

The novel's exact central turning point is Elizabeth's horrified epiphany about her faults following Darcy's letter. That moment is integral to Elizabeth's characterization, but much of what she says of herself and how she's been approaching the world could be fairly turned on much of the audience because of how the book is constructed. This construction is very clearly deliberate.

It's easy to feel like Elizabeth's flaws and mistakes are not really a big deal when it's stuff we ourselves do all the time and when the person doing them is as generally admirable and engaging as Elizabeth. But while she overstates things in the horror of the moment, the novel still insists that the flaws in her approach are a big deal, ethically. They are morally wrong. Elizabeth has to struggle to grow past those patterns and flaws, however imperfectly, and I think there's an implicit challenge in that: so should we.

tbh I suspect that challenge is really uncomfortable for some people to think about too hard, and that's part of the reason there's so much flailing to make the book centrally about anything else.

[sysig]

Maybe requestober prompt of soft?

Day 5 - Pile o' plushies

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[aroaceleovaldez]

emo Nico x scene Will Solace...

[the-acid-pear]

Honestly the best part about True Neutral Jack to me is the fact he... doesn't even really care for the money. Sure he cares about the business growing and expanding but like, in his personal life? He's not doing shit with it for what we see. Like he's not this capitalist sigma grinder type with big dreams or goals like owning a mansion or some shit. Like im sure even if he was a millonaire he'd still be wearing the same suit and living in the same house and likely using the same cheap paint. He just needed a hobbie to run from the skeletons in his closet.

[morrigan-sims]

Royal Horses

@morningstarequestrian's new Baroque Tack Set is absolutely perfect for tacking up the horses from my story save. (which I've been neglecting for the past year+) (Other pieces are from the Medieval Tack Set or the Medieval Round Bridle. The first outfits are from @objuct's Traditional Arabian Set, plus one of my recolors of that set.)

(also obligatory tagging @simgerale because Phillip pics.)

The first two outfits are something I could see being like, a parade outfit, at least for Alena. (Kristopher wouldn't be involved in any parades back in Oryn, I just wanted to test out all my cc.) Especially the version with the tassels isn't practical for just recreational riding, but it certainly looks nice for a parade, and does resemble parade-type outfits.

Alena's 2nd-3rd outfits and Phillip's 2nd-4th outfits are just more general-purpose riding. Two different saddles each and a few different saddle pads for Phillip.

Phillip's 5th outfit and Alena's 4th and 5th are potentially more of long-distance setups. Maybe like some kind of tour, where Fallon would be riding for long distances, but still want to look formal / be seen by people. (Again, not really something Kristopher and Phillip would have been doing, but it looked good on him and I wanted to test stuff out.) Alena has a second variation because technically white isn't one of Anvia's royal colors, but black is, so if it was a public event, she might tack in black. Especially as that would show less wear and dirt than the white for long travel.

The last pic is a blanket for Phillip because it gets cold in Oryn, especially in the winter and late fall/early spring. Alena doesn't really need a blanket most of the time, since Anvia's winters are much milder. (They don't often get snow, and when they do it's rarely more than an inch or two at a time.)