#(again! i should know better! and yet!)

[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[trensu]

Guess who's baaaaack! It's me, I'm back to writing. My laptop when kaput back in May and I've only recently gotten a replacement. In celebration of this, here's more of stasis in darkness. Enjoy :)

.

“Hello. I’ve wanted to meet you for years,” the god said. 

“Years? But, why would you want–? I’m–I’m no one, Lord.”

“Don’t say that.”

The god’s voice hadn’t gotten louder, yet his words carried a force that made the room tremble. The air became heavy with it. Wayne’s breathing grew haggard under the pressure of the words. Steve tossed out any idea of false privacy and crossed the room in a few steps to kneel at the other side of the bed. He took Wayne’s free hand to anchor him. Wayne didn’t so much as twitch in his direction but his knuckles went white as he gripped Steve’s hand.

“You gave me your spoils and your stories every night. I felt your love in every word you spoke to me. You’re the reason I’ve been able to exist this long. Wayne Munson, you are the most important person in the world to me."

Wayne let out a wordless cry. The hand in Steve's shook. Steve viscerally remembered how it felt to have the god’s attention like that for the first time. He also remembered how guilty the god sounded after he realized the effect he had on mortals. With a slight grimace, Steve discreetly nabbed the Lord of Night's attention. 

"I think that was a little too much," Steve suggested cautiously in a low tone barely audible over Wayne's sobs. "Maybe dial it back a little?"

The Lord of Night nodded abashedly. When he spoke again, the pressure in his speech noticeably lessened though the love in his words remained.

“So, you see, I needed to meet you in person. To thank you.”

The last part made Wayne weep louder. The grip he had on Steve’s hand increased in strength, and Steve was sort of relieved Wayne was an old man because even this frail, his hands were pretty damn strong. If he’d been any younger, Steve would’ve had bruises for sure. The god waited patiently as Wayne collected himself.

“My Lord, y-you–” Wayne gasped as his crying subsided. “I don’t deserve–”

“Wayne, you crazy old man, are you going to argue with your god?” the Lord of Night said in the same teasing tone he used with Steve all those nights in his pilgrimage. Wayne’s eyes widened.

“N-No! I’d never–!”

The god laughed, playful and bright as a star. Wayne halted his protests to stare in awe again. 

“You know, I usually encourage a bit of dissent but this time, I’m putting my foot down. You do deserve this, okay?”

Wayne nodded dazedly. He still watched the god with soft, warm eyes. His hand twitched in Steve’s as if he wanted to reach up to touch the god. Steve loosened his grip to allow it but Wayne didn’t follow through with the motion.

“...you remind me of someone,” Wayne whispered. The Lord of Night tilted his head curiously.

“Do I?” he asked. At Wayne’s nod, he added, “I hope it’s someone good. I know what people say about me these days, and let me tell you, it’s not super flattering. King of Darkness this and monster herder that, blah, blah, mean and scary, blah.”

“I know better than to pay any mind to hearsay,” Wayne replied. "I’ve found that most people are fools, my Lord." 

The Lord of Night laughed again. Wayne looked delighted. 

The rest of the night continued along the same line. The Lord of Night listened eagerly to Wayne’s every word as he reminisced about past heists and recalled fond childhood memories. Steve kept to himself, for the most part, letting the Lord of Night and his last believer bask in each other’s presence. Wayne stayed awake as long as he could but finally fell asleep as dawn approached. The Lord of Night began to fade as the first rays of the morning peeked through the bedroom window.

“Watch over him for me, please?” the Lord of Night asked Steve. “I’ll be back tonight.”

“Of course, Lord,” Steve replied. 

The sun broke past the horizon and the Lord of Night vanished. Steve took the stone from the bedside table. He wrapped it up carefully in cloth before returning it to his satchel. That level of care probably wasn’t necessary considering it was solid stone but it was the only thing they knew would keep the god tethered to this plane so far from his last shrine. Steve was charged with carrying his god's tether and he would not let him down by being careless with it.

It was also the only thing he had been given that belonged to his god. Typically, a holy warrior would be granted a symbol of their faith by a temple priest once a god had accepted the holy warrior’s offered service. Most of the time it would be a simple pendant or bracelet with a god’s sigil; a mass produced thing any follower could obtain, the only difference being that a holy warrior’s token would carry a particular blessing from the high priest. A holy warrior would carry that as a sign of their commitment until they’ve earned a more prestigious item to replace it during their years of service.

Steve’s journey so far has been as atypical as it could get. Most warriors traveled to their god's grandest temple. They recited that god's specific prayer for a holy warrior's offering, witnessed by a high priest who would then reveal whether the offering was accepted. Steve's god had no official prayers of any sort, much less temples or clergy. Steve's god couldn't really remember his own symbol aside from a vague outline of it; not nearly enough for it to be inscribed on even the simplest of tokens. 

Regardless, Steve wouldn't trade his experience for anything. Most holy warriors toiled for years, even decades, before getting a chance to meet their god. Steve met his god nearly at the beginning though he hadn't known it at the time. He'd been able to see him and speak to him. Steve’s humble offering of servitude had been accepted directly by his god rather than by priestly proxy. So what if his god wasn't able to grant him a token for his pledge? His presence was a privilege Steve would take over any boon.

It was a sentiment Steve knew Wayne understood. Steve scooted his chair closer to the bed where the old man lay sleeping. He wrapped a hand around Wayne's wrist to track his weak pulse, and settled in for his vigil.

–

Steve woke Wayne a handful of times to make sure he drank some water or ate some of the vegetable soup Steve had thrown together using whatever he’d picked from the garden the day before. They chatted for a while; Wayne telling Steve about his life before age and sickness caught up to him. Eventually, Steve was able to coax him back to sleep when it became obvious his energy was fading.

At some point in the day, Wayne’s temperature began to rise. Nothing worrisome yet, but dread trickled into Steve’s veins regardless. The old man had been fighting whatever ailed him for a while now. If a fever overcame him, Steve doubted Wayne would survive it.

When the Lord of Night appeared alongside the fading sunset, he seemed as worried as Steve. Wayne sat in bed, propped up by pillows Steve had strategically placed. His eyes were rheumy but steady.

“You’ve seen the Door already, haven’t you?” the Lord of Night asked Wayne dejectedly.

Wayne’s gaze strayed from the god. He glanced at the corner opposite of the bedroom door. His hands shook as he tried to point that direction. Steve didn't see any door there. The god took Wayne's hand between his own, tangible to his last believer even as he appeared more translucent than the night before.

“It showed up earlier today,” Wayne whispered. The god nodded.

“You don’t have to answer yet, but soon. Once you go through the Door, you’ll be in Death's domain. No god is allowed to enter there besides him. I would have lost my chance to meet you if we’d been delayed any longer.”

“Good thing you have Ser Steve. He got you here real quick from what he told me,” Wayne said with a crooked smile.

“Has he been talking himself up?” the god asked amusedly. “Trying to impress the boss?”

“It’s my first quest,” Steve butted in with mild exasperation borne of embarrassment. He hadn’t expected Wayne to mention him at all during his communion with the Lord of Night. “I have to make a good impression.”

“To make up for the first impression, huh?” the Lord of Night teased. 

Oh no, Steve thought when he caught Wayne’s curious look. He wanted to hide his face in his hands. That would be childish. Steve was a man so he was above that, unfortunately.

“Wayne,” the Lord of Night said with palpable mischief. “In exchange for all the stories you’ve given me these many years, what if I told you how I got my very first holy warrior?”

“I didn’t know better,” Steve groaned weakly in an effort to stop the story before it began in earnest. The Lord of Night made a shushing motion in his direction. 

“It would be a privilege, Lord,” Wayne said with matching mischief.

“Settle in, my loyal follower, and listen closely,” the Lord of Night began with exuberance. “I call this tale The Trial of Nine Nights.”

The rest of the night, the god recounted Steve’s pilgrimage. The way he told it painted Steve as some sort of gallant hero. It was suspenseful and whimsical. It didn’t sound like Steve’s experience at all. Yet every word was true, told with a flair that Steve himself would never have imagined. Wayne had hung on his god’s every word, despite the sporadic interruptions caused by coughing fits.

“The way you tell stories…” Wayne said faintly between coughs as the story wound to an end. “You…really do remind me of…someone. My little starmaker*. He was…” His voice trailed off weakly as he tried to catch his breath again.

“Rest now. Tell me about him tonight, Wayne,” the Lord of Night commanded as he disappeared with the arrival of dawn.

Wayne’s temperature seemed to climb with the sun. Steve did what he could to help. He stripped the bed of blankets and draped cold, damp towels over Wayne’s brow. More than once Wayne had asked Steve to answer the door.

“Someone’s knocking,” Wayne insisted.

“I’ve checked already,” Steve lied. He hadn’t heard a single knock all day, much less one coming from the very door-less spot Wayne kept indicating. “No one’s there.”

Wayne drifted in and out of a restless slumber. Despite Steve’s efforts, the fever had not lowered by nightfall. The Lord of Night paced at the foot of Wayne’s bed with a caged restlessness. Wayne had yet to wake up. 

“I don’t think he’s going to make it. Can you do anything for him?” Steve asked, hesitantly. “You came here to help him, didn’t you?”

“No,” the Lord of Night said shortly. “I can’t. I’m not a god of medicine. I’m not a healer.”

Each word was said with increasingly helpless frustration.

“I’m not strong enough to calm his dreams. I can’t ease his pain,” the Lord of Night said angrily. “At this rate, I won’t even be able to apologize to him.”

“Apologize for what?” Steve asked incredulously. Steve’s question went unheard. The Lord of Night tugged at his hood as if trying to hide his not-face. He gave up his pacing and slumped defeatedly on the chair beside Wayne’s bed.

“His family has sustained me for so long. He’s so devoted to me, and I keep failing him,” the god said, voice thick with shame. The brooding silence that followed was unlike the Lord of Night’s usual demeanor.

Steve wanted to protest the god’s claim. He was tempted to ask why the god believed he’d failed his last follower. Steve had seen people who’ve scorned and rejected their gods for a multitude of reasons. Wayne had not behaved like any of those people. Wayne had been so happy to see the god, Steve couldn’t imagine Wayne wanting an apology of any sort.

Before Steve could steel himself to ask, Wayne finally stirred awake.The Lord of Night straightened and drew the chair closer to his last follower. Steve situated himself near the corner Wayne had claimed to see a door. There wasn’t anything Steve could realistically achieve by placing himself between Wayne and the unseen door. When Death’s Door knocked, there was nothing a mortal being could do to keep it from opening. Regardless, Steve hoped he could provide some semblance of comfort by standing guard. 

Wayne’s eyes were glassy. He lay limp and disoriented, making not a sound outside his labored breathing. Neither the Lord of Night nor Steve spoke. Steve didn’t want to startle the man nor bring his attention to the unseen door. After a few minutes, Wayne finally noticed his bedside companion. 

“You,” he croaked in a daze. “I know you.”

“Yeah, it’s me.” The somber tone went unnoticed by Wayne whose entire face brightened with an unexpected joy. 

“Eddie,” Wayne said shakily. 

“What?”

“Eddie, you’re here,” Wayne said with more love and joy than Steve had ever heard from another person. He felt a momentary flash of envy that someone could hold another so dear, before it hit him that Wayne was speaking to the Lord of Night. The god seemed as dumbstruck as Steve over it.

“Is…is that me?” the Lord of Night asked. The god sounded so young and lost. It reminded Steve of Dustin and his friends when they were small. It inspired all the same protective instincts.

“‘course it’s you, Eddie,” Wayne said fondly. 

“Eddie,” the Lord of Night whispered. “Oh, it is. It is me. I’m here.” 

The words rang through the air. The finality in them nearly deafened Steve. The words were a realization that shifted the entire cosmos. The air he breathed, the light he saw, the very world he perceived had changed fundamentally. It was a change so loud and obvious, Steve was certain every human left on earth and everyone beyond the Door knew it happened. Yet between one blink and the next, the world remained the same as it ever was. Everything that had been still was and would continue to be for as long as the stars burn.

Inexplicably, Steve experienced a bout of vertigo at the shift that had and hadn’t happened. He fought back a wave of nausea that accompanied it.

“Eddie,” Wayne rasped over the rattling of his weak lungs. No longer translucent, the god appeared solid and real in a way he hadn’t even at the shrine where Steve first encountered him. Wayne’s wrinkled hand reached out to gently cup the Lord of Night’s cheek.

"Hey, Uncle Wayne," the Lord of Night said with a new voice. 

"My starmaker, I missed you. So much. But how're you here? You were gone, you di–"

"We didn't want you to be alone," Eddie, Lord of Night, responded thickly, leaning into the hand and covering it with his own.  "We wanted to thank you for taking care of us all these years."

"Don’t,” Wayne wheezed, teary. “I’m sorry. I’m sorry, Eddie. You deserved so much more than your pa or me ever gave you."

"No! No, Uncle Wayne, don't apologize," he said earnestly. "You were perfect. You gave us a home when pa died. We were so little and you protected us. You loved us. That's all we ever wanted."

“Oh, Eddie,” Wayne said in a heartbroken rasp. “That damn door’s been knocking all day. Who'll take care of you when I'm gone, Eddie?" 

"Don't you worry about that, Uncle Wayne. Steve's gonna look after me.”

“Are you sure?”

The Lord of Night took off his hood and turned back to look at Steve for the first time since he sat himself at Wayne’s side. All the air left Steve’s lungs in one fell swoop. His god had a face.

His god was beautiful.

The Lord of Night’s skin remained pale, providing a stark contrast to his large, dark brown eyes glittered with bittersweet joy and sorrow. His lips, full and a soft shade of pink, were pulled into a wide, mischievous grin that dimpled his cheeks. His dark eyebrows were almost hidden under wild curls. His hair draped over the slope of his shoulders and matched his eyes wonderfully.

Steve willed himself to stay steadfast and strong under the god’s gaze. The Lord of Night’s grin twisted a bit as if he wasn't entirely pleased by what he saw. The nausea from before came back because Steve knew what people looked like when he'd disappointed them. As usual, he had no idea what he'd done wrong.

“Yeah, I’m sure. He already promised,” Eddie, the Lord of Night, said. He turned back to Wayne and gently wiped the sweat off the old man's brow. 

“Good,” Wayne said with a. “You need someone takin’ care of you, the way you get in trouble all the time.”

“We weren’t that bad,” Eddie said with a watery smile. After a pause, Eddie continued reluctantly. “Uncle Wayne, if you need to answer the Door, you can. I won’t be alone.”

“Yeah,” Wayne murmured. “I’m tired, Eddie.”

“You won’t be for long, I promise, just answer the Door.”

Wayne’s breathing slowed. His eyes drooped closed. Eddie clung to his hand until it went lax. A choked sound escaped him when Wayne’s breathing stopped. Steve instinctively stepped forward to comfort him but Eddie abruptly stood up, sending the chair clattering to the floor. He whirled around and stumbled towards the empty space Steve left behind. 

“You better take care of him. Wayne is a good man, he’s earned–” Eddie said to…the wall? But stopped and reeled back. His mouth curved down in a scowl. Eddie’s eyes were dark and glowering as he stared at something there that Steve himself could not see.

“Oh, fuck you, I know I can’t do anything to you but–”

Eddie stopped again. He looked like he wanted to punch something. Or someone?

“I just want to know that he’ll be happy and saf–hey, asshole, I’m still talking you, don’t you dare– FUCK,” Eddie shouted at nothing. He panted in anger. Steve cleared his throat.

“My Lord?”

“I forgot how much of a dick he is. It’s not like I was asking for details! I don’t fucking care what’s past his stupid Door. It’s not a crime to want your family to, like, go somewhere good after. He could’ve just said yes or no!” Eddie ranted.

“My Lord, I don’t know what you’re talking about!”

“Oh,” Eddie paused. “Right. You wouldn’t. And you shouldn’t. Not yet. Not for a long time, hopefully.”

------

*starmaker - so this is a reference to some lore i dropped in the previous scene during some edits I made after I had posted it on tumblr. basically, the legend explains why bedtime stories are a thing and that the lord of night creates a star for every story that impresses him. a really good book or author will get called a starmaker, though to the general population it's just a thing people say to denote greatness in stories without context of where the saying came from.

------

and now we're all caught up with what i've written so far, wow! but don't worry, i still have plenty more to write, stay tuned.

[amelia-yap]

AUEGH

[jackass-jones]

Thinking of vlr Akane is so conflicting cuz on one hand I’m so upset that she doesn’t ever get a moment to just rest and enjoy being alive again I’m upset that she just gets deeper and deeper into this role she’s built for herself and she loses her humanity and will never ever be that girl who died in the incinerator. But on the other hand, I need her to get so, so much worse I need her to be so obsessed with perfection she has this unique ability to change the course of history and she will burn everything and everyone to the ground in the blink of an eye if it means she can "reset" and get a perfect timeline and I desperately need her to never be satisfied with anything because really, is there anything that’s worth all the damage she’s caused?

[momentomori24]

Keiji is a character that I'm pretty sure every one of us can recognize is an absolute weirdo (ok maybe some are too hard on copium for the "weirdo" part) and sketchy as hell, but thinking about everything he's done it really feels like he's so much shady and ruthless than we give him credit for. So here's me bulletpointing some the moments that I haven't seen too many talk about, a little theory throwing his status into question and addressing the massive elephant in the room that almost everyone refuses to acknowledge. If there's something else you feel I missed or wanted to evaluate on, do leave it in the comments.

[Also, disclaimer: I will be discussing Keiji and Sara in a romantic light near the end of this post, so if that makes you uncomfortable please proceed with caution or skip entirely. This should go without saying but for my own sake I will say it anyway-- No, I do not condone their relationship in real life. No, this is not meant to be "shippy" or endorsement of any kind. This will simply be pointing out their dynamic as another example to prove the whole point of this rant. But if someone else does ship them that's totally fine. Fiction doesn't equal reality and if you harass a real person over fictional characters you will not see the light of heaven. Be civil, please and thank you. My block button is rated E for Everyone and if anyone decides to ignore the warnings and be an asshole I won't hesitate to use it. Thanks for listening. Disclaimer over.]

*Being a murderer.

I feel like I should start with the most obvious and undeniable. I don't think this is debatable to anyone here. Mr. Policeman may have been an accident and kinda confirmed by Midori to have been set up, but he still shot and killed an unarmed man in a moment of panic and recklessness. Even putting that aside, there's no denying that he killed Megumi in cold blood to get out of his debt to her and covered it up to the group to preserve his credibility. Regardless of what you think of Megumi, he has no excuse here. Not only is he one more kill away from being a serial killer, he's the only participant in our group that has actually killed people directly aside from Alice. Another reason why I bring this up is cuz something that completely flew over my head is this:

At the start of the game he had the audacity to complain about not having a partner or someone he knows with him like Sara does as if he didn't literally let Megumi get ripped apart by chains probably not even an hour ago Keiji what the hell--

*Throwing Kanna under the bus repeatedly.

Despite positioning himself as a protector and someone to rely on, he's far from above putting their youngest members in danger. Next to voting for the fourteen year old girl to die, he had the great idea of letting said fourteen year old be the one to babysit their biggest liability. Up to the point where they would stay in the same room both day and night. While I absolutely 100% trust that Sou would never EVER do anything to her, Keiji had no guarantee of that when he send her off. Hell, he literally just got done accusing Sou of setting Joe up to die (which I don't believe almost solely based on the fact that he said it, more on that another time maybe). He knew Sou was bad news, and openly acknowledges how adults can be terrifying, but he did it anyway. The dubiety of throwing the already traumatised little girl to keep watch on what they thought to be the most dangerous adult that had manipulated her once before is not lost on me, and that he didn't take any responsibility for her afterwards isn't lost on me either. To be fair, the Sou and Kanna thing doesn't just fall on him, it falls on everybody (Alice gets a pass because he actually swapped out with Kanna to watch Sou for her), but he was the one with the final say on the matter and who encouraged her to take the role despite Reko's rightful protests. The fact that he also voted for her to die in the Main Game, and is the only adult to do so, doesn’t help his case.

*Attempting to frame Sou knowing Reko was actually responsible.

While you could argue he was trying to cover for her since he knew why she did what she did, trying to pin this act on Sou to cast more doubt on his is extremely shitty. Never mind the blatant corruption and the irony of a supposed man of the law abusing his power to knowingly frame an innocent person (in this situation at least), and him sowing more seeds of confusion and resentment within an already rattled group, and giving Sou legitimate reason to be suspicious of him (and by extension Sara)-- this makes it so difficult to trust him after realising he's done this. Literally every time he accuses someone of being or doing something suspicious (mostly Sou), I always have to think in the back of my head if he’s telling the truth or just telling a blatant lie. He's shown that he's willing to not only lie to cover for himself, but to lie to delegitimize someone else. And Sara never caught onto it (Sou and maybe even Nao likely did tho). She never openly acknowledged it-- No one did. The complete lack of mention of what he did here makes this action quite missable. Hell, I didn't even catch it the first time. Has he done this before? Who else has he lied about? Who else would he lie about? Who else would he knowingly pit against the group? You don't have to wait for that answer, because I will provide an example later. And with "later", I mean now.

*Casting suspicion on Gin before the vote while hiding the fact that he killed Megumi.

While it's not as blatant as with Kanna, there are two instances where Keiji shows a readiness to either put or leave Gin in harm's way. The biggest one for me is in the Main Game. Like, how dare you. That is a furry child, sir. This kid’s like TWELVE. Even though he makes a valid point about calling out suspicious actions to clear them up so we can all trust each other, casting doubt on Gin of all people right there feels pretty screwed to me. This was before the preliminary vote. His words could’ve very well gotten Gin voted for if he couldn’t disclose why he did what he did for whatever reason and therefore being unable to clear himself from suspicion. It’s even more fucked when you realise that Keiji has literally murdered his partner and is currently planning to get Sou killed while giving this whole spiel about doubting others so that we can believe them and pointing the finger at a little kid to make an example to the group. But when Nao, Sou and Sara call him out on his suspicious actions that could rightfully damage his credibility, he tries to shut them down completely. My brother in Christ, you brought it on FIRST (don’t get me wrong I’m very much aware he didn’t really mean the whole “trusting each other” bit but come on dude)--

Speaking about not meaning what he says:

*Letting the group think he’s Ok to vote for knowing he’s the Keymaster.

This kinda got to me because I thought this was Keiji actually being… vulnerable? Accepting the consequences of his actions and allowing them to vote for him in their distrust without protest even tho it could cost him his life, maybe. Correct me if I’m wrong, but I can’t remember a lot of times-- or any times, really-- where Keiji has willing put himself into the line of fire, at this point at least. He always finds a way to keep himself safe, give himself insurance, and I thought that this would be the one time he doesn’t do that. But this feels so ominous looking back knowing that he was the Keymaster the whole time. That our distrust and betrayal and his resignation to it all didn’t matter because he was going to be safe no matter what. That he knowingly allowed us to assume that he was a safe vote because he didn’t want his plan to kill Sou to be ruined, which narrowed down choice of people we can safely vote for even further. That this action is ultimately the reason why Sou and Kanna were our only options to kill off in the end. If he had admitted it there, we could’ve found someone else to vote for so our final options could consist of three people, not two. But he didn’t, and the rest is history. There’s a lot of things he’s done I can’t get over. This one ranks pretty high. The second Main Game is already a huge sore spot for me for obvious reasons; knowing that a lot of the things that happened were due to his inaction where it truly mattered and activity in all the wrong places doesn’t make me fee any better. He didn't say he was a safe vote-- he didn't lie-- but his words carefully omit that voting for him means a total party death, something he should've stated then (and before this, really).

*Leaving Sara with the sacrifice card.

Despite making a big show about “always being by her side” and being her “reliable policeman”, he chose to look away when she was in real danger. He attached himself to her as her right hand man, made her shoulder the responsibility of being the leader, constantly manipulated and flattered her to win her trust and gain her favour-- but when she needed him the most, he basically left her for dead because it was the most beneficial to him. Keep in mind that not only did he know about her getting the sacrifice (he was also the sage so he'd have seen the trade happen), but he had the tokens to help her get rid of it. But those tokens weren’t for her life. They were for his. He used them instead to give himself the Keymaster as insurance for the Main Game (the Keymaster he stole from Sou/Kanna most likely to buy Sara’s trust btw). His desperation for survival outweighed his sense of obligation to keep her safe, and that’s the most subtle yet transparent he’s been about his selfishness. What makes this so much worse is that Keiji is our support character. He’s an ally, and our closest one at that, to the point where Sara burned her hands in a futile attempt to rescue him and signed her life away to save his. And yet his loyalty and protectiveness pale in comparison to other characters. Compare his actions to Sou’s: one of their many parallels and similarities is that both their girls get hit with the sacrifice card. As we’ve established, Keiji was fully aware of Sara being send the sacrifice by Sou, had 50 tokens ready to go and chose to secure his own survival than save her life. Kanna ended up doing it instead, attempting to trade the card off Sara with Sou realising what happened immediately. And what does Sou do? Completely bend over backwards trying to keep her alive. He lied about being the Sacrifice so the others wouldn’t suspect Kanna of having that role, meaning he could try gathering vote for her without anyone seeing his true intentions. He tried to stop her about coming out with the truth of what she had done so she doesn’t sentence herself to death. After everything he did to survive-- after how much he lied, how much he schemed, how much he hurt, and how he had thrown himself away to replace everything that made him Shin with the man that had traumatised him years before the game began to scrape together even the tiniest chance to survive-- he threw it all to the wind and was willing to let it all be in vain if it meant she got to make it out of the Main Game alive. The worst part is that Sou had never intended to make it through that Main Game. He confessed to already knowing that Kanna would choose Sara over him if she truly had the Sacrifice card. Yet he still did what he did all in the hopes that she could win. Because it was all about her survival first, not about them surviving together.

It also gives a different context to Sou's panic and him stumbling over his words trying to come up with any argument to get them to stop. At first I thought that Sou was afraid for his life. Which would make sense-- Keiji and Q-taro set him up to die and seemed pretty adamant on having everyone voting for him to get it all over with. But he was already prepared to die the minute he realised Kanna traded with Sara. So it means it wasn’t his life he was fearing for here-- it was hers. To him, if they voted for him there, it wouldn’t have just been his end but hers too. But we know that Kanna isn’t the one who has the sacrifice. It’s Nao, and considering how the Main Game can end either or both of them dead, I wonder if he regrets not having given up there, not letting Keiji get away with that shitty stunt he pulled knowing it would’ve at least guaranteed her safety than leave her fate in hands of a girl with enough reason to kill her. Ignoring the sounds of my heart shattering into pieces for the 100th time thinking about the Greenblings, it’s so fascinating that our biggest rival and most distrusted member has a greater sense of loyalty and responsibility for his ally than Keiji has for his own. Sou can be a liar and manipulative and selfish, but for how unpredictable he is something I can always trust is his love for those he holds dear (Kanna) and general desire to protect our most vulnerable (Gin). Sou loves Kanna, and so he’s fine with protecting her even if it comes at a price he never wanted to pay. Keiji surely cares about Sara, but unfortunately that is something I can’t say about him-- at least at that time (also the fact that Sou ended up taking more care and responsibility for Kanna despite Keiji having been the one to throw her on him in the first is so ironic).

*Continuously pushing Sara to take on the role of leader.

I think one of Keiji's biggest failures in the game come from his treatment of Sara despite positioning himself as her most reliable ally and her partner. From the very get-go, he was very adamant of making Sara be the one to shoulder the responsibility of the group. He, along with Joe (he didn't do anything wrong here), pushed Sara to be the Challenger during the Russian Roulette, despite Q-taro and Kai being readily available. He made Sara be the one to interrogate the suspicious convict while distancing himself from the situation. And he encourages her to lead them through the Main Game, lets her make the choices that steer them all forward and as a consequence take the fall for them as well. Rather than take on the role himself, or let another adult take it, he places his full trust in her and makes her shoulder everyone's weight so he doesn't have to. And he can see the effect it has on her: having horrific hallucinations due to the immense guilt she feels. But having Sara as their leader gives him a greater shot at survival and helps his credibility, so even though he tries to provide her comfort he still continues to keep her in that role. Again, the high schooler taking responsibility for the adults falls on a lot of the older people here, but Keiji was the one who kickstarted it rather than just go along with it like everyone else had. Gin, Nao, Kanna, Reko and even fucking Sou to an extent all have moments where they take the burden off her and relieve her of that pain she shoulders all the time (or at least try to). I need Keiji to take more responsibility for both the group and for her.

*Pitting Sara and Joe against each other.

This is just another example of the previous point. This isn't as bad, and I could give him the benefit of the doubt that this might have not been intentional, but it's something I want to bring up regardless. I'll be the first to say that Keiji wasn't wrong here. Prying into everyone's votes is a very bad move, especially since no one knew that Mishima would actually die (it was introduced as a practice round, after all). I agree with him, Joe was being rash, but instead of leaving the conversation there, he decided to throw Sara into it to pick a side. Which is... not good. He already won the argument and already had Reko on his side. Bringing in Sara could not only make Joe feel worse and potentially strain their relationship (especially if she rightfully chooses Keiji's side like he was expecting and hoping for), but just puts Sara in the spotlight during something she doesn't want to be part of. While there's a chance he might've done this because he know Joe is more likely to listen to her than him, he should've known better than that. It again makes her take the responsibility of giving the final verdict that would've otherwise gone to him.

*Asking Sara to take responsibility for his life

I've got nothing other that the grown adult swearing his life to the grieving, unstable teenager to take responsibility for while asking her if she'd die along with him is weird as heck. Keiji's said weirder things prior to this, but this one is a different weird. I think Beanieman's post mostly echoes my thoughts on this on, so I'll link it here for this point. This part kinda bothers me:

He shouldn't be encouraging her taking on anymore responsibility than she already is. He knows that the deaths that happened under her leadership haunt her. He knows that she's very much unstable enough already, to the point where he takes baby-steps to avoid triggering her trauma over Joe. He positioned himself as her reliable partner, her rock to lean on (quite literally sometimes). We see first hand how emotionally dependent she is on him. If he died, it would destroy her-- she'd destroy herself over it. He knows this (or should) but he still does it. His disappointment and dismissiveness when she understandably rejects him makes it worse. The guilt of potentially not living up to his expectations is not what she needs.

*Potentially working for Asunaro

This is more ambiguous than everything else here and more a theory than anything but it's been on my mind for a long time that Ranmaru might actually be onto something here. We know that Asunaro has a strong hold on the police. Midori was able to infiltrate the force, and they were able to get rid of Mr. Policeman for looking into the corruption going on, first having Megumi fire him and secondly getting Keiji to kill him by planting false info about the suspect having a gun. Megumi was also able to get Keiji off the hook for murder, which I believe Asunaro had a hand in too (I theorize this might've been her wish). There's also Alice, who was arrested and sent to prison despite the fact that he (legally) didn't kill anyone since Midori was a doll. The police are connected to Asunaro-- by extension Megumi and extending further potentially Keiji.

Something I've seen someone rightfully point out is that neither of the options you're given to say in response to the accusation... actually deny it? Both choices dance around answering directly, which is suspect as fuck. If Keiji truly wasn't with Asunaro, why not shut that theory down immediately? There's no benefit to answering anything but "no" when he's innocent, and he's lied straight to people's faces for less. So why not just debunk it? I think it's cuz there might be some truth to what Ranmaru was saying here. The biggest reason I think this is because despite the fact that Keiji quit the force, he and Megumi were still associating with each other years later. They were kidnapped together and partnered up for their first trial. One missable piece of dialogue is Keiji admitting that he was with his partner-- or rather a "coworker"-- before getting knocked out.

That slip of the tongue and backtracking makes me believe this part to be true. Him switching from "my partner" to "a coworker", which is a lot more distant and impersonal, makes me think it's got to be Megumi. However, I don't believe that Keiji would wanna keep in touch with her after what happened willingly, so I can only imagine that it's due to that debt he has to her. My little game theory here is that after the shooting, the debt he owed her was a forced recruitment into Asunaro. It's the only thing I can imagine he meant by "the worst kind of debt", a debt he'd literally let her die for to get out of. And if this is true, then it could also explain away his instant attachment to Sara, since he'd know beforehand that she's someone he can depend on due to her having the highest chance at survival. Maybe he already knew about her beforehand, one way or the other. We know Hayasaka did (which I think we as a fandom moved on from way too fast btw). Kai and Sou did too. There's always a chance. And unlike Sou's victory rate and Midori's favourite number, it's not zero. One person made a comic about this idea I recommend checking it out, it's tastefully unsettling. But still very much unsetling and uncomfortale. Be warned that it's also Keisara-centred, so if that makes you even more uncomfortable they did the job right you can ignore it. Proceed with caution or don't read if you don't like.

*Being a predator

I have been waiting so long for this one XD For context: a while ago I made a longpost discussing the sanitisation of soushin and this kind of toxic attitudes in fandoms regarding "problematic content" (ships, characters, shows, you name it). In it, I mentioned that it's not only soushin that receives this treatment but a certain other dynamic too. It's not a rainy day, however this has been way overdue and if I don't get this done now I never will.

Something I've seen a lot, and I mean a LOT-LOT is this notion that Keiji acts "like a father" to Sara and that their relationship is a completely platonic father-daughter bond and that he's the resident dad of the group? Like, it's cute, but that's not at all what their relationship is. At all. Not even a little bit. We called Sou and Kanna siblings before the Greenblings reveal. The difference is that not only does half the fandom think this man is gay, but he's only ever been protective and caring and loving without any romantic intentions towards Kanna ever. His title as her brother was deserved, based on the genuine affection and platonic protectiveness similar to that of Alice's. Keiji has made advances tho, on many occasions, and his flirting is repeatedly acknowledged by other characters. Namely Sou and Reko.

(Sou grills him for being a creep every chance he gets I love him XD) But yeah, these are not the type of reactions and comments you receive when being a "father-figure" to the teenager. You get all this when you hit on the teenager. Which he does all the time by calling her "cute" every time she asks something and his "cute little detective", swearing himself to her by saying that "he's always on her side" or something like that, asking her if she'd die alongside him, repeatedly claiming or insinuating that they're on a date, or ""having a moment"" and going to ""take the next step"" when in private (*cough* groomer *cough*)-- you name it, he likely said it. He's a walking-talking ladykiller machine and teenage girls aren't safe, apparently.

(Quick note: The dialogue for the Russian Roulette one is a tad different now. In the new translation he says "cause you're so darn cute" now. I dunno if that makes it sound any less weird, but I felt like putting that out there. What I'm also putting out there is that according to the trivia he calls her cute 8 times throughout the game so. Yeah. *Cough* groomer *COUGH COUGH*)

Like, who tf says this?? Especially that last part 💀 Even if you wanna die on the hill that these are supposed to be "jokes" not to be taken seriously, we should all be able to agree that the (ex)police officer in his late 20s jokingly hitting on the high schooler he follows around is still weirdo behaviour at best and down right despicable at worst. The fandom seeing lowkey predatory/inappropriate behaviour from a figure of authority persistent for almost three entire chapters and dismissing it as "fatherly" and "platonic" is, well, concerning. It's very concerning. If your dad acts like Keiji, you should probably call the police. Unfortunately for Sara, Keiji is the police. And considering this guy got away with manslaughter, I don't think said police would do anything anywho. But yeah-- he uses flattery and flirting to distract her from prodding to much at him while simultaneously aiming to gain favour in her eyes. He showers her with reassurance of his loyalty and affirmation of his deeper attachment towards her and her alone every chance he gets to cement his position as her closest and most trustworthy ally. He insinuates a romantic partnership between them to others to mostly keep her to himself or the two of them alone (he always does that when they're investigating or going to investigate by themselves). There's such an obvious romantic undertone to their relationship and his actions that it going almost completely ignored in the fandom feels weird to me.

I want to make clear that there's nothing wrong with headcanoning Keiji as a father figure to Sara. It's cute. Keiji didn't have a dad himself, and the closest thing to a father figure he had was the man he shot dead. He's a damaged and hardened guy. But Sara's dad is involved with Asunaro and Gin's is an alcoholic, and in a situation where they both need guidence and protection he tries his best to grow and change, fumbling to become that decent father none of them got to have. It's nice, and a wholesome dynamic for our "characters with memorandum counterparts and only non-determined deaths" trio. But that's obviously not what their dynamic is. There's a difference between headcanoning something and erasing canon and the Yttd fandom leans heavily into the latter. Keiji's a creep, he always has been, yet 90% of people I see always portray him as a Mr. Dad Guy or completely sanitise him to hell when him being creepy and unnerving to be around is what made him such a fascinating character. Just like I said with Soushin, the sanitisation to make canon more digestible is one thing: harassing or insulting the people that explore canon is another. I'm gonna take a bullet, derail this rant and say it-- Keisara shippers get so much shit for literally being right it's so infuriating. Keiji does hit on Sara, a lot. He's creepy and weird like that. Him flirting with her isn't a "mistranslation" or a joke or anything like that; his dubious wording and antics are very much intentional. Yet the only people I see actually addressing and acknowledging that without adding fluff is keisara shippers and other ""proshippers"" only for them to get fucking sniped for it I cannot 💀💀 I have yet to meet a single eastern fan who calls this cop "fatherly". This really feels like such a western issue cuz the majority of the japanese fandom agrees that this man's a predator (correct me if i'm wrong but keisara is the most popular ship in the japanese side of the fandom, right?). Then again, eastern fandoms are more chill over there when it comes to separating fiction and reality in general anywho.

*Yeah, I think I'm done with the Keiji slander. Yay. Time to unceremoniously end this.

There's more to say about that, but this is a Keiji post, not another shipping discourse post (although it's hard discussing Keiji's predatory behaviour without bringing it up too). Before I do spiral from the original point, I'm going to try and reach some sort of conclusion here. While I did spent the majority of this post just reading Keiji to filth, and am very salty towards him in particular, this was not just to rake him through mud for my own sanity (tho it's part of it XD). Keiji's character is that he started off as someone who wanted to do the right thing, someone who wanted to be good and moral and protect others by joining the force only to kill all the progress he made along with the person who inspired him to become an officer in the first place. It heavily contrasts the Keiji we have now, a sleazy, unreliable and corrupt ex detective who flirts with underage girls and is willing to resort to the most bankrupt of decisions to save himself. A man that has long lost hope of his wounds healing that he lets them fester and his rot spread onto others. And while I headcanon Keiji to just inherently be a piece of shit, his former self tried his best to be genuinely good before he became so convinced he can never be better that he made peace with his shittiness in the end.

With all this I wanted to highlight some the shadier and bankrupt things he's done that I haven't seen much discussion around and refresh myself on them before the final part. Both so no matter how emotionally dependent and therefore rose-tinted Sara is about the man I don't forget what he's actually like and what he's done while also being able to appreciate how much he's changed for the better. Some of my favourite examples about how he's changed are these:

Before the second Main Game Keiji was willing to let Sara and Kanna die because it was the most beneficial option for him, but in Chapter 3 he takes the on the role of "it" from Kanna and refuses to tag Sara when he thought he was gonna die after failing to beat Midori.

Actually showing more sympathy towards Sou after the Main Game. He was very mean about dismantling his pretence of a cold front to Kanna's death, don't get me wrong, but he showed a lot more consideration and understanding for Sou's feelings and acknowledgement about his active role in it than he ever had beforehand.

He was genuinely fighting for everyone to survive the game, not just himself. While Keiji would prefer everyone making it out safely, he has a tendency to guarantee his own survival first through any means necessary. His plan to corner Midori in the banquet could've cost him his life if it weren't for Q-taro's final stunt, yet he still reassured Sara to save Gin even tho it could've resulted in his execution from Meister potentially finding him guilty of violating the rules.

Him hugging Mai and trying to be more cheerful was cute as heck. I'm sorry but him showing more vulnerability around his allies and being less closed off in a way he hasn't been before is something I'm very head empty about. That he was hugging and interacting with Mai without making any unwanted advances or ladykiller jokes and generally just having a more friendly vibe was nice. It makes his creeping on Sara more unfortunate, but I'll take what I can for now. The bar is in hell.

And that's it, I think. Overall, I hope they do address some of his actions here in the final part or make them have an impact on his and Sara's relationship. Especially that Asunaro part. The person who wished for Sara to join the death game is still unknown and so is Keiji's consent form wish (same goes for the Dummies, Hinako and Megumi), so I'm curious if they're related or not. If he's going to go down an even darker path or redeem himself as much as he can we'll see when the final part drops. He has the potential to go both ways. This is going to be kinda awkward if the next part reveals him to have been a decent guy all along, so hopefully that doesn't happen. Please be morally bankrupt, man. This post didn't end up the way I wanted it to, nor bring up as many points as I would've liked, but I know I won't finish it if I went full perfectionist on it (I already spent months on this writer's block do be a bitch) and it's looking kinda long already. Hopefully it's still decent enough as is right now. I'd like to say that this is my apology for the last longpost I made, but I brought up one of the most controversial and hated ships and traits of Keiji's character and defended them, so maybe I shouldn't 🙃 Anywho, hope you enjoyed and cheerio.

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

[zoennes]

25 NOVEMBER, 2019 ✦ MAANDAG, 20:02

[mdemn]

yes, i love mde. yes, its my favorite of the mafia trilogy. yes, i can say with 100% conviction that objectively… tommy is not an interesting character. for him to be the protagonist, he sure does have no depth to his character written in the game

[starbuck]

going into my final week of classes and we always have one last week after the final paper (so the professors have time for grading) where typically the only work we have is one last discussion post.

usually, this post is pretty simple and light (to go easy on us after the final). my ethics class is like “summarize your conclusions from your final paper! :)” and my communications class is like “tell the class about your career goals! :)”

meanwhile, statistics…

[ultfreakme]

Oh I do not like that two of my ships right now has someone that's deeply oppressed on a systematic level in their story having to set aside their own morals and values for their extremely privileged lover who does not bother to truly understand their pain, often trying to make excuses for the oppressors.

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[katyspersonal]

Thinking about that time when a popular artist was a prick to me personally (claimed that I "baited" them for a conflict when all I did was pointing out something in lore contradicting their claim, without any rudeness or condescension, and basically told me to go hang out with other autists instead of bothering them) but the reason I blocked them was not that, it was the fact that they've admitted on not even caring about the source material and just using scraps from it to do their own thing. Priorities hfngkfngj

[alexiethymia]

I don’t go here in the sense that I haven’t finished the series yet. Like honestly, the cameo in Queen of Tears was what made me finally buckle down and watch it.

But I do know from spoilers the general gist of where they end up in the end. So the cameo has some pretty great implications - that in three years Chae rin managed to transform Jipuragi into such a big-shot law firm that even the Queen of Department Stores is their client, that Vincenzo possibly gives up his high-stakes mafioso life to take the bar in Korea so he can practice law there, that he would have obviously done so to start working at Jipuragi, that he didn’t pull his punches in that settlement because obviously he still has strong views about marriage, and it wouldn’t be far-fetched to think that Hae-in reminded him of another Hong in his life, and not knowing the full story, he’d definitely do his best to help Hae-in because he’s always been an ally of unapologetically strong women.

(In other words, nope, no will not take any other interpretation, he gives up all his wealth and power just so he can come home and work for his wife and fulfill his domestic office marriage dream.)

[augustatheghost]

i don’t know what you guys are all complaining about i love that svu has vaporized olivia from woman on the verge to lady cragen

[fivewholeminutes]

A Series of Small Offerings

PART ONE -4- Calcutta

I sweat and I ache for / Your eyes and the way you breathe

OH GOD I HATE THIS ONE and i hate this paper. And it was such a fucking rollercoaster oh my gooooood. Do you remember when I've said yesterday that I have plans for Calcutta? WELL I'VE LIED. THEY'VE CHANGED AT LEAST 5364587 TIMES SINCE THIS MORNING.

Originally, I have decided on the "Melting skywards more than silence broken / I'm whole again for just a moment" part first. And halfway drawing the last idea for that line I had a moment of realisation that what I'm doing is ACTUALLY MORE FITTING FOR THE OTHER LINE. That was me for five whole minutes (pun not intended) after it struck me:

Have an alternative blurry shot to show the shiny parts that are not so visible in the main shot:

Frankly, I put the silver line + some black pointliner there, because everything melted skywards too much into each other, because if you try to have various things in different shades of black on this paper, it all just goes to shit <3

[viridiave]

Spoiler-heavy thoughts about Crick and how the Game Mechanics treat Temenos’s story

So. yeah if you press ‘Keep Reading’ I should probably let you guys know that these thoughts are just a tiny bit unhinged. And again - spoiler alert! You’ve been warned!!

GAME MECHANICS AND UI

- Gonna preface THIS section by asserting that yes, not EVERY mechanic needs to be taken apart under a microscope and re-contextualized into the greater lore of the game. Not EVERYTHING has to mean something to everybody. Some of my classes in game design disagree though and honestly for the genre that Octopath Traveler is, that being a story-heavy role-playing game where the narrative is half the game, I'd say that integrating lore into the mechanics and vice-versa wouldn't hurt - in fact it ENHANCES the experience. The second game does this pretty handily through the EX Skills (the first of the skills being Divine Blessings, and the second being earned at the end of the story.) and the Latent Powers.

Okay the Latent Powers? Honestly that part's mostly for Hikari. Shadow's Hold/Light's Radiance is STILL one of the best examples of Gameplay and Story Integration that this game has

No I swear I don't have a bias for 'other selves'/'deep parts of yourself made manifest' what are you talking about -

I swear I can write an entire separate post JUST about the EX Skills. Mostly for Osvald, Castti, and mOTHERFUCKING TEMENOS AGAIN

aND THIS IS WHY I GO FUCKING BONKERS WHEN I THINK ABOUT THE DEMO VERSION OF THE GAME LIKE WHAT THE FU-

- Literally the fucking emblem for Temenos's story is a staff and a sword over the Sacred Flame like - they REALLY want you to know how important Crick is to this tale

- tHE FACT THAT CRICK IS THE ONE WHO HAS COVER. NOT EVEN HIKARI OR THE WARRIOR CLASS. IT'S CRICK - DOES THIS COUNT AS FORESHADOWING???

I'll like - write here what I should have written in the bath - and that's me being like 'oh it's because he's recklessly protective. OH SHIT IT'S BECAUSE HE'S RECKLESSLY PROTECTIVE'

I fully acknowledge that it doesn't have to be that deep. MAYBE I'm pulling stuff out of my ass. But allow me to go bonkers over Crick and his for-some-reason-worryingly-appropriate moveset

Man I wonder how bonkers I'd go over Malaya if she was allowed to throw hands. I want her to complement Castti's moveset so bad

- Also the fact that both of their kits complement each other. Crick's bulkier build was made specifically with supporting Temenos in mind.

My guy's Sacred Sword reduces the enemy's elemental defense. Wonder if that implies that the Sanctum Knights normally work with magic and/or magicians

aGAIN HE HAS FUCKING COVER which is PERFECT because early-game Temenos can and will faint if a monster blinks at him too hard

Then there's his OTHER skill Godsblade's Shield which RAISES his physical defense to SO HE CAN COVER FOR TEMENOS BETTER LIKE. AT SOME POINT I SHOULD JUST ASK WHY THEY TRIED SO HARD FOR HIM SPECIFICALLY

And I mean. It makes SENSE but I don't think any of the other helper characters really had this level of chemistry in their mechanics as these two do

Emerald and Gus both have healing moves for better survivability considering how squishy Osvald and Agnea are

And it makes sense, Temenos already has access to a healing move because he's a cleric

The thing that separates Crick from them is that neither Emerald nor Gus really have moves to further support their leads on the level that Crick does. Emerald is fast and he breaks well and Gus is clearly meant to be the DPS of Agnea's Chapter 1, but again - Crick has moves tailor-made for Temenos to go off and do his thing

You lose Pirro and Scaracci/ Rai Mei and Ritsu after the intro and none of them really complement the Throné and Hikari and vice versa as much as Crick and Temenos do with each other

The difference with them too is that they have established relationships with their lead characters prior to the story, sometimes even encountered as antagonistic forces

Pirro, Rai Mei, and Ritsu are all bosses that were once considered close comrades of Throné and Hikari

Scaracci displays mutinous traits throughout Throne's Chapter 1

Emerald subverts this by acting mutinous - which, his conflict with Osvald amounted more to a sacrifice of goodwill

He knows Osvald and how he acts even prior to the beginning of Chapter 1, so he's in this category of having an established relationship

Gus averts this completely by just being a genuinely supportive part of Agnea's life

Mechanically, you never have anything to do with these characters again past Chapter 1 - save for Rai Mei and Ritsu being bosses. Hikari's companions also play an integral narrative role in his final chapter, with Ritsu being encountered as a boss again for the final time

Crick is a subversion of all of them in that he doesn't have any direct relationship with Temenos prior to Chapter 1, and though we never use him as a helper character ever again he consistently shows up as an integral part of Temenos's story up until his death in Chapter 3: Stormhail

Weirdly Crick is also the only one out of all of them where the use of Path Actions is required more than once - Osvald has to Scrutinize Emerald at one point

AND GODDAMNIT OF COURSE THE FIRST AND LAST TANGIBLE INTERACTION WE HAVE WITH CRICK IS TO FUCKING GUIDE HIM I'M SO MAD ABOUT THIS BOOKEND IT'S SO MEAN AKSJKAS

And this in itself makes complete sense given that he has larger roles to play outside of Chapter 1 - just not in the same vein as Ritsu or Rai Mei, but the fact is that Temenos's story is VERY good at establishing and building up chemistry between its characters

bUT FOR MECHANICS WE NEVER HAVE TO USE AGAIN AFTER CHAPTER 1?? THEY WENT SO HARD AND I WANT TO KNOW WHY

- It's not as big of a deal as it looks but I also find it funny just how much fun the devs seemed to have with Crick's introduction and entry into the party - using the Path Action to fucking TROLL with him.

- ON THAT NOTE, LET ME FREAK OUT OVER GUIDE AS A PATH ACTION A LITTLE MORE

I saw a post on Reddit earlier about the 'summoning townspeople' Path Actions and it kind of shook my world a little, so I'll just put my response to it here

For a guy who makes it a point to tell people not to follow anything blindly it's INCREDIBLY hilarious to me that Temenos's Path Action is getting people to follow him blindly.

MECHANICALLY, it's because he's the designated cleric. Temenos has Guide, because Ophilia has Guide. But thematically it's interesting to think about just how antithetical it is to his central creed of doubting, and how this specifically applies to Crick.

I did go back and check and yeah - Crick's one of three individual people I was able to find over the course of the stories that has a required Path Action used on them more than once.

Malaya is one other example with Inquire, and she even one-ups him with one use of Soothe. And I'll get to HER when I get to Castti's essay - I mean infodump - because it's like. Somehow even MORE heartbreaking than this instance of Guide

While I'm here I'll also mention Roque, who also has two instances of a Path Action used on him, namely Purchase and Hire in Partitio's Chapter 5

But back to the dramatic aspect of it it's like. I really want to shake the devs because it's so mean of them to have Temenos's relationship with him begin by guiding him towards not only the cathedral but to a healthier way of thinking, and to end with Crick's fucking GHOST leading Temenos to the crucial truth that he's lost so many people to find, including Crick himself

- I won't scrutinize everything about the cleric class itself but I WILL talk about the EX Skills, because to me it's ironic just how mean they are. I'm glad that the irony isn't lost on the fanfic writers like I see you guys use these as fanfic titles - bless you all

First - Prayer for Plenty, the sequel's answer to how absolutely fucking broken Saving Grace was as a passive in the first game. Limiting it to JUST Temenos's natural moveset feels like it should be sending a message honestly - it's a way to prolong the lives of his comrades and he couldn't do that for the ones he held dear in his own story. Can't help but feel like the fact that this is the one he gets from AELFRIC'S SHRINE rubs salt in the wound - no pun intended -

Secondly is Heavenly Shine and it's like. It's a holy nuke filled with divine power that drains Temenos's magic reserves completely. He invokes Aelfric's name when he uses it to and to this day I think the reason it feels cathartic to use is because it feels like a manifestation of Temenos's wrath

Unlike Osvald's own magic kamehamehadouken nuke where he learned it out of a need to protect Elena, Temenos learns this AFTER his story - and maybe it's just my concern speaking but man I really want this to represent his sheer need to go absolutely fucking apeshit like my man is NOT in a good place after his story is done

- This is the part where I go into the tinier, 'definitely stretching this past the realm of MATTERING' details that actually have something to do with the game mechanics

Some of Temenos's class lines are reminiscent of Crick's own. We've drawn the comparison with Temenos's Sweeping Cleave line already and it's adorable

Temenos Sweeping Cleave [insert handshake emoji] Crick Sacred Slash: I'll cleave you in twain!

Reaching even further here. His lines for Lux Congerere and Sacred Effulgence also somewhat invoke Crick's declaration of 'cleaving the shadows from this world', but it's not exact and I'm just indulging

Lux Congerere: Banish the shadows from this world!

Sacred Effulgence: Aelfric, banish the shadows from this world!

I'd also be extremely remiss to NOT mention the recruitment of Ort in postgame and it physically hurts me to summon him because of the way he says 'I will avenge you, Crick!' like DUDE. Oh well at least he's grieving healthily

Sacred Slash brothers let's gooo

There's like. No way that I'll be able to fit all of this in my other thoughts about Crick that are dedicated mostly to his and Temenos's arcs so. It's like not even in a ship sense anymore even if I do think they're fruity as hell

Honestly I'm just glad to get this all out of my system EXCEPT THERE'S MORE, because Temenos's story loves to torture my brain and its themes resonate with me a bit TOO much