#“you are valid. it gets so much better”
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boomstab-papa · 1 day ago
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Oh absolutely, giving misogynists captive girlfriends/wives isn't going to fix anything. Being a little more misogynist to try to appease misogynists won't work.
But "giving any credence" is such an interesting phrase to use here, because it's so ambiguous and also accusatory. What does "giving credence" mean? Who has been doing it? What have they been advocating for? Who, for example, has been saying leftists should be more misogynist, and how?
I'm not alone in this confusion, either, there are several comments on the tweet who are equally perplexed.
The fact is that the left DOES NEED a better approach to people who are feeling lost, angry, and scared.
Alt-right "self-help" authors and programs are hugely popular. These predators target lost, scared, and angry people. They're cults, really. And no matter how much the left discusses things like "can we stop parroting bioessentialist bullshit because hey, men aren't destined to be misogynistic assholes"... these alt-right cultists don't ever even have to TALK TO a leftist to repeatedly hear "leftists hate you for being born white/male/rich/etc". I really can't get over how Rush Limbaugh popularized the term "feminiazi" and told an entire generation that feminists were angry man-haters when they literally are not. But that's exactly how the grift works!! I should know, I grew up in exactly this Rush Limbaugh kind of house!!
"Don't blame the hyper-wealthy for ruining the economy, blame women and foreigners for taking all the jobs! Don't blame the ruined economy when nobody wants to have kids anymore, blame the women! Don't blame patriarchy and all the misogyny it taught you when women avoid your misogynist ass, blame the women! Remember, the feminazis hate you!!"
So what to do?
On an interpersonal level, sometimes it can be really easy. This is a comment made to Innuendo Studios's video "How to Radicalize A Normie" on this exact topic (which I highly recommend watching).
"Hey, ex-alt-right member here. First, really like this series. I feel like you’re validating the radicalization that me and my male friends experienced. Putting it into words and showing us how we got tricked, exposing the magician and their tricks. Second, I vot out not through argument and discussion but actually through feelings. I was very edgy and would use the n-word in jokes all the time. My male friends would not call me out on it. But a female friend of mine said it made her uncomfortable and that she didn’t appreciate these jokes when we played fortnite together. That shook me to my core as I cared for my friend and that’s how my deradicaliztion started. Just wanted to add in this personal story, keep up the great work :)"
If this is someone you know, tell them their behavior is not cool.
THIS GOES DOUBLE FOR THE MEN READING THIS. Misogynists are more likely to listen to you than they are to listen to women!! If someone is being a shithead in your vicinity, consider: are you gonna let it slide? Or are you maybe, possibly, going to be the one thing that yanks them out of a hatespiral and prompts them to re-examine their hateful worldview? Tell them "hey not cool".
This might not work the first time. This might not work at all for some people. But if the situation is relatively safe, then it's worth trying.
And this does not mean that you personally are responsible for "centering men in your conversations" or "marginalized people putting in even more emotional labor" or "if a man is misogynist it's because you failed him" what the fuck ever like I've seen in this discourse. Come the fuck on.
It means you can probably try saying something to somebody you know. And if it doesn't work? You can say you tried.
On a policy level, we have more work to do. It shouldn't come as a surprise to any leftist that the current economic and political system in the USA exists to separate and exploit people. I think we all agree it really sucks to live in a system like this. Your average reactionary misogynist also thinks the system sucks, but as explained above, they've been trained to place the blame on some convenient scapegoats instead. Immigrants. Women. Queer people. Muslims. Anybody who's not white. Et cetera. "Government needs to get out of the way of smart people and then Elon Musk will build a utopia for The Faithful (which includes me) on Mars" or some shit.
These people need to hear that their anger is justified, but that their blame is misplaced. They need policies that will hold the responsible parties accountable. They need policies that won't leave them impoverished and isolated and exhausted after working a 40+ hour work week. They need to realize the system isn't sorting people into "the worthy rich" and "the unworthy poor", rather, that it's exploiting everyone except the wealth-owning class. They need to realize it's their politicians' biggest campaign donors that are doing this to them.
The Democratic Party needs to actually talk about this. I'll be dangerously pithy here: the Democratic Party needs to sound more like Bernie Fucking Sanders. Politicians need to oppose health insurance companies and get Medicare For All going. Politicians need to stop voting to give the military two fucking billion dollars every single day and fund free college and trade schools. Politicians need to tell business interests to fuck off and get a livable minimum wage AND a universal basic income passed, which will severely undercut employers' ability to exploit and isolate us.
And we need Citizens United repealed. Badly. I'm not trying to imply the problem is only with Republicans' campaign donors, because Democrats' biggest campaign donors are also often the same people exploiting us. But look at how Democrats did a tiny little bit of pro-union and anti-trust work these past 4 years and they screamed bloody fucking murder. If Democrats are relying on these people's money to get them elected, I think it's going to be really hard to get policies passed that will actually make USAmericans safer and happier (ie. address Republicans' economic fears that they keep blaming on various scapegoats).
Although with Republicans controlling the entire Federal government for the next two years minimum, this feels more distant than ever.
That's what we need to be taking seriously. If you don't give any credence to the fears and insecurities underlying the horrifying reactionary politics, you're not actually addressing anything. If you can't admit that capitalism fucks all of us over and makes all of us miserable and looking for a remedy, are you even a leftist?
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alkaline-wtr · 2 days ago
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Dirty Talk 141 Head-cannon
Description: How I imagine the boys would feel about dirty talk. Warnings/Genres: 141 x fem!reader, smut, blowjob, fingering, pwp, head-cannon WC:742
** A bit rough but I just wanted to get this up. Enjoy.
Soap: Johnny enjoys dirty talk so much, in fact, he does most of the talking. While you lie on your back pinned into the mattress by his body weight, he spews a string of praises through heavy pants and grunts. Needily bucking his hips into you.
"You like that, huh, feeling me inside you? You feel so good Darlin'. So wet for me, yeah?"
Each sentence comes out as breathy whines. The words nearly caught in his throat as he struggled to keep a steady rhythm. You feel Johnny's length deep with each sloppy thrust.
"Fuck,"
He whimpers,
"I'm getting close darlin’ you just drive me crazy every time."
You could hardly get a word in if you wanted, but you don't mind much.
Gaz: For Kyle, dirty talk is useless and unproductive. He doesn’t care to hear your filthy mewls when your mouth is better suited for other activities.
His 'Shut up and take it' attitude leads him to find any way he can think to keep your tongue occupied, whether it's giving you a couple of slender fingers to suck on or guiding you to your knees the moment you start to speak.
Your eyes ogle the spot of his muscular chest where your palm is splayed out.
“Don’t speak baby, just use that pretty little mouth of yours to show me how you feel huh?”
No more needed to be said, you're eagerly taking his cock into your mouth, coating it in your saliva so your hand glides along his shaft with ease.
You can’t help but gaze up at Kyle through your glassy eyes to watch as he bites back moans. A hand holding a fist full of your hair to make sure the tip of his cock reaches the back of your throat.
"See Darlin'?"
He grumbled. Words weren’t necessary when the gargled moans that vibrated around him were validating enough.
Simon: It's not that he doesn't like dirty talk, but rather, he uses it as a form of measurement for his performance.
After all, if you're able to form anything more than strangled moans and incoherent babbling, slipping curses out under your breath about how good it feels to have his cock buried deep inside your sopping cunt, or how hungrily he laps at your overstimulated clit, then he just isn't doing well enough.
His only goal is to have you shaking with beads of sweat glistening over your soft skin. Your mind is too clouded by ecstasy to remember your own name. Words were just that, a meter to indicate your level of pleasure in that given moment.
"Oh, Simon,"
you exhale.
"Feels good."
Your content hum was too stable for him. He picks up the pace, two of his knuckles pressing deeper into you, curling in time with his thumb that circles your clit.
The gasp you let out as you squirm against his palm is reassuring to him. It isn't much longer that you try and speak again, Driving Simon to add another finger, fucking into your bucking hips so hard that you can't help but close your eyes and grip the sheet. The only noise left in the room besides the wet squelching of your tight cunt, is the squeals of pleasure replacing your intended pleas.
Price: John is his own type of animal, his tip just barely nuzzled against your heat. You can squirm and whimper all you want,
"You'll have ta use your words, sweetheart."
He teases,
"Please, please. I just need to feel you already I can't take it anymore."
Your pussy aches and throbs with the need to release. It's been almost an hour of this. John edges you for as long as it takes, only continuing when he deems your begging and pleading to be satisfactory.
"Come on sweetheart you can do better than that."
The mischievous chuckle that follows frustrates you even more. For an older man, he seemed to have a little too much patience and stamina for this type of thing. And your guess was as good as anyone's on what he wanted to hear for you to finally cum.
Still, you continue to try, fighting through the overstimulation. You weren't sure if your jumbled words had met his standards or if maybe he just pitied you seeing the tears forming in your water line. But he leaves you writhing and screaming out his name as you ride out your most intense orgasm yet.
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somewhereincairparavel · 23 hours ago
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my favourite character exchange of all time between the hoo gang will always be this particular line from jason to nico in house of hades.
“Nico, you do choose how to live your life. You want to trust somebody? Maybe take a risk that I'm really your friend and I'll accept you. It's better than hiding”
jason doesn't say something like 'i'll make sure to prove myself to you' or 'i'll do everything I can to make sure I earn your trust' because they are empty words. especially considering that this was before jason knew about nico's past, he can't exactly do anything to make nico trust him, apart from offering support, because in the end, it was nico's choice whether to trust him or not.
yeah, some people might think jason was being 'cold' and 'shallow' for saying this, but jason genuinely MEANT well. he told nico that he's WILLING to be his friend even before he knew nico's past. this was before jason knew an OUNCE of nico's backstory. he gave some slightly harsh but brotherly advice to him.
jason didn't deliver any false promise to nico that everyone will love him no matter what and that everyone will always be kind to him in camp half blood (this strangely parallels w percy deliberately choosing to NOT promise nico that he'll keep bianca safe because percy knew that death is a possibility and didn't want to make any fake promises just because nico is a kid, percy tried his hardest to be honest with nico, that certainly caused problems of course, but we can see the pattern between how percy and jason both hated fake promises.)
also, in boo, will says “Oh, please. Nobody at Camp Half-Blood ever pushed you away. You have friends or at least, people who would like to be your friend. You pushed yourself away. If you'd get your head out of that brooding cloud of yours for once”
i know I've seen alot of people use this excerpt as consensus of saying that will is super 'tone deaf' and 'insensitive'. but can you guys see the pattern here? will came off a lot more agressive bc of his romantic feelings, but we can see how will, jason and percy were sort of 'reality checks' that nico NEEDED. he had an inferiority and victim complex (which is very justifiable and valid considering how much trauma he faced, I quite related to nico a lot when it comes to the personality sometimes so jason's words definitely struck a nerve for me) but nico was always drawn to honesty.
nico had some of his earlier memories washed away by the river lethe to 'protect' him from more trauma, and nico was so attached to bianca that the thought of her leaving for the hunters of artemis felt like a personal betrayal. he was made to beleive that he and his sister were safe in camp half blood, and combining that w the whole lethe thing and hades generally trying to protect the di angelo family from the gods, you can see how much nico needed honesty and not coddling. because coddling and sheltering ruined his life and took away his light.
jason saying that nico needed to take risks as it comes with the package of love and friendship, and overall giving him authenticity, telling him that heartbreak and family can coexist, causes nico to be drawn to him and genuinely have him an eye opener.
jason knew what it was like to be held with fake promises his whole life, and even mentions it as a reason as to why he made sure he kept the promises he made. because he would never turn out to be like his two faces mother beryl.
I'll always believe that jason played a huge part in nico's overall character, and his death even more so.
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tarot-by-e11e · 2 days ago
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PAC: "Little Warnings"
(this is strictly for entertainment purposes only)
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Unfortunately, this is gonna hurt. So, don't read through this if you're already going through some pretty harsh stuff.
When I felt called to do this PAC, I felt that we needed to be humbled and check ourselves occasionally to see if we were being a bit too arrogant. It's such an odd feeling to be called to do this theme for this specific PAC, but hey, even if not every loving call out may be meant for others, every message is still, in some shape or form, valid. Not all of it may resonate with you, and that is still okay~
But I am manifesting that you will encounter this when the universe deems you need to be lovingly knocked down a few pegs~
Nothing wrong with a little loving call-out?
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Pile 1:
Cards Pulled:
Queen of Wands, Hierophant, 5 of Coins
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Hi Pile 1, if you chose this pile, whenever part of your journey you read this, here are your little warnings you might need to know, so only take what resonates with you, okay?
"Aren't you getting a bit over your head lately? Nothing wrong about being confident in your own abilities but you don't need to rub it in other people's faces that you know you're that Queen B~"
"There's a fine line between confidence and arrogance, my dear. If you don't want to be perceived as someone abrasive or cheap, you know what you need to do."
"Traditions are great and all but there's always room to make new traditions. Honoring the past doesn't mean you have to continue living in the past."
"Which would you prefer being ruthlessly right all the time and be hated? Or learn how to communicate compassionately without sacrificing your truth?"
"Don't expect different results when you're clearly stuck in your ways."
"No matter how much you mean well, if you don't know how to respectfully convey your messages properly, you will not be understood in a way that you'd prefer."
"Don't expect other people to pick up on your body language and subtle hints. Not everyone is as painfully self aware as you."
"Your Past pain is valid but your attitude is not."
"You keep behaving like you can't get passed your trauma from your past then btch out on how cruel life was for you, so you project your hurt towards others, especially towards people who are living the life that you want. Seriously, pick a struggle and push through it. Make it make sense."
"You are not bound to the environment you grew up in, because you have the power to change your destiny. Remember, at the end of the day, only you can save yourself from your circumstance."
"You are more capable than you let yourself believe you are. You just chose to live in your pain when you know you have to put in the effort for you to change your life for the better."
"You are bound by your own self imposed limitations. You are imprisoned in your mind by your own fear."
Channeled Song:
(this concludes the end of your reading)
(this is strictly for entertainment purposes only)
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Pile 2:
Cards Pulled:
Queen of Swords, Chariot, Strength
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Hi Pile 2, if you chose this pile, whenever part of your journey you read this, here are your little warnings you might need to know, so only take what resonates with you, okay?
- "I'm all up for honesty, just not verbal abuse. So be discerning if the receiver of the message is too soft hearted or easily traumatised."
- "Words are double edged swords. The same words that can heal can also break someone's heart."
- "Discern which battles are worth fighting for. Know when to retreat your words when you know that how you speak may bring more harm than good."
- "Being assertive and a goal getter is nice and all, but remember, your passion may be misinterpreted as abrasive and uncouth. Remember to respect other's personal boundaries."
- "Going after what you want is normal, disregarding someone's feelings and free will isn't."
- "Think before you speak or do."
- "Your way isn't the only way."
- "Impulsive behaviour leaves you susceptible to disaster and unnecessary quarrel. It won't kill you to think before you leap."
- "You don't need to so harsh and dominant to be perceived as strong."
- "Having strength does not warrant you to be mannerless and disrespectful."
- "Hypervigilance doesn't mean you're strong. It means you've been pushed to the corner where you had no one to rely on, especially during the times you need anyone the most."
- "Being able to do everything on your own doesn't mean you don't need help. You can lean on to others unharmed too. Not everyone is out to get you."
- "Just because you used to being in pain and on your own, it doesn't mean that what you've gone through is something you deserve. Don't catastrophize every bad thing that's happened to you as a punishment from the universe. Unfortunately, bad things happen for no reason. You were just unfortunately at the wrong place in the wrong time."
- "You don't deserve to be stuck in your hyperindepence and wear your lack of trust in others like a badge of honor. Your body can only hold so much trauma before it starts completely wrecking your nervous system and have it physically manifest as an illness. Ex. You struggle to lose weight no matter how much you work out because your body doesn't feel safe to exist. That's why you body stores fat as a cushion to help make it feel safe to exist."
- "How far will you keep pushing the people you love away? Are you waiting for their patience to run out so that you can subconsciously prove to yourself that everyone would leave you?? You're so hellbent in your skewed narrative that feeds your self-sabotaging tendencies and lack of self worth that you'd do anything to have your negative self talk to manifest into your reality. Stop feeding yourself the BS that (If they're meant for me, they'll stay. News Flash, no one wants to willing stay with someone who refuse to grow out of their own toxicity. No one can save you but yourself. EVEN YOUR LOVED ONES HAS LIMITS TOO."
- "Be a dear and search up the meaning of the ff. words: GASLIGHTING, STONE WALLING, COVERT NARCISSIST, ACCOUNTABILITY, EMOTIONAL MATURITY, JEALOUSY, SOFT FBOI/GURL, SHADOW WORK, MALADAPTIVE DAYDREAMING (Feel free to see which words hurts the most for you and start working on that)"
- "No one can save you from your own self imposed mental prison of scarcity and unworthiness. People around you can only do so much for you. The power to trap you and free you has always been in your hands."
- "Are you done thinking that everyone is out to get you? Hopefully you'd come to realise that people don't think about you as much as you think they do. Everyone's busy barely surviving their lives to be bothered to meddle with yours."
- "You're not as strong as much as a target you think you are, and that's okay. You don't have to be in everyone's mind and in everyone's DM to feel important. You are worthy and deserving of all regardless if you are in the spotlight or behind the scenes."
- "Two things can be true at the same time. You are the Main Character of your life and also be a background character is someone else's storyline."
- "What's serious for you may not be serious for someone else. So don't expect others to adjust for you when you made zero efforts to properly communicate what you wanted to say."
Channeled Song:
(this concludes the end of your reading)
(this is strictly for entertainment purposes only)
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Pile 3:
Cards Pulled:
7 of Swords, Ace of Swords, 6 of Wands
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Hi Pile 3, if you chose this pile, whenever part of your journey you read this, here are your little warnings you might need to know, so only take what resonates with you, okay?
- "Just because someone broke your heart it doesn't give you the right to leave a trail of broken hearts in your path. Your pain is valid but your attitude and actions afterwards aren't."
- "Being betrayed in the past doesn't mean you should play and to toy with someone else's feelings. You are becoming the player that you hated the game for."
- "Not all people mean to use and abuse you. Other people are just good natured and mean what they say. Don't confuse someone's genuity because someone else broke your trust before."
- "Discernment is highly encouraged, projecting your pain and jealousy isn't."
- "It's great to chase new ideas, what's not great is to chase the idea of someone new then cheat on your current partner just because things got bored. Don't be a part of the problem."
- "Don't even dare entertain anyone new just because you chose to be lazy and not put in the effort to communicate on how your current relationship can get better. Emotionally opening up to someone is cheating. Having a work husband/wife is still cheating. Putting yourself in any situation that would cause your partner to doubt your loyalty is a breeding ground of disaster of the life you currently know."
- "If you caved in and cheat now, you are bound to cheat again. If you allow yourself to be tempted now, you have proven yourself unworthy to even be in a loving relationship. In short: you have become part of the problem. So don't expect receiving anything you refused to give. You have no right to the privileges of an exclusive and healthy relationship if you fck around and find out. (because you actively chose to play whack a mole and find out what it's like to have std because of your recklessness)."
Channeled Song:
- "How far will you go just to win? Will you cheat on your partner just to have a promotion? Will you pay someone to ruin your competition just to win? Will you start a smear campaign just to go ahead? Will you drop little white lies to make yourself appear as the better option? How illegal and immoral would you allow yourself to become just to get ahead? Is it worth it? Lose your friends and family along the way? Just to win that empty cup?"
- "Will you abandon your morals just to win?"
(this concludes the end of your reading)
(this is strictly for entertainment purposes only)
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Pile 4:
Cards Pulled:
6 of Swords, Knight of Cups, 7 of Wands
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Hi Pile 4, if you chose this pile, whenever part of your journey you read this, here are your little warnings you might need to know, so only take what resonates with you, okay?
- "Unfortunately, leaving the problem behind without any explanation or letter won't make it go away."
- "Ghosting, just to protect your ego, is never the answer. Face your issues like an adult and accept the consequences of your actions accordingly."
- "No amount of dr*gs, alcohol, smoke or flings can help you tun away from your own willful ignorance. You can't run away from your own feelings. The only way to get away/rid of your problem is by facing it. This is one of the moments in a person's life where DELULU is NOT the SOLULU."
- "Fleeing the country won't keep you from feeling your feelings."
- "Just because you understand how people work and emotionally operate, it doesn't mean that you should use that to your unfair advantage. Stop binge watching those dark psychology videos. And you wonder why people pick a bad vibe from you? What do you expect? You are indeed the problem: the not so covert manipulative problem."
- "Stop using the promise of helping others with their dreams just so you can trick them in making your dreams come true at their expense."
- "You can only spin a web of lies so far."
- "You're not as convincing of a gaslighter as you think you are. People can see through your lies, they just chose not to speak up because, yes, they do it out of pity."
- "Resilience is incredibly admired but bulldozing other people out of your way to get the results is out of the question."
- "Not seeing the results that you want then btching about not having slept enough and feeling like you're about to collapse? You chose to overwork and overburden yourself to the point of burn out, and you're shocked that your health and sanity is fcked up? Dear, make it make sense."
- "Has it ever occurred to you that just because you put in the effort to win someone over, it doesn't mean that they're obligated to choose you? Free will and preferences are a thing, you know? You can be everything and more to that person, and that person is not required nor obligated to choose you. You can the most ideal man/woman and still not be chosen."
- "Don't expect exclusivity from someone who told you from the beginning that they're there to fck around. You can't change someone just because you stayed. You can only keep someone that wants to be kept by you."
Channeled Song:
(this concludes the end of your reading)
(this is strictly for entertainment purposes only)
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Feel free to check out my feedback herePaid Readings are AVAILABLE
In all honesty, I feel so bad for releasing this PAC but there's this oddly strong gut feeling that we all need to be humbled and wake up to the toxicity we all chose to lie with at night.
In fact, some things we've gone through, unfortunately are the results of our own lack of accountability.
Sorry if I hurt your feelings, but some painful warnings need to be said.
Notice:
Exchange Readings are OPEN
Feel free to send me some support in the form of tips,
Head to my Buy-Me-A-Coffee here 🍀
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lousycapy · 18 hours ago
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How statistics can easily be manipulated to fit a certain agenda in Formula 1
Hello! I’ve seen a lot of f1 fans or media sources bring up statistics incorrectly to prove their points recently, which is really getting on my nerves. So here is a comprehensive guide, with examples, of how statistics work and why they are not the be-all and end-all some people might think them to be. This is a pretty long post, so the explanations are all below the cut. With that, I hope you find this useful!
Multiple factors come into play when analyzing a statistic, so I’ve separated them in different categories: what data set is used to make the stat, how the stat can be interpreted and how being factually correct doesn’t equate a valid argument :
THE DATA SET
To make a statistic, you first need values which correspond to a data set. What said data set is made of is very relevant to the exactitude of the stat and how much regard should be given to it.
For example, to determine the average lap times of a driver over a stint you would need to divide the sum of all lap times by the number of laps executed. Which means that theoretically you could use a single lap as an average, e.g. 1:57:325/1 which gives an average lap time of 1:57:325s.
However, as you might imagine this stat is not representative of a driver’s stint, since the lap chosen to be analyzed could very well be an outlier. That’s why sample sizes matter, the more values make up your data set, the more representative of reality the result obtained is.
It is also important to know what the data set consists of. Let’s reuse our average lap times of a driver over a stint example, are outlaps/inlaps included? Is it based on clean air, dirty air? Are there laps excluded due to driver mistakes (e.g. going off track)? A stat being presented without any explanation of how it was calculated is absolutely worthless.
Finally, comprehension of the data set is very valuable as well.
Let’s imagine this fictional scenario where Ferrari makes Charles and Carlos compare average lap times. They both use the same car, on the same track, on the same tires, at the same time, for a stint of a total of 10 laps. Both drivers average a lap time of 80.125s over their whole stint, so is the conclusion that they have both done the exact same thing accurate? No!
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Despite having the same average lap times in this scenario, the data set suggests a different conclusion, and different trends. Considering stints in a race are going to be longer than 10 laps, it can be assumed that Charles would average better lap times thanks to his consistency compared to Carlos, who would get worse lap times as time passes as can be observed thanks to the trend line in his graph.
2. INTERPRETATION OF THE DATA
Now that we can recognize the importance of the data set and its constituents, it is time to understand how the data provided can be used to make a statistic.
More than one answer can be correct based on the same sample of data. Despite using the same set, depending on how the data is used it can lead to different statistics that drive different arguments both being factually correct.
For example, I’d like to refer to the wonderful basspro24chevy World’s Destructor Chamionship from Brazil 24 on Reddit in an effort of determining who is the most destructive driver. Here is a chart I’ve made which also includes number of races each driver took part in (Ollie not included I was too lazy to recalculate how it affects the drivers he’s replaced’s damage bill) and the average cost of damage per race of each driver.
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Based on these statistics, both arguments could be made to justify either Checo being the most destructive driver, since he’s the one who’s cost his team the most damage over the whole season, or Franco, since he’s the one who on average costs the most for his team per weekend.
Depending on someone’s biases, they could make some drivers look better than others despite using the same data set as another person, and depending on how their argument is justified even if they end up with a different conclusion it doesn’t mean they aren’t right as well.
3. FACTUALLY CORRECT ≠ VALID ARGUMENT
Even if you are factually correct with your statistic’s interpretation, and it is based on an acceptable data set, it doesn’t mean it has a direct link of causality with your argument and provides validation to the point you are trying to make.
For example, someone could argue that Checo is a safer pair of hands in races than Pierre, because over the course of the 2024 season he has DNFed 2 out of 21 races, meanwhile Pierre has DNFed 3 out of 21 races. However, the point being argued here is which driver is a safer pair of hands, and other variables than the drivers come into play when discussing those two’s DNFs.
Indeed, Checo drives a RedBull with a Honda engine, whilst Pierre drives an Alpine with a Renault engine. Out of Checo’s 2 DNFs, 2 were caused by driver mistakes. Out of Pierre’s 3 DNFs, 3 were caused by engine issues. The World’s Destructor Championship can also be used as a counterpoint to Checo being a safer pair of hands than Pierre by comparing damage bills.
Thus, instead of the conclusion being that Checo is a safer pair of hands than Pierre, the DNFs statistic is more appropriate to conclude that the Honda engine is more reliable than the Renault engine.
Which means that to make a valid argument, you need to be able to explain why the statistic presented is relevant and what it suggests. Alleviating circonstances also need to be taken into account to solidify the point being made.
For example, let’s imagine a scenario where Fernando is 1.235s off Lance during a qualifying run. To use this stat in an argument, you need to be able to justify why he was so far off. Was it genuine pace? Did he make a mistake which ruined the lap? Were they on the same tires? Was it track evolution? Are they on the same setup? Did Fernando come across traffic? Did Lance get a significant tow?
Contextualization matters twice as much as the actual statistic being presented, because the statistic without context can easily be manipulated in a way to drive a certain agenda.
4. CONCLUSION
All in all, what I’m trying to say is that even maths can be used to drive agendas. Statistics can not be taken at face value, because there are multiple factors that can influence their relevance. I hope you found this little guide helpful, and that it will help you analyze better the information you see online on how drivers are performing (or argue better with crazed fans, you do you 🫡)
Thanks for reading and have a good day!
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i2rizz · 3 days ago
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Why’d You Only Call Me When You’re High?
Fandom: Blue Lock
Characters: Nagi x reader
Based on the song of Arctic monkeys🤭
Angst i guess?
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The phone buzzed on your nightstand for the third time in a row. You stared at the screen, the light illuminating your dark room as Nagi’s name flashed across the display. A sigh escaped your lips. You didn’t even need to pick up to know where this was going.
You swiped to answer anyway.
“...Hey,” his voice came through, slightly slurred, dragging the word out like he had all the time in the world.
“Nagi,” you started, already weary. “What time is it?”
A faint chuckle. “Uh, I dunno. Late?”
“It's 2 a.m.,” you clarified, rubbing your temples.
“Yeah, so? You’re awake,” he said lazily, as if that was a perfectly valid excuse for waking you.
You heard the familiar noise of background chatter and the bass of some party music, muffled but ever-present. Nagi must’ve stepped out for some air—or, more likely, to make this call.
“What do you want?” you asked, trying to sound indifferent, though a twinge of irritation bled through.
“Just wanted to hear your voice.” His tone was nonchalant, but you knew better.
“Are you drunk?”
“Maybe,” he admitted with a low laugh. “Does it matter?”
Yes. It mattered a lot.
This wasn’t the first time this had happened. The calls always came late at night, right when you were starting to feel okay about the distance that had grown between you two. Nagi was someone you once thought you understood completely—a quiet, laid-back guy who didn’t seem to need much from the world. But lately, he’d become a ghost of himself during the day and a restless spirit at night, always reaching out to you when he wasn’t sober enough to hold back.
“I’m not doing this again, Nagi,” you said, pinching the bridge of your nose.
“Doing what?”
“This—whatever this is. You call me at ungodly hours, barely coherent, and expect me to just... what? Wait for you?”
He was silent for a beat, the sound of the distant party filling the gap.
“Dunno,” he said finally. “I just—everything’s loud here. You’re not.”
It wasn’t a compliment; it was an excuse.
“Do you even realize how unfair this is?” you continued, feeling a knot of frustration and sadness build in your chest. “You ignore me all day, but when you’re high, I’m suddenly worth your time?”
“I’m not ignoring you,” he mumbled, but the words were weak, lacking conviction.
“You could’ve fooled me,” you said, voice cracking slightly despite your efforts to stay calm.
There was another pause. You could hear him shifting, maybe leaning against a wall or the side of a car.
“...I’m sorry,” he said quietly, and for the first time, it sounded genuine.
But it wasn’t enough.
“Nagi, you can’t keep doing this. Calling me in the middle of the night doesn’t fix anything. It just hurts more.”
“I don’t know what else to do,” he admitted, his voice barely above a whisper.
The vulnerability in his tone made your resolve falter. You hated how much you still cared, how much you wanted to believe there was something salvageable in whatever was left between you two.
“Why do you even call me?” you asked softly, more for yourself than for him.
“Because you’re the only one who gets me,” he said without hesitation. “Everyone else... it’s just noise.”
You closed your eyes, letting his words sink in. It wasn’t the first time he’d said something like this, but tonight, it hit differently. Maybe because you wanted to believe it was true.
“Then why don’t you talk to me during the day? When you’re sober?”
“I don’t know how,” he admitted. “I suck at... everything, really.”
A bitter laugh escaped you. “You don’t suck at soccer.”
“Yeah, well. That’s the only thing I’m good at.”
The conversation drifted into silence, heavy with unspoken emotions. Part of you wanted to hang up, to finally put an end to this exhausting cycle. But another part of you—the part that still cared too much—couldn’t bring yourself to let go.
“Nagi,” you said finally, voice softer now. “I can’t keep being your escape. I need more than this. We both do.”
He didn’t respond right away, and for a moment, you thought he might’ve hung up. But then he spoke, his voice so quiet you almost didn’t hear it.
“I don’t wanna lose you.”
The words hung in the air like a fragile promise, one that you weren’t sure he could keep.
“You already have,” you said, tears stinging your eyes as you ended the call.
The phone sat silent on your nightstand, no longer buzzing with calls or texts. You stared at it for a while, wondering if he’d try again. But deep down, you knew this was the end of the line—at least for now.
Nagi might’ve needed you, but you needed someone who could show up when it mattered most.
And tonight, you chose yourself.
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It wasnt smth big yet i still feel bad☹️
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oriley42 · 3 days ago
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Serious question but no need to answer if you don’t want to
I see a lot of talk about Amber’s portrayal being sexist in the show, but I’m not quite sure why? To me her motives always seemed really well-defined (high pressure = “I’m only worthy when I’m successful”) so she puts on this sharky mask with a feminine facade so she is feminine enough to get a certain amount of approval but never shows how much she cares (which could be used against her but also could be used to undermine her “oh you’re too soft”). I thought the show did an excellent job of showing a mask for her
But a lot of people talk about 00s sexism and how it impacts her characterization. The sexism… Is it that she gets called a cutthroat bitch? Or how her story revolves around a man after she leaves House’s team? Is it the fridging?
Any of those could be it I guess but it just sounds like you and others are talking about something a little more fundamental to her personhood so I thought I’d ask if I’m missing anything.
Very interesting question! I think you're getting at exactly the trickiness of the issue, which is that sexism always operates systemically. It's not that any key aspect of Amber's character "is" misogynist, it's that every aspect of her character is automatically filtered through a lens of sexism.
In today's world where "bitch" has been very de-clawed, turned into a more casual and way less gendered insult that's used without cruel intention in queer slang, I think it's hard to understand just how violent the term was--and was meant to be--in the aughts. House in canon is not calling Amber a bitch in a cute, almost self-deprecating, friendly way (though I think it's valid to re-write it that way in fic to defuse the term!). He is calling her a bitch to contain and belittle and dehumanize her. We see the term mobilized this way against Cuddy in 5 to 9 as well: calling a woman a bitch was an extremely powerful rhetorical tool to turn any dangerously competent, brilliant, threateningly accomplished woman back into a harmless, debased, controllable object. So, "CB" reflects how easily the fact that Amber is the "female House" gets turned against her--it doesn't mean she's an eccentric genius like him, it means she's an evil copycat who needs to be put down. And this kind of structural logic applies to her whole characterization--it doesn't matter that House does it all more frequently and worse, if she does it, it's unacceptable because she's a woman. (There are parallels here with how racism means that when Foreman acts like House, he also gets the axe instead of the narrative bending over backwards to make what he did alright.) That's why she was fired, after all!
And her death. Woof. Classic case of killing a woman for man-pain. Everything supposedly about her death is actually about how her violent destruction can be used to fuel Wilson and House's character arcs. The narrative is occasionally conscious of this, for example, Wilson saying "none of you even liked Amber" is an almost metatextual reminder of how cruelly she was disenfranchised in every way (including the sexism of her trying to "defect" to the men's team early on, having no female friends, because unlike House who has so many people orbiting him, she is truly alone). Comparing her death to Kutner's is instructive: Kutner gets a whole episode that's about characters desperately trying to know him better. They trace their relationships towards him. Amber, on the other hand, is nearly absent from her own death. The characters trace away from her and towards the way male characters feel (Wilson's loss, House's guilt). Amber becomes just an imagined figure of House's guilt. Even her ghost is not her own. (Though I think many fans do a more feminist read and reclaim the way she haunts the narrative--but imho that would be a negotiated if not fully oppositional reading, to use Stuart Hall's decoding/encoding terms.)
One easy way to see that gendered difference is in how the show refers to these characters after death. Kutner is always "Kutner," never just "House's dead fellow" or rarely "our dead colleague." Amber is often referred to as "Wilson's dead girlfriend." Kutner is his own person, Amber rhetorically gets reduced to an object belonging to a man.
In conclusion: sexism operates structurally, which can make it hard to identify! And one of the funny effects of contemporary fandom doing so much good work to un-fridge women and give marginalized female characters richer personalities and more chances to grow is that canon's intended message of sexism gets obscured. Which, is awesome? Keep up the good work! Let's make misogyny unintelligible 🎉
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ifyesterdayistooheavy · 1 day ago
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Here are my thoughts from a person who watched arcane 1 when it came out, but never entered fandom spaces:
1. Agree
2. Depends on what you mean (pretty gold lady: forgive I forgot most of their names lol) really felt unfinished. So much so I was shocked when I heard there wouldn’t be a series 3
3. I did notice that. I thought it was intentional. Most of the characters didn’t really know here besides jinx, who wasn’t gonna talk about her. But still. Not cool
4. I agree kinda, it felt natural for the conflict to abate but them coming in later to help didn’t feel earned/wasnt impactful
5. I didn’t really care about the j/c/v hate triangle, and I never really got jinx’s hatred of her. The jealousy was flat and uninteresting. Didn’t mind when they kinda dropped it. Yes I agree their ending was not satisfying, but I can’t even imagine what a satisfying resolution could look like
6. Completely agree
7. Sevika is silcos guard right? Ah she was always the broody top henchman character. Her boss was gone and her main rival didn’t want to play ball. No other characters she interacts with are interesting. So I don’t know what she would be doing
8. Maddie was a filler character to enhance the background in different. The only reason you care about her is because she dated a main character and had a betrayal scene. If you’re saying the betrayal scene wasn’t impactful enough to exist then ya know true.
9. All of the silco introductions were… a bit jarring. But I like his voice sooooo I’m cool with it. Catvi sexy times were unnecessary, but so was the Herero version back in season 1 so I don’t think it’s a valid complaint. I don’t know what you’re talking about with their ending scenes being fanfiction. Every time vi calls her cupcake I cringe. This also started in season 1
10 I think they just wanted cait to have a permanent viewable injury after a war. To show lasting damages. Limbs ripped off is a bit gorey and eyepatches are sexy.i think you’re looking too much into the significance. If Alfred loses an eye in the telltale Batman game, they’re not trying to tell you Alfred is less observant now, except literally. It’d be cool if the injury did do this tho, I see why you would want that.
11. For someone to sneak past vis guard to get her to join up with them? I don’t get it either. Maybe there was a dropped plot or something
12. I think Maddie was supposed to show ambessa as being a fox. Along with those magical spell tags. She could have been a better fox tho
13. Mel! That’s the pretty gold lady right? I was glad there was a mage character buttttt like I said earlier it feels unfinished
14…… I did like this season less than season one.. that’s probably a main reason why. The show talks like it’s political but this season definitely didn’t feel like it
15. I have never played lol so I don’t agree.
1. Nope. Not a fan. Cupcake cringe. The Rachel and Ross of the series. Really not my thing.
2. See it should’ve been but all I could think was I’ve already seen this with madoka Magica. And just like in madoka, it didn’t hit hard. The Astro stuff is just… too magical girl? I can’t take it seriously
3. Yes
4. Did they? It didn’t feel like they did. Isn’t Warwick victors scientist teacher?
5. What was occ? The suicide? The team up with echo? The second suicide or her rachenbach falls moment?
6. I have no idea what you’re talking about lol the prison scene? The end scene? Again not my fav so ehh
my head's a bit clearer, some thoughts about act 3
-my biggest gripe is episode 7- cool idea, love the concept of peaking into a different universe and seeing what our characters couldve been under different circumstances, but a WHOLE episode. when you only had 9 episode in this season, that already feel like theyre moving at a neck's pace. for a universe that ultimately doesn't matter to the main universe where the story takes place. the fact it had timebomb made it feel extremely fan service-y.
-no emotional resolution to a lot of characters. viktor and jayce are the only ones i can think of that felt like they got the screen time and care for an actual emotional closure.
-isha wasn't even mentioned in this act. in general she was already a martyr for jinx's character development but guys can you make it less obvious.
-it started in act 2, hence why i was so jaded on it, but it continues here: just where the fuck the political drama between 2 cities go? the conflict between zaun and piltover took a back seat since episode 4 and never came back. the resolution to it isn't bad per say, but when u got so little focus on it in the finale it just feels rushed.
-i loved the cait and jinx scene. but like, that was the resolution to it??? after act 1 thinking about it disappoints me. im not against a conversation being the climax to a story, but that is, and im not joking, the ONLY conversation these 2 have in the show one on one. in general the jinx\cait\vi arc ends with 1 conversation per duo (well caitvi got one fight and one very steamy sex scene but u won't catch me complaining). and after act 1, idk i think i wanted just a little bit more. im biased though- the jinx\vi\caitlyn dynamic is my favorite part about arcane. the teasers for s2 always had them front and center so i assumed it'll play a bigger part in the story???
-i felt like what the show was at its core, which is the conflict between the sisters and the cities, was completely sidelined this season. in general i can't really tell what the main theme of the show is anymore. but yeah look at the resolution to the jinx and vi story.did it feel like it had the emotional impact u expected? cause i felt like it was underwhelming.
-sevika?? didnt speak since episode 4???? huhh???
-maddie was pointless. why was she there?? i don't understand the point of that character. i dont understand her motives. she ended up not mattering at all to caitvi's story. the only thing i got from her inclusion is "caitlyn fucks" but is it that THAT important??? of a character trait??? to add to caitlyn of all people?? in THIS season??? this belongs in the realm of fanfiction.
-a lot here felt like fanfiction actually. every silco inclusion (except of him in the cell with jinx), the whole "nobody dies au" they threw in the middle, even the caitvi sex scene (IM NOT COMPLAINING THO). the caitvi scene at the end was dialog out of fanfiction, wtf was that.
-why did caitlyn lose her eye? im not like against the idea on a base level but losing an eye is very symbolic, and im not sure what its supposed to represent here. caitlyn is an observant person, its a big character trait for her. so youre basically saying she sees less now? that she's more laser focused? i sure hope not. wasnt her whole arc with giving up of revenge about seeing the "bigger picture"? her sacrifice didn't feel in character, because caitlyn is not really a "fight to the death" type of character like ambessa is. if she made that sacrifice for something like love, or for the betterment of other people, that would be more in line. idk, you couldve made me on board with it but im just very meh on it. also caitlyn only really emotes through her eyes, it sucks that we get even less of it now?? though i guess it doesnt matter at this point.
-what was the point of the enforcer that looked like vander?
-ambessa was so wasted in these last 2 acts its crazy. where's the "you have to be the fox and the wolf" mindset from her? she felt like she was wolfing only with no wit anymore by the 3rd act.
-mel????????????? it was. uhhh. maybe you shouldve saved it for another series, riot. but in this show, waste of time. the fight she had with caitlyn against ambessa was cool tho.
-i sound like im a hater but u have to understand. s1 of arcane was a political drama and a character study show. seeing all this discarded for magic and time travel shenanigans on like 4 different fronts was so jarring it took me out of the show multiple times.
-cant believe im saying that, but i wish they'd try to stick closer to the characters' current state in the source material (the cursed game). someof it felt out of left field and done for shock value, which isn't why we love the story or these characters to begin with.
good stuff:
-caitvi sex lmao ill take it babyyyyy
-jayce and viktor's scenes at the end were powerful.
-as usual, the visuals were phenomenal. the animation is gorgeous. fortiche u made this show what it is and youre still its saving grace.
-thank god they dropped the warwick\vander plot
-i liked the implication of the conclusion to jinx's story, even if it felt a little inconsistent with the character.
-the ending to jinx\vi\caitlyn was poetic and i did love it, even if it was rushed and didn't really hit the emotional highs i wanted it to.
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ronhazmione · 2 days ago
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Thinking about Harry who’s only friends were spiders, who never had any friends of his own because of Dudley’s bullying and who was avoided because of his dirty hand-me-downs, and Hermione who didn’t feel like she could connect to people and isolated herself with books and felt alone because people were intimidated with her intelligence and thought she was obnoxious for being outspoken, and Ron who never had any friends of his own and always felt like a spare and like an afterthought to his brothers, finding friendship in each other and realizing they didn’t have to change or diminish any parts of themselves and truly accepting one another,
They mean so much to me, the way they can just sit in silence with each other and just exist is so precious to me, the idea of them hanging out is just doing homework next to each other in the common room, occasionally taking walks to the lake and hogsmeet and sipping butter while gossiping, Ron copying Hermiones notes while Harry struggles to write his potions essay, Hermione grumbling while Ron and Harry make up random predictions for divination, Harry petting crookshanks while Ron and Hermione play chess… they’re so 🫶🏽🫶🏽🫶🏽😭😭
It’s also the way they’re incomplete without the other,
Ron is the joy/humor in the trio and when he’s not there you can see the happiness and joy leave Hermione and Harry, the way they mope at the library quietly because they don’t know how to start conversation without Ron and miss the way he grounds them to normal life where they can just be Ron, Harry, and, Hermione and not have to hide behind personas to please other people,, Hermione needing someone to contradict her and threat her just like a normal person and so she can be challenged to think past what she already knows who needs Ron to challenge her thinking and push her beyond her usual intelligence and Harry who needs Ron to remind when what truly matters and to validate how he’s feeling and making him laugh when his whole world feels like falling apart
Harry who is the perspective/clarity when Ron and Hermione get too caught up to look at the big picture, Romione who constantly fight and nitpick the tiniest details even to their own detriment, and can keep grudges like it’s a professional sport not wanting but needing Harry to remind them about the important things in life and keeping them on the right track even when they lose themselves in the forest and wander off path. But he also lets them wander off the path and goof around, Ron and Hermione who need Harry because Harry looks at them like they are is whole world, no matter how ridiculous they act and how stubborn they are to prove they’re right and win whatever argument they’re having, and Harry will let them because he doesn’t care about it as long they’re happy, Harry will go the library even when he doesn’t want to, he’ll sneak into Hogsmeet to see them, He’ll go through hell and back if it meets he can go back to them, Harry indulges they’re silliness because he loves them unconditionally, they are his family
Hermione who is clearly the logic and knowledge in the trio, Ron needs her to humble him and Harry needs Hermione because unlike Ron reminds Harry that he doesn’t have to anything other than Harry, Hermione pushes Harry to be a better version of himself and truly find his confidence. Ron and Harry are so aimless without her, yes they get along but they need her because she reminds them to never overlook anything and always looks out for her younger friends, she reminds them to finish their homework and to not do anything that could get them into trouble. Ron and Harry can be so dismissive of their own health but Hermione reminds them to take care of themselves
They’re so realistic too, they way they fight and bicker but always come though for each other,
Golden trio is important to me because they never leave each other, yes they fight and quarrel but they always come back, they care so so much about each other <33 they truly do provide a safe space for each other where they can truly be themselves,, They find each other in every life
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narcissisticpdcultureis · 2 days ago
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Healing npd culture is when all your friends are Going Through Shit so none of them are emotionally able to support each other and yeah you're going through shit too but you lack empathy and sympathy. And you've been practicing being a Good Person and Good Friend so you're extra good at balancing Validating how they feel while also nicely pointing out their Bullshit.
Like, I can't wait for them to be happy again and give me so much praise and attention about me and not them but until then I'm gonna get a good grade in Good Friend! See I'm the Best Friend! No one's a better friend than me!
-⚔️
.
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lenaboskow · 2 days ago
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PLS PLS PLS GET INTO HOW WOULD CHRIS REACT I find it so interesting, because most of the times is Chris just going "Great ! Im happy!" which valid, but honestly? I really like when it's more complex than that, like in the fic Pinky Promise by rainbow_nerds, that explores a bit the fact that Chris does in fact has abandoment issues, like I don't doubt that Chris (even angry) wants his dad to be happy, but c'moooon, his mother was his primary caretaker (because his dad left for the military, though it always hard for me to get the Diaz Timeline), then she left him, then she came back, then she died, his dad almost died at least twice (that he is aware of), Buck in the hospital, etc. Chris is going to have many complicated emotions ! I love him ! And I just wished people explored more all that potencial, you know?
i vividly remember making a diaz boys timeline back before the s7 finale but i just spent thirty minutes looking for it and i'm pretty sure i never posted it so... oops. maybe i'll make one later with the references but (apologies for the mess this is i tried to make it organized but i’m sick so there’s only so much i can do lmao):
when you look at it, buck has been consistently in christopher's life longer than shannon ever was, even if you restart after the lawsuit. shannon was him primary caregiver until he was about three, and then for a year it was eddieandshannon, after which she left. after that, it was consistently eddie. even if he wasn't around that often because he was working, he was still there, and that's what chris remembers. she came back for about half a year when he was seven, but then she died.
not counting the lawsuit, buck has been in christopher's life since he was eight. but the lawsuit wasn't that long, it was a few weeks at most, so the real answer is he's been in his life since he was seven. that's seven years at this point. to chris, buckandeddie has been a constant, more so than eddieandshannon, even if it's not the same type of partnership. and that's just a fact. sure, he'd known shannon for seven years, same as he's known buck, but technically she wasn't there for all of it. that's what he remembers.
but the same way eddie thought he needed to be with shannon romantically so as not to ruin the relationship, chris probably thinks eddie and buck need to keep the status quo not to ruin the relationship. especially when you take into his warped view of romantic relationships. shannon, ana, marisol, they all ended terribly for eddie. and buck? i'm not sure what he's told chris about his relationships, but he doesn't have a much better track record. abby ghosted him, ali left at the first sign of trouble, there was the whole jonah scenario with taylor (who actually was in christopher's life, so that definitely messed with chris a bit), tommy broke up with him seemingly out of nowhere...
it makes the most sense that chris wouldn't want them to date. if chris was home when they told him, i can imagine him calling pepa or carla, kind of a parallel to him running away to buck in s4 (which he can't do now for obvious reason). i don't think the arc would last long, i think whoever he ran to would start the conversation and tell him about an ex that they're still friends with, and then eddie would come to pick him up and they'd talk it out, there'd be a buckley-diaz scene, end of ep.
but if he was still in texas? he'd probably yell at them over the video call and then refuse to answer any calls or texts afterwards. buck and eddie would probably "break up" for an ep or two, and be absolutely miserable. this probably culminates in eddie taking a trip to texas (alone, maybe not even telling buck) and talking it out with chris, addressing their mutual fears about the relationship and eddie explaining that even if it doesn't work out, they'd still be friends, and even if that doesn't work out, buck would still be in his life, that it wouldn't be like when his mom left. there's definitely a video call to buck in this, after eddie and chris have talked their feelings out, and then chris would ask to come back home, effective immediately.
but there's also the question of how chris would react if eddie tells chris about his feelings for buck (pre-relationship). he'd probably tell eddie he can never act on it, then tell buck the same thing (without telling eddie) and then there's a few eps of buck and eddie acting distant from each other before chris snaps and says "you weren't supposed to act like you're already divorced!". of course that's if he's in la. if he's in texas it would probably play out the same way it would've if they were already together after they stopped avoiding each other and finally talked it out.
of course, they could go the easy route and have chris say "it's about time" but this is 911 we're talking about, they probably won't do that
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thatshadowcomic · 2 days ago
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Sonadow fan child mega dump
Still working on the ideas, still not 100% sold on a name... Im trying to picture Sonic and Shadow's playful banter on kids names, making fun of each other's suggestions.
Naming:
I originally thought Sky or Star or even "Terra" which is Earths name. You guys gave a lot of really good ideas, too, thank you so much!!Sunny is cute, too and Rouge calls Shadow "sunshine" a lot. Maybe something to do with water or planetary stuff, given Shadow would have looked out of the ARK with Maria a lot.
I even thought about "beauty and the beast", naming her bell relating to how Bell was "like maria" or rather, the concept of clarity bells and chimes and the sound/mysticism of bells in history as spiritually healing.
Plus it's funny to think of her being like Sonic and pulling a "DING! times up!" and destroying Eggman's future projects.
"Beauty and the beast?? Isnt Maria your sister--" "I won't entertain your crude humor. Bell accepted the beast for who he was, not what he was called or what he looked to be. Despite what she was told about him, she wanted to offer him a chance to be happy. A chance we all deserve... Regardless how it ends, the beauty of that story, at least to me, is not the romance, it's about love. Love isn't strictly romantic. She saw his heart and showed it to him, and he learned that the world might label you, but it's you who decides to accept or deny that label." "Heh, you should start a podcast-- call it stuck in a PODcast :)" "I hope she get's my humor." "And what humor is that?" "I can be very funny, Sonic. You're just... too slow." ":0"
Story one, the failed son:
He's created in the lab, hidden from GUN, but using their resources. Shadow's basically desperate because a child, to him, represents Sonic's immortality. Sonic will die one day, and Shadow fears what that means--but he also is living through the child. He wants a better version of himself, a "pure" one.
Doom's blood is removed, but several embryos fail completely. He finds a new "stabilizer" in the way of a chaos emerald shard, which Sonic would have never allowed, had he known. I think at some point Shadow would become as obsessed as Gerald, which causes Sonic to back off a bit...
Basically this creates a chain reaction:
Shadow abandons the kid with Sonic, after Sonic learns about the shard and warns Shadow that this could be a disaster. Shadow hides on the ARK, fearful that one day he will be the only one strong enough to destroy/stop his child, should he lose control to the Chaos energy coursing through him. Using the power only harms him, but really, it's turning him into a uncontrollable vessel of chaos, like biolizard.
Somehow Shadow hopes that losing any attachment to the kid will allow his destruction to be easier, but to Sonic, he gave up, accepting the kid as doomed. Sonic resents this deeply, even if he doesnt outright say it...He wonders if Shadow could have helped him manage his powers.
Ultimate power:
In reality, the child's need for validation is the very reason he would lose control in the first place, desperate to control his powers. Sonic would try to convince him he can just be his normal self, not to use the powers, as they damage him each time. But the kid eventually loses it and tries to draw shadow out of the ARK by destroying everything he can, until Shadow can see him from space.
"You love this planet more than me... Then defend it, coward--"
Damn, the fight scene would be awful-- I picture him warping in and just decking the kid, how heart wrenching. I'm sure Sonic would be stuck between, unsure what to do. I'm not sure how it ends?
Myabe they remove the emerald and he dies? or he becomes goop like Chaos? maybe a chao egg is left behind, which might hint at something bigger within Shadow himself??
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Idea two, Birth:
Basically, Shadow's body evolves to grow an egg, maybe a normal Blackarm's thing that happens from time to time, maybe something to do with some Blackarms leftover idk, but point is he ends up hiding and pretending to be at GUN or on missions until finally Sonic tries to track him down and finds him laying in some forest, in labor. Technically this is Mpreg, but visually they look the same.
He reassures him, but Shadow can't understand why sonic isn't horrified.
"What do you want me to do, call you a freak and leave? I'm sure all mobians are freakish to humans, just like humans are freakish to mobians-- Hey, my little brother has two tails with a messed up joint that lets him fly! And your dad turned into a giant demonic root ball, even that comet was made of living goop all glued together, Shadow--laying an egg is the least of your worries!"
He jokes that he can have a melt down about the pregnancy being hidden later on, instead he'd rather focus on helping him. He has 3 small eggs but one begins to grow roots like the Blackarms and it takes over the other two, only making Shadow more distressed.
He wonders about taking it to the ARK, working with the commnader until they can determine that it's safe, but Sonic jokes, "You can try, but you know I won't let you take 'em, hehehe" But Shadow can feel the serious threat underlying. He doesn't want it to be treated like a monster either and wonders what the best course of action is.
"Do you really think humanity will accept this child if it looks anything like the Blackarms? If I looked any more like them?"
Story elements:
A lot of this story would be focused on Shadow's gradually rising tension as the egg grows, while sonic seems to be in a weird state of normalcy, but also struggling to actually comfort Shadow.
"Yknow, knuckles was born in an egg." "Sonic... we have no idea what's inside of this... I wasn't suppose to be fertile, let alone this! This sint a joke, sonic! What twisted creature could come from this-- what if this is just another facet of Doom's plan?! I already lost control of my mind, now I don't even have control over my body?!" Maybe Shadow and the commander already talked. He'd want to know why Shadow's suddenly requesting so much time off, only for the professor and Shadow to reveal everything. To their shock, the commander would support shadow... "Maria was like a sister to both of us... I think in her eyes... this might be my niece or nephew." The words make shadow tense, he wasn't prepared for this conversation, let alone the commander's unusual response. "You know I hate failing, Shadow-- Ive already failed her enough. I won't fail anymore. *Ahem* I expect a full report, given you've already met my grandchild..."
Remember, the commander offered shadow to come see his grandchildren in shadow the hedgehog (2004), so I'd like to think he's trying really hard to be better.
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Really feeling this scheme
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Guys can you help me with sonadow baby names
I have no idea what to say, but I want it to feel meaningful to Shadow, but maybe they have a real name and a "cool" name, like Sonic, Tails, y'know?
Might go with a girl? I just wanna make one to know what that looks like.
Thinking Navy. Maybe Ashen color. I think there'll start Ashen purple, later becoming darker, indigo-navy color, possibly stripes but idk, they would still have Blackarms DNA
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azaharinflames · 20 hours ago
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I fell into the deepest depression I’ve had for years when Buck and Tommy broke up. I just wanted to cry so badly but decades of trauma kept me from doing that. Add on that Trump had just been re-elected, and add in that my Dad had been admitted to hospital with a collapsed lung it just took me down.
I’ve mostly gotten over it. I spent 24 hours writing my idea of a fix it fic (won’t happen on show cause they all suck but it was cathartic). I can’t remember what caused my breakdown but I did end up crying. My eyes felt less puffy after as well.
I understand that it’s a fake relationship in a fake show but something about it spoke to me. And just watch it end hurt me worse. The last time I had actually cried hard was in 2021 when my mother-in-law passed away from COVID. So why did this stupid relationship affect me so much. I feel embarrassed for reacting this badly. I don’t even like to talk to my partner about it because he wouldn’t understand.
Hi, Nonnie! Thank you for your ask.
I am so, so sorry to read that. Listen - it's not stupid. It's not embarrassing So don't think your feelings surrounding it and your reaction to any of it is that, because I promise you: nothing about it should make you feel embarrassed.
Here is the thing: Art, in whatever form, is one of the things that move people the most, historically*. Art is a universal language that doesn't simply exist in a painting or a sculpture but in a myriad of different forms that, especially in the last few decades, have expanded immensely. Art can be a channel for our emotions, can be our choice of escapism, can be the thing we see ourselves reflected in and thus, the thing that we connect to because, hey - that's us. And if we see 'us' overcoming on screen, surely we can overcome in real life, right? That's one of the reasons why representation is so damn important.
Yeah, it was a relationship. But it shouldn't be reduced to just that. Instead of dismissing our feelings by making our issue seem nonsensical and small, let's think - my issue was because a piece of Art I connected to deeply was dealt with in a damaging way. And that carries consequences.
There is also the fact that, I think, for a lot of us, it was more than the break-up. The biggest thing to take into context was the election because it is just a matter of fact that we needed a win so bad that week, and we got the opposite of that. To get a bit more personal, I was already dealing with my town being hit with the worst natural disaster in my country this century, still had to hear from some of my friends to know if they were okay or even alive (fortunately, they're all fine), and I was seeing only tragedy whenever I went online. So this happening hit me really hard as well - but, like you, it was one of the things. Still, I spent three days barely able to take a bite and barely able to sleep, and a week with really high anxiety.
And sure, I did feel silly, but if I do love one thing, I sure do love introspection, I reached the aforementioned conclusion and reflection on Art (let me know if it helped or is a bunch of bs tho).
I think what you're doing, writing a fix-it fic, is amazing! You're channeling your feelings through Art, and I am sure it does feel very cathartic. I haven't written for 911 yet (definitely want to, I have some ideas that could work), but I have some years of writing for Marvel and Seblaine (Glee) on my back, so trust me when I say this is the better choice you could do - channel your feelings through your Art, and you will end up with something beautiful, I'm sure of it.
Sorry this was too long, but I'm here if you (or anyone else) needs to rant, vent, or discuss something (911 or whatever, something else is valid as well)
Take care, Nonnie <3 and all of you as well <3
*I have a bachelor's on this, please trust me on it lmao
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pinofdnp · 6 months ago
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happy 5 years since coming out, dan <3 !!
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mushyposts · 2 days ago
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TUMBLR PLEAAASE LET ME POST THIS NOW PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE.
OF COURSE!!! This is the sort of analysis I could honestly talk about for hours, and if you have ANY more thoughts on my fic, please please PLEASE dont be scared to message me and hash it out!! I absolutely love the chance to think critically and analytically about my work.
You are absolutely not projecting, and even if you were, that would be entirely valid!! Creativity exists as a vessel for us as humans to feel, and if my writing at all helps you process any feelings you have around the themes I explore in it then I think i have more then succeeded in my task as a writer! : D
I also think that as a writer, I can put as much intent as I physically can into my writing. I can spend hours working to make sure a certain theme is perceived the specific way I want it to be, but if someone takes it a different way then I cant change that! I can take it as it is, and from there move and try to approach the theme in a different way, but people all have different live experiences that will make them see what i write differently. My experiences with parental figures, their presence, lack of, and their affection towards me will always be different to yours for example, and that means you will see how I write the parental dynamics in my writing different to how I do! Does that make sense?
Okay onto the actual analysis LMAO!! I think that people get caught up in this idea of "The choice was made for the greater good, so he should be absolved." and although yes, there is merit to understanding Hakoda didn't want to leave and was doing what he thought was the best choice for his kids and the future of his tribe its also SUPER important to understand that there were other ways.
A few things when considering the argument of Hakoda taking ALL the men, is firstly that we don't actually know how many people were in the "fleet" and there is some defence to the idea of them needing every working hand they can get, however I also think that alongside this argument is if Hakoda was doing this to protect his tribe it would have made sense to at LEAST leave enough men to defend them, or train Sokka and the other younger boys to have some form of defence.
I think the closest we get at seeing how many are in the fleet is pre-black sun, when they all meet up, and even then those numbers are skewed because of the involvement of other groups of people. EG: The swamp benders, the earthbenders and then the people who took residence at the northern airtemple. I do, however, personally believe that there should have been some men left behind to defend.
Another thing to consider is the canon timeline for when Kya dies and then when Hakoda leaves and then to canon actually is kind of inconsistent? We can assume Hakoda left around when Sokka was 13, but during the flashback of Kya's death along with the flashbacks in Bato of the water tribe where we see Hakoda leave, Sokka actually looks a lot younger. As far as I'm aware, as a show only watcher who doesnt actively intend on reading the comics, we dont really know how long the time between Kyas death and Hakoda leaving is. I even say at the start of my fic that I fucked with the canon timeline a bit to make it line up a bit better.
I think the show acknowledges Hakoda's abandonment and the complex ways thats hurt both Sokka and Katara in subtle ways. Katara very outwardly displaying her upset, albeit initially passive aggressively, she does eventually burst out, telling him "we needed you." and Hakoda apologises. Sokka is more internal, he obsesses over his ability to explain his plans, how he's perceived by his peers, an obsession with masculinity and what it means to be a man when you were never truly taught it in the first place.
I also think something that people tend to get mixed up with when it comes to critiquing Hakoda as a father, is they often equate being a bad dad, to being an abuser.
Hakoda, at least in my interpretations and I never intend for him to come off as so, isnt an abusive father. He is not a perfect father, he has made many choices that led to the long lasting hurt of his children. Speaking in the development of my own fic and how i've worked with Hakoda's character, he is an absent figure who was faced with an impossible choice and should have thought through it in more depth. He made a choice, and although its hard to fully say without a doubt he chose wrong, it had severely negative ramifications on the mental well being of his children.
Theres a lot to be said on the nuance of abuse, neglect, absent parental figures, especially fathers, and I don't want to speak TOO heavily on this because again, its such a nuanced and complex topic that I think I couldn't even begin to unwrap in tumblr reblogs. Theres some incredible fics out there exploring this with Hakoda and Sokka's dynamic, and I even have a one shot in the making all about this stuff in the canon universe seperate from my writing, but I just REALLY want to emphasise that I am so aware of how Zuko will come off to Sokka as a replacement.
I think in Zukka fics, or any fic with their dynamic, Sokka is often used as a tool for Zuko's healing, and his own trauma and negative experiences are put on the backburner in turn for Zuko's more outwardly present trauma. This is never something I want to do in my writing, I want to give a stage to each characters trauma, experiences and lives and try to show that things arent always as clean cut as they seem.
Hakoda abandoned Sokka and Katara. he left Sokka to be a man, without truly giving him the tools to do so.
Hakoda saved Zuko from death, and gave him a chance at life again.
These are two things that can exist at once, and the existence of one does not negate the other. People are a mess of good, bad, neutral, and its so hard to untangle it. Sometimes it doesnt even need to be untangled, sometimes you just need to hold the mess that people are and know it isnt a slight on you. You didnt cause the tangle, some tangles just are, yknow??
I also do personally believe in canon there are a lot of gaps that dont fully make sense in reference to Hakoda's character, and I think he honestly could have been executed a lot better in canon, so thats also something I like to consider whenever I am thinking too hard abt Hakodas character!!
I hope this made ANY sense at all. I usually have to sift through my writing like, a hundred times to get any kind of sense out of it, but truly this has been such a pleasure to write about!! : D Ur thoughts are so well written, and its incredible, as i said before, to see people picking up on the more nuanced things I'm trying to set up for future chapters!! it helps keep my steam for writing this honestly WAY bigger fic then I intended going!! : D I am MORE then happy to indulge!!!! If anything, this is indulging for ME! So thank YOU!!!
(Also, to answer ur tags, it isnt bad ur a bit mad at Hakoda!! He's flawed, thats okay! He's made mistakes just like anyone does. His just have more ramifications since he's the adult. I am a HUGE Hakoda stan and I do love him, but trying to work around canon and make him be a good father... A bit tricky!!)
I already put this on ao3 in a comment but you made me cry so you have to see it twice now. I know this entire story is Zuko-centric but I literally can't stop thinking about what this au means for Sokka.
Ok I just have to say I felt so heartbroken for Sokka here. All I could think about was how all of a sudden there's a boy in the place he's supposed to be. HE should be travelling with the men, HE should've been with them for the last three years, HE should be trusted enough with all this important stuff he should know if he is the next chief/acting chief.
He is being told this new kid has seen and done things the most skilled of warriors couldn't have done, like he is this almost untouchable standard Sokka can't reach. Then to be told he's taken Sokka's place in the tribe as Hakoda's and Batos' adopted child, teaching him how to be a man over the three years Sokka didn't even know his father, never a letter, never knowing when they would come home. Then being told by that same kid that he was only playing war. not to mention the piercings and jewellery he's adorned with.
Sokka has been the leader of the remnants of the Southern Water Tribe for three years, and due to the strict gender divides, had no one to teach him how to lead in the way a chief would. He has been the one hunting, defending, in charge of the future of their civilisation, the education of the children, which is really important in their culture. the memories of his father would be so twisted to the memories Hadoka has of Sokka. Sokka, in the months before he left, lost his mother, protecting his little sister. he then saw his father fall deep into depression, becoming very detached, and from what is described, angry and violent, not towards him, but that his still scary behaviour to witness. Then, his father left, and he was told he couldn't come, and that he was in charge of the village. Even though it was probably to boost his ego at the time more than anything, the impact on Sokka in that moment, combined into quite literally what his job becoming.
Just imagine when he finds out the secrets Zuko's hiding and how his father and Bato knew and didn't tell him. Sokka has struggled with feeling like he isn't important, as a non-bender and his relations with his sister, her being a prodigy + a bender, and his father, always feeling like he wasn't enough for his dad, not good enough, not smart enough, not needed, but the Zuko's good enough, Hakoda loves him.
Zuko, who has had an incredibly traumatic and difficult childhood, the last three years of his life is where he has found and made a spot for himself in a positive community that loves him and supports him, Sokka has become increasingly more and more isolated, and his sense of self has changed even more dramatically in the last few weeks.
Sorry for the long rant, but I could just feel Sokka's fears and insecurities screaming at me throughout the chapter. Love this work though, just cried for Sokka <3
HIII OH YOU SO GET IT!! OH YOU SOOOO GET IT!! The fic is for SURE Zuko-centric, but I have been intentionally layering on the potential for his arc to align with Sokka's in completely the opposing way. Zuko has everything Sokka wants, he has a space with the crew, the warriors. he spent the last three years with his father and Bato, bonding, developing his identity as a person alongside the tribe, welcomed in, he has gotten to be everything that Sokka has always wanted. Meanwhile, Sokka has everything that Zuko wants. Sokka was home, somewhere safe with people who cared for him and looked up to him, with his sister, away from his parents and in a position where he was in charge of his own life. Its such a twisted, complex situation where the two crave, desperately, what the other has without thinking about the context. Without thinking of what got the other to the point of having what they wanted, both in turn. IM SOOO happy to see someone talking about Sokka ohhhughhh im so fucking happy. I think a lot of people have focused on Sokka's initial attitude towards Zuko, without thinking about every single thing you've brought up in this beautifully constructed comment, of which I am really excited to eventually flesh out when I am back from hiatus. Sokka, more than anything, wants to be a warrior alongside his father. For Zuko, he doesn't think Sokka fully understands the gravity of what that would look like, especially after having experienced such a heavy loss as he had recently. (RIP king im sorry) but for Sokka, he see's a replacement. he doesnt know the nuances, not for lack of intelligence but he just literally hasnt been told and although he is owed explanation he isn't owed Zuko's story in its full, of what led Hakoda and Bato to the decision of keeping him on board. I firmly believe if Zuko had have been older, or had have been a child from any other nation, Hakoda and Bato would have not kept him. I actually go over this a lot in the early chapters where they're deciding wtf to do. It genuinely ended up being a problem of "well. No matter where we put him he's gonna get killed. How fucked up is that, safest place for this kid is LITERALLY on a warship of the enemy. great." I also think acknowledging the fact that Zuko HAS had a lot of support and comfort in the last three years whereas Sokka has not is a super important point to be made! Despite the current circumstances, and the ones that led Zuko to being in the position he is/was, Zuko did have support which Sokka lacked. TBH, if I hadve had more wiggle room and decided to fuck with canon more then I already had, I would have left a good amount of the warriors in the SWT, unlike in canon. Or had Hakoda go back to leave soldiers there when he realised they were going to be gone for longer then what I am assuming was initially planned. However I was more then aware that would SIGNIFICANTLY change the circumstances of Sokka's experiences and how it aligns with Zuko's, in canon and in the fic, so i chose against it. This is such a sporadic messy reply I am just so happy to get a comment picking up on all the stone I've been laying for a big discussion on the details of Sokka's own trauma and how its going to clash with Zuko's.
All this to say, Sokka will absolutely be getting his turn to hash out everything you've said here and I can promise you no stone will be left unturned when it comes to his trauma and life experiences!! I think a big thing I am most excited for is having the two hash it out and realise where their lives overlap, where their feelings and experiences align and managing to acknowledge that each others traumas dont cancel each other out. Zuko's experiences do not cancel out Sokka's, and Sokka's do not cancel out Zuko's.
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turtleblogatlast · 7 months ago
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I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#His aptitude with subterfuge sleight of hand stealth and speed really push how being a ninja really comes naturally to him.#it’s arguable that his desperation for the spotlight and validation is an act of subterfuge against himself#note that when he’s offered a job as a mascot he’s fine being unknown#when he and splinter win the battle nexus Leo immediately says ‘they love YOU pops’#idk I think so much about how good a ninja Leo is#and how much his persona is more an actor#Leo as a tot is shown a natural skill at katana too so hear me out-#every Leo is a natural ninja but every Leo’s route in life is directly tied to their splinter so#since rise splinter is an actor Leo too aims for it#and he brings it into his whole life - masking always because a Leo makes what they do who they are#I think that Leo naturally falls more in line with that of a typical ninja#his eccentric performer self is his subterfuge skill just set to an 11 at all times#not that that’s NOT him - like I said it’s still undoubtedly a part of Leo#but? idk I think about little moments like Leo being the only one to choose stealth in bug busters#or Leo being the only one to almost get Gus’s dog tags in The Ninja Art of Hide and Seek (he was so close but luck was against him alas)#like- he’s clearly in his element there and he falls into those skills so easily#it’s like how everyone has skills in so many things but some exceed more in some than others do#like Raph? Raph’s the biggest Hero of the bunch of them let’s be perfectly real here. Raph is THE Hero#All the boys are smart in their own rights but Donnie is THE Genius.#and they all have mystic powers but Mikey is THE Mystic Warrior with immense untapped potential#likewise Leo I feel is THE Ninja#but yeah I love how much Leo goes for the spotlight anyway for better or for worse#he IS a performer again make no mistake! but again the way he does it still lines up with his natural ninja aptitude and I love it#Leo loving magic tricks and magicians so much works doubly well here because like#you’d think he’s focused solely on the performance flair - no it’s ALSO and ESPECIALLY the DECEPTION
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