#[because sometimes it happens to me too]

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[cutiesigh]

❤️🖤🩷

Wuthering Waves has taken over all of my free time recently, so here's a sketch of Scar!Ren I originally shared in da 14DWY Discord!!

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[starcurtain]

Sometimes I think about Aventurine in the moment he first discovered his Pathstrider abilities. The moment he first realized he could shield not only himself but also others. The very first moment he realized he could be a source of safety, rather than a burden--than a curse.

Sometimes I think about the hatred he must have felt for himself in that instant.

Where was this power when their camps were burned to the ground with every last one of their meager possessions? Where was this power when his mother died begging as he cowered, playing dead in a bath of the blood of everyone he knew?

Where was this power when his sister stood tall, a silhouette against the lightning, and used her body as the shield? Where was this power in the maze, when it could have spared the screaming child who was the first to die?

You could have saved them. You could have saved them. You could have saved them.

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool

[paradoxbeta]

I'm curious, how would your Suns design look during more serious situations, such as one of the Spearmaster broadcasts?

something like this

and now for a (slightly long) addendum: i know i depict SRS as jokey and kooky, but when it comes to not shitposting and actual characterization, i have Thoughts and Feelings about them. the entire story, they just want to do what they hope will help the people around them, even though it all ends up horribly, HORRIBLY wrong. that's tragic, and it has my interest. considering the heaviness (and intrigue) of SRS’s storyline, for me to only ever depict them as a goofball be way too shallow of me, and unfaithful to their canon characterization.

so to answer your question: they hold themselves together, of course, but the shame, regret, and embarrassment is still evident.

[originalaccountname]

Uhh i just finish stormbringer and i didnt quite understood Rimlaine relationship im sorry if this comes off as annoying its just that i read some of your analysis and you explain thing very good, thanks in advance 💗

Their relationship is complicated and contradictory. Ultimately, their lack of communication (both in talking and listening) dug a hole so deep between them that they both had to die before it was fixed.

I'm gonna attempt a timeline to break it down, so you can see what happened. This got way too long despite my best efforts so I'm putting it under a cut:

At an undisclosed time, Rimbaud, a spy/special agent working for France, goes to defeat a mad scientist and ability user, Pan. Pan had created a sort of puppet, named Black No12, who could manipulate gravity and obeyed him blindly. Rimbaud managed to cut the link between them, and Black No12 turned against and killed his creator and master.

Rimbaud took Black No12 under his wing as a fellow spy for France. He trained him and made him his partner. He gave him a name, his name from before he changed his identity to become a spy: Paul Verlaine.

Rimbaud wanted the formerly brainwashed person he found to be independent. Despite his origins, Rimbaud wanted Verlaine to feel human. He was his friend and wanted him to be happy.

Verlaine, on the other hand, was haunted by not being or feeling human. He felt lonely and isolated, and Rimbaud pushing so hard to make him feel human only rubbed salt in the wound. But he didn't tell Rimbaud any of that.

Rimbaud gave Verlaine the hat right before their operation in Japan to retrieve project Arahabaki. The hat had a special ability alloy woven into it meant to make sure no outside instructions could be used to brainwash him again. That was Rimbaud trying to guaranty Verlaine complete agency, one step closer to making him human. This was only a grim reminder of what he was to Verlaine. After the lukewarm reception of his gift, Rimbaud starts to feel permanently cold.

When they got (what they thought was) the artificial human from Project Arahabaki out of the lab, Verlaine was taken by the Bungou Stray Dogs curse of seeing yourself in other people and wanting to save them to save yourself. Verlaine told Rimbaud he was taking the child and going into hiding to raise him as a normal human being, to protect the child from the same pain he felt. Rimbaud, who hadn't realized how his dear friend suffered, still didn't understand and tried to reason with Verlaine that they couldn't possibly turn their backs to their home, and that the child would still be with them in France.

This poor communication resulted in Verlaine feeling trapped and choosing to shoot his only friend in the back. They fought and Rimbaud got the upper hand before he got surrounded by the lab's guards and desperately tried to use Arahabaki to defeat them too. This ended in the Suribachi incident and his loss of memory. Verlaine still had enough strength to stop Arahabaki/Chuuya's rampage before vanishing who knows where.

Fast forward 8 years, Fifteen happens, with Rimbaud, now permanently cold, who got some of his memories back. Rimbaud wants to know more than anything what happened to his partner and friend all those years ago, and is even willing to kill Chuuya (and Dazai) for it. As he dies, he remembers what happened that night while they were escaping, and how Verlaine chose to shoot him in the back over Chuuya. He tells Chuuya that he was probably human all along, and to live no matter what, before vanishing into thin air.

One year later, and Verlaine has found Chuuya and decided to try again to take him so they can be lonely together. He's trying to both isolate and protect Chuuya in a twisted sense of responsibility and kinship (and the power of projection). When Verlaine finally loses himself to Guivre, he manages to tell Chuuya about how he stopped Arahabaki 9 years ago in Suribachi so Chuuya could do it to him now. Chuuya understands from this that Verlaine might have felt lonely and oh so bitter about the world, that he might have hated his existence, but he had found friendship in Rimbaud and wished to save the world in his name. One person had been worth it, so he couldn't just destroy it all.

After the fight is over, Verlaine is dying from Guivre's energy having been depleted by Chuuya's efforts. As he dies, Rimbaud appears: Rimbaud has created a singularity with his own ability at the time of his death, maintaining his mind alive in his subspace by absorbing himself as his ability on loop. He's like the Old Boss was in Fifteen, just a puppet, not a human... but he's still Rimbaud. And Rimbaud wanted his friend to live and be happy.

Rimbaud apologizes for not understanding Verlaine's struggle with humanity and incidentally handling it badly. Then, he passed on his ability, now a singularity, onto Verlaine to replace Guivre as his source of life: a lot less powerful, but enough to keep him going. Rimbaud tells him he's glad Verlaine was born because he got to meet him, and disappears for good.

Verlaine realized then, way too late, that he really cared about Rimbaud. Rimbaud spent a whole year as something that wasn't human just for the chance of seeing Verlaine again and apologize to him. That got to Verlaine too. Since then, he's been hiding in the Port Mafia's basement, uncaring of the world, and mourning his friend and the friendship he passed by without knowing.

In the shortest, in-novel words possible:

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

[tacobellabeanburrito]

Things That Irk Me In Ace Attorney Fanfics:

When Larry is a pervert, bad friend and seen as the butt of every joke.

When Klavier is depicted as a pervert and pushy in his romantic endeavors.

When Phoenix hates Klavier and avoids him.

When people don’t acknowledge that Pearls is as much of a daughter to Phoenix as Trucy.

When people don’t add Sebastian into the Miles family and only see Kay as Miles’ adopted daughter.

When people don’t add Kay to the Phoenix, Miles and Trucy family.

When people don’t add Sebastian or Apollo to the Trucy, Kay, Miles and Phoenix family.

When Franziska and Phoenix hate each other and only tolerate each other for the sake of Miles and Trucy.

When Klavier and Ema aren’t see as worsties.

When Miles is seen as not seeing Ema as a daughter either.

When people think that Phoenix doesn’t care as much about Ema as he does to all of his adopted weird girl assistants.

When people see Athena and Simon as lovers instead of siblings/family.

When people don’t think that Phoenix sees Apollo and Athena as part of his family and then they get left out of the loop.

When people don’t make the prosecutor’s office a family.

When Phoenix, Gumshoe and Maya aren’t seen as besties.

When Miles doesn’t care about Gumshoe.

When Miles doesn’t see all the others in his life as family/friends except for Franziska, Trucy and Phoenix.

When Phoenix and Miles are seen as hating Larry and not wanting to hang out with him.

Will probably add more. Also, not saying that people are wrong for viewing the characters like this, it’s just sometimes when they do this it really irks me because I interpret their relationships and characters differently.

Also feel free to add in the comments and stuff! But don’t be mean, please.

[poorly-drawn-mdzs]

This is the start of something new

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[ghurab-alzilal]

The Limit of Love

Raven: Would you help me if I was hurt?

Damian: Definitely.

Raven: Would you help me if I was dying?

Damian: I'd give up all of me for you.

Raven: Would you avenge me if you couldn't save me?

Damian: In a flicker.

Raven: So...

Raven: Can I borrow your Redbird for a while?

Damian, roundly : Never.

[shrimpari]

“I made a pact with Vol, a pact of Blood”

Strahd von Zarovich and his very, very good friend.

[lunarharp]

played dragon age 2...just simple scribbles