#<- ANALYSIS TAG GETS USED AGAIN

[dreamsy990]

time for too many words about like. 4 lines in a song.

before i talk about it though i think its important to acknowledge that odysseus does not know the full story. from his perspective, athena abandoned him completely. he made a mistake, and she chose to cut off their entire relationship in an instant. to him, athena in this scene is a friend and mentor who wouldn't stick with him through one mistake coming back to apologize a decade too late, long after he needed her. he doesnt know about god games, he doesn't know athena fought for him, he may not even know she helped telemachus at the time of their interaction. this needs to be taken into account with how you read his reply.

that being said, there ARE TECHNICALLY two ways to read his response to athena (i didnt even realize there was more than one until rereading the conversation so this is a late addition). and one of them does not make any sense to me logically so im going to talk about it at the very very end.

what odysseus is responding to when he says "[that world]'s one i'll have to miss" is what Athena says first, about making a better world. mind you, this doesn't come completely out of nowhere for her, since in warrior of the mind she says, "maybe one day he'll follow me and we'll make a greater tomorrow / then they see i know he'll change the world". i don't think athenas goals particularly changed here?

i see some people say she's suddenly shifting morals by the end, but athena has never been as into ruthlessness as some people like to portray her as? her objection with odysseus sparing the cyclops wasn't that mercy is bad, it was that he was stupid. she says the cyclops is a threat until he's dead. the very first thing she says afterwards is that odysseus was reckless. athena's upset that he acted on emotion and impulse instead of logically. "you've grown soft" doesn't feel like her rejecting the concept of mercy entirely, it feels like her saying it's a bad thing in exclusivity (with this being a reaction to odysseus embracing polites' philosophy and his verse about how killing isns't good).

the point is, what odysseus is saying is that he can't be the warrior athena wanted anymore. he's encouraging her to try making a better world on her own, but he can't be a part of it. and i really do think what he says isn't an outright rejection of anything but athena's initial question.

from a less objective standpoint, it's been a decade since their falling out. its hard to stay very angry with someone for a decade even if you're still upset, and nothing odysseus or athena says reads in a way that would make me think they it's been a decade since their falling out. also, athena's "very well" at the end doesn't sound particularly upset, like you would expect if the conversation was anything besides what i've been saying. so um. i dont think its a bad ending really i think its the only thing that makes sense.

ok analysis over that was way too long to write and way too many words for this.

ok i lied gonna talk about the alternative way to read it rq.

so i think upon first listen it would be easy to hear athenas line "i cant help but feel like i led you astray / maybe there's a world where we don't have to live this way" and misread odysseus' line "if that world exists, it's far away from here / it's one i'll have to miss" as him rejecting a world where like. they're not avoiding / upset with each other anymore. but that just doesn't make sense when you consider literally anything else about his verse, because later he says "you might live forever, so you can make it be". it makes no sense for him to be responding to the last thing athena said, then, because how can she make a world where they're friends again if odysseus is saying he doesn't want to be part of it. it just makes no sense. so thats why i think what hes saying is a rejection of her offer to make the world better.

i am SO fr when i say people who think odysseus and athenas ending is bad are kind of missing the point

[calmlb]

can we as a society please stop calling Dazai the “demon prodigy” like it’s canon??? IM BEGGING

his canon nickname is so underused too… i mean c’mon, the “black wraith of the Port Mafia??” idk if i’ve ever even seen it used in a fic 😭

[vxsellie]

okay so i talk abt loving hozier all the time but i never rlly delve into how fucking significant his music is. and i think, in light of the recent election, it’s time to do so

so here’s my analysis on hozier’s song “swan upon leda”

(ignore if some things are worded weirdly, this was initially written for my sister & my sister only. so it might seem like i’m talking to u as a friend, that’s why!) also if there are any inaccuracies in the myths' interpretations, PLEASE lmk!

anyway here it is!!!

So, before we get into the lyrics themselves let’s take a little peeksie at the song’s background!

Not only is this one of his most political works, but it was also published three years after he literally ghosted the world. And that only makes its debut so much more significant seeing as he’d taken the time to make sure he’d have everyone’s attention when releasing it.

Also, the title is so so so fucking important to take into account when studying this piece of fucking ART. It’s based off of the Greek myth ‘Leda and the Swan’. In this tale, Zeus is heavily attracted to a woman named Leda and transforms her into a swan before raping and impregnating her.

In turn, Hozier connects this story (and also the overarching theme of Zeus being the most powerful god despite being a rapist and child predator COUGHTRUMPCOUGH) to the way women are denied their reproductive rights & how these horrid occurrences effect all of those involved, not just the woman who bears the burden.

A husband waits outside A crying child pushes a child Into the night She was told he would come this time

He paints a picture here, putting an unnamed protagonist into a modern-day tale of patriarchally inflicted torment. The waiting husband symbolizes Zeus in the ancient context as well as an unnamed rapist in modern context. He waits and waits, never acting. He stands outside, so very close to where the problem lies and yet does nothing.

The crying child is inspired by Leda & made into the song’s protagonist, depicted as underage and therefore not able to give her full consent to this outcome. The child she pushes is the one that had been forced upon her, it going into the night symbolizing an untold future. Something she hadn’t asked for and yet is thrusted into doing. Her fear means nothing to the waiting husband & means even less to society as a whole. So, she does it scared. She does it with tears streaming down her face because deep, deep down she knows she has nobody to aid her in this despite having been promised to have help; having been promised that he would come this time.

Without leaving so much as a feather behind To enact, at last, the perfect plan

This illustrates the parallelism of Leda having been turned to a swan and the unnamed child having been forced into the life of a mother. Not leaving a feather behind, to Leda, represents the lack of proof she’d had to Zeus’s cruelty. He’d simply found her, transformed her, impregnated, transformed her back, and left. Now, had a feather been left, she’d have had proof. She’d have been believed. But that kind of miracle never happens for rape victims, now does it? No, instead she was forced to carry a ton more children by a husband that didn’t believe that she’d been raped by Zeus. This, in many ways, connects to real day occurrences that I don’t believe I need to digress on each individually. Though, I happily would if it proves my point mores.

The perfect plan he speaks of is the men getting away with it. In every tale, in every real-time situation, the men get away. They get what they want from the woman, leave her (and their newly formed fetus) to rot, and leave to return to their wives. The perfect plan, is it not?

The gateway to the world Was still outside of reach of him Would never belong to angels, Had never belonged to men.

This. This is why I love Andrew Hozier-Byrne, ladies and gentlemen.

As he speaks of a “gateway to the world”, he’s referring to childbirth. To bring a child into the world is a gateway, correct? It’s a bit of inexplicable divinity, pregnancy. To create an entire being with naught but your own bodily organs and cells? Those of which had been made by a woman before you? Yeah, it’s pretty fucking insane to me. Anyway.

Okay back on topic. The point is, this amazing occurrence he discusses is said to still out of reach to “him”. This unnamed male figure can be both Zeus in the myth or the husband in the modern altercation. This means that, despite them having forced themselves upon these beautiful souls, they haven’t a say in gateway. They don’t have a single fucking important role to play in the birth itself. They’re just the sperm.

And then Hozier goes even further. Not only does he say that the rapists are unfit for the sanctitude of childbirth, but heaven itself is unfit. The angels up above. Zeus. God. Whatever religious aspect you want to praise; it doesn’t hold a candle to the divinity that is a woman. As are the men. All men. Mankind itself, if you will. Regardless of your role or title or holiness, you’re all fucking useless when it comes to the sacred act of conceiving, creating, then bearing another human.

After the first chorus, the image alters to another scenario:

A grandmother smuggling meds Past where the god-child soldier, Setanta, stood dead Our graceful turner of heads Weaves through the checkpoints like a needle and thread

This shows a grandmother stealing medicine for an abortion, likely for a daughter or granddaughter. This shows the generational struggle to make the right choice. As it feels both revolutionary and also something she’d been doing her whole life. Fighting for rights.

Now, Setanta, as referred to in the song, is based off of an Irish myth. In this myth, Setanta is the name of a child who had killed Culann’s guard dog in self-defense and therefore felt guilty. In a fit of grief for the life he’d stolen, Setanta offered to take its place and thereby became known as the “Hound of Culann”. His story is actually really interesting to read about, but I won’t go into too much detail on every depicted myth. As Hozier refers to the checkpoint soldiers as Setanta, he claims they’d “stood dead” at their watch — which goes to show that these soldiers are young (as Setanta had been) and he therefore protests against the way they’re surrendering their full lives to this ruined system of oppression that they enforce.

Someone’s frightened boy waves her on She offers a mother’s smile, and soon she’s gone. The gateway to the world The gun in a trembling hand

This right here is absolutely fucking amazing. Hozier connects both oppressor and oppressed, humanizing the grandmother to be retrieving meds for an unplanned pregnancy & also personifying the young boy as someone’s child who needed something so simple as a mother’s kindness to keep him going.

The way he does this goes to show what a talented person he is. Being able to make your audience sympathize with both the boy and the grandma is fucking magic. Rather than making the soldiers wholly evil and merciless, he made them children. The same children the lady is trying to prevent bringing into this world.

When nature unmakes the boundary The pillar of myth still stands The swan upon Leda Occupier upon ancient land

While the first chorus is a reminder of childbirth’s right to be protected and not put in the hands of religion or men, the second chorus ties it all together by showing the repetition in history and how it’s bound to repeat itself so long as man remains lustful for power. This shows that greed and brutality is an undeniable way to keep this horrid pattern living on. He laments that nature did not intend to have one rule over another (men over women; society over youth). And yet, somehow, it’ll forever remain unavoidable.

The pillar of myth still stands. That crumbling foundation it had been built o remains, standing tall as more and more men come to repeat it. And, in all honesty, I doubt it’ll ever end. The child will continue to push the child. The husband will continue to wait. The grandmother will continue to smuggle her rights. The boy will continue to tremble. And mother nature will continue to watch with a frown on her face as mankind sets more pillars atop her divinity.

All in all, Hozier is awesome sauce!!!

[afterthelambs]

"Silco didn't create Jinx, you did" lives in my mind rent free because throughout season 1, Vi has been convincing herself that Silco is the obstacle preventing her from getting Powder back. She's traumatized and guilt-ridden. When Vi is traumatized, she simplifies things as a response. She has to believe that getting her sister back is that simple. But when Silco is finally dead, Powder doesn't come back to her. In fact Silco's death is what solidifies Jinx's decision to be Jinx (the complete Jinx aka Jinx + Powder, not the broken version of her that she tried to erase Powder from).

And that's likely why Vi switches on her so quickly. By the time season 2 starts she's fully on board with Piltover wanting to kill Jinx and when she confronts her in ep.3 she says Powder is dead and they're not sisters anymore. Which is wild considering just a few days ago she was reassuring her that they'll always be sisters.

I think Vi meant all of it. At the time she really did want Caitlyn and the enforcers to kill Jinx. But that's because she's still just as traumatized and guilt-ridden as she was before. She can't deal with the fact that Jinx herself is the real reason she can never get Powder back. And as I said, Vi simplifies things as a trauma response. However if they had actually succeeded in killing Jinx, I think Vi would live in regret and self-hatred forever. What someone wants when they're traumatized and hurt is not what they want forever, and Vi does love her sister.

[aroaceleovaldez]

I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.

The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.

Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.

Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.

For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.

I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!

If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?

TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.

Anyways, give your characters hobbies, it’s good for them.

[valewritessss]

If I read one more “annabeth is toxic” analysis where they leave out the part where Percy laughed after the judo flip and where they subtly make Percy out to be some weak and submissive victim while they’re at it I’m going to scream

[fluffypotatey]

That is, huh. A lot more of a thought out response then what I was going for lol. I was like “what little rat does that remind you of” “the dude spying in the castle just now” when I rhetorically said “what shadowpeach does that remind you of” and you debunked it 😭 but since we’re talking about this now

Wiki calls em “an interconnected, self-perpetuating cycle. Yin and yang can be thought of as complementary and at the same time opposing forces that interact to form a dynamic system. Yin and yang transform each other: like an undertow in the ocean, every advance is complemented by a retreat, and every rise transforms into a fall.” Idk about you but with Mac getting chaos powers, I figured the show might take inspo from this, what with the cycles and all too. There might be an opposite “order” power in contrast to Nines. If Pandora’s box is literal, MK is “hope” there’s a lot of other symbolism fandom likes the stereotypically portray into their ShadowPeach lol. But they have day/night too. Nobody has to think too hard to take inspo, and most shows don’t in my experience. Shout out to Ninjago and ATLA just mixing culture and language in a way that annoys people and placing it under one umbrella.

well i mean, lmk is already playing with the themes of order and chaos. except there Order was on the side of the antagonists while MK was Chaos (being the harbinger and all). we saw it with LBD and Azure and now with Nines

also, lmk’s order can be seen when it talks about Fate and Destiny and even the “story”, but in a way where they are shown as being too fixed and bureaucratic compared to the lessons being taught to MK and by MK which are “your fate (order) is your own and can only be determined by you.”

we had it with MK telling LBD “do you really think the universe cares about any of us?”

we had it when Macky told MK “if you tread the paths already carved for you, then you doom yourself into a self-fulfilling prophecy”

we have it even more explicitly in s5 from Wukong: “sometimes you need to carve your own path and fuck all the rest”

lmk is all about finding that balance between the chaos of your mind and the forced order of the world around you. our own daily ying and yang that we must balance, and that is why i don't place those themes with shadowpeach just because it takes away from the crux of the show where it’s original focus is on MK and how he changes and grow throughout the seasons

tbh i think their day/night themes with ying/yang are significantly minor. the major focus with them is the themes of betrayal and reconciliation and past haunts

[hauntingblue]

:)

[sskk-manifesto]

What a good episode. Maaaaaan

[fuck-kirk]

I’m in the middle of writing a long ass Danny Phantom fanfic and it’s kinda crazy bc for one I haven’t written a fanfic in almost 7 years, and for two I entered this fandom when I was literally TWELVE how am I still into it…my brain doesn’t get rid of fixations so easily I guess

[eyelinerdean]

i miss when the spn community was much more active... so many of my mutuals from back in 2021 or even 2022 are gone now. looking back at old posts like holy shit this blog used to be so active

[mvrdermeharder]

Kaiser-goal analysis part 1:

Okay this has been on my mind for a while and I want to get it out real quick

it wasn’t quick, i’m still editing this TWO DAYS LATER

[This is not the analysis I’ve said I wanted to write about Kaiser’s fucked up relationships, I still didn’t get started on that… But I’ll tag you @fyeahkainess since this “little” summary of Kaiser’s goals has a lot to do w kainess, so I thought it might interest you anyways…]

So, most of the goal celebrations in bllk include players giving each other physical affection, or getting close to one another.

And I guess there’s Rin’s latest goal, which is a kinda-nuts-but-still-strangely-endearing moment where he unintentionally bonds with the other crazies of pxg.

But we also have some strikers who did not get a so called “cute celebratory moment” after their goal: Noa against Barcha, Kunigami against Barcha and Manshine, Chigiri against BM

HOWEVER

These players have only scored once or twice

(Ik chigiri scored against manshine and ubers too, but we did not see the what kind of celebration happened after it)

So then we have Kaiser, who scored one goal in every game, each getting more and more impressive from a technical and difficulty standpoint, and yet… there’s less and less directly affirmative celebration going on after each one

So I’ll try to make sense of that if I can…

First goal:

Everything goes according to Kaiser’s plan,

Ness is the one who assists,

Kaiser is very satisfied with the goal,

The pose oozes confidence, there is an ominous, untouchable quality about it (the strong shading and artistic composition of the panel also helps), it’s hard to imagine anyone trying to approach him for a hug or something

Others admire/acknowledge his talent from afar (Isagi’s and Noa’s comments have the most weight, but other players are in awe as well)

And what we see afterwards is Kaiser getting a high five from Ness -> quick and brief physical contact, which based on Kaiser’s facial expression, only seems like an indulgence to let Ness have something.

Still, Kaiser lets him close, and keeps his body turned towards him in an open, relaxed position. And I would really like to highlight it: Ness is the only one he lets close, even if the other BM players actually contributed to the goal as well (I’ll elaborate on this later)

Second goal:

Everything goes according to Kaiser’s plan,

Ness assists,

Kaiser is satisfied with the goal,

The pose - while still full of confidence and satisfaction - is much less intimidating. I could actually imagine other players getting close to celebrate, he seems far less unapproachable here. It’s the goal itself that gives him that untouchable vibe instead of the pose.

Which is why still, other players acknowledge his skills only from a distance.

Although a high five or other physical contact is absent this time, Kaiser keeps facing Ness and even approaches him. This greatly contrasts with how he keeps his back to Isagi, only turning to him in a cocky manner to tease and belittle.

And it all makes sense: in ch 243 Kaiser says how his goal is “to send all the worlds soccer players to the depths of despair” in ch 261 he expresses that he doesn’t know how to receive kindness, it’s easier to be a target of malice, and that he enjoys being an untouchable impossibility that brings despair.

So of course he doesn’t celebrate his goals with other players. Instead, seeing their shocked face and broken spirit is the celebration itself. That is the reason why he’s so weirded out by Isagi being all fired up instead of hopeless. It’s uncomfortable for Kaiser, who is still on his high from the goal and the reaction it evokes. It’s like a slap in the face that drops him from his happiest state.

He later expresses how Isagi’s behavior when faced with the impossible is not normal in ch 207. We see how it bothers him greatly as it goes against everything that he exists for. So he starts fixating on Isagi even more in the next match, to crush him as to finally feel satisfied and get affirmation for himself. Because seeing others broken after his victory is the only thing making him feel human, it’s the only thing that makes him feel good for once, so obviously, he needs to see Isagi fall in line. In the next game however…

Third goal:

Isagi is the one who starts the play, Kaiser simply steals the ball -> he doesn’t have control over the plans and playmaking,

Ness does not contribute,

Kaiser hates that the only possibility for his goal had to start with Isagi’s plans, it goes against his own esteemed self worth, thus he’s not proud of it at all.

After his goal, we see him obviously pissed off but still holding it together if only barely: his expressions and eyes are mostly covered by his hair, but when we see them they are nothing but furious and frustrated.

While other players are shocked by the impossible goal and acknowledge it - again, from a distance - Kaiser does not take satisfaction from it.

So what we see afterwards is a Kaiser who is doing his best to mask his frustration, with the only one daring to approach being an overjoyed Ness. And well, from Ness’ viewpoint, so far he has has received “affection” when Kaiser is on a high from an incredible goal, and this one was the most impressive and difficult one yet, so obviously they could celebrate this together right? Maybe in a way that lets him even closer to Kaiser?

In ch 243 he says “at some point his dream became mine”, but I think there is much more to this… In my opinion he’s just as exited about seeing Kaiser happier than ever and possibly being allowed to be close to him, as he’s exited about the goal itself. Because remember, we have NEVER seen Ness initiate physical contact. Kaiser is the one does, but only rarely: when he’s feeling the most assured in his existence = after scoring a mind-blowing goal that Ness’ pass sets him up to. (More on all of this later in the post…)

But unlike before, Kaiser does not face him after the goal, he keeps his back to him, and then viciously snaps as he can’t bear Ness voicing out (what he himself considers) as failure.

There is a sharp 180 in Kaiser’s behavior that’s obvious: he does not want to face Ness, only does so to reprimand him, and when he’s done with that (the circled panel above) he immediately turns away from him to face Isagi instead

After he declared how much he needs to see Isagi lose to him, this newest goal only contributed to the opposite of that. So now he feels even worse, needs to bury Isagi and the threat he poses to his existence even more urgently. This takes up all of his attention and focus.

And imo he does not bother to reward Ness with attention for another additional reason: Ness did not assist or contribute to the play. Kaiser only keeps him close so that he could have someone to pass to him and create a path to score. It’s very likely he’s INTENTIONALLY giving the most affection to Ness only after scoring with his help. Essentially love bombing him to encourage Ness’ cravings for making a goal possible, so that he could get to see Kaiser at his happiest, at his most open-to-affection-state. Which all benefits Kaiser.

(Alright I’m sorry, I swear I will post the continuation tomorrow, but this is already so long, and i’m still not finished w putting my thoughts together regarding the fourth goal… Because boy oh boy there are even more stuff to analyze with the Magnus goal…

So rn I’m posting this as a part 1, as I just can’t bear to have it in my drafts any longer)

Edit! Read part 2 here, and part 3 here.

[yujateaandpi]

Gravity Falls Thirty More Years AU and Art Masterlist

Here's all the pages of the comic in order plus some of the other GF stuff I've made. I'll keep updating this list to make it easy on y'all.

Edit: I have a new tagging system! All asks will be tagged #thirtymoreyearsau without spaces, and all comics and fic updates will be tagged #thirty more years au with spaces. If you want the whole story together, then you can filter using this tag on my account! Filtered link here.

If you like the comic and would like to support it, here’s my tip jar! Donations also appreciated for this family's fundraiser!

Thirty More Years AU Comic:

Page 1

Pages 2 and 3

Page 4

Page 5

Page 6

Page 7

Pages 8 and 9

Page 10

Pages 11 and 12

Pages 13 and 14

Prequel Multiverse Mini Comic

Epistolary Prequel Companion/ Dipper's Diary Entries:

"Dear Mabel, I Miss You"

Answers to Common Questions:

What is the Thirty Years AU?

A Gravity Falls fan story and comic about what would happen if Mabel and Ford both fall into a leftover multiverse rift at the end of summer. They experience a week of silly adventures but return to a world where 30 years have passed and Dipper + co have aged without them. Told as both a comic and a companion fic.

2. How old are the characters?

Answer

3. When does the story take place relative to the show?

Answer

4. Where's Bill?

Answer

5. Where else can I read the comic? Will you distribute it on a site?

Releasing it on my Instagram (but Tumblr gets the pages earlier cause y'all are special). As for releasing it on a site, answer here.

6. How many pages/ how long will the comic approximately be?

Subject to change, but here's my answer for now.

7. How often will you post/ when will you post again?

Here's my answer for now, but if there's delays between posts please don't spam me with questions on when I'll post again. The updates will come when they come and I'm trying to keep this flexible.

8. Is this Drifting Stars AU/ Other Similar AU?

Answer

9. Someone's reposting on TikTok/ Other social media! Are you okay with this?

No, and please report them if you can. Answer here.

11. Will you tag me/ make a tag list?

Answer

12. Why haven't you answered my question?

Answer

13. What art program/ brushes do you use?

Answer

Other Fanart

Twin Glare^2

Kitten Sweater

Pines Pines Pines

Happy Birthday Twins

Gravity Falls The Odyssey AU

Sona Shenanigans

Fiddleford to the rescue

mystery trio eizouken

twins in time mini comic

F-fiddlestan…🥺

Stan Pines Mini Character Analysis Essays

Apparently I do this a lot, so collecting them in one place:

Poll thots

Rough and tumble little Stanley

Stan Appreciation

that magic 8 ball man…

off topic Billford thots

off topic Fiddleford thots

off topic Fiddlestan thots

off topic Emma May thots

[alltimefail]

ATTENTION DEAD BOYS FANDOM:

We have some unfinished business and a case to solve: The Case of the Curious Cancellation! 💀🔎

Here are the ways you can help (be sure to read until the end).

I'm not sure how many people here on Tumblr are also over on DBDA Twitter, but there have been MANY developments in the last 24 hours and it's important for all of us to be on the same page if we're going to have a chance in hell of saving our show.

First and foremost, we need to get Dead Boy Detectives in the Netflix Top 10 again. This means running it as much as possible. Read about that below:

(SOURCE x)

As the graphic says, the goal is to have it running on a loop constantly, as much as you physically can. Be sure to have some level of volume on or else it won't count. If you're on Twitter be sure to post your rewatch (photos of your tv, commentary, etc.) with the hashtag #ReviveDeadBoyDetectives !!!

Also, there's no better time to do this: the Tweet below brings up a great point! 👍

(SOURCE x)

Second, and easiest thing: KEEP TALKING ABOUT THE SHOW AND CREATING CONTENT ABOUT THE SHOW. Analysis, fics, fanart, shitposts, gif sets, memes, tik tok videos, so on - do not stop! Reblog other people's stuff and talk about it! Give fics kudos, comment, make fic rec lists and post that WIP or sketch! The most important thing to remember is to TAG YOUR POSTS AND CREATIONS. We need to trend!!! On Tumblr make sure you continue tagging your posts as you probably already are (look at my tags on this post if you need help, and remember not to use "DBD" on here because that is another fandom! We use DBDA here). On Twitter you want to use the hashtag #ReviveDeadBoyDetectives for the rewatch and #SaveDeadBoyDetectives is a popular one, too. You can also use #DeadBoyDetectives. Hell, I usually use all three if I can! Hashtag every post you make about Dead Boys, no matter how annoying or "cringe" you may feel. Flood the fucking tag and do not stop.

Third, everyone needs to sign and keep circulating the petition. We've surpassed 5,000 signatures in a day which is fantastic, but we need more. Get everyone you know to sign it; tell them it takes no more than 15 seconds. Be annoying until they do it just to shut you up.

Fourth, request "Dead Boy Detectives Season 2" through Netflix's support website. It's a small thing but if we all do this a couple times a day it will get their attention. They really do vet these suggestions, and an influx of requests for a canceled show will raise eyebrows.

Lastly, if you decide to write Netflix (via email or a letter - their office address has been floating around) please remember to stay concise and professional. Don't curse at them, don't call names. State that you are disappointed with the cancellation of the show, maybe add an anecdote about what it meant to you, and I would even recommend attaching some articles that emphasize people's displeasure with the platform abandoning shows on a whim and Netflix's flippant attitude toward queer shows in particular. Dead Boy Detective Agency on Twitter has retweeted every article on this topic so far, you can find their page here.

You can also use graphics such as the ones below to affirm that the cancellation was unjust.

(Source 1, Source 2)

I know this feels like a lot: know your limits and take care of yourself. Whether you do every single one of these things or just a few of these things, every llittle bit helps!

Even in the worst case scenario where nothing changes, this gesture will mean so much to everyone who made this show. We owe it to the writers, cast, crew, and each other to TRY. We can all agree that this show deserves at least another season and if Netflix isn't going to do it, they need to be open to selling it to someone who will. We cannot keep allowing them to axe these queer and diverse shows with little regard for their customers and their employees, but also because it sets a harmful standard in the industry that is destroying television.

Let's crack this case and bring our agency back! I truly believe in this community!! 💜 We can do this!!

If there are any spelling errors or issues with links let me know! I did this on mobile because I want to mobilize this information as quickly as possible! I'll be adding on to this with new developments and can answer any questions you all might have. Lets save our show!

[eudikot]

You know, sometimes I hate tumblr when I want to hit ctrl + z and reverse a few words or letters like you can do in Word or any other text editing software, but no. Do that here and it gets rid of 5 paragraphs and two images that you spent the last 30 minutes editing into your post.

[bizarrelittlemew]

PROUDLY PRESENTING:

The Unofficial OFMD AO3 Wrapped 2024

sponsored by my love of fandom community, a passion for data presentation, more hours in photoshop than I am willing to admit, and inspired by the Good Omens AO3 wrapped

images used are either official stills or screencaps from episodes and the Vanity Fair lie detector video. everything edited by me :)

a few additional stats:

79 works had more than 100k words, with an accumulated 16 million words, meaning 1% of works accounted for 21% of words

At a reading speed of 300 words per minute, it would take 174 days and nights to read all of the OFMD fic from 2024 - or, if you read for 11.5 hours every day for a year, you'd be able to get through it all!

The most tagged sex acts for explicit fics were (in order): Anal Sex, Blow Jobs, Oral Sex, Anal Fingering, and Hand Jobs

271 works were tagged "Art"

details about data collection and analysis ⤵️

All data was collected on January 1st, 2025. I limited search results within the fandom tag to works updated between 2024-01-01 and 2024-12-31. Works started earlier but updated in 2024 are therefore included. Works added and deleted again during the year are not accounted for.

I manually typed data from the AO3 search into Excel, so there may be errors and inaccuracies due to the limits of the AO3 search function, authors' tagging choices, and typos (sorry lmao). There is probably an easier way to do this but idk I was bored and didn't mind. Graphs were made in Excel.

For the total word count estimate, I collected the exact word counts of all works above 100k, then gathered data on the number of works within pre-selected word count intervals and multiplied the number of works with the average of the interval (for each interval). The total sum and cumulative graphs for both number of works and word counts are presented above.

I made posts on tumblr and bluesky asking people to nominate their favorite tags from 2024, and included as many as I could.

This is just how I chose to present the data - I hope it makes sense and I'm open to questions!