#your acceptance is conditional at best

[drowfag]

They should invent a living with your parents that didn't want to make you kill yourself every time you talked to them.

[carebeardean]

Charles loves Edwin So Much for so many reasons, but I think there must be a particular kind of joy for Charles, who walked on eggshells trying not to say the wrong thing to set off his dad for years, and probably brushed off a lot of racist micro aggressions from his friends before they killed him, watch Edwin Payne absolutely rip a man to shreds with his words.

edwin can’t fit in, has always been too effeminate, too queer, too autistic, and they already killed him for it so he doesn’t bother. what a relief it must be for Charles to be around someone completely, stubbornly himself.

someone who doesn’t lie because it doesn’t occur or him to. someone who is viciously, rightfully angry about the violence that was done to him. who maybe.. Charles doesn’t have to pretend around

[lycanlovebites]

You know what? Fuck you *hits Father Ardelian with the shoujo filter and babygirlifies your priest*

@stjohnstarling

[maxdurden]

adaine's family relationships are something i can actually be so incredibly normal about too btw

[dream-sans-mogai]

You know what? I'm not done.

The fact y'all white mogais fought tooth and nail to not have to put white in your bios or somewhere readily available was actually insane and confirms my already existing theory that some of you think once you have a certain amount of kins, f/os, irls, mental illnesses, xenogenders, orientation modifiers, alters and neopronouns, you lose white privilege and it absolutely shows that you do not lose that privilege exclusively because y'all have become pretty consistent white saviors lmao

Like y'all literally cried about it being too identifiable about you and being the same as doxxing like you weren't already sharing with everyone the exact percentages of your orientation attraction, age, state you live in, public name, like... I have to wonder hard how many of y'all participate in anti-racism activism to be an ally, actually understand why certain things are actually racist and help POC and how many of you exclusively do it to look better to other (white) activists and ease your white guilt.

Now y'all aren't even including byi/stance pages on top of a total lack of dni and wonder why radqueer beliefs are seeping in and every new term is basically transabled under a different name. I called it when I first saw this new batch pop up and I'm saying it now, they have their radqueer blogs with their radqueer content that you have blocked and they have their other blog named something like prxncxss-of-nxght or something with $50 worth of custom lazy caard graphic edits with needy streamer girl and 17 titles but no public stances for all their normal xenogender content. You didn't fight it so there they are. They ain't saying shit. Hell, no one said shit when ra/diomo/gai litterally reblogged a word for word transabled term. "Internal self" you realize that's just flowery language right? Like the creator themselves already said that it applied "to the soul and not the physical form". Please read a room. "#disability"? Are you actually fucking kidding me? No one batted an eye?

I don't think the community is dead because I don't follow a lot of big names anymore or because a lot of big names have deactivated, y'all just stopped caring and moved on despite all these beliefs you said you cared about. I don't really care, I've pretty much known from day one that a majority of the community is literally just full of shit about all these 8 paragraph basic feminism posts and vents crying about racism from fully white people.

I'm not someone to rip someone apart publicly for being what they say they are, then there's no need, but lieing about it? Damn, at least be shitty honestly.

Don't harass me, the creator of that term or ra/diom/og/ai over this. Just block and move on, I'm not having some public drama back and forth over a clearly transabled term.

[jasontoddenthusiastt]

Maybe it’s just me, but family ties and status don’t really mean jack when the way you interact with your family members/loved ones is abusive (and by default, utterly unacceptable).

[multishipper-baby]

Having more AU and eakwynn brainrot, as expected.

[chronicbitchsyndrome]

so: masking: good, unequivocally. please mask and please educate others on why they should mask to make the world safer for immune compromised people to participate in.

however: masking is not my policy focus and it shouldn't be yours, either. masking is a very good mitigation against droplet-born illnesses and a slightly less effective (but still very good) mitigation against airborne illnesses, but its place in the pyramid of mitigation demands is pretty low, for several reasons:

it's an individual mitigation, not a systemic one. the best mitigations to make public life more accessible affect everyone without distributing the majority of the effort among individuals (who may not be able to comply, may not have access to education on how to comply, or may be actively malicious).

it's a post-hoc mitigation, or to put it another way, it's a band-aid over the underlying problem. even if it was possible to enforce, universal masking still wouldn't address the underlying problem that it is dangerous for sick people and immune compromised people to be in the same public locations to begin with. this is a solvable problem! we have created the societal conditions for this problem!

here are my policy focuses:

upgraded air filtration and ventilation systems for all public buildings. appropriate ventilation should be just as bog-standard as appropriately clean running water. an indoor venue without a ventilation system capable of performing 5 complete air changes per hour should be like encountering a public restroom without any sinks or hand sanitizer stations whatsoever.

enforced paid sick leave for all employees until 3-5 days without symptoms. the vast majority of respiratory and food-borne illnesses circulate through industry sectors where employees come into work while experiencing symptoms. a taco bell worker should never be making food while experiencing strep throat symptoms, even without a strep diagnosis.

enforced virtual schooling options for sick students. the other vast majority of respiratory and food-borne illnesses circulate through schools. the proximity of so many kids and teenagers together indoors (with little to no proper ventilation and high levels of physical activity) means that if even one person comes to school sick, hundreds will be infected in the following few days. those students will most likely infect their parents as well. allowing students to complete all readings and coursework through sites like blackboard or compass while sick will cut down massively on disease transmission.

accessible testing for everyone. not just for COVID; if there's a test for any contagious illness capable of being performed outside of lab conditions, there should be a regulated option for performing that test at home (similar to COVID rapid tests). if a test can only be performed under lab conditions, there should be a government-subsidized program to provide free of charge testing to anyone who needs it, through urgent cares and pharmacies.

the last thing to note is that these things stack; upgraded ventilation systems in all public buildings mean that students and employees get sick less often to begin with, making it less burdensome for students and employees to be absent due to sickness, and making it more likely that sick individuals will choose to stay home themselves (since it's not so costly for them).

masking is great! keep masking! please use masking as a rhetorical "this is what we can do as individuals to make public life safer while we're pushing for drastic policy changes," and don't get complacent in either direction--don't assume that masking is all you need to do or an acceptable forever-solution, and equally, don't fall prey to thinking that pushing for policy change "makes up" for not masking in public. it's not a game with scores and sides; masking is a material thing you can do to help the individual people you interact with one by one, and policy changes are what's going to make the entirety of public life safer for all immune compromised people.

[osaemu]

GOJO SATORU: ONE FOR THE MONEY, TWO FOR THE SHOW

✩ ‧ ˚. synopsis: you and satoru, your fake boyfriend, have awards to accept and places to be. so how'd you two end up fucking in a bathroom? NSFW

contents: fem!reader. semi-public sex, p –> v, blowjob, unprotected sex, creampie, praise, you two get walked in on at the end (kinda). references hungry for more. not proofread, ignore any minor mistakes. 3.5K words.

“you two are so cute together,” the interviewer sighs, looking at you and satoru in turn. “please, tell us more about your relationship!”

satoru laughs, resting his hand on your back and pulling you into his side. you put on a smile and instinctually put a hand on his chest, pretending not to notice the way he stiffens up at the contact. “where do i even begin?” satoru asks dryly, turning and looking down at you affectionately, and he’s almost a good enough actor for you to believe there’s any real emotion behind those cold blue eyes.

two weeks ago, satoru’s media team came to you with a request for you two to start dating as a way of gaining more attention from your fans. naturally, you declined—it’s not like you’d gain anything from the deal but the burden of being paraded around on the arm of the man you hated—satoru gojo, the cocky son of some famous actor in the 90’s. but after multiple increases in the amount of money satoru’s team was willing to throw at you, you finally agreed under the condition that this arrangement would end the second you wanted it to.

“i’m sure you’ve seen our latest movie on netflix,” satoru starts, looking back up at the interviewer, whose eyes have practically turned into hearts. “the one with the serial killer, yeah? well, it started from there and just grew into more.”

“i guess you could say the attraction on the screen wasn’t all acting,” you add with a knowing smile. good thing you were a decent enough actor to pretend as if you weren’t just lying through your teeth, otherwise the millions of dollars in your bank account would all be gone. 

the interviewer laughs and turns to the camera, saying something about how the chemistry between you and satoru was what really made the movie a hit—in fact, it might even be the reason you’re both getting nominated for best actor and actress.

“well, if you’d excuse us, i think we should get back to the party,” satoru jumps in, nodding his head at the interviewer in thanks. he removes his hand from your back as you follow him to the main area, weaving through crowds of fans and interviewers on his way there. you walk at his side, heels clacking against the freshly polished floor. satoru dips his head and whispers, “hold my hand.”

you scrunch up your nose and shake your head. “no thanks, it’s not like anyone’s watching right now. it’s way too crowded.”

“just do it,” satoru mutters, grabbing your hand anyways. when you start to pull away, he fixes you with a stern look and adds, “they’ll think something’s wrong if you don’t.”

“ugh, fine.”

two hours pass, filled with other actors’ remarks on how good you and satoru make as a couple. suguru geto, one of satoru’s close friends who had played a cult leader in a recent documentary even said that you might be the girl who could fix satoru. yeah, right.

“so, when do awards start?” you ask satoru, swirling your drink and relishing the sound of the ice clacking against the side of the glass. he shrugs and takes a swig from his own cup, which looks suspiciously like apple cider disguised as champagne. “really? you’re nominated for like, four awards, and you don’t even know when you’re getting them?”

satoru laughs carelessly and looks you up and down, eyes lingering on the short cut of your dress. “at this point, i’ve got so many awards that it doesn’t even matter anymore. and by the way, you look really good in that dress. oh, wait, didn’t i buy it for you?”

“you’re not smooth.”

“then why am i nominated for best actor, huh?”

“because the system’s absolute shit, obviously. otherwise toji would win every time.”

satoru groans and drinks the last couple sips of his drink, rolling his eyes. “don’t even mention that piece of shit.” you shrug in response, hiding your smile behind your glass. a couple years back, satoru had lost a role to toji and to his despair, the movie did really well, despite what he’d promised to the producers who had turned him down. and it looks like he’s still bitter over that, and all of a sudden, the perfect plan to piss satoru off appears in your head.

“look, it’s toji right there!” you gasp, setting down your drink and hopping off your seat, walking over to toji while ignoring satoru’s warnings. “oh, hi, i’m a big fan,” you say to the tall, well-built man, smiling bashfully. toji turns and looks down at you, raising an eyebrow and smiling.

“hey, pretty, you’re the girl in that movie with the serial killer, yeah?” he asks, crossing his arms. you nod and internally marvel at how tall he is—especially compared to satoru, who, by any standards, is pretty damn tall. toji looks you up and down, taking his sweet time drinking in the way your dress hugs your figure. “that scene in the alley was really fuckin’ good,” toji adds conversationally. “you’re definitely winnin’ best actress for that.”

anyone who’s watched the movie knows that the scene he’s referring to is the one where you get fucked by satoru against a dark alley wall—and you’ve seen enough edits of the scene to know exactly why it’s getting all the hype.

“aw, thanks,” you say coyly, resting a hand on your hip and tilting your head. “y’know, i’ve always wanted to star in a movie with you,” you continue, hearing satoru come up behind you in the background. you ignore the sickeningly obvious way he clears his throat and flutter your eyelashes at toji, who’s eying you with interest.

“i’d like that. i can probably pull some strings,” toji replies with a smirk. his dark eyes flicker from you to satoru and his smile turns almost patronizing. “and who’s this?”

“her boyfriend. and i really hate to interrupt this friendly chat, but she’s not up for grabs,” satoru snaps, wrapping an arm around your waist and dragging you back to your spot at the bar. you shoot satoru an indignant glare, but receive no reply besides his tightening jaw. toji laughs and waves you off, mouthing “call me” at you when you turn back apologetically. 

satoru drags you by the hand to one of the bathrooms, shoving open the door with the side of his arm and pulling you inside. there’s a long, shiny counter, which you become very familiar with once your fake boyfriend hoists you up and sits you on it. “the fuck was that?” satoru hisses, narrowing his eyes accusingly.

“what, we were just talki—”

“i don’t like the way he was looking at you,” satoru interrupts, crossing his arms tensely. he fixes you with a cold stare and you fidget uncomfortably with the hem of your dress, which you now realize is rather short. 

“okay, and?” you reply irritably, starting to get annoyed by the way satoru keeps patronizing you. “it’s not like we’re even dating, gojo,” you snap, emphasizing the use of his last name.

“yeah? well, i don’t need my ‘girlfriend’ slutting herself out to the guy everyone knows i hate,” satoru fires back, taking a step forward. his palms rest on the counter on either side of your exposed legs, and you suddenly notice how red satoru’s face is. the flush in his cheeks wasn’t as noticeable underneath the bar’s dim lights, but here, it’s rather obvious.

“are you jealous?” you ask incredulously, unable to suppress the cheeky smile that finds itself on your face. satoru’s jaw slackens and his eyes widen, and that’s enough of a sign for you to confirm it—satoru gojo, your fake boyfriend, is jealous. he doesn’t reply immediately, so you laugh, throwing back your head and giggling at the way satoru’s petty rivalry seems to be only one of the reasons he was so eager to get you away from toji. “aw, that’s so cute, but we aren’t even dating, sweetheart,” you coo, reaching out and caressing the side of satoru’s face.

he instantly swats your hand away, rolling his eyes at your laughter. “well, we still have to act like it, you idiot,” he mutters, leaning over you and eying the low neckline of your dress. you instinctively cross your arms and glare at him, and satoru only cocks an eyebrow in return. “so, if we were actually dating, do y’know what i’d be doing right now?”

“what?” you decide to humor him.

satoru’s demeanor completely changes at your question, going from pissed and flushed red to almost playful.

“this.” 

and just like that, satoru slips his slender fingers underneath the bottom of your dress and pulls it up, exposing your black, lacy panties. 

“gojo, what the—”

“shh, it’s all for the show,” he whispers teasingly, brushing one finger against the warm skin of your thigh. you involuntarily shiver from his touch, and against all rational impulse, find yourself wanting more.

in the acting community, satoru was well-known for being a stuck-up brat, and when you two had first announced your relationship, plenty of actors doubted it. after all, how could you, the classy it-girl of the movie industry, date an asshole like satoru? but even you were surprised at how easily people started to believe it when you two interacted in front of them. you’ve been told that you two had a rather unexpected burst of chemistry together, and that your relationship might actually make it.

what a shame.

satoru hooks his fingers underneath the waistband of your panties and tugs them down, raising an eyebrow when you don’t protest. he maintains eye contact with you as he slides your panties down your thighs, exposing your embarrassingly-wet cunt. satoru looks almost as surprised as you do at how soaked you are, even as he runs two fingers over your slit before sliding them in. you hate how good it feels—it’s been a while since you got a chance to sleep with another man, especially since you’ve been stuck with satoru for the past two weeks. 

“shit, you’re so fuckin’ wet,” satoru murmurs, scoffing in mild disbelief as he meets your eyes and smiles. he curls his fingers upwards, causing your thighs to reflexively close before satoru reopens them. “so, wanna explain, sweetheart?” he tsks, tapping your thigh with his other hand.

you make a face and look away, cheeks heating up the longer satoru waits for a response. “it’s probably from toji,” you snap back after a moment. satoru laughs sarcastically, shaking his head almost condescendingly and pulling out his fingers.

“nice try, hon,” he says sweetly, lifting his fingers to his mouth and licking off your slick in one smooth motion. satoru exhales heavily and swallows, taking his time in doing so. “want me to go grab toji to join us?” satoru asks, forcing a smile on his lips. “i’m sure he’d love to watch you beg—”

“shut it, gojo,” you interrupt, swatting away his hand, which somehow found its way back in between your thighs. “we have an award show to get to, there’s not enough time for this bullshi—”

that was a mistake. satoru instantly lifts you off the counter and, ignoring the rather wide range of curse words you throw at him, sets you on the ground and starts unzipping his pants. “shh, we got all the time in the world. they can’t give an award to someone who isn’t there, right?” satoru cooes, threading one of his hands through your hair and pulling you closer to him. his other hand finishes unzipping his pants, freeing his already-hard dick.

you look up at satoru, forcing yourself to act unimpressed—even though you know damn well he can see through your half-hearted attempt at hiding your real feelings. “s’ that all?” you ask, hating yourself for the crack in your voice when satoru laughs at you. 

“ah, i think it’ll be more than enough for your pretty face to handle. now c’mon, open nice n’ wide for me,” satoru instructs you, reaching down and tilting up your chin as he guides his dick into your mouth. against all rational impulse, you let him, all while glaring daggers at him from below. 

you run your tongue over his flushed red tip, and satoru sucks in a harsh breath, chest tensing as you continue kitten-licking him. his hand moves from your chin to the top of your head, and he pushes your mouth farther onto his dick, jaw tightening the more your tongue laps at him. 

sure, maybe you shouldn’t be sucking off your fake boyfriend in a bathroom where anyone could walk in at any time, but it’s the first time you’ve felt this way in too long, and you weren’t ready to let this feeling go just yet. so you humor satoru and moan, smiling when you feel the way his whole body loosen up at the soft vibration. “f-fuck, didn’t think you’d actually know how to give a man a good time,” satoru mutters through gritted teeth. 

“really?” you ask, pulling away from his dick for a moment to catch a breath. “we fucked for that movie, though, and you seemed pretty damn satisfied then, didn’t you?” you say in-between heaving breaths. satoru scoffs and shakes his head, pushing your mouth back onto his dick.

“yeah, but that was for a movie. this isn’t,” he clarifies, eyes fixed on the mix of spit and pre-cum dribbling down your chin as you continue sucking him off. “fuck, why are you good at this?” he hisses, almost incredulously—it’s as if he was hoping you wouldn’t be this good for him for some reason, but now’s not the time to reason through it or wonder what’s going on in his mind.

satoru shudders around you, and you feel the hair threaded through your hair tighten. it’s not enough to be painful, but his grip still makes you whine from the increased pressure. his breathing becomes more shallow as you run your tongue over his length, and his foot starts to bounce on the floor as he gets closer to cumming down your throat. “shit, baby, m’ close,” satoru confirms a moment later, tilting his chin back and glaring at the ceiling. 

“fuckin’ hell, i—” he cuts himself off with a loud, lengthy groan, pushing your head even farther on his dick and tensing as the full force of satoru’s orgasm hits him. he lets loose a flurry of curse words as he cums in your mouth, filling you up to the point where it starts dripping down the side of your face. it’s hot and salty, two sensations that you normally wouldn’t put together, but in this moment it’s all you can think about as you slide one hand downwards towards your throbbing pussy.

still reeling from his surprisingly quick orgasm, satoru leans back onto the counter and pants for air. as for you, you’re starting to want some of his pleasure for yourself—so you slip two fingers inside your cunt and pulse them back and forth, needy moans slipping out of your lips at every thrust. “gojo,” you call, looking up at him and licking his cum off your lips. the sight of you kneeling in front of him, cum dripping down your lips and fingers knuckle-deep in your cunt is enough for satoru to cum again, but he forces himself to maintain some level of control.

“jus’ call me satoru,” he murmurs, reaching down and tugging you up to your feet. it’s hard to stand while your legs are trembling, but thankfully, satoru does most of the work for you by positioning you against the wall, back facing him as he aligns his still-hard dick in front of your dripping pussy. “say it,” satoru mutters in your ear, resting one hand on your waist and the other on the wall just above your shoulder. “say my name f’me, sweetheart.”

“s-satoru,” you breathe, and a moment later, your fake boyfriend—who doesn’t feel so fake anymore��shoves himself inside of your welcoming cunt. you’re already wet enough to the point where he doesn’t really need to prep you at all, but you’re still just tight enough so that every thrust feels like he’s breaking you down in the best way possible. 

“y’feel so good,” satoru groans, resting his chin on your shoulder and snapping his hips back and forth, setting a steady yet harsh pace. you stutter out satoru’s name again and again as your vision goes blurry, with your only thoughts revolving around the dick shoved up inside you and the man praising you in your ear. 

satoru curses when he feels your walls clench around him, breaths growing shallower with every thrust. “arch your back for me, princess,” he mutters, eyes fluttering rapidly as he squeezes your waist. “yeah, jus’ like that,” satoru praises, breath brushing against the side of your face as he continues thrusting into you. “how’re you feeling, pretty? s’ this all right with you?”

you nod shakily in response, swollen lips hanging wide open as you gasp for air. satoru clicks his tongue and slows his pace, dipping his chin and studying your face. “gonna need you to use your words, angel.”

“m' good, i wanna cum,” you mumble, a loud moan slipping through your lips when satoru laughs and resumes fucking you a millisecond after you answer. 

“i’m gonna fill you up, baby, i promise,” satoru whispers, and his words are barely audible over the lewd, sticky sounds coming from everywhere. all your senses are directed at satoru—the man you really shouldn’t be fucking right now, but all your inhibitions fade away as you feel your stomach start to tighten as you approach your orgasm.

“fuck, satoru, m’ close,” you whimper, arching your back even more and clenching your teeth shut. satoru sucks in a sharp breath as he confirms that he’s also about to cum, and his thrusts grow sloppier the closer he gets. “don’t stop, please, i—”

from there on, your words mix themselves together, with the only understandable word being satoru’s name. your fake boyfriend spills into you first, cum leaking from his tip and mixing with yours as you both chase your releases. and it hits you hard—if it wasn’t for satoru, you would’ve crumbled to the ground from the sheer force of your orgasm. all you can see is white as satoru finishes emptying his load inside of you, and the sticky, viscous liquid trails down the warm skin of your thighs as it overflows from your abused hole.

“shit,” satoru mutters, stumbling backwards and eyeing his now-soiled clothes. “this was a couple thousand dollars, damn it.”

you exhale a breathy laugh and turn around, leaning against the wall and meeting his half-lidded eyes. “you kidding? my dress was way more than that, and there’s no way i can wear that out now.”

satoru grins, running a hand through his ruffled hair and walking back towards you, touching your waist and sliding a finger over your dripping cunt. “you were so good f’me, baby. what were we arguing about again?”

“i have no idea,” you mumble, watching satoru lick his finger clean. he’s shameless—even as clarity returns to both of your minds, he still insists on dragging the moment on. not that you mind—that was the best sex you’d had in a while, even if it was too fast and in a bathroom.

“we should get back to the ceremony,” you say distractedly, pulling down your dress and frowning at the new wrinkles. “can i wear your suitjacket? i don’t want people to see this.”

satoru sticks out his bottom lip and pouts, looking you up and down. “but i like it. you look like you just got fucked by a really hot guy. oh, wait, that’s me!”

“you’re an asshole.”

before satoru can reply, the bathroom door opens, and you both jump out of your skins. thankfully, satoru had time to pull his pants on, otherwise it would’ve been significantly more embarrassing. suguru pokes his head in the bathroom and rolls his eyes when he sees you and satoru, and an exasperated sigh slips out of his lips when he sees your fucked-out states. 

“are you two seriously fucking during the awards?” suguru snaps, amber eyes glittering with dry amusement. you look away bashfully, tugging down your dress even farther out of embarrassment. satoru shrugs nonchalantly and walks over to suguru, offering his hand in search of a fistbump. 

suguru eyes him dubiously and crosses his arms. “did you wash your hands?”

“heh, no, not yet.”

ignoring satoru’s smug grin, suguru swats his arm away with the back of his hand, disgust evident all over his face. “gross, fuck off.” he turns to you and arches an eyebrow, looking you up and down disapprovingly. “you two should clean up before coming outside, otherwise they’ll probably take away your awards,” suguru adds, wrinkling his nose. “i’ll tell them you’re on your way.” 

“okay, thanks,” you mutter, face warmer than ever. suguru nods in response and leaves, and when you and satoru finally return to the awards ceremony, there’s plenty of whispers about you two, and most of them aren’t very family-friendly.

well, at the very least, nobody’s gonna doubt that you two were a couple now!

[hyperlexichypatia]

As I keep shouting into the void, pathologizers love shifting discussion about material conditions into discussion about emotional states.

I rant approximately once a week about how the brain maturity myth transmuted “Young adults are too poor to move out of their parents’ homes or have children of their own” into “Young adults are too emotionally and neurologically immature to move out of their parents’ homes or have children of their own.”

I’ve also talked about the misuse of “enabling” and “trauma” and “dopamine” .

And this is a pattern – people coin terms and concepts to describe material problems, and pathologization culture shifts them to be about problems in the brain or psyche of the person experiencing them. Now we’re talking about neurochemicals, frontal lobes, and self-esteem instead of talking about wages, wealth distribution, and civil rights. Now we can say that poor, oppressed, and exploited people are suffering from a neurological/emotional defect that makes them not know what’s best for themselves, so they don’t need or deserve rights or money.

Here are some terms that have been so horribly misused by mental health culture that we’ve almost entirely forgotten that they were originally materialist critiques.

Codependency What it originally referred to: A non-addicted person being overly “helpful” to an addicted partner or relative, often out of financial desperation. For example: Making sure your alcoholic husband gets to work in the morning (even though he’s an adult who should be responsible for himself) because if he loses his job, you’ll lose your home. https://www.nytimes.com/2022/07/08/opinion/codependency-addiction-recovery.html What it’s been distorted into: Being “clingy,” being “too emotionally needy,” wanting things like affection and quality time from a partner. A way of pathologizing people, especially young women, for wanting things like love and commitment in a romantic relationship.

Compulsory Heterosexuality What it originally referred to: In the 1980 in essay "Compulsory Heterosexuality and Lesbian Existence," https://www.journals.uchicago.edu/doi/abs/10.1086/493756 Adrienne Rich described compulsory heterosexuality as a set of social conditions that coerce women into heterosexual relationships and prioritize those relationships over relationships between women (both romantic and platonic). She also defines “lesbian” much more broadly than current discourse does, encompassing a wide variety of romantic and platonic relationships between women. While she does suggest that women who identify as heterosexual might be doing so out of unquestioned social norms, this is not the primary point she’s making. What it’s been distorted into: The patronizing, biphobic idea that lesbians somehow falsely believe themselves to be attracted to men. Part of the overall “Women don’t really know what they want or what’s good for them” theme of contemporary discourse.

Emotional Labor What it originally referred to: The implicit or explicit requirement that workers (especially women workers, especially workers in female-dominated “pink collar” jobs, especially tipped workers) perform emotional intimacy with customers, coworkers, and bosses above and beyond the actual job being done. Having to smile, be “friendly,” flirt, give the impression of genuine caring, politely accept harassment, etc. https://weld.la.psu.edu/what-is-emotional-labor/ What it’s been distorted into: Everything under the sun. Everything from housework (which we already had a term for), to tolerating the existence of disabled people, to just caring about friends the way friends do. The original intent of the concept was “It’s unreasonable to expect your waitress to care about your problems, because she’s not really your friend,” not “It’s unreasonable to expect your actual friends to care about your problems unless you pay them, because that’s emotional labor,” and certainly not “Disabled people shouldn’t be allowed to be visibly disabled in public, because witnessing a disabled person is emotional labor.” Anything that causes a person emotional distress, even if that emotional distress is rooted in the distress-haver’s bigotry (Many nominally progressive people who would rightfully reject the bigoted logic of “Seeing gay or interracial couples upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public” fully accept the bigoted logic of “Seeing disabled or poor people upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public”).

Battered Wife Syndrome What it originally referred to: The all-encompassing trauma and fear of escalating violence experienced by people suffering ongoing domestic abuse, sometimes resulting in the abuse victim using necessary violence in self-defense. Because domestic abuse often escalates, often to murder, this fear is entirely rational and justified. This is the reasonable, justified belief that someone who beats you, stalks you, and threatens to kill you may actually kill you.

What it’s been distorted into: Like so many of these other items, the idea that women (in this case, women who are victims of domestic violence) don’t know what’s best for themselves. I debated including this one, because “syndrome” was a wrongful framing from the beginning – a justified and rational fear of escalating violence in a situation in which escalating violence is occurring is not a “syndrome.” But the original meaning at least partially acknowledged the material conditions of escalating violence.

I’m not saying the original meanings of these terms are ones I necessarily agree with – as a cognitive liberty absolutist, I’m unsurprisingly not that enamored of either second-wave feminism or 1970s addiction discourse. And as much as I dislike what “emotional labor” has become, I accept that “Women are unfairly expected to care about other people’s feelings more than men are” is a true statement.

What I am saying is that all of these terms originally, at least partly, took material conditions into account in their usage. Subsequent usage has entirely stripped the materialist critique and fully replaced it with emotional pathologization, specifically of women. Acknowledgement that women have their choices constrained by poverty, violence, and oppression has been replaced with the idea that women don’t know what’s best for themselves and need to be coercively “helped” for their own good. Acknowledgement that working-class women experience a gender-and-class-specific form of economic exploitation has been rebranded as yet another variation of “Disabled people are burdensome for wanting to exist.”

Over and over, materialist critiques are reframed as emotional or cognitive defects of marginalized people. The next time you hear a superficially sympathetic (but actually pathologizing) argument for “Marginalized people make bad choices because…” consider stopping and asking: “Wait, who are we to assume that this person’s choices are ‘bad’? And if they are, is there something about their material conditions that constrains their options or makes the ‘bad’ choice the best available option?”

[teaboot]

One of the best parts about working at a sex shop is the employee discount, and yeah that means excellent deals on sex supplies but that's not the big brain part.

You come to my house. Something is cooking in the kitchen- it smells wonderful. What is it? It's novelty dick-shaped pasta. I've set up a sensual sexy Italian dinner. There are candles set up on the table. They're melting too fast, dripping everywhere- they're low temp waxplay pillar candles. For dessert, I serve you a delicious ice cream topped in penis-shaped rainbow confetti sprinkles and strawberry body paint drizzle, and afterwards, serve coffee with roasted hazelnut warming lube.

We play a board game while we drink. It's sexy monopoly. It's your turn. You roll the dice. They come up as 'whisper into' and 'butt'. I lost the original dice. We're using the sexy dice. You move four spaces.

After dinner, I run you a bath. A bubble bath. The bubble gel? Sensual ocean breeze. There are candles lined up around the tub. The scent is overpowering. Why? They're three-in-one fruit flavored massage oil candles. I'm using so much. It's so wasteful. Do you want to shave? I have conditioning shave cream that smells like limes. And an electric body razor, but you can't use that in the tub.

How about a bath bomb? You toss one in. It's cherry blossom scented. As it dissolves, three sexy bath sex suggestion cards fall out. They're all variations on doggy style, probably because fucking in a bathtub is probably the easiest way to break your hip.

The water cools. You get out an dry off with a novelty towel. If you wrap it around your chest, it looks like you have gigantic tatas bursting through the fabric like the Hulk.

You walk into the bedroom. I'm there, reading an instructional book titled "The Housewife's Guide To Every Day Stripping". I'm wearing a neck pillow designed to look like a massive curved weiner. Also a pair of fake leather bondage leggings and an oversized men's christmas T-shirt that says "Jingle My Bells" across the front.

I see you come in. I put down the book, take off the pillow. Offer you a massage. You accept. I already burned up all the massage candles so I pop a new bottle of CBD massage oil that says something wrong about Chakras on it. It's very gritty. That's because there's little chunks of amethyst in it for some fucking reason. It's fine, though. You say you don't mind.

I don't do massages very often. It's bad. You end up more tense than before. One of your muscles starts to cramp- it's okay. I whip out a bottle of Lidocane topical masculine performance numbing spray. You immediately feel like your shoulder went to the dentist. It's not ideal, but it's better than cramping.

You're not in the mood to bone after that. Which is good, cause I'm actually pretty asexual, but it hasn't come up yet so I'm relieved to avoid the conversation. Instead we get ready for bed. (The weather is terrible, and I insist you stay over.) I set up the futon, then realize it smells like cigarettes from the previous owner and shyly ask if you wanna cuddle in my room. You're down.

I crawl under the covers, placing my penis-shaped pink glitter pride bottle on the side table in case one of us wakes up thirsty. Once you're settled in, I turn off the glowing bare ass night light and the room goes black.

It takes a few seconds for your eyes to adjust, but when they do, you look up at the ceiling. It's dotted all over with little green flourescent lights. Are they plastic stars? No. I've pinned up a thousand glow in the dark condoms. God bless

[appsa]

As you may know by now my friend siraj's fund ( @siraj2024 ) for rebuilding his home has now simply become a survival fund due to how dire the situation is in gaza today.

With borders closed, aid workers routinely targetted by the IOF to the point that many orgs including UN officials themselves have paused humanitarian aid efforts in gaza, and barely ANY of the aid being sent making it through the israeli blockade– the best thing you can do is help people like siraj find the means to be self-reliant and provide for themselves and their families.

Will try to keep it short this time round, so please dont look away.

Due to recent displacement of his extended family from deir al balah because of violence by the IOF, siraj's fund is now supporting FIVE families instead of just the one

This means Siraj is now sole provider for 23 people instead of just the 5 it was before.

10 of them are just children between the ages of 6-12, including 3 of siraj's children and their cousins.

His children are already sick with infections and due to the cramped living conditions in the tents, they are all at risk at spreading illnesses between each other.

With so many people depending on him and much of gaza's medical infrastructure being reduce to rubble, it has become imperative that Siraj be able to reduce the risks for them as much as he can possibly can.

Right now Siraj wants to focus on providing clean drinking water.

This will help ensure that the children dont have to walk kilometers on foot to fetch a pail of water, only to constantly put themselves at risk of more debilitating illnesses like polio and hepatitis by having to drink the poisoned water in gaza for survival.

To do this, Siraj has decided to purchase a submersible water generator and some network tools. He needs YOUR support to make this possible.

verified (#219) / donate here

enter raffle / artists offering commissions for donations - [1] [2]

IMPORTANT: since the gfm organizer is based in canada, the fundraiser doesnt accept donations through p*ypal. If you would like to donate via PP or are having any issues donating with general cards, please DM @malcriada (siraj's trusted friend) to make the donation on your behalf.

Donate what you can, share if you cant. No amount of help is too little, and your support can truly mean the difference between life and death for these families.

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[humanityinahandbag]

Steve would absolutely be down to play D&D with Hellfire. The only condition is that he gets to be whatever character he wants (with Eddie's help crafting the sheet, of course), and Eddie is so completely enamoured and excited that he agrees wholeheartedly.

Turns out, Steve didn't really understand the concept of fantasy characters and assumed that it included all kinds of fantasies. Elves, Dwarves, Mages.

And naturally the lineup of Steve's 1987 Fantasy Basketball League.

The rest of Hellfire is ultimately accepting of it, and even gets into the character as time goes on. But those first few sessions were confusing as hell. Especially because they weren't quite sure what to think when Steve's only supplies and weapons included sports bars, tiny shorts, and a basketball.

Eddie though?

Eddie's been having a goddamn field day with the chaos his beloved hath wrought.

"Alright Steve. Roll to attack."

Steve rolls and lights up. "Eighteen!"

The other players cheer.

"Good luck," said Will sullenly after his magic missile failed to take the villain down. In fact, so far, nearly every attack from each member had failed to do enough damage to even make a dent.

Eddie writes down a note behind his DM shield. "Alright so the ghost approaches you. What are you..." He pauses. "Wait. Sorry what's your name again?"

"Larry Bird," says Steve helpfully.

"Right. What are you, Larry Bird, going to do to the Ghost?"

"I'm going to dribble across the enchanted bridge and hit him with a hook shot."

"This is the weirdest thing we've ever done..." Dustin whispers.

He's shushed by everyone else who has become absolutely invested in the fate of their resident Point Guard Paladin.

(the best part is that the end of the campaign in what was meant to be a difficult and long battle, in which almost every single Hellfire character dies a gruesome death, Steve effectively ends it by rolling a single D20 and dunking a zombie's head into the Boss' face.

Hellfire is elated but isn't sure how to explain to future Hellfire members that a kill shot was once carried out by the small forward of the Boston Celtics.)

[lucidfairies]

LET'S PLAY

pairing: ghostface!Abby x reader x ghostface!Ellie

synopsis: you've always been afraid of scary movies, but when abby recreates one of her favorites with some help from her best friend... lets just say you face your fears.

warnings: fear kink (?), threesome, pussy eating, strap usage, gendered pet names, double penetration + anal [r! receiving], face riding [e! + r! receiving], scissoring [a + e], very brief gendered talk ("but my sweet girl can take it, can't she?"), unrealistic squirting

wc: 2k

a/n: hi guys! to be fully transparent with you guys, I've been extremely busy over the last couple of weeks and have no chance to write. on top of that I'm extremely under the weather right now, so this is the only Halloween shot I have written. 😭😭 I'm really sorry that it worked out this way, maybe I can finish and post the others later on!

it was halloween. finally halloween. and the conditions were perfect. the dark night sky was filled with grey clouds that stuck out from the moonlight, fog had been gathering all day, so that once trick or treating started for the little kids and partying started for the older kids, it was just right. you had different plans on your mind, though. tonight it would be just you and Abby, with movies, popcorn, and definitely some costumes.

in all honesty, halloween scared you in the slightest. the movies that Abby often wanted to watch were gruesome, and you wound up with your hands over your eyes, merely listening to the shrieks and stabbings. abby loved it, though, so you found it in your heart to get over it.

that fear, however, resurrected itself when the clock passed eleven, knowing she was supposed to be home at nine-thirty. you had texted her a number of times at this point, even called her, with no response. it was more than strange; in all the years you and abby had been together, she had never, ever missed a halloween.

at a certain point you sighed and got off the couch, accepting that she apparently just wasn't coming home. you went down to your room, changing and laying down to sleep. you tossed and turned, not used to a bed without her body in it. after a while, you laid on your back with a huff, grabbing your phone to text her again.

before you could press send, you heard an aggressive jingle of the lock on the front door. it didn't stop, and you were slammed with the feeling that someone was trying to to get in. someone was trying to to get in. a bat hid behind your door, and you ran over to grab it before leaving your bedroom. you looked over your shoulder, into every room, but you didn't see anything. the kitchen was dark once you walked into it, and as you went to flick the lights on, you felt a strong hand on your hip that pulled you back, covering your mouth with their other hand.

the bat was ripped from your hands by a second person, and you screamed, but the hand covering your mouth was gloved and masked the sound. you could feel the captors heart beating and their chest rise and fall.

“sorry I'm late,”

it was abby. abby who followed you through your house and abby whose hand was over your mouth. the lights flicked on and you were faced with a different person, dressed in a ghost face mask and it's matching rags. you pushed out of abby's grip and turned to face her, realizing that she also had a mask on.

“what the fuck abby?” you quietly shrieked. “what was that? you scared me.” the light caught the knife in her hand, and suddenly a pit developed in your stomach. it was fear, flat, undoubtable, fear. “why do you have a knife?” she walked towards you slowly until your back was against the wall.

“don't worry baby, we're just gonna play,” her large body encased you. “you remember ellie, don't you sweet girl?” you nodded slowly, tears welling up in your tear ducts. “my poor baby, don't cry, we're gonna be real nice to you.” when she said that, you finally came to the realization as to what was happening. this is why abby loves the scary movies. she likes the control; the fear. you relaxed. “do you trust me, pretty girl?” you looked at her through the mask and nodded slowly. “do you trust me to not hurt you?” you nodded again.

“let's play then, baby.”

that's how you ended up here, on your back, with ellie on your face and abby between your legs. ellie had a hand in your hair, forcing you to look up at her while you ate her out. she was grinding down on your tongue, chanting your name as she chest rose and fell quickly. she had definitely already come, but she was using you to get off.

abby, however, had a strap buried deep in your cunt. you two hadn't used a strap before, you didn't even know where she got it, all you knew and could think about was how much she was filling you. the mask was still covering her face, but you almost got off to it. she had your legs pushed up to your chest, drilling her hips into your ass over and over, going even after your orgasm had lit up your body.

finally she let up, but you knew you weren’t even close to done. ellie got off your face and they both looked at each other, as if they were coming to a conclusion by just looking at each other, then they both looked over at you. abby discarded her mask and tossed it into the pile of clothes, loosening the harness from her hips and throwing it along with everything else. “get up,” ellie said, replacing you as you stood up. “sit on my face, sweets. face abby like the pretty thing you are.” the position was weird, but somehow it worked. you were backwards on ellie’s face, but her skilled tongue still managed to find everything you needed just right.

abby lifted ellie’s leg up, shifting herself between her lifted leg and her dripping center, rolling her hips down until they were both moaning. with the hand that wasn’t keeping ellie’s leg steady, abby grabbed you by the throat and brought your lips to hers, moaning into your mouth as your tongues met. ellie was so good at eating pussy, you almost didn’t want to pick between her and abby. maybe tonight meant that you could have both of them whenever you wanted.

ellie fucked you with her tongue while her thumb found your clit, spreading your wetness and her saliva over it and rubbing in rhythmic, slow circles. you were all but pushing all your weight onto abby, who was still riding ellie’s pussy. now, though, her head was back, neck exposed. you regained your headspace slightly, just enough to run your lips along her neck and suck. your lips traveled to her tits, marking her in a way you hadn’t before.

you stopped as soon as you felt your orgasm building quickly, instead opting for your previous option of grabbing her for support. it seemed as if you both were in the same boat, because her face scrunched up in focus, like it did every time she came. your head was on her shoulder as you came, whimpering at just how good it felt. ellie didn’t let a drop miss her tongue.

abby stood up, and you zoned in on how both of their pussies were covered in each other’s cum. your pupils were wide, your mouth was basically hanging open with drool. abby looked at you and chuckled. “wanna clean me up, sweetheart?” you got up from the bed and kneeled in front of her, assuming that’s what she wanted you to do, and waited for her to spread her legs. she leaned against the wall and propped her leg up on your shoulder, letting you lap at her until everything was gone. it tasted so good, so much like abby with a hint of ellie. it was the perfect blend.

though you wanted to lick up ellie too, she had already cleaned off with a bed sheet. “I have one more thing to try, if you’re up for it, baby.” you nodded profusely, and both girls looked at each other with a smirk. “get on the edge of the bed in doggy.” you did as told, putting your knees on the edge of the bed and arching your back so that your face was in the comforter. “good girl,” abby cooed, reaching down to pick up her harness and clip it on again. ellie also pulled one out from the jumble of clothes, and you wondered where hers was going to go. in the bedside drawer, abby pulled out a small bottle of lube, which she must have snuck in at some point earlier in the day to prepare.

earlier, when all of this started, you didn’t need lube, so you couldn’t understand what that was for. until both girls walked behind you. you felt the tip of one of their straps rubbing against your ass and you leaped forward, ill prepared. “this is gonna be a big stretch, baby, but my sweet girl can take it, can’t she?” you hummed at abby’s words, sucking in a harsh breath as her strap entered a new place. it was certainly different, but it felt so good. it was just the stretch you wanted, and it got even better when you felt ellie running the tip of her strap up and down your folds.

when ellie pushed her strap into you along with abby’s, the earth froze. “fuck, babe, look at your slut,” from what you could see, they were both admiring the way your stretched for them. You weren’t going to deny that it hurt a little, but with the way they were looking at you and the way ellie kept hitting exactly where you needed to plus the stretch of both of them, it made up for the slight discomfort.

once they gained a rhythm, you had them railing you at the same time, strokes hard and fast, with ellie’s large, skinny hands wrapped around your waist to keep you up. your hands grasped the bedsheets tightly, listening to your body as you neared closer and closer to finishing. there was another feeling building, one you hadn’t felt before, but you made an effort to ignore it. The closer you got, the noisier you became, moaning and grunting with every thrust until you were twitching on the edge of release.

the weird feeling that you were ignoring came back hard and fast, sitting somewhere strange in your bladder. it was like the urge to pee, but with some form of pleasure to it. they pulled it out of you with their harshness, making you squirt hard as you finished. you rolled your hips back at how strong your orgasm was, tears running down your face and creating a pool on the comforter.

you felt strangely empty as they both pulled out, unclipping both of their harnesses yet again and tossing them. “you did such a good job angel. let’s get cleaned up.” you all showered together, then abby surprised you with matching pajamas. ellie was packing up her stuff and you frowned.

“stay,” you said, and she looked up at you and smiled. “we can watch a movie. you can leave in the morning. don’t drive home in the dark.” she sat her backpack down and climbed into bed with the both of you. abby rolled over to grab the remote and turned on scream, just for the irony.

taglist: @inukastan1 @elliecoochieeater @pepperflakess @hastasupern0va @jazzys19 @purring4elliewilliams @decaffeinatedclodbagelweasel @lonelyfooryouonly @heyimrye (if your not tagged it said your account did not exist, I apologize)

[entitled-fangirl]

A sigil of mine.

Summary: the reader is taken from Winterfell while Cregan is at the Wall. He's a vengeful man.

Warning: kidnapping, dread, guilt, blood, scars, branding, talks of torture, our boy Cregan embodying Joel Miller when Ellie gets taken in the Last of Us

This one is dark

A/n: based on an ask! Also, fuck the Lannisters

I'll proofread later🫡

Masterlist

..............................................

"Lord Stark! An urgent letter has arrived from Winterfell!" A brother of the Wall yelled over the sound of the harsh wind that roared through the icy halls.

Cregan turned his entire body to him, a sudden pain in his stomach. What could be so urgent?

Cregan nearly rips the letter from the man's hand as he nears. The letter is stained with a dark red in places and he feels himself choke a little.

Lord Stark, Winterfell is under attack. By the time you read this, I will be long gone. I tried to protect the Lady as best as I could.  It was an honor to serve under House Stark and see you become a man. Please forgive me. Maester Tinedel

Cregan's hands shook violently as his eyes roamed over the paper another time. Then once more. His jaw set harshly as he looked up to the man that had brought such devastating news. "When did this arrive?" He growled lowly.

"Just this morning. Is it dated by any chance, my Lord?"

Cregan flipped the page and surely enough, the old maester had been wise enough to do so.

The air in his lungs escaped, creating a cloud in the cold air.

"Three weeks now."

The man stared in confusion at Cregan's sudden distress. "Is everything alright?"

Cregan crumpled the paper in his fist. "Ready my horse."

The brother of the Wall shook his head, "My lord, it is the bulk of winter. You can't possibly leave in such conditions. And you are not properly pack-"

"Ready. My. Horse. I leave within the hour."

The Warden of the North stormed away, a heaviness in his step from the sudden weight on his shoulders.

…

Cregan had always thought the travel to the Wall and back took too long on a good day.

Now, he was a mere bundle of nerves trying to tie what he could to his horse.

It would take too long. Whatever happened had happened and he wasn't there to save them.

To save her. 

He knew the guilt would eat his alive no matter how long it took him to get back. 

Surely another letter would arrive soon if things had turned for the better, but he wouldn't wait for that letter to show. 

The odds of one never arriving were too high.

"Are you certain of this, Lord Stark?"

He turned to the stable master with the hint of unshed tears in his eyes. "I'm not sure of anything. But I must return home."

The stable master nodded in acceptance, "And you're really not going to take men with you?"

Cregan huffed in frustration. "I cannot take men from the Wall. Their war is here. I cannot ask them to fight my own war as well."

"My lord, you're fighting both wars. Surely you can allow for some assistance."

Cregan hoisted himself up onto his horse. "I cannot promise when I'll return. But, should everything be righted, I will write back."

"If I may?"

"Yes?"

The man heaved a long sigh as placed his hands on his hips. "I wouldn't wish this feeling on my worst enemy, my lord. May the gods be with you on your journey and at your arrival."

Cregan bits the inside of his cheek. "Thank you."

With that, Cregan clicks at his horse, and the long journey began.

…

As expected, the journey was grueling. The cold was killing him from the outside in, but the constant need to stop and warm up was killing him from the inside out.

He couldn't even eat without thinking of the blood that stained the letter.

He couldn't sleep without thinking of the screams of his wife as another man's hands laid on her.

Even in the best case, the horror was too much to bare.

Despite his initial crumpling of the letter, Cregan kept it stashed away in his few belongings, smoothing it out and reading it every night before sleep consumed him. 

Just to crumple it again.

…

Despite the journey taking a usual two to three weeks when the weather was obedient, Cregan made it back to Winterfell in a week and half.

The consistent shiver to his bones only spurred him faster. 

He had plenty of time to consider his plan, should he truly be in need of one.

And now was the time to use it. 

…

Winterfell laid still. 

Cregan had expected fire and battle. A sound of swords clashing and men roaring.

Quietness was worse.

He had managed to get through the bulk of people with his hood up and his usual dire wolf cloak long abandoned. 

For in this moment, he was no Stark. 

He was a vengeful man.

He managed to sneak into the walls of the very place he should have been highly welcomed in.

For such a burly man, he was deathly silent. His boots made no sound on the stone floors, and his breath was so low that it may be thought that he didn't breathe at all.

He stood outside of his own chamber that he shared with his wife. He reached up and his hand faltered against the wood of the door. He couldn't dare open it.

"Oh, Lord Stark! Oh, thank the gods!" A female voice shrieked in relief.

Cregan flinched at the sound, turning on his heel to see the woman. His wife's handmaiden. He relaxed a bit.

"Oh. Sorry, milord. I didn't mean to frighten you. It's just I didn't know when you would return. Or if you'd return at all. And I-"

"Where is she?" He quietly interrupted.

The handmaiden stiffened and her face fell. "I… I dunno."

"She's not here?" He dared to ask.

She wrung her hands nervously. "You don't… you don't know?"

He tried to hold back his frustration. "Are they still here?"

She shook her head. "Left not long after the attack. Left just a few of us to pick up the pieces."

"And my wife? What happened to her?"

She let the silence set. 

He sighed in frustration and his hand moved to the chamber door.

"I wouldn't, milord," she warned.

He threw her a glare and dare to step in.

He should have listened.

The room laid in disarray. The furs from the bed were thrown on the floor. The furniture was moved, an obvious conflict had occurred. But that's not what Cregan's eyes moved to.

It was the scraps of clothing that were strewn across the room in various places. Some bloody.

His jaw went slack and he knelt down and picked up a strip of the cloth. Stark blue. 

His thumb rubbed at the fabric. He knew it well. His favorite dress on her. 

"They came in the early morning." The handmaiden spoke from the doorway. "Lady Stark had just gotten dressed for the day. I was… I was braiding her hair at the vanity when…"

"When..?" Cregan questioned. 

"It happened so suddenly. The screams."

He stood. "Who did it?"

"House Lannister."

Cregan took a deep breath. "Is she dead?"

"Milord-"

"-Was she slain by a Lannister?"

"No. Not exactly."

"What does that mean?"

"They took her. She could be dead now, I dunno. But they took her alive."

He felt a bit of relief move down his spine. "When you last saw her, she indeed was drawing breath?"

"Yes."

"Then that's enough for me. And Maester Tinedel?"

She tilted her head back and forth. "He lives. But barely."

He kept the fabric in his hand. "Take me to him."

…

"My Lord!"

"Please, don't get up on my account." Cregan stood at the elder man's bedside. "You're still healing."

The maester relaxed and leaned back against the headboard. "It takes more than a blade to change my loyalty, dear Cregan."

"You've been with me since the day I was born, old man," he teased. "And still you defend me when I am not there."

"There has been no greater honor."

Cregan pulled a chair to his bedside, sitting down. "Tell me what you remember."

"It's not a pleasant story for you, my lord. But very well." He leaned back in thought. "I was in my chamber. It was morning. I heard sounds from the corridor and I dared to go venture out. I defended as much as I could, but an old man is no match to young men with longswords. They took the lady from her room. As far as I know, they still have her-"

"-Do you know where they are now?"

"I'd assume they moved back to Casterly Rock. I have reason to believe that you have been betrayed by one of your bannermen, my lord. How else would they have gotten through the North so quietly?"

Cregan considered the man's words, running a shaky hand over his growing beard. "Who?"

The maester grunted as he sat up further. "I could hardly guess, my lord.

"Whoever it is, I'll murder him where he stands."

…

Gathering men together quickly was not a difficult task for Cregan.

Many men had skin in the game of thrones, and equally so, most were loyal unto death for their lord.

While most banner men would have answered a call to war, there wasn't enough time to gather an army while he was there, leaving the job to one of his closest bannerman, the Lord of House Bolton.

His mind laid in constant worry. 

…

In time, the men made it to Lord Reed, the last of the Northern Lords before being out of the North entirely. 

"'Tis truly a shame of what happened to the castle," Lord Reed said as he ushered Cregan further into Greywater Watch. "Any ideas of who might have done such an act?"

He shook his head, eyeing Lord Glover next to him. "No. No, we haven't. Hence why I don't have an army behind me."

"Well, that's understandable. Whoever did such a crime should be punished by all the gods alike, sneaking such an ambush like that."

Cregan nodded, "Yes, yes, they should. I thank you for housing us on such short notice."

Reed forced a smile. "Of course, Lord Stark." He continued moving down the hall. "The North would never sit by while a Lord's wife was taken from him."

Cregan's foot faltered. He paused completely. His voice was low. "I never said my wife was taken."

Lord Reed froze in pure fear at his mistake.

And he was shoved against the wall with Cregan's wolfish growl in his face. "Where is she?"

Reed gasped and fought against the man, but was no match. "I… I don't know what you mean, my lord… p… please.."

Cregan pulled him away by the throat to hit his head against the stone wall again, repeating himself. "WHERE IS SHE?"

Reed sputtered and groaned at the pain. "I… They didn't tell me… I swear…. I swear that to you."

"Your word means nothing to me." Cregan looked over his shoulder to Glover. "Write back to Winterfell. Tell them Lord Reed is dead."

"…My Lord?" Glover faltered.

"Tell them."

"Aye, my lord."

Reed shook violently in Cregan's grip. "I swear. I swear! I don't know! Please!"

Cregan leaned into the man's face. "You're gonna tell me what you do know. Aren't you?"

…

"Fucking Lannisters!" Cregan's voice roared through the Watch. "Get Glover. We're leaving now."

"My lord?" One of the men asked.

"Do what I said."

"Aye."

"May house Reed learn from its mistake."

…

Little did Cregan know yet, Loreon Lannister's brigade had been stopped by the Blackwoods, just shy of Lannister territory. 

The young Lord Benjicot Blackwood had rode out to meet them when word was sent of a brigade sneaking through his land. 

He raged at the sight of a terrified woman clad in a Stark blue dress. He vowed that the Lannisters would not see to their land should they refuse to surrender the woman to him.

Hence the small battle that had commenced.

But that was two weeks ago. 

Cregan looked over the land, the blood still staining the grass. "Think they made it?"

Glover hummed. "Lord Benjicot is a formidable enemy, I've heard. Wouldn't want to anger that boy in the slightest."

"Thank fuck!" A voice yelled over the field.

Lord Benjicot rode his horse out to the group in a fast trot. He spoke when he got closer "Knew you'd be quick but I figured it would be another few weeks."

"Don't underestimate angry northern men," Glover grimaced.

"Or Blackwoods, it seems," Cregan chimed in, looking over the field. "I believe I'm indebted to you in some capacity."

"Don't speak too soon, Lord Stark," Benjicot smiled. "You haven't asked how we faired."

Cregan's brows furrowed. "And how did you fair?"

Benjicot's smile grew. 

"We have her."

Cregan reached a hand out to steady himself on his horse from the sheer relief that swept through his body. "Gods…"

"Fucking bastards should have journeyed by sea if they were smart. Should've known that any ally of the Queen is an ally of mine."

"You have her then? In Raventree Hall?" Glover asked what they were all thinking.

"I do."

Cregan voice recovered. "Take me to her. Please."

…

"My lady?" One of the Blackwood handmaidens spoke up.

Y/n looked up at the woman. 

The faint hints of scratches and bruises were still on the lady's skin, but she had been given time to heal due to the Blackwoods' bravery. But regardless, the tremor in her hands remained. 

"I've been sent to inform you of a visitor that will soon be arriving."

Her heart leaped from her chest. She found herself moving more to the window and peering out. 

Cregan.

The man and his horse moved as one. It had always impressed her. 

Her sluggish behavior left the second he came into view. 

Not caring for her shoes, her cloak, anything, she ran past the handmaiden quicker than her feet could move. 

Tripping and stumbling along the way, ignoring the pain, she finally made it to the large doors of Raventree and bolted out of them.

Cregan had just pulled his horse to a stop when he caught sight of her.

He couldn't remember actually getting down from his horse he had gotten to her so quickly.

His strong arms held her to him in a vice grip, his hands indecisive of where to stay- her waist, her back, her hair, the constant need to feel her wholly gripped him.

Equally so, her arms wrapped around his neck firmly, as if to make sure he was real. 

"Fuck. Don't ever do this again," he sighed as he placed his chin on the top of her head. 

She sobbed lightly against his chest and her hands gripped his cloak so tightly her knuckles turned white. 

"Are you hurt?" He asked in worry. 

She hiccuped through tears. 

Cregan pulled her away, cupping her cheeks so he could study her. "Speak to me, pretty girl. Where are you hurt?"

She hiccuped again. "I… I'm fine."

"Where did they touch you?"

"Cregan…"

"Where?"

Benjicot had caught up at that point. "I wouldn't say they were delicate with her, Lord Stark. Most of it is faded, but the ones on her arms are rather nasty."

Cregan never looked away from her, keeping her eye contact. He tilted his head down, silently asking to gaze at her arms.

He hesitantly pulled her sleeves up and gawked slightly. 

Green bruises still remained at her wrists, no doubt from dragging her along. He tried to ignore the faint scabs from the scrapes that laid in various spots. 

"They did a number on you, didn't they?"

She looked at him fearfully, beyond nervous for his reaction to all of this. 

Benjicot spoke up again. "You've no idea." He placed a steady hand on the woman's back, ignoring Cregan's protective glare as he did so. "You're safe here. Why don't you show him?"

"Show me what?"

She turned to look over her shoulder at Benjicot, "Must I?"

Cregan was growing frustrated. If there was one thing he hated, it was no knowing things. "Show me."

She hesitantly nodded, and Benjicot stepped up to her, untying her bodice from the back. Once he did so, he spun her around to have her back face Cregan. Then he gently pulled down her sleeve until her right shoulder blade was exposed. 

A Lannister sigil was burned into the skin. Ugly scarring around the marred flesh. 

Her head was hung in shame as she stood there, avoiding eye contact with everyone. 

Cregan's hand came up to brush the skin achingly slow. He couldn't find words. 

Benjicot broke the silence. "Amidst this, there is good news."

"I guarantee there isn't," Cregan growled back quickly.

"I have Loreon Lannister under my care as well."

Cregan's head snapped to him. "What?"

"The man is in my dungeons, Lord Stark."

Cregan's hand moved up to Y/n's hair, brushing it aside to fully view what was exposed of her back. 

But his eyes couldn't move from the brand.

"Inside, you say? Still breathing?"

Benjicot let out an amused chuckle. "I refused to take that privilege from you."

Lord Stark's hand brushed her shoulder again. "I fear I owe the Blackwoods more than I own."

…

Not long later, Cregan stepped into her room. 

She turned her head towards him.

Cregan was covered in blood.

She stood suddenly. "Are you harmed?"

His brows furrowed, looking down at himself, as if forgetting all he had done. "Oh. None of it is mine."

"You killed him?"

Cregan sighed and shut the door. "We'll not discuss this now."

"Cregan-"

"-No. Don't ask again."

Her face fell a bit. She moved to the window and sat again. 

He watched her. "Forgive me. There's still rage in my heart."

"Still? Is it because of me?"

He faltered. "No. No, of course not." He rubbed his chin. "You did nothing wrong."

"If I had journeyed to the Wall with you that day, would you have been as angry if Winterfell was attacked?"

He paused as considered her question. "You know the answer."

She hummed and looked out of the window.

He followed her gaze. "Forgive me for taking so long."

"I watched out this window."

"I know you did."

"What if Benjicot hadn't have found me?"

He sat down next to her. "He did though."

"But what if he hadn't?"

Cregan dared to reach out and pull her hair aside, tugging her sleeve down to see the brand again. 

She finally turned to look at him with teary eyes. 

"I'd rather not think about those things," Cregan answered softly.

"Will you wash yourself, please?"

He paused, remembering the blood all over him. "Sorry, sweet girl. I didn't realize that would bother you so much. I will, I promise."

She looked back to the window. "Will we go home soon?"

Cregan stood to go to the washbowl across the room. "We will in time."

"What's stopping us, Cregan?"

He didn't have the heart to actually say that it was her. "Be patient, my girl, alright?"

…

Benjicot walked with Cregan down the corridor. "I apologize that I did not manage to capture Lord Jason. That will haunt me."

Cregan shook his head, "You've done much for the North. We'll not forget this act of kindness."

Benji grinned, "The North remembers."

"Indeed."

"Tell me something, my lord?"

Cregan nodded.

"What did you do in those dungeons?"

Cregan sighed, crossing his arms over his  chest. "I wouldn't want you to think differently of me, old friend."

Benjicot shook his head, "Nothing could do so, Cregan. You've seen me rather bloody. It's only fair."

He paused and considered his words, carefully phrasing himself. "A part of me hopes that his son doesn't find out what I've done to his father. It was almost too much to bare."

"What do you mean?"

Cregan pulled his dagger from his belt, running a hand over the blade. "I'll have to sharpen this later, if you understand what I'm saying."

Benjicot nodded. "I believe I do. But more context might be beneficial."

Cregan leaned forward and spoke lowly. "The dead man wears a sigil of mine in return."

The Blackwood's eyes looked down to the dagger and back to Cregan. "I see."

"If there truly is life after death, my friend, I hope he lives the next with my reminder."

"Surely, he would. I'd say you were merciful in ending him regardless."

…

Cregan rubbed her thigh absentmindedly as the maester inspected the brand. 

"It's healing well, but as you can imagine, it will leave behind a nasty scar."

Cregan clenched his jaw at the thought of his own wife living with a lion burned onto her. "No risk of a fever?"

He shook his head. "A clean burn like this rarely risks such a thing."

"Well, the north thanks you for your work."

The maester excused himself.

Since finding her again, Cregan had a difficulty understanding what she was going through. She was bottling everything up, he could tell. 

"Sweet girl?" He asked gently, continuing to rub at her leg.

"Is it ugly?" She responded quietly, her eyes fixed on the floor.

Cregan wasn't sure what to say to that. "It looks painful. Is it?"

She hummed, eyes still anchored. "It didn't hurt as much as the laughs."

"They laughed? While they did this to you?"

She nodded. 

Her hand moved up to pull her sleeve back up, but Cregan was quick to stop her, placing his hand over hers. 

She looked up questioningly.

"You're as gorgeous as the day I met you." His other hand moved hair behind her ear. "And as beautiful as the day I married you. As well as when I left for the Wall this winter." He leaned forward and kissed her cheek gently. "You're just changed is all."

"But the-"

"-Yes. Yes, it pains me to see it. But not because of what it is, but because you were hurt and I did not defend you as I should have."

Silence fell over them until she spoke up.

"Tell me I'm yours."

Cregan froze. "What?"

"I need to hear it. To really know."

"Well, you are. You know that."

"Please, Cregan."

Cregan stood from the bed, rounding it until he was behind her. He reached out and brushed the brand again, trying to ignore the shiver that went down her spine. "You're mine."

The words relaxed her, her shoulders moving down.

Cregan placed his hands on her shoulders, gently massaging them. "You belong to the Warden of the North." He grinned. "A vile and vicious beast intent on killing anything that nears it. Almost anything."

She smiled lightly, the first one in weeks. "And what is that one thing that the wolf likes?"

"A pretty she-wolf that brings down his defense."

One of his hands moved to the back of her neck and she all but melted, her head leaning back now. 

He continued this for a while, letting the silence sit, but he soon leaned down and placed a gentle kiss to the marred skin of her shoulder. 

"You're mine." He kissed her shoulder. "And I don't need a brand to prove so." He kissed behind her ear. "You know who you belong to, don't you?"

"…you, Cregan."

"Hmm?" He feigned. 

"You."

He smirked and nipped at her ear. "And who is that? Tell me."

She turned as much as her injuries could allow. Her voice softened as his eyes gazed into hers. "Cregan Stark. I belong to Cregan Stark."

"And I do to you, pretty girl."

He closed the distance, placing the softest kiss he'd ever managed onto her lips.

When they pulled away from one another, she spoke. "Do we get to return soon?"

He nodded, twirling her hair between his fingers. "Soon. I'm only waiting for Lord Bolton to arrive with the men."

"Th… what?"

He puffed out his chest in pride. "I don't do well with spoiled southerners. Bolton is riding an army to the border of Lannister territory, with Benjicot's permission, of course."

"An army? You can't start a war over me."

"I didn't start anything, my love." He kissed her again. "I only finish it."

.........................................................

Taglist: @strengthandstay, @twinkletwinklenotastar, @kidd3ath,@yujyujj, @misswynters, @cosmosnkaz, @sithapprentice, @kaniromi, @lovemesomevesey, @its-jackie-bb, @8812-342, @thorins-queen-of-erebor, @kingdomzeldaquest @nyxbranwenn, @callsignwidow, @a1lexh-blog, @alyssa-dayne, @ethereal-athalia, @ashovertheriver, @lost-in-fiction-like-ur-mom, @dozcan123, @wangjiangelangel, @kamitargaryen, @aegonswife, @lv7867, @helpmedecideaname