#you lot must like your writing

[leaf-in-a-boot]

so, i’ve now bought the lord of the rings extended edition because i’ve read the books but never watched the films?? so now i have that, which is cool, so here are some celebratory doodles

are they good? no! am i slightly amused in my sleep-deprived state? absolutely!

also yeah these are mostly the hobbit rather than lord of the rings because i’ve actually seen those films (because, yknow, amazon isn’t gatekeeping them)

plus a stupid morgoth joke (i don’t actually know much of what morgoth looks like so…. blank face! wahoo!)

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[oneluckydragon]

✨🌸 Sunshine on your skin, flowers in my soul 🌸✨

🌊🫧Summary → In the midst of his reconciliation with Team Wish, Dusknoir begins coughing up flowers. This unfortunate brand of bad luck should be a cosmic joke. A spiteful punishment that the world has brought down on him out of malice, out of vengeance for his past deeds. A cruel, agonizing curse manifested with the single unjustified purpose of preventing him from realizing happiness, ever seeking redemption, ever righting his multitudes of wrongs and moving on with his life. But that's not true, and he knows it deep down. Knows it in the very core of his soul like the flood of petals building in this throat.

This is his fault because he is a coward, and that's all he has ever been. A backstabbing, lonely coward.

And now he is going to die because of it.

[AO3]

[CH. I -- Word Count -- 13,290]

🌒💫 Return → the act of going back to a place, person, or memory

[CH. II -- TBA]

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[utilitycaster]

This is probably something that will be obvious to many but: writing about fictional works but not creating fanfiction/fanon to me tends to fall into four categories, and I think it's really important to get how they intersect before getting weird about other people's posts.

Opinion. Eg: I like relationships based in mutual understanding. This is my opinion. It is correct for me. Might not be correct for you! Note that this is pure opinion, with no argument.

Interpretation: Eg: Beau and Yasha's relationship shows a great deal of understanding in each other's shared experiences, including abusive parents; a shared tendency to believe, at least earlier on, that things will go badly and that they don't deserve better; and difficulty expressing their feelings verbally but letting out frustrations through fighting.

Fact/Evidence: Beau says she is unused to things turning out good, and Yasha believes herself to be, as she says, very unlucky or cursed. Her letter covers that she expresses herself through fighting.

Conclusion: I like Beauyasha.

Argument is Opinion + Interpretation; a valid argument is Opinion + Interpretation + Evidence. Meta can include opinion but ultimately is Interpretation and good meta is Interpretation + Evidence. It's fine to post just an opinion, but if you want to change minds, you need an argument, and if you want to be able to hold your own against a counterargument it better be valid.

You can have the same interpretation and facts and different opinions and therefore different conclusions. Someone else could say "I like messy relationships (opinion) and so Beau and Yasha's shared understanding (interpretation, same as mine) is not interesting to me (conclusion)." You can also have a different interpretation from the same facts, either because you are including a different set of facts on a topic or because there is ambiguity and room for different lenses.

If your goal is to change someone's mind - and to be honest mine usually isn't - you are unlikely to change their opinions. Eg, If someone says "I don't like Beauyasha because I prefer messier relationships" I'm not going to convince them on the grounds of "you shouldn't like messier relationships." I need to either put forward an interpretation that supports a messier relationship, or, more realistically, say "understandable, have a nice day" and move on with my life.

That last bit is important - a lot of people also argue on the basis of "well obviously this interpretation is the only one, so you should draw the same opinions from it." and that's likely to fail; either the person disagreeing with you overall does agree on the interpretation but has different opinions (as in the above example), or they have a different interpretation (eg: Beau and Yasha have attacked each other repeatedly) and that is the basis of their opinion (I don't like that). You need to figure out which is going on and address that should you wish to change their mind. And again, I think you should ask why you want to change their mind.

The last point is that all of the above is valid given the text and reflect different perspectives. But if someone were to say "I don't like Beauyasha because Beau turned into a porcupine and moved to France, and I don't like long-distance relationships" the invalid portion is that this literally did not happen (fact leading to interpretation). If someone can correctly dispute the facts of your interpretation (as they stand at the time, obviously; no one is penalized for not being precognitive) then you are fucked, argument-wise. If I point out that Beau did not turn into a porcupine nor move to France, this person's argument falls apart. They can still dislike the relationship, but if they want to justify it with an argument they better find a new interpretation, and fast.

Before I move into the end I will note that you can also just not vibe with something, and that's purely in the realm of opinion + conclusion, a la "this rubs me the wrong way" or "I find this annoying" or "it's cute" and all of those are valid to hold for yourself, and also inaccessible to anyone else

The conclusions I draw from all of the above are first, making posts that are only your opinion/conclusion is always fine - say what you want - but treating it as an argument is a waste of time, and so anything of the order of "how could you not like xyz (unspoken: because I did)" is pointless because my answer is going to be "easily, and with confidence." Secondly, I think it's valuable to look at posts, even those with arguments, as primarily interpretation rather than opinion. Putting forth a separate interpretation is a disagreement, but it's not a disagreement necessarily directed at you; it's disagreeing with you but the parallel play option is available! You do not need to go out trying to convert all to your same mindset. I think a healthy fandom ecosystem has multiple interpretations and opinions and respectful disagreement; the positive version of "let people like/dislike things" (ie, they can like it or dislike it and if you're normal, your enjoyment is not contingent on theirs). Thirdly, get your facts straight or suffer the consequences. And finally, if you are trying to make an argument for an ongoing work and do so over time, your opinion must be fairly consistent even as the interpretation naturally evolves otherwise it becomes clear that you are arguing in favor of a foregone conclusion (often via moving the goalposts). If you say "I like characters who are willing to make painful and difficult choices, and Blorbo always takes the easy way out, so I don't like them" and Blorbo develops into a character who is able to make painful and difficult choices, if you start critiquing Blorbo now on the basis those choices that's still fair but you better come very correct, and it might be wiser to just say "I don't fuck with Blorbo, if you do that's great but I don't."

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[ah-bright-wings]

Sound - A Triduum Story

Malchus can feel the heavy gazes of the others. He ignores them. His own eyes are pinned to the door they guard, listening to the drip of water condensing and dropping onto the floor. There is no rain, but the air is damp, as if the heavens are drawing out the wet stores of the earth in preparation for a storm. 

Customarily, the chill would make him wish for his bed. He’d grumble with his fellows about the weather, about the work, peppering complaints with a few stout curses. But there is no discussion tonight. Malchus sits hunched forward, forearms braced on his thighs, and he waits.

What are they waiting for?

Cold fingers touch the lobe of his left ear. He turns to see Jesse, who’d touched him, withdrawing, fingers curling into his palm. The apology is gruff. “Just wanted to see.”

That’s a lie, thinks Malchus, turning back to the door. They’ve already seen tonight. What’s left is to believe.

Malchus doesn’t ask permission before he rises, taking the flask which hangs on a wall hook, and the keys there beside it. The eyes of the others follow. He unlocks the door and slips in, shutting it behind, and then pauses, palm flat on the wood. He takes a breath. 

Drip.

Drip.

The Nazarene’s hands are chained so that he must stand. His head bows, forehead resting against the bruised back of his right hand. He lifts himself when Malchus enters. His lips, which had been moving silently, still.

Malchus holds out the flask. Then, as an embarrassing afterthought—the man is in chains—he uncorks it. 

“It’s just water,” he assures when the man doesn’t move to drink. He tips the flask close enough to meet the cracked lips. The Nazarene swallows twice and then pulls back, chains jingling. His face is wet. Tears, Malchus thinks, until he hears the drip of water dropping onto the man’s head. It slides down his temple and dirty cheek, carving a clean track through the crust. Malchus re-corks the flask.

It’s not quite fear that he feels. He had felt fear on his knees in Gethsemane, blood down his neck and a howl on his tongue. The world was silent, then, and shrieking, dizzy with pain and the terror of new loss. When strong hands cupped his face, he clung to them. He grabbed hold of words he could not hear but lips he could see moving, breath he could feel on his face, brown eyes he could see.

And then, he could hear. 

It was as if he’d never before heard sound, not true sound, but only echos, half-formed, half-heard, until that very moment when he heard truly. Each noise was crisp and new. Around him were the night birds stirring in the trees, the puffed breath of the disciples, the crackle of licking flame, the creak of leather belts. He heard them all, and he hasn’t stopped hearing since. Creation is vibrating, uncountable voices overlapping in the same tremulous song. Even the breeze seems to have a voice, and the water running on stone. Even his own heartbeat. They cry out when the rest of the world is silent.

“What did you do to me?” Malchus asks, voice barely above a whisper, for everything is new and he cannot make sense of it. 

The Nazarene’s smile isn’t mocking. It’s as quiet as his voice, and it crinkles the corner of his good eye. “I know how long you’ve waited to hear.”

They’ve never met, of course. Of course not. This man doesn’t know him. How could he? Malchus has taken great pains to hide his gradual loss of sound. Each year, the muffle covers his ears a little more, stealing his senses, deadening the world to him. If he misses a call, he plays it off. If he cannot hear his wife calling, he feigns captivation by his task. He does it well, he thinks, well enough. Perhaps his wife suspects. But only he knows, only he and his God. And this backwater Nazarene with an accent pulled from Galilee’s fishing waters—because Malchus can hear the accent now—cannot know Malchus. How could he? No, he does not.

But he knows. 

Malchus is sure, standing before this man who made him more than whole, that he is known. Known, and known truly. And here stands Malchus, his jailer. His enemy.

“How could you know?” he asks, eyes searching the Nazarene’s. The water drips, drips. A rat scritches at a bit of stone. “I can’t do anything for your case. They’re bringing you to Pilate.” His grip tightens on the flask—his only offering—and the stale water it holds. The words pour out of him. “I’m a guard. They told us to go, so we went. I had no stake in it, see? See, we were told to go. I was told to go. I never intended—”

“Malchus,” the man says softly, almost fondly, as if he is interrupting a brother and not one walking him to his death. “Will you pray with me?”

The request startles Malchus out of his own thoughts. He pauses, wary of some trick. Without meaning to, his hand rises to touch the warm outer shell of his ear, tracing the connecting point between the cartilage and his skull. There’s not even a seam to show where it had been severed.

Mouth dry, Malchus finally nods, and the Nazarene closes his good eye. The water slides again down his temples. His words fill the damp space, and Malchus recognizes them at once, joining the recitation:

“Naked I came from my mother’s womb,

and naked shall I return.

The Lord gave—”

The man breathes in, and Malchus breathes with him.

“—and the Lord has taken away;”

Their breath stirs the stale air of the room. All has finally gone quiet. The Nazarene opens his eye and tips his head to look up, past the stone roof, past the courtyard and the trembling earth, to the heavens, spread out over them like a tent. The water no longer falls. The rat is silent. 

“Blessed be the name of the Lord,” he says.

[voidshrubsquared]

Listen. Listen to me

Do you know how much I LOVE that comic? IT'S SO GOOD SO SO SO GOOD

We get to see a glimpse of Click's inner workings! How his mind operates!! His complicated relationship with himself and the other pinks and what it is to BE a pink!!!! Is he just like them? Are they all the same?? Is HE the horrible one??? Is he not horrible ENOUGH???? WHO KNOWS!!! And the 'I miss my department' like MANS DOESN'T WANNA BE THERE!!! HE DOESN'T WANNA THINK ABOUT IT!!!! HE HATES IT HERE CAUSE INTERACTING WITH THESE GUYS MAKES HIM THINK TOO MUCH💕💖💕💖

Like, what if they're all the same? Then Click isn't special and he's just another darkner abiding by the rules of his code.

What if the others laced the candy platter and he didn't? Then Click is too soft, they'll eat him alive out there! How is he going to survive!!

What if he's projecting and nobody else even thought of lacing the candy? Does that mean he's just a horrible person in general? Is it not just a pink thing and more a HIM thing?

And then the visuals, the zooming in into the one piece of candy among all the others in the candy platter as he does Thoughts™

O U G H OVJJSBBCKROLNXNFODOF

DO YOU UNDERSTAND WHY I LOVE HIM DO YOU GET WHY I WANT TO INJECT HIM DIRECTLY INTO MY BLOODSTREAM THIS IS WHY HE'S MY FAVORITE ADDISON HIS WRITING IS IMMACULATE

[ohitslen]

Thinking and headcannoning the shit out of angry Stampede! Vash and how Wolfwood deals with that first thing in the morning because i think him getting angry about something and letting down some of his mask in those genuine moments of anger is super awesome

Before we continue I have not read the manga yet so if you read something incredibly obvious or redundant to your experience, well, haha or something OQNENW

This is a VERY LONG Vashwood ramble I have to put SOMEWHERE or I will explode, so feel free to join if you want.

Vash is an overall very expressive person right? very emotional too generally, but the thing is I like drawing people getting angry so that’s what you are getting from me.

And I also often think about the fact that it’s Wolfwood and Knives the ones that have seen him be like that (most often than not towards them).

Wolfwood specifically, I think that he WOULD get scared because when Vash is angry angry, he just seethes and looks like he is three seconds away from being love and peace to hate and war. These are probably the moments in where he carries the most resemblance to Knives, and to anybody that has experienced the man firsthand they know how scary that is because everyone and their moms knows that he does not hesitate to resort to murder if he is upset about something or if it’s inconvenient to him, so it is rightfully terrifying to even think of him getting mad.

Now take the same idea and apply it to Vash, he is so friendly and playful all the time and he gets kicked around all the time too, that it would be almost impossible to imagine him getting angry in a genuine way. That is UNTIL his ideals and morals are being countered or challenged by someone and THAT’S when people are gently reminded that oh yeah he can get mad too, and really fucking mad at that.

The peak of his anger doesn’t last for too long because he tries to level himself quickly, he is aware of how he can look when he gets like that, and it would be showing a little too much about how he is not very human in nature for what he is comfortable with. I think that when he gets mad his expression turns into something very vulnerably honest, to the point in where he unconsciously looks imposing and demanding, paired with his uncanny vibes it really is a treat and anyone at the other end of it would be other than also upset, quite scared. Like Wolfwood.

There is something very obviously other about Vash and he has the privilege of knowing just exactly why that is, and considering that his brother has a record for being a certain way when angry, knowing what he is does not soothe him at all. Then again, Wolfwood cares for him still and he is a stubborn guy himself, so even when most likely scared shitless, he would not move his ground, and the only thing that reassures him that things will be fine, is Vash’s pacific nature and also knowing that he cares deeply for him too, but that is a thing he would not think too much about other than the flash of thought that it is in the moment.

Vash is petty as hell too, he remains silent and gives the cold shoulder to the other person that was involved in the argument, and it is usually, once again, Wolfwood at the end of that stick. Wolfwood is a “mind your business and I mind mine” kind of guy considering he never asks things, but traveling with that idiot and having to be with him 24/7 and being given the silent treatment has to be uncomfortable at best incredibly annoying at worst. So even though he won’t change his opinion most of the times, he still insists on talking to him idly sometimes after they argue, something he would usually not do.

All Vash ever responds with are the necessary answers, at first shrugs or nods, then very short and to the point sentences, he eventually warms up to him again and they talk the way they usually do; and just like that things seems to be at bay for the time being until the next unavoidable argument comes by.

No matter how many times they argue, when things escalate and Vash begins to show his very honest anger, Wolfwood’s instincts would be screaming at him to stop it and to get away, because whatever Vash is feeling is reeking of a danger that no matter how enhanced he might be, he is NOT gonna make it through whatever will happen to him worse comes to worst. But when has he ever actually heard his instincts when it comes to dealing with Vash. So he always replies and stays.

He is somehow one of the very few (almost non existent) people who can deal with Vash when he is like that, one thing is getting mad at Vash and the other is him getting mad at you, and he has bite alright, he will say things that can come across as hurtful and very venomous when he starts to get more visceral, and yeah the whole predator kind of vibe he can give off is there too.

Maybe Wolfwood also knows how hurt Vash would feel if he retreats because of how scared he feels and that’s why he doesn’t back away. It would be reasonable if he did, hell he doesn’t owe him shit for all he knows and he would be in his whole right to run away scared if he wanted, but for one it would be too cowardly, and two Vash would be once again pushed away for being something not human, and that would be a scar he would carry for his whole life and Wolfwood does not want to be a part of that. So that’s another reason to the ever growing list of “why don’t I just let this be”.

There is an odd sense of comfort in seeing Vash get mad, knowing that the man knows his ground, that even he has lines he won’t allow anyone to cross, that he can allow himself to feel something genuine for once and not the fake little things he is always doing. It is the positive side Wolfwood tries to see in those situations and what he has to remind himself over and over again so he doesn’t flinch away. Good thing he has some practice in arguments thanks to his little siblings back at the orphanage, practice he refuses to let go and holds on to dear life because he needs any crumb of reason at those moments.

At some point when hands are involved, when a clench to the shirt and a push to the shoulder escalates to shoving the other to the ground and a punch to the gut, Wolfwood goes full survival mode because no one told him that Vash was THAT strong and THAT heavy and THAT intimidating. He could have guessed after having watched the man fight. He is capable and strong, he usually moves with a certain preciseness and care under the goofy display, he may twirl around and stumble when dodging, but he is dodging and also landing hits.

He knows that Vash is strong and that he is also incredibly careful. But that’s when he is in all his senses with a mostly cool head, so having him hovering over Wolfwood pressing him down rendering him to the ground while very obviously mad and trying to prove his point, he freezes before he can react and fight back.

Those are the times where Vash feels the most guilty after the fight from what Wolfwood can gather and wildly assume. If him not eating (again) for days or even refusing to acknowledge Wolfwood unless necessary is any sign. That behavior can last over a week which is a little too long for Wolfwood’s peace of mind. So he starts poking again because apparently arguing again is the only way to make the bastard answer more. And it usually works, some nudging here and there and putting lemon with salt to the wound seems to do the trick.

It entails more shouting and screaming at each others faces their flaws that they already know like a script, until things start to calm down when Wolfwood reassures him that he is tougher than he looks, and that no matter what he won’t just leave Vash in a ditch, and if they were going to travel together for the future to come they would have to learn how to sort things out. Something he knows neither of them will probably never learn, but it is what it is and that’s what he can resort to at the moment, and it does seem to satisfy Vash a little. So once they are done, and they go their separate ways, never too far from each other, Vash starts to nibble at his food and says or asks little things to Wolfwood, and just like that they are good to go again.

They are both aware that addressing out loud how fucking scary Vash can be at those raw moments of anger, would be like painting a line of ‘I am this and you are that so we shouldn’t be doing this’ that neither of them would actually want to have. So even when yeah it can be horribly scary and surprisingly intimidating to deal with Vash when he is angry, Wolfwood is willing to stay and fight with him if that’s what he wants, if that’s what he needs. Even if it’s starting to take a toll on him. He is getting used to it though so it will be fine.

Probably.

[redysetdare]

just because someone doesn't label an attraction on the split attraction doesn't make them allo in that attraction.

I don't label my other attractions because to me the only important ones to label are my romantic and sexual attractions as those effect me first and foremost. That doesn't mean I'm just allo in every other form of attraction. I'm not alloplatonic or alloaesthetic or allofamilial or whatever other ones (not in a dismissive way but in a 'there's so many i cannot name them all way'). I don't feel ANY attraction at all. I don't see a reason to label my other a-attractions because my lack of any attraction at all makes it feel a bit unnecessary for me personally.

[rayless-reblogs]

"There is no safe investment. To love at all is to be vulnerable. Love anything, and your heart will certainly be wrung and possibly be broken. If you want to make sure of keeping it intact, you must give your heart to no one, not even to an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements; lock it up safe in the casket or coffin of your selfishness. But in that casket - safe, dark, motionless, airless – it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. The alternative to tragedy, or at least to the risk of tragedy, is damnation. The only place outside Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell."

CS Lewis, The Four Loves

[ratwithhands]

I'm curious. I've seen your art and something that's come to my mind is what actually got you attached with the Subway brothers. Your narrative on their different AU forms is so unique which is what brought me to that question

Alright, rat history time.

So basically back in 2021-2022, I was working on an old OC storyline (about 3 years old by then) and I was in grade 9 so I was like “A new Pokémon game? Pfft, like I care” and just didn’t watch any of the stuff related to PLA when it dropped. I still got recommended Twitter posts about it on Instagram and I ended up seeing this one.

I tried looking up Ingo cause I was like "oh, funky design, looks like a captain or something" but I didn't end up finding anything so I didn't press further. Anyways in March break of 2022, I got bored and decided to put some game streams on in the background while I drew. I saw Alpharad's PLA video and decided to watch it for a bit when I saw Ingo.

I was like "Hey you're the guy from Twitter!" and since I knew his name now, I looked him up and found his Bulbapedia article. I found him much more interesting than the rest of the PLA cast since he had history outside PLA, and I ended up reading up whatever I could find on him. I also by extension discovered Emmet this way, which only served to suck me deeper down the rabbit hole. By the end of March break I had a fan OC and 2 AUs made with more on the way, as well as a YouTube recommended page with nothing but theory videos on Ingo and decade old Submas content.

Around May I decided to decommission my OC storyline for personal reasons, and by this point Submas was starting to occupy more of my creative work anyways. Since I didn't have my storyline to put my energy into, I started funnelling literally any story ideas into Submas. This led to nonstop content for a shockingly long time, and ofc I'm still coming up with stuff now.

Long story short, I got attached to them by accident! It was a "right place, right time" sort of thing since they came in as I was starting to get sluggish with my original content and I ended up being more interested in writing for them.

As for narratives, I am effectively playing dolls with these guys. Usually the kind of stuff that I write for them is meant for OCs, but I dumped the 60+ person cast so I put that energy into them instead.

Most AUs will either have a core theme, an out of pocket idea, or both to make things interesting. Usually I just come up with a dumbass idea like "what if we brought ReBURST back for a rerun" or "what if Emmet signed a contract with an eldritch space spider" or "what if Submas could see into the future" and stuff like that, then it picks up themes as I keep writing. For some silly examples:

Burst is based on Pokémon ReBURST and the idea of human-Pokémon fusion, but there's focus on skill, how characters misperceive it, and resentment as a result. There's also a spotlight on inferiority complexes, bottled up guilt, and blind confidence depending on which main character you look at

Journal is about a diary that helps Ingo to regain his memories, and it focuses on remembrance and regret as a result of him reading it. Spotlight on lacking awareness vs hyper awareness and the monotony of living as people around you leave

Oracle is exactly what it sounds like, with the twins being able to see into the future. It focuses on cooperation and the importance of working together, but also learning how to work alone. The spotlight's on jealousy and gratitude for this one, though the latter greatly outweighs the former in this case

I also just have AUs I made to try deranged shit for funsies, like Sapioflora, Cybernetic/Z-Λ, Team Supernova, and Idol. Those are mostly for exploring goofy ideas that may or may not go anywhere.

Right anyways basically I just saw Submas after watching PLA gameplay and found the twins more interesting to write about than the project I'd exhausted by then. The narratives are like that because the AU ideas I make are actually OC concepts that I modify to fit Pokémon specifically for these two or ideas about the two that I'd like to explore. Hope that answers the question ^^*

[tecchous-thicc-buttocks]

Do you have any bsd headcannons you'd like to share? (literally anything, I just love learning about other peoples hcs)

OMG YES YES A THOUSAND TIMES YES SORRY FOR RESPONDING SO LATE IVE BEEN USING THIS IN MY DRAFTS AS A COLLECTION OF JUST ABOUT ANYTHING THAT GOES THRU MY MIND AND I'VE JUST DECIDED I'M GONNA POST IT ALR

chuuya's hat is so old (bc it keeps getting passed from person to person and he brings it with him everywhere obviously) and WORN OUT but he has no idea how to fix it. he treats it like his child but it's inevitable that the material will deteriorate over time, so he's been trying to convince himself to go to a hatter for ages and can't swallow his pride. he drunkenly told it to hirotsu once night while they were drinking, and hirotsu just sighed and got it fixed for him that night while chuuya was passed out. they never spoke about it.

dazai has met several women who actually did say yes to a double suicide. the majority didn't mean it and just wanted to toy with him, but ran when they realized he was serious. a few actually did mean it. he pulled strings and invited them to a romantic date, except that he sent therapists there instead of him, basically playing matchmaker. all those women are now doing better but ask him about it and he'll act dumb and say he knows nothing about it.

fyodor needs glasses. his eyesight definitely sucks and the hours he spends at a computer don't help. however, he manipulates himself into thinking that he's actually fine when he's not. nikolai also has shitty eyesight bc of his dull eye and the other one he's probably abused looking at the birds in the sky and thus the sun. they are literally the blind leading the blind. nikolai places his portal 2 meters from where he meant to put it and fyodor says "good job". it's incredible how they're feared terrorists.

sigma gets tired wearing heels all day. he wants memory foam but doesn't know it exists. give him his goddamn memory foam. anyways one of his employees saw him holding his feet in pain and offered him orthopedic shoe inserts. he hasn't been the same since. would give them a raise if he knew how.

tachihara used to get acne from having his bandage on his nose all day. so, he's developed an incredibly rigid skin care routine. his face is soft as hell. cheeks are smoother than you'd think.

kouyou made it her first demand as executive to raid her favourite shop where she gets all her kiminos and accessories. hirotsu led the black lizard battalion into the shop and the workers were so fucking confused. stole expensive silk fabrics and clothing of the highest quality because she doesn't settle for less, and in the process has gotten hirotsu more into fashion. they go shopping together.

speaking of shopping, kajii only goes thrifting. have you seen his clothes?? they're not his size and torn as hell but they're so damn cheap he can't resist. his sandals are so goddamn iconic. yeah he's blowing you up but his dogs are OUT like a mf psychopath. i maybe love him a little too much.

ivan has greasy hair. while doing his surgery thing wtv tf that was, fyodor was continually grossed out (ironic aint it). pushkin was then ordered to help ivan wash his hair and they died just a little bit. neither knew what the difference between shampoo and conditioner is, and they struggled with it for a long time. eventually when they came back for fyodor to do the surgery, ivan's hair smelled like flowers and was braided cutely because they gave up and went to a salon where the people working there fell a little in love with his hair and went overboard. pushkin's hair (if you can call it that...) was also in a little bowtie. they enjoyed their little adventure just a little bit. just a little ofc.

odasaku has no idea how to cook curry. he loves it and fears doing it wrong, so he just buys it from the same place over and over. considered asking for the recipe but never did because why change what is already perfection. dazai however is convinced oda has housewife abilities and can cook like a god. he never knew the truth.

fitzgerald can't do math. he pretends he's good at converting currencies but in his head it just doesn't add up. 20 000 yen? that's like.... 5 freedom eagles obviously. no biggie *throws a bunch of american dollars at the workers and just takes the item and leaves* he also doesn't give tips when it prompts on the machine, and instead prefers sliding a crisp bill to them directly. cried a little when his favourite shop told him they ran out of an item he wanted and they didn't budge after he slid them a stack of 100s (he has no idea how many were in the stack)

fitzgerald also owns an airline but he doesn't manage it personally ofc. his only interaction with it is that they provide him and the guild with a private jet to travel to japan. lovecraft did not get on. he swam??? who knows, but he did not get on that plane. lucy got sick and louisa freaked out every time there was turbulence. mark was snoring loudly the entire way and steinbeck had his nose pressed on the window looking outside the entire time the lil cutie.

agatha has the super power of drinking tea while it is still piping hot. she never burns her tongue and never complained about its temperature, except when it's too cold. the water was literally boiling once (her subordinates wanted to find out how hot she can go) and she gulped it all down without a single contortion of her face. incredible.

shirase doesn't understand english and keeps trying to learn it but every time he thinks he's getting the hang of it, someone throws cockney slang at him and he gives up.

adam finally figured out how to blow a bubble of gum, but keeps swallowing it. one day, it clogged his internal system (he's not supposed to be eating obvi) and he's been afraid of it ever since. thinks it's possessed by evil spirits his android brain can't understand. i also hc that he recharges thru solar panels integrated onto his skin and for this reason he goes to the beach to 'tan' often. HE'S SO PALE people get a little concerned for him when they see him not apply sunscreen and just lay down for hours at a time. one lady actually told him he could get skin cancer and he opened his eyes "ackshually 🤓👆" then began reciting every fact known to man about skin cancer. rip that lady

verlaine and rimbaud complain about france all the time. "fuck france i fucking hate the french this country goddamn sucks" then as soon as someone else says anything bad about it they give them death glares and threaten death for disrespecting their country.

wells has memorized a whole lot of things about quantum theory from her days studying to be an engineer because it was her favourite class. she cannot handle mechanical or civil engineering topics and physically ascends at the mention of anything to do with dynamics. i also think she's been hit on a lot while wearing disguises; she tells them she's actually a woman, they freak out, then she sends them back in time. this time, they do not approach her and thus she doesn't have to deal with the awkward rejection and doesn't even remember it.

jules verne has made little dolls and pretended that they were his friends and invented scenarios in which they hung out. i will not elaborate on this.

albatross sometimes interrupts conversations in order to listen to the engine of a vehicle passing by. tries to track them down, too. he'll be the type of guy to ogle at your car without making eye contact with you while you're still in the car. and when i say ogle, i mean ogle. checks out motorcycles more often than women.

the flags bully lippmann sometimes when he acts in a really cheesy scene. he's coming to hang out with them and they're all giggling and chuckling at him stupidly. albatross walks up to him, tucks his hair behind his ear and whispers whatever cheesy thing was said in a low voice before bursting out laughing (he usually starts laughing before he can even finish the sentence). pianoman slides it slickly into conversations, and doc 'fufu's at random moments when looking at him and he suddenly remembers the scene. iceman has not watched the movie and chuuya couldn't care less.

the first time he tried to take the train, ranpo loudly exclaimed and yelled at every turn and stop of the train. he went during rush hour too and got his entire body smooshed into the strangers next to him. he squealed when someone accidentally (accidentally) grabbed his ass in the crowded traincar, then asked loudly who did that. dramatic as hell. got his pockets picked and knew who did it, but couldn't do anything about it. he felt awful and slumped his way back home and collapsed into yosano's arms with a groan. this was the only time she'd ever willingly bought him a bunch of sweets and let him eat them in peace while he ranted to her about the atrocities

kenji is more notorious on the streets than he knows. he got recognized by some huge 200cm tall man built like a goddamn tank with tattoos all over his body who wanted to fight him. kenji was so flattered that he knew his name that he thanked him and burly dude was like. wtf. anyways they got beef ramen together afterwards bonded over cows and are now besties. he's told the agency about it but they think that by "friend" he means someone else his age.

tanizaki ran into kajii once at his favourite thrift shop. he recognized him and ran out freaked never to return. for this reason he had to keep wearing his same stanky ahh uwu girl clothes that don't fit and hasn't had a style update. actually, when doing his research for how to infiltrate the mafia, tachihara found out that there have been a lot of sightings of known dangerous ability users in the thrift store, and that's why he wears the same shirt as tanizaki.

tachihara dreads the hunting dogs meetings because they make him feel like the only sane one there. his back has become so chiseled from carrying teruko around all the time, and once - jouno thought it would be funny - he tripped on a wire laying down on the ground and almost dropped her. he had to use his ability to pick her up from the belt of the uniform to prevent her from faceplanting, and she looked like she was about to explode. he had to let her beat him up a little then she hopped back on his shoulders and nothing changed. he questions his life choices often

jouno can't handle cinnamon or ginger scents, they overwhelm him and he goes into a fucking sensory overload coma. odor orgasm. sinus sex. teruko got sick once and tachi made her the strongest herbal and ginger tea you've ever seen (learnt it from his brother rip the goat) and he collapsed on the ground with a moan. woke up a half hour layer with no clue wth just happened. tecchou eventually heard about it, placed a hand on his shoulder and said "it happens to the best of us" while nodding solemnly then never elaborated.

yeah fukuchi and fukuzawa used to steal food when they were younger but imagine them figuring out milestones together. "dude my armpits are itchy where is this hair coming from :(" "genichiro i don't need to know about that *scratches at his armpit subtly*" i think they were very goofy about it

speaking of puberty elise once freaked mori out by saying she got her period. dude was like. wtf. you're an ability. how tf. she insisted he got her a bunch of tampons n pads and chocolate and heating pads and the works, then once he (the underlings he made go do the shopping threatening their lives if they ever told a soul) bought everything, she looked at his confused and asked why he bought those things. she's an ability how could she have a period? mori cried a little that night.

bram is a swiftie for no reason other than i think it's funny. alternatively, i believe he listens to reggae for no reason other than i think it's goddamn FUNNY.

kunikida's old students sometimes run into him on the street and recognize him. they immediately straighten their backs, nod at him and quickly walk away in the most respectful way because they don't want to ruin his schedule. he nearly tears up from happiness every time.

natsume goes through 5-6 "here, kitty kitty!"s in a day when he's just vibing around. people try to feed him grass blades. people get WAY too comfortable rubbing his stomach. once, a girl saw him on her way back from school and started scratching a random spot behind his ears and he folded so quickly and just melted on the sidewalk. he wont admit it but he has that weak spot in human form too (i want to pet him so badly this is self indulgent ok). the girl was actually gin btw. she's an animal whisperer i dont know why i dont know how but she is.

[rawliverandgoronspice]

so of course I then thought about Impa some more, and about how the way I write impa is: everybody around her is like this all of the time

[a-lonely-dunedain]

I hate the Staghorns so much. every time I do their questline to get that painting I think "oh surely it's not going to make me mad this time around" and YET