#you know who else is an idiot

[evilestscientist]

summer loneliness made me read 230 pages of the idiot today

[pain-is-too-tired]

Me,writing slowburn romance, where I'm fully in control of when they get together, waiting for characters to kiss:

Me when they do:

[gurggggleburgle]

I'm simply firmly of the opinion that Airplane is the kind of gay man whose never talked to another gay man in his life, let alone a irl woman for more than 3 minutes

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[mishy-mashy]

I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.

Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.

(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)

Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."

He remembers Jirou and thinks, The braying howls of the weak...

He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.

AFO saw Yoichi in Mineta.

These scenes are near-identical to each other.

Mineta and Yoichi (at that time) are both much smaller than the normal person at their age

They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice

Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)

The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.

Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.

AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.

Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks

AFO even stole Hawks' Quirk during this time.

He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.

He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.

And this let Mineta play his part, and remind AFO of Yoichi.

"A putrid, festering Quirk Factor."

That sounds like Yoichi, AFO.

".. such garbage."

Hey hey hey, what did Yoichi throw at him when they were kids?

A discarded can. Garbage.

This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].

Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.

Even though this time, Mineta [Yoichi] offered to take that place of suffering.

Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.

Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.

Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.

Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.

Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.

Reiterating something from OP's post that I reblogged this from;

"The reminder of his brother made him uncomfortable, so he hurried away."

AFO didn't want to hurt Yoichi again.

[notbecauseofvictories]

inexplicably sad about the loathly lady. I just can't imagine being brave enough to ask anyone whether they would prefer you be attractive in the sight of their friends, or attractive when they fuck you. that those are the only two options. I can't stop thinking about how there are many other answers to that question, and almost all of them are wrong.

[crimeronan]

Luz borrowing Hunter's scroll to call Amity after she sleep spells him because even though Hunter's breathing and she can feel him breathing, "Sleep followed by petrification" was Belos' "Humane" way of putting down Hunter and she's A Little Bit Crazy and Traumatized so she's like "I need someone here who can Fight Me to the death if it seems like I'm going snap and try to petrify him. Amity can you come to my room and spend the night please I need you to protect Hunter from me :(((("

i've had a couple friends with OCD talk about how strongly they see themselves in AU luz & nowhere has the evidence Ever been stronger than in this ask.

luz. baby.

you have OCD.

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[mangomoths]

more clothing practice... zzz...

⚠️ clothing fabrication

[threepoint14art]

deuzaggie ill take you out of the pits of hell (no one makes content for them)

i like to give them matching bangs and i also like making Deuz huge (bear) U-U

[fisherrprince]

anon had a much different message I’ll try to get back to But it spiraled off in my brain and I think like, a character note about the twins especially in the beginning is that they’re very uncomfortable with (if not with most loud emotions) crying. exactly like my brother and I tbr alisaie is not comfortable with it even if it sometimes happens to her without her consent, so she stuffs it behind being snappy so it’ll stop. as the story goes on she doesn’t necessarily get more comfortable with it, she just gets around people who make her feel more okay about it. alphy just seemed unused to it in general - nothing in his life has ever caused emotion like that to overwhelm either reason or ego or logic, and so it just never happened, and even when he was upset he always always distanced how he felt about things from what his role was in the real world. like as a ten year old they were doing this. after hw it kind of starts happening to him wether he wills it or no, mostly around bittersweet or moments of stress release. which rly leads me to believe in the space between arr and hw was a lot more unmentioned (or obliquely mentioned, they kinda leave it to you) awful attempts at feeling really harsh emotions by someone who’s just genuinely never done it before than we hear about directly. he’s just never cried since he was tiny, and it probably sucked. anyways alisaie understands the emotional weight of events instantly and gets to react to them even if she dislikes it later and becomes determined to fix, while alphy still retains the habit of quickly separating himself from an event until it’s like, done with and either fixed or nothing we can do, and then falls apart. they both kinda try to hide it anyways

[danzafila]

i'm a petty bitch. if i see otherwise pretty art of a character i like spammed in unrelated characters' tags, i'll simply refuse to like/reblog it sry 🤷🏻‍♀️

[qulizalfos]

"mike is Just a useless bumbling idiot"

[thresholdbb]

My Star Trek silverware post is going around again, and I'd like to clarify some things:

"Those are normal spoons" the hell they are

"There's nothing wrong with these" I'm happy you live in a world where all the flatware is acceptable, but I super don't, which is why I made a post about it

"What flavor of autism did you get?" Ridiculously strong opinions about Star Trek silverware, thanks

[applestorms]

FUCK IT. DEATH NOTE CLASSPECTING. GO:

LIGHT: prince of light. both class and aspect are non-negotiable here. moon-wise i’m actually inclined to assign him derse, if only cause of the whole “accessing the powers of dark gods” thing (guess that makes ryuk a horrorterror? hmm), though prospit would probably fit better personality-wise.

L: prince of void. i’m quite confident in the aspect for this one, though the class is a little more iffy. having them both be princes feels oddly fitting though so let’s run with it. moon-wise i’d actually like to give him prospit, mostly just to be complementary to light, but also cuz it’s funny to imagine him cloud-watching in the piss pjs.

MISA: page of doom. i’m quite proud of this assignment actually, i think it fits quite well w/ her whole thing in canon about being loved by death (though here the terminology would be more like “served by doom”). prospit dreamer for sure probably maybe, to be honest i have no fucking idea how dream moon assignment works? fuck it, i’m giving up on that from here onward.

MATSUDA: knight of hope. again, less certain on class, but i think it’s very sweet if he’s a hope player <33 esp since his Belief in light lasts (almost) the whole series…

MELLO: thief of light. making him & light both light players is fucking hilarious to me so we’re rolling with that. also assigning him thief is making me think of vriska parallels now which is vaguely horrifying to consider but he did kidnap sayu and kiyomi so let’s move on quickly now.

NEAR: heir of void. take a wild guess who he’s inheriting that void from, fellas. this one kind of breaks my heart to think about, which i think is a good sign that it fits well. not much else to say, i’ve had this one pretty cemented since one of my earlier astronaut rambles on near, so…

MATT: knight of breath. as we all know, this bitch only shows up for like 2 seconds so there’s probably a lot of room to consider other options here. i just kinda like how this reflects his role in helping mello + being a pretty chill, laid back dude most times we see him, but i’m certainly open to other takes for this one in particular.

NAOMI: sylph of mind. this is incredibly vibes-based. she’s got that interesting mix of brutality paired with loving motherhood-esque associations that feels very sylphy/kanaya to me, plus an analytical approach that feels fitting of a mind player.

BEYOND: heir of heart. there’s a lot of aspects that could fit beyond, honestly— blood, rage, doom, and time are all other considerations that could easily work as well. i just like heart for how he mimics L, and heir makes an interesting connection between him and near, though i considered mage too. also heart to match naomi’s mind etc. etc. (you may notice i’m quite partial to good connections/pairings like that, even if it doesn’t fit the individual perfectly— classpecting is just as much a social thing as a personality test, in my mind. but i digress.)

KIYOMI: maid of life. i haven’t essay posted about kiyomi much but this one seems kinda fitting, though she perhaps interprets this title in a slightly different way than jane. someone go angst about kiyomi a little more so i can get a clearer read on her. life is also to match misa’s doom, as well as…

MIKAMI: knight of doom. i’m kinda hesitant to have two doom players on this list since they’re supposedly somewhat rare, but really, what else would fit for mikami? serving light his doom is basically his most notable action in the story, ultimately. guess it makes sense that DN would have a lot of doom about it, or at least it seems more like a doom series than, like, a rage series. in my humble correct opinion.

SOICHIRO: knight of blood. one final one where i’m more confident in the aspect than the class, but i think this one ultimately works— albeit in a very different way from karkat, ofc ahhakdjf. he serves his family, he works for the benefit of People. the tired dedication of blood just feels very soichiro all around.

[themoonking]

im all for making fun of and criticizing the way booktok (and booktube) aestheticize reading to an insane degree, making it more about being percieved as a reader more than like. actually reading. but some people on here lump the most normal things ever into the booktok consumerism pile?

like yes, booktok/tube places a lot of emphasis on the visuals of "reading", but then someone on here just went and said that simply "not wanting to damage your books" is a stupid booktok thing??? what? it's not vain or pretentious to care about your posessions, especially if they mean a lot to you. simply wanting your books to remain in good condition is not the same as having 100 unread books, or five editions of the same book, or books you hated, purely because they look nice.

and someone else said that having a yearly reading goal was also a stupid booktok/tube thing? since when? i've met people who set themselves yearly reading goals before youtube even existed. it's literally just a new years resolution, but tailored to a specific hobby?