it takes years for terry pratchett's books to get consistently good. I would argue that the series doesn't really hit its stride until Feet of Clay, which means that pratchett was writing and being published for 12 years before he found his groove.
and I genuinely can't imagine that. in part because I do think that pratchett's publication calendar looks different than what's expected of writers today---he had about 2 books published per year for his entire career. he must have been writing furiously, and the publisher must have relatively quickly gotten these to press.
but also....I just can't imagine any modern-day publisher keeping an author on their list for twelve years, unless that author is a prestige get or a constant presence on the bestseller list. And what does it say about the state of publishing that you can't go on publishing someone's good-but-not-revelatory books until they figure out what story they're trying to tell?
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there is too much sword fighting in xianxia novels. i propose a main character who is completely average at swordplay but is skilled in hand to hand fighting. so they decide to use this as a trump card, and not really display their abilities.
bonus points if this scene is included:
opposition, pointing their sword at MC's throat : It's over. you have lost your sword, you are kneeling at my feet. i have won-
MC: wow your knees look really breakable down here
opposition: what
cutscene to MC pinning opposition in chokehold
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I love how ominous such basic names like "The Organization" or "The Institute" or "The Initiative" or "The Facility" or etc. are when placed in like a shady sci-fi context, like there's no reason for them to sound that suspicious, but without elaboration, it's like here is a place where they are doing things™ and I am like ooohh, because the blank state, the refusal to give you any more detail makes you think they're hiding something on purpose and leaves the darkest corner of the imagination left to fill in the rest.
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types of story that different black sails characters think they're in:
jack: typical underdog overcoming unbeatable odds story; he is the main character and the show is 100% about him and his joseph campbell hero's journey. he is like achilles seeking eternal glory. he is also like gilgamesh, seeking immortality because he's afraid of death
flint: one of those fairytale retelling stories from the villain's pov; he is the fire-breathing dragon/big bad wolf/wicked witch that his village has ostracized, chased out of his home with pitchforks and torches because they feared him and what he is and what he stands for. he knows that in another show, a more popular show, the story would be told from the pov of the villagers about the dangers that lie beyond the village walls and into the forest...but this is HIS show and in HIS show HE is the one that survived the villagers not the other way around and HE is the one that has been wronged and he WILL see them pay for it
miranda: at first she thinks she is the witty and cunning heroine of a regency period romance novel. she is critical of high society and it's archaic and sexist traditions, turns her nose up at the institution of marriage and yet against all odds finds a true partner in thomas. she thinks herself happier and smarter than her peers, for finding a way to explore her sexuality freely and still keep her high status. she is caught in a whirlwind romance with a handsome naval officer and well....then her story turns into a tragedy and a decade caught in lifeless loveless joyless limbo where she is sidelined into the background of someone else's story
max: overly aware that she is in A Story and that she is Not The Main Character; the spotlight is never on her, she will never take centre stage. in fact, she is in the wings, or perhaps watching the show from the back of the theatre as the stage manager, setting the scene and directing others to pull ropes, shine lights, open and close the curtains so that other actors can strut and fret their way around the stage
billy: revenge quest story! thinks he is the good guy, there to protect his friends and get revenge on the tyrant who killed his father. gains some genre awareness and realizes that he is not, in fact, the main character, but rather a side character caught in a romance between his captain and quartermaster and if he really wants to survive he's really gotta break them up
madi: a story of hope told around a campfire, passed on from generation to generation so people don't forget about the time that an island of maroons stood up to a seemingly eternal and unbeatable empire. some days, it's a cautionary tale, on how volatile solidarity can be with divisions like class, race and gender .... or how revolution necessitates violence that people who are comfortable in their oppression rather not pay... but no empire lasts forever and nothing is inevitable. the story sticks in the hearts and minds of future revolutionaries and someday someone somewhere will pick up the torch and continue the fight
season 1 walrus crew: workplace comedy
silver: [redacted]
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Those ppl who get really pissed at you & start whinging about gatekeeping when u say shit like mcr or billie eilish or whatever else band isnt goth are so fucking funny bc like . How r u living in the 21st century, with basically all of music history at ur fingertips, and YOU want to ascribe coolness to yourself by identifying with this subculture, and YOU refuse to actually then learn about it, and then YOU get mad when people can tell you clearly dont know what the fuck youre talking about? like do you hate learning about music that much? bc goth is not a synonym for "dark and edgy" its a specific subculture with its own history and subgenres and everything. and if u cant hear the sonic differences between christian death and paramore & u dont have a sense of how the scenes & history that produced those bands differ then yes you are a poser. no one is gatekeeping goth from you & frankly youre disrespecting your own music taste by not understanding its OWN history and trying to conflate it with something completely different bc it sounds cooler than saying yeah i listen to pop rock. quite literally the definition of posing
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Are true riverdale fans of the opinion it is a very good and nearly flawless show or does being a true riverdale fan mean being able to mock writing choices
it's long-running serial television plotted a season/half at a time so definitely not even "nearly" flawless.
BUT. i'm not doing combat with the writing team. i'm not actively reading against the text the way i have to in order to enjoy something like supernatural or the 90s robin comics or the fucking sopranos, which are patriarchal christiancore copworld rapeworld white supremacist horrorshows that hate their minority audiences, with like 2 good creatives involved and martyring themselves to fight the good fight on sparse rare installments if you try to approach them sincerely.
riverdale writing staff are like a favorite smart problematic tumblr mutual to me. I don't always like what's on their blog or who they're referencing. but we're in the same community and i'm interested and inspired and i trust their agenda overall, even when i see shit i wouldn't have fucking posted. but bc i'm not being condescended to or actively spited i'm not gonna condescend to or spite them, you know?
i expect rvd to age like twin peaks (another very uneven, highly referential serial juggling a couple of intensely cool metanarratives on top of its core story). and twin peaks fandom mocks twin peaks all the time. twin peaks includes some CLUNKY shit. it's kitsch. it's camp. it has a second season that is largely ASS. james is there. and on top of that it also includes some genuinely offputting-to-me stuff that just bothers me to sit through, even though i feel like i understand and respect what they're going for with it. i just don't want to watch someone sweep the fucking bar for minutes and minutes as entertainment. OK!!?
...so yeah. mock riverdale but in the right spirit. is that an answer? do i sound like i'm chugging the flavoraid koolaid fresh-aid? probably.
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