#you don't want to hurt them
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The popular Scenario/HC for most fics is that Sun and Moon are head-over-heels for an oblivious!Reader and/or Y/N and yes, yes, that's all well and good--
But personally I'm more a fan of the inverse. You are pining so fucking hard over these robots but also completely convinced that they could never love you back because they are, in fact, robots. (And even if they could love, why would they love you? Don't kid yourself.)
Much more deliciously painful! And yet, tragically rare.
#especially if you're the type of person to rarely have crushes#the weight of unfamiliar feelings hangs over you like a stormcloud!#threatening to burst at any moment!#and you fight it back!#because they're your friends and they trust you#you don't want to hurt them#or burden them with something so childishly stupid#so you bury it!#you bury it so deep! yet it is always crawling back up#at the worst times possible#it is painful!!#give me that good good pining y/n angst god dammit!!!#or i'll do it myself!!!#sunnydrop (mentioned)#moondrop (mentioned)
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I want to see characters being taken care of in an explicit and worshipful way. Home-cooked meals. Hair brushed and braided by gentle hands. Little gifts just because.
I want to read about characters who are not used to kindness being bombarded by acts of service. This trope works romantically and platonically. Give me found family and acts of service - all the ways a character is wrapped up in wordless, explicit care after years of cruelty and having no idea how to handle. I need it.
#fanfiction#this is the 'comfort' part of hurt/comfort#but i want to take it to the extreme honestly#not just comfort immediately after a traumatic event#but consonant daily comfort!#being taken care of because you are loved always and unconditionally#this is the real reason why i sometimes read sugar daddy AUs even though i don't like them#i want to read about characters being SPOILED#this is also why i love the mdzs love interests so much#luo binghe is the ultimate worshipful house husband and i love that#my posts#you can tell i'm irrationally tired when i start getting tear-eyed over someone being cooked a meal
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Scary Sunset.
I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.
#mlp#sunset shimmer#twilight sparkle#twiset#the orbs are the glass balls sunset carries on her back btw its in her cast line up art#deep down sunset hates thea. she was named “twilight” by celestia. the time of day succeeding sunset. she was always her replacement#but at this point in the story sunset's also fallen for thea. so it's also a conflict of wills in sunset. love or hatred.#hence the “don't make me do this” language. she's rationalizing her hatred and violence as thea forcing her hand and getting in her way#when in reality she doesn't need to do any of this. it's her last stand and outburst to cling to a life of revenge that she's grown too#fond of. because she knows thea has the power to change that and disrupt her identity as a pathetic victim who fell from glory#and that's scary. thea's a very scary thing to sunset because suddenly sunset wants something and to be someone new.#she suddenly wants to change. to be better for someone else. and she never thought or believed that could be an option for her#anyways toxic yuri yayyy#my art#the grand galloping 20s#character design#i hope i got across the pained conflicted emotions in sunset's face tho i belabored over them these past 3 days#i hope a look of anger and dissonance and guilt and “oh god i don't really wanna hurt you please just obey me” while trying to intimidate#is readable. if so it's all in the eyebrows babey
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Council of lovefools.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#jiang yanli#jiang cheng#They don't have an actual sleepover in this scene but the vibes were so sleepover coded...I had to get them cozied up.#Late night talks with friends and family are some of the best conversations.#My siblings and I used to have room sleepovers with each other (Actually an excuse to stay up and talk about runescape)#Currently my flatmates and I also have really great heart to hearts late into the night.#Pondering shit like 'What defines confidence?“ and ”Why are people terrified of letting themselves fall in love?"#All that aside; There is a really great conversation between JC and WWX here. They are so close and yet so far way from each other!#Fundamentally they *agree* about many things - but JC now has to play the role of someone more 'mature'.#His temper is reigned in and he had to take a more nuanced approach. Whereas WWX can be far more reactionary.#JC has changed to become someone more mature (or at least he is trying).#Contrast this attitude with the scene *right* after where WWX literally goes baby mode with JYL. Rolling around going “I'm Fwee years old”.#When children are hurt we comfort them with hugs and warm food and a laugh. It's not enough when you're an adult. It's not simple anymore.#WWX is stuck in the past when everyone else is shifting and moving on! It's a depression allegory (and just...actual depression)#But we also get to see how some things have stayed the same. They still bicker about soup. They still tease. They are still together.#They all care for each other very much but they are struggling against trauma and are not equipped to talk about it.#You can't really blame WWX for being so protective over JYL. But JC is right: “You don't have a say in who she likes.”#It may have started as an arranged marriage but *she* is *choosing* what her heart wants. JC sees that. WWX cannot.#The final act of love is letting go after all.
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Perceptive kid, I wonder just how much they pretend not to overhear.
#ignooore that a5 bonnie doesnt get the nice resolved versions of their discussions with sif.. i still think they can navigate it eventually#in stars and time#isat#isat spoilers#in stars and time fanart#isat fanart#isat loop#isat bonnie#lucabyteart#the dialogue in this kicked my asssss. trying to balance loop's evasiveness and layered meaning...#to spell it out: it's not that loop is actually *that* worried they'll hurt bonnie. it's that they think siffrin is being a fucking idiot#and being extremely sloppy in their protection of their party by trusting them to not be a loose cannon. THEY simply wouldn't#be that irresponsible if it were them!!! hmph!!! ... because they care. and because they maybe Are a little worried.#they don't want that responsibility. they gave that all up. stop making them responsible again. stop stop stop#and as for the other half of the meaning here: get called out idiot. not on purpose of course. bonnie doesn't know (yet).#but it's a brisk reminder of the hypocrisy (since even if loop makes sly reference to their identity to sif all the time... one must wonder#how often it actually sinks in that that's true....? it must be hard to get your head around when you refuse to admit that your habits and#demeanor have changed so drastically since then. like wtf thats not what i would do! clearly a different guy ! faker !! and yet...)#but yeah idk i think about loop and bonnie's relationship a lot. the one party member i dont think loop could ever bring themselves to be#mean to. because cmon. thats a kid. but still... the emotional distance probably stings even worse than usual.#and once bonnie finds out.... ! well. that emotional distance probably stings. even worse. than usual.
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ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:
i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???
#ramble#sorry i'm currently in a phase of 'of course this happened' and 'oh i deserve this because i didn't give him what he wanted'#like he knew i was grey ace since the start. and he let it go on for SO long after i said i might be vaguely aro as well#if that's a dealbreaker for you bc of your love language then FINE but NIP IT IN THE BUD#he said he put it off because he didn't want to hurt my feelings but it only hurt me MORE#like you're an adult. grow the fuck up and communicate like one#holding your negative feelings in hoping somebody notices you're hiding them is what TEENAGERS do#and also i told him VERBATIM: i didn't think anyone would ever love me because i'm not comfortable with xyz. and he just confirmed that#idk i still feel like i'm being selfish because how could i expect someone to be in a relationship with me when i can't give them anything#also tmi but it's not like we did NOTHING. we still held hands/cuddled/were close. he just didn't have his tongue down my throat anymore#so obviously i'm assuming by 'missing affection' he just meant sex and as an ace person that just fucking sucks#also oh my god i HATED how much he would imply we were going to have sex. i would have to keep SAYING 'i don't like doing this'#he always spoke like it was inevitably going to happen and it didn't click how GROSS i felt about it until recently#also ALSO not to go there but i never told him WHY i struggle with it (it's sensory issues)#and like. what if something had happened to me that made it hard for me and i just wasn't ready to tell him. and then he did this#again sorry to overshare this is still just a lot for me and i have no idea if i'm being unreasonable#if you're ace and in a relationship please let me know bc i'm starting to think it'll end this way every single time
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charles and erik with each other: oh dear, oh dear. gorgeous 🥺👐 charles and erik with the villain of the week/the x-men: K1LL YOURSELF 🔥🔥🔥
X-Men: First Class (2011) | X-Men Apocalypse (2016)
#charles is soo insane for looking at a god in the face and telling him to fuck off bc he was hurting his best friend. most normal guy.#cherik#mine*#x-men#xmenedit#parallelsedit#filmedit#charles xavier#erik lehnsherr#otp: i want you by my side#god charles' entire demeanor towards apocalypse in xma has always been SOO funny to me. he literally looks ANNOYED every time#apocalypse speaks in the movie. he doesn't even look intimidated or worried that he's trying to possess CHARLES'S BODY or anything#mind you charles wrote his thesis about mutation and here he has THE FIRST MUTANT ever in front of him. who's also a god threatening#to destroy the world. and charles' only reaction is:#'whatever. MOVE OUT OF THE WAY LOSER i CANNOT see erik from where you are standing and i'm worried about him'#and i do think it's very sweet that after this raven tells erik he has to fight for what he has left - and he thinks about charles#(the man that stood on the balcony all those years ago and that cared enough about him to tell him there is more to him#and the same man that STILL CARES ENOUGH to look at A GOD in the face and telling him to go fuck off and die and stop manipulating erik)#charles loves him so much you don't get it........... i'm foaming at the mouth i'm so normal about them
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hello llama
i have been thinking and headcanoning about vampire bad sanses lately, so i was curious if you have any thoughts about or interest in vampires of the nightmare and crew variety? (人 •͈ᴗ•͈)
"do i have interest in vampires", he asks
ok, i will share my extensive vampire brainrot. but in return..... you have to write that vampire fic.... oooOOooO look into my eyes you know you want to write it ooOoOooo 😵💫😵💫😵💫
I very much like the idea of Nightmare's castle being Castlevania-style. Lots of spooky architecture, lots of ancient magical passages that haven't been seen in centuries.
Horror can be summed up in one word. Bloodlust. There's a constant hunger inside him he can't ever seem to fill, driving him almost to the point of madness. He is more beast than man. When he smells or tastes blood, he loses control of himself, becoming little more than a starving wild animal - his capability for slaughter is limited only by his appetite. So unless Nightmare requires it, he generally abstains from blood. He doesn't like losing himself so entirely.
Something about you makes him forget his hunger. Is it your voice? Your scent? He has no idea, but oh, it feels good to feel whole. When you're around it's as if he'll never be hungry again... he follows you like a dog, grinning intensely every time you look at him. This is one hound that can't be shaken.
Despite his 'condition', he finds a lot of solace in cooking. Nothing will give him the same drug-like rush as blood but human food is nonetheless warm and filling and distracts him momentarily from the emptiness. He enjoys the process of making it, too, doing something with his hands. Let him cook for you, please? Watching you eat brings him vicarious joy.
Dust's backstory is one of legend. Something resembling a story can be spun from the loose whispers. A vampire invaded his peaceful isolated village hundreds of years ago, intending to turn the helpless populace into enslaved vampires. Dust, the first to be bitten, turned and slaughtered them all himself - and despite being a vampire for barely a week, the equivalent of a stumbling newborn, he killed the centuries-old invading vampire in single combat.
No one's quite sure why he's joined Nightmare. Perhaps Nightmare was keen to take this uniquely violent creature under his wing, and Dust just didn't really care where the wind took him. Or perhaps he has some other motive, hidden beneath that silent face. Who knows.
... Dust might be quiet, but it's obvious he's fixated on you. Which is a big deal. This is a creature who hasn't mustered a second thought for anything but blood for decades; but somehow, you've excited him. He's very clearly interested in you, silently watching your every move, listening intently to every word you say. Too bad he's not much for conversation.
Killer's backstory, on the other hand, is shrouded entirely in mystery. No one knows where he came from, who he is, or what he's done. He simply appeared one day - right within the coveted inner circle of Nightmare himself. He's the Night King's most trusted weapon, and the closest thing he has to a friend.
Killer seems very clear about what he wants. He thinks you're adorable, and he says you'd make such a pretty vampire. He talks (at length) about how much he wants to bite you, and how if it were up to him you'd already be one of them. A lot of his flirting involves calling you things like sweet treat and honeyblood. However... despite all the taunting, all the talk of seeing you as food, Killer is the one in the castle who treats you with the most respect. The others seem to see you as an object, a cute toy, something to squish and own. Killer talks to you like you're a real person. You can't help but like him for it.
Nightmare's inferiority complex has driven him to declare himself the king of the vampires. No one contests - Nightmare is royalty by blood, and vampires place a lot of emphasis on blood. But even if he wasn't, Nightmare frequently murders those who won't bend the knee. Plenty of powerful vampires have fallen embarrassingly fast at his hand.
... Nightmare's goal is to make you agree to be his spouse. A pretty little human partner would be excellent for his image. It would not only demonstrate his incredible self control as such an ancient vampire (not to mention his control over his warriors), but it would also show that his power is so great he doesn't need to strike a political marriage with another powerful vampire. It might also convince some of the pesky rebellious human groups to settle down.
His pride means that he won't force you. Not yet, at least. He likes to think he can seduce you. He's a royal vampire, after all, and you're just a simple human - isn't it only a matter of time?
... But it seems like, as time goes on... he's the one falling.
#llamagines#whatever you do don't think about you accidentally cutting your finger and triggering horror's bloodlust#don't think about the other vampires rushing in and trying to restrain him in a panic. but even the three of them can't hold him back#don't picture him pinning you with his jaws wide open...#then don't imagine him freezing. tears beginning to fall out of his sockets as he draws you into his arms#dont think about him pressing his teeth against your throat but not biting#almost as if he wants to feel your pulse so he knows youre alive and he hasnt hurt you without realising#don't think about how he seems just as confused and scared as you are#ok thank you for not thinking abt that#bad sanses#vampire bad sanses
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testing out drawing maormer 🪸🐚🪸 and a nelvas 🧣📜🩷 i'll ramble about maormer a bit in the tags
#tes#skyrim#my art#do you like my nelvas emojis🧣📜🧣📜 get it? scarf🤗 and scroll🤗 Everything hurts sofucking bad#anyways i talked about them wif my friend quite a bit i basically 'agree' w/ everything that is written about them && their biology in -#- canon; except tes is very much all Talk and no good actual visual presentation of what it's talking about#cus all of the maormer look like garboooo likeee what am i looking @#but since this is just a first test i think i'll keep playing around with their looks later; they are most close to altmer obvi in the -#- sense of how 'mutated' they r. however maormer are more gross looking for the typical human#they do have flat faces and alldat in canon already but i want them to just have nostrils and no real nose bridge#and they have no lips😝 they also have very visible gums. && have anglerfish teeth#what would be fur on other mer is just scales on them and is placed is scattered in the same places#i was thinking of making swimming most comfortable for them so i gave them more fins#they'd have them on arms and legs and the hair on the tail for them is just a big fin🐠#as for hair i'm thinking of them having none of it at all bcos it looks sooooo ugly on them it's very unnerving to see hair on fish#either no hair at all or something with a different texture. like slimy silky thin seaweed#or the hair that m*necraft striders have LMAO#webbed fingers is cuuuute they'd have webbed armpits like they're those flying rodents🐿 lol#i'd place their gills on both the neck and their ribs#whenever they wear clothes they tie their arm and leg fins up ; i think from birth they just stay in water until they hit puberty and -#- r able to actually walk around#another cute fact is that males and females wud look literally the same almost (women are flat chested too)#fish fish fish#maybe i'll rethink some stuff. i still wanna draw fish babies#but in reality i think even the mere existence of maormer is very pointless bc they don't really matter at all do they#tes lore is soooo overstuffed that's why i don't know anything about it my time is so valuable to meLMFAOAOOO#saw a typo in this sorry i'm just chill like that
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Childhood Friends Danny and Jason: Ch2 Remastered
-------------------------------------------------------------- late at night when the stars don't look quite right -------------------------------------------------------------- there's something burning in the empty room inside of my head fill it up with doubt let it in, let it spread
Jason nearly falls flat on his face when he sees the photo of Danny. He’s in a warehouse, finishing up with a gang selling drugs on his turf. The guys he’s got tied up are cursing up a storm at him, throwing every insult under the sun his way that he’s all heard before. His eyes drag over to them, and silently Jason adjusts his jacket to reveal the guns strapped to his thighs, his hand hovering over the handle of one.
They all fall silent, and Jason moves his hand away. His phone in his other hand, texting Oracle to alert the police. Jason hates that he has to; these guys will be out of their cells in a matter of months, and nothing will change.
But he’ll play nice.
And then his phone buzzes, and when Jason looks down he sees a banner from Tim. A message he planned on ignoring, but his eyes skim over the text on instinct, and suddenly the air is stolen right from his lungs, and his thumb is hitting the screen before he can really think it through.
[Hey Jason, your best friend just appeared in Gotham for the first time since your funeral.]
Impossible. He thinks, yanking his phone close to his nose, as if that will make it any less real or fake. Danny hasn’t been in Gotham in years, Jason checked. But then the image loads, and then he’s staring Danny Fenton in the face. And then he’s greedily tracing every minute, new detail he can find. The gang left half-forgotten in his mind.
Danny’s got an undercut, it looks self-done. It looks good. He looks taller. He’s got piercings in his ears, gold and jewels lining up the sides like a magpie’s find. He’s got an eyebrow piercing.
Something old, something new; Danny is smiling and it still looks just as Jason remembers it. Crooked, lopsided, warm like the sun and belying the mischief underneath it. He remembers to breathe in that moment, and the sound comes in sharp. Danny’s eyes are as blue as they’ve ever been.
(“I don’ get why books talk so much about peoples’ eyes.” Danny complains to him one day when he’s visiting the manor, his legs thrown over Jason’s back like an anchor tied to its ship. They’re sunk into the mattress of Jason’s bed, sunlight peering through the windows. “They’re just eyes! I don’t need t’know that they’re ‘as blue as the sky,’ or- or the ocean, or whatever blue thing in the world there is.”)
(Jason’s smile comes to him like breathing, and he twists around to lay on his back. His arms trap Danny’s legs to his stomach. “Pretty sure it’s jus’ for emphasis on how much they’re noticing the person’s face.”)
(Danny’s face scrunches up, and Jason’s smile splits into a grin, heart swelling three sizes on instinct. “I think it’s stupid, s’just some fuckin’ eyes.”)
(“Eyes are windows to the soul, Dan.” Jason retorts, barking out a laugh when Danny gives him a deadpan look. His hands creep for a pillow, one of the soft downy ones wrapped in silk, and he throws it at Danny’s face. “And besides, speak for yourself! Your eyes are the bluest thing I’ve ever seen.”)
But most importantly, Danny looks tired.
Hiding is something that comes free with the purchase of living in Gotham, and Danny’s good at hiding things, he always has, but Jason knows him like the palm of his hands. He looks tired, and Jason wants to reach through the screen and ask him why. There’s an age-worn look there, catching in the flint of his iris, where his smile doesn’t quite reach his eyes.
Jason gets the ETA from Oracle, then leaves as fast as his legs can carry him and his grappling hook can zip through the air. He needs to see Danny with his own eyes, to confirm himself that Danny was here, and that it wasn’t his mind playing tricks on him. Or that it was Tim playing a cruel joke on him — and if it was, he’ll have to rethink his whole killing thing.
Gotham’s air is warm and suffocating, but her winds bite at him as he soars through it.
It’s second nature for him to find the west end balcony, and Jason finds himself with his feet locked in place on the building beside it. Grappling hook in hand, and a balloon in his lungs, all swelled up and squishing the air out of him.
It’s just his luck —with whatever he has left— that Danny is there as well. In the same spot he’s always been, with a cigarette caught between his teeth. He’s stuck halfway, head tilting, eyes closed, with the shadows of Gotham on his back and the light of the gala at his front.
For a moment, for a fleeting, terrifying moment, Jason thinks Danny’s going to tilt himself back off the side.The thought has him blindly tilting himself forward with his heart in his throat. Hands reaching for his grappling hook, swinging down to drop down beside him.
Danny is staring at him before his feet even hit the ground, face nigh unreadable beyond the small, wary furrow of his brows. Danny’s never looked at him like that before, it feels like stumbling on the last step of the stairs.
Then, like fire to black powder something flashes and ignites in Danny’s eyes. Mouth curling, eyes burning, for a moment, just a moment, they’re kids again, getting into fights and turning soft hands punch-rough. Danny looks at Jason like he’s going to tear him to shreds.
Jason’s mouth runs dry like a desert in the summer, but his blood chills in fear cold in his veins. Why are you looking at me like that? His mouth opens, but his tongue is leaden in his throat, and no sound comes out. It’s me. Don’t you recognize me?
Danny yanks the cigarette from his mouth like it burns him, his free hand gripping onto the railing like it’s the tether to a leash, nails threatening to turn into talons. “Red Hood.” He says, voice low and timbre, smoke dripping from his lips like dragon’s breath.
Oh.
That’s right. Jason suffocates on his heart as it sinks and soars with relief. Danny doesn’t know it’s him. In his tunnel vision, he forgot that simple, easy fact. It’s not because it’s Jason that he’s angry. It still doesn’t explain, though, why Danny looks at him like he ought to sink his teeth into his throat and rip him open.
He’s half-distracted by that, and then distracted by the need to drink in the sight of Danny again. A photo is one thing; the real person is another, and with his fear subsiding, Jason rakes his eyes over his best friend and swallows him whole. His eyes are bluer in person, his memory and Tim’s photo doesn’t do them justice, and Danny inherited his dad’s height. He’s gotten so tall. They both have. They both used to be such scrawny kids.
So distracted is he, that he forgets to respond to Danny, to say anything. Not until Danny tries to dismiss himself, and Jason kickstarts into gear. White hot panic fills in his lungs, burning him up like magma. No, no, no, he’s moving without thinking, always when he’s with him, and he nearly latches onto Danny. Nearly wraps his hands around his arm to hold him in place. Don’t leave. You’re finally here; don’t go.
Danny stays, but he stares at Jason’s reaching hands like he’ll bite them off, stares at Jason with his eyes burning, watchful. Jason’s excuse is lousy and he knows it, but he wants, wants, wants to stay and figure out every new thing about Danny.
And he feels like he’s losing something. Time bleeds together beside him and Jason feels trapped behind a glass wall of his own making. Something old, something new. The distance of which Danny keeps him at is foreign to him. He hates it.
Tell me everything, he thinks, because he can’t find the words to say it. He hands Danny a cigarette instead, and hopes that it’s enough. Tell me everything and more, tell me what I’ve missed.
In the end, he still feels like he’s losing something, but he also feels like he’s missing something. Answers that are water, and that water is slipping through his fingers. Danny leaves him with more questions than answers; something that’s never happened before, and Jason watches him walk back inside with a spinning mind.
What do you mean you spoke to my ghost?
I told you that the Joker killed me?
Have I told you anything else? Have I already told you everything I’ve wanted to?
What happened while I was gone?
Is that why you’re scarred?
Because Jason isn’t blind, he’s never been. Not in Crime Alley, not as Robin, not now. And not when it comes to his best friend. He sees the silver lightning scars ripped jagged up Danny’s arm, sees that they disappear under his sleeves. He saw, faded as they were, invisible until the light hit right, as they spread like tree roots up his throat and across the side of his face.
Scars that Danny’s never had before. Scars he didn’t have when Jason was alive the first time. Scars he didn’t have the last time Jason saw him. Or — what he remembers to be the last time he saw him, because apparently he saw him as a ghost. He sees the curve of his ears and how they point more than a human’s should, he saw the glint of his canines, sharper than they should be; sharper than he remembers. Metaphorical fangs turned real.
Jason should’ve asked where he got them from, should’ve taken Danny by the front of his collar and stopped him from leaving. Who did this to you? He should have said, a fire burning in his chest and wrapping around his throat, pulling his voice into a snarl. He should have said, his guns weighing heavy on his sides; Who did it. I’ll take care of it. Just tell me who. Tell me everything.
Instead, something crawled into his mouth and died, and his tongue is glued to the roof of it. And he doesn’t say anything, because saying something means telling his best friend who he is. It means having to take off his helmet and mask. It means telling his best friend that he’s alive, that he has been. That despite being two halves of a whole, Jason spent five years letting him think he was dead.
He can’t tell him, not when he’s in too deep already. Not when Jason is so unrecognizable to who he used to be that if he told him, Danny would hate him.
And Danny is still grieving him. So plain as day mourning, still angry over his death. Angry enough that he wants the Joker dead, angry enough that he wants to hang the noose and kick the chair out himself.
Jason wishes he told him that he looks tired.
Instead he’s standing alone on the balcony, trying to get his thoughts in order as music blares muffled through the gold-light door. He’s left staring at the crushed cigarette laying on the ground, Gotham’s ambience at his back and a poem hanging in the air that he has no words for. It’s already there. Like stars on a painted ceiling.
And there are so many questions he needs answers for.
Like his ghost. His ghost.
What did Danny mean by his ghost?
Does he really want to kill the Joker himself? Was it just the grief talking? Jason knows — or thinks he knows — Danny like the palm of his hands. He’s been through everything with him, he’s seen him say something and then immediately follow through with it. He knows when he’s being serious, he knows when he’s not.
Danny wants to kill the Joker. Stealing is one thing; murder is another. And Danny wore a look on his face that looked like he meant it when he told Red Hood that he wanted to kill Joker. But saying and doing are two different things. Jason doesn’t know what to think.
Something old, something new. Danny is still the same, and yet he’s changed so much.
What did Danny mean by his ghost?
Jason doesn’t ever remember being a ghost. But Danny knows the Joker killed him. He knows how he killed him. Danny’s parents are ghost scientists, and Jason remembers the letter he got one day telling him about the portal they were building in the basement.
He remembers thinking about telling Bruce — this was something beyond the glowing green samples stored in the fridge, giving life to the food inside. This was beyond the weapons, the inventions they made that only saw the light of day when the Drs. Fenton brought them up to showcase them.
And he didn’t, because if he hadn’t told Bruce about everything before, he wasn’t going to start. He admits, it was part fear that Bruce might intervene and prevent him from seeing Danny that he didn’t.
Neither of them had expected it to work — but it sounds like it did.
(Jason has avoided Amity Park for a reason. He knows he wouldn’t be able to stop himself from going there if he didn’t. But now, he just might have to look into it. He’s missed too much.)
And Danny wants to kill the Joker, and Jason isn’t sure if he means it or not. Because the look on his face when he said it is oh-so familiar. It’s the one he wore when he needed Jason to distract the clerk while he snuck behind the counter to steal cigarettes from the shelves. It was the one he wore when an older kid cornered them near one of Gotham’s many alleys, threatening them over something Jason can no longer remember clearly.
(He remembers puffing himself up, rearing for a fight. Danny, with glass in his teeth and blood between his fingers, lands a square kick to the spot between the kid’s legs. His knees hit the ground, and Danny’s hand found Jason’s to drag them both out of there.)
It’s the look of a boy, Gotham-touched grime in his soul, soft fingers turned calloused and scarred, about to do something he’s not going to regret. It’s the look of a boy that has set his mind to something and is going to do it. Some might call it the eyes of a cornered animal, but Danny’s never been cornered, not when Jason’s been with him.
(But Jason hasn’t been with him. Not for the last five years. So can he really say it wasn’t the eyes of a cornered animal?...Yes.)
Jason gets off the balcony before he can be seen, and he shouldn’t, but he loiters. He should get back to patrol, the night is never over. Not in Gotham. But he stays, hidden atop the roof nearby.
—---------------
An hour later, Danny walks out the doors with a man Jason recognizes as Vlad Masters — another new mystery for him to uncover. The paparazzi have long since left. Gotham’s nights are dangerous and everyone knows that, not even the vultures would stick around for a scoop, not unless there was something worth seeing.
A black limousine pulls up beside them, and Masters walks around the back to reach the other side. He’s bristled like an angry cat. “I thought I told you not to embarrass me.” He hisses, eyes snake-narrowed.
Danny, for the most part, just looks unbothered, his hands shoved into his pockets without a care. But he narrows his eyes right back, an expression made of stone. “You have a pretty low bar for what you think is embarrassing.”
Masters just scowls, “I don’t understand you, I would have thought you’d spend the whole time mingling with the Waynes, badger.” He says. Danny ruffles at the nickname, lips curling into a snarl. Jason finds himself unconsciously mimicking him. “And yet, I find you sequestered away in the corner like a little fly on the wall. Were they not up to your standards?”
‘Sequestered’ Danny mouths mockingly, eyes burning like he was going to claw his hand down Masters’ face. Instead, his hands dig into his arms. “I did talk to them, that’s more than I can say for you. You couldn’t even keep Mister Wayne’s attention for more than a minute.”
Jason frowns, and Masters scoffs, puffing up like an owl with its ego bruised. “Regardless, I am not the one losing here. Or did you forget what you promised me?”
Jason’s frown deepens. Danny doesn’t promise anything. At least, he doesn’t promise with just anyone. He deals; he repays; he indebts. But he does not promise. Promises were power, with only one side benefiting. It was trust to promise someone something. Danny doesn’t trust easily, neither of them do.
Something that hasn’t changed. Danny rears up angrily, mouth twisting, teeth baring, snarling out a fury sound. A wire cut live and sparking. He grabs the door handle and yanks it open harshly. “I didn’t promise you anything, Vlad.” He hisses, Jason strains to hear him. “I offered and you agreed. Do not fucking twist my words.”
There it is. Jason should’ve known better, guilt string-plucking in his chest for his doubt. Danny doesn’t promise things; not to people like this Masters guy, at least.
Danny grabs something from the car and throws himself back. “Don’t wait up.” He snarls, a wild thing just as Jason is, and yanks on a red hoodie over his arms. It zips up, and hangs off him, smothering the vest and button-up beneath. “I’ll meet you back at the hotel.”
Then he slams the door shut, shoulders hunched and with a scowl carved into his face. They’re both made of broken glass; independence — disobedience — and rebellion cut into them from every broken beer bottle shattered on the streets.
(Jason makes a mental note to look into Vlad Masters — Danny’s never told him about him, so they must have met after he died. The man leaves a rot in Jason’s mouth, and there is a greed festering inside him that Jason knows has left him in decay.)
(He doesn’t like how close Masters acts with him, doesn’t like the affiliations between them both. Masters reminds him of Luthor and every other rich socialite with their hands in something dirty. He hates even more that Danny is making deals with him. What has he missed?)
Jason follows after Danny, partially concerned that Danny is wandering Gotham alone. Regardless of what he can do, Gotham is still dangerous. It is bone-rotting, lung-choking and unforgiving. Danny knows this, Jason knows he does. He’s partially curious to know just where he’s going, and whether or not it was important enough to visit in the dead of Gotham’s bloody nights.
Danny surprises him — slipping between alleyways, sticking close to the shadows. Someone taught him how to be stealthy — or, at least, refined what stealth Danny already had. More new things that Jason needs to learn. More things he will never get to know.
Who taught you that?
Just what, exactly, have I missed?
I want to know everything.
Five years is a long, long time to be away from someone. If a caterpillar can become a butterfly in two weeks, then what can five years do to a human? It’s a long time to change, to become something else entirely. Jason’s become someone new, and he thinks, so has Danny.
Dread pools in his ribs, into his lungs, and weighs heavy on his heartstrings. The urge to drop down in front of Danny, to grab him by the arms and ask him to tell him everything, returns with a vengeance. This is why he avoided Amity Park.
Will I still know you like I used to? Jason trails behind Danny from the rooftops, like a ghost. Do you still love the stars? Do you still take tea over coffee? Will you tell me, if I ask?
And if he doesn’t? If he doesn’t ask, like he isn’t right now?
If he doesn’t ask about his ghost — something that still boggles his mind, because it means the Fentons were right and that portal might have worked, and Danny found Jason’s ghost? If he doesn’t ask what his ghost told him, if he told him anything else? Did his ghost tell you that he was Robin, like he always wanted to?
He will just have to keep his questions to himself. He will just have to tuck them into a folder in his mind, and file it under all of his other regrets.
He feels like he’s Robin again; keeping secrets and hiding things from his best friend because it simply wasn’t safe enough for him to know. It’s maddening.
Why has nothing changed since he died? Why has nothing changed, now that he was alive?
—---------------
Danny leads him to the Gotham Cemetery. Jason freezes outside the gates. Oh, he thinks.
Oh.
He thinks back to what he thought earlier.
What could possibly be so important that he’d go to it in the dead of Gotham’s night? The cemetery. Of course. Something old, something new, something bittersweet sets over his tongue that he swallows down.
Jason forces himself to follow.
“Hey.” Danny says as Jason settles behind a tree, voice gentle in foreign familiarity. He’s standing at Jason’s grave, his hands shoved into his pockets. The light is low but it doesn’t stop Jason from seeing the starlight-soft look in Danny’s eyes and his half-tilted smile, the smile that Jason is more familiar with than the wary scowls. “Sorry I’m late.”
Guiltish misery wraps its hands around Jason’s lungs. Pin-prickingly, stabbing at his heartstrings, Jason’s mouth moves on its own; “It’s okay.” but no sound comes out. Danny doesn’t hear him, and neither does Jason himself.
Danny sits down before Jason’s tombstone, groaning low and tiredly as his legs fold beneath him. He’s older than Jason, and immediately his mind switches over to all the jokes he used to lob him with.
(“Need help crossing the street, old man?” Jason, eight years old, asks with a grin so wide and painful across his face; giggles in his chest. He hooks his elbow with Danny, and keeps him tight against his ribs. “You’ll need all the help you can get in your ancient age.”)
(“I’m not that old.” Danny says, glaring at him before they scurry across the street with the light still green. Traffic laws are a joke in Crime Alley, it’s like a game of frogger as the sound of honking horns and screeching tires follows their heels. “We’re six months apart!”)
(“Six months and four days, actually.” Jason corrects when they reach the other side, snickering as they race down the sidewalk. Drivers lean out their windows and curse them out as they get away, Danny dodges an empty soda can thrown at his head. “Can’t forget the four days.”)
“I would’ve come sooner.” Danny tells him, pulling him from child-fuzzy memories and back into reality. Jason peers around the tree to see him running a hand through his hair, head ducked down. His palm splaying against his neck. “Sorry I didn’t. I got scared.”
Scared? Jason blinks, he leans against the bark and bumps his helmet against the wood. The thunk is loud in his ears, but Danny makes no indication that he heard. Of what?
But Danny doesn’t say what, he drops his hand and glances off to the side. He sits like a man who isn’t quite sure what to do, his mouth pressed into a thin line, his eyes scrunched. Grief carves into the lines of his face like a sculptor carving into marble.
“I was gonna get you flowers on my way here.” Danny continues. His voice cracks, begins to wobble, and Jason sees Danny’s jaw tighten and his eyes close for a moment. When they open, there’s a wobbling sheen on his bottom lashes; tears threatening to bleed.
Danny flicks at the tears with the nail of his thumb, it does nothing. It just makes his breath hitch. “Um, but they- uh, didn’t have any open on the way here.” He says, giving Jason’s grave a tremulous smile. “Sorry, I’ll make sure to pick some up on my next visit.”
Next visit. Jason’s heart squeezes uncomfortably, before he reels at the words. Danny’s going to be visiting again, after five years of being out of Gotham? Next visit, why are you visiting again? Was this the reason he came to Bruce’s little charity ball with Vlad Masters? So that he could come visit Jason’s grave?
It couldn’t have been. There are other ways to get to Gotham that don’t require making deals with shady rich men. Danny’s smart, smarter than Danny himself gives him credit for. He’s brilliant. Why did he need Masters’ help to get him to Gotham?
There had to be another reason why.
God, there were so many questions that Jason wants the answers to. He’ll find them, one way or another.
But, he focuses in again. Danny is only here for the night. One night, and he doesn’t know when he’ll be back again. Jason wants to commit every detail of his best friend to memory before he leaves.
“You like zinnias, right?” Danny pets the grass at his side absently, and yes. Yes, Jason does, and Danny remembers. Even five years from his death, he remembers. Of course he does.
“Yeah, you do. You used to pick the petals up off the sidewalk from those uh, fuck — the vendors. The Victorian flower language too, I think. Got a book on that somewhere. I’ll get you red an’ yellow ones.”
Grief traps in Jason’s chest, and he barely tamps down the bitter laugh forcing itself out of the chokehold of his throat. You fucking sap, you big fuckin’ sap.
Red zinnias. Steadfast beating of the heart. The irony. It’s got double the meaning now, now that he’s alive. But Danny doesn’t know that, so the heart that’s beating could only belong to him. But even with Jason alive, he’s hiding. Between the both of them, the only one here with a beating heart is Danny.
(Between the two of them, the only heart here is one that's made between the two of them.)
Yellow zinnias. Daily remembrance. Of course. That doesn’t need any explanation, the writing is right there on the wall. Raised, so that even the blind may read it. It doesn’t need to be said what that means, Jason can hear it on the wind, in the grass, in the trees. His heart crumpling like a rag being twisted out to drain the dirty water soaking in it.
I miss you.
I miss you.
I miss you.
I’m right here. Is what Jason wants to say. It’s what he should say. He should step out from behind the tree; should speak up and say something. To announce his presence. To do something to let Danny know that he’s speaking to someone who is more than a ghost (who feels like one anyways) and a corpse in the ground.
Here I am. Here I am. HERE I AM.
His feet are gravebound to the dirt, his tongue cut out of his mouth and shoved into a jar. He feels, in some way, like he’s clawing out of his own grave again, but the dirt keeps falling and his arms are burning. His lungs are filled with more soil than air. He’s not getting out.
Shame burns cigarette smoke in the back of his throat, shriveling up what little remains of his tar-filled heart. It should be his lungs, and it’s got that too. His feet are grave-bound to the floor.
Danny’s begun to cry, much to Jason’s horror. It should be more incentive for Jason to step out. He doesn’t. His best friend sniffles and scrubs at his face, soaking tears into his hoodie’s sleeve. “I’m sorry for not visitin’ sooner,” he says, voice spiraling with grief, “I don’t have an excuse. I should’ve come sooner. I’m sorry. I’m so sorry.”
Don’t be, Jason thinks. Finds himself surprised by the truth of it. He should be upset. Five years and not a single visit. He abandoned him like everyone else. Except he didn’t.
He’s not upset, he can’t be. Not when Danny’s finally here. Not when he’s still crying over him five years after the fact. Not when he’s going to put flowers on his grave that means he thinks of him daily. Not when Danny knows who killed him and wants him dead.
Jason isn’t sure of what to think of that still. He wants Bruce to kill the Joker. More importantly he wants change in Gotham. He wants something to be done. He doesn’t know if Danny is being honest or not — and honesty doesn’t mean anything if someone doesn’t act on it.
Danny continues talking to his grave, his voice full with sorrow. He talks about the gala, about running into Bruce and talking to him again.
Jason listens in dutiful silence, soaking in Danny’s voice like a sponge. This is what he was expecting on the balcony; this easy conversation. Except it’s not a conversation, Danny is talking and not expecting a response. Jason feels like a stranger imposing on his own grave.He should slink away, let Danny have his peace on his own.
He refuses to move. He can’t bring himself to.
If he closes his eyes, he can pretend that he's sitting in front of him. He can pretend he’s thirteen again, with him and Danny crawled under the bed at the manor and trading all the stories they couldn’t fit in their letters. Danny tells him about another fight he had with Dash Baxter, eyes rolling but smug teeth flashing in a stifled smile. Then he tells him about something Sam and Tucker did; about one of Sam’s protests she led against the biology lab, and Tucker coding his PDA to play Doom. Easy, stupid middle schooler shit.
They’d sneak out to the balcony for their vices, Danny clutching a carton of cheap cigarettes in hand. Alfred always finds the ones Jason hides, so they usually share whenever Danny comes to visit. Jason tells him about Gotham Academy, about the people there and the classes. Prep school is another beast entirely, he likes seeing Danny’s reactions to the politics that goes on inside.
Or, further back, they’re eight again, climbing a rickety fire escape to the rooftop and hanging their feet over the edge to find Batman and Robin. Danny was in the lead before he left for Amity Park. Jason remembers it clearly; they’d spent all night outside on that rooftop.
Jason doesn’t close his eyes.
Jazz decided to change career goals; psychology’s become more of a hobby for her, and she’s going to go to med school instead. She’s thinking of doing an internship in Metropolis. Danny says he’s glad that it’s not Gotham, and when he told Jazz this, she laughed at him and told him that she was going to save that for later.
She’s Gotham-touched too, she knows it’s blood just as much as Danny does. She wants to help the people there, but knows what Gotham’s like. She knows what she can and cannot do. Determination doesn’t equate skill, it just means the willingness to learn.
Sam is staying in Amity Park and doing online classes for college, but Tucker got a full ride scholarship in software engineering. Danny’s thick with pride as he tells Jason’s headstone. Jason’s happy for him — they weren’t close, not like he and Danny were, but they were still friends.
Jason soaks it all in; tell him more. He wants to know everything.
"I don't know what I want to do." Danny says when he’s finally done talking about everyone else, his chin laying on his knees. “S’not like I can be an astronaut anymore, but there’s not anything I can see myself doing.”
The corner of his mouth coils, sardonic. “I’ve had five years to come up with somethin’ new, and I’ve come up with nothin’ at all.” He huffs. It’s a rough, bitter sound. Gotham has been steadily seeping back into his voice since he arrived in the graveyard, and now it comes out thick, like it never left.
Danny’s face falls slack, like a puppet losing its strings, and he sinks into himself. “I guess I…” He exhales slow. “I’ve just been distracted.” A faraway glaze eclipses his eyes, and before they close, tears begin to bleed onto his eyelids. Again, grief mars the lines of his skin, settling into the curve of his mouth and threading between his brows like second nature.
Fuck, it’d be so easy for Jason to just step out. Move. His best friend is grieving. He could save him the pain of it and tell him now. Move, move, move.
He doesn’t move.
For a while, there’s nothing but silence, just Jason hiding in his shame; a rat on the street would be bolder than him. Danny’s eyes don’t open. Eventually, his head tilts and slumps into his knees, Jason almost thinks, somehow, that he’s fallen asleep — but Danny’s hand threads into the hair on the back of his head, his finger beginning to tap an invisible beat into his skull.
It’s the perfect opportunity for him to slip away. Danny’s distracted; lost in his thoughts. He won’t notice if Jason slinks off now. He could go and hide away on a roof nearby, ensuring that Danny gets his rightful privacy without leaving him to the teeth of the streets.
Jason still doesn’t move.
Danny begins to hum. It’s a low, breathy sound, and it shakes unevenly. There’s no discernible melody, but a breeze picks it up and travels it through the air anyway, rooting Jason to his spot. His throat swells, and his back sinks into the bark behind him.
For a full minute, maybe two, Danny just hums. It’s a simple tune, but it fills the graveyard with the sound. When it goes up, he sharpens, when he goes down again, it flats, and sometimes it wobbles.
When he lifts his head, when he finally opens his eyes, he���s still humming. Soon it dies down, and the next time Danny exhales, it comes out tumultuous and slow. His hand slips heavy from his head and drops into the grass.
“Where’d you go, Jay?” Danny mutters, and despite his voice coming flat, he still sounds so tired. Danny’s eyes flick up, lifting off the grass to burn into the headstone. He’s not even looking at him, and yet Jason still freezes up, he still feels pinned under the weight of his stare. “I know you’re still out there, somewhere. I know it.”
Jason breathes in shakily, a sting deep in the back of his throat. He gives no answer; guilt is an animal with claws, and it burrows deep into Jason’s heart to make itself a home between the tendons. He’s right here.
Silence falls over them again, and this time it’s only the sound of the city around them that bleeds into the air. Danny stares at Jason’s grave, staring like he’s expecting an answer. He doesn’t get one.
Danny sighs out low, and stands. His knees tremble slightly, and he rubs his sleeve into his eyes, catching the stray tears falling from his lashes. Like breaking a spell, Jason jolts from the fog of sorrow hanging in the air.
“I’ll see you later, an’ I’ll make sure to bring you those flowers you like.” He tells him, and miraculously, a shadow of a smile flits over Danny’s mouth. “Y’better be here when I get back, alright? I’ll kick y’fucking ass if you’re not.”
Jason bites back a huff, his mouth upturning in a wobble. I will, he thinks, and watches Danny trail out of the graveyard with his hands in his pockets. He waits until he’s disappeared behind the gate before following.
Guilt is a thing with claws, and Jason leaves the cemetery with it eating his tongue. But he makes sure Danny gets back to his hotel safe before he slinks back to Crime Alley; he might not be a ghost anymore, but he can still trail behind Danny like he is.
------------------------------------------------------------------------------
ayy i finally got chapter 2 of CFAU/TMWS edited/redone! It had to get rewritten because a lot of stuff became obsolete in the wake of the new chapter 1. and also it just kinda. fucking sucked imo lmao
(you can also read it here on my ao3!)
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#cw swearing#dpxdc crossover#childhood friends au#cfau#dead on main#dp x dc fanfic#dpxdc fanfic#dpdc#banshee danny fenton#got to let jason be Slightly More Unhinged about Danny in this version which i had fun with. i love writing unhealthy attachments it just#adds a little spice ✨ im like an evil scientist marveling over their unethical creation. someone call me olivia octavia#fun fact that i learned recently: jazz also wanted to be also be an accountant or a brain surgeon! so she's getting a little break from#being the Therapist Friend. :]#jason @ danny: whose hurt you. tell me i'll kill them. talk to me tell me everything. don't leave my side please.#danny would be pr similar if he knew red hood was jason :P. uhh. after the initial shock wore off.
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𝕀 𝕨𝕒𝕤 𝕓𝕦𝕤𝕪 𝕥𝕙𝕚𝕟𝕜𝕚𝕟' '𝕓𝕠𝕦𝕥 𝕓𝕠𝕪𝕤, 𝕓𝕠𝕪𝕤, 𝕓𝕠𝕪𝕤 ₊⊹˖
𝕀 𝕨𝕒𝕤 𝕓𝕦𝕤𝕪 𝕕𝕣𝕖𝕒𝕞𝕚𝕟' '𝕓𝕠𝕦𝕥 𝕓𝕠𝕪𝕤, 𝕓𝕠𝕪𝕤, 𝕓𝕠𝕪𝕤 ⊹₊⋆
ℍ𝕖𝕒𝕕 𝕚𝕤 𝕤𝕡𝕚𝕟𝕟𝕚𝕟' 𝕥𝕙𝕚𝕟𝕜𝕚𝕟' '𝕓𝕠𝕦𝕥 𝕓𝕠𝕪𝕤 🎶 -`♡´-
#(ง ื▿ ื)ว(*-*)#my face hurts from gazing at them with a stupid grin on my face#✋️(◔_◔) simp#ts4#the sims 4#seyvia's sims#sdv as sims#sdv to ts4#elliott stardew valley#alex stardew valley#harvey stardew valley#sam stardew valley#sebastian stardew valley#shane stardew valley#.... _(:з)∠)_#...it wouldn't be very nice of me to keep them all to myself right??? oh~ what am I thinking! you don't want my sims! (*/ω\*)#....
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"You're running away again?"
BOYS BE BRAVE (2024). EPISODE THREE.
#boys be brave#asianlgbtqdramas#asiandramasource#kdramasource#kdramadaily#*#faiza gifs#OH THIS ENTIRE SCENE? DELICIOUS. EXQUISITEEEEEEEEEEEE.#'NO YOU DON'T!!!!' 'DON'T DO THIS TO ME!!!!"#BALGEUM SAW HIS OPPORTUNITY TO HURT INHO EVEN THO HE DOESNT WANT TO SO THAT HE DOESNT HAVE TO FACE HIM#GIVEN HIM FINANCIAL CIRCUMSTANCES AND HOW SHIT AND INFERIOR THAT MAKES HIM FEEL IN FRONT OF HIM#GOD I LOVE THEM WITH ALL OF ME.
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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one of my favorite parts of speculating ahead of the Veilguard is the number of people talking themselves around and around in the loop of "Illario is extremely suspicious and the most obvious choice for who betrayed Lucanis → However, Illario seems like he genuinely cares for Lucanis and seemed sincerely distraught in The Wake → I know in my heart it must be Illario: there is no one else with means and motive → If Illario did it, I understand why given how Caterina has treated him and them, and he has arguably earned a bit of a villain era → The situation is ultimately caused by Caterina and Crow politics and, again, Caterina → I don't want it to be Illario because I want he and Lucanis to have a good relationship given all they've suffered together → However, there is already an existing bitterness between them because of the succession question and in Illario generally because he's seen as lesser → Illario is the most obvious choice"
#so many of us are like it's gotta be Illario I don't want it to be Illario it makes sense it's Illario#It's like... it's a tragic situation because no matter what—even if it is Illario—the root cause is Caterina and she's already dead.#Speaking for myself. *I* keep doing this loop bc even if it was Illario it's hard with what we know so far for me to hold it against him?#Yes he had different choices. Obviously he could have done anything else. But like it isn't just ambition and spite.#Assuming it is him [points at the loop] it feels like a situation fostered by the way Caterina raised and hurt them both.#What methods do you feel you have when the only thing you know is knives and murder?#How else to feel when the cousin you love like a brother eventually convinces himself he doesn't hate the grandmother who ruined you both?#She is only “Caterina” in your mouths and you are “cousin” in his but he is choosing her over you and how else is there to feel?#After all: she's sharpened all your emotions into knives. They're only ever knives.#ANYWAY that got away from me there for a second#I think that's why we're doing this loop. It's gotta be Illario but it being Illario resolves little. It's not a complete catharsis.#It's really the facts of their lives. It's really what Caterina did to them. It's really the yawning pit at the center of House Dellamorte.#Illario Dellamorte#Lucanis Dellamorte#Caterina Dellamorte#Dragon Age: The Veilguard#Dragon Age The Veilguard#Veilguard#Dragon Age#DATV things#DATV spoilers#Veilguard spoilers
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Sight of a Star - Blue-ish Star Ryōshū and Don Quixote
#HERES HOW BLUE-ISH STAR BELIEVERS CAN STILL WIN I PROMISE#Rendering sucks but I do like how these look very much. I hate drawing armour. big fan of dramatic shadows however.#but! as for justifications:#B-iS is an abno regarding what one so desperately wants but cannot have - possibly connecting to Blue Star and the paradise-like place-#people wish to reach by throwing themselves into it. though what is offered by B-iS is a much less refined yet as tantalising#given the text of 'The irresistible allure is almost tearing you apart' and the less refined bit being implied by both design#[jagged edges of the actual blue shape and legs like dolls - both unlike BS' much rounder and more naturalistic design]#in short it's the manifestation of impossible dreams - for Don this is her quest for a just knighthood in the City of all places#and for Ryōshū [though idk her source] it is her final work of art - the Hell Screen#when approached one's body is 'pushed away' as if a manifestation of how it is unachievable. at least it is for them#'To be truly blue the one with the true blue must be left alone in one’s blueness.'#is what I interpret as: 'to truly dream the dreamer must be left to one's fantasies'#dreams by nature do not intersect well with reality. all their flaws will be shown and they will crack under the pressure of the real world#it is why the dream pushes them away. to preserve itself. also probably has something to do with how DQ also has void dream#and this abno gives pride boosts in its event. and I personally see pride as a sort of 'self assurance' or 'self above others' so to speak#as to chase ones dreams one must think themselves the exception. as the one that can persevere over the City#plus the HP damage and the various juxtapositions in the 'forward' option may be in reference to how dreams and reality don't mix.#harming those who chase them. though all the same the 'backwards' option shows that simply tossing them aside shall hurt in its own way#to think oneself 'impure' enough to give up on chasing it is all the same resignation on your uniqueness#as for the gift: the name is possibly to do with how lower stars seem easier to reach. and the effect of damage at minus SP....#going insane dream chasing?#but to take ones leave allows for it to be left behind without any further effects. you did not look at your dreams. acknowledge them at al#but are you better off like that? not dreaming? forgetting that brilliantly unfinished star?#but anyways I hope you liked my rambles. also this abno and everything related to Blue Star is so tastefully C flavoured that I love them#and fun fact! when I was first generally mapping sinners to unfightable/EGOless abnos I entirely forgot Ryōshū somehow. which led to this.#they don't have weapons they just kick real hard and it works well enough#limbus company#ryōshū lcb#don quixote lcb#🎠🚬
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X-MEN: DAYS OF THE FUTURE PAST (2014)
#they should invent an iteration of cherik that doesn't make me want to kill myself#mine*#cherik#x-men#xmenedit#gifset#filmedit#erik lehnsherr#charles xavier#otp: i want you by my side#they never talk about this again btw#guys be honest do u think it blew up in their faces in genosha (it totally did. it 100% did)#i think its important to note that in most of the movies (esp. the prequels) erik is always very intently staring at charles without#blinking. and that the one avoiding eye contact or not being able to hold it for too long it's charles#charles does avoid erik's eyes a lot especially in dofp#while erik is always the one doing the intense staring into charles' soul thing BUUUT in this scene#you can see erik breaking eye contact for a brief second when he says 'for what happened. i truly am'#you don't get it he's so sad!! HE'S SO SORRY!!!! and yet he can't bring himself to look at charles in the eye because he gets too emotional#and also the second erik says 'for what happened' charles breaks eye contact too#they are hurting so bad and they can't look at each other in the eyes without getting emotional.................. i'm so normal about them
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