#you decide you want to start running

[canongf-archive]

hi liv, i wanted to get your advice on something. lately i’ve been loving my f/os ofc as usual, thinking abt them etc. however the thought always arrives that i can’t feel these love feelings, because they would not love me, due to my self esteem and self image being defeatingly low right now. i feel so locked into this cycle i don’t know how to stop it even though i want to. i crave validation from others that these characters would love me but don’t really talk to a lot of people i could share that with and i know that i’m the only one who can make myself believe it and accept it at the end of the day.

thank you for taking the time to read this!!! hope you are well <333

💗 hi hi hi!!! 💗

anon, you are not alone in this. i have been here!!! i'm still here sometimes!!! it's something that my therapist and i have been talking about a lot lately, and i wanna tell you what she's told me!!!

when you say 'i know that i'm the only one who can make myself believe it,' you're right. it is a beautiful thing to receive support and encouragement and validation from others, and it is human to crave that!!! there is nothing wrong with you for craving that!!! but if we rely solely on other people for it, we will always be searching. it will never be enough. which is why we have to cultivate that support and encouragement and validation within ourselves.

which is hard!!! especially when your self esteem isn't the best!!! when you're locked in the cycle, sometimes it feels like you'll be locked in the cycle forever. like it's hopeless. but you won't be!!! it's not!!!

we just have to make the effort. we have to tell ourselves that we are worthy and deserving of love. we have to tell ourselves that we love ourselves. that we choose ourselves. that we will always have ourselves to come home to. we have to meet those negative thoughts and ask them why they visit instead of allowing them to move in.

and we have to remember that it's a journey. it's a process. we won't believe ourselves right away, and it won't sink in overnight. that's okay. we have to do it anyway. it's like building a habit, we have to do it over and over and over again. and we will have bad days where we do it and we don't believe it, or where we don't do it at all. we will have days where we feel great and we will have days where it feels like we've made no progress at all. but eventually we will get there.

anon, i'm so sorry that you're feeling the way that you're feeling right now. i know it's hard and it's devastating, but it won't always be like this. you won't always feel this way. everything you are searching for is already with you, already inside you, and one of these days you will be able to feel it. and until you do!!! know that you are not alone in this!!! know that you are loved and deserving of that love, regardless of if you believe it or not!!!

i am sending you the biggest hug!!! we are doing this together!!! i am proud of you for being so honest and vulnerable and i am beyond grateful that you trust me enough to open up to me!!! it's all gonna be okay!!! 💗

[non-un-topo]

Thinking about the sniper duo

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[miracleghast]

does somebody know what each streamer in pirates smp calls their chat cause for now I have

Seagulls: Acho's Chat, Tubbo's Chat

Sea Salt: Owen's Chat

Rats: Martyn's, Olives, and Eloise's Chat (her mods are cats which is cute!)

Magpies: Scott's Chat (Mods are Crows ?)

Parrots: Kyle's Chat

Ghost Parrots: Sausage's Chat

Adoring Fans: Krow's Chat

The Voices: Michela's Chat, Cleo's Chat

The Waves: Ros's Chat

Crabs: Oli's Chat

I can only watch so many perspectives, so please tell me about the ones I've missed or need to add, or if I've gotten any wrong!

I know this information is pretty trivial but I'd be fun to learn (especially after the war that happened after scott raided acho)

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[theonewhowails]

in my head this is how Divine Inspiration works

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[vulturevanity]

I feel like SV girlies haven't seriously considered "codependent mutually obsessive JuliNemo" yet and that's a shame, really. I've seen a lot of wholesome ChampionRank (really cute but a rehash of every wholesome yuri I've ever seen, not much original content here and that's okay) and one-sided obsessive yandere!Nemona ChampionRank (REALLY do not like the villainization of Nemona's neurodivergence but eh, you can do whatever you want forever) but not as much "these two get on like a house on fire. and boy, it's dry season" ChampionRank.

Where is "battle-hungry socially starved trainwrecks who have no one but each other" JuliNemo. Where is "oh god these two exacerbate each others issues into the stratosphere and this can only end in disaster but I can't look away" JuliNemo. Where is "bringing out the worst in each other and scaring the hoes" JuliNemo. Where is "you two are perfect for each other. Never change, just never involve anyone else in any of this" JuliNemo. There's so much potential here. Toxic codependent yuri save me

[redbean-nom]

Rebel Admirals Rex & Kalani from an au where the clone and droid rebellions were a bit more successful

Rex's fleet (rebel fleet Remembrance) - the whole 'ahsoka's not actually a jedi' thing worked and most of the 332nd got dechipped. (maul still escaped, but they managed to patch up the maul-damage before he got to the hyperdrive, so the Tribunal is mostly okay). the extra resources & manpower allowed the clone rebellion to operate on a much larger scale, and they eventually allied with pantora as a whole with the backing of senator chuchi. cody and later wolffe brought their imperial fleets to join the rebellion about a year later (after the chips started wearing off).

the fleet (one venator (the Tribunal), four star destroyers, associated clones, gunships, fighters, and tanks, plus a handful of stolen imperial walkers and shuttles) formally joined the rebel alliance around 10bby.

(rex got put in charge of the fleet because he's the least traumatized out of all the surviving officers. cody ran off to live with obi wan on tattooine.)

Kalani's fleet (rebel fleet Independence) - something happened and he and kraken managed to steal a chunk of dooku's ships (and later a good chunk of whatever was left of grievous' fleet on utapau) after his death. they essentially got lost in the chaos of o66, since the rest of the separatists thought they were deactivated after the shutdown order, and escaped with essentially a full separatist fleet. since they were active instead of stuck on agamar, kalani noticed that the leader of the empire happened to be the republic's supreme chancellor, and decided the empire was the new target of the CIS army. he later encountered the clone rebellion and decided that since the clones had effectively deserted the republic and were now fighting the empire, they were therefore allies.

the fleet (one dreadnought, three cruisers, one stolen imperial carrier, associated droids, fighters, transports, and tanks) formally allied with the rebel alliance around 10bby, with the backing of serenno and raxus secundus.

[kraniumet]

i think image gen can be used like any other artistic tool but I don't really think the big commerical proponents of "ai" are advertising it as a tool, they're adertising it as a solution. I also think it's intellectually dishonest to argue that image generation is exactly like "using photoshop/taking a photograph" because of some generalized "those were also criticized at their conception for being new and scary and disruptive" soundbite. they were not even really criticized for the same reasons. find a better argument.

[nonbinary-eddie-munson]

I was thinking about how the run away with me au Robin and Steve "should we get divorced?" conversation comes about:

Theyre about 23 and Robin comes home in tears after another break up. The reason: Robin had asked her girlfriend of 8 months, Lorraine to move in with her and steve. Lorraine assumes this means steve is moving out and when Robin clarifys that no Steve is staying, he's an important part of her life theyre married for chists sake. Well Lorraine doesnt take that well, says she isnt going to spend her life playing second fiddle to Steve.

This isnt the first time a relationship had ended for either of them because a partner hadnt been able to accept that Steve and Robin were a package deal. Things had been especially rough for them romantically in the first couple years of their marriage. It wasnt until a particularly awful screaming match between Robin, Steve and Steves first real boyfriend, that they were able to admit their relationship was incredibly codependent and unhealthy. Steves boyfriend had been upset when Steve had cancelled on him for the 3rd time in a row because of a Robin Emergency™️ and decided to confront Robin about it while Steve was in class. Things escalated quickly when Steve came home early from class to find them arguing and immediately took Robins side. The argument and Steves relationship ended with a slammed door, a lot of tears and a new rift in Robin and Steves relationship.

It took a lot of long conversations with Carina and Marjorie, Steve working through his toxic masculinity enough to go see a therapist - He and Robin made a deal that theyd both go talk to someone about, you know almost dieing "do you think me being fucked up by what happened at starcourt makes me weak steve?" "No of course not!" "Well then why would it make you weak?" - and a summer spent apart (Robin taking an internship in rome to study latin) for them to sit down and have a long conversation about boundaries and ground rules for how they would navigate their relationship as well as dating in the future.

Steve and Robin agreed to both take a break from dating while they worked through their respective traumas, and figured out how to navigate their relationship in a healthy way. Things werent easy, the both of them occasionally backsliding into unhealthy behaviors, more than a few nights where one of them spent the night with Carina and Marjorie in order to have space from eachother. But eventually they get their shit figured out and decide to brave the world of dating again. Steve and Robin both have their share of flings and short lived relationships but nothing so far seemed to stick. That is until Robin met Lorraine.

Lorraine was funny, sweet and a little bitchy. They had immediately clicked after being introduced by some mutual friends from school. Robin really thought things with Lorraine were going to work out. Steve and Lorraine had gotten on like a house on fire, she had slipped into Robin and Steves dynamic easily, trading jokes and light hearted jabs, cooking breakfast together on days Lorraine would stay at their apartment. Robin had fallen hard and fast, she thought she had finally found someone who accepted that her and Steve were a package deal. So 8 months in when Lorraines lease was ending Robin (with agreement from steve) asked Lorraine to move in. Things don't go to plan. Robins dreams of a future with lorraine are shattered. She goes home broken hearted.

After Robin has cried herself out, her and steve cuddled together on the couch Steve is the one to broach the topic. Robin immediately bursts back into tears before he calms her back down again saying he doesnt want a divorce but he also doesnt want to hold Robin back, doesnt want to be the reason she cant find happiness. Robin replys by saying if anyone is holding the other back its obviously her, steve gave up everything to protect her afterall. Steve calls bullshit -years of therapy and he can finally say that word without cringing- says he would do it all again in a heartbeat, that she doesn't owe him anything. They stay up all night talking about it, about what the both of them want from their futures. Neither can see a future without the other. they're platonic life partners, one day they'll find their someones who can accept that and if not well, they'll always have eachother.

Of course they do find their someones in the form of a charming if infuriating metal head and a brilliant, sweet, and badass reporter. Through trial and error the four of them figure out how to navigate life together. They all live happy ever after.

Robin and Steve celebrate 30 years of marriage with divorce papers. They'll always love eachother but now they dont need a marriage to keep eachother safe. They dont need a marriage to stay as platonic life partners. They have eachother and they have Eddie and Nancy. They have everything they need.

-

Lmk what you think! I'd love to have someone to scream with about this AU and bounce ideas off of :D

Tagging by request <3 @ramyayaya

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[marklikely]

unfortunately had to say goodbye to my beloved childhood dog this week sorry to all other dogs but you will never be as perfect as charlie

[cerealbishh]

"You okay?"

"Mhm."

"Good, now go get ready and wish for the best."

[mitamicah]

aaaaaa I'm so excited you got the ARE YOU from Jere!!!!! Are you designing the tattoo already???

I am still not over that and especially now with his story like how dARE YOU 😭🤣

ARe yOU 👀👀👀

I have most of the design ready i just went into a state were i can nothing but fanboy for a hot minute so I hope to get myself calm enough to transfer my pictures and scan the page so I can work on it 😍