#you could reverse what I said

[lehnsherrrr]

You ever thought about how Eriks and Charles powers are so beautifully juxtaposed, exact foils for becoming either perfect lovers or perfect enemies.

Think about it, and you may think about it in terms of telepathy kink/ telekinesis kink.

Charles powers is all inside, inside the brain specifically. The brain is such an undocumented entity that we have difficulty understanding. Thoughts are not physical, the mind is a concept we only know exists because we are the mind. You can’t see it, you can’t feel it, it’s entirely within. Emotions, thoughts, that inner voice, all ineffable and untouchable.

Erik’s power is grounded in reality, he can feel the pull of every metallic material in his vicinity. He can warp his very surroundings, almost as if he is one with the metal. He can tear buildings apart by pulling on their magnetic fields, he can crush a train, strangle someone with the smallest chain. His power is entirely physical, he controls physics.

Erik can do what Charles can’t, which is have physical power over his surroundings. And Charles can do what Erik can’t, which I don’t even know how to describe.

The physical vs the metaphysical

Physics vs Psychics

Now if we do purposefully translate this into their respective kinks, it becomes diabolical.

Erik has complete power over the Earth, manmade objects, knives, pretty much anything, even your blood. And the power Charles has is the one thing that he doesn’t have power over, so of course loosing to that power would be enjoyable to him. (In the psychology of fetishes and kinks)

Same goes for Charles. Charles has the power to make any man do anything he’d like, so to have a man (that he can’t control) walk in and force him back, with powers beyond his scope of control, now he’s interested.

Personally I’m more of a “Charles has a magnetism kink” kinda guy over a “Erik has a telepathy kink” kinda guy, but both work for the exact same reason and I can’t deny that.

Anyway, I need to see more inner thought processes happening in fanfics. Yes I know they’re absolutely rawdogging it rn, but what are they thinking about???? Thinking about this!!!! ^^

[daily-hanamura]

[ragnarokhound]

hey sweetie how are you. I made banana bread for breakfast tomorrow but DON’T touch it till then, it won’t be as good

there’s a post going around about the dynamic of a guard dog character, a lamb, and a wolf (one wants to possess and protect the lamb, one wants to devour it). How do you think jaytimkon fits in this?

ps… 10 things i hate about you? thoughts?

hey sweetie, i'm pretty good uwu had a nice day yesterday walking around my neighborhood with a friend! <3 And ough herrghh mrregghh gragghhhh (<- actively holding myself back from tearing into the banana bread immediately, i'll be strong for you bb but know that you are testing my limits in new and exciting ways)

Putting my responses to both (!! >:0) the jaytimkon and 10 Things ideas under a cut because *deep sigh* it got long lol

BRUH. BRUHHHHHHH. You cannot simply say this to me. You Cannot. Simply. SAY THIS TO ME, YOU'RE NOT SLICK

Once again testing my limits in new and exciting ways because I have a different WIP deadline fast approaching so I simply cannot write more for my actively inspired by guard dog x lamb x wolf jaytimkon WIP to SHOW YOU, in DETAIL, EXACTLY how i think jaytimkon fits into this, BUT

My feelings on this are many, and partially answered in these asks already. But I'll reiterate that they are all three facets simultaneously, baby. Depending on who's talking, they think of themselves as this, that, or the other; the loving, vigilant protector - the helpless, vulnerable bleeding heart - the hungry, slinking interloper. The story I have been brooding over for almost a year now (egads) WILL feature a somewhat slowburn where each of them takes turns realizing which one they are and slowly changing their minds as the narrative progresses and their relationship heats up 🔥w🔥BUT BE PATIENT BECAUSE I SURE HAVE TO BE (*whining and whimpering i crave this banana bread)

P.S. I love the taming of the shrew, and it's absolutely perfect jaytim material are you KIDDING. Cramming two different concepts into one ask. Evil. Diabolical. I love my wife.

10 Things I Hate About You is such a fun movie, and I could honestly see the role of Kate being played equally well by either Tim or Jason lol, and in a somewhat reverse robins style, Dick taking on the role of Bianca. Wally or Kori or [Your Choice Here] in the role of Cameron, wanting to date him. In fact, ohhhh OHHHH okay. Okay bear with me while i cook--

Consider Oldest Child Dick Grayson-Wayne who is super popular, super well loved, everyone wants to date him - but he always begs off because he doesn't want his younger brother, Jason, to be left in the lurch. Standoffish, bookish, i-heard-he-did-time, 'whats it to you' Jason, who has maybe two friends but they go to a different school so he doesn't have anyone to sit with at lunch besides his charming older brother. Dick's party line is, "If you wanna be my lover, you gotta get with my bro. Good luck! :)" (Something something, Dick and Jason are both adopted, something something Dick doesn't actually wanna date anyone, send tweet)

NOW. Fast forward to when Dick meets someone he might actually want to date. But to keep the ravenous hordes away from him, he still, regretfully, must stick to his guns. Jason needs to be dating/friends with/hanging out with/etc someone else before he and this person (again, Your Dickship of Choice Here) can boogie down.

Cue Dick nudging Jason out of the blue to strike out on his own and Jason getting squinty-eyed suspicious (and secretly a little hurt) that Dick apparently sees him as some kind of burden to be offloaded or whatever. Thanks bro. :(

Thus, Dick and his prospective SO hatch a Scheme. A Scheme to see Jason Woo'd in such a way to keep the heat off Dick from both the collective horny student body AND his sensitive younger brother. Enter Tim Drake.

Tim transferred this year and people have been speculating like crazy about him. His grades are insane so people think he'll be a nerd, but he skateboards to school so people think he'll be a stoner, but he's crazy athletic so people think he'll be trying out for the swim team or something - but mostly? People don't know shit. He's friendly enough, but stays apart. An enigma. Cuts school at least twice a week, hasn't seemed to pick any one crowd with which to integrate, is unaffiliated with any one piece of the greater student body. The most anyone can really tell is that he's just a little unhinged and strapped for cash. He'll pull some crazy stunts - if you've got the money.

Which makes him perfect.

Cue Shakespearean shenanigans leading to Some Asshole (your choice of Dick notp here) offering to pay Tim if he dates Jason Todd-Wayne. Tim thinks it's kinda stupid and an asshole move at first, but apparently the money is too good for him to pass up. So he bites.

Tim stalkers his way into interacting with Jason (something something Jason shoving Tim against the wall outside a 7-11 after school and snarling in his face, "i know you're following me. the fuck do you want" and Tim smirking at him, "to ask you out." Jason blinking, then dropping him like he's been burned. "Bullshit." Tim shrugging and running to catch up, falling into step beside him. "It's the truth." Huge Jason side-eye.) and events spiral from there.

(Vulnerable conversations. Jason: People look at me like I'm trash. Like I'm one bad day away from snapping and proving that they were right not to trust me all along. Like I don't have feelings that matter. I like that you're not scared of me. I like that you seem to fuckin'... like me. Or whatever. But I don't know how to trust it. Tim: People only want me around when they think they can get something out of me. They don't like me just what I can do for them. You've never made me feel like that. You don't give a shit about what I can do. It makes me want to-- it makes me want to give you things. To do things for you. I dunno. I guess I'm just waiting for you to tell me to fuck off and finally mean it.)

The reveals go badly. Hurt and betrayal on every side. (Turns out Tim needed the money because his mom's dead, dad's in a coma, and the family company that was supposed to keep Tim afloat has gone belly up. All of his parents' money is tied up in trusts and behind red tape. He's on his own.) Jason is pissed at Tim, but pissed at Dick especially.

The brothers fight. It's a doozy. Dick apologizes for going over Jason's head and manipulating things. Jason apologizes for being an asshole and making Dick feel like he has to be the responsible golden child 24/7, and also for punching Dick in the face. They promise to do better. Then Jason tracks Tim down to his shitty apartment (Tim had seemed super nervous the one time Jason had tried to come home with him, and now he thinks he knows why) and bangs on his door. He hasn't been to school in over a week.

They fight. It's great.

("What you did was shitty." "Yeah." "I don't forgive you for it." "...yeah." "So you better start thinking about how you're gonna fuckin' make it up to me." "Y-yeah?" "Yeah. Like fuck I'm missing prom this year when I finally have a fuckin' boyfriend.") (Now kiss)

[don't ask me how old they are/what grades they're in. i simply do not want to contemplate it. i'd call this a college au for my own sanity, but the very premise and interest in social hierarchies is just so inherently high school that it would fall apart lmfao]

[idk-bruh-20]

Irondad fic ideas #124

Peter uses reverse psychology to trick Tony into taking care of himself and developing self-esteem.

---

Tony, after saying/doing something self-destructive: I know you don't like it when I do this, kid, I'm sorry. It's just too ingrained.

Peter: So what you're saying is, the challenge of unlearning self-hate and developing healthy coping mechanisms is just too big? You, Tony Stark, have finally met your match?

Tony:

[breadedsinner]

Not an expert on tarot by any means, but I think, strangely enough, that the most appropriate major arcana to represent Sebastian and his romance is Temperance, which shares the name of his first equipped bow.

Temperance shows one foot in the water, one foot on the ground. An in-between place, a mix of things. He is between the throne and the Chantry, he is a prince and priest, he is a rogue, and he is someone who wears brilliant white armor. Torn between immediate, tangible desires, and more lofty, otherworldly goals.

And if the card is about mixing and balance, it stands to reason that Hawke is a complimenting ingredient. Temperance for love is about patience and understanding. It can't be pushed, it needs time to unfold. A balanced partnership.

[cyanidas]

Hope yall are having a good holiday season!

I'm excited for the new year ;w; small update in tags

[hippo-pot]

Btw, re: my opinion that computers are not gonna be able to translate sign languages in our lifetime, it's not that sign languages are necessarily More complicated than spoken/written languages (I truly don't know how you'd measure that but I'd assume they're equally complicated). But video is, in terms of sheer data, much bigger and presumably harder to process than audio. I cannot imagine this happening without *astounding* computational resources which would take far more energy, water, and money than a human interpreter (and, more importantly, wouldn't work as well, at least for the foreseeable future). I assume the computation would happen off site in most cases if it did work, meaning the Internet connection is gonna need to be phenomenal (there is already widespread dissatisfaction with VRS human interpreters used in medical settings because half the time the connection drops). Speech to text, with all the issues it still has, seems like a breeze in comparison to 'understanding' a video.

I also cannot wrap my mind around how a machine would handle depictions. Like, with some practice behind me, my human mind is now able to understand (some) depictions I've never seen before (thank goodness, because there will ALWAYS be new depictions I haven't seen before, bc Deaf people are resourceful and creative), but I don't see how a machine would. That's pure sci fi to me. I also wouldn't expect a machine to do a good job translating stuff it's never heard before in a spoken language (e.g. wordplay, or the way you can sometimes tell the meaning of a new slang word from context, or an uncommon name even), but the thing is I think depiction is a much bigger part of daily life than wordplay is?

[uselessnbee]

sometimes i feel so petty i want to make a big post about all the times Will and El weren't that great towards Mike just to ..you know.. balance it out a bit

[apotelesmaa]

Objectively yes five pebbles deserves most of the blame for every problem in rain world but I think seven red suns does not get near enough flack for knowing five pebbles wanted nothing more than to end it all, knowing he shared resources with moon, knowing 5P trusted and looked up to him and STILL choosing to send him the information on the very risky plan to die that requires constantly utilizing every drop of water at your disposal and requires complete perfection in execution to avoid giving yourself super turbo mega cancer. & then going Omg I can’t believe five pebbles has done this :( why is he so mad at me now :( my iterator in Christ you literally gave him step by step instructions on how to ruin his life and accidentally kill his sister what did you think was going to happen.

[kpgimpactor]

story time 👹

[magpiesbones]

the WORST thing about paper girls is that they set up this whole story that’s so. Specifically obnoxious and irritating thematically and then take the Last Six Issues and turn the whole thing around.

Dude. get a handle on the pacing holy fuck.

Having reread the entire series I maintain that it is firmly a 6/10. Nice take on mortality and the ephemerality of childhood and resilience of hope. Does not make up for your gritty-realism sexism/homophobia and the unexamined colonialist/racist myths baked into your settings. Or the lack of proper foreshadowing and pacing (even with time travel post-shadowing is kind of. lazy writing).

Want to have an INSANE time that is either Boring or Sucks for the first two thirds and only really Gets Going in the last four chapters but in those chapters sets up and executes INCREDIBLE thematic arcs re: childhood and hope? Read paper girls.

WHY is it LIKE THAT.

[earlyspringtranscendence]

the things that are generally wrong with the volstovic cycle are made (naturally, by virtue of the setting and pov characters) so much more egregious in shadow magic but like. kouje & mamoru are unfortunately still the only prince/retainer dynamic i’ve ever read like nothing else compares. sorry. forever.

[eorzeashan]

Funny you say that, Marr. So has Eight.

I'd also very much argue Arcann is definitely acting through passion: his fueled rage and hatred towards his father who he hardly worships. Unfortunately another flaw of KOTFE where they tried to make Zakuul be the grey area of the Force but there's no way to escape the confines of Dark and Light unless you are literally exempt from those forces.

AKA: a non-force user, or someone like the Voss.

Striking from the dark within is specifically what he does-- and Eight knew from the start he had no chance at freedom, never wanted it, never pursued it, and that drove his entire motivation for making himself invaluable to Jadus, who was power incarnate. The power to protect Intelligence and act with authority he didn't have.

The narrative here is notorious for being mostly relevant to Force-users, but the binding subplot really helps it along.

Gets dialogue option, slams [ATTACK]

Speaking through battle is the Echani way! I believe in this- I mean, fists!

THE BAD BITCHES IN THE GOLD EMBROIDERED LEATHER WITH HOODS ARE FIGHTINGGGG

Sidenote, I adore how it looks like he's taunting her with his free hand to come and get 'im.

Double-cheeked up on a Taungsday afternoon hella ass,

Darth Marr: The weapon you wield was built for a different war. A different enemy. It must change, as you have.

This section leads to building a rather junk-y looking gun that....brings to mind Splatoon metaphors, but given Eight's background and how an Echani chooses a weapon at some point that ultimately reveals who they are at their core, this part actually felt fitting.

I headcanon'd that Marr was more or less implying he was the weapon himself to be rebuilt and reforged, as he always has, and in turn, he needs to embrace that lost part of himself that would flourish in wartime like this.

I've already written about his family's vibrosword before, but in my mind's eye I've replaced the gun building section with retrieving that, and in turn, creating that Echani warrior/warlord alias he wears as the Outlander. I'm 50/50 on that sword's origins since I still like the idea of it not actually being anything special save for a tool in the right hands, but there was the background of his family on Eshan being vibroblade producers/swordsmiths who made this prototype that required a rather deft style to wield which they tried to make popular by inventing their own dueling style to accompany it but it fell out of favor over time with the surge of the Galactic War.

Eight either makes a cheap copy of it because it's a fake and an imitation just like him, or he takes a trip down memory lane and revisits his abandoned home to remember his roots, and the path he has to carve forward.

A blade is just a blade. What matters is what it is willing to spill blood for. Helluva symbol, though.

Eight: There's no limit I can't surpass...

Limit break protocol activated.

Eight: If you accept that death has no power over you, it stops being your enemy...and becomes your ally.

Eight: When that happens...you don't have to fight.

This part was so bittersweet. When the Shade Stalker matriarch came out, I realized through Eight's eyes that he saw it like Jadus: something terrible and fearsome through nature, and one that he felt a resonance with because of that. So he chose to acknowledge it. It's what lets him endure what drives others to madness. He'll never be afraid of the unknown again.

Replace death with fear, and it's the same meaning.

Darth Marr: Your alliance will collapse if you do not know yourself-- and the ideals you serve. Do you understand?

He does. Not in the way you're implying Marr, but he does. He has no self to know, and his ideals will never be his own, but that is exactly why he fights. He travels the galaxy to know the ideals of others-- to someday know himself, to reach that ideal that Keeper once saw for him.

[trans-leek-cookie]

comes out of the "googling things about the disorder you have and then googling a vague medical term and not getting a clear answer and complaining about the vagueness of the term to your friend who probably has more familiarity with the term and it's implications in context" session covered in blood and wailing and writing on the floor

[acourtofquestions]

Kingdom of Ash

Chapters 36-37

Had it been like that in the iron coffin?

Aelin gave no indication that the smothering dark bothered her, and had shown no inclination to illuminate their way. Hadn't even summoned an ember.

But the Little Folk, it seemed, had come prepared. And within heartbeats of entering the pitch-black river passage, blue light had kindled on a lantern dangling over the curved prow. Not light, not even magic. But small worms that glowed pale blue, as if they'd each swallowed the heart of a star. They'd been gathered into the lantern, and their soft light rippled over the water-smooth walls. A gentle, soothing light. At least, for her it was so.

Before Aelin had been given an ancient Faerie Queen's crown, her birthright and heritage.

The queen had stashed Mab's crown in one of their packs, as if it were no more than an extra sword belt. She hadn't spoken, and they had not asked her any questions, either.

Instead, she'd spent these past few hours sitting in the back of the boat, studying her unmarked hands, occasionally peering into the black waters beneath them. What she expected to see beyond her own rippling reflection, Elide didn’t want to know.

He'd crawled after Maeve on the beach to save Aelin. And he had found her during her escape-had ensured Aelin made it out. Did it wipe away what he'd done in summoning Maeve in the first place? Even if Maeve had set the trap, even if he hadn't known what Maeve intended for Aelin, did it erase his decision to call for her?

The last time they'd spoken as friends, it had been aboard that ship in the hours before Maeve's armada had arrived. He'd told her they needed to talk, and she'd assumed it was about their future, about them.

But perhaps he'd been about to tell her what he'd done, that he'd been wrong in acting before Aelin's plans played out. Elide stopped twisting the ring.

He'd done it for her. She knew it.

But the queen sitting silently behind them, no trace of that sharp-edged fire to be seen, nor that wicked grin she'd flashed at all who crossed her path ... Two months with a sadist. With two sadists. That had been the cost, and the burden that Aelin and all of them would bear.

That silence, that banked fire was because of him. Not entirely, but in some ways.

The collar had not been real. But the army Maeve had summoned was.

A blink into the gloom was the only indication that he was aware of her every movement. Aelin breathed in his scent, let its strength settle into her a bit deeper.

Their paths would meet again, or they would not. And if he found the final key and then brought it to her, she would pay what the gods demanded. What she owed Terrasen, the world.

Yet if Dorian chose to end it himself, to forge the Lock ... her stomach churned. He had the power. As much as she did, if not more so.

It was meant to be her sacrifice. Her blood shed to save them all. To let him claim it ... She could. She must. With Erawan no doubt unleashing himself on Terrasen, with Maeve's army likely to cause them untold grief, she could let Dorian do this. She trusted him. Even if she might never forgive herself for it. Her debt, it was supposed to have been her debt to pay.

Perhaps the punishment for failing to do so would be having to live with herself.

Having to live with all that had been done to her these months, too.

The blackness of the subterranean river pressed in, wrapped its arms around her and squeezed.

Different from the blackness of the iron box. The darkness she'd found inside herself.

A place she might never escape, not really.

Her power stirred, awakening. Aelin swallowed, refusing to acknowledge it. Heed it.

She wouldn't. Couldn't. Not yet. Until she was ready.

She had seen Rowan's face when she spoke of what his deception with the collar had prompted her to do. Had noted the way her companions looked at her, pity and fear in their eyes. At what had been done to her, what she'd become.

A new body. A foreign, strange body, as if she'd been ripped from one and shoved into another. Different from moving between her forms, somehow. She hadn't tried shifting into her human body yet. Didn't see the point.

Sitting in silence as the boat was pulled through the gloom, she felt the weight of those stares. Their dread. Felt them wondering just how broken she was.

You do not yield.

She knew that had been true—that it had been her mother's voice who had spoken and none other.

So she would not yield to this. What had been done. What remained. For the companions around her, to lift their despair, their fear, she wouldn't yield.

She'd fight for it, claw her way back to it, who she'd been before. Remember to swagger and grin and wink. She'd fight against that lingering stain on her soul, fight to ignore it. Would use this journey into the dark to piece herself back together-just enough to make it convincing.

Even if this fractured darkness now dwelled within her, even if speech was difficult, she would show them what they wished to see.

An unbroken Fire-Bringer. Aelin of the Wildfire.

She would show the world that lie as well. Make them believe it.

Maybe she'd one day believe it, too.

Days of near-silent travel passed.

Three days, if whatever senses Rowan and Gavriel possessed proved true. Perhaps the latter carried a pocket watch. Aelin didn't particularly care.

She used each of those days to consider what had been done, what lay before her.

Sometimes, the roar of her magic drowned out her thoughts. Sometimes it slumbered. She never heeded it.

They sailed through the darkness, the river below so black that they might as well have been drifting through Hellas's realm.

She hadn't asked him why he remained in his wolf's body. No one asked her why she remained in her Fae form, after all.

Rowan straightened, eyes sparking at her question-or at the fact that she'd spoken at all.

He'd kept by her these days, a silent, steady presence. Even when they'd slept, he'd remained a few feet away, still not touching, but just there. Close enough that the pine-and-snow scent of him eased her into slumber.

Silence at the order, even from Rowan. Aelin pointed to the lip of shore by the cave mouth. "Stop the boat," she repeated.

The queen had been reckless before Cairn and Maeve had worked on her for two months, but it seemed she'd had any bit of common sense flayed from her.

"Well, I don’t have any, so forgive me if I remain alert." No, she'd once told him that while magic flowed in the Lochan bloodline, she had none to speak of. He'd never told her that he'd always considered her cleverness to be a mighty magic on its own, regardless of Anneith's whisperings.

"It will take time for her to readjust."

She stared at him with those damning eyes.

He braced his forearms on his knees. "We got her back. She's with us now. What more do you want?" From me, He didn't need to add Elide straightened.

Elide straightened. "I don't want anything." From you.

This was where they'd have it out, then. "How much longer am I supposed to atone?"

"Are you growing bored with it?" He snarled.

She only glared at him. "I hadn't realized you were even atoning."

"I came here, didn't I?"

"For whom, exactly? Rowan? Aelin?"

"For both of them. And for you." There. Let it be laid before them.

"I told you on that beach: I want nothing to do with you."

"So one mistake and I am your eternal enemy?"

"She is my queen, and you summoned Maeve, then told her where the keys were, and you stood there while they did that to her."

"You have no idea what the blood oath can do. None."

"Fenrys broke the oath. He found a way."

"And had Aelin not been there to offer him another, he would have died." He let out a low, joyless laugh. "Perhaps that's what you would have preferred."

She ignored his last comment. "You didn't even try."

"I did," he snarled. "I fought it with everything I had. And it was not enough. If she'd ordered me to slit your throat, I would have. And if I had found a way to break the oath, I would have died, and she might very well have killed you or taken you afterward. On that beach, my only thought was to get Maeve to forget about you, to let you go-"

"I don't care about me! I didn't care about me on that beach!"

"Well, I do."

This was what came of opening that door to a place inside him that no one had ever breached. This mess, this hollowness in his chest that made him keep needing to make things right.

"Resent me all you like," he said, damning the hoarseness of his words. "I'm sure I'll survive."

Hurt flashed in her eyes. "Fine," she said, her voice brittle.

He hated that brittleness more than anything he'd ever encountered. Hated himself for causing it. But he had limits to how low he'd crawl.

He'd said his piece. If she wanted to wash her hands of him forever, then he would find a way to respect that. Live with it.

Somehow.

Gratitude shone in her eyes.

Rowan only gave her a nod. Don't worry about it.

Yet Aelin turned away, shutting off that silent conversation as she surveyed the space.

Time. It would take time for her to heal.

Even if he knew his Fireheart would pretend otherwise.

So, Rowan looked, too. Across the tomb, beyond the sarcophagus and treasure, an archway opened into another chamber. Perhaps another tomb, or an exit passage.

"We don't have time to find a way out,"

Rowan murmured as she strode into the tomb.

"And the caves remain safer than the surface."

"I'm not looking for a way out," she said in that calm, unmoved voice. She stooped, swiping up a fistful of gold coins stamped with forgotten king's face. "We're going to need to fund our travels. And the gods know what else." Rowan arched a brow. Aelin shrugged and shoved the gold into the pocket of her cloak. "Unless the pitiful clinking I heard from your coin purse didn't indicate you were low on funds."

That spark of wry humor, the taunting … She was trying. For his sake, or the others' maybe her own, she was trying.

Rowan gave the Lion a slashing grin. "You heard the lady."

A flash ruptured from where Fenrys had been sniffing at a trunk of jewels, and then a male was standing there. His gray clothes worn, but intactin better shape than the hollowed-out look in his eyes.

Aelin paused her looting.

Fenrys's throat bobbed, as if trying to remember speech. Then he said hoarsely, "We needed more pockets." He patted his own for emphasis.

Aelin's lips curved in a hint of a smile. She blinked at Fenrys—three times.

Fenrys blinked once in answer.

A code. They'd made up some silent code to communicate when he'd been ordered to remain in his wolf form.

Aelin's smile remained, just barely, as she walked to the golden-haired male, his bronze skin ashen. She opened her arms in silent offer.

To let him decide if he wished for contact. If he could endure it.

Just as Rowan would let her decide if she wished to touch him.

A small sigh broke from Fenrys before he folded Aelin into his arms, a shudder rippling through him. Rowan couldn't see her face, perhaps didn't need to, as her hands gripped Fenrys's jacket, so tightly they were white-knuckled.

A good sign—a small miracle, that either of them wished, could be touched. Rowan reminded himself of it, even while some intrinsic, male part of him tensed at the contact.

A territorial Fae bastard, she'd once called him. He'd do his best not to live up to that title.

"Thank you," Aelin said, her voice small in a way that made Rowan's chest crack further.

Fenrys didn't answer, but from the anguish on his face, Rowan knew no thanks were in order.

They pulled away, and Fenrys cupped her cheek. "When you are ready, we can talk."

About what they'd endured. To unravel all that had happened.

Aelin nodded, blowing out a breath. "Likewise."

She resumed shoving gold into her pockets, but glanced back to Fenrys, his face drawn. "I gave you the blood oath to save your life," she said. "But if you do not want it, Fenrys, I ... we can find some way to free you—"

"I want it," Fenrys said, no trace of his usual swaggering humor. He glanced to Rowan, and bowed his head. "It is my honor to serve this court. And serve you," he added to Aelin.

She waved a hand in dismissal, though Rowan didn't fail to note the sheen in her eyes as she stooped to gather more gold. Giving her a moment, he strode to Fenrys and clasped his shoulder. "It's good to have you back." He added, stumbling a bit on the word, "Brother." For that's what they would be. Had never been before, but what Fenrys had done for Aelin .. Yes, brother was what Rowan would call him. Even if Fenrys's own—

Fenrys's dark eyes flickered. "She killed Connall. Made him stab himself in the heart." A pearl-and-ruby necklace scattered from Gavriel's fingers.

The temperature in the tomb spiked, but there was no flash of flame, no swirl of embers.

As if Aelin's magic had surged, only to be leashed again.

Yet Aelin continued shoving gold and jewels into her pockets.

She'd witnessed it, too. That slaughter.

But it was Gavriel, approaching on silent feet even with the jewels and gold on the floor, who clasped Fenrys's other shoulder. "We will make sure that debt is paid before the end." The Lion had never uttered such words not toward their former queen. But fury burned in Gavriel's tawny gaze. Sorrow and fury.

Fenrys took a steadying breath and stepped away, the loss on his face mingling with something Rowan couldn't place. But now wasn't the time to ask, to pry.

Aelin continued picking her way amongst the treasure, however. She'd been more selective than the rest of them, examining pieces with what Rowan had assumed was a jeweler's eye. The gods knew she'd owned enough finery to tell what would fetch the highest price at market.

"We should go," he said. His own pockets were near to bursting, his every step weighed down.

She rose from a rusted metal chest she'd been riffling through.

Rowan remained still as she approached, something clenched in her palm. It was only when she stopped close enough for him to touch her that she unfurled her fingers.

Two golden rings lay there.

"I don't know the Fae customs," she said.

The thicker ring held an elegantly cut ruby within the band itself, while the smaller one bore a sparkling rectangular emerald mounted atop, the stone as large as her fingernail. "But when humans wed, rings are exchanged." Her fingers trembled-just slightly. Too many unspoken words lay between them. Yet now was not the time for that conversation, for that healing.

Not when they had to be on their way as swiftly as possible, and this offer she'd made him, this proof that she still wanted what lay between them, the vows they'd sworn ...

"I assume the sparkly emerald is for me," Rowan said with a half smile.

She huffed a laugh. The soft, whispered sound was as precious as the rings she'd found for them in this hoard. She took his hand, and he tried not to shudder in relief, tried not to fall to his knees as she slid the ruby ring onto his finger. It fit him perfectly, the ring no doubt forged for the king lying in this barrow.

Silently, Rowan grasped her own hand and eased on the emerald ring. "To whatever end," he whispered.

Silver lined her eyes. "To whatever end." A reminder-and a vow, more sacred than the wedding oaths they'd sworn on that ship.

To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.

He ran his thumb over the back of her hand.

"I'll make the tattoo again." She swallowed, but nodded. "And," he added, "I'd like to add another. To me—and to you."

Her brows flicked up, but he squeezed her hand. You'll have to wait and see, Princess.

Another hint of a smile. She didn't balk from the silent words this time. Typical.

He opened his mouth to voice the question he'd been dying to ask for days now. May I kiss you? But she pulled her hand from his.

Admiring the wedding band sparkling on her finger, her mouth tightened as she turned over her palm. "I'll need to retrain."

Not a single callus marked her hands.

Aelin frowned at her too-thin body. "And pack on some muscle again." A slight quiver graced her words, but she curled her hands into fists at her sides and smirked at her clothes—the Mistward clothes. "It'll be just like old times."

Trying. She was dredging up that swagger and trying. So he would, too. Until she didn't need to any more.

Rowan gave her a crooked grin. "Just like old times," he said, following her out of the barrow and back toward the ebony river, "but with far less sleep."

He could have sworn the passageway heated. But Aelin kept going.

Later. That conversation, this unfinished business between them, would come later.

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!