#you can literally look at literally anything and find that the reason why it is that way is because of a patriarchal bias

[galactic-magick]

Maybe in Another Universe, You're Still the Man I Love: Viktor x Reader

Summary: You get sent to the same alternate timeline with Ekko and Heimerdinger, and you find out just how wonderful your life could've been.

Words: 2.1k

Author's Notes: Yeah so that finale sent me into deep grief and writing is the only way I can heal I fear. I hope you enjoy this interpretation of what Viktor could be doing in the alternate timeline.

“Are you alright, darling?”

Your vision comes into focus, though your head is still pounding. You’re extremely nauseous, feeling like your body is not your own as you become aware of the all-too-familiar voice that just spoke to you.

You’re sitting on a desk in an Academy classroom, journals and various papers surrounding you. The sun is shining through the windows, cascading gold onto the other desks and tables. It’s a peaceful, simple sight. Something that feels so wrong for precisely that reason.

“I don’t have another class for a while, you can talk to me,” Viktor says, brushing his fingers against your face. “Care to tell me why you’re looking at me like that?”

You suppose you look like you’ve seen a ghost, which isn’t so far from the truth. You must be dreaming—maybe hallucinating—anything to explain how this isn’t real.

“I…” you start, failing to find the words to say.

-

You storm into the lab, locking your eyes on the empty hexcore cocoon, then at Jayce.

“Where the fuck is he?”

“I don’t know!” Jayce fires back at you, clearly just as distraught as you are. “He woke up and told me he needed to leave me and this place. I have no idea where he went!”

“Why didn’t you follow him?” you scream, your mind spinning. Who knows how the hexcore changed him, he could literally be anywhere.

“He didn’t want me to! What don’t you understand?” Jayce slumps back into his chair, his face in his hands. As soon as he notices a tear fall down your cheek, his tone softens. “Look, I...we both know he’s been different since he started messing with the hexcore. He had told me to destroy it...but I couldn’t. And now he’s even more different. I’m so sorry,”

“Jayce…” you walk towards him. “I’m not blaming you for anything that’s happened. He’s been pushing both of us away for a long time. I guess...I just thought maybe when he woke up he’d love me again like he used to. Did he even ask about me?”

Jayce shakes his head, and your heart sinks even further.

-

“I think I’m dreaming,” you finally say, and Viktor tilts his head. “This...this isn’t real. We’re not like this, we haven’t been like this in a long time. You’re not...what are you here, a professor?”

He cups your face and kisses your forehead, “Darling, I don’t think you’ve been getting enough sleep, you’re talking nonsense,”

“No, no, no,” you jump off the desk and pace around the room. “If this isn’t a dream, then where am I? Some sort of other reality?”

“You mean to say you believe...this is not your world?” Viktor takes in your words intently.

“Well in my world, you fell out of love with me in favor of your work, and then you nearly died and got severely mutated by the hexcore. So yeah, I’d say things are pretty different,”

He raises an eyebrow, “Hex...core?”

“You don’t have that here?”

“Seemingly not,”

You sigh, perching yourself back on the desk, “You don’t believe me, do you?”

“No, I...I have theorized the possibility of alternate universes before, but I never thought I would come face to face with it in my lifetime,” he starts writing on the wall chalkboard. “I see no reason not to believe you. After all, my wife of this universe would probably not be saying these things,”

“We’re married?”

“Of course. Now tell me, what else is different in your universe?”

-

You’ve tried to find him everywhere—going all the secret places the two of you would go in the past, and asking people if they’ve seen him both topside and bottom. There’s no signs, not even a clue. He doesn’t want to be found.

You make your way back to Jayce’s lab, surprised to see Heimerdinger and a young man you don’t recognize with him. They fill you in on their concern about wild runes showing up around the city, and their plan to check on the hexgates. You’re desperate for anything to get your mind off Viktor, so you go along with them.

You’ve never been to the source of the hexgates before, and it’s even more grand than you imagined. One thing could go wrong and the entire thing would explode, but it’s precisely the potential of destruction that makes it all the more fascinating.

That is, until it becomes entirely unpredictable.

Your surroundings change at the blink of an eye—warped visuals and sounds you can’t make out. You scream for the others, but no one can hear.

-

You do your best to describe all the important events and details of your timeline, while Viktor takes notes on the chalkboard and compares what you say to his timeline. He seems particularly interested in his inventions in your timeline, and his partnership with Jayce—who’s no longer alive in his timeline.

“He died in an explosion here at the academy several years ago, it was a tragic accident that also killed a young girl from the undercity. He was a friend and a brilliant mind,” he pauses. “We...actually named our son after him.”

Your eyes widen, overwhelmed by this possibility of what could’ve been, “We have a son?”

“We do. And he’s perfect,” Viktor smiles softly. “You really are from a different time, aren’t you?”

You nod, trying to hold back tears. Why does this reality’s version of you get to be happy? Why does this Viktor get to dodge corruption and the hands of hubris?

Viktor gazes once again on the chalkboard notes, looking for patterns and causes for the differences in your timelines. Would he have reached the same fate if Jayce was still alive? What caused the Undercity to heal and thrive in his timeline but not in yours? Was this hextech you speak of really so destructive?

You are the same person he fell in love with, there’s no doubt in his mind about that, but you’ve been significantly more hurt than the Y/N he knows.

He steps close to you again, wiping the tears from your face and pulling you into him, “I’m so sorry your version of me has taken a different path.”

You sob into his chest, gripping his clothes. He runs his fingers through your hair and rubs your back, soothing you as if you’re his own.

But you’re not his. This isn’t your life.

You pull away, taking a deep breath, “As much as I want to stay here, I can’t keep taking over the consciousness of the me in this world. I need to find the others,”

“I don’t know if it’s possible for you to get back,” he says. “You say you got here through hextech, and that was never invented here.”

“We’ll find a way,” you run to the window, looking out to get a gauge of where you are. Heimerdinger might have landed somewhere here in the Academy too, and Ekko probably went back to the Undercity. But Jayce—if he’s dead in this universe—where would he be?

“Before you go,” Viktor places a hand on your shoulder. “Would you like to meet our son?”

Anxiety washes over you, your body going numb from the prospect. Would it only hurt you more to see a life that you could’ve created?

“Don’t you have more classes to teach, professor?” you smile, trying to turn your nervousness into something lighthearted.

“I’ll cancel for today. It’s about the time you usually pick him up from school anyway,”

He grabs his cane with one hand and takes your hand with the other, posting a quick note on his door as you leave.

-

You sit on a bench outside the elementary school, your heart pounding. This child is going to run out that building any minute, eager to see the mother he’s always known.

But you’re not her. You didn’t carry him, birth him, or raise him. You don’t have the same memories and experiences.

But you must pretend that you do.

You know which one he is immediately. He’s a perfect combination of yours and Viktor’s features, just like you’d imagined. His smile is contagious, and he wastes no time jumping into your arms.

“Look what I made at school today, Mommy!” he puts a crafty contraption in front of your face, a colorful collection of sticks and paper glued together.

“That’s so creative, honey, I love it,” but your attention is solely focused on him, his sweet face glowing with pride and joy.

“Quite the little inventor, aren’t you?” Viktor applauds him. “What else did you learn today?”

“We did reading and spelling. I can spell family now. F-A-M-I-L-E!”

“Close, sweetheart. There’s a ‘Y’ at the end,” you laugh,

“Are you sure about that?” he says, wincing his adorable face in thought. “Whatever. I learned how to spell brother and sister too, but I don’t have any of those. How do I get one of those?”

Viktor chuckles, “I’ll talk about it with your Mommy, how about that?”

“Okay!” he jumps up and starts walking home with the two of you.

-

What if I stayed? You wonder.

You’re playing with your son on the living room floor, with toys mostly made by Viktor himself. The house is small but cozy, a home you wish was really yours. What if you just stay in this dream reality forever?

What if you never find the others? What if there really is no way to get back?

But no, that wouldn’t be fair to the you of this reality. She’s the one who has this life, not you. Besides, Viktor and his son deserve their wife and mother back.

You hear a knock on the door, and Viktor goes to open it.

“Oh, Viktor, it is so good to see you.”

Your head swivels instantly towards the yordle in the entryway, “Heimerdinger! You found me!” you join Viktor at the door, “Where’s Ekko and Jayce?”

“I have not found Jayce as of yet, but I did find Ekko and sent him back to his timeline about a week ago. We found some hextech fragments and were able to use them to jump through time and space.”

“So...I can get home too?”

“As soon as you’re ready. We built the machine in a young girl’s lab in the Undercity,” he looks between you, then Viktor, and finally your son. His attitude of urgency dissipates as he begins to understand. “But...I could not blame you if you want to stay longer.”

Your son Jayce comes running to join you, grabbing onto your leg, “Who’s this guy, Mommy?”

“This is Professor Heimerdinger, he used to work at the Academy,” you pat his head, “Your dad used to be his assistant.”

“I’m sure you already have a brilliant mind, my boy,” Heimerdinger says. “Your parents must be proud.”

Little Jayce giggles.

“Actually, I would very much like to see this new invention you’ve built, Professor,” Viktor speaks up. “I’m now quite intrigued by the prospect of other universes.”

“I have no rule against you observing, Viktor, but I’m sure you understand I must destroy it after we all get back. It is too dangerous to be left here unsupervised,” Heimerdinger’s tone becomes more serious. “I’m sure Y/N has told you of the destruction hextech caused in our universe, especially to you.”

“Of course, Professor. I understand.”

-

You’ve never seen the Undercity look this beautiful.

It seems that the other version of you comes here often, so many people wave to you and little Jayce automatically runs off with some kids his age to play.

You meet a blue-haired young lady named Powder, who helped Heimerdinger and Ekko in their experiments. She looks so familiar to you, but you can’t place where you’ve seen her in your reality.

Heimerdinger explains how it works, and both you and Viktor listen intently. With everything up and running, you could go back this instant.

The pull to go back is strong, like an obligation to return to your rightful place in the universe. But the pull to stay is equally strong, as you gaze into your husband’s beautiful amber eyes that you want to find solace in forever.

“It’s your choice, my love,” Viktor says, as if reading your mind.

“I know I need to go back…” you exhale, tears welling in your eyes once again. “But I don’t know what I’m going back to,”

“I don’t know either,” he caresses your face, “But I do know you are strong in every universe,”

“I’m not,” you shake your head, “Not without you.”

“Don’t say that,” his thumbs smooth across your cheeks.

You nod, turning towards the device.

“Could you…could you kiss me one last time?” you ask.

Viktor wastes no time honoring your request, crashing his lips to yours with lasting passion. He pulls away only as you back into the circle, leaving you with one last affectionate whisper:

“I’m so fortunate to have met another version of you, my love.”

[xinganhao]

🩵 dead poets society member!vernon x reader.

offshoot from the dead poets society!hhu x reader verse. (highly advise to read that first before delving into this!) part of my svt university milestone event.

I said / "I am afraid I will spend entire years / trying not to need you." / As if I wasn't certain. As if this wasn't my confession. — I swear, next time I see you I'll be funny by Clementine Von Radics

PREVIOUSLY ›

↻ ◁ || ▷ ↺ cool about it by boygenius. sa ngalan ng pag-ibig by december avenue. everything by the black skirts. buyer's remorse by daniel caesar & omar apollo. godspeed by frank ocean. someday i'll get it by alek olsen. everyone adores you (at least i do) by matt maltese. tie my shoes by beabadooobee. nothing can by niki.

on his first year away, vernon focuses on physical distance. a foolish part of him thinks that the more miles he puts in between the two of you, the easier it will be for him to get over this stupid, hopeless crush that lasted throughout his uni years. and so vernon goes backpacking, goes solo traveling. he lets the wind take him wherever. if anything, he only realizes just how deeply ingrained you are in his subconscious. he thinks of you when he passes a secondhand bookstore. he itches to text when he has a particularly good coffee. and when the sky is clear, when it's just the perfect shade of blue? he swears he can hear you in the back of his head, quoting mary oliver. (or: this is the year vernon learns all the different ways you can miss a person.)

vernon spends his second year on dating apps. it makes him a bit sick to his stomach, really. he doesn't think he's doing it right. he matches with people, sure. even manages to bag a handful of dates. each one ends with him giving them some variation of 'i don't think this is going to work out', and when they inevitably ask why, he lies through his teeth. too busy to be in a serious relationship. too emotionally out of it to commit. anything but the truth. (or: this is the year vernon realizes that no one measures up to you.)

by the time his third year away rolls around, vernon is beginning to feel a bit pathetic. here he is, after all that time, and he's still haunted by the shadow of a relationship that didn't even come to the light. sometimes, that seems to be worse— saying goodbye and knowing the door is left open a crack. he distracts himself with literally everything else. he tries out improv. he finally opens up a letterboxd account. he signs up for marathons. (or: this is the year vernon runs, in more ways than one.)

there's less of an ache by the time that year four comes. vernon doesn't think of you as often as he used to. he's able to be with someone else without imagining you in their place. even as that relationship eventually ends, he's glad that it's because of reasons unrelated to you. he's finally gotten to a point where he can look at himself in the mirror and not think of all the ways he faltered or failed. despite everything, it's still him. (or: this is the year vernon accepts the version of himself in his reflection.)

five years. it takes five years before vernon can finally reach back out. not to everyone yet, no. he starts slow. mingyu gives him a whole load of shit for it. seungcheol asks a dozen questions. wonwoo understands. vernon is grateful for them, so much so that he finds himself watching the dead poets society on his plane ride home. it's all fun and games until the scene with robin williams, where the schoolboys are paying ode to him with cries of "o captain, my captain!" it's the very line that echoes in his head when he sees you some feet away from him during a chance encounter. suddenly, none of it matters. not the distance, not the blind dates, not the man that he's tried so hard to be. all he can think of— all he can see— is you. o captain, my captain. (or: this is the year vernon decides to be honest with himself.)

[niceonejames7]

the sirius watermelon fic was SO CUTE I NEED A PART TWO OF THEM GETTING TOGETHER

watermelon pyjamas pt.2

sirius finally tells you how he feels. (the classic angry confession trope) part 1

words: 1.7k

genre: literally idiots™ to lovers, roommate!sirius, hurt/comfort(?), confession, lil angst, ends with fluff.

a/n: guys this is like my first ask. eeeek! thanks for requesting and reading<3

.....

“I’m an idiot”

“You're gonna have to elaborate."

“James, please."

Sirius wasn't sure if he would classify this as a bad day. Realising he's in love with you wasn't the worst thing that could happen to him, but hearing James gloat about how right he had been was.

He had managed to avoid you that evening, even the next day, internally panicking over what to do. But he was home in the evening, ignoring that stupid warm feeling in his chest when he saw your shoes in front of the door.

He entered the room, and sighed.

I'm fucked.

“Did you buy fruit themed pyjamas?" Sirius asked, his eyes moving over the cherry printed clothing. He was annoyed, not at you, mostly at himself. He couldn't find a single explanation why this affected him so much, but it did.

“I have watermelon, cherry, kiwi and peach.” You counted on your fingers.

“Wear the peach one tomorrow." Sirius grimaced at his too quick of a response, thankfully his face wasn't visible. He wasn't very proud of himself right now.

"I meant like- as a suggestion, that sounds cute, you know." He tries to explain himself, cringing on his own words.

Your eyebrows raise in surprise, amused by his eagerness, “Do you want these? You seem to like them a lot." You asked cheekily.

Yeah, sure. That's exactly why I want you to wear these, Sirius though internally. His thoughts had involved you in his bed with the pants on, maybe off, but he kept that shamefully to himself.

The next couple of days felt torturous. Sirius felt like he had to physically restrain himself from reaching for you. Anytime you touch his shoulder, lean against him, huddle together on the couch, he overthought everything.

Every touch left him breathless, every look made it hard to breath. I need help.

.

You were distraught. For some reason, for the last few days, Sirius was acting weird. He had started pulling away from you, as if watching you from a distance. No ruffling your hair, no forehead kisses, no comfortable touches. It's not as if he owed you any affection, but he had stopped.

He knew.

He knew you had feelings for him. Even if he doesn't, which you desperately hope is the truth, he has a problem. You didn't know what to do. Everytime you thought to ask him something, he'd make up an excuse and leave. He definitely didn't want to talk to you.

Lily had suggested exactly as you predicted, the usual, you should talk to him, maybe he was just busy. And other times, she had been right, but not this time. All of this had led you to the inevitable decision, something you should have done long ago. Maybe if you had, this wouldn't have happened.

……

"I'm gonna move out, Lils.” You say into the phone,"What? Why?” Lily exclaimed, rather dramatically.

You sigh,"I can't live like this. He doesn't owe me anything. I shouldn't be expecting… things from him.”

There's a slight pause before you continue,"And I can't move on if I live with him. It's too painful, and too hard."

“Here's the real reason."

Lily felt like bashing her head against a wall. How can two people be so stupid at the same time? You two were perfect for each other, both too oblivious to see the obvious.

“Listen, I really think you should just tell him, even if you move out. He wouldn't stop being your friend, honey."

You hum as she says, but part of you knows you can't say it. You don't have the guts. You hear the familiar click of the door, Sirius is home.

“Lils, I've gotta go. I'll talk to you later." You hang up the phone, not listening to whatever she said at the end, too nervous to care.

Your hands are sweaty, and your hands are fidgeting constantly. Sirius comes in and can immediately sense your anxious energy,

“What happened, lovely?" He asks, his voice cooing as he moves over to you.

He's used to you busying yourself around the house, sometimes bobbing your head to music as you wash the dishes, or some other silly thing, he could go on.

“Sirius, we need to talk." You say quickly, your words too rushed, dreading this conversation.

Sirius' heart feels like it's going to lurch out.

Oh no.

He thinks that you know, somehow. That he had… he'd stopped saying it at a point. The impossibility of it all was a painful reminder. Now you're going to confront him. He's fucked.

“Okay…” He says, his voice too quiet now.

You rub your hands to pep yourself up, encouraging yourself to not lose track,

“I'm gonna move out."

The silence that takes over is one more overwhelming than any noise. Sirius is sure now, you definitely know. A dangerous dread spreads over his body, like a disease covering itself around him.

“It's not because of you, it's because of me." Sirius has the urge to scoff at the cliched statement, but his body feels too stiff, his eyes stuck on you.

But Sirius needed closure. So, whatever your feelings were, Sirius needed to hear why you're leaving.

“Why?" His voice is void of emotion. It breaks your heart.

A pitiful chuckle escaped you, “Sirius, you've made it clear you don't want me here."

Don't confront him. This wasn't the plan.

It wasn't. It wasn't even the reason you were moving out. But he was still your friend, he had still hurt your feelings. You were still mad at him, even though you had no right to be.

“What the hell do you mean?" Sirius asks, incredulous. How could he ever not want you here?

“We haven't talked properly in days. You answer me in singular words-"

Sirius cuts you off, feeling oddly defensive, even if what you were saying wasn't untrue,

“I've been busy-"

“Oh you've been busy before, Sirius. You never did this," You wave him off, but meeting his eyes, you say, “It's alright, I got the message, if you don't want me here-" Your voice rises despite your efforts as the conversation gets more heated,

"So what then? You're just gonna move out? Am I that terrible?” Sirius asks, sarcastically. Typical, you think. You pinch the bridge of your nose in frustration,

"Sirius, I told you, this isn't about you,”

Right now, he isn't keen on listening to your reasoning. In his mind, it's all his fault. It's his fault that you have to leave. He's scrambling for explanations,

"Look, I'm sorry that I'm in love with you, alright? I couldn't help myself. Hell,” He laughs, pity and amusement lacing his words, “I didn't even know until a few weeks ago.”

Sirius felt like his world was falling apart. His heart has dared to love someone, and it backfired. He doesn't regret that he loves you, he couldn't. He had no control over that, ever. He was always going to be in love with you.

He only regrets that you found out, somehow. But he supposed that was also inevitable, you weren't daft.

“The point is,” His pleading eyes look at you, “It’s my problem to deal with, not yours.” His eyes are watching your face, you don't know what he might find, “Please, don't leave.”

A few moments pass, and it's as if the world is coming back to you. And one sentence rings in your head, distinct from any other sentence he's said.

I'm sorry that I'm in love with you.

“You what??” You ask, your voice full of incredulity. It feels like someone had hit you with a hammer, or pushed you off a cliff.

“I didn't want to be the guy who's your friend and then tells you he's in love with you, you know? I'm sorry that I love you, but you don't have to leave. If it matters, I will. You should stay here.” Sirius stammers out, his voice laced with pain and nervousness.

Your hands are wrapped under his, his hands clutching yours like they could stop you. They probably did stop you.

"You're in love with me?” You ask, your heart in your mouth, as if one word would be enough to tip you over.

“Please don't make me say it again." Sirius pleads, his eyes slightly watery.

Your eyes flick back and forth to both of his, searching for any kind of hesitance on his face, but it's plain. He's said those words like they were casual, as if they didn't just break your brain. There's nothing to say, or there are no words coming to your brain which are enough to convey your emotions.

A smile spreads across your lips and you bite your lips to conceal it undoing your hands from his to cradle his face,

“You’re in love with me.”

Sirius' pleading frown transforms to a confused one, and he nods, even if you hadn't asked it as a question this time.

You laugh, a watery laugh before you meet your lips to his, smiling too hard to kiss him properly.

Sirius feels like his body is on autopilot, his hands immediately cradling the back of your neck, his other one holding your wrist, his lips immediately responding to yours, as if it was all too natural.

In all his ‘foreseen’ outcomes, this hadn't been a possibility.

He smiles too, confusion still evident at the back of his mind, but he could only focus on the feeling of your lips on his, your hands holding his face.

His head tilts as he tries to get a better angle, desperate to know your tells and signs, his hand wrapping around your waist to pull you closer.

You smile again, breaking the kiss but his lips chase you which makes you laugh more, and he hides his face in your shoulder, laughing along with you.

“You're in love with me," You say it quietly, as if you're confirming it to yourself, but he's too close by not to listen.

“And here I was, moving out because I wanted to get over you."

His head whips up, his face dumbstruck,

“What?"

“Mhmm." You bite your lips, and Sirius has half a mind to kiss you again.

“You're also in…." He trails off, his expression confused but you know exactly what he's asking,

“Sirius, I just kissed you."

“Yeah, but what if you just took pity-" You shut him up again, and he melts, exactly as you intended, moulding his body to yours, trying to get as close as he can. If this was your way to shut him up, he could get used to it.

"Wait, so you're not moving out right? Because-" And his words are cut off again, the same way from before.

He smiles against your lips, again, ecstatic. Giddy, even. Sirius could get used to this. Sirius could get used to kissing you as he arrives home.

All this because of fucking watermelon pyjamas.

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[nightmare-foundation]

I really want to offer my analysis here, because I don't entirely agree with this take, given that it's far more nuanced than what's seen here

Dick said he wished Jason had died in Nightwing v2 #119, in the midst of the Brothers in Blood arc. He thought this to himself right after fighting Jason, after Jason started running around in his own Nightwing costume, killing people and traumatizing bystanders, making Nightwing public enemy #1 and essentially ruining his reputation and trying to ruin his vigilante life, which Jason continues to do even after Dick expresses that he doesn't like what he's doing.

I'll be honest, I really don't blame Dick for briefly wanting Jason dead, considering the guy was deliberately ruining Dicks reputation as a vigilante, and pushing past every boundary Dick set up. Sure, it's no excuse, but I wouldn't expect Dick to welcome Jason back with open arms after something like that. I wouldn't either, frankly. Also, Jason pretty deliberately cut Dicks hand open too, and jokes about it. Jason wasn't giving Dick any reason to be friendly with him, especially knowing Dicks strict moral code. Also, Dick never once expressed this thought out loud, and honestly I'm not sure how in character it is for him to think something like that and not at least regret it.

As for the second time- that isn't Dick wanting Jason dead again. Dick is working off of the assumption that Jason never died in the first place, and on top of that, Jason DID originally die at the end of Under the Hood (note the effects from the Superboy Prime punch that shows up at the end of the comic, that also showed up when Jason was revived in his coffin). Dick isn't expressing that he wished Jason was dead here, he's literally saying that Jason wasn't supposed to be alive- that two separate events (Ethiopia, the end of UtH) should've killed him. That's the unbelievable part, the part that 'makes him sound crazy', because Jason isn't dead when he's supposed to be.

Another point- Brothers in Blood is infamously out of character for both Dick and Jason, and overall very wacky, especially at this point. Winick, in an interview, stated that Jason hated the idea of Dick (i don't have a link right now, but I can find it for you), but in this comic, he wants to be buddies? Not to mention Dick not regretting wanting someone dead, especially after the events of Nightwing v2 #93, which he was still very much recovering from at this point, hence the year long break from being Nightwing (which Jason interrupted by forcing Dick to act when he wasn't ready to).

Also... Dick, presumably, has no idea about what Jason went through. He isn't aware of how much he's struggling. All Dick is probably aware of (because let's be real, Bruce is shit at communicating), is that Jason somehow survived Ethiopia, came back years later as a murderous crime lord, supposedly died in a fight with Bruce, and is back again and wreaking havoc and killing people in HIS suit and refusing to stop. Hell, he probably JUST found out Jason was alive! But this is ALL Dick knows. I highly doubt he knows the details of the showdown between him and Bruce, or why Jason does what he does, etc. Jason sure as hell isn't explaining anything beyond why he kills, and that doesn't matter to Dick because he's strictly against killing, to the point of mental breakdowns if he does it himself or is responsible in some way (see: his reaction to beating the Joker to death and Blockbusters death). Jason isn't at all giving Dick any reason to sit down and talk to him, or be friendly. Sure, he wanted to know if they could be brothers again, but he could've communicated this earlier in a far more normal way lol.

And just so we're being fair: I'm also not entirely sure Jason actually didn't care when Dick supposedly died. Look at his face when he says "That's Blüdhaven.", and then his almost performative, kinda fake sounding words afterwards. Jason certainly hated the idea of Dick (the perfect golden boy who always listened to Batman and got all the love), but he never actually HATED-hated Dick, and even if he did, certainly not enough to want him dead. He even goes out of his way to save Dick and give him important information he just happened to overhear. On top of that, Jason is frequently depicted during this time as lying, both to himself and others, specifically when Winick writes him (see: Red Hood: The Lost Days. What he says and what he does don't line up). So I don't believe Jason really wanted Dick dead, or even just didn't care.

Overall, it's WAY more nuanced than just "Dick wanted Jason dead when he just found out his little brother was alive". Sure, is it kinda shitty to wish someone dead? Of course. Is it in character here? Not very. Do I blame him? Not at all. Do I believe they were shitty to each other in other ways? Absolutely! They have SO many issues, and have hurt each other a lot, I'm definitely not arguing that they haven't. But I don't think wanting the other dead was ever a real issue, nor a flaw in their relationship.

til that slade bombing bludhaven happens at the same time jason and bruce are duking it out in the under the red hood storyline and they see it happening.

in other news, jason peter todd is a raging asshole omg what a jerk THAT’S YOUR BROTHER?!??? WHY WOULD YOU SAY THAT YOU LOVE DICK

[red-garden]

After his seclusion ended, Lan Wangji took A-Yuan to Lotus Pier. Of course he doesn’t like Jiang Wanyin, but for this, for *him*, he makes an exception. When Jiang Cheng is summoned out to deal with the Pier’s sudden guest, toting a now three years old Jin Ling in one arm and a strong tea in the other, he sees the face of a boy he’d assumed dead, a boy his brother once called son. “You have three days. I don’t want to see you so stay out of my business.” Is all he says before setting Jin Ling down and prompting him towards A-Yuan. Lan Wangji nods at him, crouching down to (his nephew?) A-Ling. “I was a friend of your uncle’s. This is my son, Lan Yuan.” The toddler looks up at his uncle who nods. “Be a good host, show them around.” Before promptly leaving. The toddler sticks out his hand to the other timidly. “I’m Jin Ling.”

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[purpurussy]

.

[an-obligatory-blog]

Thinking about this post I made again because the more I think about it, the more I am glad that Infinite was not in Shadow Generations and the more anxious I am when he finally does.

Because I have like, conjured this idea in my head of how I want Infinite to return-- something that retains what was established in Forces (including his "unlikable" aspects) while progressing his character in a way that is one 1) meaningful, 2) not a complete joke, and 3) gives incentive to use him again and not shelf him forever after one more appearance. But the more I'm convinced of my vision, the more I think "there's no way this is happening" because very often, attempts to "fix" the character comes with an inherent lack of respect to a character's current traits-- erasing instead of working with what they have. Think of past (and I guess current) sentiments of "fixing" Amy and all the discourse that was spawned from it. I feel like I have tunneled myself into future disappointment as an Infinite fan and the fandom would be less resistant to it than Amy because I feel like people are more likely to accept whatever as long it isn't carbon copy of Forces.

Which is a shame because the main flaw of Infinite in Forces, imo, isn't that he's a "fraud", but that his backstory is empty. If your definition of "fixing" Infinite is to establish an understandable reason for his breakdown and flesh out his relationship with his squad without changing any of the story beats, you did not write an AU where "Infinite but what if he's a good character". What you wrote is a legitimate interpretation of Infinite because Forces said nothing about why he had that reaction Shadow or really anything about his squad. Sonic Team could legitimately take that and not have to call it a retcon because of how little it contradicts anything since, again, the issue was that it's "empty" not "rotten". To begin with, assuming that "Infinite's motive is nothing more than a tantrum" is just as much of a presumption as someone's fic coming up the most tragic sob story for Infinite to justify the events of Forces; it just that the former is the simplest explanation to fill the holes that Forces' less than stellar writing left behind and thus, the impression he leaves on the public.

If what I described is enough to "fix" Infinite in your eyes, then you may not hate Infinite as a character as much as you may think you do. It's not like it contradicts hating Forces' writing.

And I know that's not everyone-- there are plenty of people who rather have literally anyone else as the villain, someone who isn't a "fraud" or someone who is more "badass/cool" or even someone that embraces "lameness" as a primary trait aka a joke character. The most common sentiment I find on Infinite is "he is a character with a lot of potential, so I would like to see him back with better execution", but what do you mean by "potential"? What does this "better execution" look like? It seems like an opinion that the Sonic fandom can unite under on the surface, but I think that the moment Infinite were to hypothetically return, the division between who is satisfied and who isn't will surface.

Or maybe it won't. Maybe Infinite isn't important enough worry about how much of his original self is preserved or what a natural progression with him looks like as long as its paired with writing that's more palatable to the audience. If people were to go online and fight for something more in-line with his characterization in Forces, would anyone care? Wouldn't be more likely that such sentiments are deemed stupid?

I am glad that Infinite didn't show up in Shadow Generations because he doesn't belong there. Mephiles, Black Doom, even Metal Madness-- you can argue that they represent something to Shadow, but not Infinite. It's /Shadow/ who represents something to Infinite the same way Sonic represents something to the Avatar but not the other way around. It's possible to progress Infinite in a way that changes that, but that's not happening in a story that centers Shadow and his past because Infinite has nothing to do with that. All people expected from a possible Infinite appearance is the "I don't remember you" treatment (which again, already happened in Forces) that Mephiles ended up getting-- he doesn't represent anything that Mephiles, a character who is meant to reflect Shadow down to his appearance, doesn't already.

But Infinite could always appear when SEGA feels like it-- frankly, it was harder to bring back Mephiles given that he was wiped from the timeline but look at him here now. If he comes back and his character is taken in a direction that I don't like, is that me being close-minded? His backstory is empty so his "potential" is "infinite", but is anyone, including myself, willing to accept what's outside of what we consider ideal? I'd like to imagine that my ideas for him would be something that would make us all happy, but is that even possible, much less true? Maybe those are useless questions. We can only evaluate things that exists.

Infinite isn't a character that belong to me nor do I have any semblance of authority over him but falling in love left me feeling possessive. I feel arrogant and hypocritical-- thinking that canonical material that wouldn't meet my standards is better off not existing while trying to appreciate controversial material that many would not miss. I keep doing it because if not me, who else is going to think the way I do-- hating the exact things I hate and liking the exact things I like? A lot of Sonic fans do this, I think, so at least I'm not special. It makes you feel based as hell.

late night infinite thoughts/hc/analysis

despite being clowned on for his Ls and "i'm not weak" scene, i don't think infinite particularly childish? or more specifically not in the specific brand of "pathetic sore loser" that's been memed on. like he doesn't feel like the type of character who would throw a tantrum/be visibly upset if he can help it (particularly in front of shadow since that's the guy he's pitted against).

it's not that i don't understand why he left that impression-- the way shadow dlc told his background would ofc lead ppl to feel that it was an overreaction for being kicked a couple of times, but the thing is, we saw how he reacted when he met shadow again and what he said after being told that the hedgehog didn't remember him.

(using screencaps of the jp script, but i'm p sure en is the same jist)

sure, infinite is gassing himself up in this scene because of his shiny new rock, but when i saw this scene, my immediate thought was "so you think you aren't someone worth remembering"? (which can also be extended to his squad mates who were also defeated and thus "weak", regardless if you think they are dead or not) he's not particularly angry in this scene-- if anything, he admits that shadow's words of him being a loser (and thus weak) is /fact/.

hence why i think that infinite hates himself more than he could ever hate shadow. he can hide it by saying "well that's just the old me, i've changed. look at my virtual reality of green hill" but that mask isn't just for show. past or present, he is still himself even if he pretends otherwise. he is insecure, that's true. it's also true that his ego is fragile and that it hangs on his ability to suppress others.

however, his ego isn't unshakable at the face of failure or incapable of self-reflection, even if he wishes it was. the denial phase doesn't last forever.

to put it in another way, he's not the type of sore loser who will go "the other guy must've cheated" or "it's not fair" and deny the other person of their achievement. he's the type of sore loser who becomes frustrated with himself, trains himself to exhaustion, maybe cheat himself if tempted (you'll have to convince him that it would be a meaningful victory if he does though, (re. his logic on relying on magic rock ok, but relying on friends is bad and fake, apparently)), and fall into despair if his efforts don't pay off. that's really what his "i'm not weak" breakdown really is to me-- falling into despair and eventually accepting that he is powerless.

with high ego, he may dismiss losses as a fluke, but that requires plausible deniability to be present to fall back on. my point is that his arrogance doesn't come across as stable, it's just that conquering 99% of the world would convince anyone that they are hot shit.

also, he's not bad at /hiding/ his insecurity. insecurity isn't an aspect that was just added to him in the dlc and thus "ruining" him-- he just hides it well when he started wearing the mask. he only showed a mote of desperation by the end of his final boss fight. before that, we had sonic and the avatar breaking out from null space in record time and while eggman was in shock, infinite just stared silently-- he retained a "mysterious" aura for most of the game despite multiple setbacks. his ability to hide his emotions without his mask is up to you, but at the very least, he would at least /try/ to cover up anything he deems "unsightly".

what i'm trying to say is, i think he'd be upset being called weak, but i don't think that specific "overreaction" he had in shadow dlc is just something that happens every time he's insulted, esp when his ego is in a more stable state.

why he's so fixated about strength and weakness is pure hc territory bc forces writing sure as hell didn't explain it, but i think it's safe to say that he wasn't stable before his encounter with shadow and no matter how many ppl think that his motives are "stupid", this was something that meant a great deal to infinite. why it took until shadow for the camel's back to be snapped, idk maybe something happened to him earlier or maybe not, but regardless, infinite appears to be someone who is very desperate to be proud of himself and he measures how much he is worthy of pride through "strength". those who are strong don't think of those weaker than them, to him. (re. him saying that it's fine that shadow didn't remember his past self, and following up with "you're nothing to me now" bc he believes that he is now stronger than him. also note his quirk in jp where he calls ppl "gomi" (in katakana)/trash, idk jp well i just think it's neat)

this "fraud" quality of infinite's is something i find appealing as his fan, and not in the "i think it's brilliant to have a joke character that parodies edgelords" kind of way (infinite isn't purposefully meant to be joke and i don't think he has to be in order to be "good" with his current backstory). to segway into a different conversation, i don't care of the take that "infinite should've been an artificial lifeform like shadow created by eggman" bc to be frank (and i apologize if this is too spicy of a take), i don't see the benefit to that other than to give infinite more "aura points" by erasing his backstory as a "fraud". (bc a villain that doesn't meet the "aura" threshold is bad, i guess.)

bc here's the thing, right-- there are a lot of things you can compare and contrast between shadow and infinite and create a meaningful analysis out of it, but remember that infinite is the main villain of sonic forces and that sonic forces... is not about shadow.

sonic forces, if anything, is the avatar's story. the avatar is infinite's primary foil.

shadow defeating infinite parallels infinite defeating the avatar (at the start of the game). infinite gains help from eggman and the phantom ruby while the avatar finds the Power of Friendship, Love, and Courage (tm) through sonic. infinite finding solace in "fake" power while the avatar finds "true" strength. infinite believing that he is the one who sees the reality as it is (re. his theme song lyrics), when it was the avatar who sees through his illusions.

and i really like that. idk if these are the right words, but i feel like they stand out because of how "human-like" and "relatable" compared to everyone else (esp the avatar bc they are literally an OC). with the exception of tails (who is instead offset by being a kid genius), the sonic cast is filled with characters that have stronger than average willpower, leaving the "outsiders", infinite and avatar, to play catch up in their quest to find strength. they are not unshakably confident like sonic or endlessly persistent like eggman-- they are, at their core, embody the insecurity and lack of confidence that the ordinary person is more likely to succumb to. infinite is like a bandit boss in a jrpg: has a reputation of being feared, has followers/lackeys, villain vibes, but at the end of the day, they are just the first boss the protagonist wipes at the tutorial. the avatar would be a background character in literally any story except forces. they both "extras" trying to take the spotlight that was meant for the leads.

that is why i genuinely think that his current backstory has more value narrative-wise than that hypothetical one and it's not just preference. i don't care if forces has bad writing-- infinite and the avatar starting off as "ordinary people" as a parallel is neat and i will die on that hill. (and imo this attribute makes infinite a unique villain in the sonic verse. like he's not explicitly sympathetic like merlina was or even overtly tragic like gerald, but he manages to have that pitiable, human-like quality, you know?)

but yeah this is really about him not showing up in sonadow gens. like don't get me wrong, i would've been very happy if had shown up and i did lowkey expect it when i saw sunset heights in the trailer, but i'm not mad that he didn't ngl. for the reasons listed above, i don't see infinite as a "shadow villain" like mephiles and black doom are.

[lilowoof]

ngl gamers, I think I'm gonna inevitably lose to the hormones and depression in the near future XD

Can't bring myself to be active cause I'm using a lot of energy to not vent post all the time. But fuck it, into the tags I go!

[triglycercule]

who made the mtt. and no i dont mean like who made the CONCEPT of the murder time trio (because i know who that is. touken kamui i thank you for the fangame every day :3) but like,,,, who decided to just randomly pair these 3 together?? like whaaaat.......

part of me wants to believe it was rahafwabas with the whole bad sanses group thingy being made with those 3 in there and then like. the fangame just gave them specifically a seperate group name. but STILL,,,,, where did this trio come from

[spinecurlingmice]

okay more on hajime's underwear. . in a world where all the fte's are canon for everybody and not just a gameplay thing, do you think everybody on the island made it like. a bet or something. every single person he's became close with on this fucking island gave him their panties as a token of closeness, so like are they waiting for him to reciprocate?? the one person he gives his underwear to is like. the Chosen hajime person and they get to gloat ? do they ask.

[diltonsstrangescience]

I was thinking about Dilton’s insane garage laboratory again, and I got an idea for a comic. I would draw it, but I draw so slowly that it would take forever to finish a 6+ page comic, and I have too many other ideas to work on. So all you get is a written summary:

— Dilton’s dad hears from the other parents (or the newspaper) that multiple cars have been broken into or stolen in the past few weeks, and he decides the family needs to keep their car safely in the garage instead of the driveway, at least until the perpetrator is caught.

— He informs Dilton that this means Dilt needs to clear all his science stuff out of the garage to make room for the car.

— “You want me to dismantle my lab? Dad, please, don’t do this to me! Anything else!”

— “This isn’t a punishment, it’s just how things have to be for the foreseeable future. Your lab was our garage first, and we need a garage more than we need a lab right now.”

— “But how can you expect me to transport all of my equipment within the day? Where can I possibly store it all? How can I continue my experiments under these conditions?”

— “Why don’t you ask those friends of yours for help? I’m sure they’d be more than happy to lend a hand. That boy Moose, especially, should be useful in carrying your computers around.”

— So Dilton asks the gang for help, and they agree to help him clear out his lab, as well as each taking a portion of his science stuff to look after (there wasn’t enough space in Dilton’s room for all of it). They also agree to keep Dilton’s experiments going themselves, in small ways like taking notes on observations, or adding three drops of such and such to this concoction each day… etc. They’re all excited, thinking it’s going to be fun to try their hand at mad science for a while.

— Next comes a series of little Disasters caused by Dilton’s science in the hands of his inexperienced friends over the next few days.

— One of his friends ends up drinking some sort of potion (or multiple), either on accident or on purpose, and there’s some kind of weird effect—I’m not sure what yet, but almost definitely a minor transformation of some sort, on the same level as turning green or growing a tail or only talking in parrot squawks. This causes humorous problems in their life. (Jug wouldn’t drink unknown potions on purpose, because he has common sense, but Archie has none, so it would make more sense for him to do it intentionally.)

— One of his friends has to look after some animal test subjects, like mice in cages or something, but it turns out the animals have been made superintelligent, and they break out and start sabotaging the character with clever plots. The character fights back, mostly unsuccessfully, and things descend into Tom & Jerry territory. (I think this would be funny with Jug, especially since Hot Dog could be there too, animal vs animals.)

— One of his friends (maybe Betty?) has to look after a robot, and all seems cool and fine until it malfunctions (not her fault) and turns evil or chaotic and starts destroying things. (Its glowing eyes turn from green to red, so it’s clear that it’s evil now. This was an intentional design choice on Dilton’s part, as a warning sign in case of malfunction, and because it looks cool.)

— Veronica is given something she doesn’t need to observe or use, just store somewhere and not mess with. But at a fancy party, she tries to show off to her rich friends that she’s smart as well as beautiful and wealthy by showing off ”””her””” cool new invention, and she turns it on. She immediately loses control of it, whatever it does, and it causes a Disaster. This one’s working correctly, but Veronica doesn’t understand how it works or how it turns off, so it’s still causing a problem. (Hmm… maybe a weather-creating machine? Imagine a blizzard packed into a ballroom.)

— (Midge and Moose also helped Dilton, so I need to think of two more disasters. Or maybe, since they’re closer friends to Dilton, they know a thing or two about science and following instructions, so they don’t do anything they’re not supposed to, and they happen not to meet with any malfunction-type accidents. Everything goes fine with them.)

— The comic ends with Dilton’s dad reading in the newspaper that the crook who was breaking into and stealing all these cars has been caught and put in jail. He says to Dilton that this means their car is safe (because problems are very simple in this world), and so Dilton can have the garage back for his lab. (Let’s say it’s been like a week since the start of the comic.) Dilton is excited, and says he’ll go find his friends right away and tell them, and get his science stuff back. He rushes out the front door, only to find all his friends running up his sidewalk together, all carrying the science stuff he gave them and begging him to please take it all back! (Dilton is surprised, because he had no clue about all their problems, but everybody else looks like a wreck from their individual ordeals. This is all in stark contrast to how excited they seemed in the beginning to take on the science.)

— The end! That last scene was the punchline and final panel.

[steakout-05]

headcanons i have about Craig the scientist :)

as are most of the characters i have headcanons for, Craig is on the autism spectrum. he has a flat effect to his voice and facial expressions, doesn't really get most social cues, doesn't know how to react to others in pain the "right" way, misunderstands metaphors and speaks in quite a direct manner because it makes the most sense to his brain. he's quite a literal thinker. he also tends to hyperfixate so hard on a task that he forgets his basic needs and hygene, and thus has quite an unkempt look underneath that hazmat suit of his (which i will get into later!). Barry often ends up needing to get Craig something to eat because of how long he hyperfixates on something.

Craig sometimes doesn't exactly pay attention to his tone of voice, so sometimes he can say something that, to him, sounds completely normal, but because of his tone, can end up sounding really ominous to other people by accident ("We know who you are, Barry.")

Craig has traumatic cataract in his left eye (or wherever the fuck craig's visor crack is supposed to be in canon lol) from the explosion in 'Level 2' and is half blind in that eye. his eye has a very clouded look as a result of the injury. he's also got a huge scar there too that required some pretty gnarly stitches later, and his skin is almost completely numb around that area.

Craig also never really had the best eyesight before the injury, so he's always wearing these big ol' nerdy glasses underneath his helmet. and yes, they are tacked together with a band-aid lol

Craig is one of the few scientists who is not a clone of Peter Simpkins, the late friend of both Professor Brains and (in my headcanon'd canon) Craig. i like to think that Craig and Simpkins knew each other when they were first recruited by Legitimate Research and was pretty close to both him and Brains, and since Simpkins died, Brains has kind of taken more of a liking towards Craig (mostly out of loneliness and needing someone to help around at the lab, but he has a genuine fondness for him under his demanding and angry exterior).

There's a bit of a fan theory that Craig is the same guy as the scientist in the 'Robot Bird' rock opera, which i like to believe is the case. i mean, he's got the same monotone voice as Craig, it's gotta be him. i hope this does end up becoming canon because i think it'd make for an interesting conflict between Barry and Craig!!

Craig may or may not be related to Lab Lady.

Craig's counterpart in the mirror universe is named Kayla.

Craig is demiromantic and is questioning his sexuality (he thinks he might be bi or pan), though he definitely knows he loves Barry <3

Craig has an unhealthy habit of wiping his embarrassing memories, like, a lot. he wipes memories of awkward accidents in the lab, particularly painful failures, and most importantly, the memories of losing literally all his stuff and his career to Barry, which is why he doesn't immediately recognise him in the shorts. Craig has a lot of trouble recounting stories from the past because of this memory-wiping and felt a sense of emptiness, which getting hit in the head certainly didn't help with, so he tried inventing that apple in the Multiverse Madness event to get some of them back. it was pure dumb luck that Barry didn't end up witnessing what happened to Craig in the 'Robot Bird' opera and both are completely unaware of the disastrous can of worms that could have opened. bro's gonna end up like wallflower blush if he doesn't keep that memory erasing under control

and finally...

under his helmet, Craig has messy dirty-blonde hair, a rounded face that has a few stray facial hairs he forgot to shave, a long scar down the left side of his face, hazel coloured eyes and pale skin. this design is inspired by the designs made by @dexterno-artz and @schnabel53 respectively :D

this is a sketch of my finalised(ish) craig design!!! i've shown earlier versions of this guy in a couple of older posts but i haven't really revised his design much until now. i kinda had the idea of him looking like a stereotypical nerd and then made him messier. i might tone the amount of hair he has down a tiny bit but also i really like the nerdy bird's nest thing he has goin on :) i like to think he literally hasn't brushed his hair in several weeks and it's just become a bird's nest from nights of staying up doing science stuff

how i feel about barry tbh. he's literally so dumb i love him

(also apologies for the photos being kinda blurry and me forgetting to turn off the filter. again. in my defence it looks really nice and orange on my phone)

sometimes i like drawing him saying stuff from the shorts to get a feel of how he'd look when talking and make sure he looks juuuust nerdy enough for me to go "yep that's craig". also his big,g, handns,s,

drew this as a quick side profile sketch to get a general idea of how i want to draw him from this angle. he's talking to barry offscreen and falling in love with him <3

stupid little comic with a stupid little interaction that would definitely happen between these stupid little guys <3 barry being a little asshole every now and then is very entertaining to me. i need to see him antagonising craig and starting an old couple bickering argument with craig, that would heal me i think

i think i'll post more of this design in the future, i really quite like it a lot :)

[orcelito]

listen as fun as writing is, im generally in complete control of the situation. i can set up a high-stakes scenario, but it's not tense for ME bc i know where things r gonna end up

which is why shit like dnd is so fun. it's 100% improv. me improv lying by omission thru a zone of truth to these people who can and have Already almost killed me, who would sic their legion of knights on me if they got even a Sniff of the fact that i took part in regicide. it wouldve been very very bad. it was TENSE. and it was so fun lfkjslkdfj

lying by omission and pointing at a dude i hate as the one at fault for it all. perfect scapegoat.

[gu6chan]

i would kill for a cup of this right now