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felassan · 6 months ago

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Transcript of the DA:TV ‘Meet The Companions’ panel @ SDCC.

Update: this post has now been updated into a full transcript.

BioWare have said that they are going to share a recording of the panel at a later date. In the meantime, here is a transcript of it. When the recording is available, I will update this post further if required. This is a word-for-word transcript (in as far as it was possible to make one, it was quite a noisy room with lots of people in it), but a few bits were not clearly audible - these are marked as "[...]". listening to the original source in audio/video format, when it’s available, first-hand is of course always advisable, in case of any mis-hearings or missing things out etc on my part!! :>

there are other things from the panel here in this BioWare blogpost, collected in this compilation post, and also in this Tumblr post.

The panel was moderated/hosted by Lucy James. In attendance were creative director John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.

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[panel begins]

Lucy: Goodness me, there are a lot of you. Hello everyone. Hello San Diego. But more importantly, hello Dragon Age fans! Give yourselves a cheer! Now welcome to a panel that I am so excited to be moderating today. A little bit of, what do you call it, a little bit of, I'm just gonna say it, we're doing Q&A at the end. There is a microphone right here. I will give a warning - housekeeping was the word I was searching for. We're gonna be doing Q&A at the end. I will give you a warning to come up and ask questions to this incredible panel of developers from BioWare and actors from the brand new Dragon Age game, The Veilguard. I'm Lucy James, I'm your moderator for today, but you're not here for me, you're here for these incredible people, so let's go down the line and see who we have on the panel today. We have creative director John Epler. Creative performance director Ashley Barlow. The poised and pragmatic assassin, playing the role of Lucanis, Zach Mendez. The necromancer Emmrich, we have Nick Boraine. Absolutely did not mean to skip, but we have different, different lineup over here. The voice behind the private detective Neve, Jessica Clark. And returning franchise favorite, you know her as Lace Harding, the lovable Scout, Ali Hillis. Now, we all love Dragon Age games for multiple reasons, whether it is the combat, the impactful decisions that we get to make, the romances - I know my [...], I know my - but the heart and soul of every game is always the companions, and so we are gonna be doing a deep dive into some of the new cast as well as, like I said, returning franchise favorite. So I'm gonna kick off with you, John.

John: Awesome.

Lucy: Can, you know, you've been at BioWare for a couple of years now.

John: Yeah, seventeen years as of this year, so.

Lucy: Wow. Can you tell us a little bit about your history with Dragon Age?

John: Absolutely. So as mentioned, I've been at BioWare for coming up on seventeen years now. I worked as a QA tester on Dragon Age: Origins, moved into cinematic design, did that [...] Dragon Age II, Dragon Age: Inquisition, and then became lead cinematic designer for Dragon Age: Inquisition - Trespasser, where I worked closely with Trick Weekes, building out that story. And then now as creative director on Dragon Age: The Veilguard, which has been just a fantastic project to be a part of.

Lucy: Now, I assume pretty much everyone in this room has gone frame-by-frame through the trailers and gameplay videos and every BioWare social post about Dragon Age, but just in case there's anyone in the room who is unfamiliar, give us the quick overview of Dragon Age: The Veilguard?

John: Absolutely. So Dragon Age: The Veilguard is the latest entry in the Dragon Age franchise. It takes place approximately ten years after the end of Inquisition. You start the game hunting for Solas. It's a game built on some core principles of: be who you want to be, in a world worth saving, and with characters who matter. So, again, companions always at the heart of Dragon Age, they're at the heart of this one as well.

Lucy: And so, I mean, why is this team coming together? You mentioned it a little bit there, and like, what's bringing this, kinda 'rogues' gallery' together?

John: I mean it's the end of the world, and each character that you bring into your party understands that the world's ending, that they need to stop that, and you're really building, what I would say is more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time, they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods.

Lucy: Now we were chatting a little bit before the panel, and you kinda said, like, a bold statement which was that this is one of the best groups BioWare has ever written. I say 'bold', cause we all have our favorites. What makes you say that? What's going on with The Veilguard that makes them so special?

John: Yeah, I mean, I think that every Dragon Age game the companions we write and create for those games are the best companions for that one. And I think in this case, what's really fascinating and what I've really loved to see come out through the game, through its development is, the way these characters form relationships, not just with you but with each other, so, whereas, you know, sometimes characters maybe don't interact as much. Each one of these has a relationship that extends beyond Rook, the protagonist, but also some become friends, some become lovers, and some become rivals. And it's just, the way that they learn to get over their differences, or put them aside, has really been fun and exciting, because they all represent a different part of the world of Thedas.

Lucy: I am very excited to see how these family dynamics come together, avoiding my real life family for my virtual family. Ashley, you’ve been playing a huge role in helping bring these characters to life. Can you tell us a little bit about your role at BioWare?

Ashley: Yeah. I’m the creative performance director, so I get to cast all of these characters, with the team at BioWare, of course. And then work tirelessly in the booth with them, I mean, they just met like this weekend. I just silo them off, and they do their work, and they listen to each other, and, you know, 3000 hours later, and then they get them back around, and we can iterate on it, and they can say, ‘oh, oh that’s what everyone sounds like!’, now they get to play off of it. So, it’s a big road-trip in a VO booth. From my house.

Lucy: A big road trip. A big deal. A big game. Where do you even begin with a behemoth like this?

Ashley: We, we audition our companions. We have to make sure that our leads can play off of each other, that compliment each other, that juxtapose each other. Like John said, it’s kind of like a family, an un-chosen family, and so we need them to, you know, it’s, you need to create an ensemble, a diverse ensemble, so that the players get the choice of who they want to bring on this hero’s journey. And so, we brought them all in, you know, and they, we do motion capture, so we need to see how they move, and how they walk, and how they talk, and how they can act like heroes. And they all carry themselves so well. Now, it’s tripping me out, because they all look like their characters to me.

Lucy: Now, there are plenty of returning faces in The Veilguard, but there are new companions that we will get to know and love. Let’s start with Lucanis. John, can you give us a little quick overview of his background, and what’s his deal?

John: Absolutely. So Lucanis is the stylish assassin from the Antivan Crows, you know. But, not bloodthirsty, more, as he sees assassination as a job, one that he is extremely skilled at. Over the course of the story, you learn more about him, more about his character, more about his relationship, not just within The Veilguard, but also with the Crows and with other characters in the world. And I think, it’s fascinating to see how that grows over the course of the game.

Lucy: Now Zach, you are the voice. I mean, how do you approach this? Where did you […]?

Zach: Well, when I first found out I got the role, I read Tevinter Nights, which is the book, that came out [...] and you should read. And I read The Wigmaker Job, in which Lucanis is featured. I read it about three times, and after I closed the book I realized, ‘this might be the coolest guy I ever get to play’. I mean, not only is he a smooth assassin, not only is he determined - yes, he can kill you a thousand different ways, but what struck me was, his mind is as dangerous as his knives. I mean this is a guy who takes in the environment with all five senses. He’s constantly attuning himself to the kind of shifting terrain of every mission. And also, he’s kinda hilarious. I mean, if you look at his relationship with his cousin Illario, in The Wigmaker Job, they’re constantly giving each other crap. But there’s a lotta love there, so I got to pull, you know, from my relationship with my brother. Because we love each other dearly, but we can be ruthless with each other. And so, it was really easy to play in that way.

Lucy: I mean, yeah, you mentioned being a comedian there. Ashley, how was working with Zach?

Ashley: Yeah.

Lucy: Harnessing that and bringing it to the character.

Ashley: Zach’s one of the funniest people I know. And that’s a lot to live up to. But, you know, he came in as one of the most adaptable actors. And, you know, we did a lot of motion capture during 2020, 2021, 2022, even 2023, and so Zach stood in for like, Assan, and Varric, like all the characters [...] just mostly, most - [a scene plays on the screen behind the panel of the actors doing mo-cap. Zach as Assan hops along the ground like :D over to Davrin, Rook and another character. Davrin is happy to see him and scratches him under the chin. Davrin motions to Rook, who then bends down and hugs Assan] - I mean I’m pretty sure [...] a huge inspiration for the cinematics. Once you see this scene that this is, like - remember it, 'cause [...] -

Zach: Just know, when you’re hugging Assan, you’re hugging me. That means a lot.

Ashley: It’s true! But, yeah, but, for Lucanis, Zach was able to bring, I mean once you get in the game and you meet Lucanis, you’ll know that he’s, you know, a murdering Crow, and then, is a […], you know, there’s a darkness. [there is a rumbling noise in the background and the panelists look around confused]

[?]: I think it's just thundering.

Ashley: It’s thundering, let's, let's do a -

Zach: The darkness.

[...]

Ashley: But in the darkness -

Zach: Prepare yourselves. [background noise continues]

Ali[?]: It’s coming.

Zach: Seriously, what is that? What’s happening?

A person off to the side: Other rooms!

Zach: Okay, okay, okay, thank you.

Ashley: Okay, thank you. [...] think you were doing it. As you can tell, he brought like a, he brings a lightness to it, ‘cause you can’t always be that heavy. I don’t want to be scared or crying in the booth all the time. And thank God the writers, John included, and all of the writers of Lucanis really brought some fast, quick-witted writing. So he’s quick as a whip, he really lightened it up, and can’t wait til you guys get in and play it and romance this sucker! Sorry! Sorry not sorry!

Lucy: I was going to say, how does it also feel to play a romanceable character?

Zach: Oh, I’m quite excited about it. Ashley has promised to give me the stats of how many people romance me. I'm really looking forward to that.

Lucy: No pressure, gotta get those numbers up!

Zach: Yeah, I know. But, that’s the great thing about Lucanis, is that, you know, he’s extremely smooth, as an assassin, but, and, yes, he does have a heart, he does have a soft side, he’s not completely adept at always dealing with other people and interactions of that such, you know, he’s extremely stubborn and stuck in his ways, so it’s really hard for him to let people in sometimes, so I’m really excited for fans to get to meet him, and, you know, help him open up.

Lucy: And before we go to the rest of your illustrious cast members, what’s, what was, what’s been your highlight of working on The Veilguard? Is it, you know, this moment getting to see everyone in person? Was it a story from on set one day, or an interaction with one of the devs?

Zach: Well, you know, I did, before the first day of shooting, I did kinda get an idea about how passionate the fanbase was, which made me really excited. I don’t wanna say nervous, because I don’t say I’m nervous, I say I’m excited. And so before the first day of shoot, I was very excited. And luckily, you know, Ashley and them, didn’t have me do too much on the first day. I played a lot of darkspawn. I darkspawn-ed my ass off, though. I want you guys to know, I really –

Ashley: Oh he did, yeah.

Zach: – and when I got home, I thought to myself, you know, ‘Zach, did you darkspawn hard enough?’ I was just worried! You know, and within an hour I got a text from Jeff, who’s a part of this cast as well, and Jee, telling me what a great job I did. And then, I’ll never forget. I got a call from Ali Hillis down here. And I will remember that conversation, because for thirty minutes, she made me feel like I was welcome in the Dragon Age family, and it gave me so much confidence moving forward. So thank you Ali, so much, I still remember that, God bless you.

Lucy: That is lovely. See, the family stuff coming up already. I’m very excited.

Ashley: [...]

Lucy: Right, let’s move on. Coming to the private detective, Neve, who we actually got a glimpse of in the gameplay reveal from a few weeks ago. Let’s take a quick look. [a scene plays on the screen; the scene when Rook meets Neve in the prologue with Varric and Harding, that we saw in the gameplay reveal video] Now John, can you give us a quick overview of Neve?

John: Absolutely. So Neve, as you can see in the video, is one of the first companions that you encounter in Dragon Age: The Veilguard. She’s from Tevinter, Minrathous specifically. And anyone who’s played Dragon Age before knows that we’ve always talked about Minrathous, we’ve always talked about Tevinter, so we wanted to have a character who showed, not the parts of Tevinter that we’ve touched on before, you know, obviously slavery is a big part of it, it’s a mageocracy, but somebody who was pushing back, fighting back against that. And Neve’s shown up in the ancillary media as well, in the comics The Missing. And it’s just, she is that, you know, somewhat cynical detective with a bit of a heart of gold, bit of [a?] romantic, and just seeing her character evolve over the course of The Veilguard, over the course of the game, because again, she’s one of the first people you meet, is. Always fun seeing Neve’s character bounce off other the followers, banter has been super fun, just the way that she, what she brings to the table is always, it’s always so interesting to me.

Lucy: Jessica, I mean, what was it like getting that call to find out that you were gonna be in Dragon Age?

Jessica: It was slightly terrifying, and it was, I just felt really honored immediately, because I feel like, to be, I feel like they entrusted me with such, something with such significance and such importance to so many people, and so I just really wanted to honor that, and bring everything that I could to this fabulous character that I had been gifted. So yeah, that was.

Lucy: And I understand that you are kind’ve newer to the kind’ve voice acting, kind’ve realm. How was it different from more traditional roles?

Jessica: I am pretty new to it. I’ve barely done anything as significant, Dragon Age is enormous. It was very freeing honestly, I mean, like Ashley said, they auditioned and auditioned and auditioned and auditioned us. Like, every time I was brought in, I was like, ‘oh I didn’t get that’, you know what I mean? And then three months later there was another audition, and. But it was just so interesting and so freeing, because it really is sort’ve, it almost felt like play pretend, like when I was a little girl, you know? And it’s like what you dream up in your imagination. Because they, you know, they give you this character, and they give you some of the dialogue and then they really wanna see where you go with it and how you move and how you embody her and how you react to dragons that aren’t there because you’re in an audition room. You know, like all of that. So, and then, also, playing Neve, it really allowed me, and being a voice actor, it really allowed me to sort’ve step into my power a bit more, because, you know, I’m very tall, and things like that. And so, in a lot of my, sort’ve, more traditional television and film work, they kind’ve want you to be the girl, and I have to raise my voice, and be a little softer, and you know, kind’ve, not diminish myself, I don’t wanna say that, but just be very conscious of my physicality. And then Neve, it’s completely the opposite. You know, so Ashley had to work with me literally on dropping my register and things like that, and it was so confusing at the beginning, and then it was so amazing, to kind’ve have that opportunity, so I’m very grateful.

Lucy: Yeah. I mean, what drew you, what’s your favorite thing about Neve? – get that applause going, go on, let's go!

Jessica: I love her loyalty, I love her dedication, I love how much she loves Docktown and its people and how she really sees a different vision for Tevinter than, as John said, than what’s previously been depicted. And she’s really really fighting for those people, and she loves those people, and so yes she’s cynical, and yes she’s kinda tough and brusque and all these other things, but when they say there’s a heart of gold, there really, like to have that kind of a passion and dedicate your life to something like that, I think that, that’s my favorite part about her.

Lucy: And what were some of your highlights from, I mean, is it, is it kind of strange to record a video game, because I assume you’re doing things in different orders -

Ashley: Yeah.

Jessica: Oh yes.

Lucy: - working with some people some days and other people different days - tell me about that?

Jessica: I mean in terms of that, I just trusted Ashley and John, you know, and they know, and I was there to learn and embody and kind’ve grow into that. But I think my favorite thing, even though we were all separate disembodied voices a lot of the time, we kind’ve really all bonded in the way that we were intended to, you know? And that’s why we’ve been so excited all week and all weekend, because we can be like, ‘oh my god, you’re here, oh my god you’re here, you’re here, you’re here’, finally, you know? And you know, I know on a lot of projects, people are like ‘oh yeah, we’re all like, we love each other’, but we really do, we really really do. And it just evolved so organically. And there was something magical about it just being our voices in the beginning. You know, like sort’ve taking anything else out of the -

Zach: Equation.

Jessica: – you know what I’m saying. I’ve run out of words.

Ashley[?]: Yeah, it’s like an audible penpal. […] speaking to each other for so long.

Jessica: Yeah, yeah, yeah.

Ashley: It's nice with Jess, [...] she hit it on the head, you know, voice acting, you know, I hate to say it, I don't wanna put Jess - Jessica’s obviously a beautiful woman, but in the booth, it doesn’t matter. We just, pulled out the power and the range that Neve has, and it’s limitless, and as a woman to see that kind of writing and that kind of performance ability is, I know for a lot of us in the room, probably, pretty badass.

Lucy: Jess, I wanna, I'm gonna come back to something, because you mentioned, like, you’ve been messaging, and that the cast, you know, really loves each other, is there a Veilguard groupchat?

Jessica: There are several.

Lucy: Hold up. Who sends the most memes, who is the person who only reacts with the thumbs-up emoji?

Jessica: I, I would say Jeff is the most active, who plays one of the Rooks, I would say, in that respect, and to bounce off what Zach said, just an incredibly generous actor. And then, Ali, like it’s so true, like I had that story too, like literally even being back there, I was like, [gasp], I was like, she’s like, ‘it’s gonna be okay’, she’s like, ‘it’s good, it’s like, you’re gonna love it, it’s gonna feel special’. She literally like held my hands and like looked into my eyes and was like [inhale, exhale], you know? [looks at Ali and reaches out to her] I love you.

Lucy: I was gonna say, if we’re doing an Ali love-in, she did that for me too. So.

[?]: She does that for everyone.

Lucy: She’s done it for everyone? Fantastic!

Ali: Guys, you’re making me cry!

Lucy: We didn’t expect, hang on, we did expect one of our companions to be - a stone cold gray fox. BioWare treating us well. Emmrich has been driving the internet wild. And so, John, can you give us a little bit of background there?

John: Absolutely.

Lucy: Where did Emmrich come from?

John: I mean honestly, I will say like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who’s kind’ve like, ‘okay, you know, we’ve got, let’s figure it out, slow, take a deep breath’. And just his journey through his character arc and his interaction with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s all so just, again, based around this core of this warm, kind-hearted, professorial necromancer, which again is not something that you see a lot of in media, usually necromancers are depicted a very specific way. But it’s been, just awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer and working with Emmrich as a character.

Lucy: And Nick, you are the voice behind Emmrich.

Nick: I am.

Lucy: How did you prepare for the role, you know, what were you told about him before you got into the booth for the first time?

Nick: I think I’ve been preparing for Emmrich all my life. I was very attracted to the role initially. And I was so, I was overjoyed when I got it because I think it was, the writing of Emmrich is really fascinating. It’s this, this man that is obsessed with death, on one hand, but on death as a comfort, death as a transition, death as something that is not scary, and that ability to enable people to transition, and the investment that he gives in that sphere, which we don’t give in our own lives. I was immediately attracted to that and I thought that that was – I’d never seen that before, and so to go in these two ways, to talk about death and to talk about it in a way that is kind and that the transition becomes a kind transition, that was fascinating to me, and I think, will be fascinating to you too, yeah.

Lucy: And I hear as well that Emmrich gets, I mean, you’re all gonna get some fantastic lines, but I hear that Emmrich has some quite spectacular ones. You, Nick, you and Ashley, I would love to hear about the process of, was it difficult to get like some of those tongue-twisters, and?

Ashley: Yeah, Sylvia the lead writer basically was like, ‘Ash, you’re gonna need a dictionary for all of the sessions with Emmrich’, it’s like, 'Okay!'. And we get there, you just nailed them all, like 'shduhfejdkjjdhdjdhfjehfjkhehe into the Fade'.

Nick: Well, I don’t know if I nailed them all, that’s very kind of you. But, there was some serious tongue-twisters there, and, but it’s great, it’s great to be in the booth, and to be given a challenge like that, and. Yeah, it’s fantastic, I mean that’s what I love to do, so it was great to be just gifted that.

Ashley: You’re such a natural nerdy scientist. […]

Nick: It's my inner self.

Ashley: It's your inner secret.

Nick: Yeah.

Lucy: Now I love that, and I think, I think the, I, I’m drawn towards with Emmrich is that like, he loves learning.

Ashley: Yeah!

Lucy: It’s very clear, like, it seems like you’ve really just thrown yourself into this role and the world of Dragon Age. You know, I asked Zach a similar question and it’s like, you’ve been working on this for so long, what’s it like now that people have caught a glimpse of your character, it is just a glimpse, but people are desperate to know more?

Nick: I mean it’s so interesting that this character has kind of caught fire a little because, when I did it I thought ‘okay, well everyone else is like so sexy and like, it’s just amazing, and I’ll just be this kind of professorial kinda guy chatting in the background, having fun, you know, dealing with death, and you know, on the side’, and suddenly it became this thing of like, no, this is actually really interesting. And I think people have found it interesting, and I love that! I love that you guys have also found it as interesting as I have as because, it’s, it's a fantastic character, he’s a fantastic character, honestly.

Lucy: I mean, Ashley, working with Nick, any other highlights to share about your time in the booth, or?

Ashley: Oh man, every, Nick is the most consistent person I’ve ever met in the booth – or in his garage.

Nick: Yeah.

Ashley: Recording booth, he’s really like [a hippy in art?], so I, so it’s kinda trippy, seeing you again in person and knowing what your character looks like.

Nick: Yeah.

Ashley: But yeah, you’ve just been so consistent with Emmrich and bringing this grounded-ness, and I’ve learned so much working with you, and. Yeah, now, you tell me, what, what good really looks like.

Nick: Oh wow, thank you, thank you. Appreciate that.

Lucy: I mean obviously, there’s Manfred too.

Nick: [gasp!]

Lucy: Played by Matt Mercer. What was it like kind’ve having another character to [...] bounce off of?

Nick: Oh man! I mean that is such a hard question because Matt and I have never met.

Ashley: Yeah.

Nick: And we worked completely separately, and. I mean I know that the rapport is really great, but it’s in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it’s, I can’t wait to meet Matt.

Ashley: We recorded, basically before Manfred.

Nick: Right.

Ashley: All of before Manfred.

Nick: Right.

Ashley: And so Manfred got to play off of your straight delivery -

Nick: OH he did? I did not know that. Oh man!

Ashley: I know!

Nick: He got the easy part!

Ashley: Yeah, totally! So you set him up, just to knock it out of the park –

Nick: Right!

Lucy: Okay, so you got to set the tone. You get [...]

Ashley: Yeah, yeah […]

Nick: Right right right right. I set the tone!

Lucy: And, finally. Last but certainly not least, Ali Hillis returning as Scout Harding. Please [indicates for applause]. Now, I’m so excited because, she’s one of my favorite Dragon Age characters period and it looks like we’ll be seeing a lot more of her. But what has she been up to, John, between Inquisition and The Veilguard?

John: So I mean, if you’ve read the comics, you know that Scout Harding has been working with Varric to track down Solas. So she has been on his tail for quite some time. The game starts just as they finally - tracked him down, figured out where he is, but she’s been working with the remnants of the Inquisition, working with Varric, and then also working with Rook and Neve. Again, if you read the comics, you know that Harding has met Neve, they have a […] relationship before the events of the game. But yeah, she is dedicated to taking someone who used to be a friend, someone she considered, you know, even if they weren’t close, because Harding wasn’t part of the Inquisitor’s core companions, somebody she knew, somebody who treated her with some amount of respect, and knowing what he’s up to now, knowing she has to stop him, so.

Lucy: She was in the core Inquisitor’s, of my heart, so.

John: That’s right, well, I mean, she had the light romance, so.

Lucy: I tried to flirt with her every time. Never went anywhere. Ali, you are no stranger to playing beloved BioWare characters, obviously, Doctor Liara T’Soni.

Ali: [in her Liara voice] It is very nice to see you all today.

Lucy: What’s it like to be returning as Lace Harding?

Ali: First of all, it was a complete surprise. I don’t know if it was for you guys, but it was for me. So I was so excited when I got that call, because I had no idea it was coming. And after recording the last Dragon Age, and going to cons, much like this one, and having the line in front of me and all my pictures spread out, and every few people, someone would come up and say, well, ‘Where’s your Scout Harding photo?’ I was like, ‘oh, I didn’t bring one! Like. I didn’t realize! Okay!’ So I started getting more into the idea that this was a really beloved character, and I didn’t realize! And she was so much fun to create because BioWare gives us so much freedom as actors, it’s such a collaborative effort, both with Liara as well as Scout, I remember getting in the studio for the very first time to record these characters. I do a lot of voiceover, I do a lot of amazing games, I don’t always remember the very first day in the studio with a project, and I do for both of these projects. Because they were so poignant in my life, because it was, it was, a group of people coming together, they had already obviously conceptualized these characters. There was art, there was writing, brilliant writing that we are only so lucky to chew on in these voiceover sessions with such expert direction. The material that we are given to work with, only, just blasts us off this planet, in the acting world. But, just, knowing that when we went in to create Scout Harding to begin with, and one of the ideas I remember us talking about was, like, ‘well, I wonder if she’s kind of a character whom, when she talks, maybe she draws in the dirt with her toe?’ You know, coming up with these little tiny bits of yumminess to create a character and build it, the fact that they give us that honor to work with them on it, you know, is incredible. So when I heard that she was coming back, I was thrilled from the inside out, because I felt a part of this whole thing, so thank you, guys, for bringing her back. You! [to the audience] You! [to BioWare devs' direction] Thank you.

Lucy: I think I can speak for all of us when I say, we are thrilled.

Ashley: Yeah.

Lucy: You know, a lot has changed in the time since Dragon Age: Inquisition. I mean, what, how, for you has the experience of recording changed, like, technology-wise? Obviously, a little thing happened in 2020 we don’t have to talk about, but how has it changed for you?

Ali: Yeah, and speaking of that little thing that we’re not supposed to talk about, but the way that this company pivoted and, I mean, we were working on something, we had a project in the works, and somehow, every single person had to deal with this big thing in the world that we’re not talking about -

Lucy: We can talk about it.

Ali: - and somehow produce a game! So when you guys play this, just know that the amount of effort that went into this one, you know, maybe exceeds every game I’ve ever worked on because, we had to, everyone had to pivot, you know, suddenly we’re working from our garages – me too – and usually we’re wearing pants. And, and, you know, when I worked on past games with BioWare, everybody was in Edmonton, pretty much, and then everyone just kinda dispersed and I didn’t know where anybody was, and Ash was working out of her house all the time. It was incredible because we just did it, we pivoted, like all of you did, like all of us did, and we all came together and we made it happen and I was really really proud of that. Anyway, I know we weren’t supposed to talk about it, but it was magical, and powerful, and incredible. And I’m so sorry, back to the original question.

Lucy: No, I mean, how has the process changed for you?

Ali: The process has changed for me? I got to do p-cap! I got to be her! I got to physicalize, they gave me that, I got to physicalize her this time, which I didn’t get to do last time and I did not get to do in Mass Effect. And I really had a great time with it! Because, just like these guys have all talked about, we all come from different acting and theater backgrounds, I think Ash as well, and different types of performance, and it was cool to get on the volume - the p-cap stage -because, it’s like a theater.

Ashley: Yeah.

Ali: You have freedom! It’s better than a theater because you can turn around backwards and talk like this and everybody still knows what’s going on, so, it’s freedom in acting and we get to really bring the character to life outside of being behind the microphone and envisioning all of it, we actually get to perform. So that was one big difference for me in this game particularly. That, and the, doing it from my home sometimes in voiceover, or studio, it was, we kinda just, went with the flow.

Lucy: Is it easy to come back to a character that you kinda know inside out, or is it kind of like a mental block about it because you’re returning to something, or is it easier to come up with something new to […] What was it like getting back into the shoes of Harding?

Ali: That’s a really good question because it had been a minute. I mean, I’m so excited this game is releasing, how about you? Woo! You know what, with her, again, just kind of like Liara, because we came about this character so organically, I did ask, I remember asking to hear voice-bytes, I just wanna make sure we were in the same ballpark. But also, you know, there’s been an evolution.

Ashley: Yeah, you’ve seen some shit.

Ali: Yeah. We can’t really talk about it, you guys’ll have to find out for yourselves. But there’s been an evolution, so.

Ashley: Yeah.

Ali: So, yeah, it’s, it's, I can’t really say anything else about it without giving stuff away.

Ashley: She comes back with such, like, a veteran voice, y'know?

Lucy: Yeah, I kinda noticed that, like, she’s, she’s got a little bit more of an edge to her.

Ashley: Yeah.

Ali: Yes.

John: Well, she’s been chasing Solas for almost a decade, so.

Ali: And I love that, that is an amazing relationship that you guys created. And then I’ll stop talking about that. Damn!

John: No more!

Ali: I’m so excited!

John: I know!

Ali: I defer to these guys!

Lucy: I mean, question, kind’ve for all of you. We kind’ve touched on it a little bit, the challenges, and you know, the fact that the game is almost here, Fall 2024. I’d love to know, down the line, and just, you know, what’s been kind’ve your guiding light for all of you on this project?

John: I mean for me, it’s always been about, Dragon Age has always been about the people. I mean, the companions, the villains, the allies you make along the way. And for us, making sure that that stayed central, that that was still our guiding light. We really wanted to focus the game, the story, the gameplay, always around yourself as a character, but also the other characters in the world, not just, again, how they relate to you, but also, having these relationships, having this idea of this world that exists, with people that exist, not just as kind’ve a theme park for the player character to go through. But they have lives, and they have internality, like they’ve got an internal life of their own, that cause them to act in ways that may not always be predictable, but is always fascinating, and makes them feel real, even if you’re only getting a few dozen lines, they feel like real people.

Lucy[?]: Yeah.

Ashley: Yeah. I think that was my guiding light, like, I’m, have to find logic in these, you know, over hundred thousand lines in the story and over 700 unique characters you can meet. And I, in this fantasy world, I, we’re all still looking for the truth. What is the truth? How can we ground this? Do I believe it? Do you believe it? Are we in it? And that was always my North star. And, you know, often times I’m in the booth, and sometimes I’ll just, ‘I don’t buy it, I don’t buy it’, or, and, so, it was my job to be the gatekeeper, I felt, in the booth, to make sure, that I buy it, so you will all buy it.

Zach: I made the mistake, before we started shooting, of checking out the Reddit of Dragon Age. Not a good idea. It was a bad idea. But what I did, what struck me is that these people, these fans, have the same passion for this game that I have had for a hundred fantasy worlds. You know, places where I’ve gone into and discovered different parts of myself through. through, following these stories. And so I felt an, I felt so, it was so incumbent upon me to put as much effort as I could into this game. And I really do feel like the fans inspired me to pour my heart and soul into this, and I just cannot wait for you guys to play it, I really cannot.

Lucy: Jessica, what about you?

Jessica: I would say for me it was the dialogue, honestly. I loved the writing, Brianne was my writer, and Ashley, and John, and she’s right, like it’s, you gotta go deeper, and like we’re trying to find it, and we’re trying to find it together, and sometimes we’re not there, and sometimes we have to come back to it, you know, there was, I could tell there was such an evolution in my work, and part of that was because I just kind’ve gave it over to the writing. And whenever I did get to play off the other actors, you know, sometimes they’ll have, you can play in with their lines, and that was just such a joy, and I got to like discover other little parts of the game that I had no idea about, you know, because we’re doing it in isolation. So that was kind’ve the joy for me, and just honestly trusting, trusting the team and Ashley and John, so.

Lucy: Nick?

Nick: Yeah, I mean I’d have to say narrative as well, I think what the writers have done on this show, you don’t get in other games, you just don’t. You don’t get the level of, the depth of character. And character makes story. And that is what they focused on here. And I just kept coming back into that booth going, ‘I’ve never, I’ve never, experienced this before’. And just one last thing as well, I think the fact that we were separate, and I’m only just sort’ve putting this together now, the fact that we didn’t see each other, the fact that we didn’t know each other, has created a kind of magic that, I think is extraordinary. You can’t see somebody and you have to listen in the dark for cues and signals, and you have to put it together. That, that is magical. And I think, out of the chaos of 2020, 2021, 2022, which was exactly when we were recording and trying to figure this out, that’s when the magic came together, that’s, and I think we all feel that here, and I really hope you guys do too.

Lucy: Ali?

Ali: Well I feel like they’ve kinda covered it. I was gonna speak to kinda like what John said. One thing I really like about this game particularly, and I think you guys will find this as well, is you really find yourself in it.

Ashley: Yeah.

Ali: And the relationships, not only with the player and the people you bring along, but the team with each other, it’s just, it’s so well-written, the relationships are so conditioned that you really get lost in the moment. And I love when I’m at a con signing somewhere and someone comes to the table and says, you know, ‘this is a game that took me away from something I was dealing with in my real life, and I’m so grateful for it’, and I feel like, this is one of those games. This is gonna take you into a world that’s gonna blow your mind. And, I was just so honored to be a part of this group, again, again, I’m just gonna echo everything everybody said. But when I would hear their voices in my cans, in my headset, and I don’t get to see their faces, there is something so specific and so intimate about that experience, when you’re not seeing each other, and you’re just hearing, they have this amazing system where we get to hear each other. Whoever’s recorded first is played, if I’m having a conversation with these guys, if they’ve recorded first, I get to hear them and talk back. Acting is reacting. So it’s really nice that I actually get to react honestly off of these guys with expert guidance. So, I was really appreciative that we’ve conditioned these relationships in a fantasy land and also in real life, and I think you guys will feel that when you play.

Lucy: Now we do have time for Q&A. I'm gonna ask the panel another question, but if you wanna start lining up, we have, people are jumping to their feet already, this is great. We have a microphone right here. Before we go to Q&A, I suppose, what's the big, the biggest takeaway you want when people actually get to play later this year?

John: For me, honestly, it's just, how much this project has just been a team effort in a way that, everyone is working collaboratively with each other, everyone is bouncing off each other. Everyone was talking earlier about the writing, but I think what's fascinating for [...] has been so awesome to see is, the actors also shaping these characters as we built them. Seeing, like, how, Nick delivers a line, how Zach delivers a line, how Jessica delivers a line, how, and then, bouncing off that and then forming the character, shaping the character, so. We realize, okay, so, Ali has this, you know, has this, says things in a very specific way. Maybe we, let's re-write a few things, let's really lean into this, you know, what she brings to the character, and it's just. That's true across the entire team. It's not just the actor, it's not just the writer, but everybody who has worked on it, has a little piece of themselves in it. And to me there's just this excitement that that brings, and just this amazing passion that you can see in everything that's been built in this game.

Ali: It's so cool, I was gonna say, when we were recording, and I know we gotta get these questions, when we were recording during the pandemic and we were at home, I didn't realize sometimes that on the Zoom call I'd only see Ashley's face, or sometimes, you know, whatever, whatever she puts up. And then suddenly I'd have a question, 'hey, so in this line, this and this?', suddenly, like, John, or somebody else would just pop in, and talk about the line, so, we were always collaborating, it was just amazing, I was very grateful to have you guys ever-present.

John: Thank you.

Lucy: Alright. Shall we go to our first question? We all ready?

[?]: Yeah.

Lucy: Alright.

Audience member: Hello. [...] fan of Dragon Age since Origins. Oh, I must say, I am very disappointed with this panel. You've failed to mention a very important part of the game! The factions!

John: Mmm!

Audience member: So I would like to know, what can you tell me about them, and, can you join them, or do you just interact with them?

John: So, you start the game, you get to choose which background you go with. Each one is tied to one of the major factions. But one of our principles from the start was the concept of 'characters not causes'. So we didn't wanna just give you, 'here's the Grey Wardens, they're just kinda this group that exists in the world', we wanted to attach characters to them. So I can speak to the Grey Wardens in particular, anyone who's read comics and any of our short stories know Evka and Antoine, they kind've represent your connection to that faction. And you can work with them throughout the story, you can help them out. And decide how much you want to spend time with them. But each one of them [...] represents these important forces in the world that you need to get on your side if you're gonna stop the end of the world, so.

Audience member: Looks good.

Lucy: I was gonna say, Zach, you've done, you've done your research, so how exciting was it for you to kind've see and hear all these factions coming into play?

Zach: What, I'm sorry, can you repeat the question?

Lucy: You did all your research, so.

Zach: Oh, yeah.

Lucy: How exciting was it for you to hear about these factions and then hearing about how they'll come into play in the game?

Zach: Well, I don't think they kept my voice for Antoine, but I did my best French accent, I think it was pretty painful for everybody else on set, I really did. Oh yeah, the Grey Wardens are a barrel of laughs, those guys, they're absolutely wonderful. Well, yeah, so I had to play a bunch of characters, so I had to really steep myself in the understanding that, okay, the Grey Wardens go a lot, go through a lot, actually, doing what they do. They make a pretty intense bond in order to carry out exactly what they do. So, I tried to bring that as best I can to the physicality when I did do the motion capture and whatnot, but I cannot wait to see how it plays out in the game.

Lucy: Next question.

Audience member: Hello, I've also been a fan of Dragon Age since Origins. So, I've noticed in pretty much all of the games, there's a lot of influence from classical fantasy and mythology. So I was wondering, general question for the whole panel, what was your first exposure to fantasy or mythological storytelling, and do you use any of that in your voice-acting?

John: Hm. I can speak to mine but I can't speak to the voice-acting part, obviously. I mean I read Lord of the Rings at a very young age, and everything that you read that you, any piece of art that you enjoy, engage with, it's obviously gonna have an influence on yourself and also what you do.

Ashley: Yeah, there's a [depth?], in it, you know, to the fantasy world, that acting, it's kind of timeless, right? It can be anything, anywhere, and I feel like when we were doing the voices, we, you know, we didn't want it to be in 2020 or 2024 or whatever, so I think that's how I was most influenced, is, what's the most universal sound or a language, or a mixture of those, that can feel like nobody knows what it is?

Zach: I mean I was obsessed with, I think it's Theseus and the Minotaur, that story, when I was young. Did I just put my foot, I think it's Theseus, it could be Perseus, I can never remember okay?

Audience member: It's Theseus.

Zach: It's Theseus? My man! Thank you. I appreciate it. But I love the symbolism in those types of myths, right? Like, the Minotaur is this half-man, half-beast, who sits in the middle of the labyrinth, and the labyrinth is, of course, your mind, and you are also the Minotaur, and you are also Theseus. But so, getting to see the symbolism that's represented in Dragon Age, and how deep the meaning is, like that, those the stories I've always wanted to tell, ever since I was young, so I, it was a real honor to get to bring this to life.

Jessica: I also, my first, was Lord of the Rings, but I also was very interested in Greek mythology growing up. And, yeah, I think it's that, as Zach said, the symbolism, that you see, and like, I think you really see that in Dragon Age, and I know you know, right, you all, like, know the lore, and go looking for things, and that's really exciting to me. And then, just, yeah, the limitless possibility, right? You're not limited to what people look like, or whether you're human, I don't know, you know what I'm saying, like, that can really can take your mind and the world and the depth of the world anywhere and everywhere. And that's so exciting.

Nick: Yeah, I mean, for me it was The Hobbit, as well, my mom read me The Hobbit, and I would go, 'stop, stop!' And I would run to her closet and put on a pair of her boots, these shiny boots, and wear a cape, and I would go 'okay, okay, carry on' [...], you know, just, I would just, I would just be so in it. And then I'd go like, 'stop, stop, I'm gonna read that bit, I'm gonna read that bit'. And, you know, it was just, it absolutely informed why I'm sitting here today.

Ali: I wish I had better answers. Talking about, instead of yesteryear, talking about recently, I was travelling, and we were in Greece, and I feel like I saw Dragon Age everywhere. Just like an inspiration to travel and look back and, I'm now infatuated with castles. So, actually, it's brought me into this world, instead of me discovering it, you know, a long time ago, this has what's really brought me here.

[?]: Thank you very much.

[?]: Thank you.

Lucy: Thank you for your question.

Audience member: Hello, thank you for answering questions. For the new companions, if you could romance, from your companion's perspective, which older companion would you romance?

Ali: This could get embarrassing!

Zach: I kinda have a thing for The Iron Bull. Yeah, I saw him for the first time when I was looking up some answer to some question I had when I was reading the books, and I was like, 'oh, that awakened something inside of me! Huh! Look at that!' - You guys are gonna leave me hanging after I said that I want to have sex with The Iron Bull?

Jessica: [...] Um, I, I, don't know, honestly, I'm overwhelmed by that question, so [...]

Nick: I guess I'm a little overwhelmed by that question too. I have a particular fondness for Manfred, but, you know that's, that's a very particular relationship. I would say, like, I think what you've done with Solas is really sexy [...]

Zach: Dorian is really cute too. Yeah. [...] the mustache. Dig that guy.

Ali: Well, he's sitting right next to me, so this is a little embarrassing, but every time I heard Emmrich in my cans. Just, woooo. I might be on-board with all of the fans out there for Emmrich. If you'll have me, if you'll have me.

[?]: Thank you.

Panel: Thank you.

Audience member: So, the first game I played was Inquisition, and, this is not a knock, but, because, my reference would be Mass Effect, and I love that series. For Mass Effect 1 to Mass Effect 3, it seems the games was more streamlined. I'm getting the same feel from Inquisition to this one. Does that, what you can expect from gameplay-wise?

John: I mean, I don't think there's any, I don't think it's streamlined, it's. Again, each Dragon Age has been fundamentally different in its gameplay. We've tried things, seeing what works, seeing what didn't. In the case of The Veilguard, just like the other games, you wanna keep that tactical, strategic complexity and make that the centerpiece. And each one we focused on a little bit differently. In the case of this one, I think our skills in particular are some of the best we've done. There's some exciting combinations you do there, so.

Audience member: Thank you so much.

John: No worries.

[?]: Okay. There we are, okay.

Audience member: I was wondering what your favorite aspect was of the character you voiced?

Lucy: Ali, should we start with you this time?

Ali: I mean, so many layers, man, we're talking BioWare characters here! I think some of my favorite things about Lace Harding are the little things. Like, she loves her mom, you know, she loves to write letters home, she's always talking about her mama's soup and stuff like that. I love that relationship. She likes plants, and raising plants, which is inspirational, since I kill them. But just the texture they add to the characters, that's, in general, but for me, yeah, it's those little things that really kinda give me a bunch of stuff to work with in my brain, for bringing these characters to life.

Zach: I love the fact that Lucanis is a good cook. I just imagine him finishing a job and then going home, and, you know, cooking him a meal to kind've calm himself down, but with like the same knife he just used to murder somebody. He cleaned it of course, he cleaned it, but at the same time [...] -

Ali: I recommend my mama's soup.

Jessica: I really enjoyed, we sort've worked to bring, like, a noir element to Neve, and her being a private investigator, and so I really enjoyed leaning into that. And then she's just so dry, you know, like, things really mean a lot to her, but she's not necessarily gonna let you know that, you know what I mean? You have to kind've, like, discover that underneath. And, so I, I related to that, and I love that about her.

Ali: I was gonna say, 'I don't know anyone like that'.

Nick: I loved the, the fact that the writers just took Emmrich and explored the whole idea of death. The whole idea of necromancing, and, I really responded to that, I got into that, and bringing kindness into it, I know that sounds crazy, but it's to not have this idea that death is vulgar or kind've to be, something to be terrified about, but something to actually engage with on so many levels. I just thought the fact that the writers had the courage to do that in a game like this, I thought, it just blew my mind.

[?]: Thank you for the question.

Lucy: I think we have time for a couple more quick ones.

Audience member: Hi, okay, so first of all. Okay, hi, again. So, first of all, my dad just died, so [...]

[?]: Oh, I'm sorry.

Audience member: [...] Thank you. [...] So, [...] what you said about your take on Emmrich, really, really, I appreciated that. So, my question, to, I guess, John, would be, so, lore-wise, mechanically, not like story-telling-wise for the lore, how do you decide what lore goes in what games? Like, just, okay, so like, what decides what goes in Dragon Age 3, what goes in Dragon Age 4, what goes in Dragon Age 90-bajillion? Not from like a story perspective, right, but from, like a, what do we want to do, right?

John: Mhm. I mean it really does come down to, each one, as we build, it's, it's hard to say it as [...] something that we come [...], it's like, 'okay, we're gonna do it this way, this way, this way', mechanically, but, we kind've, we always know the base lore of the franchise, of the IP, and as we start to build the story, we start to see these opportunities to again, [...] speaking mechanically, bring certain elements in that make the most sense with the characters we're building and the story we're telling. We try not to overwhelm by saying a bunch, having a bunch of lore included that's not necessarily critical to the understanding of the story, but we always wanna expand the universe, and expand the IP, so.

Audience member: Thank you.

John: You're welcome.

Ali: And, can we please have a Dragon Age 90-bajillion?

John: I'd like that.

Ali[?]: That'd be amazing.

Audience member: Hi, I'm Matt. I've been a fan of Dragon Age since, actually, The Stolen Throne book, before I even knew there was like a game. And my question was, for the voice actors, one of my favorite things is the party banter. Was there any, like, lines of party banter that you recorded that you can say that just made you just, like, laugh, 'cause some of the party banter is pretty hilarious. Like, is there a certain thing that just sticks in your mind, whether you can say what it is, or just who it was with, like, so I can be on the lookout for it?

Ashley: I have one, it's so not appropriate. Do I have permission to say it?

Ali: That's what I was gonna say.

Zach: Yeah, say it.

Ashley: Listen for "hand-to-bone combat".

Lucy: I mean, do we end it there?

Ali[?]: And, scene.

Lucy: Well thank you so much everyone for coming to the panel. Thank you [...] Fall 2024.

[panel ends]

[source: DA:TV ‘Meet The Companions’ panel @ SDCC. BioWare have said that they are going to share the recording of the panel at a later date].

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nitrowyverine · 8 months ago

Text

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

#obscura vn #rotten raccoons #obscura cirrus #obscura keir #obscura francesco #obscura oleander #i've been writing this post for weeks and i just keep editing it. going to hit send now

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lisafication · 1 year ago

Text

Digging Graves for your Morals; Or, The Ethical Problem of Outlawry

Hello, yes, I am here again. This one is shorter, I swear (it’s under four thousand words, even). If this is the first post from me you’re seeing, this is a follow-up to my prior essay posted here on the game The Coffin of Andy and Leyley, although it should be able to mostly stand alone.

At the end of my last essay, I touched on both the game’s nearly uncompromising moral scepticism and relativity, but I didn’t really dig into it. I outlined that the game only textually frames actions as ‘morally bad’ in the context of a morality set by the society and the world that has treated them as no better than farm animals raised for the slaughter. Well, I have a lot to say on the topic of ethics on the topic of The Coffin of Andy and Leyley, so buckle in, this one’s going to talk about the social contract, moral scepticism and everyone’s favourite topic: Mrs. Graves.

As usual, this was originally posted and formatted for on Sufficient Velocity and you can perhaps more easily read it there. Spoilers abound, and my content warning from last time still applies.

She’s not too hot on either ethics or her mother

The Meat of the Matter

Since a lot of this is optional or otherwise missable information, let’s review the premise the game gives us. If you’re already aware of all of this, I apologise, it won’t take long.

First off the bat, the quarantine at the start of the game was a hoax-driven money-making scheme of which you can pick up more-or-less all the relevant details of. This is entirely missable and by the time it’s possible to discover, our protagonists have better things to dwell on and have dialogue about, so I’ll give you a summary of what you can deduce from reading the notes and thinking about it.

The quarantine is an organ harvesting operation, as per some documents you can discover in the wardens’ office. They entrap the residents, test their blood types and starve to death those they deem surplus to requirements — alternatively the starvation itself could be their method of ‘preparing the harvest’, there’s evidence in both directions and it hardly matters — harvesting the organs of the others for sale. As our protagonists are AB-typed, the ‘universal recipient’ or ‘most selfish blood type’, they’re some of the first on the chopping block.

If you read through the newspapers and the documents in Mr. Washing Machine’s car, you can discover that ultimately ToxiSoda are responsible, and a similar thing is happening in a different city under the guise of a ‘chemical leak’. Should you further investigate matters, you will find mentions of the ‘man behind it all’, the doctor, or the Surgeon, as the fandom have been referring to him — you may recall Mrs. Graves mentioned someone similar! Yeah, he’s the guy who runs ToxiSoda, who are themselves partners with the water company that faked the parasite outbreak in the first place.

It’s all a life insurance scam, apparently

How much the details of the operation matter is something open to interpretation — it might just be something for players to figure out and Episode 3 will not cover the Surgeon at all, or he might play a major part; it's not particularly relevant to this essay. What matters is that it happened at all — indeed, it’s fairly easy to justify Ashley and Andrew in everything they did in Episode 1 (flashbacks aside), arguing that if they’d made any other decisions they’d have died — an argument that the victims dug their own graves, even if the Graves siblings put them in them. How correct that is is a matter of debate, but that you can make the argument at all matters, and we’ll be returning to this later. In my last essay (and again in the introduction here), I made an analogy to farm animals, raised without love and for slaughter. Let’s put a pin in the ‘for slaughter’ part for now and take a look at the ‘without love’ part.

That’s right, it’s time to meet the parents.

As Andrew notes, there are significantly more compelling reasons for you to say that

They Fuck You Up, Your Mum & Dad

They really do.��

Our charming protagonists are, as with many things depicted in this game, an exaggerated, almost farcical example of this phenomenon — one that’s just grounded enough to still feel very real, just like the siblings themselves.

The late and lamentable Mrs. Graves is just the same: originally a teen mother, hopelessly out of depth with two difficult children — even if one was good at masking it — and an unreliable, emotionally unavailable (at least to their children) partner who can’t hold down a job, ends up foisting them off on each other and doing a Parental Negligence because she simply Cannot Cope. That’s the real part. The part where she gets paid off by an organ harvesting operation to leave them to die, that’s the borderline-farcical exaggeration that throws all the nooks and crannies of her character into sharp relief.

Mrs. Graves does not have a good relationship with either of her kids. Having self-admittedly fobbed the job of raising Ashley off on her son, to the degree that they did not even celebrate her birthday as kids, both of them hold differing degrees and types of resentment for her.

For Ashley, it’s hate — perhaps not quite so clear cut as that, as it’s her that calls for the eulogy and she shows some potential signs of discomfort while cleaning up her parents’ corpses, but by and large, it’s fairly simple and straightforward, as usual for Ashley. The sentiment is not exactly unreturned, either.

This brings Ashley’s heart great delight!

The most clear incident raising her from everyday ‘neglectful’ to ‘wow she wanted nothing to do with this kid’ is the optional ‘birthday cake’ scene, obtained by finding the present in Ashley’s first ‘transitory world’ dream, in which we see Ashley’s birthday and the founding of a lemon cupcake tradition between Leyley and Andy. She has received nothing from her family, notes that her ‘friends’ would say they were busy before she even told them the schedule and Andy takes her out to buy cupcakes with his pocket money.

This scene gets a callback in Andrew’s dream later. Just remember to Ask Nicely, rather than Kill Her.

Parents of the year, everyone.

So with Ashley it’s as straightforward and obvious as she herself is — she hates her mother, her mother hates her. With Andrew, as with Andrew himself, it’s a fair bit more complicated. His mother is a much more nuanced figure, who is believable in her role as an unfortunate teen parent who was trying her best. He has a degree of trust in her against, seemingly, his own good judgment In her conversation with Andrew, she acknowledges her fault in raising him and seemingly sincerely tries to offer him a ‘way out’, an olive branch.

I think many people have had relationships where they might say this

This scene in particular intrigues me, because she is acknowledging fault in a way that Andrew strictly avoids doing — and well, there’s nothing Andrew likes more than a good way to avoid acknowledging any fault of his own. With her dominant relationship over their father as a model for Andrew to draw comparisons to his own relationship with Ashley with, it’s no surprise that the narrative resonates with him to the point of ‘Accept’ being many people’s first completion.

Of course, that’s not all there is to it. There is a fascinating contrast with her later conversation with Ashley, where she — despite accusing Ashley of brainwashing Andrew — refers to Leyley and Andy as ‘two psychos’ and states that she always knew they were responsible for Nina’s death and that, implicitly, they owe her for not turning them in.

There's something about mother-daughter relationships here that I just do not have the time or reading to dig into, unfortunately.

Meanwhile, when Andrew interrogates her on her possession of their death certificates, she has… an interesting, plausible story about a life insurance scam and claims that she really did think they died in the fire, implicitly denying the claim that she sold them. It’s entirely possible that she’s describing the details of the ‘scam’ correctly — you can even buy that she genuinely does care for Andrew in some way, if not Ashley, but her claim about being an honest, grieving parent shocked at their deaths… doesn’t add up?

This is a very normal reaction to your supposedly dead children showing up in your house.

As Andrew himself notes after hearing her story, she’s full of shit. This gets into speculation, because there are a few ways to read this, but the most plausible ‘gist’ is that she and her partner were paid off in money and jobs to not raise a fuss — the surgeon she mentioned is almost certainly the founder of ToxiSoda, remember?

The overwhelming difference in presentation between how she speaks to Andrew and Ashley invites investigation — and when Andrew turns down her offer and tells her he isn’t interested in her offer in Decline, her reaction isn’t… despair, it’s shock — and well, there’s a good reason for that.

Why do you think she did it in the first place?

This is the happiest we see her

Well — it’s so she can finally fit into society. That white picket fence, that idyllic 1950s life — hell you can call it the American Dream. She wants that, or as close to it as she can get — the working-class teen mother, living in poverty, aspiring to the middle-class. It’s a very common, very real and very grounded motivation.

And to that end, she effectively sold off her children. It’s no wonder she can’t fathom why Andrew wouldn’t choose the same.

That’s the part that makes you think — just like the deaths in Episode 1, well- maybe the siblings are justified here, too. It’s a weaker argument, but it’s still one you can make under many common moral paradigms today — what goes around comes around, all that jazz. Just look at how awful she was to Ashley.

She’s finally found what she’s been striving for.

Here’s the thing, here’s the thing though — what, reasonably, could she have done? Andrew and Ashley briefly highlight this in conversation about Ashley’s ‘friends’ in Episode 1 — was she supposed to fight gunmen to try and break them out? Throw food to the balcony from four stories?

Moreover, as she herself says to Andrew… would anyone really have been able to do better than her in her position? She was seventeen when Ashley was born, living in poverty with a partner who couldn’t even remember Andrew’s name when he was a kid. Anyone would have had difficulty, let alone with these kids.

Her evils are — they’re not any deliberate action, but rather… prompted inaction. She didn’t have the emotional energy, resources or plain capability to properly parent her children, she didn’t have any solutions to their murder of Nina in a state so blatantly hostile to its underclass, she didn’t have a way to connect with Ashley and she took the money rather than fight a futile and likely suicidal battle against a corporation and its armed goons in a dystopian setting.

Ashley, notably, does not deny this.

Her sin is the one we’re all, I think, guilty of — that of not trying hard enough, that of inaction in the face of difficult tasks, of not standing up on principle because it’s just too much that day and you don’t have the spoons, you’ll do it tomorrow (no you won’t). It’s a petty, everyday kind of evil — that of not doing enough.

Is that enough to condemn her? Certainly, there’s a pretty manipulative read of her that likely has some truth to it — in the locked door in Ashley’s dream in ‘Decay’ you can discover that she has a ‘not-hatched’ tar soul — but consider that lens — the game won’t make up your mind for you, so you’ll need to choose that for yourself.

The dad is interesting in terms of negative space — but he’s mostly important in that he doesn’t matter, so I decided to not fit him in here. He has art, though — just no sprite, because, well, he’s never mattered to either sibling.

The Contract We Call Society

Right, it’s time to get a little bit Theoretical in here. Not much, but a little. Social contract theory is a complex topic with a lot of nuance, much of which I will be eliding in the name of not writing a twenty thousand word paper on semiotics, law, and anthropology, but the short analogy is… the idea that as long as you play by society’s rules, as long as you are a good citizen, a good person, the state, or the community, will take care of you.

In a number of ways, the harshest penalty levied by many historical states and legal codes was not death, but rather the criminal status of outlawry, a practice that’s cropped up a number of times in history — the practice of no longer being protected by the law. This meant one could be killed or worse with impunity — you were no longer protected by mob justice and, while overexaggerated as a term of reference, certain texts from Medieval England refer to outlaws as bearing a wolfshead, ‘for the wolf is a beast hated by all folk’. Never minding that wolves are actually delightful, this was a time when wolves were actively hunted and sold by people — and the same was intended to happen to outlaws. They were ‘fair targets’ as far as society was concerned, no longer to be treated as your fellow citizens.

This was the gravest punishment on the books, for most of these legal codes — something saved for those who had broken the social contract so completely that there could be no turning back (civil outlawry is… a bit different, that’s not the topic here). Among others, a modern critique of the concept is that it offers no incentive for improvement, no incentive to change or to cease harming society — if an outlaw has none of the social contract’s protections, what reason do they have to obey… any of the social contract? If that seems familiar, well, let me ask you this:

What if the state or community fails its end first? What responsibility does the innocent outlaw have to that contract?

It’s an interesting phrasing, that the world is better off.

It’s time to talk about the incest, and part of why it’s there. The cannibalism too, but that’s less impactful here. If you’ve seen me elsewhere, you might have seen me say that the incest is a load-bearing narrative pillar — in large part due to it being a critical facet of the siblings’ relationship, but in another large part due to it being an equally critical part of how the game uses taboo.

A taboo is in this context something that is considered repulsive and to be avoided by society. It’s a more complex term than that — you can also use it for certain sacred actions or utterances that are only permitted to certain people, for example — but that’s what it is here. Swearing, premarital sex, BDSM and murder are, approximately from weak to strong, some example taboos held in modern Anglospheric society.

Strong taboos are a staple of horror — they shock, they disgust, they draw people’s attention and it’s that last one that’s critical here. Incest is a very strong taboo — while I am absolutely not segueing into its historical context, the very well-established Westermarck effect gives it a certain timelessness and immunity to desensitisation that most other taboos don’t have — murder, to contrast, is a taboo we’re largely desensitised to in modern media and works of modern media have to put in actual work to make a murder seem horrifying — through atmosphere, cinematography, evocative prose etc.

And this is important because the use of taboo I’m covering in this essay is that the incest is used to invite judgment — it is so ingrained as a ‘wrong thing’ in people’s brains almost regardless of background that it forces the player to engage with the work morally. And that’s where the fun starts.

I’ve mentioned before, very briefly, about the juxtaposition of tone between the Burial & Decay endings, contrasting with the very monstrous difference in morality. Burial is remarkably light-hearted — they play around with the drain blockage, they joke about their mother’s personality and this is further exaggerated on the Love path, where Andrew is much more comfortable with casual contact and the two make a game out of how far they can throw their parents’ skulls, the humour is directly contrasted against their abhorrent actions.

I’ll be real Ashley is far more merciful than I, I’m shuddering at the thought of that gunk in my hair

In comparison, Decay is… bleak. I’ve seen it being referred to as being ‘emotionally sandblasted’ and, yeah I think that’s fair — it’s uncomfortable, it’s heavy and it’s just not fun. And this is the route in which, if you chose Trust into Accept, Andrew has bought into the narrative that his mother’s offered — that he can fit just fine into society if he wasn’t stuck, if not for Ashley — the route that ‘fits’ most closely to the social contract, to Andrew feeling the guilt that we think he should and hating the monsters that they’ve become, as the social contract deems them. Given the pains the game takes to attach the player to the protagonists, this normative moral ending is very easily interpreted as the bad ending.

And well, isn’t it?

Thing is, as mentioned above, the social contract has never held up its end for them. The game takes careful pains to point out to a viewer that they’ve never had the life that society promises people, so why do its moral standards apply?

The game invites you to judge the characters, and in the same motion, asks you from what principles you judge them, making a pretty good guess in that, like most people who haven’t spent a large amount of time navel-gazing and reading some very boring books by very dusty old men, they come from the society around you.

Love even has Ashley express this sentiment directly after the incestuous dream — she asks you — well, Andrew, but this is also something for the player to mull over — why this is what’s engaged your morality or sense of revulsion, rather than the desecration, cannibalism or murder.

Andrew and Ashley are both very funny and very fascinating in this scene.

And that’s the framing that it casts all of its own moral judgement in — even the ‘tar-soul’ aspect is… well, it’s unclear what it even means. Mrs. Graves was a ‘not-hatched’ tar soul, after all. Other than that, it’s society and the world being better off without them, rather than any kind of assertion of objective morality. Due to the present of ‘soul colour’, we’ll presumably see the game make some moral statements in Episode 3, but as it stands?

It’s nearly completely morally sceptical, in and of itself — it’s not interested in moral assertions or education, it’s interested in making you question your own morals. Deconstructive (not that kind), rather than dialectic, to be mildly pretentious.

It uses taboo and shock to invite moral judgement, but then uses tone, charm and our instinct to look for the happiest end for our blorbos to get you to recognise that these are principles you yourself brought into the game, rather than any it’s handed you.

To summarise: you’ve brought these principles in from society, but what do the siblings, the protagonists, the villains to the world, owe society? Enough that they should follow them? It failed them first, after all.

Closing Thoughts

This one is a bit less energetic than the last, tragically — my sleeping schedule is the stuff of nightmares recently, I love windy weather. Wait, no the opposite. Huge thank you to everyone who commented on the last one, you are the wind beneath my wings and the main reason I managed to get this out this week.

This essay is a bit more interpretative than my last one — certainly, there are alternative readings and I’ve been toying with the idea of deliberately taking a reading I don’t like very much and writing from that perspective as a demonstrative exercise recently — mostly that you shouldn’t just take my word for things!

Otherwise, if the last bit at the end seemed murky, I apologise — I did try to write a more detailed version, but firstly, it was three thousand words and secondly, I re-read it the next day and I could not understand what the fuck I was talking about. Personally, I blame Derrida — suffice to say that I strongly recommend playing through it with an eye towards considering culpability, morality and why you think certain characters are more or less forgivable than others, and for what deeds. See what you get out of it.

I managed to keep one particular thread open to wrap up with here — I try to keep speculation on Episode 3 content to a minimum in the main essays, but it should be fine here — you might have noticed that I refer to Episode 1 and Episode 2 being on something of a spectrum of justifiability, with the siblings’ actions being ‘more’ justifiable in Episode 1 and ‘less’ justifiable — but still justifiable if you try — in Episode 2.

To continue the thought of the happiest ending being the one in which they step the furthest away from common morality and to further jar the viewers’ sense of morality by contrasting societal morality and blorbo-oriented morality, Episode 3: Burial could continue this trend in having a major victim be someone who, well, has done nothing wrong and isn’t even guilty of bystander syndrome.

I wonder if there’s any good candidates, someone who’s sweet, harmless and will indisputably be an innocent victim…

…I’m sure she’ll be fine

#the coffin of andy and leyley #tcoaal #analysis #essay #ashley graves #andrew graves #mrs graves #nnnnot sure what the next topic will be #might do a deranged take on purpose #this one and the last one have been very grounded #I'll get to my asks tomorrow #probably #I've been busy sorry

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pensat-i-fet · 8 months ago

Text

His very own real princess (Pedri x Reader)

**I'm back with another imagine! This one was requested many moons ago and the anon who sent it might have forgotten about it so sorry 😕 but I got the inspiration for it and so I wanted to share it! I'm not so used to writing short format anymore so I feel everything could be a series. Let me know if you'd like this concept to be one! ☺️ And enjoy! ❤️**

Word count: 3675

Masterlist

Wattpad

Being famous was not as great as people made it up to be. For Pedri, it meant leaving the house was too much sometimes. He had to deal with people following him and even getting in front of his car just to get his attention. He was asked to sign autographs and to take photos every couple of minutes. While he loved his fans, it could be a bit much. Especially when he could tell they were filming him so they could post the video on TikTok for a couple hundred likes. So, one day, he tried to avoid those people by going to a park. He could probably lose them there. There were so many trees and dogs that made it harder to move quickly around the area.

For you, it had been a bit different. Growing up your family wanted to keep you a secret almost. For security reasons…or so they said. So, naturally, you wanted to rebel against them and do the complete opposite. Still, it wasn’t until you turned 18 that you started to show up at official events. And now you were 20, you realised maybe your parents had been right all along. But you weren’t going to tell them that. Of course. So while some paparazzi were chasing you, you spotted a park and thought you could hide there for a bit. Maybe even call your chauffeur so he could pick you up and save you from the vultures.

“Oh! Sorry”.

Pedri turned to look at the girl who was apologising to him. You had bumped into each other and he hit you in the head with his shoulder without meaning to. He hadn’t even seen you there.

“No, I’m the one who’s sorry. Are you alright?”

And then, it happened. You looked up to see his face and you couldn’t believe who it was that you were talking to.

“Oh my God…oh my God”, was all you could say.

“I take it you know who I am”.

“Yeah, who doesn’t?”

Pedri chuckled. “I guess there are some lucky folks out there who don’t. But really, are you ok?”

“Yes, it’s fine. Just more shocked to see you here than anything else”.

Pedri smiled at you and you were trying hard not to swoon. Being hidden from the public eye meant you hadn’t been around a lot of famous people before. Your second cousins were way more used to this and always told you famous people were just normal people. To them…not to you. To you, famous people were…fascinating.

“I was planning on hiding here for a bit”, you said.

“Me too, but I don’t want to ruin your plan so I could leave…”.

Pedri started to look around, getting ready to leave so you stopped him. “You don't know who I am so that makes you good company. Perfect company actually. So you can stay. Also, you got here first”.

“Should I know who you are?”

“I guess not”, you shrugged. Not everyone followed your family. Thankfully.

“Are you a singer?

“Babies cry when I sing”.

“Actress?”

“Nope”.

“Influencer”.

“I only influence how much money there is left in my dad's bank account”.

You thought it was really cute how he concentrated, trying to guess. “Then…a model?”

“No, but I appreciate the compliment”.

“What compliment?”

“If you think I could be a model, then you think I'm pretty”.

“Well”, he started. “I like to invite pretty girls to eat or have a drink so…which one is it going to be?”

“There is an ice cream ban there…if you dare approach it”.

It made you laugh how Pedri looked around the area, making sure no one who could know him was there and then he turned to look at you again.

“What flavour?”

“One ball of coffee and one of vanilla, please”.

“Sounds sophisticated”.

“I guess you’re getting closer to my identity”, you laughed.

“What are you? A princess?”

“Nah, the princesses are my cousins”.

Pedri laughed before going to the ban to get the ice cream. The funny thing about being part of the Royal family was that it was so weird that many thought you were joking when you said that. But you weren’t. Not many people knew your parents but they still were part of the family so…they got attention. And now, you got the attention too.

“Here is your ice cream, your Majesty”.

“Thank you, Golden boy”, you joked back.

“Does that make me royalty too?”

“I guess. Football royalty so less hated than real royalty”. “Less hated? You clearly aren’t on Twitter”.

No, you weren’t. No amount of therapy would heal you after reading what people wrote about you or your family there.

Sitting down on the grass and eating an ice cream while chatting with Pedri was something that healed your mood. It was so nice to be with someone who didn’t know who you were but that also understood how you felt. Even if he didn’t know it yet.

“There are a lot of kids and parents around now. I feel no one will even look at us while we leave”.

You looked around and agreed with his assessment. “Ok, where should we go?”

“I don’t know. Wanna go walk near the beach? It’s usually where I end up when I go out. It’s not often I do but it’s nice to go there”.

“I like the beach”.

“Where are you from?”

“Well…it’s a funny question that one”, you sighed.

“How so?” “I was born in The Netherlands, then lived in Madrid for a bit, went to school in Switzerland and Wales and now I’m back in Spain. I go to different cities all the time. I like travelling”.

“Wow, that’s a lot. Was it a boarding school you went to?”

“Yeah”.

“Maybe you are a princess after all”.

You giggled and looked down to hide your blush. Yes, your life sounded very much like that of a princess. Even if about 40 family members needed to die for you to become one for real.

“I love this”, you said, looking around and feeling so…normal.

“Yeah? That’s good”.

Pedri smiled at you and you realised maybe it wasn’t so normal what was going on. Sure, you were on a walk like a normal person but you were walking with a very famous footballer. That didn’t happen every day. At least not to you.

“And I see pizza there. Do you want a slice?”

“I probably shouldn’t…”.

“But Pedri! Today everything is possible! You’re not a football player but just Pedro from Tenerife. And I’m not a princess”.

“What are you then?”, he asked, smirking.

“I’m just a girl standing in front of a boy…asking him to get some pizza”.

The excitement of the crazy afternoon made you lose a bit of the control you usually had and you grabbed Pedri’s arm to take him to the pizza ban. It wasn’t like holding hands but…once the physical contact started, you were both very aware of it. But pretended it was all normal.

After buying the pizza slices, you didn’t wait a second to start eating. You were so hungry and it wasn’t often you got to eat greasy pizza with your hands.

“That burns!”, you complained, opening your mouth and using your hand as a fan.

“Maybe wait a little to eat”.

“I was hungry”, you pouted and that made Pedri stare at your lips.

“You got some sauce on your mouth”.

“I think I have a mirror on my bag…”.

But before you had time to find it, Pedri used one of his napkins to clean your face. When you looked up at him, you noticed he seemed to have done that without even realising.

“Sorry”.

“No, don’t be. Thank you for not letting me look dirty while we walked”.

“Princesses have to always look perfect”.

“Exactly”, you told him, laughing.

But good things had to come to an end and soon Pedri started to notice people looking at him. That meant it was time to go home.

“I’m sorry. It just…that’s my life”.

“I get it”, you told him, wanting to explain to him how much you actually got it. “It was fun to spend some time with you though”.

“Would you like to do it again?”

“I would. But maybe somewhere more private”.

“Do you have Instagram? So you can follow me and we can talk about meeting”.

That made you pause. You had an official account controlled by people hired by your family but also a private one. So maybe you could use that one to follow him.

“Yeah. I’ll follow you later and send you a message”.

“Cool. See you…soon?”

You nodded, not knowing what to do. Should you hug him? But then all the people ready to surround him showed you that no, a hug wouldn’t be a good idea. So you said goodbye and left.

Pedri was entering the dressing room a couple of days after you met, not really looking at his teammates but at his phone. You two had been texting ever since you separated. And he was constantly checking to see if you had sent him a new message.

“Hello, your Majesty”, said one of Pedri’s teammates and it took him a second to notice he was looking at him.

“Sorry?”

“I just said hi to your Majesty. Would you like us to find a throne for you to sit on?”

“What are you on about?”

“Haven't seen the cover of the magazine yet?”, asked Frenkie.

“I haven't done any covers lately…”.

“The gossip magazine”, pointed out Lamine. “It’s all everyone is talking about”.

“I don’t get it. I haven’t done anything to be in one of those magazines”.

“How about going out with a pretty girl the other day? Paparazzi are everywhere. You should know that by now”.

So people had seen him when he was hanging out with you. Great. You didn’t seem like someone who’d enjoy the attention. But why make such a big deal out of him being seen with someone unknown?

“You also chose the wrong girl to date”.

“I’m not dating her but she's just a normal girl…”.

“Who's related to the Royal family. And here we were worrying about Gavi being the one who could become king”.

“I would have made a great king”, said Gavi, raising his chin proudly.

“You would have made a terrible king”, told him Fermín, shaking his head.

“What do you mean Royal family?”

Pedri was about to start freaking out. You joked about being a princess but…was it not a joke? What? He knew the princesses! Leonor, Sofía, Victoria, …none of them were you. So what the heck was going on?

“She’s like a second or third cousin of the real princesses but the media has been trying to find out everything about her in the last few years”, explained Pau.

“How do you know so much about that?”

“My mum loves the Royals. I live with her and she talks about it”, shrugged the youngster.

The jokes continued but Pedri didn’t care. He just kept thinking about how you had lied to him. And he got it in a way. It couldn’t be easy to be in your position but…you had spent two days talking to each other about a lot of personal stuff. Didn’t you trust him enough to tell him the truth?

When he finished training and picked up his phone again, he saw a text from you saying “I’m sorry”. A part of him wanted to ignore it but you didn’t deserve that kind of treatment despite your lies. So he asked you to meet instead. But you were in Madrid for a couple of days so it’d have to wait. You apologized multiple times and Pedri told you it was ok but…you weren’t so sure.

“What’s wrong?”, asked your cousin Sofía, who was a real princess.

“You saw the magazines, right?”

“Yes. Wanna talk about it?”

“I…we bumped into each other randomly and it was so good to meet someone who didn’t know who I was. You get it, Sof. If someone gets it, it’ll be you”.

“I do. Is he mad at you for lying?”

“Not really”, you said, frowning. “I expected him to be but he seems to understand why I lied. He also gets it”.

“I bet he does. So, what are you going to do?”

“We’ll meet when I get back to Barcelona in a few days”.

Sofía laughed looking at you. “That smile…someone is smitten!”

“How could I not be? Have you seen him? And he’s super nice too, not just handsome. But I fear I’ve ruined it”.

“Don’t be so negative. Let’s just get ready for the match and forget about your Barça boy for a couple of hours”.

It wasn’t a secret that the king of Spain supported Atlético de Madrid and a lot of people suspected his daughter Sofía did as well. However, it was very hard for her to attend matches without people noticing but she had become a bit of a pro at it. And now she was taking you to the match too.

The match was fun and Atleti won so Sofía was very happy. And you didn’t get spotted by anyone…or so you thought.

“Pepi!”, called Ferran when Pedri was entering the dressing room in the morning.

“What?”

“Your princess is a traitor, she doesn't even support you”.

“What are you talking about?”

“She was at the Atleti match yesterday with Princess Sofía. But I bet you can turn her into a Barça fan”.

Ferran’s wink didn’t stop Pedri from feeling so weird about this whole situation. Or more like jealous. What if you had your eye on an Atleti player?

But he could only stare at the photos in the article. After your meeting, he had only the memory of how you looked that day. Your private Instagram only had a handful of photos and a few were of your dogs. The official Instagram only had a few official photos and…even though that was you too, it wasn’t the you Pedri knew. The girl in the photos from the Atleti match was you. Laughing with your cousin and looking so happy.

The article…he didn’t like as much. After the photos of what the press called “a date” were published, they just assumed you were seeing Pedri. So what were you doing watching a rival team? It wasn’t as if you went to see a Real Madrid match, God forbid. But still…shouldn’t you be supporting “your boyfriend”?

“Hi”.

A few days later, you were back in Barcelona and Pedri invited you to have lunch with him. Finding a place where no one would see you was hard, but your family knew a few tricks to achieve that.

“Hey. It’s good to see you again”.

This time, you did hug as a greeting. Even if you had spoken only via texts, it still felt like you knew each other so well now. So a hug seemed like the right thing to do.

“I’m sorry about everything that happened. I just…I don’t know, Pedri. Being with you made me forget who I was for a second and I didn’t think about how this could affect you”.

“It’s ok. You know I get it. It’s the same for me. My every move is overanalysed. Though I guess being a princess is a bit more important”.

“Not this again”, you shook your head, laughing. “I’m not a princess. I’m a nobody, really. But the press was waiting for a moment like this. A scandal or whatever”.

“Eating pizza in public is very scandalous. I don’t know how your reputation will recover”.

You laughed at Pedri’s joke but also remembered what you had been told. “It’s not so much what I did but who I did it with”.

“Oh…ok”.

When the photos were published, your parents talked to you about all the reasons why you should stay away from Pedri. Before you even had time to say nothing was going on…at least not yet.

“It’s stupid. I told you I’m a nobody. But family connections dictate this or that…I don’t want to date a politician or another royal just because it’s what I’m supposed to do. I don’t have it as bad as my cousins. You know, the real princesses. But still…it’s boring. I want to be able to make my own decisions”.

“You don’t want to date a politician…but would you like to date me?”

Being so annoyed with your family and their restrictions, you didn’t realise Pedri wasn’t stupid and could easily read between the lines.

“You’re better than a politician so…”.

“Look”, said Pedri, grabbing your hand to hold it. “No relationship was going to be easy for me. I knew that. So…this doesn’t scare me”.

“Really? I was actually worried it would”.

“I could see it in your face”.

“Can you read minds now? Is that how you know where to shoot the ball?”

“No, that’s because I’m a generational talent”, joked Pedri, making you laugh. “But I mean it. I’m not scared. Are you?”

“Not as much as I probably should”.

“But…are you an Atleti fan? These are the important conversations we need to have before trying to date”.

“That’s my cousin. I don’t really have a team. So I might let you convince me to become a Barça fan. I already support Spain so…”.

“Even against The Netherlands?”, he asked. Your mum was Dutch so it was a fair question.

“Only if you play for Spain that day”.

And so you both forgot about what people would say, what people would demand from each of you and started to date. There was no need to hide since there were photos of your first date online already. Even if back then you didn’t want to admit it was a date.

Being together compensated for any comments or insults…but Pedri was starting to get a bit tired of his teammates curtsying in front of him and calling him Majesty. They did it with you too, which only made you laugh.

“I told you, guys. I’m not a princess”.

“No. Not officially”, told you Pedri. “But you are my very own princess. My queen even”.

Your blush made everyone laughed. It was so obvious to everyone how in love you both were.

However, the media was going to try to find anything that could make it sound like your lovely love story wasn’t so lovely.

Something your family always had to do was attend charity events. It was probably one of the few things you liked doing, since many of those events raised money for great causes. So when you were invited to one to raise money for cancer research, you said yes immediately. It being organised by the Atlético de Madrid foundation didn’t matter to you. But for the press…it was a different story.

“Hi, it’s nice meeting you”.

You turned to see it was Álvaro Morata, the player who presided the event, saying hello to you.

“Thank you, it’s nice meeting you too”.

“I heard about you and Pedri…sorry if it’s too informal of me to say this”. “It’s ok, don’t worry”.

“So…you two are really together?”

“Yes”, you said, blushing.

“Good. He’s a good guy. I’ll see you around the Spain matches then”.

“You will”.

Other players were there too and you were introduced to all of them. Mario Hermoso, Marcos Llorente, …they were all very nice to you. But it was a younger player you had to sit next to at your table. One that you hadn’t met before but that introduced himself as Rodrigo Riquelme. However, that wasn’t what his teammates called him.

“Should I call you Rodrigo or Roro?”

“I feel I can’t ask someone of your station to call me such a nickname”.

You laughed seeing the Atleti player blushing. “I don’t mind. I’m not really that important”.

“You are the most important person here”.

“Depends on who you asked”, you shrugged.

It was lovely having someone young to chat with at such an event. You were usually surrounded by old politicians and entrepreneurs who bored you to death with their conversations. So you had a great time…Pedri didn’t have as much fun seeing all the posts on social media talking about how his girlfriend was being too friendly with another player.

He knew it was stupid. You were just chatting with Riquelme. Pedri knew you now and realised that was how you talked to his friends too. That was how you talked to Ferran, for example. It was nothing like how you talked to Pedri.

But still…it wasn’t nice to see so many people doubting your relationship. And, what was worse, insulting you.

“You look unhappy”, you said when you met him again in Barcelona. “Is it because of the articles? Nothing happened with Riquelme. I swear”.

“I know”, he sighed, wrapping his arms around your waist and kissing your forehead. “I just hate how people will try to find any excuse to try and hurt us”.

“We knew it was going to happen…”.

“It’s not nice anyway”.

“But we’re fine?”, you asked, worried.

“We’re fine. I missed you a lot”.

“I know. I missed you too”.

Knowing Pedri trusted you was so important and you felt you needed to prove you were worth that trust. So, even though you knew you were likely to get in trouble, you forgot about protocol and attended his match wearing his shirt.

It wasn’t even the most important match but when it ended, you went as close to the pitch as you could and called Pedri so he could go meet you. Every one of his teammates that walked past curtsied and called you two “your Majesties”. But you didn’t care. You looked around, noticing the cameras were all pointed at you, and kissed Pedri.

“Making sure everyone knows you’re just my princess?”, he whispered.

“Yes. And while we’re at it, everyone can also learn you’re my prince”.

#pedri #pedri gonzalez #pedri imagine #pedri one shot #pedri x reader #pedri x y/n #pedri fluff #footballer imagine #footballer one shot #footballer fluff #footballer x reader #footballer x y/n

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alkhemeya · 1 month ago

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The Magnus Archives, Episode 1 - The Anglerfish.

Statement Begins,

First listen to this podcast, that pops up in my feed on youtube a lot, and tumblr, and gotta say...

Love it. Especially the first episode.

Anyway, I have so many thoughts and opinions, and I need to scream into the void.

1. Jonathan Sims is also spelt Johnathan Sims? I'm using the fucking... uh... script thing while listening and I've noticed the difference in spelling??? I did see some posts (all were ship stuff, something about a Tim and Jon?) And I'm so confused on why everyone uses Jon while the script has Johnathan. Wild.

2. Why does Jon/John(???) feel Albino to me?? Like, I'm pretty sure this guy has no description, he is a voice. So Albino??? Huh. Like, immediate thought while listening to him yap was 'this bitch is albino.' He also gives stoner vibes. I can't explain it, but I know I am right.

3. Love how he is skeptical, it's great. Tbh, the first episode statment guy sounds like the he was tripping. I'd also think the statement was fake if I was him.

4. John/Jon (I need to pick a spelling.) Sounds, specifically, British in a 'born and raised in cardiff' type. Do you understand??? Do I make sense??? He's the bitch who went to a posh private school and you just knew it. He also stands weirdly I bet.

4.5. Also, Jon/John has assistants, which seems like a Head Archivist needs. Tim, Sasha and Martin. Bet one of em is like, an alien. (It's Tim. Who the fuck names their kid TIM???)

5. The Anglerfish story. Again. Sounds very much like a bad trip, or like, a hallucination. The missing people thing though makes it less. Not fake. But it could be, like, those stories that pop up when people go missing. My primary school used to make rumours of aliens and shit when some kinds went missing.

5.5. Like, the rumours and horror stories that would pop up is wild. Jon/John is me and I am him. We are the same.

5.6. Oh my god what if its aliens. That'd be funny as shit.

6. John/Jon is such a hater. I love him. He definitely gets no bitches and I can fucking tell (we are the same)

7. Bet aliens happen here, I can't stop thinking about it. I couldn't stop with how the guy described the Anglerfish thing. Definitely alien behaviour. There's no like, supernatural shit as in vampires, but its aliens. I think it'd be fucking funny. (I just know even from the singular mention Tim is an alien.)

8. Already, I love the format and setting. An archive??? In London? I can see it. London is too fucking posh and far, but you could tell me this place existed and I'd be like 'yeah that tracks'.

That's my thoughts for now, and yes, I was really hung up on aliens. Because I feel like it's aliens. Also, why is the podcast genre tradegy and horror? Horror is a given, but why tradgey?

Oh my god they all die. Like, from aliens. Funfact, I don't really believe in aliens, but I do love alien based fiction, I.e Xenomorphs and shit. I know my shit.

I'll probably encase multiple episodes into a post since I just realised there's 200 episodes. Like damn???

Statement ends.

#tma #the magnus archives #tma podcast #first time listening to tma #i am immediately hooked #wild #tma posting #tma jon #tma john #tma the anglerfish #Allie'a thoughts #i may be obsessed with aliens #shut up

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lotusarchon · 3 months ago

Text

As I have the app around, I may as well just dive into this before disappearing again. To the people in my post a few days prior and in my dms, I promise I'm not ignoring any of you, but I genuinely can't muster the energy to speak to anyone else currently. I'm only here currently because someone found my unmentioned hetalia account, which I left unmentioned for a reason...you know who you are...you scared me...😭

Ah, okay well. If you're not aware of who I am, hi. I'm a dude that wrote fanfiction for this fandom I got pulled into. A year ago I had a few different accounts but I had to delete every single one just because I kept getting harassed, from one thing to another. I'm hoping I don't have to do it again this time around.

I haven't gone offline as anyone thought. I did attempt to take my life (twice, 2024 is something else) but in the end it didn't work out, so I've been hiding in my secret account to relax in hetalia for a bit. In between that I've also been stalking the account myself since it showed up just to see what it was up to, and...oh wow that's a lot.

This specific account has been on my ass like a tick since..two days ago. Two days of my 'supposed' death.

I've also recently found out that someone else who was pretending to be a friend of my friend's and a concerned citizen happened to be friends with them;

And hence why I chose not to reemerge my head back then yet. It turns out there's a few people who may have been following me who are acquainted with these people and...yeah, I didn't want to take the risk. I'm hoping no one is going to inform them I'm not actually dead―I blocked both accounts to avoid being noticed.

There's a lot of yapping I'm gonna be doing so expect a lot of that, BUT piece of advice to anyone that actually cares: do not engage with either blog. Don't send them hate mail, don't go gloating that I'm not actually dead, and don't fucking yap about anything. These blogs went as far as to harass my friends who have no part in this, and they also wrote nsfw of my adult oc and my friend who is a fucking minor. Do. Not. Engage. With. Them. Please!! Block, block, block. Just block them! They're actively going out of their way to harass and stalk MINORS.

Under the cut, I am rambling more on personal feelings rather than doing this professionally. I'm still pretty moody actually and well yeah...

Trigger Warning for some topics below!

Okay uh. I've never done this before so excuse me while I put this in question format lmfao..

"Why aren't you dead!?"

Joke answer; god doesn't want me.

Long answer: I'm not the type of person who says something like that ...like that. I really was intending to go through with it, but evidently I was too tired from crying and fell asleep. I figured that I couldn't handle people fucking around with me and hid in my secret blog. Hetalia fandom is so nice for a fandom about countries. Point blank sorry to burst many of your bubbles, but I'm not dead yet. Put the birthday canon away, slut. I'll die next season.

"What the fuck did you even do?"

Exist.

No okay, realistically it's a lot. I'm not going to play the victim here's and I'm not going to lie to people and say "oh hey my mental illness/trauma made me do that" because that's bullshit. I'm also not diving too deep into any explanations just because my hands hurt..but also I don't want to remember anything less I have another panic attack.

A year ago I met this girl who became my friend over a fandom. We chatted, but I fucked our friendship up when I lashed out at her and another friend wrongfully because of my own stress. While I did beg one of them to stay, the chick that runs kokomichanstuff, Mariin, I ended the friendship with her just because I knew what I did was bad. There really aren't any excuses for that. I don't think anyone should have to deal with anyone else's bad attitude regardless of mental health or not. I didn't bother to keep Mariin around because I did bad, and no amount of apologies would fix it. She already said she wouldn't forgive me, so I knew it made no sense to keep up a facade. I genuinely had no idea she would've been mad that I begged one person to stay but not her, even though she expressed not wanting to be my friend. I also don't remember truly if what I did was enough to earn THIS type of harassement, but I'll take it as divine punishment. But basically, over and over again Mariin has stalked me and found a way to harass me. According to the posts she made, she's made a new friend I (sadly) hurt who wants..revenge. Hooray.

Mariin's already namedropped them so um, yeah, I hope it's okay to mention them?? . Neveah was someone I also hurt really badly by bullying and lashing out at her out of jealousy over something ridiculously dumb in my old server and account. I confronted her later on apologizing but specifically also adding that she didn't need to forgive me because I messed up. Long story short, she claimed she had forgiven me.... but then went to her friends (Mariin mentioned) Geno, Toga etc to badmouth me, including sharing sensitive information I sent to her. Neveah's friend Geno made a post mocking me which I found and responded poorly too, and then more drama escalated from there because literally every single one of Neveah and Geno's friends came to bombard me, sent me hate mail and surprise, Mariin took the chance to come back. I don't know how the fuck those two (Mariin and Neveah) managed to speak, but sometime later a few accounts appeared that went after people who were once associated with me or used to be associated with me. A few days ago the account made supposedly by Neveah made a post accusing me of being a r*pist, groomer and pedophile and yeah. That went badly.

Uh. Wow this is a mouthful. But. Yeah, I'm...not really a good person, and these things are just embarrassing and..ick. I hate myself for the shit I pull. But, I will say, while I can accept Mariin harassing me like this, the other parties just...genuinely could've handled this better than what they did to me. It really wouldn't have been so hard to ask me instead of listening to one side, but maybe that's me. Regardless, I admit I was wrong. I just..I'm not happy other people are getting involved.

"Why didn't you just say something sooner instead of all that nonsense? Wasn't that too dramatic?"

Sadly it was, but I don't think any of you understand when I say that I CAN'T. I can't say anything because it's just me, me, me. It's just me, and people aren't going to believe me. They never do. When that shitshow happened with Neveah, everyone was blaming me. Even up till recently, someone in my current server told me I was the one who overreacted over getting bullied and harassed. I'm not mentioning them here but holy fuck, that shit hurt. The anons coming in my inboxes telling me "people are offering you advice and you don't want it", it fucking hurts. It genuinely hurts because every single time I try to speak up against anything, or stand up for myself, I'm the one who's in the wrong.

Geno, Neveah, Mariin, fucking Toga and Deja and the entire fucking crew. They're never the ones who get wronged, and they haven't lost anything. Even when Mariin's account gets deleted, she's fine. She has people that actually fucking listens to her, all of them do.

I don't. There's no one aside from the few friends I have who would actually listen to me and not just immediately jump at me, and I'd rather just not have them involved in anymore drama that revolves around me.

Yeah, holy shit, maybe attempting to kill myself from the stress was overbearing but you guys have no fucking idea what it's like. Every time, every time I make a report or say something, I'm the one who's told I'm at fault. It's either, "You're don't look like a child, it's not their fault they want to touch you," or, "You overreacted," or, "Maybe you shouldn't have said anything," or even, "You're so ungrateful, I'm trying to help you."

It. fucking. Sucks. It. SUCKS. Its terrifying that regardless if it's my real life or on the internet, no one listens, no one cares and the one who's left hurting is Ali because who fucking cares. Who gives a shit right?

"....did you try to kill yourself over Nezha?"

Everything started with Nezha, and I'm not even fucking kidding. I don't remember how I met Mariin but I knew for a fact it was something about him. And when we broke our friendship off, I got attacked a LOT about his age. I want to pretend that maybe it was all Mariin, but with how things are, I don't doubt for a second this fucking fandom were jumping me for a character who already has a confirmed age.

I could tell you that I was just stressed about Mariin, but that'd be a lie. Everywhere I go with this fandom, I'm always getting hassled about Nezha's age. From the beginning I was already stressed, because I continuously kept getting anon after anon calling me names and accusations for a fictional fucking character.

I don't deny that Mariin didn't have a part to play. She most definitely made things worst for me with using Nezha to slander me further. It's just my luck that the people in this fandom are idiots that'll listen to anything anyone says.

Think of it this way; the pot was near burning on the stove, it just needed some more fuel.

"Why didn't you just listen to the anons?"

Sighs

Mind you, this was supposedly when I was DEAD. Trust me, I've had far worst flooding my inboxes. Before it was about Nezha's age. Recently, it was to kill myself and the accusations.

I'm not saying the advice was ever bad. But the anons were strangers for all I care who had no idea what the fuck was happening. I've tried blocking anons before, I also went to far lengths to ignore them, but there's only so much I can take. Every day, day in day out on any blog I've made, ever since I started writing for Nezha, I've been receiving dozens and dozens of hate I've had to delete constantly. Not even counting the ones that just randomly told me to die!!

"just ignore them" I'm not a child. I. know. I know, I know, I've been trying, but when people don't respect my boundaries and don't even bother to listen when I say I've done it, how do you think I'm going to feel?

"oh but you should put that as your trigger then it's not their fault" oh yeah, "hey everyone 🥺 when people don't listen to me I cry". How do you think it'll sound? Plus, why should I need to add that when I wasn't expecting anyone to actually act like this on the internet to begin with?!

"Why don't you just move to a different platform then if the hate is that bad?"

Ignoring Mariin for a bit, even if I were to go into another platform to write fanfiction (and I highly doubt there's many I'll feel comfortable in), why should I, and what makes you think the hate will stop there?

AO3 is a place where THE worst people write porn. And you wouldn't believe that I've had to delete quite a number of assholes on there for Nezha's age. Don't mention Twitter where the nonsense started about his age, and don't bring in bluesky because there's a word limit and I'm not limiting myself to that. Even Wattpad has them yelling about Nezha's age. WATTPAD!! Genuinely what makes you think I'll be safe anywhere I go?

I hate Tumblr but this account is my safe space from reality at this point. It used to be the place that made me not want to die. Just because you guys are jerks, why should I need to go?

This also goes back to Mariin and the harassers. Even in my fake death I can't know peace. If I were to move out, wouldn't she get to live her life peacefully while I'm miserable trying to understand a place I don't want to be in?

"Then just leave the LMK fandom!"

Again, why should I? LMK is my comfort show. I genuinely enjoy writing for silly legos, and I also love learning about things I didn't know about before. Why should I have to leave just because the fandom is filled with jerks? Why don't you guys just leave instead if you're butthurt about anyone daring to speak an opinion?

"The accusations-!"

Are lies.

I was r*ped before. Why would I find any pleasure r*ping anyone else? How does one even do that through online?

I was groomed online and assaulted in real life. Why would I think of hurting another human being, most less a child, like that when I still can't even read anything that correlates to it? Why would I find any of those things pleasing?

I turned 18 in 2024. It's not an excuse and I've been doing my best to not interact with minors, or at the very least avoid speaking about topics that are inappropriate for them. Even though I still forget I'm an adult on occasion, I know better than to pull up on my younger friends and start talking about nsfw. I've only ever spoken weirdly to my adult friends.

I recently saw someone comment on the account that I'm Islamphobic/don't support Palestine, so that makes me problematic. I grew up in an Islamic family, I have trauma with that specific religion (inclu. Hinduism and Christianity, long story). I don't interact with anything regarding religion if I can and I also don't judge someone based on their religion. I judge you based on how you speak to me. If you have a weird icon, I don't like you, if you speak weirdly, I don't like you. Additionally, I'm the type of person who feels guilty for making someone upset. I can't support myself, most less for others. No, I don't agree with genocide but it's genuinely too much for me to keep up with.

And finally, how the fuck is liking a character who's an adult make me a proshipper? Jesus Christ again with Nezha. I hate this.

"You have no proof!"

Of course I don't. I don't keep bad memories around. I wouldn't have remembered my own childhood if I didn't get triggered about it. I block bad memories out. Many interactions I've had that are bad, I delete. I don't think about saving, I delete.

Even interactions with friends I usually delete because it's just weird not seeing a blank space. I don't hate them but leaving a spot full feels weird.

I don't have any proof I'm none of the accusations but neither does Mariin, to be frank. So if you chose to believe her because you just genuinely don't like me, good for you, but you look like sheep being led by a drunk shepherd. Either you'll end up in a slaughterhouse and starve, your pick.

I'm not going to say, "Oh ask my minor friends!" Because...they're kids. I feel horrible my friend got roped into this to begin with, the last thing I want is for anyone else be involved when they barely know shit.

Yeah, rambled a bit. I didn't want too but I got carried away, whoops.

This is the only post I want to make about this issue. Don't bring it up, don't uhh, don't mention me to the account, and please just allow me to rest in peace. I just want to write and feel free, not deal with this shit, okay?

Also. Please stop involving my friends into beef you have with me. It's really not their fault they have to deal with someone like me.

Goodbye. I'm deleting the app again until I return. Adios

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biibini · 1 year ago

Note

Hii!! After mizu graduates college, what type of job do you think she'd have? Would it have to do with sports or maybe something way different? (I absolutely love your writing and headcanons !! 🩷🩷)

modern!mizu post-college life headcanons

tags: post-grad life, engineering mizu, stable work life, a woman in stem, moving in with reader, basketball with mizu, mizu join fencing club, peaceful post-grad life (the dream)

a/n: ngl the thought of post-college life is tripping me out,,, im a junior in college rn and the thought of it just kinda doesnt?? exist?? also ive heard too much info from my friends' rants ab their engineering degrees and switching majors from mechanic to electrical back to mechanical engineering,, theyre fucking nuts

modern!mizu would prob be in the engineering sector of jobs

wooo stem baby (i am a digital marketing major i should not be talking)

bc hello?? money???

also let’s use that mechanical engineering degree to good use

she didn’t leave home for nothing

with her technical skills from eiji

modern!mizu would probably be a CAD engineer

CAD aka computer aided design

technically speaking, it would allow her to work from home or hybrid

and she can easily transfer her mechanical and on-hand knowledge to a digital format

like she’s smart yall

she just got some troubles w procrastination

but dont we all?

(coping so hard)

this job would also allow her free time and flexible hours to do her job

and i feel like modern!mizu opts for a good work-life balance

if she wishes, she can take the day off snd just go out with u or go to the gym

the freedom of choice while staying comfortable at home?

sign her tf up

she can have her tea time, gym time, spending time w u time, and her self care time

the self care in question: enjoying the silence

and realistically, its a well paying job thatll keep her and u afloat while helping eiji financially if need be

modern!mizu hopes her work and smarts can help her provide for others and herself

its ab time she doesnt let herself depend on a man for money

yeah thats a fuck u to u, m*k*o

shes made the mistake once

shes not gonna make it again

just bc postgrad modern!mizu isnt in sports doesnt mean she’ll stop playing

she needs to get her exercise and movement some way some form

basketball with taigen

and always aim for the three-pointers

and is successful most of the time

and then proceed to aim for the half court shots

and fail most times

fencing with eiji whenever shes back home

she’ll def try to teach u

and its fun at first but

she wants to stretch her wings out

modern!mizu would prob join a fencing club

it would be a great for her to fully practice and spar

not just against her old man

or go soft w u

but also go against ppl her age

modern!mizu would move into a place w u

nothing grand but a small apartment where u could refresh and build the place to be ur own

ringo is a good friend

a true best friend she could trust

but it was time to move in w u

and not be wary of ringo hearing u when he comes home

modern!mizu would be more adventurous in hobbies

yeah she has basketball and fencing and her tea collection

but now she has a stable job

no need to worry about grades

and just to live life one step at a time

she would probably try out pottery with u

definitely practice her cooking with ringo's and ur help

all in all, a very patient life

(she deserves it)

#mizu bes #mizu blue eye samurai #mizu x reader #bes mizu #blue eye samurai #mizu x y/n #mizu headcanons #blue eye samurai mizu #blue eye samurai x reader #modern mizu #modern mizu headcanons #modern au #blue eye samurai modern au

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motogp-museum · 7 months ago

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Tag Navigation and Intro

Hi!! It's @kissingwalls (this is not a side blog though)

Tags:

Year

year: 2010, year: 2011, year: 2012, year: 2013, year: 2014, year: 2015, year: 2016, year: 2017, year: 2018, year: 2019, year: 2020

Blogs

blog: repsol-ariel

blog: marquez93-blog

blog: sicar26

blog: motoleafs

blog: aleixespargargo

blog: mototwinkclub

blog: porfuera93

Rider

Marc Marquez

Alex Marquez

Jorge Lorenzo

Dani Pedrosa

Valentino Rossi

Enea Bastianini

Maverick Viñales

Fabio Quartaro

Aleix Espargaro

Pol Espargaro

Alex Rins

Miguel Oliveira

Tito Rabat

Uccio Salucci

Pecco Bagnaia

Casey Stoner

Luca Marini

Andrea Dovizioso

Franco Morbidelli

Andrea Migno

Cal Crutchlow

Jorge Martin

Fabio Di Giannantonio

Joan Mir

Rider filtered by year

To find the rider's posts from a specific year, type their initials, rider number, a colon, a space, and then the year into the search bar. For example mm93: 2013 (there are a couple of people I haven't done this for, so check their main tag first)

Here are a few common ones :) (i would put them all but the link limit is humbling me)

Vale:

vr46: 2013

vr46: 2014

vr46: 2015

vr46: 2016

Dani:

dp26: 2011

dp26: 2012

dp26: 2013

dp26: 2014

dp26: 2015

Jorge L:

jl99: 2011

jl99: 2012

jl99: 2013

jl99: 2014

jl99: 2015

Marc:

mm93: 2012

mm93: 2013

mm93: 2014

mm93: 2015

mm93: 2016

Ships (romantic/ platonic/ familial)

Some of these are just people who are together a lot.

pedrenzo

rosquez

team tiny

vr26 riders academy

Jorge/Pecco

Marquez brothers

espargabros

Vale/Uccio

lucalex

dovquez

Organisation

moto2

moto3

Press Conference

bikes: year (eg. bikes: 2015)

the ranch

Format

type: gif

type: picture

type: writing

type: video

type: fanart

type: quote

Circuit

misano

motegi

mugello

assen

phillip island

san marino

argentina

brno

catalunya

portugal

cota

qatar

le mans

aragón

valencia

silverstone

sepang

laguna seca

indy

mandalika

chang

red bull ring

Circuit with year

You can also search by circuit: year (eg. catalunya: 2015). Just make sure you put a space after the colon. Unless the post said where it was though, I did not put a location tag.

----------

Intro:

(i'll just put it at the bottom so i remember to delete it)

I have been hoarding all of these (there are like 1000 more in my draft and queue lol) for a while now in my draft bc even tho they are like 3 note gifs, they are historical artefacts to meeee.

Anyway, I've got a cold, and so to occupy myself, I decided to just make a blog so that everything can be organised and easy (ish, this is tumblr after all) to find!

I know heaps of my fellow ✨motogp tumblrinas ✨have made archives for their favs, and you are all braver than me, bc I would lose all the gifs immediately if I tried to create new archival posts. So I just reblogged everything and am going to hope for the best in terms of copyright lol

But yeah, these aren't just my favs. This is more just a snapshot of the fandom at different periods. I only reblogged the deactivated ones, but, y'all, use the posts as little gateways to blogs from that time period, it is FACINATING.

As always, peer review is welcome! If i completely messed up a tag (very likely, since i used the mass tag editor), you're welcome to let me know. Also if there's a ship tag, fun tag or something you want me to add in the mass tag editor, lemme know! more than happy to add literally anything ✨✨

I only started this today, so it's very much a work in progress! All the things without a link are because the posts that match up with them are in the queue. I also need to add the ones i forgot

#there is an updated version of this in my pinned #motogp #tag navigation #it just made me sad seeing all of the gifs from 2012 just chilling on abandoned accounts with no tags #pack bonded to the deactivated posts #also the sociology minor in me LOVES lurking around old forums and blogs #like seeing how people reacted towards things and what was popular 15 years ago??? i'm sat i'm writing notes #also soooo devo that i can't yap on all of these posts bc it will mess up the tagging system :((#edit: it's been 2 days and i've started yapping on the posts but i think??? it should be fine #I mean I can just reblog the funny stuff on normal account and yap but still #repsol-ariel #motogpblr #motogp gifs

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alluramunroe · 2 months ago

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Arcane Act III Rewrite

Act III Part I - The End of the War

Honestly this is like an Act III Part I because I am going to write about the battle against Viktor in a separate post and the aftermath caused by Viktor’s actions. Imagine if the nine episode format remained this part I is the first two episodes of Act III.

See link for Act I, Act II, Act III Part II

Viktor’s Commune - Isha/Firelights Kids

Don (an original character made in Act II) has been healed by Viktor—his leg no longer hurt and he no longer has respiratory problems. However, when Don walks he has metallic footsteps like Viktor, he is no longer a quiet walk. This is a call back to how Don use to purposefully take his leg brace off to be quiet and stealthy when playing, he is no longer able to do so. After being healed, the kids rejoice around Don. In rejoicing Don and the other firelights begin running—Don is out running all of them and when they get to like a top of a hill Don is the only one not out of breath. This might be shown in a later scene of going from the main plot back to the commune but it shows the kids playing tag and one of them catches Don and Don has zero outburst, which is uncharacteristic of him because Don could be categorized as a brat the type of kid who would yell you cheated every time he gets caught no matter what. Isha in the background witnesses this exchange and looks suspicious.

Zaun’s Independence looks doomed

Zaun has just suffered three categorical losses back to back: (i) Jinx (the symbol of the rebellion) has been captured, (ii) the firelights base (the symbol of hope) has been burned down, and (iii) lost their hostage leverage because of Ambessa’s/Noxian might was shown on full display (some Zaunites witnessed how swiftly and ruthlessly Ambessa not only killed the Zaunites to get the hostages but how she killed the hostages themselves).

At Sevika’s base of operations, it shows the different factions of Zaun together, including the firelights most importantly Ekko sitting defeated in a corner. Those that witnessed Ambessa are shouting we should just give up its pointless they are to powerful, some firelights we need to attack them now for burning down our tree, Jinxers when need to attack now and get Jinx, and other warring ideas and positions are shouted into the cacophony of voices. Sevika trying to get a word in and say no we stick to our original plan we move like none of that happened. A random “oh yeah what’s this big plan” Sevika - “it’s for need to know only” Random- “why should we follow what you say when you don’t even trust” Sevika - “would you trust you?” Everybody is kinda like well she’s got a point but the random stil shouts back something of a “fuck you”

Everybody is getting rowdy looks like there is a bout to be a major split and reckless actions are going to be taken, Sevika is desperately trying to get Ekko’s help. She’s realizing like why she was never the leader people just don’t trust/follow her like Vander or Silco, and now like Ekko.

Ekko is in the corner looking defeated, he just lost his home that he built as refuge from both chaos/danger of both Zaun and Piltover. This is when the media of video comes through, because the camera begins zooming in on Ekko the loud voices of everyone begins fading out where its only Sevika’s voice that is heard “Zaun’s independence is bigger than Jinx, it’s bigger than some lost lives and hostages, it’s bigger than a tree (Sevika directly addressing A group of angry firelights) you guys joined this fight because you wanted to make all of Zaun like your hideout. So yeah fuck your feelings, Zaun’s Independence is more important.”

The running theme through everyone’s personal arch, including Ekko’s, is the fight of Z v P is that personal feelings. This rouses Ekko up and he gets everyone’s attention because one of the de facto leaders that is usually vocal had not said anything or done anything through out this argument is finally moving. And his speech is the exact opposite of what Sevika just said (she looks pissed) He gives this speech about getting quick revenge and saving Jinx by the end of the week during midday to the large crowd. They normally do not discuss plans like this in a large crowd because they know there is a mole somewhere too many supply grabs went to shit for there not to be a mole.

After Ekko’s speech, everyone seems to calm down because the leaders have made a plan that satisfied their wishes. Ekko/Sevika/Vi/Scar (Scar is honestly like a stand in for someone that is trusted by both Ekko and Sevika his character, he knows everything they know). Sevika is rightfully reaming Ekko out she’s like that goes completely against our secret pipe plan we have been building for months. Ekko it does seem that way but we finally got the big distraction that we need to enact or pipe plan.

Singed and Ambessa Weapon’s talk

Like in Season 2 Singed says he knows why Ambessa has found him. Words are exchanged and he’s like I will help you get an immortal army but I need Viktor’s body. Ambessa is like then I will get it for you.

Viktor’s Commune - Isha/Firelights Kids (continued)

We see the Firrelight kids are no longer playing nside the commune, they are playing in the crevices near the commune, noticeably not there is Don. AS they are playing one of the kids gets seriously hurt, like needs a doctor stat type hurt. A firelight (“Kid One”) states we should take him to Viktor to be healed. Isha stands in front of of them and won’t let them go. Kid One is like “move we got to help him!” Isha stands firm and won’t let them go. Isha and Kid One get into a pushing match. Finally, and older kid (“Kid Two”) steps in to break them up but is like I agree with Isha we should not go to Viktor. Kid One “but he needs our help!” Kid Two “Ekko and Scar has taught how to handle this without Viktor’s creepy magic. You don’t want what happened to Don to happen to hurt kid!” Hushed silence except for Hurt Kid’s whimpering as they appreciate Don’s absence—Don who is healthier than all of them now is no longer playing with them when before even when he was sick at least he would be off to the side near them. Kid Two “Me and Isha will go back to the commune to get supplies you guys hang back.”

Ambessa and Singed reach Viktor’s Commune

Ambessa and like three Noxian Soldiers roll up to Viktor’s Commune with Singed (unlike in the show where she came with a whole battalion, in my version it’s a small group because there is an actual war occurring in the background and she has to be stealthy. Additionally, she does not want Piltover knowing of her side plans).

I have two ideas of how this scene can unfold.

Scene One

As Isha and Kid Two with the help of Don are searching for medical supplies to take back to Hurt Kid, Ambessa rolls up and smashes the Commune Greeter at the entrance, which calls all of the Healed to stop in their tracks what they are doing to turn to her direction. Then like in zombie movies they attack her and her small group. Isha and Kid Two witness this and is scared out of their minds and go back to the rest of the firelight kids. But since this is like first generation healed they are not incredibly strong. Ambessa is easily able to get to Viktor using the Singed weapon she apprehended in Act II she shoots Viktor out the sky, like Jayce did in the actual season. All of the healed scream and drop dead at once.

Scene Two

Ambessa smashes the Greeter but no one attacks she easily walks up to Viktor and blast him out of the sky with Singed Weapon. Isha and Kid Two who were getting medical supplies with the help of Don witness Don’s death. Scared out of their minds they go back to get the rest of the Firelight Kids.

I like Scene One because it shows Ambessa’s might, it makes sure the kids are absolutely scared of joining the war and to find a new hide out both away from the war and Viktor’s commune. However, Scene Two is closer to show canon because even after Jayce smashed the first guy head in, no one tried to stop him.

Which ever scene happens, Isha and the Firelight kids leave Viktor’s Commune and return to the Firelight base, even though it is only a husk of what it used to be. And Ambessa and Singed exchange a conversation basically stating that Singed needs a couple days to give Ambessa an elixir that would create her immortal army. Ambessa leaves the three Noxian soldiers that accompanied her behind. (This way Ambessa is actually shown being smart instead of just blindly trusting that Viktor would create an immortal army for her and not turn against her, she gets to control who becomes immortal).

Zaun’s Attacks on Piltover endanger Jayce and his mom

Jayce and his mother are seen walking through the streets of Piltover. Their conversation flows like this Jayce’s mother “Jayce you don’t have to walk me everywhere you’re a very busy man no.” Jayce “this war is becoming very dangerous they have been attacking citizen area in Piltover” Mother “this war has put a toll on you” (referring to Jayce dark and rugged appearance) “how is Viktor”. Jayce- “I still have not found him”

Maniacal laugh cuts their conversation short, they turn to see a Zaunite pointing a large weapon directly at them. (I’m thinking a high ranking Zaun that has been shown to be a leader in the Zaun rebellion but not in Ekko’s inner circle to know Jayce has been helping with their independence efforts).

The Zaun and Jayce lock eyes (this indicates they both clearly see each other faces and would recognize each other if they ever meet again). The Zaun pulls the trigger, the projectile is a type of light beam that passes directly past Jayce and his mother but the street it does hit and the percussive blast has debris, Jayce and his mother flying. Jayce is hurt but in walking condition, his mother is very hurt she looks dead—he does not run to her just yet because the Zaun was actually to close and felt the aftereffects of the attack as well. Jayce runs at the Zaun and begins beating their ass he only stops because his mother wakes up and is screaming in pain. The Zaun runs away. Jayce helps his mother to medical.

Piltover War Council - Caitlyn leads/Ambessa is disinterested/Jayce wants revenge

War council of Piltover, Caitlyn, Ambessa, Mel, Jayce and other in attendance. This time unlike others Caitlyn is clearly leading the discussion. Ambessa is sat in a chair to the side (looking powerful) but she is not standing up and talking and commanding the room. You can tell this is confusing Mel, distrust is painted all over her face. Caitlyn is also distrustful of Ambessa’s silence. Jayce looks absolutely pissed. Caitlyn is discussing the recent attacks stating how they are all over the place and not strategic in the slightest (like Zaun is not attacking military basis, symbolic location, or even stealing supplies anymore), she even mentions how Zaun who has been hiding things from the mole let the mole know of their big plan to rescue Jinx. Caitlyn reasons they are getting sloppy and seeking petty revenge for the defeats they felt with loosing Jinx, the firelight base, and hostage leverage. Ambessa snorts/laughs. This is the first time she has added anything to this meeting. Caitlyn “you got something to add”. Ambessa “are they being sloppy?” Random council members speak up stating how even though these locations are not significant the Zaunites were able to enter Piltover without being detected and attack. Random “They are exposing our weak points!”

Jayce finally speaking up, very upset, “then we need to cover them!” Caitlyn “how are forces are already spread to thin covering the major entry points and the pipes!” Random member “And why are we covering the pipes? They do not lead to Jinx’s cell.” Caitlyn “because the Zaunites are plotting something regarding the pipes!” Random council member “like what? We have been using forces to protect those pipes for months now and nothing has happened. We may have even prevented the kidnapping of the council member if the enforcers were not protecting those damn pipes!” Ripple of agreement falls throughout the room.

Jayce speaks up “then lets vote on whether to use the forces protecting the pipes to enforce topside protection.” Random snidely “I see you are having a change of heart Council Tails, you and yours are the ones injured and now peace is not an option.” Ambessa laughs, the council thinks it’s because of the snide remark. Caitlyn and Mel look distrustful.

Vote happens- Jayce wins, Caitlyn loses-enforcers are being moved away from the pipes to protect topside weak points.

Caitlyn confronts Ambessa after the meeting. The conversation is something like Caitlyn “what are you up to? I thought you were lending your army to me!” Ambessa is like “I lent you my army I did not submit to your authority. You have given me opportunities I never would have had and I thank you for that. I will help with this final battle because I want to make sure those little Zaun’s do not interfere with me gaining my immortal army.”

Viktor and Singed have a philosophical talk

I think, if my memory serves me correct, Viktor took everybody’s free will because he believed emotions cause war or something (i really don’t know). If that’s what it was, Singed counters Viktor’s argument and states emotions allow you to make great breakthroughs. Singed looks happy because he knows he’s close to bringing his daughter back to life. Science/magic stuff.

Ambessa and Mel Confrontation

Ambessa confronts Mel in her room, she comes in prideful. SHe’s like “you and your boytoy may have everyone fooled but not me. I would have loved to see what you have planned but I will be leaving soon. You may be a wolf after all.”

Mel does not get a word in. But she is reeling her mother has been causing drama in Piltover all this time and now she is just leaving. Mel ”what is happening?!?”

The Big Battle

Smash cut to being directly in the battle of Zaun v Piltover, its bright daylight. The scene clearly shows Caitlyn leading the defense. Ambessa and Noxus are not in the fight yet, they look like the last line of defense to stop the Zaunites from entering the main building. Mel and Jayce are further back in a corner close enough to easily enter the fight but not close enough to be seen as in the fight. Jayce has his war hammer. Mel’s magic lights are showing her turmoil by being a constant eradication low light coming from her.

Zaunites mange to pass the enforcer line and are now engaging in battle with the Noxians and enforcers. Several times it shows that Caitlyn does have Vi in her line of sights but she does not shoot even though, Vi is causing a lot of damage to the enforcers. But Caitlyn is taking out a lot of other Zaun’s without a seconds thought. At some point Caitlyn injures her eye when Ambessa attacked a Zaunite and the debris of the attack ended up hitting Caitlyn, there is indication that Ambesssa knew that Caitlyn would be caught in the collateral of the attack. (I want to be clear neither one has respect for the other, they are both using each other for their own personal gain).

Ambessa is cutting through Zaunites with ease she looks terrifying. Mel’s lights are getting brighter and going crazier. Finally it’s Ambessa vs Ekko, Ekko is holding his own until he gets knocked off his board and is on the ground he is clearly a little out of it. Ambessa is walking toward him her weapons are dripping in blood (was this show showing blood?) She raises her hand to give Ekko that final killing blow. The blade is going down directly to Ekko’s head, when a blinding light comes through and stops it. She looks up and we see Mel glowing and walking toward her. The light shield looks close to breaking but also its getting brighter. Voice over of past conversations Mel has had with different people calling out her privilege. Back to Mel voices are going through her head like the conversation with the council member is that was like and what do you lose if Zaun Becomes independent, conversation with Lest whose like I’m willing to give up my safety for Zaun’s independence, Ekko yelling that Mel is not losing anything, Jayce angry she did not save Viktor. Each new voice Mel is closer to her mother we see that Ambessa blade has been pushed away from Ekko and towards her. Ambessa is struggling to keep it away from herself. Mel is up close and personal with Ambessa, Mel’s light is going absolutely crazy, Mel has her hand on the hilt of the blade along with her magic lights pushes the blade into Ambessa. The last voice over we hear that goes along with Mel’s final push is Jinx’s words: “it’s not that hard to kill a parent.”

Mel’s screams loudly and her lights come blindingly out of her causing a large radius of people to cover her eyes then look to her and her mother.

The battle stops because of Mel’s light but it does not commence immediately because as you look over the scene of Mel, Ekko, and Ambessa a clear story is told. Ekko (in his dirty Zaun clothing) is on the ground in away that it looks like he was crawling away from Ambessa on his back. Mel (in her Piltover white type outfit) is between him and Ambessa, who is currently still standing tall over Mel in her Noxian red, but clearly limp. Therefore, even if you were a random bystander you could tell the story of what happened, that is a Piltover citizen saved a Zaunite by killing a Noxian soldier that was helping Piltover fight Zaun. But if you do know the whole story, you know it’s deeper than that it was a Piltover council member who saved a leader of Zaun rebellion by killing her Noxian mother who was helping Piltover crush Zaun’s rebellion.

Maddie is the first to respond and is like shouting traitor at Mel, who is now on the ground weeping over her mother. (Maddie is the first to respond because as Ambessa’s informant, which will be shown in clear tidbits throughout the show, felt loyalty to Ambessa. However, unlike the Noxian soldiers she does not realize that by Mel killing Ambessa she has just become the new warlord). Jayce is quick to stand between Mel and Maddie and is pointing his war hammer at Maddie. (More confusion for everyone). Along with Jayce, all of the Noxian soldiers closes to Maddie point their weapons towards her. This causes a standoff where Noxian and Enforcers drop their hold of Zauns to point weapons at each other. Zaunites hat were dropped are reaching slowly for weapons, and the zaunites that are standing are like pointing their weapons at anyone who isn’t a Zaunite in tense confusion.

Mel still cradling and looking at her mother shouts “free jinx and let them go”. The enforcers turn to Caitlyn, holding her injured eye while her other is shown reflecting confusion and a little remorse, she says okay and shouts stand down, none of the enforcers move, she shouts stand down again. Once the enforcers, puts their arms down, the Noxians do so immediately. Zaunites still have their weapons pointed at both Enforcers and Noxians.

Jayce to Ekko “you guys should leave” it looks tense like the enforcers would raise their arms and begin shooting at any moment, additionally you can hear fighting is still happening in other parts of the city. Jayce “we will deliver Jinx to you.” Ekko is standing up now but he does not move, he does not respond, its tense because now Jayce is thinking will the Zauns continue fighting just for revenge purposes. Then everybody feels a weird tremble but there is no sign of an explosion happening topside. Ekko lets out a loud whistle followed by a bunch of other loud whistles happening through out the city and you see Zaunites all over retreating.

Vi and Ekko stay back to retrieve Jinx. Caitlyn volunteers to take her to her sister. Vi gives Caitlyn the nastiest side-eye.

Before Ekko walks a way and leaves he squeezes Mel’s shoulder. The Noxians like in the show form a perimeter around Mel, Jayce, and Ambessa, blocking every bodies view.

Jinx’s Prison Cell

Like in season 2, Jinx hai is spread out she’s huddle in a corner she is depressed. Caitlyn hangs back and Ekko stays back to stare her down (the only topside people he trust are Mel and Jayce and they are occupied).

Vi gets to Jinx cell she is the only one that Jinx knows is there. Jinx is like “did you come here to gas me more” (referring to the time Vi was an enforcer in Act I). Vi looks chastised and also Caitlyn looks remorseful, which makes Ekko give Caitlyn a bombastic side eye and suck his teeth at her little pity party for gassing Zaun. Vi “I’m taking you back to Zaun” (notably does not say home). Jinx “why I’m just a jinx I cause so much pain and suffering”, she list things she has done and ends on being the cause of the firelights tree burning down. Ekko makes his presence known stating “you also caused Zaun’s Independence, (whispering), as tentative as it may be”, Ekko’s body language makes it clear that he thinks the tree burning down was mostly Caitlyn’s fault, but he also does not say that the Jinx does not share in the fault (he’s even mad at himself for that because he’s the reason she even knew about the base anyway).

Jinx “what need do you have for me if the rebellion is over?” (Referring to how she was the main weapons maker for the rebellion). Vi “will we would be in a lot of shit if we did not return with you . . . And Isha needs you.” Jinx turns to face Vi, besides the fight at the chembarons lair in Act I and before the tree burning in Act II, Vi and Jinx have not interacted. So Jinx is shocked that Vi knows about Isha. This shows that even though they have had a falling out Vi still cares about her, but its not like before when she was trying to get Powder back, (Vi does not say she is getting Jinx back because she wants her sister back, Vi is recognizing Jinx autonomy and importance to Zaun outside of their sister relationship).

Jinx, Ekko and Vi are leaving the dungeon and pass Caitlyn, Caitlyn grabs Vi hand. Caitlyn face is scrunched up in remorse, pain, sorrow, her rip on Vi is begging for forgiveness. She blubbers “I had no choice . . . she killed my mother!” Vi snatches her hand away and says “And Mel killed hers.” (I know Caitlyn’s mother and Mel’s mother are not one to one comparisons but Mel killing her mother not only leads to personal grief but has reputation repercussions with the council). Jinx, at Vi’s words, eyes go wide.

AS they are leaving Piltover on a hover board. Jinx and Ekko have to two man the board, so Jinx is basically hugging Ekko, they pass the scene of Mel/Jayce/Ambessa surrounded by Noxians. Jinx hugs Ekko tighter, then we see Ekko’s shoulders shake as he laughs and Jinx is like what. Ekko “Sevika was successful” and camera pans down to see green gas coming out of Piltover manholes to fog the city.

Singed learns of Ambessa’s death

Singed is seen walking through the Zaun celebration a Noxian soldier is shown to be tailing him. They are unnoticed because all are celebrating and drunk. The Noxian soldier pulls one to the side and is like what is happening. The drunk “We are free!!!” Noxian “How” The drunk “we got the Noxians to help us” the Noxian confusion is apparent on his face. The Drunk’s face lights up like they are about to tell the juicy bit of gossip they ever heard. “Get this one of Piltover’s council members is said to be from Noxus, remember that it’s important. You know we had the plan to storm Piltover to get Jinx, yeah, will we storming Piltover trying to get Jinx back. However, we are losing, getting our butts beat right! Mind you is us versus Piltover and Noxus, we are getting double teamed. Specifically the leader of the firelights, umm Evan or something, is fighting the warlord of Noxus. They say he was holding his own for a bit but I don’t believe it have you seen her she’s big as shit! Well Evan is about to get his head chopped off by the warlord, when that Noxus council member stepped in and saved him by killing the warlord! And get this it turns out that was her MOTHER!” (Neither Singed or the Noxian soldier react to that like the drunk though they would) “Welp anyways, I guess NOxus is like you kill the leader you become the leader now so Noxus was no longer fighting us and Piltover just gave up after that.”

Singed and the Noxian walks away back to the commune. Singed sarcastically “What to do? What to do? Do you fall in line and bow to your new leader? Or do you stick with me in the hopes of bringing your old leader back? Because I am close to making a breakthrough”

The Noxian follows Singed back to Viktor’s commune. When there he sends a bird to Piltover.

Peace is Tense but Zaun Celebrate

It cuts to night time to a bridge that separates Zaun and Piltover, and either side of the bridge are soldiers of each respective group pointing guns at the other. We see a messenger bird coming from Zaun is shot out of the sky. Shouting from Piltover if it’s not a preapproved message we will not let it pass. The Zaunites amongst themselves who keeps doing that, we already told them about the system. It’s tense, if people talk its in a whisper. On the Zaun side, we see a Zaunite go up to one that has a gun pointed at Piltover. Zaun 1 “take a break and celebrate, I’ll take watch” Zaun Two hands gun to Zaun One and we follow Zaun Two to Silco’s bar, you can see Zaun Two’s body language change the closer they get. It’s lively in there, people are dancing drinks are flowing.

Council votes to let Zaun be independent

Jayce is leading the discussion, the first topic we hear about is that Piltover needs to stop manufacturing so the smog stops flooding the streets of Piltover. One of the members is like no doubt you know how much profits I’ll lose if we stop manufacturing to stop the smog. Jayce it’s only been a couple of days and it’s already having a devastating affect on Piltover citizens. Council member they have gas mask they can wear.

Jayce then bring up the fact they need to vote to decide if Zaun will be let free and be seen as independent from Piltover. A snide remark is made if we don’t let Zaun be free would we be killed, glaring at Mel. Jayce is like that’s enough, let’s begin the vote. Who votes for Zaun to be free of course Jayce and Mel vote yes and two others join but it’s not enough to be a majority but then you see Caitlyn raise her hand there’s gasp throughout the room. Zaun is voted to be free.

Zaun has to decide on council members

Zaun was told to elect nine members to represent them when signing a treaty between Zaun and Piltover. Jinx and Ekko are a given because Jinx has became as symbol of the rebellion whether she likes it or not and Ekko as the leader of the firelight. There’s arguing about the rest of the seats. Sevika manages to get one and another firelight. The rest are filled by chembarons. One of the chembarons complain that having both Jinx and Sevika means that Silco’s crew has more influence than any body else (firelights having two is not seen as unfair because having two anti-drug leaders vs seven drug leaders is already unbalanced). The chembarons complaint is handled by Sevika knocking him out and asking does anyone else have any complaints. (Zaun will struggle with their independence) A special little thing is one of the chosen members is the Zaun that nearly killed Jayce and his mother.

Zaun’s Council goes to Sign the treaty/compromise

In the council room it’s Piltover members on one side and Zaun on the other side Jayce/Mel in the center. Jayce war hammer is in the room and the Zaunites clearly have weapons on them. The mean mugging is crazy. Jayce and his attacker make eye contact, zoom in on hand flexing wanting to punch type indicators.

Mel does the talking in this instance. We have asked you here today to consummate peace between Piltover and Zaun we ask that you sign the treaty as representation of a cease fire. A Zaunites how do we know this doc is not a set up/you are trying to trick us. One of the more onerous Piltover members just read the document.

The Zaun tenses a couple of them do (I know that in Zaun highlighted by Ekko and Jinx there is some education but I would think it adds level at some hint the education in Zaun is not great so some of members in the Zaun council can’t really read). The Piltover members pick up on the fact that some of the Zaunites get mad in away that indicates they can’t read, teeth sucking “these are the people we are compromising with.” Mel states they would leave the room to give them time to read. As Jayce is exiting he picks up his hammer, cue tension between him and his attacker, Mel places a hand on his arm, he relaxes.

Mel and Jayce are about to leave the room as well when Sevika whose eyes has been scanning the document calls out for Mel to stay. Jayce turns to stay as well, his attacker says “Sevika said Mel not you” Sevika cuts him off and is like “I don’t care if he stays”

Ekko begins reading the document out loud, he gets to a word that’s Like a big legal type word and is like what does that mean. Mel explains.

It’s shown they read the document and Jayce is like are you satisfied. Sevika states “no, what’s to stop you from polluting our air again once you figure out a way to reverse what we did, what’s stopping you from pumping the grey back towards us.” Jayce is like add that as a provision to the document. Mel jumps in make sure to include land and water with air, they would find a way to skirt it if you don’t.

Sevika adds the provision of Piltover promising not to pollute Zaun, her writing is blocky and bold, a stark contrast to the rest of the document.

Piltover is invited back in they see the added provision and some are upset. Mel cuts in that the provision is necessary to ensure peace between our nations. The onerous member snort “ours? Are you not now a Noxian warlord.” Mel does not respond.

Nevertheless, The treaty/compromise is signed by all we see the stark contrast between the two name neat signatures of Piltover and the chaotic/blocky mononym names of Zaun.

Mel tells Jayce she is leaving/Caitlyn tells Mel about Ambessa’s immortal army

In Mel’s room, Mel is in Noxian red and Jayce is like what’s going on. Mel “I need to return to my homeland, I need to use my power for good and right my mother’s wrong. Look what she was able to do in several months as a visitor.” Forehead touch between them because Jayce has to stay in Piltover to ensure Zaun remains free but he knows Mel needs to leave.

Caitlyn comes in, interrupting the embrace. Caitlyn like sorry to interrupt, just thought you should know Ambessa said something weird to me before the last battle. And she tells Mel about how Ambessa was going to leave because she has her immortal army.

Singed found the cure to death/Viktor reaches his final form

Singed completes his research, makes an elixir. One of the remaining Noxian soldiers volunteers to die and is brought back by the elixir he looks like one of those white robots. Singed takes a small amount to bring back to his daughter. He leaves the rest to the Noxians. The Noxians sit around the Viktor ball like what are we about to do? The Viktor ball begins cracking, bursting through it are the light streams like in season 2 the connect to the Noxian soldiers and the corpses of the healed.

Zaun is gonna be alright . . . Maybe

Vi and Sevika are walking together heading somewhere audience don’t know where. Vi realizing that although Piltover caused so much pain for Zaun, Zaun was kinda reliant on Piltover. Sevika is like “we never needed Zaun, we just needed clean air and to be left alone. . .” (Sevika begins smirking vi and her arrive at some sort of warehouse, it’s dark) “ and some of there tech and medical supplies” Sevika hits the switch and you see crates on crates of Piltover boxes and Vi is shocked. She goes up to one and sees it filled with medical supplies.

Fade to Jinx walking alone in the streets, Isha tackles her. Isha is like where have you been in sign. Jinx admits she’s kinda been hiding from her. Isha is upset but she breezes past it because she has to tell her about Viktor’s commune. Jinx is struggling to understand because yeah they’ve managed a language between them but nothing that can convey what’s happening there. They were in a back alley way, you look down the alley you don’t see anything it’s dark. But you hear the sounds of metallic foot steps.

Fade to Scar and Ekko, they are seen walking the streets when Scar randomly grabs a kid (a known firelight). “Why are you not back at the commune takin* care of the others.” The kids like they are right over there. Shot of the kids shows everybody is there except Isha and Don. Scar “where’s Isha and Don?” The kid is like “Isha went searching for Jinx and . . . (Looks sad) Don is dead.” Ekko and Scar are shocked, but before they can start interrogating the kids the sound of metallic foot steps are heard. They are in a busy street so conversation stops everybody looks into the distance.

Fade to Sevika and Vi back at the warehouse, they also hear the footsteps, they pause and look at each other. Viktor’s white robots come crashing through the warehouse knocking over a bunch of supplies and destroying them.

#Arcane #arcane rewrite #arcane critical #ambessa medarda #mel medarda #ekko arcane #jinx arcane #caitlyn kiramman #firelights arcane #sevika arcane #jayce talis #vi arcane #singed arcane #viktor arcane

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