#yeah or maybe she has her own life

[spirkbitch]

someone said they might be trying to establish a basis to claim that Spock and Chapel were actually in a secret relationship all throughout TOS and that’s actually the most monumentally terrible idea i’ve ever heard

i hate you (whoever you are) for bringing that up in my tags and i also hate myself for never considering that possibility and now i can’t stop thinking about how terrible of an idea that would be if that’s where they’re actually planning on going with this

(even though i don’t think it would actually make any sense for that to be what they’re going for since they would still, presumably, have to break up for long enough for Christine to get engaged to Roger Korby but hey SNW has never let canon get in the way of their bad ideas before)

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[laniidae-passerine]

don’t get how you can watch iwtv and be a sincere diehard lestat hater. like the world’s biggest lestat hater is louis and that man can’t even commit to it for more than five minutes before literally hallucinating lestat wearing a wedding ring and talking pretty to him. this show is about louis and every road leads back to lestat for that man

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[lilacerull0]

i haven't even seen the episode yet, but learning about the fact that they didn't include such an essential aspect of the story is making me feel so irrationally sad

[yourqueenb]

Ok I know we’re focusing on Mal rn, and I’m happy about that. But this right here would’ve been a great moment to give MC a chance to speak on how holding the team together affects her since he just commented on how hard it is. Like now you have a bit of an idea of how she feels, but you still don’t know the half of it because she had to come back, pick up the pieces, and rally everyone together again AFTER being kidnapped and held captive.

And I get that MC being gone was hard for Mal, especially since he’s my LI. But he still ultimately got to move on and pursue something he’s always wanted to do. Meanwhile MC went from saving her brother to saving the world to saving herself to being thrust right back into saving the world and her friends again!

[slashersweethearts]

honestly gotta say one of my favorite things abt yvieliv is the way the way the insanely overt flirting/tension between the two of them (the former being like entirely yvie @ liv) goes practically entirely unnoticed by the whole rest of the group bc like. it does not register as anything noteworthy as far as yvie is concerned. like ofc she's calling liv babygirl and making other much fruitier comments. she talks to all of her friends in a way that borderline if not outright would constitute harassment 😭 so that could literally mean nothing!

[altruistic-meme]

sigh.

[unproduciblesmackdown]

really also wendy's "good ending" centering around a beautiful (presumably terrible as usual) Family(tm) Meal is sure like, an expression of that idea that it's beautiful & not terrible of Superiors to just pay any kind of attention to their Inferiors....wendy gets to have family dinner As Deserved because these are Her Kids who have gotta show up when she feels like it's family dinner time, not even a question that they wouldn't. and despite that, even as the "good" parent of the two, wendy's attention to her children is of the "minimal maintenance / occasional Exceptional demand" kind, it sure Is that "good" that wendy chooses to do any of that ever, or to be like okay we're having this family meal now with me because i want that. like it was Good that chuck sr. wants to do whatever he does to his son because, right there, that's His Kid, so. family as a hierarchy is definitely beautiful, why not psuedo marriages like when some epic guy with true claims to being a Real Man is like yeah sure i guess i want to have this woman, therein lies perhaps some beautiful redemption for that man if this woman is magnanimous & not like too inadequate or selfish as to not motivate him to Better himself, or not Try to do so. wendy sure won't break with axe fully ever no matter what, which would've been selfish of her (had to be a reason she didn't go to superhell with him that Didn't damage his ego, as is apparently always the case in turning down any winner around here. Taken For Granted you will of course grant them access to whatever they want, like dragging you along on their banishment when like, has this guy talked to his ex wife about his kids before doing this? who knows. or that one kid he projected on? well that doesn't count, nice of you to do the Performance of being unconditional support man, but no problem if you forget he exists. that's not Your Kid in any way that's supposed to play into your power like Your Family (ft. kids you own))

[zafiro-anyejo]

very few 'parenting' things frustrate me more than parents who give their screaming kids an ipad, but I think "emotionally neglectful for 20 years and then wondering why their kid isn't thriving/adjusting to adulthood well, so they try to make up for it by being an overbearing helicopter parent" might take the cake.

[arundolyn]

i love thinking about how celica is just like. kinda The funniest fighting game character ever, without being a joke character like neco arc. she's hilarious unintentionally. she's extremely good at magic. she refuses to use it to hurt anyone ever even in self defense. she's a pacifist by choice but also because she's just really bad at hurting people even conceptually. i cannot imagine celica actually hitting anyone for any reason herself. that's what nine/ragna/minerva are for. her magical aptitude is extremely high and she's basically the only bitch that's ever been this good at healing magic on earth. she knows lightning magic but it's loud and scares her so we never see her use it. she's literally kind to everyone's detriment in that if she fights the literal god killing antagonist of the series she heals him anyway. she's constantly telling her big scary robot gf who's made to protect her to be nicer to people. her vibes are so good that she makes two of the main antagonists physically ill and nullifies bad vibes just by existing. and she's gay

[lunasilvis]

1 advice to (too) many people: try to start taking yourselves and life less seriously. really

[gibbearish]

btw similar to the whole "if you try adderall at a party and it calms you down, get an adhd test" thing, if at some point in your life you try microdosing shrooms with a friend and end up feeling like a functional person for the first time in your life, get tested for depression. like yeah hallucinogens come with elation so youre probably gonna have some "this is the best ive ever felt in my life" vibes regardless, but like. if that in and of itself feels like finally breathing in for the first time in years, thats for sure a sign that something is up with your ability to process serotonin most of the time. feeling better than ever before should be a nice bonus, not a crushing weight off your chest

[cuteniaarts]

Fanny, my sweet, beautiful girl

17.11.2012 – 14.04.2019

[lover-of-mine]

Yk I'm always thinking about Buck Actually and the talk Buck has with Thomas and the whole "you don't find it, son, you make it" and the way Buck looked at Thomas dying right after Mitchell holding his hand and the way some part of Buck looked at them and connected love with death and now keeps trying to make something to the point that it would kill him. He heard that the type of love he wants comes from work and decided he needs wear himself down to get it and it's just devastating.