#would be a very big spoiler

[egophiliac]

crossing my fingers and wishing upon every star that chapter 10 finally brings us the tweel cards 🤞🤞

[notebooks-and-laptops]

God I love Wrex. He's genuinely so insightful. Whenever I took him with me he's nearly ALWAYS the one who knew before it was obvious that we were heading into an ambush or that something wasn't quite right. When we met Vigil Wrex was the one who said as we headed down that he didn't think what was happening was Sarens doing. He says he knew Saren wasn't a good guy when he met him prior to the events of the game and he met him once for a few minutes. He speaks about only being good for fighting; but he was genuinely trying to do something about the genophage before he had to leave his planet AND he still DEEPLY cares about trying to fix it now even if he tells you it's a lost cause because krogans are too focused on other things. He claims his species is best at war and not things like science but he's just!! So clever and he clearly KNOWS on some level that a lot of what the Krogan experience is is based on their subjection/treatment in the galaxy. He enjoys jobs where his opponent is smart and good at what they do; and he is smart enough to be crafty and manipulate individuals such as when he got an employer to pay him to be a guard even AFTER he failed to kill the guy he was sent after. He is grumpy, but he cares about Shepard and he cares about stopping Saren. He's cynical and not sure that things can change for the better but he's also got this little nugget of hope in him that comes out so strongly at times. I love him. Best alien. Smart little guy. Best friend.

[maggins]

so bc of that post i went back to see if there was anything else of interest in the scene in WaD where raine runs through the castle and

“i gave up my palisman for you”

my longest Yikes ever 🙃🙃🙃

[hinamie]

congrats on your recovery n all yuuji but unfortunately for you I thought the scars were cool >:/

[k-martins]

Dog love 🤍🐺🖤

I'm in love with Shiro and Kuro and I support the hc that they are both in love with Yuji (because they project Megs' feelings lol)

an addendum is that I'm putting my post-canon itfs hc where Megumi remains with the scars of Sukuna under the eyes. no reason in particular. I just really like this detail and wish I had seen megs with them 😅😅.

[daily-odile]

everything is the same except Odile is the one looping

oh. heheheheh. muahahahaha. hold on *digs through my pile of disorganized sketches*

Odile loops au; a sketch compilation!!

Some old fic drabbles + associated sketches under cut (a6 secret spoilers):

hc: Since equipment carries over, as long as Odile uses her book in a fight, she can write down notes and have it carry over loops

toxic doomed yuri (for a more fleshed out fic I highly recommend The Sweetest Thing by soreimoon, it's amazing)

[a2zillustration]

Gale and I had the exact same reaction when we opened that door.

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[atalkingrat]

Ok, does ANYONE else think this might have been our handhold scene?

[yupuffin]

I think the aspect of the 2.7 story that felt most impactful to me was something that was previously addressed in the Penacony main story, but was reemphasized and expanded upon with Sunday being the narrative focus of this update:

Sunday is scared.

His motivation to protect the people and things important to him -- Robin is an excellent example -- manifests as a desire for control, to eliminate potential dangers. This motivation is based in fear; he's afraid to lose what he has to factors beyond his control, like the bullet that nearly took his sister's life.

And part of the "true paradise" he longs for involves preventing the sense of powerlessness that accompanies that fear. He believes that humanity sleeps because "we are afraid to awaken from our dreams." Indeed, the appeal of the "sweet dream" of Penacony is freedom from the uncontrollable and inevitable tragedies of the waking world.

It's part of what made him such an effective villain in the Penacony arc; even though you may disagree vehemently with his actions, you can understand with and sympathize the rationale behind them. In his mind, absolute control over the Dreamscape -- the elimination of frightening unknowns -- is the most effective way to keep everyone safe and happy. However, this undermines the real freedom and autonomy of the affected populace, many of whom are unaware of the Dreamscape's true nature.

In the 2.7 update, Sunday is "nerfed after turning into a good guy," to use March's words. Previously, he enjoyed immense social status as the head of the Oak Family -- and as the imposing, invulnerable, "final boss"-style antagonist. Now, his role is effectively reversed; he's a fugitive who has to disguise himself to evade the potential consequences of simply being seen.

He's an incredibly vulnerable position.

Not just physically -- as the audience, we also get intimate insights into his feelings and thought processes. Now he recognizes the scope of the harm he was previously willing to cause in the name of absolute control, and shoulders the responsibility of dealing with the repercussions.

His newly evident guilt and shame is emotionally moving on its own...

...and becomes even more poignant when you realize that guilt and shame and vulnerability has been a crucial aspect of his character from the very beginning. After all, so much of his deep-seated fear of the unknown stemmed from him blaming himself -- his lack of control over the situation -- for Robin's unforeseen injury.

I found the scene at the Dream's Edge the most touching in this update. Sunday's conversation with Robin is a bit of a paradox: he is deeply sincere and vulnerable in speaking to his own sister, yet guarded because he must avoid revealing his true identity. And Robin, in turn, directly provides an alternate outlook on Sunday's character, describing him as though to someone who's never met him, as though he isn't there.

And Robin's perspective reaffirms that Sunday's apparent invulnerability was essentially a facade. He may have been the head of the Oak Family, and the imposing final boss, but at the same time, on the inside, he was continually paralyzed by fear.

Sunday has always been vulnerable. He has always been scared.

And I think what makes the conclusion to the 2.7 story so satisfying and triumphant is that Sunday begins to properly address his fear, his persistent guilt and shame. He moves beyond simply acknowledging it, and recognizes not just how indulging his fear can bring further harm, but also what good things (that otherwise wouldn't occur) can happen when he overcomes it -- as it were, when he doesn't let his fear control him.

I'm going to be real, I probably had an intelligent-sounding conclusion for this, but... it took me several weeks to write this and I've forgotten any idea i might have had previously, so let's just say he definitely hit me right in the feels. 🤣

[kismet-cat]

there's a certain moment in ghost trick that hit me oddly hard when i first played it and that i keep coming back to. it's lynne's final death — when she jumps to save kamila from the explosion in the sub while yomiel is still possessing her. specifically, that moment from yomiel's perspective.

because, like. obviously lynne didn't (primarily) mean to save him, but... i can't help thinking how that might have felt for him. yomiel, a character defined by the trauma of having no one (left) who gave a shit about him after dying-but-not-really. yomiel, who has not had another person really "see" him or care about him for ten years. him, in a matter of seconds, going from threatening this girl with a gun (again), after everything that led the both of them to this point, to her, immediately, instinctually, leaping toward "him", reaching out to "him", trying to save "him".

(and of course, it wasn't "him". it's not him that she cares about (hah, imagine that!). it's not him that she saw. even if their eyes met. but, for those brief seconds... maybe some part of him believed that it was. maybe he let himself believe it.)

it's such a shame that he canonically doesn't remember it, because it sets up him saving her at the end of the chapter with the robo claw perfectly. ah well.

[ewwww-what]

I like to imagine that the version of Galicaea that answers Tracker in her prayers is less human than the version Kristen met in sophomore year

[egophiliac]

I don’t think we’ve ever seen you draw knight of dawn before 🤔 what are your thoughts about him? Or take?

I've drawn him a couple of times, just really little/in the background. but I should draw him more, I love this guy a lot! I have many, many thoughts about him and the way he parallels Silver...and also I think it is extremely funny that his ghost is stuck in a ring. especially considering where that ring has been for the last 16-ish years.

[sysig]

Blood sugar levels (Patreon)

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[sherokutakari]

Okay but can we have Mary meet Ed

PLEASE can we have Mary meet Ed?

[russenoire]

on first watch as an anime-only, i remember feeling like ritsu kageyama's descent into evil in episode seven needed a little more air, more space to breathe. i... no longer do. if that slide down the slippery slope feels a bit sudden, there is a reason; and if you know what to look for, it's not actually all that sudden. bear with me here.

from the first episode, the anime sets ritsu up as shigeo's kind, solicitous younger brother. we don't see much of him for the first three episodes, but when we do, he's making bids for shigeo’s attention: helpfully straightening his spoon when it bends and deposits a bite of his dinner on the dining table; noting that he seems out of it and offering himself up as a confidant at least twice; checking in on him in the morning so they can both leave on time. (i actually love the anime for doing this. ritsu doesn't even show up as a character until maybe the middle of the manga's second volume?) except for the spoon, shigeo gently turns him down every time.

and yet. the interview ichi mezato snags with ritsu in episode four confirms a distance between the kageyama boys. you are not seeing things here. he initially refuses her desire for detailed information about shigeo’s powers, only indulging her to find out what shigeo’s been up to. ritsu holds those powers in such awe that he uses a rather hyperbolic phrase to describe shigeo for her: '世界の基本', or sekai no kihon, literally the standard for [his] world.

after he coldly walks out on her, she reviews what little she’s gleaned from their chilly meeting: he's hawt, at the top of his class, athletic, very popular... all things his older brother decidedly is not. the story establishes a duality here between ritsu’s image—indirectly revealed through mezato’s notes—and the reality of ritsu, sat hunched across from her, sullen, barely tolerating her until she coughed up the information she promised him. later on that evening, we see just how deep ritsu's awe goes... or rather, how snared up it is in resentment and envy as he attempts in vain to bend a spoon, just like shigeo did when they were younger. all the trophies of others’ esteem already gathering dust on his shelves don’t mean shit if he can’t have this.

ritsu intercepts shigeo as he leaves for class the next morning: no student council meeting, so an opportunity to actually talk to him. this is rare, his brother notes. and of course dimple is haunting shigeo. when the specter comments on their apparent closeness, the boy side-eyes him hard. this can easily be read two ways: ‘why the hell are you talking to me when no one else can see you?’ and ‘man, fuck you for sticking the knife in deeper.’ ritsu doesn’t ask about the cult meeting here or ever in the entire series. was he really all that interested in mezato’s news? no, he only wants to know why his brother doesn’t use his powers anymore. and this is the first time they’ve talked about this.

it’s such a neat little mystery, these breadcrumbs the story leaves for us until ritsu’s formal introduction in episode six. even though they share the same home and appear to be on friendly terms, the kageyama brothers may as well live on opposite sides of the planet. we don’t even get a sense of why this state of affairs exists until episode five, where teru chokes the breath out of shigeo and his pissed-off soul levels teru’s school before catapulting him into the stratosphere to reflect on his sins: several years prior, shigeo nearly killed ritsu (and possibly ended three much older boys) in an accident neither boy understands; fragments of memory flash before his eyes as his consciousness shorts out.

‘brother, you’re home late, sopping wet. here’s a towel. are you hungry? you seem down; is everything OK? if you need to talk, i’m here for you.’

instead of turning down this bid for connection like all the rest and turning inward again, shigeo actually opens up. he apologizes for the accident—for the first time—then asks for some clarity, since his memories of it are broken. and ritsu clenches the knob to his brother’s bedroom door tighter. he lies to his face, tells him to ‘get over it already.’ this after asking shigeo to confide in him again, no less: too terrified to be honest with him, too used to being shot down. this boy is soaking in fear he has no context for, and he heads downstairs to soak in it alone. shigeo at least has reigen to process his own fears with, though he never trusts the man enough to take full advantage.

ritsu has no one.

he’s already keeping up appearances at home and has been for years; over the course of the spring cleaning big cleanup arc, we learn the extent to which he’s been doing so at school.

(all those expectations of him weighing him down for so long… he can’t hold out forever.)

student council vice president tokugawa calls him out on trying to melt into the scenery like his brother; his considerable gifts make that impossible. said gifts, however, are so ego-dystonic for him that they’re yet another part of Ritsu Kageyama’s Big Lie. the academically-gifted, popular sprinter so many of his fellow students swoon over isn’t real: why does everyone praise him for things anyone could do? he doesn’t actually have friends, just associates. who cares about charisma? why does everyone think he’s perfect when the only thing he truly wants will never be his? and why does his locker leak chocolate every valentine’s day?

gentle reader. are you still wondering why he snaps when he finally gets his wish? and why it looks the way it does?