#worlds in books

[chasingmypen]

My first in a series of pen and watercolor miniatures, contributing to a display for a George MacDonald bicentennial literary conference.

This one is specifically inspired by Lilith, and Mr. Raven's commentary about traveling between worlds...

[paintedcrows]

Whenever Bill sees KingOfNJ's fics through Stan's eyes he just thinks they have the same taste in fanfiction (disgusting. unthinkable) continued

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[mahmood11]

Please don't ship💔i need your help 🙏

Hello.. My name is Mahmoud Atta. I am 29 years old. I live in Gaza, Palestine.. I am looking for my life partner.😊 I used to work as an Arab teacher and I was looking for happiness, but suddenly my life turned around.💔 War was declared on Gaza without any advances. 🥺Tanks entered the neighborhood in which I live and the planes began bombing. 💔💔I found myself and my family trapped between shells. I miraculously escaped, only to find myself without shelter, without a bed, not even a place to go to the bathroom,💔 or even a meal. I couldn't find anything to eat I made myself a tent and lived in it out of nylon, 💔but it does not protect me from winter or from the sun. I am sorry that I am writing this, but this is the reality in which I live🥹💔. I ask you to stand with me so that I and my family can live. 💔💔Any donation will be good for me. Stand with and may God stand with you. Thank you for listening and donating😭😔

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[castingmysilver]

My sleeping mind invented a children's picture book series. Halfway sketchy style with watercolor coloring. Fantasy about some sort of grouchy but decent monster-lord (vampire?? Not quite right. Let's say instead a sort of genteel ghoul.) Who kept getting his castle imposed upon by maidens on quests. He had a bright red demon gardener named Sardonn who always had a cape and an inexplicably half-cleaned sword blade. There was a forest by their castle which contained among other things an always-remote coldly blue tower, friendly bat guardians, and a pool of eternally reflected stars....

I can see some of my brain's influences here but I still wish the series really existed. The mix of grumpy good humor and haunting beauty.

[walnutcookie]

new headcanon that rodger is really ticklish and is very embarrassed by it (it ruins his cool and mysterious persona). Toodles is the only person who knows this and uses that knowledge accordingly >:]

proship dni

[memesonnets]

Hi my name is Don Quixote of La Mancha the Knight of the Rueful Figure and I have a rueful figure (that's how I got my name) with purple bruised ribs and tall stature and gaunt features and hair turning gray and a rather hooked aquiline nose and large black drooping mustaches and a lot of people tell me I look like Amadís of Gaul (AN: if u don’t know who he is begone!). I’m not related to Lady Oriana but I wish I was because she’s an incomparable flowering beauty. I’m a knight errant but some of my teeth and grinders are missing. I have long lank limbs. I’m also a defender of damsels, protector of orphans, succourer of the needy, righter of wrongs, undoer of injustice, and I wander a magic countryside called the mountains of Spain where I’m in my first year of knighthood (I’m forty-nine). I’m a gentleman (in case you couldn’t tell) and I wear mostly armor. I love my great-grandfather's forgotten corner of the house and I cobble together all my clothes from there. For example today I was wearing a doublet of fine cloth with matching shoes and velvet breeches and a helmet, morion, visor, breastplate and backpiece. I was riding outside La Mancha. It was early morning so the rays of the sun fell obliquely and the heat did not distress me, which I was very happy about. A lot of giants stared at me. I put up my pasteboard visor at them.

[maxgicalgirl]

Being a “Fun Fact !” kind of autistic is all fun and games until you get halfway through sharing an interesting tidbit and realize that it probably wasn’t appropriate to share in polite company and now you have to deal with the consequences :(

[bethanydelleman]

One of the things I loved about The Wild Robot from a writing/world-building perspective was that it was clearly set in a post-apocalyptic world, but the details were very vague, and you don't even know until about an hour in:

"Beautiful shot," you think, and then it hits you that the whales are swimming over the Golden Gate Bridge.

Abandoned, crumbling satellites and a sunken city. And then when we do see the human city, they freak out at the sight of geese:

Animal-derived plague? Global warming? We don't know. We only know that something has happened. But like the general theme, whatever bad has occurred, the natural world is thriving. An unexpected positive from a history of tragedy.

[chasingmypen]

14th drawtober (playing catchup again today)

The Ring of Barahir and/or Felegund from LOTR+Silm, or at least, the film interpretation of it.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[gigizetz]

unfinished Circe drawing that I'll probably never finish