#woke up on my feels again

[jessi--ac]

Even if we did get Buck doing the rounds at every gay club in LA, this still wouldn't address the real problem, that was putting Tommy in a position of an idol without even acknowledging his feelings first. And Tommy freaked out because it was THAT transparent that he was high up on some pedestal when he's already in love with Buck from the ground and it seems like he's flawless. I think the conversation would have gone much better if Buck actually voiced his opinions directly to Tommy instead of Maddie (well, Josh), because that would mean, for Tommy, that Buck sees him as an actual human being. I think it would work so well if Buck were to hang out with a bunch of queer people, that would be a situation that would give him the possibility to gather so much nuance to his thought process, or even a queer therapist, or even exchange an entire conversation with Hen or Karen. I really do think Tommy freaked out but with every reason because he has not been *seen* as he is yet by the person that we can see he already loves. The next episode, hotshots, seems like a glorification of their lives as firefighters and it could work as a fine as fuck parallel for Buck too, even Brad's hero worship towards Bobby, for him to see how damaging dehumanization of some sort can be. I am begging on my hands and knees here, writers, just follow the in-text clues and give us a meaningful and fulfilling story.

[noodles-and-tea]

Returning home

[spam-extemporal]

Dcxdp where Danny has been working with a hero team (did Bruce adopt him? Did he help the teen titans and got told to join them? Idk) for less than a year, maybe they knew eachother for longer, but Danny has been living with them for some months.

Now, I imagined this as a "Danny has to flee to a different dimension after a giw attack/reveal gone wrong" but it can work with other scenarios, the important thing is, death days are important for a ghost's wellbeing, but nobody knows/remembers Danny's deathday or that it's important to commemorate the dead. Maybe he hasn't told anyone yet cause he doesn't want to be a bother, or doesn't trust them enough yet.

So Danny takes the matter on his own hands, each year he goes to a quiet corner of the local graveyard, where he has a piece of marble and a small vase, he usually buys some flowers for his memorial grave and makes some fudge as an offering.

This year wasn't gonna be different, he told his team/family that he was gonna spend the day out, he chose an elegant but comfortable outfit, made some fudge, and saved it on the fridge with a note that said "phantom, do not eat".

The next part might work better with a young hero team, cause despite the note, someone took a bite of the fudge for breakfast.

Danny clearly gets mad, they didn't know, but they just ate an offering, a great offense to the dead it was offered to.

It all ends in a big fight, Danny doesn't want to admit that it was an offering for himself (it just hurts to admit that nobody remembers his death), and the other person thinks he's just having a tantrum over some fudge, like, c'mon, they can make you some if it's SO important to you 😒

And I don't know how to end it cause it came to me while falling asleep and don't remember more T-T

[bizarrelittlemew]

calling it right now that season 3 starts like this

[canine-economy]

On Swansea’s (often understated) role in Mouthwashing

I say this as a big swansea fan but I don’t rlly understand why ppl are acting like he’s not also complicit in what happened to Anya? AUs where “Anya tells Swansea” and he jumps to violently defend her don’t make sense to me because canonically she does tell him, as he admits to Jimmy. But swansea represents another way of interacting with the capitalist heteropatriarchy that ALSO harms victims: holistic jadedness and resignation.

Swansea is across the board unkind to the Tulpar crew. We can’t forget that he calls anya a “so-called nurse”

and says this to Jimmy, which (if unintentionally) reiterates Jimmy’s own warped perception of Anya’s usefulness and competence. This allows Jimmy to feel justified in his imagination of the nurse’s inferiority. Swansea’s clear lack of respect for Jimmy does less to hurt Jimmy than his lack of respect for Anya harms Anya, because at the end of the day, Swansea’s attitude is contextualized by the violent culture it exists in and he does nothing to reconcile with that when Jimmy becomes the captain. His resignation can thus be weaponized even by Jimmy, a man who Swansea disrespects but whose power he doesn’t try to meaningfully jeopardize, because his across-the-board disdain punches people already marginalized by the environment twice as hard as it does those with power.

Swansea doesn’t position himself as an ally, he positions himself as willfully uninvolved in everything, an observer to the shitshow ride to hell. Just because he dislikes Jimmy doesn’t mean he aligns with Anya. He makes it clear that he’s not on her side, either. After a life of doing what he felt was expected of him, Swansea on the Tulpar looks out for Swansea and Swansea’s comfort. In trying to situate himself outside of the politics of it all as an older white man, he simply allows them to play out. The toxic culture keeps existing, playing out in the microcosm that is this freighter, and Swansea in all his experience recognizes that shit has hit the fan and elects to coast through it, even explicitly numbing himself to it by breaking his sobriety. It is, of course, hard to force yourself to be sober—to see clearly. But had Swansea forced himself to get involved sooner, he might have set a precedent for Daisuke to recognize Jimmy’s abuse, which could have saved Daisuke’s life as well as created a safe space for Anya. But Swansea’s inaction forces both victims to confront an abuser on their own, unable to reap benefits from his privilege and experience.

Jimmy is clearly intimidated by swansea in a way he is not by Anya, Daisuke, or a post-crash Curly (Swansea, for example, physically manifests as an aggressor in Jimmy’s “responsibility sequences”, and Jimmy ties Swansea up to avoid what he sees as the real possibility of pushback that he doesn’t conceive of Anya being able to do). Swansea has a power he does not act on or with until it is far, far too late. In fact, he acknowledges in his final monologue that he was dissatisfied with the discomfort with opening his eyes and living an exemplary “good man”s life. The best days of his life are ones in which he’s belligerently drunk—days in which he didn’t have to hold himself accountable. He regrets the life he spent performing for higher-ups and we watch him reject it by scorning Captain Jimmy, but he also doesn’t want to be held responsible for helping other people when it’s their turn to endure the expectations and violence from similar (if not the same) higher powers. Tragically, he possesses the hindsight to recognize that how he acted on the Tulpar consequently wasn’t what Daisuke needed out of a role model, leading to Daisuke becoming a victim. His hands-off approach to emotional engagement with his young male intern (another symptom of patriarchal gender norms) may have been to avoid Daisuke turning out miserable and jaded like himself, but it doesn’t actually indicate to an already-confused Daisuke what the dangers of that attitude are. Swansea never admits his own shortcomings in a tangible way which, had they come from a man with experience and prestige like himself, may have shifted that culture that failed Anya. She comes to him with the story not because he has situated himself as any earnest friend, but likely out of desperation on a ship Jimmy now controls.

When we allow “the machine” (Swansea’s own words) to beat us down to the point that we don’t find it productive to challenge unjust power dynamics, we become complicit. I think too many people get hung up on his disdain for Jimmy and Jimmy’s fear of Swansea as a marker of allyship with Anya, but the truth is that Swansea. Is a bad ally. He’s hardly one at all. His long stint in the demanding capitalist environment molded a perfectly complicit result out of him, as it aspires to do, even if Swansea bitterly recognizes that. Jimmy’s overt violence from a position of power is a different and much more brutal approach to abuse enabled by people who have been left too tired and bitter to care that he does it. A man who could’ve intimidated and even threatened Jimmy is too resigned to try until there is literally nobody but himself left to fight for, which is an attitude carefully cultivated among the lower rungs of hierarchies to keep the top safe. Swansea in particular seems very unhappy with the capitalistic, patriarchal expectations laid out for him as a father, husband, and laborer. His decision to just stop trying and spare himself the grief instead of questioning why those expectations exist and how they would hurt the others onboard only delays him being directly targeted by Jimmy and doesn’t interrupt the latter’s violence.

Not a single man in mouthwashing is innocent in Anya’s victimhood. This is a statement tentatively uninclusive of Daisuke, because I think the game very deliberately positions him outside of manhood through his youth and thus struggling with the concept of “fitting in” to the patriarchy. Curly, Jimmy, and Swansea all represent different failures that ultimately perpetuate Anya’s suffering and force her to defend herself and finally take her life into her own hands. A holistic analysis of rape culture in MW necessarily engages with all three of them. Only not being a friend and ally to rapists and other male abusers isn’t enough, and Swansea proves it.

[heartorbit]

creatures

[temeyes]

my wrist's been hurting all day but i saw a real cute [chibi tutorial,] i had to try it out LOL

[koffeenoe]

[starryjoy]

"Trans" is merely one of the many adjectives that describe me but in the eyes of so many people so many things I do will immediately be tied to that adjective.

So many things I feel weird talking about because everyone assumes I am like this because of my transness.

Me being openly very sexual in nature while being a woman? Well, I am a trans woman, need to remember that!

And the thing is so many people don't do this maliciously. So many people have simply internalized the misogynistic idea that women have to be one certain way and when they see a woman who isn't that way... well, if she's cis, she's a weirdo, but if she's trans... well of course, that explains everything doesn't it!

And the people who are seen as cis women in this equation also suffer please don't get me wrong. They get shunned and talked about with intrigue and wonder like they're some sort of mythical beast.

But to the people who are seen as trans women then a part of the observer so often will go "makes sense" as if they discovered the one single key to read humanity.

I am also curious how other people under the trans umbrella feel to this stuff. My idea is that we probably have similar but different relations to having the adjective "trans" heavily influence how people see us, and I would like hearing them out.

Also absolutely necessary disclaimer that it's great if to you personally the adjective is so important that it defines parts of your personality! I won't yuck someone's yum and stuff. I'm just tired personally of feeling like so many people will immediately think of me as trans before they think of me as anything else, but I get the idea of that being something someone could like.

[skitskatdacat63]

2023 Qatar Grand Prix - Sprint - Oscar Piastri

[ineed-to-sleep]

*me immediately after going through a terrifying and traumatic experience* haha yeah I guess it was rough but I'm fine now like I'm totally chill. It was kinda funny actually if you think about it

[orago-underline]

Oh Crowley...

Crowley version here shop this print here and here.

[cynicallyneutral]

sploonsuke

[eff-exor]

is being woken up by her pushing her strap into me from behind too much to ask?????

[cali]

darkraiiiiii

[theangrypomeranian]

I just want my passion back man idk why that's so much to ask for