#without revealing too much

[quicksilver-rain]

Local Goblin is terrible at posting finished commissions and allows a FULL YEAR to elapse before showing y'all this piece @/max.hearts on Instagram commissioned from me of their baby Finley—whomst I love—more news at eleven.

Anyways I love designing outfits. :)

[PLEASE CLICK TO ENLARGE, THERE'S SO MUCH DETAIL]

Deep Lore: All of the embroidery on Finley's outfit is referenced from traditional Japanese Sashiko techniques and patterns, except for the wispy clouds that connect the motifs and the star rays on their left leg. There are no patches because Sashiko acts as a reinforcement for the cloth on its own with the patches are placed beneath the garment.

The sleeves of Finley's jacket reference a technique called Boro, which is a type of Japanese quilting which uses Sashiko stitching to turn unusable scraps into larger fabric pieces for clothing, blankets, or larger pieces of reinforced cloth.

[hikayunas]

🐯

[munnystone]

iyknow oftentimes i feel like the first impression ppl get is that koban is my favourite of the duo when in reality lianhua is my favourite punching bag of the two. making him suffer for my amusement

[alaynestone]

rare sightings of dean's pretty armpits over 15 seasons of spn aka what you follow this blog for!

[roykleinberg]

sorry for epic mickey posting on main in 2024 but the remake has me brainrotting so hard again. and I need desperately to unpack the psychology of oswald not only a) recreating mickey's house in wasteland and b) putting it right next to ortensia's house. gus frames it as oswald "hoping you would be forgotten someday" which makes it sound like another act of bitterness on oswald's part, like he believes mickey ending up just like him is inevitable and he's crossing his fingers in anticipation of it. which seems very much in line with his attitude elsewhere in the game, to be fair.

but.......... he recreates a space to feel just like home for mickey. oswald's spent his time in wasteland either carefully constructing a world free of mickey mentions, or living on top of a literal mountain of garbage mickey merch stewing about how much he hates him. but he still makes and maintains a familiar place for mickey to be comfortable, just in case he ends up forgotten too. he also makes him neighbors with ortensia. you could argue that the house would just be a big gotcha when mickey is forgotten, something for oswald to rub in his face in a see, I knew you'd end up here sort of way. but I don't think he'd make that neighbor arrangement out of malice. he wouldn't do that to ortensia, at the very least. she's the most important person in his life -- and part of mickey's family too, by extension. maybe he did actually want mickey to feel like part of the family, like he wasn't totally alone with his sister in law living right next door.

oswald is bitter and jealous and angry -- but he also knows how awful it is to find yourself in wasteland, removed from everything (and potentially everyone) you know and love. for as much as he resents mickey, he doesn't actually want him to suffer. so he's got a house and a family waiting for him.

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[kheprriverse]

Ko’jin being a pest in dragon-form is one of my favorite things to think about. And I’m going to share with y’all part of this au-branch and why he’s a total nuisance below.

Everything about this au is completely the same as my main one (the best abbreviation i can give rn for the main one is “COTS”) except at some point near or after the end, Ko’jin offers to ascend Ballad. Theres a lot of events and decision making that spurs this kinda offer, and I promise it makes sense for him. Thats where it splits into the wargod au.

Ballad ends up with a lot of free time over the years adjusting to the new life. It takes a very long time (I’m not exaggerating when i say at least a couple hundred years) where he’s able to fully accept his new role in the world and finally be able to solidify himself as one of the very few deities currently alive. (I can imagine it was very hard for him to make the decision in the first place, knowing how important his family and original life is to him. And that in of itself is a whole other deep dive.)

It becomes kind of routine for him to meet Ko’jin in certain “touchdown points” where the moon serpent is taking time to rest. Ko’jin has had to spend years catching up on so much that he missed since his original falling, the battle against Majora that left him on the edge of death. These touchdown spots serves as a moment of peace for him to rest and regain what energy he had used up and are usually places of interest relating to the moon serpent specifically (shrines and springs primarily).

Eventually though, Ballad caves into an idea Ko’jin offhandedly suggested in the past; “if you want to be so busy you should just start a new ranch in Termina”. Because yk what? He does need to be busy! He misses his animals and he misses working. So why tf not?

I also imagine ko’jin returns home at the most inopportune times; always when Ballad is busy working or napping. Which also makes him out to be somewhat annoying, but what’re you gonna do when a gargantuan dragon god decides its cuddle time? Cuddle with em, obviously.

Basically slow ranch life simulator with two deities who bask in the sun with their farm animals and sometimes get into fights with other giant world-destroying forces. Very normal.

[sisaloofafump]

Obsessed with the idea of Clark, after months of months of intense, depressing cases, getting his investigative friends back together to have one fun, simple mystery... on a murder mystery cruise. Too simple, unfortunately, as most of them solve it immediately and spend the rest of the trip desperately pretending they hadn't already figured it out.

Bruce and Lois are in lockstep at the back of the pack pretending to be clueless but under their breaths are maliciously trying to out spoil the next big reveal for each other. Bruce has a keen eye for the props and details, while Lois knows how a story is written, resulting in a wicked but equal back and forth.

Clark has his eyes locked straight ahead trying desperately not to listen to the actors practicing their lines in the next room over... and ends up blocking out most of the actual plot. Regardless of whether a clue he picks up is intentionally placed or not, he tries his best to forget it immediately and just "enjoy the experience".

The crew had hope for Jimmy. He's a nice young man—very engaged. Little too engaged. Never comes close to solving the case but came out with a very comprehensive knowledge of the first (and only the first) character's backstory. He goes missing after the first few hours and spends the next two days lost in the bellows of the ship investigating the life of the boat's first owner and the many adventures it has been on since. None of it useful to the scripted mystery, but it's significantly more interesting.

In the end, the only ones who properly solve the case are the two old ladies who coincidentally got tickets for the same weekend. Most of their progress could be attributed to Dick's help, however, as he split his time between aiding them and trying to get Alfred a cameo role in the plot.

Lois writes a shoddy review of cruise a week later. The plot is significantly more complex than actually staged—reliant more on how she and Bruce thought the story went (or was going to go), and less on any true memories. The accompanying photos of an old privateer's maps and the musty lost rooms of the ship's hull only aid in the confusion. Clark cannot provide clarification when asked and the review is eventually scraped.

All in all, a thoroughly enjoyable, if utterly unproductive, vacation.

[mechazushi]

God, you're dense [Affectionate].

{a Kn8 short story}

Hoshina wasn't one to play games. Sure, he liked to have fun, but playing with people's emotions and perceptions wasn't something he could get into. He raised himself on the belief that being straight forward on something was the best course of action. If someone couldn't get on the same page as him, that was on them. He worked in a position where the best moves forward and anyone else that can't keep up with him were best left behind. Of course, much like most rules in life, there were exceptions to the rule. His biggest fault to everything he stood for was a tall, jolly, brute of a beast named Kafka. Kafka would be an exception to most everything he would die on a hill for. On the opposite end of the spectrum, however, was one person that he held to the highest accordance of his standards. His brother.

Hoshina made a point not to talk to his brother after he got accepted into the defense force. The restrictions on that got tighter after he got accepted as Mina's Vice Captain. Since before, he still showed up to family gatherings at the least to entertain his mother's concerns about his livelihood in the Third Division. Still, just because he didn't make attempts to contact his family, doesn't mean his family doesn't make attempts to contact him. It was always inevitable (because they don't tell him ahead of time) always with the supposed best of intentions (Because what quality road to hell isn't paved with them) and always at the most inconvenient times (an ability that seemed to be an inbred skill in every other family member). Between catching up on chores that should have been done yesterday, decaf in the communal coffee machine, and his third favorite pen breaking, Hoshina found he wasn't in the mood to talk. So obviously it was a perfect time to be visited by his least favorite person.

Walking down the hallway with a mountain of signed paperwork, his pace was intended to be brisk, but felt sluggish all the same. As he passed an intersection in hallways, he noticed the large frame of a burly friend catching up behind him. As Kafka slowed his pace to match his commander's, Hoshina tilted his face in his direction and flashed what was hoped to be a casual and respectful smile.

"Had a feeling you'd feel like that once I heard about the incident at the coffee machine. Here. Brought this for ya." Kafka said as he handed over a steaming mug of dark tan coffee.

"Oh, I already had coffee today." Hoshina tried to politely decline. he guessed his smile wasn't as bright as it should have been if Kafka could see he was feeling off.

"Yeah, but that was decaf." he insisted as he held the mug by its rim and pointed its handle temptingly toward its intended recipient.

Hoshina stiffed its steam heavily as it wafted under his nose. The smell of a caffeinated brew being much more rejuvenating than the bland swill he choked down this morning. He didn't think twice as he shifted the paper load more securely under his arm and took the offered mug greedily. There was a low, grateful moan as the hot, searing, and just lightly sweetened liquid burned pleasantly down the back of his throat.

'You might've just saved my mental state yet again, Kafka." Hoshina finally muttered after nearly downing half of the mug.

Kafka just chuckled as he walked in time with him, and after a while, held out a hand in an offer to carry the paperwork. Hoshina politely refused again, feeling genuinely better now that he had something more stimulating coursing throughout his system. Walking side by side, they engaged in pleasant idle chatter as they continued down the hallway. Without checking how far they had walked, they neared an area that had a lobby that was sparsely populated. As they got closer, an irritatingly familiar voice rang clear in the partially echoey room.

"Brother Dearest!" Soichiro Hoshina, Soshiro's older brother, was leaning against the desk in the back center of the lobby, relaxing like he deserved the space he was taking up.

"Oh God, why aren't I being delivered from evil like I ask every Shrine visit?" Soshiro muttered as soon as he realized who was occupying the open room with them.

"That's your brother?" Kafka asked as he laid eyes on the visitor.

"Unfortunately." Soshiro said with every letter somehow overflowing with distain and loudly enough to be heard by the other person.

"Come on, brother! You had to have known that one of these visits was to have to happen soon? It's been, what, months since you've even sent at minimum a hello to Mother." Soichino's words were playful, a clear difference in demeanor to the attitude his younger brother was radiating. A second had passed as he clearly gave the plus one an interested once-over after he lifted his sunglasses off his face.

"Well, hello soldier. And who might you be?" A salacious smile slithered coolly over Soichiro's glossy, thin lips. His tongue flicked out and over his teeth teasingly as he continued to stare down Kafka with a darkened sense of interest. Kafka bowed deeply in greeting before he introduced himself.

"Kafka Hibino. Officer of the Third Division." was his militantly clipped response.

"Kafka... Kafka... Where have I heard that name before?" Soichiro drawled out as he shifted over to Kafka's side, poking his shoulder with the arm of his sunglasses with playful emphases.

"He's our Kaiju Number Eight, you salacious cur. Now what are you doing here?" Soshiro snarked as he took another sip of his coffee. His brother made no move to acknowledge the comment as he continued to speak directly to Kafka.

"Kaiju Number Eight, huh! So you're the beast on the battlefield. Is it too much for me to ask if you're a beast anywhere else?" That Cheshire smile never left his face as his eyes turned into a more evaluating gaze.

"Well, I'm the Division's only on call Kaiju. It's pretty safe to say that I'm always the beast when it's needed." Kafka smiled bashfully as a hand came up to scratch the back of his neck. Soichiro practically giggled as a hand came up to mischievously smack the other shoulder.

"Look at you! Making out to be something that strong and powerful as a humble brag!" the older brother seemed to slide in closer to Kafka's personal space, with Kafka playing it off as business as usual. Soshiro could feel the handle of the mug creaking under his tightened grip as he looked on at his brother's shameless display.

"Ya know, I had originally cleared out my schedule to take my brother out on a lunch date, but I've just realized he's been a horrible brother and hasn't shown me around the Third Division's main facilities not once!", Soichiro saddled up impossibly closer and even had the audacity to slip a hand around the back of Kafka's forearm, "Why don't I be a good Captain and help clear yours so you can show me around? I'm sure any tour by you would be far more interesting than what he could provide." Soshiro watched as he saw the offer being sealed with an obviously flirty wink.

"Well, I'd be happy to! That is, if it's alright with my Vice Captain?" Kafka asked as he looked innocently toward the younger brother, seemingly unaware or unaffected by the attention he was currently being given.

"No Kafka, that won't be necessary, If my brother is going to come out all this way to see me, then he's just going to have to settle for my company alone." Soshiro said as he placed his paperwork and his coffee mug on the abandoned reception desk.

"Yeah, that makes sense. Maybe some other time?" Kafka asked as he looked at the older Hoshina brother.

"Such a shame. Don't be surprised if I take you up on that offer." Soichiro tittered as he patted the other side of the forearm he was still holding onto. The two brothers watched intently as Kafka turned around and walked down the hallway. Soshiro waited until he was out of every possible hearing range before he decided to speak.

"Alright, you bottle-platinum harlot. What the hell was that display all about?" Soshiro made no attempts to restrain his irritation at his brother's expense. He had no idea what game his brother was trying to play with him, but he wouldn't stand for it since it seemed to involve a very close and personal friend of his.

"I don't know what you mean." Soichiro said as he kept tittering. His posture and demeanor revealing to his younger brother that there was a plan brewing behind those evil eyes.

"I will not have you seducing my strongest man over to your division while I'm here." Soshiro commanded as he leveled a piercing gaze at the other person.

"Excuse me, 'Your man'? I'm sorry, but I didn't see a ring on his finger." Soichiro teased as he turned to face his brother.

"That's not what I meant and you know it, you vile rake." Soshiro spat the words out in an attempt to dissuade any further conversation on the topic.

"So catty today, are we brother? I was simply taking in the local selection. I'm not surprised you're interested in him." Soichiro chatted as he teasingly bit on the arm of his sunglasses.

"I also see you've decided to take up slander as a hobby since last we met." Soshiro grumbled as he found himself forced into a position where he had to talk to his brother in person for more than a minute.

"Oh, please! You know our family has a history of liking them sweet and dumb. How do you think Mother's marriage has lasted this long?" Soichiro continued as he leveled a knowing stare at him.

"If you're going to keep insinuating things that don't exist, I'm going to order you to cancel the lunch date and leave." the younger brother retorted as he turned around to drink the last sips from the coffee mug.

"What do you think I'm insinuating?" Soichiro purred as his sight never left his brother.

"Don't toy with me today, you troglodytic trollup. I am in no mood to bat around this string of yarn you're trying to spin here." Soshina kept snapping back as he took the opportunity to avoid eye contact as he shuffled around the stack of papers.

"Why all the denial, Brother Dearest? Especially since we're so far from Egypt. Besides, it's not slander saying you like a coworker as if your interactions weren't displayed all over the news two weeks ago." The grin broke into a full blown, toothy smile of superiority as the Captain of the Sixth Division draped himself over the desk's top next to Soshiro.

"What... interactions?" the Vice Captain hissed as he slowly turned his head to side-eye his brother

"Should I reenact it for you?" Soichiro giggled before flopping onto his back and dramatically fainting, "Oh! I seem to have taken a terrible fall and broken both of my legs! Oh, is there some dark, handsome, Knight in living armour that can princess-carry my oh so fragile body to the farthest fucking ambulance on scene and completely bypass three others that were unoccupied and were going to take me to the same fucking hospital!" It was clear that he was taking a massive amount of joy retelling his version of events that he saw on the news as his voice raised in volume with every reveal.

"I didn't break my legs, I dislocated my ankles! What would you have me do, walk?" Soshiro started to match his brother's volume and had now fully turned to him to confront this problem of point-of-views head on.

"The cameras clearly show you two having a conversation where it shows you convincing him to carry you!" The two of them were so close to each other's faces now their noses could touch.

"I was trying to convince him not to!" Soshiro returned.

"Because the cameras were rolling?" Soichiro asked.

"Yes!" his brother answered.

"AND BECAUSE YOU TWO ARE IN LOVE! Why else be camera shy about being carried around in public?" The eldest returned triumphantly as he poked him in the chest.

"NO." Soshiro shouted back as he shoved his brother backwards, "We are not in love! What part of this do you think it's okay to date someone like him?"

"Oh don't act like you can't because he's under your position. He makes his own precedent as he breathes! And you are the right type of rebellious, attention craving, delinquent punk that would absolutely fall for someone that is perfect for you in all the right ways, while also him being a human anomaly in every sense of the word! He turns into something our family has been training it's young to kill for centuries so of course you're going to deviate from the norm and be practically head over heels for him!" The Captain couldn't stop himself from cackling as his lungs quaked from talking for so long without breath.

There wasn't anything left on the matter that Soshiro could say to make his brother change his mind, so he decided to let his fists do the talking for him as he sent a vicious right hook. His fist connected to his brother's left eye and caught him off guard for a second. Before he could speak out against the assault, the younger brother wasted no time in jumping onto his brother and throwing his fists left and right. The two soon became a mass of tangled limbs and colorful curse words on the floor. It wasn't like this for long as two other people came across the fight and helped break up the fray.

"Alright, alright! Break it UP!" You two are grown up men, and Defense Force officers at that! ACT LIKE IT!" Okonogi reprimanded them as Aoi held them off the ground by their jacket collars.

"Yes, Okonogi." The brothers said in unison. As they were set back on the ground, they straightened their outfits and waited to see if their new company would leave. When they didn't, Soichiro decided to speak what was left on his mind anyway.

"The lunch date is still on, by the way. Mother's orders. How about I give us an hour to cool down and we try this whole 'conversation' thing again?" he tried to say with as much possible conviction in his smile. Soshiro just glared violently as he picked up the stack of papers from the desk.

"I do what I damn well please, you leporid bunk bunny." he said as he stormed off. Everyone watched as he walked away before his older brother spoke up again.

"He'll be fine."

 𓈒   𑁍 𓈒

It was a little after seven thirty before Hoshina felt fine enough to interact with anyone. Spending some time in the gym helped him feel better after dealing with the Lunch Date From Hell. It also helped that he got to meet his favorite punching bag for sparring.

"Look -huff- I get you -huff- don't like your brother -huff-, but did you really -huff- need to literally -huff- kick my ass?" Kafka's lungs heaved after spending what felt like hours defending himself from his Vice Captain's volley of blows.

"Ya snooze, ya loose Kafka. Intense training is for your own good." Hoshina quipped back as he walked over to his duffle for water bottles. Kafka shambled behind him slowly and sat down on the bench the bag was next to.

"Intense training, my entire bruised ass. That last chokehold felt personal." Kafka began to regulate his breathing by the time Hoshina made it over with the water bottles.

As Hoshina drank from his, he subtly tried to look at Kafka as he poured some of the bottle's contents onto himself. He watched as the water made his partner's bangs stick to his forehead at odd angles and made a swift attempt to cool his fiery red cheeks. Hoshina didn't let his imagination run too far away from him as he thought about Kafka looking worn out and sweaty for a different reason. Of course he denied everything that was said earlier that was concerning the situation between him and Kafka. Mainly because it all implied that Kafka felt the same way he did. Had it been a complete stranger talking to him this morning, it would have shocked everyone that knew him once they heard how different his answers would have been.

As Kafka finished rubbing the cool water into his face and straightened his back and arms out into an intense looking stretch, Hoshina forced himself to look away from the rippling of muscle and the straining of his tank top around said muscles. In moments like this, when he was sure no one would be looking or they were alone, Hoshina liked to play a little game with Kafka. It wasn't one that you could win with points or anything. Hell, some days it made Hoshina feel like all he did was lose by playing, but he couldn't deny that conniving little twitch that begged for him to play over and over again. All so he could see that dumb little smile.

"Still improving as slow as always." Hoshina said after a minute of relaxing on the bench.

"Hey, at least I am still improving, right?" Kafka returned as he looked back at his Vice Captain.

There was a smile, sure, but it wan't big. He could do better.

"Can't say I don't find you to be consistent at least 1% of the time." Hoshina offered as a response, deciding to bring up a well used joke between them. He turned back to look out at the empty gym in front of them.

"God, I still haven't gotten higher than that, haven't I?" Kafka chuckled out of the side of his mouth.

"It was a good thing we found out you were a kaiju when we did. Could you imagine what would have happened if you couldn't raise that percentage up high enough in three months?" Hoshina thought the comment sounded funnier in his head, but once he heard it out loud he wanted to smack himself for it. Everyone knew that it was a horrible thought, thinking about Kafka not being around anymore. Even that was something Hoshina couldn't bring himself to deny or joke about.

"I do every day." Kafka sighed heavily, "Everyday I wake up here." He closed his eyes for a second as he smiled softly, his head coming to rest against the back wall the bench was against.

Hoshina turned back to look at him, taking Kafka's moment of vulnerability to look at him fully this time. He thought about it too. A life in the Defense Force where he didn't get to see Kafka everyday. A life where he didn't bring him coffee or hear his laugh or have drinks with him after work hours. Hoshina could feel his heart squeeze at the thought of Kafka not being in the Defense Force, or worse, suddenly living at a different Division. Being close by technicality, but feeling oh so very far.

"Did you notice my brother was flirting with you at all?" Hoshina felt himself ask before he could take the words back. He felt himself brace for the answer in the brief moments in between his heartbeats.

"Wait... really?" Kafka asked with genuine interest. Hoshina could feel his face twist into something between curiosity and mild disgust. Kafka couldn't tell he was being flirted with? And was okay with it coming from his brother?

"Ye-yeah?" Hoshina returned hesitantly.

"You sure? 'Cuz I mean... wow. He's... actually interested? In me?" Kafka's smile grew bigger and more wonky as he processed what he was told.

"You're okay with this?" Hoshina questioned incredulously. He could not believe what he was seeing, and was actively praying that this wasn't the case.

"Are you kidding? Of course! You're brother is frickin' hot!" Kafka replied with joy, "Is he, like, still around? I mean, I know he's not here kinda around, but I mean, is he like, nearby? Like in a hotel or something? Nah, that would be creepy. Oh! Could you let me have his number?" Kafka prattled on as Hoshina continued to become more and more disgusted. Sure, he was a little happy to hear that Kafka was cool with being hit on by guys, (and clearly reciprocated the sentiment) but felt absolutely horrified at hearing Kafka wanting his brother's number. So much so that he immediately stood on the bench seat so he could get a good enough vantage to stomp on Kafka to stop his train of thought.

"You! Will! NOT! Be! Dating! My! BROTHER!" Hoshina shouted out between the stomping.

"Jesus! And here I thought you wouldn't be having a problem with me liking guys! Yah know, since you told me about it!" Kafka shouted back as he tried to defend himself from the onslaught.

"I don't have a problem with you dating guys! I have a problem with you dating my brother!" Hoshina said as he pressed his foot down firmly onto Kafka's hands that were protecting his head.

'Well then, who would you rather have me date?" Kafka returned rhetorically.

"Me for starters!" Hoshina finally admitted. Once he did, he let the pressure off of his foot and just stayed in the position for a hot minute, feeling as awkward as a school girl admitting to her first crush. Kafka just held onto the foot as he looked up at his commander with wide, unbelieving eyes. All Hoshina could bring himself to do was look away, his cheeks flushing hot and bright. Kafka helped lower the foot down as he got up from his seat to face him from the front.

"Have... have you been flirting with me too?" Kafka asked. Hoshina still couldn't look at him or answer, so his cheeks answered for him.

"How long have you been flirting with me?" Kafka asked again.

"Two... two years." Hoshina answered quietly.

"We've known each other for two years." Kafka responded. Hoshina still hadn't made a move, only crossed his arms defensively.

"YOU'VE BEEN FLIRTING WITH ME SINCE WE MET?" Kafka shouted as he made the realization.

"To be fair, I don't flirt like a normal person and you clearly can't read context clues." Hoshina said as he finally regained some control over his mouth. He just wished he had better control over what it said.

"Why didn't you say anything before now?" Kafka sounded incredulous at the thought of how he could have been dating the most amazing person on base before now, had be been able to read between the lines.

" I kept thinking it was funny?" Hoshina responded in a shy, quivering voice as more blood rushed to his face and made it redder.

"Okay, now I have to ask. What about me do you like? Do you think I'm handsome, or do you really just like to think I'm funny?" Kafka questioned as he waved his hands around animatedly.

"Honestly? I just really like that you're funny." Hoshina said as he relaxed and playfully shrugged. Now feeling better about having all of this out in the open.

" So, just, fuck my face then." Kafka said in a sarcastically irritated manner while turning around and waving his arms.

"I would if you'd stop talking." Hoshina accidentally let slip.

He wasn't ashamed of saying it, but probably should have found a better time to say it. It didn't seem to matter anyway as Kafka took a second to stop his flailing and slowly turned around to face his commander again. A sly smile tugged at the corner of his lips as his eyes darkened at the play on words they stumbled into.

"Well alright then." Kafka chuckled darkly as he strode over to where Hoshina was still standing. He grabbed his legs and threw him over his shoulder, holding onto Hoshina's calves for dear life as he carried his thrashing lover out of the gym.

"Wha-what do you think you're doing?" Hoshina cried as he tried to look back at his kidnapper. Kafka returned the most intensely flirtatious side-eye back at him as they walked out of the gym.

"Moving training to your place, so you can properly shut me up."

"Wha-what, no dinner first?" Hoshina stuttered nervously as he continued to be paraded down the hall on Kafka's shoulder. He got even more nervous as Okonogi slid past his line of sight and watched them walk away.

"You've been flirting with me for two years. Dinner can wait." Kafka growled as the other hand came up and audibly smacked Hoshina on the ass.

[genosunmi]

Please please please can someone write a fic where Saitama gets blasted by a honesty beam; inyected with the legitness™ serum or make some villain beat him up with the cheese of truth. Mess him up! Let him express his thoughts, his true feelings... Make him blurt out how he appreciates the people in his life even when he tries so hard to stay silent... pleasee make everyone uncomfy. Make him cry.

[ansonmountdaily]

Star Trek: Strange New Worlds Season 2 in SFX magazine June 2023 issue

The cast of Strange New Worlds features in an article titled "Enterprising Situation" for the upcoming SFX magazine, written by Darren Scott.

Showrunner Akiva Goldsman talks about Season 2, like the upcoming crossover episode with Star Trek: Lower Decks and the challenge of blending animation with live action, and finding the right tone for the episode, and the fact he's open to future crossovers with other series timelines. He also talks about the new Chief Engineer Pelia (played by Carol Kan), the fate of Number One, returning characters, about challenges of the show having 10 vs. 24 episodes per season, that certain characters who might not have gotten as much screentime last season, will get it in season 2, and that they’ve moved some characters around and "put some folks together who aren't necessarily canonically together at the same time" (like Lieutenant/First Officer Kirk), while still trying to stay within established canon.

He said of Season 2: "The pitch that came for season 2 was a lot of, 'We're going to do what we did last year, but more' and that's what we did! We took to heart the fact the audience seemed to like what we liked, which was genre-jumping, closed-ended narratives with some character serialization. It was a real harkening back to the original series, when it came to the occasional O Henry-esque or Twilight Zone-like turn, and at the same time you're in there shining a light into the nooks and crannies of canon. So we just did it again, basically. It was very reinforcing. If the fans hadn’t liked it, we certainly would have ended up doing something more traditional. So we were really happy to get to keep doing it."

Goldsman also mentions Strange New Worlds Season 3, which has already been commissioned and announced. "You carry a couple [episodes] over. The ones you always wanted to do that you couldn't quite get in the previous season. But then you sort of start again, because the world has shifted. Our 10 for season three are also delightful. They're in the not-made stage, but we know what they are and it continues to be exciting."

[the-kr8tor]

I surprise myself everyday. I have finished cowboy! Hobie chap 1 in one sitting, expect it within this week!

[outeremissary]

Doodles. I often worry that I'm kind of lazy with how I stylize Balthazar's hair, so as always I'm thinking about how to make it look appropriately curly since the texture really is something I love so very much about his design. Kasander is also here... together, the two floofiest looking OCs 💕

[karamazovposting]

On incommunicability

I saw a post that mentioned how Ivan is so radicalized by child abuse and yet hates Pavel so much and I want to talk about it because I genuinely think about it a lot (I clearly have issues), but I'm making my own post because I don't want to randomly come rambling into a stranger's notes.

I've said it before, but Ivan is a paradoxical (I mean, other characters refer to him as such multiple times) person and that's exactly what I love about him and the dynamic between him and Pavel. In theory he wants to help people and in some instances he does, such as the whole making Dmitri escape prison situation and his encounter with the peasant in the snow, but when he has to get emotionally close in order to do so, like he would have had to do with Pavel, he doesn't. Ivan was the only one who could have helped Pavel, except he couldn't because he has issues and can only interact with others and love at a distance.

The difference between Dmitri's situation and Pavel's is that when it comes to the former, Ivan can still act at a safe distance and even through Katya and Alyosha, so it's not an emotional ordeal. There are a lot of feelings at play in this kind of situations and feelings are not something Ivan is good with, and I think it makes sense for him to feel such rage towards Pavel simply because that's what Ivan turns any feeling he doesn't know how deal with into, so I wouldn't exactly call Ivan a hypocrite as I think it's more complicated than that; pushing away people is all he does and it's coherent of him to do so with Pavel too. To me it also makes sense for him to fail to see the suffering children that the adults around him once were, as absurd that may seem. It's all about rage and the blindness that comes with it.

It's important to highlight that it's explicitly stated that even Ivan himself doesn't know why he feels so angry towards Pavel; I've always wondered about the background of Ivan's change of attitude towards him, considering they used to have a civil relationship and it's mentioned that they used to have intellectual conversations as well, and honestly I think it's because of Ivan and his comfort zone: when things become too much, he distances himself. It's obvious that he knows what his brothers' childhoods were like, he even brings up the suffering of children at lunch with Alyosha, he knows that it ties them all together and that knowledge, on top of the abuse, has impacted him deeply. Having Pavel keep trying to get closer angers him even more and, personal opinion here, it reminds me of the way Fyodor tries to get Ivan to talk to him in some passages of the book. On the other hand, Pavel tells Ivan he's just like their father because to him Ivan is in fact just like their father: another person who discarded him. And it all stems from a deep mutual misunderstanding.

I can't really condemn Ivan, just like I can't really condemn Pavel (or Dmitri); they're a product of their environment and to me The Brothers Karamazov is also a book about misunderstanding and incommunicability: sometimes there's just some sort of invisible barrier between family members that nobody can really do anything about, and sometimes you find yourself in something that is so messed up, so tangled and so much bigger than you that you just don't know where to start to fix it (you can't, not alone at least) and I hope you get what I'm trying to say as it's difficult to explain the very specific and complicated mechanisms and feelings in such dysfunctional family dynamics.

I've said before that I don't consider Ivan's character and story tragic and while I still stand by that, this is to me the tragic thing about him: he, who has empathy for and wants to help those who've been abused, could've done something to actually help a (now grown) abused child close to him, in his own family, but couldn't even try due to being emotionally neglected (and therefore a now grown abused child) himself. In the end his inability to break the cycle, which is itself part of the cycle, digs his own grave and that's incredibly fucking sad.

[lilacerull0]

i haven't even seen the episode yet, but learning about the fact that they didn't include such an essential aspect of the story is making me feel so irrationally sad