#will x barbara parallels

[livelovecaliforniadreams]

2x19 | 4x3

[shyjusticewarrior]

Tim and Bernard

Dick and Barbara

[rhcenyra]

ABBOTT ELEMENTARY

1x04 ⇢ 3x05

[tableintheteacherslounge]

Now tell me why gregory ran after janine in work family and mel ran after barb in fire

[lizmitches]

ABBOTT ELEMENTARY 2.10 | Holiday Hookah

[i-smoke-chapstick]

'DON'T BLAME ME, [PART TWO]

-GOTHAM!JERVIS TETCH X READER-

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ; You meet the man from the club again.

⋆ tags/warnings. GOTHAM!jervis x female reader. SLOW BURN!!! Not sure how many chapters this will be yet! LOTS OF PLOT SET-UP!! AGE GAP ROMANCE! (reader is Jim and Barbara's daughter) Jervis and reader are lowkey Hamilton and Burr parallels. She fell first, he fell harder. Writing this kind of artistically and as character studies for everyone. Reader's still reminiscing. Daddy issues. Jervis being an obsessive freak, per usual. More reader lore is dropped. I'm taking canon out back and beating it with a stick until it stops twitching. Jim Gordon is...Jim Gordoning.

⋆ tag list (tell me if you want to be removed!) @adalwolfgang @jervis-tetch-my-beloved @honestmrdual @moonlightnyx

⋆ 'PART ONE, - 'PART TWO, - ‘PART THREE, - ‘PART FOUR, - ‘PART FIVE, - ‘PART SIX, - 'PART SEVEN, - 'PART EIGHT, - 'PART NINE, -'PART TEN, - 'PART ELEVEN, - 'PART TWELVE, - 'PART THIRTEEN, - 'PART FOURTEEN,

♫ “Something happened for the first time, in the darkest little paradise.” Don't Blame Me by Taylor Swift

Everything feels cold on mornings like these.

The light bleeds in through the venetian blinds, gray and gloomy. You huddle into the blankets, clinging to any warmth you can find. It's your dads house, or rather, apartment. You remember waking up in a king-sized bed years prior.

Your thoughts drift back to old memories again. You wish you could push them out.

"Dad, I'm scared." You say, seven years old, middle of the night, clutching a rabbit stuffed animal. Your mom rubs her face, still groggy and half-awake.

"Hey, hey. It's okay." He whispers through his own fatigue, stretching out his arms for you to join them on the bed. "Why are you scared?"

You hop on the bed, crawling into him. Your mother tosses, turning over with a lazy hum before drifting back to sleep. You squeeze your rabbit, Mr. Marbles, and bury yourself in the covers.

"What if they get me?" You ask, voice small. You can't see your fathers eyes soften through the darkness.

"Who?" He seems to sober up from sleep at your question, clearing his throat. His voice becomes a bit clearer.

"The bad guys." You say the words like they're sacred. It feels hard to get them out, and it feels swallowing salt-water.

Silence.

"I won't let them, I swear to you." Your dads voice speaks, and in his arms, you feel sleep slowly return to you. "I'm gonna protect you. And mommy."

"What about you?"

Silence.

"Go to sleep, Y/N. Everything's going to be okay."

You fell asleep that night, quiet, waking up to pancakes, and light that was much warmer than what you have now.

You sit up in your own bed, cramped. You heave a sigh, rubbing your temples. You're not tired like you should be. You stayed up the previous night, jumping roof-tops with Selina. It was a welcome distraction, the adrenaline that pooled in your blood at night. Mornings in Gotham were worse.

You hear whispers in the room over. Thin walls. You don't care to listen as you get dressed, but you do wonder who exactly your father could be talking too.

"How'd you find me?"

"Oh, you're famous, sir. You're names in the papers. The famous bounty hunter." You wince. Jim Gordon. Your father. The bounty hunter.

You walk to the room quietly, before stopping. You see the two men sitting down, and you piece together just who exactly is on the couch.

Both men turn to face you at the interruption, and Mr. Tetch looks equally as surprised as you are. His eyebrows pull together, and your dad looks like he's been caught doing something. He knows you don't approve of this bounty hunter bullshit.

"Ms. Y/N?" Mr. Tetch calls, and Jim picks his head up at this. He gives you a look.

"You two have met...?" Your dad speaks, sizing up the situation in concerned curiosity.

Before you can answer, Mr. Tetch does for you.

"Yes, sir. We've met at the Siren's club. Your daughter, I presume?" He asks, inquisitively. He looks as though gears are turning in his head. Jim simply nods, a bit uncertainly.

"Hi." You give a small wave. Mr. Tetch brightens up at this, somehow fascinated.

"Right." Jim says, slowly. He looks back between the two of you.

That familiar feeling of silence sounds out again. It tastes bitter.

"...I want you to find my dear friend." Mr. Tetch speaks up. "We're very close. But...her condition proved too much for me. I sought help, the worst kind, the fiend. Professor Strange." He hisses the insult with venom. You watch your dad raise a brow as he sips his coffee.

"Her condition?" He asks, and you marvel at the words. How odd.

"Some poison, in her blood." The man responds, like it's casual. "very rare, unique, in fact. He took her in. Said she needed constant supervision. He wouldn't let me see her."

There's an edge to his voice. The way he talks about this friend of his. Poisoned blood, you think, curious. For some reason it embitters you. You hate this fucking city sometimes.

"You go to the police?" Your dad asks. Of course he'd ask that.

"Useless." Mr. Tetch says, solemnly. "This is Gotham, after all."

You let out a soft chuckle at that, which makes both of them look at you. Both sets of eyes zone in on you. Your dad looks disappointed.

"Well, he's not wrong." You nip, and Mr. Tetch cocks his head up. "The GCPD is a shit show."

Mr. Tetch looks surprised at your audacity, and a bit amused. Your father reprimands you.

"Y/N." He says, and you bite back a retort. He sighs, dragging a hand along his face. "Indian Hill escapees get five grand from the GCPD. You able to top that?"

You remember when all the money in the world couldn't have swayed the famous Jim Gordon from his duty.

Mr. Tetch pulls out a wide wad of cash from his pocket, "I'll double it." He speaks. Woah. Did your mom give him that much for just one show? No way in hell. He must have gotten this money somewhere else.

"I'll see what I can do." Jim says, without question. You want to roll your eyes.

"Thank you, very much." The man responds. Polite, isn't he?

You watch as your dad pockets the money, and how he's handed a photo of a beautiful woman. In a strange way, it makes you feel a bit insecure.

"Leave your number-" Jim goes to speak, when Mr. Tetch interrupts him, handing a business card. Eager much.

The man leaves without a word, sending you a final glance before he turns. Those dark eyes...they startle you. He sends a small, intrigued smile. Again, it feels like the world stops. Your breath catches in your throat.

When he's gone, you stand on your toes to hover over your dads shoulder. You two stare at the business card in synonymous silence.

"The Great Jervis Tetch" Hah. So that's his first name. Jervis.

You suddenly feel warm. Maybe this house isn't that cold after all.

[idkaguyorsomething]

Is it weird that I am perfectly fine with Araki giving Jodio a severe mental illness but still wish he had given Jodio a different one?

sorry it took so long to answer this one, i was trying to figure out how exactly to answer it, and it turns out there's a lot of different ways:

from a perspective of representation: mental illness is an incredibly stigmatized subject, and in mediums like manga and comic books even more so, as it is incredibly common for a lot of popular plots in those mediums to go "well, x character went crazy, that's why they're evil", as well as stories in general to associate a lack of empathy with a lack of ability to act in traditionally heroic ways. jjba itself has shown that, as part of dio's initial villainous characterization involves him showing a lack of empathy towards various figures such as dario or george (although this isn't the only way his villainy is characterized, as we're also shown right off the bat that he's very deliberately cruel). with jodio being set up as more of an anti-hero, giving him more traits that could be considered unheroic as well as a commonly stigmatized mental disorder, it makes sense to not have that sit quite right. but taking the history of the series into mind, jojo's is no stranger to exploring more shades of gray in its protagonists in its past. johnny and gappy have certainly committed far greater acts of brutality in their parts, while giorno, who jodio is set up as a parallel to, outright aspires to be a head of organized crime. even josuke, who is portrayed as one of the kindest and most pure-of-heart jojos, basically condemns a guy to a fate worse than death in his first arc. this isn't necessarily anything new the series is giving us, and the fact that the jojolands is largely portrayed from the perspective of jodio himself is a massive plus, as it gives us insight into his thought processes and helps us sympathize with a character we might not have done so otherwise (telling a story from the perspective of someone doesn't necessarily ask us to sympathize with them, but things like the goofy jokes he makes with dragona, his own insight on his diagnosis, and his clear love for his family go a long way towards making jodio likeable). one could view this as the natural progression of jojos tending towards the anti-heroic while araki explores more marginalized communities he's interested in portraying, or a poorly thought out decision that furthers stigma towards said marginalized communities. personally, i think it's still too early in the story to make any real judgements, but the way i see it it's kind of similar to the situation with jolyne. she's the only female jojo, and the only one besides jonathan who ultimately fails in her quest at the end of her part. there are narrative and thematic reasons for doing so, but it doesn't sit right with a lot of people, and that's perfectly fine.

from a medical perspective: according to the dsm 5, a person must fit at least three of the criteria for antisocial personality disorder in order to be diagnosed as having it, most of which jodio does fit. failure to conform to social laws and norms (he's a teenage drug dealer), deceitfulness (when barbara ann asks him where he is and if he's hanging out with paco, he lies), impulsivity (he destroys one of the lava rocks to try and get rohan to cooperate), aggressiveness (he kicks that one fucking cop until he's a stain on the ground, twice, although he is justified in his actions and this kind of willingness to fight people is essentially a requirement to be a jojo), reckless disregard of safety (again, practically a requirement for most main characters), consistent irresponsibility (assuming what we've been shown of him is how he acts all the time, yes, although the story so far takes place over too small of a timeframe to determine that), and lack of remorse (dragona has to remind him not to get too violent in the opening chapter with the cop). so he does fit most of the criteria, but it is also a requirement that, to receive a diagnosis, a person must be eighteen or older, with evidence of having fit some of the criteria before the age of fifteen. so by real world standards, jodio would be on track to being diagnosed with antisocial personality disorder, but actually receiving it from a high school psychologist is bullshit. then again, this is the universe where the president made a cowboy race battle royale where the contestants had to collect magic body parts, so it's entirely possible that psychiatric standards in that world are just different. but you would be entirely justified in not liking his diagnosis, and there are several other disorders that fit the behavior that jodio shows. there's adhd (the impulsivity and tendency to get lost in daydreams and beating the shit out of cops), depression (the sense of emptiness he describes upon being given his diagnosis), anxiety (irritability and angry outbursts), and that's just some of the more common disorders. we haven't even gotten into some other full-on personality disorders or common comorbidities with antisocial personality disorder! from this perspective, your assessment is totally fair.

from a thematic perspective: as mentioned earlier, jojo's is no stranger to making its heroes increasingly reflected in shades of gray, and parts seven and eight especially make a point of contrasting their protagonists with their respective foils from parts one and four. johnny is a paraplegic gringo jockey twink that murders people so hard his friend the executioner had to tell him to slow down, in contrast with the jacked and kindly gentleman jonathan who impressed a stranger so much with his dignity that he immediately joined him in his quest. gappy is a quirky lil amnesiac who beats people to death with shovels while josuke has one of the more normal personalities of all the jojos and possibly the lowest kill count. at first it might seem like giorno and jodio are the most similar duo, since they're both criminals that act a-okay with murder, but while giorno's goals and reasoning for joining the criminal underground are motivated by a sense of empathy towards the people of italy and a belief in a higher ideology that passione can aspire to, jodio is a very self-centered kid. he has a very inflated idea of his own reputation, can't spot obvious traps, and the very first thing we're told about him is that he wants to be stinking rich. he also believes in the ideology of mechanisms, but it's an ideology that is explicitly centered around gain and his own material wealth, in contrast to giorno's philosophy, which involves ideals of self-improvement and certain boundaries that should not be crossed in the pursuit of power. giorno's ruthlessness stems from a place of compassion, so having his counterpart being someone who lacks the ability to feel empathy is a really interesting choice that gives the story a lot of places to go. the fact that the other criteria he fills, like impulsiveness and irresponsibility, stand in direct contrast to giorno's ambition and planning ahead, also adds further potential for the jojolands to explore a completely different sort of crime story than golden wind. so from this perspective, i'd say that your assessment is rather harsh.

tl;dr there's a lot of different angles to approach this question from. it's 90% probably that i completely misunderstood what you were trying to ask, though, so please tell me what i got wrong :P

[0zeeraa0]

While I haven't watched MHA in good while, and I'm also not the biggest DC head (cause the franchise is fucking gigantic) this is the way I see this conceptually:

Dabi x Hawks is Nightwing (Dick) x Batgirl (Barbara)

Endeavor x Hawks is Batman (Bruce) x Batgirl (Barbara)

Like excuse me sir, why are you dating a person who is the same age as your black haired (sometimes), blue eyed son and is also (in some alternate universes) his ex and is also kinda your coworker like hello????

Now do correct me if I'm wrong but the parallels make me hate Endeavor x Hawks even more (not more than batman x batgirl tho cause that is sometimes CANON)

[livelovecaliforniadreams]

1x2 | 4x1

[shyjusticewarrior]

Dickbabs having beach photos of each other

[aemiron-main]

What's With All The Miniatures and Shrinking? Featuring Welcome To Marwen, TFS, The Incredible Shrinking Woman and More (Inital/Intro Post Re: The Miniature Stuff in ST)

So, I was talking about Wilbur about the weird miniature version of the Creel house that we see in one of the TFS BTS videos:

And then, I started thinking about TFS and ST and all of the weird references to miniature/fake versions of things etc. I'm still working on another, larger analysis re: Welcome to Marwen, the Singing Detective, The Twilight Zone, TFS, It's A Wonderful Life, and Hawkins not being "real," but for now, in this post, I just want to talk about the weird "shrinking"/miniature stuff in ST and TFS and how it also connects to the weird invisibility stuff in ST and TFS. Let's get into it.

The Incredible Shrinking Woman

So, there's a VHS tape of The Incredible Shrinking Woman in the Family Video VHS store:

And interestingly enough, the main character of The Incredible Shrinking Woman is a woman named Pat Kramer- which immediately made me think of Patty Newby, and what I talked about in this post re: Patty, Suzie, Orphan (2009), and how Patty connects to the whole "small woman" thing, and NINA/Argyle's "NINA could be a small woman" line. And in The Incredible Shrinking Woman, Pat ends up shrunk due to an exposure to experiment chemicals- which is the same reason that was publicly given for Barbara's death in S2, which is interesting considering all of the Patty-Barb parallels and the fact that Patty plays "Barbara Allen" in the Dark of the Moon play in TFS. It's also interesting that Argyle specifically talks about not being able to see a small woman- versus Patty asking Wonder Woman to make her invisible, something that Patty says she knows isn't "technically canon," likely referring to Wonder Woman's invisible jet, which renders her invisible when she uses it, and also has its own AI system which is connected to Wonder Woman's brain so that she can manage it telepathically, which makes me think of Patty's weird powers-like abilities/her ability to somehow find Henry in the void etc etc, and the whole "invisible jet" thing makes me think of Project Rainbow trying to turn the USS Eldridge invisible by sending it to Dimension X:

Anyway! There's some thoughts re: The Incredble Shrinking Woman. Now let's look at Welcome to Marwen.

Welcome To Marwen

So, Welcome to Marwen is on the S4 Board:

And in Welcome to Marwen, Mark Hogancamp creates a miniature fake WW2 village called Marwen to cope with his PTSD- and he imagines that the village and everyone in it is real/the lines between reality and imagination become extremely blurred for him. And I already talked in this post about Mark's eye scar versus Brenner's eye scar (which, Brenner and the idea of a fake Hawkins/Hawkins not being entirely "real" is something I'm going to dive into more in that big analysis I mentioned), but now, I just briefly want to talk about Welcome to Marwen in general.

The village of Marwen not only reminds me of Scott's miniature town (which we'll get to in a second), but it also reminds me of S3 Will's literal miniature DND village, which is extra interesting considering Will's Brenner parallels, and specifically, his Brenner Sr parallels during that S3 scene, with Will being dressed as Will the Wise & Will the Wise's Saruman the Wise parallels versus Brenner Sr's Saruman parallels, like I talked about in this post, versus what I talked about in that initial Mark Hogancamp scar vs Brenner scar post re: Brenner Sr.

And speaking of the toys/miniature people coming to life in Welcome to Marwen, it's interesting that Spellbound, the song that plays at the end of S4, talks about toys coming alive/going "beserk":

Anyway, my main point with this is just that it involves a fake miniature town with fake, miniature people and that the lines between fiction and reality get blurred, and that Will putting the villagers into peril to try and get Mike and Lucas' attention is very similar to the scenarios that Mark Hogancamp puts his villagers (and his own alter-ego) into.

Argyle’s Small Woman Lines, Scott's Mini Town, and Things You Can't See

So, we also have Scott talking about how you "can't see" the electromagnetic field around his miniatures, but it's there- versus Argyle talking about how a "small woman would be hard to see" and Eddie saying to steve that there was "nothing you could see" versus Joyce saying "why is nothing happening"- all of which makes me think about Patty (a small woman) asking Henry what he sees during TFS when he's in the void looking for her mother:

So, we have this whole idea that things are still real even if you can't see them, versus being unable to see a small woman/the idea that people are still real even if you can't see them, and then we also have Lonnie saying that people are "more real" outside of Hawkins, and then ALSO saying that if Jonathan left Hawkins, Lonnie could "see" him more- which then connects to Scott's whole "you can't see it but it's there" thing (and also implies that the people in Hawkins aren't "real"):

Which, re: all of the invisibility stuff, it makes me think about how Project Rainbow was originally supposed to turn the USS Eldridge invisible- and technically, it did: by sending it to Dimension X. And so, when we compare that to all of the invisibility references surrounding Hawkins, part of me wonders if Hawkins itself, just the town, somehow exists in another dimension/possibly even Dimension X somehow, but anyway.

Alice In Wonderland

And now, let's talk about Alice in Wonderland, because it's definitely inspo for ST, and there's SO many references to it in ST and TFS- but today, I want to focus on the Alice in Wonderland references that centre around shrinking/changing sizes, as well as the chessboard stuff in Alice in Wonderland, and how that connects to the idea of Brenner moving the Creels around like pieces on a chessboard/like dolls.

So, I already talked in this post about the chessboard imagery with the Creel & the ideas that Brenner was manipulating the Creels both on the night of the murders and leading up to the murders, and moving them around like pieces on a chess board, as well as all of that versus the chessboard in Alice in Wonderland, and now I'm sitting here wondering if there's any literal "moving them like dolls/like chess pieces" stuff going on re: the Creels, especially considering that weird mini TFS Creel house. Brenner, quick, do you have like. A Creel terrarium going on here???

And also, in S1, they used the song "White Rabbit," which constantly references Alice in Wonderland, and specifically, talks about how "one pill makes you smaller"- which makes me think about Soteria being pill-shaped and how El says that Henward is "too big" to escape through the tunnel right before El removes soteria.

Especially since White Rabbit plays after El escaped HNL via the tunnel in S1 and ended up at Benny's/the song is connected to that HNL tunnel.

And just as a little side note, it's interesting to me that they specifically chose to describe Henry as "little" Henry in the Weekly Watcher, especially with the context of all of this weird shrinking/miniature stuff.

And all of this makes me think about the whole "one pill makes you smaller" thing vs a.) El literally appearing as a smaller/younger version of herself during NINA and b.) what I've talked about re: Henward being subtitled as "boy" during NINA despite seemingly being a grown man.

There's more to talk about re: all of this and ST vs Alice in Wonderland but I'll save that for another time because this post is just meant to be an intro/overview post re: the weird miniature/shrinking stuff in ST.

DND Minis

Also, the party literally all have MINI equivalents of themselves-

-for some reason, they're drawing out attention specifically to the idea of miniature versions of the characters.

There's also the whole "Hank the Ranger" mini that Scott paints & how a.) "Hank" is a nickname for "Henry," and b.) the lyrics "hungry ONE" play over the scene of Scott painting the Hank the Ranger figure. And like I talked about before, we have Will's S3 village- where he puts the villagers into peril in an attempt to kick Lucas and Mike into action, which is interesting, because it's like. Yes, of course, the villagers are fictional, but also, like I mentioned before, Welcome to Marwen (a movie where the "fictional" villagers often feel very real) is confirmed inspo- so that makeas me wonder about Will's Brenner Sr parallels and the idea of Brenner/Brenner Sr somehow pulling strings in Hawkins and putting people into peril etc etc, I need to think about it more & I'll save that for another time because this post is getting too long already.

And also, speaking of minis in general, El has the miniatures that she made out of clay for her diorama- which is interesting because in TFS, Patty and Henry talk about how Wonder Woman was "sculpted out of clay," and also, Erica's Lady Applejack DND mini reminds me of Wonder woman, with the pose and the hairstyle:

TFS almost reminds me of a dioarama, with how it's contained on the stage- which makes the upside down Rebook box that El uses for her dioarama interesting considering all the of the references to the UD in TFS and what I talked about in this post re: what looks like the UD outside of the Hawkins High window in TFS.

Anyway, there's SO much more to talk about re: DND minis in this show, but I'll save that for another time/the point I'm just trying to make here is that a.) they DO keep drawing our attention to fake, miniature versions of peope and b.) these fake, miniature versions of people connect back to TFS (see: Will's Brenner SR connections and the sculpted out of clay thing vs El's clay diorama minis).

Beetlejuice

And now, we're onto Beetlejuice, which is also on the S4 board:

So, in the attic of the house in Beetlejuice, there's an attic- and in this attic, there's a miniature version of the town, where a miniature Beetlejuice ends up residing- and like I talked about in this post, Scott's miniature set has a miniature version of Beetlejuice's grave in it- which is especially interesting considering that it's anachronistic/Beetlejuice wasn't out at the time of S3.

And so, the miniature town in the attic in Beetlejuice makes me think of the Creel attic, and Henry spending so much time up there with his spiders- and Wilbur @reikunrei perfectly tied this part all together by mentioning The Bride of Frankenstein and the scientist that makes mini versions of people in jars:

Which then makes me think of how Henward compares himself to a spider in his monologue, his spiders, which are in jars, just like the people in jars from The Bride of Frankenstein- which is interesting because that then draws a parallel between Henry himself and the people in the jars/the idea that Henry is in some sort of "jar"/a miniature version of him:

And it's also interesting to me that Henry found the spiders in a vent versus all of the references to people in vents in ST (see: Erica in the vents in S3, which, interestingly, we also get a scene of S4 of Erica painting minis/she seems to have her own miniature of her DND character, Lady Applejack, so she's tied to the miniature stuff and the vent stuff versus the spiders in the vents later ending up in jars just like the miniature people in Bride of Frankenstein) and the way that El says that Henward is "too big" to go through the vent/tunnel in the NINA basement:

(and also, the vent thing gets even more interesting when we consider the fact that in TFS, Henry doesn't find the spiders in the vent- instead, he brought them WITH him from Nevada in his suitcase in jars. There's something rattling there re: all of this weird miniature/shrinking stuff vs TFS and the fact that Henry's spiders in TFS were never actually outside of the jar in the Creel house vs TFS feeling weirdly "self contained"/not aligning with filmed canon- almost like it's in a jar) And then re: Bride of Frankenstein and "small women," that brings us to this post that I made re: TFS, Patty's Mom, and Patty and music box imagery and how Patty's mom resembles/is posed like the literal small woman/tiny ballerina inside of Nancy's music box- and then when we look at Bride of Frankenstein, there's a tiny ballerina inside of one of the jars:

Nightmare On Elm Street 3: Dream Warriors

And now, we have Nightmare On Elm Street 3: Dream Warriors, which is on the S4 board:

In Dream Warriors, we see Freddy's dollhouse- and it REALLY reminds me of the Creel house, specifically, that weird miniature TFS BTS version of the Creel house, and also reminds me of the boarded up version of the Creel house, considreing how Freddy's dollhouse is boarded up:

This dollhouse was built by Kristen, and ends up acting as a portal to Freddy's nightmare realm- which makes me think about the scene of the Creel house getting split in half by the gate in S4/the portal imagery there. And speaking of Kristen, Kristen is able to pull people into her dreams- which makes me think of Patty in TFS and all of the references to things being "her dream," like I talked about in this post.

But then, Patty also tells Henry that it's his dream/there's a whole thing there re: shared dreams, so it seems to go a bit further than the way Kristen just pulls people into her dreams:

And also, in Nightmare on Elm Street 4: Dream Master, Kristen talks to Alice about her nightmares, and Alice tells her to take control of her dreams and "think of someplace fun," which is basically what Patty says to Henry in TFS, when she says to "make it a nice dream"- so Patty seems to get paralleled to both Alice and Kristen (which is very interesting considering Alice's character as a whole, but that's its own post), and Henry seems to get paralleled to Kristen (and a bunch of other Nightmare characters/there's ones with stronger parallels to Henry than Kristen, but again, that's another post).

(and just as a little fun fact, the actress who plays Kristen is also named Patricia)

Anyway, I went on a bit of a tangent re: Nightmare on Elm Street, but I just wanted to bring up the whole Freddy's mini dollhouse thing vs the weird mini Creel house/the Creel house in general and all of the Patty-Henry dream stuff. Not to mention all of Alice Creel's dollhouse imagery versus Freddy's dollhouse- what the hell is going on???

Conclusion

I’m not really sure what the hell is going on here, but there’s SOMETHING here. I don't even really have a coherent thesis or anything but my point is just that there's something weird going on re: shrinking and miniature versions of people and places and that also somehow ties to all of the references to invisibility/not being able to see things.

And I mean, if Brenner wanted to run experiments on an entire town, it'd be easier to do it on a tiny town, right?? Like how Scott LITERALLY runs an electromagnetic field experiment on his miniature town. And I'm also staring at the Mindflayer appearing with that giant hand and reaching towards Will- when you think about it, that's the exact sort of thing that somebody in Scott's miniature town would see when he reaches towards the town/this giant hand reaching down. Are the people of Hawkins just little DND-esque miniatures to the MF/shadow???

Also, all of this stuff re: miniatures/small versions of people makes me think about all of the pocket stuff in ST/Mike's weird letter-shaped pocket etc etc versus a.) mini people being pocket-sized and b.) the idea of pocket dimensions, and things like a bag of holding in DND, which is much bigger on the inside than it is on the outside. Is Hawkins itself some sort of pocket dimension? Does NINA take place in some sort of pocket dimension???

Long story short: I'd love to know what the hell is going on. Are there literal miniature versions of the Creels running around somewhere in some sort of ant farm-esque Brenner experiment???? Like a little "Freddy's Dollhouse" sort of thing but with the Creel house??? What the hell was up with that miniature Creel house for TFS that never got used in the play??? Is Hawkins itself some sort of weird miniature experiment town??? Is Hawkins as we know it "fake"/not "real" and is the UD the "real" Hawkins/the original Hawkins???

I'd just love some answers LMAO

[the-antiapocalyptic-man]

What is your Earth 3 Gordon Family like? Is Barbara Owlgirl or filling another role?

they're a major crime family. Barbie Gordon was Owlgirl until Tom punished her for failing to kill Jack Dent during the parallel version of Killing Joke, now she's the Council of Owls' Auspex (ngl I just looked up synonyms for "Oracle" and Augur's probably the better word to use here, but Auspex is so cool, it's got an x in it! anyway). Despite being rendered quadriplegic, she remains relevant to Gotham's criminal underworld into the Beyond Era, serving as the Boss of Bosses by the time Rance McGinnis becomes Owlman Beyond.

Jimmy Jr. briefly operated as the Justice Squad's Owlman under Waller's edict after William Cobb's death, but the Crime Syndicate's extreme hostility to multiversal intervention (worsened by time spent incarcerated in Green Lantern Sciencell-type prisons situated in Bleed-Space) made him a target and Luke Fox quickly killed and replaced him.

[missmitchieg]

i'm surprised at the lack of garcia gifs recently. i check the criminalmindsedit and cmedit tags and it's mostly gifs of Reid, Emily and JJ nowadays (sometimes even Hotch). And yes, I can always make garcia gifs but at the same time, it doesn't feel the same when others make content of your favorite character, you get what I mean? idk if that makes sense

If you only knew how often I feel like this gif about Penelope content (especially Penelope content that isn't centered around her in relation to Reid, Morgan, or Luke!!!!!! Even though I do love me some Wonder Twins bonding and Hotchcia bonding and Garvez and Morcia love fests, sometimes I just wanna talk about Her.):

I gotta make redhead!Garcia pictures/gifs

I gotta write the fic in my head about her video camera phobia

And the one about the beginnings of her giant ass coffee/tea mug collection

AND the one about her anglophile baking club that's forgotten after 16x01

I gotta write the Garcia x reader content

I gotta look for parallels in the show no one else notices about Garcia

I gotta whine about only knowing the names of her mom, adoptive dad, and brothers, but not her bio dad and the fact that I personally feel like we don't see enough flashbacks to young Pen's life with them because once again, MAYBE if Barbara and Emilio hadn't died, Penelope wouldn't have dropped out, met Shane, went Goth, and dumped Shane to join the BAU!!!!

[erikiara80]

Thinking about Dark of the Moon...

A play by Howard Richardson and William Berney, based on the centuries-old European folk song "The Ballad of Barbara Allen"

Richard (Brenner), William, Barbara and Allen, like Allen Munson, Eddie's father? Also, Brenner's father's ship wound up in Dimension X because they were trying to make it invisible.

In 2x07 there are many references to The Invisibles, including Barbelith:

Barbelith is the name of the "placenta" for humanity. A satellite-like object located on the dark side of the moon. It recurs throughout the story as a supernatural moon seeming both intelligent and benign. Barbelith's role is like that of a placenta in that it connects the hologram of our subjective reality to the realm outside of our space-time, the domain of the magic mirror (hmm), and helps humans to realize their true nature beyond the subjective concept of "self". Prior to contact with Barbelith, most characters undergo some sort of trauma or intensity- an alien abduction (Will and Henry's vanishing) or shamanic initiation, for example. A sort of cosmic stoplight is also present in some instances, though also seems to precede any sort of contact with the "healthy" dimension of The Invisibles binary-based paradigm; the realm of the Invisible College. 

I don't know why many people keep ignoring this episode. There are so many parallels and clues. Ruth, the black spiders, the butterfly, The 'We were dead, she saved us' line that parallels Henry's line in 4x07, the mention of cows connected to baby El and Joyce (her oven gloves in S4), Ten and Martin Old McDonald Brenner scene in 4x01 and now even the poster in the new BTS photo of S5- the Join Us one.

Most criminally underrated episode of the show, imo.

[danielfeketewrites]

DOCTOR WHO TOP 10 - 1st Doctor

So, I threatened to do this a while ago, and I'm finally ready. This is my first top 10 in a series of Doctor Who top 10s.

Expanded universe wil be included, always. Let's go.

10. A Big Hand for the Doctor

Out of the 11 Doctors, 11 stories anthology, this might be my favourite one? Although a few of the others are great as well.

It's just so... weird. I mean, all of those short stories are likely written by people with little to no knowledge of eu. So Colfer (who I am predisposed to like, because I loved Artemis Fowl as a kid) isn't tied to... I dunno, Quinnis? Operation Proteus? He's probably never even heard of them. So he creates a glimpse of a whole new NewWho-esque era that takes place before Totter's Lane. One that (unlike the one presented in Fugitive of the Judoon) seems actually fun and interesting.

The 1st Doctor had a cybernetic arm for all of his episodes. Why? Because why the fuck not.

9. The Savages

Whenever some weird incel on the internet says "Doctor Who was never about politics!", the correct answer to that is "Shut the fuck up and go watch The Savages." Or it would be, if any of it still existed.

Don't get me wrong - William Hartnell's Doctor Who era was very political. Mostly with "Nazis bad" and "cold war bad", which are both solid takes. But this serial has balls.

It has no monsters, it's just a parable about South Africa. I don't know, I just think it's really cool for this children's sci-fi show in mid-1960s to go "Yeah, fuck apartheid!"

8. The Edge of Destruction

I haven't seen this one for years but from what I remember and what I know about it, I like it a lot. It's just this weird filler, except it's not at all, because it's an integral part of each character's arc. It has a profound weirdness about it which I adore.

It's Doctor Who, as originally intended.

7. Home Truths

I listened to this one recently for the first time and - wow. Just wow. It's just dripping with atmosphere. I love it a lot and need to listen to the rest of that trilogy now.

6. Dalek Invasion of Earth

It's the one where the Daleks... actually become the Daleks. From opressors on a futuristic planet, bound to a single city, to galactic conquerors. Iconic, and for very good reasons.

5. Journey Out of Terror

Simon Guerrier is just fucking excelent at writing the 1st Doctor, Ian, and Barbara. There's no way around it, this short story is properly brilliant and you should read it if you haven't done so yet.

4. The Daleks' Master Plan

I love the madness of the Master Plan. It's a lot bigger than manageable. It's ambitious and epic and I adore it to bits. It has the Monk! Huge empires! Jumping through time! Cold war parallels! A Christmas special! There's nothing like it. Hopefully more of it returns to the archives one day.

3. The Aztecs

The Aztecs is one of the purest Doctor Who experiences ever. It's really funny, but also quite dark. It has action and adventure, yet stops to think about history and culture, as well as the philosophy of time travel. It feels timeless.

2. The Keys of Marinus

The Keys of Marinus is widely disliked and overall not a beloved story. Which is, of course, bullshit.

I love it so goddamn much. It's the first "Classic Who" serial that was genuinely FUN for me to watch. It made me fall in love with Doctor Who again, in the same way I feel in love the 11th Doctor's era. It's amazing and should be recognised as such.

1. The Time Meddler

Alright, this is one the most beloved Hartnell era serials. And... for good reasons.

I love this story. It's clever and fun and inovative and just all around marvelous time. I can't help it, the Doctor x Monk rivalry just gets me. The setting is excellent. And it kinda invents the final bits of Doctor Who that weren't invented by Season 1.

[definitelynotthedarklord]

Kind of want to start writing a DC/Marvel mash up fanfic and put it online but I'm not sure about some of the fusions I've thought up, so I'm putting them on here so I can get some feedback.

Warren Pryce, a.k.a. The Night Spider. Pretty typical Spiderman/Batman fusion. Son of a pair of brilliant scientists who founded a tech company but were murdered by a business rival who wanted them to make super soldiers, and made their deaths look like a lab accident while Warren watched from a cabinet be was hiding in. The only person Warren ever told was his Uncle, who revealed that the day before their deaths, Warren's parents sent him a USB that said "Warren is the key," which led Warren and his uncle to discovering a secret labin the Pryce manor where they find out Warren's parents had, under duress, been working on a ways to make super soldiers, one way being a way to give human spider abilities, but they stopped because they knew that if they had the power to change the world, they had the responsibility to do so for good. Warren spent the next 20 years training his body and mind to do just that, to use the super soldier spider serum to save people, and one day bring justice to the man who killed his parents, if he ever found him.

Also adding fusions of other characters, and yes, realize some of these are fairly redundant, but what can I say, there are parallels

Miles Morales and Dick Grayson

Gwen Stacy and Barbara Gordon

The Penguin and the Kingpin (Mr. Emperor)

Green Goblin and the Joker (The Gremlin Man)

Poison Ivy and Scorpion

Jason Todd and Agent Venom

Ra's Al Ghul and the Symbiotes

Clayface and Sandman

Lizard and killer croc

Scarecrow and Mysterio

Hobgoblin and the Creeper

Dr. Octopus and Mr. Freeze

Vulture and Firefly

Rhino and Bane

Lucius Fox and Aunt May

Batwoman and Spiderwoman

Tim Drake and Iron Spider

Peni Parker and Luke Fox

Spoiler and Silk

MJ Watson and Vicki Vale

Daredevil and Azrael

Damien Wayne and Scarlet Spider

Kraven the Hunter and Huntress

I'm not sure if I want to fuse Electro and Two Face, like half his face is scarred from electricity, or Electro and Harley Quinn, like she was electrocuted into insanity by The Gremlin Man, or fuse Harley with Black Cat, or I saw someone fuse Black Cat and Riddler and I thought that'd be pretty cool, call her Sphinx.

As for other heroes

Captain America + Wonder Woman = Achilles. Cursed for his hubris and attack on Troy, the Judges of the Underworld ordered Achilles to guard the ghost city of Troy, and to never again pick up a sword, only the Aegis. Then when Nazis showed up during ww2 looking for magic, Achilles was granted leave, arguing that the best way to protect Troy was to venture out into the modern world. The Winter Soldier and Falcon are now The Eidolon (who is secretly Achilles boyfriend Patroclus) and a man wielding the wings of Icarus.

Superman + Captain Marvel = ?

Namor + Aquaman = The Pacific Man. Rather than Atlantis, The Pacific Man rules over the city on the back of a giant sea turtle from various mythologies in the Pacific ocean, and instead of a trident, he wields the naginata from Japanese mythology that created Japan.

Black Panther + Hawkman and Woman = The Black Hawks. A pair of winged aliens crash land in the Amazon and using their alien tech and a metal called Vibranianth Steel, they form the city of gold, El Dorado, ruling over it as warrior king and queen, and when they die, they pass on their mantles and memories to worthy successors.

X Men + Green Lanterns = ? Green meteor crashes onto Earth imbueing certain people with powers, Prof X would be like the Guardians. This would also make Magneto Sinestro, and other mutants other lanterns, and the Sentinels like the Manhunters.

Fantastic 4 + Doom Patrol = ?

Dr. Strange + John Constantine = ?

Blue Beetle + Moon Knight = ? Found a piece of alien technology left by the aliens the Egyptians considered gods, this one specifically was built by Khepri, the God with the head of a beetle.

Flash + Hulk = ? Gamma radiation gave him super speed