#will i actually want to die less or will i still want to die but care less????

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[1moreff-creator]

What are some dynamics (in terms of like, foils/parallels) that you enjoy in DRDT?

you’re staring at a forest and asking me for every tree i like. do you want me to write another 28k word post /lh

I jest, of course, but not about the number of interesting foils in this series. It does a fantastic job tying everyone into several key themes in ways that make their dynamics endlessly enriching for my silly little character parallel-loving brain. So, uh, get ready for a long-ish post?

CW: One mention of self-harm, self-loathing

Teruko-David: I mean, you gotta start at the center, yeah? David’s the closest thing to a “main antag” we have, and it’s no wonder; the guy’s built like a standard DR protag, obviously he’s gonna have a cool dynamic with the actual protagonist. 

These two could breathe a bit weird and somehow parallel each other doing it, that’s how much this foil permeates both their characters. From their fatalistic outlooks on the world (“my luck will always be terrible, I’ll always be betrayed” vs “people can’t change, the world sucks”), the ways they hide their feelings (Teruko was more distrustful than she first presented herself as, but cares about people more than she shows during most of CH2; while David has an entire different persona up to 2-11 and then pretends to be worse than he actually is), the self-loathing (Teruko refuses to think she could be a good person, David has the whole “inhuman” thing going on), down to the oddball sibling figure (Terubro “I know nothing about you” Tawaki vs Diana “I’m not even sure you exist” Chiem).

There’s their feelings about Xander and Min, too, which are all over the place. Obviously we all saw in 2-12 how much the British twink fucked both of them up severely, with Teruko rejecting any positive or yearning feelings she may have had about Xander (you can’t hide the cactus scene from us girl) while David vehemently defended him from any criticism. On the other side, Min is less of a narrative poltergeist (for now; XF-Ture exists), but she still comes up with them, with David calling her pathetic eleven episodes after Min hugs Teruko and Teruko’s internal monologue gives away how much she cares about the Student. 

And these parallels play into their weird-ass dynamic very well, because their beefing is founded on their similarities and their differences, out of projecting their self-loathing to someone similar at the same time they hate each other because of their disagreements on things like Xander. Crazy stuff.

Xander-Min: Mentioning these two second because they’re also Eternal Parallels. There’s almost not a single thing about these two that isn’t somehow reflected on the other. If you projected them onto each other’s direction, you would get no perpendicular component. Get it, ‘cuz they’re completely parallel- That is, by far, the nerdiest joke I’ve ever made, I apologize.

But come on. Their attitudes towards fate (the Rebel fighting it and Min resigning herself to the XF-Ture thing), the whole “holding on to the past vs wanting to move on from the past” thing, the similarities between how they actually feel about the education system (they have issues with it) contrasted with the things they actually do in respects to that (Min is still the Ultimate Student, but Xander dislikes that), their already mentioned contrasting connections to Teruko and David… Just, absolutely everything about them is a meaningful contrast. And it comes into play a lot, with their eternal beef being born largely out of these parallels. They’re awesome.

Teruko-Ace: Pretty topical for post-CH2. Ace’s entire arc is sort of a reflection of Teruko’s, yet taken to the extreme because of one particular point of contrast; Ace feared death, Teruko doesn’t think she can die. But he still basically serves as a demonstration of all the flaws in Teruko’s all mindset; the feeling of unchangeable fate, the complete lack of trust, all the good stuff. It basically allows an exploration of Teruko’s mindset from an outside perspective, which makes it easier to see the flaws in it.

Ace-Nico: Also topical, these recap foils go kinda insane. Their motives for murder, their contrasting talents (love for animals on Nico's side and fear of horses on Ace's), the way they relate to the rest of the cast, Ace's persecution complex vs Nico actively disliking how much Hu defends them, etc., it’s all very fun to see play out. 

Ace-Levi: The one who doesn’t care but protects others and tries his best to be a good person so he can be accepted in society without having issues, vs the guy that acts like an asshole because he’s scared of caring too much and he thinks the only way he can get out alive is by being the only one to survive. This leads to a fundamental misunderstanding between them that causes some of the most doomed yaoi of all time, which is the whole “Levi getting frustrated at not understanding Ace.” 

Arei-David: You’ve presumably watched 2-13, so I don’t think I need to explain all the awesome stuff that’s come from their shared themes of “good people” and self-betterment and all that. Not to mention, David’s little breakdown over Arei trusting the letter of the only friend she had being presumably born from the way he saw Xander as the only friend he had. Shit goes crazy.

Arei-Eden: Recap foils… Good people… The choice to be kind… Etc… Woah :O

Teruko-Charles: Ah, Teru’s recap foil. This one’s basically opposite of Ace’s, where Charles used to be sort of like Teruko acted in CH2, but later became a bit friendlier, if still somewhat prickly. Basically, if Ace highlights Teruko’s character traits from CH2, Charles post CH1 serves as more or less the “end goal” in a way. It goes beyond that, too, with the whole memory issues (prosopagnosia vs childhood amnesia) and, again, mysterious siblings (Terubro and Elliot what are your deals), so it’s always neat to rotate these two in the brain.

Veronika-Levi: We really don’t know too much about Vero, which always makes it a bit harder when analyzing these dynamics, but they already got some interesting points of contrast. Neither of them are particularly concerned about the deaths of the others, at least post-CH2 (Levi doesn’t grieve and Vero actively laughs at Ace’s death), but it comes from almost opposite ends of perspective. Levi doesn’t understand others because he doesn’t feel much empathy (if any at all), while Vero seems to treat the others not as people, but almost as characters to be analyzed (that’s the impression I get, at least), which makes her come off as very good at reading people but also occasionally causes her to see them as sources of entertainment first and foremost. Not to mention there’s also the fact they’re both very different people than they were in the past (Levi was some form of delinquent and now is a good person, Vero used to be outdoorsy and then no longer was). Wow that’s… more than I thought there was- How am I finding more interesting foils just by writing more???

Hu-Levi: I kinda talked about this in my CH2 PT2 analysis so read that ig.

J-Rose: A pair of recap foils who haven’t had too much yet, but a lot of their themes, in particular about fate and privilege and stuff, are pretty noticeable with them, so this is always a fun dynamic to consider.

Levi-Arturo: More recap foils, this one’s fun because of the dead family member :) Also things like their talents being related to aesthetics and both doing the things they do for a better life.

Veronika-Hu: This one’s kinda more hypothetical, since Vero in particular hasn’t had as much direct focus as other characters yet, but that’s part of what makes them fun. Past history of self-harm (even if brought on by very different feelings) is just the first of many parallels they could have, and it’s fun to see the contrast between Hu defending Nico to the ends of the Earth and Vero talking about how much she likes Arturo because of how awful he is. They’re really silly.

David-Whit: All the recap foils are fun, but I've always struggled to see this one in particular. Partly because I feel like I know less about Whit than I know about Mai :v Still, certain things like Whit ignoring anything that upsets him which connects to David constantly lying about his real feelings for his fans, which is probably what leads to David's outburst at Whit in the second trial.

Teruko-MonoTV: Because fate. Really this is here plainly because it’s just a funny as hell dynamic to even consider lol.

Teruko-Mai: Have they interacted? Has Mai had enough screen time to truly determine that this parallel truly exists? Do we even know a single theme that Mai’s character touches on for certain? No and it doesn’t matter! Because these two are clearly connected somehow and the whole “someone dearly loved - someone dearly unloved” thing makes me ill. Mai is getting mentioned in this post and you're not stopping it.

Mai-Whit: Fuck it! “We tend to idolize the dead” dynamic!!! It's very speculative, but this one’s just fun to ponder even if we have even less idea of what could be going on between the two than with Mai-Teruko.

Anyways ready for a few themes that run through a lot of characters?

David-Levi-Nico-Rose: The “feeling disconnected from the rest of humanity’s experiences” gang!!!

Min-Rose-Hu-Veronika-Arturo: The “wants to move on from the past” gang!!!

Min-Arei-Teruko-Ace: The “trying to fix mistakes” gang!!!

Teruko-David-Eden-Arei-Levi-Xander: The “what makes a good person?” gang!!!

Teruko-David-Xander-Min-J-Whit-Ace-Rose-MonoTV-Probably everyone else: Fate!!!!

And there’s more than I’m probably forgetting because I can’t possibly check every conceivable connection between these guys. At least I hope I covered most of the major ones. Thanks for the ask, these dynamics are always fun to think about!

[kitkatpancakestack]

DMV meetcute lesbians yay! I have been writing about them in an effort to break through this hellish writer's block bc they are fun and nothing hurts in this universe and I love them <3 Anywayyy it's been a bit since I shared some writing so here's a snippet, if you're so inclined:

“I appreciate the thought,” Chloe said, breaking Gabi from her spiral. “You driving me home from the hospital the other day was enough. You don’t—owe me anything.”

“It’s not—uh, whoa! What do you think you’re doing?” She more or less threw the food onto the kitchen table in order to intercept Chloe at the cabinets, where she had attempted to reach for the plates. “You had a pen literally lodged in your chest, and I thought you were gonna die on me, like, three days ago, so maybe let me get that?”

“I can do it.”

“Okay. Humor me then.”

Chloe blew a lock of hair that had escaped her ponytail out of her face. “Beer?”

Alcohol always had the potential to make this evening better or exponentially worse. A gamble she was willing to take. “Yeah, thanks.

Chloe moved to the fridge instead and Gabi grabbed two bowls from the cabinet and went about setting out the various containers of chinese food.

“Thanks,” Gabi said, as an open beer was set down in front of her. Chloe smiled and Gabi tried to ignore the weird flip in her stomach and the dryness in her mouth in favor of sticking to her new life plan, which was to not be a walking disaster. Thus far an utter failure but call her an optimist. “So, uh, feel free to take whatever you want. Looking at it all in front of me I think I went a little overboard. Eyes bigger than my stomach and all that.”

Chloe didn’t say anything, but her posture was loose and relaxed as she dragged the lo mein closer to her. They ate in silence, nothing but din of LA continuing on outside the walls. Objectively it was a fine moment, and for anybody else it may have even been content, but Gabi didn’t think she had ever been fine or content in her entire life. As it was, she sat chewing on her egg roll hoping her cool exterior did not give away the nervous breakdown simmering underneath.

You’re just . . . you’re too freaking much, Gabi! You’re too much, until I actually want to have a legitimate conversation with you, or I need you to tell me something real, and then it’s nothing! Two years together and I still just do not understand you. I think that’s what you really want, is for nobody to know you at all!

“Gabi?”

She jerked, swallowing the egg roll gone soft in her mouth, throat suddenly tight. “Sorry?”

“I asked if you wanted another beer.” Chloe’s mouth was soft and pink and her lips a little spit slick from licking them, and Gabi felt her face go hot. 

“Um.” Girl don’t do it. “Yeah, that would be—thanks.”

She fought the urge to bang her head on the table as Chloe returned to the kitchen. “Listen, Chloe—” she stopped when saw a letter tacked up on the fridge with "alumni" in big blocky letters at the top, the first thing she’d seen in the apartment that had any kind of individuality or hint that an actual person lived inside. “Whoa, are you a dancer?”

Chloe frowned in confusion, but then her gaze snapped to the fridge, and a weird stiffness settled over her features. There one moment and gone the next, though. She smoothed the edges out quickly and seamlessly and settled on a more neutral expression. “Yeah, I—” She laughed, a quick burst of air through her nose, shaking her head. “I graduated from Julliard, actually. No big deal.”

Gabi thought her eyes were about to pop out of her head. “No big— are you shitting me.”

Chloe set the beer down. “No.”

“I just—”

“What?” The word was defensive, biting. Gabi walked back her excitement and dug her nails into her palms to keep herself in check.

“I could see it,” was what she settled on. “Your poise handling me during that driving test was unparalleled.”

Chloe laughed for real and that was the biggest win Gabi had earned in a while. “Yeah, you were pretty bad.”

“Hey, I am aware of my many, many faults.”

“You’re human,” Chloe rebuked. “Is this about that breakup you told me before? I’m sure your ex-girlfriend wasn’t faultless. Anyway, you saved my life, so I’d put you on my team any day.”

Gabi laughed, the sound was hollow even to her own ears. “Thanks, I guess.” She fiddled with the paper label on the beer bottle. “She, uh . . .” Gabi cleared her throat. “I’d texted her, because she’d gone to the store, and we didn’t have any milk and I just wanted to make sure that she got some milk.” A stabbing pain ricocheted through her, anchoring her to that moment, a window of time she never felt like she would be able to leave. “She left her phone on the coffee table, and it lit up, and I just glanced over at it, but she’d changed my name in the phone. It just said, ‘Pandora’s Box.’”

She remembered confronting her ex about it. Still hopeful even during one of the worst moments of her life. Yeah, Gabs, it says Pandora's Box, you know, that thing you open and then it's just, fucking disaster after disaster. Sound familiar?

Chloe’s face was measured, and Gabi felt bad that each time they got together she ended up trauma dumping on her. Jesus, she really was a mess. “I’m sorry, that’s—I didn’t come here too bitch and complain—”

“Gabi, oh my god.” Chloe reached over with her good side and covered Gabi’s hand with her own. It was a little larger than Gabi expected, seeing it up close, but soft and warm, her nails well-manicured where Gabi’s were bitten down to anxious nubs and bleeding all the time. “Didn’t I tell you she was in your rearview now? I didn’t know you back then, I only know you now. It’s okay.” She smiled, a little bigger, genuine. “I like you plenty the way you are.”

If she had been one more beer in she might have started tearing up, but even as her eyes remained dry on the inside she felt soupy and warm and soothed. It would only last as long as the evening, but it had been a while since she felt anything close to this. She clinged to it. She clinged to the slide of Chloe’s hand off her own. She clinged to the freckle perfectly dotted under the jut of her jaw. 

“Thanks for dinner,” Chloe said, rising to her feet.

The buzzing under her skin made her restless, nervous, so she turned to her regular source of comfort, to the knowledge that she could leave, she could always leave, she could always disappear, if things imploded again. 

And so she clung to that, too.

[primrose19]

I haven't been quiet about my dislike (hatred, even) of the last two episodes of the show but I'll say it again

(I cannot speak for everyone, obviously, so these are just my personal feelings on the matter)

People tend to confuse "happy" with "satisfying" endings. Let's look at Lilia's episode. She died. Literally. Technically, that is a "sad" ending. But it wasn't, actually, because I did not feel sad. Quite the opposite, actually, I ADORED how her arc was concluded. I had happy tears. Her end truly felt like a beginning. My point is, I was expecting the same emotional impact from Agatha's end because there was no way this show would end any other way. Agatha was always going to die. But execution fucking matters. Hell, the hug in e4 had more emotional impact than the kiss. Do you know why? Because in the, supposedly, Agatha centered show, we got BARELY NOTHING regarding Agatha's backstory and we got EVEN LESS about Rio and Agatha's relationship. And I'm not even speaking from a shipper perspective. But Agatha's story has been so interwoven with Death, it feels like something fucking crucial to show. I don't disagree that there's a certain allure in leaving things unsaid and implied but when you want to have that sort of ending, it needs to have the emotional impact to back it up. The ending needs to fit the rest of the show (example: HTTYD 3, but we are not going to unravel that disaster here since it's neither the time nor the place for it).

And don't even get me started on the comic book lovers. "It's ending was comic book accurate so I'm happy!" Well, I'm not a comic book reader. This ending meant absolutely nothing to me the way it was shown. Which brings me back to my first point; execution fucking matters.

As for your "this is not the end of them" comment, I don't necessarily disagree. Originally, another thing that made me hate the ending was the fact that we got no resolution between the two. At least, no explicitly shown resolution. Now, I think maybe they left it open-ended on purpose, to maybe (hopefully) touch upon that in future projects. However, it truly does feel like the time for the backstory is over. I can't fully explain this feeling but the closest example I could give is spinoffs; you know how you get certain main characters and then this work gets a spinoff with a new set of protagonists but the old ones still make some appearances here and there? You get to know what they're up to in present time but you no longer get a full view of them. That's what this feels like.

Anyway, thank you for coming to my Ted talk

Honestly, I don't understand the people who are bitter about the way Agatha All Along ended. I thought it was freaking amazing.

Agatha and Rio got to be angry and in love and epically drawn to each other. And petty as all hell.

We got a kiss (and Rio's face those seconds before Agatha kissed her and she felt it coming). We got to see the wounds Agatha left in Death. We got to see a moment where Agatha essentially forgave Death (even if she wouldn't acknowledge it to Rio). We watched Rio cover her grave in the color that meant most to Agatha. We watched how Rio gave Agatha the time to love her son (because even if the older Agatha refused to see it - because it hurt too much - she would clearly have taken that gift a second time if she found herself back in that moment).

And it wasn't even the end of them, because if you don't think Rio is going to keep pursuing Agatha's soul now that she's floating around as a ghost instead of coming home to her, you're wrong (you're just... wrong).

It might not have been a "happy ending" but it was freaking glorious.

[atlantis-just-drowned]

i'm back with another request favorite writer 😼, i was wondering if you could do Sun n Moon/Reader who's the daycare manager.

Essentially they help tidy, manage schedules, supplies, ect???

(sorry for not leaving more notes on your posts, tumblr doesn't show me ur stuff often 😭😭)

A/N: Hiii thank you so much for your kind words and patience?? My motivation has been on the floor but I'm trying to make it work somehow! Anyway, here is some mildly-annoying-coworkers to friends (to lovers) for your heart! :D

Sun & Moon x daycare manager!reader relationship headcanons

Please reblog this post! Likes make posts die :(

Masterlist

When you first got hired as the Daycare manager, you work was... Well.... Tough

To say the least.

Sun's sassy attitude and constant micro-aggressions were really getting to your nerves

And Moon.....

Well

Let's say you sometimes wondered if he saw you as his boss or his toy

He WILL jest around and stare at you while chuckling instead of following your commmands

Both of them don't really like the idea of having a human supervising them

I mean they're doing a super neat job on their own!! They don't need you!! Why would management send you here?!?

But surprisingly, instead of quitting

You actively try to work with them.

Unexpected I know.

You're not just bossing them around and yelling when they don't do what you want!!

You actually communicate with them to explain the goal of your missions and ask for their ideas when they refuse to do things your way!!

Okay to be honest how it ends up working out is truly a mystery to you

But after a while of almost constant bargaining

Welp the bargaining starts to lessen.

They do the activities you prepared instead of announcing a completely different unrelated thing to the kids

They don't argue as much about the schedule for naptimes

Hell, you can finally catch a fucking break

Of course you let them know how much you're thankful to them for agreeing with stuff (finally)

Sun also starts to get a little less mean, thankfully

You're greater at your job than he thought you'd be!! Different than the managers they had before, for sure, but it's a good thing!! You actually adapt your work and the schedule for them, and not despite them!!

He might start to take a liking for you

After a long while

I mean you truly are the first human handler to not treat them as objects

So of course it takes time for them to trust you

But Sun eventually does because he's just too much of a sweetheart

Moon just... Teases you a bit less. If that means anything.

(it does)

Or at least it's not mean teasing anymore

He's still a Creature™️ tho

Sun still acts confident and almost cocky at times, but it's not passive-agressive anymore

He can even appear charming at times, now that his jokes and remarks aren't meant to make you quit your job

And of course both argue from time to time

Or well, show their dislike of your commands in their own ways I guess

Their "own ways" being that Moon crawls up to the ceiling and sits in a corner upside-down to pout

And Sun just outright refuses to execute whatever you told him to do (and WILL get snappy if you insist)

The trips at Parts N Service are the worst, but you manage to get them down there two times out of three

But overall your relationship with the both of them is getting better and better everyday!

And you genuinely feel so glad the day they give you a friendship drawing!! You're officially their friend now!!

You almost teared up, but no one needs to know that

And then, they gave you another one

And another one

And MANY other ones

And plenty of them both holding your hands

Overtime, you became their bestest friend!!

Who could have thought you would end up being so close!!

Well you, at least, didn't expect it

Not that you're complaining!

You had to admit you grew VERY attached to them too

But oh boy was this development unexpected.

[kandadze]

Ep 26 loose (and rambling) thoughts

I find it almost comical how Chongwu Camp took over the whole shapeshifter case and everyone just nodded and went home. What is Fan daren even doing? Playing weiqi with the Situ guy, instead of actually running the Demon Hunting Bureau so that it doesn't look completely inept in comparison?

Aww look at WX waiting for ZYC to come back! It's kind of interesting how, as she was moving closer to him, the camera moved away so we can only see their silhouettes in the end, and just the very beginning of a hug-

But then we get to follow ZYZ as he's almost floating through the rooms of the Bureau. I imagine these are ZYC's private quarters... It might be the fighter training, or ZYC is just so attuned to ZYZ's presence, either way the fact that he noticed the Great Demon immediately despite being deep in thought, *and* wasn't surprised in the slightest, is kinda amusing to me. (Don't get me started on the bed in the foreground as the scene  switches to them talking 😂)

I'm afraid I was not wrong when I thought that "I understand ZYZ now" might mean, among other things, that ZYC understands the demon's wish for death, and thus feels less conflicted about fulfilling it. At the same time, the relief in his face when he talks of breaking the oath, regardless of the consequences... These two, I swear. Because of course ZYZ cuts in immediately with, absolutely not, no dying on my watch, ZYC!

(Also, did we forget the little detail of ZYC not possessing an inner core? Or have they already discussed it behind the scenes and this way we got the "do what you want to become who you want to be" because of course they're going to repair the sword so ZYC *will* be protected from his own demonic energy?)

Now don't come for me, I don't have medical training or anything, but I know depression, and I know how I can extend the gentlest of care and understanding to others while completely unable to do the same for myself, and this is what I see in ZYZ in this scene. He reassures ZYC, encourages him to think about the future, talks of how they're family and they're in this mess together, and yet, and yet, almost in the same breath, he still insists on only one thing for himself. I understand him *and* I want him to want to have a future too, goddamnit.

Is everyone in this place suffering from insomnia? I mean, not that surprising all things considered, but we barely see anyone from the crew resting... You tell him, WX! Him and ZYC, the two self-sacrificial idiots. Also, for such a short scene, it sure did pack a punch... I love the tenderness between them.

Finally we got around to repairing that goddamn cloud ceiling over the Wilderness lol And of course, now that Bai Jiu's mom is back to her human form, he's - where?

The way I cackled at the way my question was answered in the very next scene... Li Lun, the drama queen of all times, does not want to miss the family excursion! (Also, I've seen it said many times but it bears repeating, the kid actor is phenomenal. I literally forget he's 12 when he's portraying Li Lun.) Ying Lei is the goodest boy, and I'd give him all the head pats and high fives. Don't die, please.

I find myself cheering for WX repeatedly in this ep, probably because she keeps saying what I'm thinking, ZYC, ZYZ, stop being idiots!

Well this took an unexpected turn. I love how unruffled ZYZ appears up until the very moment ZYC says, let's give up on restoring the sword, and I hate how his reply seems to be the drama once again reminding us that apparently there are only two possible outcomes. Come on, give us a secret third thing, I'm begging you!

"Even if it's restored... please don't die." What I just said! I remember how we were all, ZYC is going to regret his oath, and we definitely got that, but for him to outright put a condition like that on restoring of his fate weapon, demanding ZYZ to promise not to die is just - top tier. My heart. And then I cheered for WX again, she was *so* mad lol Good on you, girl, you said what we were all thinking!

Ugh ZYZ, stop breaking my heart. I don't think he's ever outright lied to any of them, but the way he seems to categorize his own promises to ZYC... I guess the one about not seeking death is not the highest priority. Ffs

All demons in this world, including ancestors, seem to suffer from loneliness above all else... I love how fast ZYC refuses. He's ready to sacrifice himself, but he'll never sacrifice any of his companions. Ngl I don't think I breathed through the whole sequence that followed. The goodbyes (PSJ, can you act like a normal person at least once? Not sure if it's the actress, but oh goodness does PSJ grate on me sometimes), the "I choose myself," and then ZYZ activating his energy to break the ice, because of course he would. To be honest, at this point in the story, I would really rather these two died together doing something heroic, as opposed to one of them dying and the other continuing on in misery, but hey, unfortunately I'm not the one calling the shots here.

(Also, seeing Bingyi and Ying Long in the preview... hats off to the costuming and makeup folks, because damn, TJR and HMH are already exceptionally good looking, but in the demon get-up they're just out of this world, achingly beautiful.)

[that-satireguy]

Warning. Rage-filled rant.

Ok. Firstly, yes. I know this is online discourse and that this person would be laughed out of any legitimate queer space for saying trans men don't experience misogyny, and that they are trying to 'use woman words in ways that include men.' But I read this and now you have to too.

You fucking moronic worthless imbecile.

TW severe child abuse

I want your high horse 'this is just semantics' ass to come to my house.

Look at my permanently disfigured ass, who will never. Actually never, be able to fully move past the permanent stunt in my communication abilities. No matter WHAT I do. And tell me. That when I was assigned female at birth, beaten, whipped, and burned all before the age of 10.

When my head was being slammed against doors and walls until I was bleeding into my eyes, for the crime speaking to loudly in front of my male relatives.

When I got beaten up with a plate, and then stamped on because the shards went into my cheek, because 'how would i get married now', but of course they still didn't let me get medical treatment because it was family matters. and those don't go outside of the house.

When this was permitted to go on because of systemic misogyny in the so-called western world.

That this was just because of transphobia. Genuinely. Look me in the eye and say that this is because they magically knew my ass was trans.

You fucking moronic self centred fucker. I want you to explain to my ass. That i can't use the word misogyny when I speak about being denied human rights. When there are trans men around the world, who are told they are stupider than men, they are worth less than men, trans men who underwent fgm, trans men who were and are currently being raped and beaten, sold into slavery, forced into marriages as children, and say that shouldn''t be described as misogyny.

The trans men, like me who experienced misogyny growing up and therefore had limited access to education which affects them now. Trans men who are being told they are female-brained and therefore they cannot possibly hope to enter politics.

You scum. You idiot. There are not enough english words in the universe to express myself right now but just insert something here. Idk just fucking die i guess.

[ahamkara-apologist]

100%. It's also worth noting that Eramis's grudge with the Traveler and her intent to destroy it wasn't even entirely irrational; she wanted it gone so that people's fates weren't dependent on the whims of gods. She wanted to level the playing fields, and while she was wrong in her assumption that it was the Traveler leaving that led to the destruction of Riis, she also...wasn't entirely wrong, either. Humanity is the only instance where the Traveler stayed and fought back, and we're the only species assailed by the Black Fleet that got to keep our homeworld as a result. We're not any more worthy than the other species that were eradicated we just happened to get lucky. Eramis (and the rest of the Eliksni) have every right to be furious at this, given the amount of horrors that they had to endure on the Drift to get to Sol- horrors that are so bad that in the opening mission of Revenant, Eramis uses the Drift the same way that we would use 'hell' when she roared "Stand before me if you dare! I'll send you back to the Drift again and again!"

Eramis's goal, while foolish, was still selfless, to an extent- it was to destroy the Traveler so that nobody could ever suffer from a second Whirlwind, which, despite everything, did include us as well. She's never liked humanity, much less the Young Wolf, but she's also never given off the vibe of her hatred for us being personal. She genuinely seemed to have thought that we were being treated like pawns by the Traveler in Beyond Light, and, as soon as she unthawed in Plunder and realized that she was the one being used as a pawn, she warmed up to the idea of double-crossing the Witness right quick. I don't remember exactly when she said it, but I do recall hearing her have dialogue where she was talking about how much she hates gods in general, not just the Traveler, and how she wants to be free of them- all of them. If that means giving over the reigns to House Light, then yes, she will do that. Not willingly, ofc, and she has every right to be suspicious about how well House Light will work bc they ARE under the yoke of the Last City, but a big chunk of why she saved Eido in Plunder is bc she sees the future in her (the rest of it was bc, despite her posturing, I don't believe that Eramis would ever be able to stand by and watch a young Eliksni die. She's too much of a mom for that).

And that leads into a whole other thing that people always seem to get wrong: Eramis did not have a choice when it came to firing the warsats. Yes, the Witness exploited her, yes it was preying upon her grief and fury and depression like it did for everyone else it talked to, but she also never had any other option but to fire those missiles, because it was standing right there, staring at her. If she refused, then she likely would have either been killed and/or she would have been horribly punished via more of her people being turned into Scorn and then sent to do it themselves (likely this, bc Eramis is suicidal and does not value her own life). It SEEMED like she did it for Riis, and she likely believed that to be the case, but there was never an option for her to back away, and even if she did, there was never an alternative to the Warsats being fired. People like to bitch about her being the cause of Rasputin's death all the time and it drives me insane bc it's just flat-out not true. Her seeing for her own eyes that it never would have worked anyways was also a key pivotal moment for her character, so like...yeah if Rasputin had to die in order for Eramis and the rest of the Eliksni to get an actual storyline then you bet your ass I'm sending that man to eeby deeby. But that's just a side bit from me being salty (for the record I loved Rasputin's character and was sad he died but also I think the writers got themselves stuck in a corner with the whole Xivu thing and him, and they managed to make his death feel narrative impactful, so. works for me). Eramis's whole stint under the Witness was one of punishment, and the way that the Witness punished her was by forcing her to stand by and watch as her House- full of the people that she swore to protect- got either turned into Wrathborn or Scorn. Mara Fucking Sov confirmed that for us. Eramis had almost no agency under the Witness, and what little she did have, she turned towards helping us, knowing that if she got caught, the consequences would be extreme.

Honestly, I think that the only thing she really did horribly wrong on a personal level was opening the vex portal on her own people, but even then, that could be argued to have been done under duress. Eramis opened the portal after we killed her council (specifically with the intention of destabilizing her btw, as we know that she makes horrible decisions when she doesn't have anyone else to talk her down), in a last-ditch effort to destroy the Young Wolf. I don't count anything that happened under the Witness because nothing she did then could really be considered her own actions/intent, and I think it's really telling that the second she's out from under the Witness's control, her first action was to try to go home to her wife and kids. And then, when the Scorn started threatening her people, she gave that up as well so that she could call the Vanguard to help them. The Vanguard. The people who specifically sent out a strike team to kill all of her friends and break her House. She did all of this knowing that they would capture her and very likely kill her (actually, she's fully under the assumption that we're going to kill her, if you listen to her yapping in her cell), but that didn't matter to her. She had to get her people to safety, and she knew she couldn't do so herself, so she did everything she can to prevent that, even though it meant putting her life and her pride on the line. Sure, she's been suicidally depressed since Plunder, but that doesn't diminish the sacrifice she made in the slightest

Eramis was never selfish. She's right up there with Misraaks in terms of being an extremely selfless, caring leader who'd do anything for her people. It's just that she's not being nice about it to coddle to human empathy, which, given the track record of horrible shit that we've done to her people, we really shouldn't expect from her anyways.

I want everyone who continues to claim that Eramis was in line to be a disciple of the Witness to shut the fuck up and give me 500 dollars right the fuck now btw. These are not the words of someone who was en route to becoming a disciple, aka the most selfish entity of their entire race. These are the words of someone who genuinely does not think she has any worth left in her, but is still fighting because the alternative is that people she cares about will die. Literal opposite of selfishness right here

[barbieaiden]

rememberwhen he. remember. when. when.when. he

[kheprriverse]

Y’all thinking about an older Ares has RUINED me

[mage-ical-character-person]

Actually, I really liked the WOTFI overall, it’s only the ending that rubbed me the wrong way.

We got Puzzles and Leggy bonding in the Meme Factory mini-arc and I’m satisfied with the amount of it that was in WOTFI. There’s still time for Meggy’s feelings on the situation to be explored as a sort of epilogue, wouldn’t be the first time.

I liked the battle being musical it suits Puzzles well. And it’s not like it wasn’t tense during the musical number. The bit where Four and Mario saved Meggy when Puzzles tried to slam her into the ground was awesome. I love that Four sucks at fighting until someone he cares about is in danger and the adrenaline kicks in.

I think it’s fun that if everything had gone according to plan and they hadn’t turned Meggy back… Puzzles would’ve just… kept them playing minigames forever. You’ll play fun games with him and LIKE IT!

Ties into the fact that he’s always calling the crew his “friends”. Y’know

Brainwashing people to force them to spend time with him. He tried asking nicely and it didn’t work. This is the closest to friendship he’s gonna get and he’s just resigned himself to that.

And Meggy is genuinely convinced this is what’s best for him. Alas, the traumatized beanie girl has too much trust in the justice system 😔.

Wish we’d gotten to see her be his lawyer and have him plead insanity thinking this would help.

She’s trying to help even if she’s still really mad at Puzzles! I love that for her! I love her going “I know there’s a scared little child inside you” and trying to help him and get through to him but still being mad about what he’s done and having trouble letting that go even when confronting the most vulnerable part of Puzzles! She finds that scared little child with the intent of talking him down and ends up just yelling at him, but she also literally gave him a part of herself with Leggy!

I think that’s part of what’s made me more okay with the ending. I’ve come around to it a liiittle bit. I still don’t like it because implications of insane asylum and Puzzles was already treading a line there of being a sort of “I’m a twisted cycle path and I’m going to Jeff the Kill you while the song Pretty Little Psycho plays” thing. Y’know the trope: mostly benign due to sheer unseriousness but still sorta villainizing poor mental health.

But… Y’know the more I think about it the less it feels like Meggy was intentionally tricking Puzzles or using his vulnerable, lonely inner child against him. And that makes me a little more okay with it all. I still don’t like it. I don’t blame Puzzles for feeling like he’s been “double-crossed”, but I don’t blame Meggy either (not that I did before. Before I saw it as cruel but understandable in universe given the circumstances, now I see it as Meggy is so well-meaning she wants to help everyone so bad but Meggy. Honey. No…)

Meggy’s earnestly trying to help! I just wish Mario had let Puzzles talk for long enough that he and Four could get some idea what’s going on with Puzzles. (LET FOUR SEE HIMSELF IN PUZZLES ALREADY. THE NARRATIVE FOIL OF ALL TIME! GUYS WHO CARE TOO MUCH ABOUT PLEASING AN AUDIENCE AND ARE BAD AT EMPATHY! BELOVED!) Because right now the only one with any idea what he’s going through is so incredibly ill-equipped to help him and frankly shouldn’t have to! also this

She’s so well meaning but bad at it! I think about this line more than I should! Went to helping people school they told her to whack people with golf clubs and she sees no problems with this.

So bad at helping! Mario would literally rather die! I love her!

uuuhhh where’s that post

Also OOOH! I’ll have to keep an eye out for your fanfic.

sooo…

WOTFI

THEY DIDNT ADDRESS ANY OF THE PARALLELS AND THEN THEY

INSTITUTIONALIZED HIM

I’m so mad about this. I’m so mad. I’m so mad.

because okay. Okay remember this.

His super dramatic flinch here and there was that post going around like “I wonder what happened in Mr Puzzles’ childhood to make him flinch like that“

CHILD PUZZLES DOES THE SAME THING

EVERY TIME MEGGY/LEGGY APPROACHES HIM HE FLINCHES. HE COWERS. EVEN OUTSIDE OF THE POTENTIAL CONCLUSION HE WAS BEATEN, SOMEONE GENUINELY CARING ABOUT HIM IS SUCH A FOREIGN CONCEPT THAT HE ASSUMES THE ONLY REASON ANYONE WOULD GET CLOSE IS TO HARM HIM.

AND HE’S NOT EVEN WRONG?! THAT’S EXACTLY WHAT HAPPENS?

THEY INSTITUTIONALIZED HIM HE IS TIED TO A TABLE IN A PADDED ROOM. THEY APPEALED TO HIS HUMANITY AND FOUND THE GOOD IN HIM AND THEY USED IT AGAINST HIM.

YOU THINK THATLL HELP HIM? TARGETING THE MOST VULNERABLE PART OF HIMSELF AND GETTING HIM SENT TO AN ASYLUM?

AND IT SUCKS BECAUSE I WAS LEGITIMATELY ENJOYING THE EPISODE BEFORE THAT! I was having fun until that ending. That’s literally the one thing I didn’t like. The scene with Kid Puzzles was really well done. Everybody’s outfits were so cool. IGBP flesh blobs were there that was really cool

but then

I hate this. Genuinely worse than killing him off to me. It just feels wrong

[possamble]

Do you have any plan to make some kind of bonus chapter or oneshot about marcille's perspective in little creature? It's not like I'm asking you for it ofc!! it's just that i think it'll be interesting to read, and especially since you had those tags about marcille after her fight/outburst with falin and how you couldn't add it to the fic because the fic is from falin's perspective

Probably not about anything that happens during a little creature, but maybe something before or after? Sometimes I do like to do "the other character thinking back to events while doing stuff in a sequel" oneshot type thing, but we'll see how it shakes out!

[pureseasalt]

(holding the mic with trembling hands) iwtv s2e8 was peak tv season ender actually

[hoziersredguitar]

I miss old tumblr in the sense that i could complain about board exams and worrying about not getting enough to be eligible for my medical entrance test and i'd have summoned half the indian side of tumblr to sympathize

[jujubeanie]

Okay so I know a lot of people argue that Basil dying a lot in Blackspace means Sunny hates Basil (I think that was what you were referring to by saying Basil was killed constantly? Sorry if I misinterpreted that TvT). HOWEVER, I actually think there’s a lot of evidence to support that it means he cares for Basil a lot, and can be interpreted as repressed (romantic and/or platonic). In Blackspace, you still play as Omori. I’d like to address the spider-room death first. Basil starts being swarmed and covered in spiders, and eventually cries out to Omori for help. Omori backs away from Basil, and Basil disappears as the spiders presumably consume him. Notably, Omori is the one in control here. In the game, we play as Sunny; anytime we lose control of the Omori character, it presumably means that Sunny also does not have conscious control over Omori. Another thing that might be worth mentioning, is that although Omori technically overcame his fear of spiders in headspace, this is no longer headspace. This bit is more up to speculative, but it can be interpreted that Omori was too scared to save Basil from the spiders because he himself was scared of them. In which case, this death could also be interpreted as Sunny’s own fear causing pain for the people he cares about, something that we see at other points in the game.

Another particular Basil death that might be worth addressing, is the one in the glitched Neighbor’s room, where the headspace friends turn on him, and he cries to Omori for help before Aubrey hits him with her bat. To me, this very much doesn’t read as Sunny wanting Basil to die. It feels a lot more like he’s helpless to do anything- Because yet again, at that moment, we cannot control Omori anymore, and neither can Sunny. He doesn’t want Basil to die; he just feels powerless to do anything about it. Also, the many possibly interpretations of Aubrey being the one to unalive Basil here. I do think that Aubrey hitting him with her bat is likely a nod to the fact that she’s been bullying Basil in the real world. Even more fuel that Sunny feels helpless to save Basil from being hurt for Sunny’s own actions (Mari’s death, scribbling out the photos). Another possible interpretation (and one that is, admittedly, a lot less likely), is that it’s Sunny’s idolized crush, that he’s held onto for so long, is trying push down and get rid of the crush he has on Basil. It could possibly be taken as a sign of repressed feelings for Basil, whether that be because he hasn’t accepted his bisexuality (or whatever your personal headcanon may be), or he’s simply scared of letting go of his old crush.

There’s a lot more Blackspace stuff I could go into, but this is really long already aaand I’m in class TvT

TLDR; Blackspace has a lot of evidence of 🏳️‍🌈🌻

every day the Branch Coral line about Sunny and Basil being tied together with a string of fate

like,,, soulmates? your honour? string of fate??? perhaps the,,, red string of fate?

it doesn’t even have to be romantic, it just feels like a soulmate thing! like Sunny and Basil are tied together after this single incident, they will always be intertwined after that day

they may not have been known it, but they are so heavily intertwined together that even Sunny’s subconscious picked up on it. even coping mechanism calls out how the two are connected.

it’s like - sir, the mixed signals of killing Basil constantly but then essentially using soulmate theory? do you hate him or want to kiss him? (/j)

also, with that joke, i do actually ship Sunflower, and this line speaks to the hopeless romantic in me to some degree - because what do you mean Sunny thinks “a string of fate” ties them together? like it’s super dark, but also kinda gay. just slightly.

anyways, the Branch Coral was super cool and i love the slight soulmate implications on Basil and Sunny even though it’s super screwed up!

(also there’s the line - it’s so minor but like dude-?! the sheer gayness of this is amazing /j)

[here-there-were-dragons]

i'm seeing three times as many people bitching in the tag about the very idea that someone might not like this breed than i see people actually expressing unambiguous dislike for this breed