Severin and Ivory Intro!
You are the king’s loyal retainer, you were once a human turned magical being when you were trapped inside the mirror. And yes, you are that mirror, the very same mirror who is known all across the lands as all encompassing and all knowing. Luckily, when Severin, the current king, your majesty, was about 14, he was able to break the curse that befell upon you, and you were fortunate enough to retain all of the powers that you had when you were still trapped inside the mirror.
Now you follow him like a guard dog, or a lost puppy, just someone who helps Severin in his day to day life. You are actually decent in being a servant funnily enough, and Severin seems to have that same sentiment as he refuses to have other servants serve him, even in waking up, dressing up, and even during bath time. You’re the only one who does everything for him, but it didn’t bother you as much as you are basically inhuman now.
Currently, the kingdom is facing the same pain in the ass from like, a hundred years ago. Ivory, your ex-king, ex-friend, and ex-human being. He’s become a vampire after some kind of breakdown after you admitted that you liked Severins grandfather compared to him. You also did say something about liking him when he was younger because he wasn’t as crazy back then, so now he assumes the form of a child, probably to make you like him again. Weird thought process because he's still as possessive and crazy as when he was an adult, even if he shapeshifts into his younger form.
Well, anyways he’s been annoying not only you, but also Severin. He keeps sneaking in the castle to kidnap you but you always manage to avoid him before he does, and if he manages to actually kidnap you, you would just teleport away mainly due to the fact that you still had unfinished work of making Severin that cake that he wanted, which prompts a temper tantrum which causes Ivory to send out a whole monster army in anger.
In response, there would be an all out war between Ivory and Severin which is NOT ideal when your ideal outcome is where the whole kingdom survives. You had to basically mediate between both parties where you had to essentially beg Severin to let you go with Ivory for the rest of the day so nobody would die. Also, this happens every week to the point that both the human army and the monster army would just stand in attendance and ‘fight’ for like five minutes until Ivory can get in the castle to fight Severin, by then their work is done and they go back to whatever they were doing. Severin and Ivory are also strong enough to not die but still get injured, so you had to patch both of them up while verbally abusing each other.
You should probably propose a schedule where they can have you within a certain day or something, like how divorced parents agree on a schedule when they take their kids during specific days of the week. That would be ideal.
A/N I don't know why the fic is taking me so long when this took me like less than an hour. To be fair that one was basically Ivory's background story so... Anyways, here you go! They are officially out of jail yippieeee!!!
Also I might redesign Severin's outfit because it's not cunty enough for me.
P.s Edited the last part of the 3rd paragraph, hopefully its more understadable?
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AWWW FUCK
In my sleep deprived state, I have created YET ANOTHER AU by smashing together several ideas in my head, along with being inspired by @kamodofilez bells of the dammed au. Sorry for pinging you, but CREDIT IS DUE.
When am I going to run out of these oh lamb
Anyways here's the au. I call it the Regretful Hunter AU, no idea if i am going to continue with this.
In this AU, neither the lamb nor Narinder really wanted to fight.
As soon as Narinder heard the new prophecy through Ratau, he knew exactly what would happen.
Five becomes nothing? He wasn't stupid. He was going to fall too, just like all his siblings.
Good. It was what he deserved. It was what he wanted.
Narinder did the fight because he was actually tired of being the god of death, saw that the lamb was way better at being god than any of his siblings were, and wanted to pass the mantle. Of course, due to pride and family trauma, they couldn't just hand it over, so he tried to goad the lamb into killing him. He... doesn't really consider how Aym and Baal would feel about it. He forgot they were people, honestly, until it was too late to care.
The lamb, meanwhile, was totally chill with dying. They felt that they were OK at playing leader, but was ready to hand over the reins to the god that gave them the opportunity to take revenge for their people.
They were fully ready to let go, and see their family again in the afterlife. After all that had happened, they were just. So. Tired.
However, fate has ways of getting what it wants- including puppeting its victims. The lamb was conscious the whole time as they were forced to fight the person that gave them everything they had ever wanted and slay his guardians. They were just glad that they didn't have to kill him.
Narinder was less than pleased with the mercy. When the guilt of what he had done set in, he ran away from the cult before the lamb could explain what happened.
He planned on going out, finding a nice cliff with some sharp rocks at the bottom, and ending it once and for all.
Turns out, ending your life by your own hands is a lot harder than he thought. It can be pretty scary, standing at the edge.
He blames his mortality, of course.
Lamb, meanwhile, goes into a depression induced stupor, the young god just going through the motions of running a cult. ???'s arrival makes it a little easier, by giving them a goal to work towards, but they never stop hoping to find Narinder again. They know hes not dead yet.
They would feel it.
Narinder continues to survive in the forest, hunting critters using plumbata, or throwing arrows, made from stolen arrows. He goes around, surviving while cursing his cowardice, until one day he wanders through Silkcradle, looking for spiders to hunt.
Instead, he finds a panda and a skunk in mortal danger. Before, he would have let them die, for obviously if they had wanted to live then they would not have come here, doubly so for the panda who could have just never come to the lands of the old faith at all.
But now? Now he understands the fear of the end. How it can creep up on you without knowledge of its presence, how a foolish decision can seem like the best one to make in the moment.
So he saves them. They, of course, ask for his name.
He does not give it. Instead, he gives them the location of paradise, where they will be safe. When asked why he does not go there himself, he answers that "I had lost my right to that place long ago."
When Jalala and Rinor arrive at the lambs cult, they tell the lamb of the kind stranger who saved them, the cat with three red eyes.
The lamb gets excited. He's still out there. And he wishes he could be here.
They just have to talk to him.
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MegOp is making me crazy as usual, but now I have some new, specific inspiration!
So it started with @that-fanperson-meg saying this under a post I made about the Transformers account posting a TFO MegOp edit.
I recognized the name of the song but had never actually listened to it, and hooooo boy, it activated something in the part of my brain that thinks about MegOp...
So, I'm listening to this song, and I have the clearest vision that it's about Megatron's mindset/thoughts during his mental health's lowest point in the worst depths of the war.
(fair warning, my analysis/brainrot is based on my own personal continuity/au, so there are some minor references to that, but it's all fairly standard, and I explain it a bit, so just go with it, and you shouldn't be confused.)
Ok, preamble over. Time for the lyrical analysis:
I hope that our few remaining friends
Give up on trying to save us
I hope we come up with a failsafe plot
To piss off the dumb few that forgave us
I hope the fences we mended
Fall down beneath their own weight
And I hope we hang on past the last exit
I hope it's already too late
Megatron assumes that Optimus is in just as bad of a place as he is. He's wrong, of course, OP certainly isn't enjoying himself, but he has an actual support system that he feels comfortable leaning on. On the other hand, Soundwave is the only thing even approaching a friend for Megatron (and he is waaay too closed off at this point to admit it). Starscream is a backstabbing, power-hungry sycophant with his own heap of baggage (I really gotta make a post about my version of all that sometime); Shockwave is purely logic-driven as usual, only interested in advancing the Cybertronian race via the Decepticon cause. By this time, Megatron feels like both sides are too deep into the war to even consider peace. He honestly can't fathom it.
And I hope the junkyard a few blocks from here
Someday burns down
And I hope the rising black smoke carries me far away
And I never come back to this town again in my life
Megatron has always wanted to escape the path that was decided for him. But now, after losing what he and Orion had and the resulting fallout, he won't go quietly into the night, not before causing some irreparable damage first. And the war will do just that. He hopes the destruction the great war causes keeps pushing him forward, even out beyond Cybertron. At least then, he won't ever need to face the past and who he used to be. He couldn't recognize himself now if he tried, so he doesn't even try.
I hope I lie
And tell everyone you were a good wife
And I hope you die I hope we both die
Even though it's clear to him that they hate each other and are not good for each other, Megatron still has some form of loyalty to what he and Orion had. If somehow, someday, someone were to ask him about them, he wouldn’t tell them about all their problems, but instead that they were good together. Maybe if this hypothetical future version of Megatron doesn't mention all the pain their split caused, then maybe it was a little less real. He knows that as long as Optimus is around, he won't be able to stop fighting; he's just too hurt and angry. He wishes Optimus would just die, that they both would.
I hope I cut myself shaving tomorrow
I hope it bleeds all day long
Our friends say it's darkest before the sun rises
We're pretty sure they're all wrong
I hope it stays dark forever I hope the worst isn't over
And I hope you blink before I do
And I hope I never get sober
Soundwave, the only even semi-positive influence on him right now, is the one telling Megatron it's darkest before the sun rises. Soundwave is a true believer in the original cause of the Decepticons, probably the last one in High Command; everyone else is either using the cause as a means to take out their pain (Megatron and Starscream) or as a means to an end (Shockwave). Megatron is finding it harder and harder to believe Soundwave with each passing day, and yet again assumes Optimus is doing the same. He's starting to hope it never ends. He's comfortable with it now; the war fills the hole that his old life left in him. All he really knows is that he can't bring himself to yield to Optimus and doesn't think he ever will. If he did, he wouldn't know what to do with himself.
And I hope when you think of me years down the line
You can't find one good thing to say
And I'd hope that if I found the strength to walk out
You'd stay the hell out of my way
Megatron is hoping that Optimus is suffering too, since he is, and doesn’t want him to feel anything positive through this since he cannot. But at the same time, he’s trying so hard to be a bastard so that it won’t hurt as much. He does still want to speak well of their past if he gets the chance, so some loyalty or fondness remains deep down. If there were good times to look back on, there would be sadness that those times are over. If Optimus has nothing good to say about him, all he would feel is relief that that part of their lives is over.
I am drowning
There is no sign of land
You are coming down with me
Hand in unlovable hand
And I hope you die
I hope we both die
Megatron can't see any way out of where he's gotten them. To him, there's no path to peace anymore. The only solace Megatron can find is the hope that Optimus falls with him. Even now, the two of their fates must be interlocked, as if it were a universal constant to him - simple common sense. He just wants it to be over, even as he can't bring himself to stop.
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(you don't need to publish this because a) it's not a question and b) I don't want that maybe you're getting attacked/vagueblogged over it) I just wanted to say, that I originally came to your blog because of your nuanced, deep and really really good Caleb meta and that Imogenfans are missing out big time. I think, if Im/odna fans wouldn't have acted the way they did and talented people hadn't stopped writing meta about them, at least I would have warmed up to the characters way more....
Hi anon,
I hope you don't mind me publishing it anyway just because it's a good opportunity to elaborate on a few rather fanwanky feelings in one brief-ish statement.
I don't really care if people vague me and I think people who don't like being vagued are valid, but people who don't like being vagued, whine about it, and then continue to vague others are, understandably, idiots making the situation worse. Most people who had issues with being vagued re: the above simply stopped writing meta, which is why there's not much of it. Also a lot of what people call vaguing is just meta that disagrees with theirs, to be honest. I mean I do vague, a lot, and I'm very good at it, but I've also written 100% good faith meta about things I was thinking about the narrative without consideration of other peoples' opinions and it was called vaguing because I used aggressive tactics like citing my sources.
I've covered the fact that Imogen was actually treated very similarly to Caleb with the key difference that people who wrote meta about Caleb were treated badly by his haters, whereas people who wrote meta about Imogen were treated badly by her then-supporters who are now mostly defending Ashton and Dorian because Imogen started saying things they don't like and don't want to address. I just want to reiterate that if someone ever says that The Male Characters Played By White Actors Never Receive Hate you should just block them and stop taking them seriously. The hate is obviously not motivated by bigotry against real people, typically (though some criticism of Veth was certainly misogynistic even though Sam is a man, for example) but they still did receive pretty intense hate. It is kind of telling, personally, re a certain lack of backbone that people will bring up the horrible things people said about Liam or Travis or Taliesin in their own defense and then turn around and willingly engage with the people making these accusations they clearly know to be false, but you know. Unsurprising.
I tried to write something longer that really dug into the outline of events but it really comes down to this: a lot of the direct harassment (not vagueing) of meta writers, especially with regards to Imogen or Laudna, occurred during episodes like...20-50 of this campaign, and I think those doing the harassment either thought this would somehow make meta writers go "oh my god you're so right about the thing that you said I should die for not agreeing with, I'm going to write meta for you now" or that this would shut them down but wouldn't make other meta writers say "oh this environment has become hostile", which obviously it would. Coupled with the fact that this is when a lot of meta writers realized the campaign pacing was fucked and the party wasn't clicking in the same way past ones had and it really turned into a case of high risk of unpleasantness for a not really worth it reward for many of the meta writers who were around in earlier campaigns, and that in TURN meant that it's harder to have a good conversation without having existing chats so it's a less pleasant place for new fans. Anyway uh. I think the lesson here is that those C2 meta writers ARE around for Midst and Candela Obscura so it's also kind of a waiting game in the event that there is a future campaign (and if not, they will still be here for Midst/Candela/Possibly Daggerheart or future EXUs); they're just not here to write about Imogen or Laudna because it's not worth the trouble.
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What gets me about GW defenders saying that "Claude siding with Edelgard shows how far he's willing to go to get what he wants, he'll use anyone to further his goals" is that, even if that were accurate to his character... that's not what he does in GW. At all.
Which one of Claude's goals are ever progressed once he sides with Edelgard? And how does siding with Edelgard, specifically, accomplish said goal?
Maybe... killing Rhea? But all of the reasons he says he wants her gone in this game are either completely unproven or blatantly incorrect - there's no proof of the Church forcing arranged marriages, Crests do not force obligations onto those that have them (which Claude himself literally proves), and the Church is helping Dimitri restore Duscur - a foreign nation - meaning they are actively willing to help fulfill Claude's main goal that he came to the officer's academy to achieve.
And... that's it! That is the only possible thing that even POTENTIALLY helps Claude's dreams, and taking a five-second look at it shows that it actually does nothing at all to help anything. But in the meantime? Claude weakens Faerghus through agitating Sreng and invading it himself, forcing Dimitri to fight a three front war; he actively helps Edelgard get herself out of a messy situation, even though not helping her and letting her die would have actually helped him and would have actually been him using her like people keep saying he's trying to do; he and Holst even admit that by the end of the war Edelgard is going to make a vassal state of Leicester after taking the lion's share of Faerghus' territory for themselves, which Leicester can't do anything about because of Adrestia's far stronger military. He is the one saying that! He is the one pointing out that that is going to happen! And yet he just keeps going anyway!
He is the one getting used. Very blatantly, and very extensively. Claude walked himself into a trap and lied to himself into thinking he's the one with the upper hand, which somehow managed to convince a large portion of the fanbase too. There's no gray morality here, there's no cunning being showcased, Claude is just an evil stupid tool
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