#will commits arson

[willsetyou-onfire]

Salem walked out Snape's office a smirk on their face

-@urlittlelesbianwitch

"Jeez, don't you look pleased with yourself."

[wombywoo]

boyzzzzz 👦💥

[microvibing]

eepy:)

[garposting]

alloy gate her gars look so pole height I love them

[branwinged]

dany is an interesting character because her acts of violence routinely get framed as worse and more concerning than every other character whom one would label as 'perceivably morally good' in asoiaf. some of it is probably misogyny and some of it is strictly boxing dragons in the nuke metaphor category because "angry teenager has three nukes" does not result in particularly flattering readings of the character; but the rest is because revolutionary counterviolence often gets portrayed as just as bad (worse even) as the every day violence required to uphold an oppressive institution as a way to make some point about all violence in itself being evil. now the reason i don't believe asoiaf buys into that rhetoric is because dany's adwd story arc is basically her agreeing to one concession after another until the fighting pits are re-opened, she's married to a slaver, and the yunkish are slave trading right outside her city walls. i don't know why people are reading her choosing drogon in the fighting pit as her running away from her problems because i've always interpreted it as a rescue, she's a princess in the metaphorical tower, shackled to a peace the price of which is the continuation of slavery and the dragon is her rescue, the dragon is her knight, the dragon is her and the dragon is the truth she has been avoiding the whole book, that the choice she has to make in slaver's bay is not between war and peace but between war and slavery.

now the way she reaches this conclusion is kind of bad and concerning, "dragons plant no trees" is not the ideal thing to internalise but obviously that's a low point in her character arc, the way sansa believing littlefinger's philosophy of "it's all lies" is a low point in hers. and neither are whole truths. which is something that will get addressed later, because that's how character arcs work!

[hualianschild]

shi qingxuan to hua cheng :

[a-scary-lack-of-common-sense]

I love being the creator of my own AU because I can literally do whatever the heck I want with the characters. Like, BOOM, Fiddleford is one of the antagonists in the story now, just for the fucksies and the funsies :] Be free my child, go Fuck Shit Up for everyone else <3 you deserve it

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[foxflamingo]

*sigh*… I got dragged into the show by the gay ass purple fairy

I know he dragged you down too 🫵

[pedgito]

whoever placed that table there must hate me

[willsetyou-onfire]

“WILL CALL 911 OR WHATEVER THE FUCK THEY HAVE AT HOGWARTS” Salem yelled running into their dorm and starting to grab books

-urlittlelesbianwitch

"HUH- WHAT HAPPENED?"

*cough cough* @urlittlelesbianwitch

[fearandhatred]

season 3 is going to change the trajectory of my existence forever and then i'll have to turn to a life of violence and crime to cope

[cachekay]

sabo and koalaaaa u will always be famous to me

[professional-sinner]

I'm absolutely losing my mind

[raylasgf]

“i hate rayla in arc 2 she’s not as badass as she was before, they turned her soft”

rayla in arc 1:

she’s always been unserious some of you are just dumb

[makeyouminemp3]

"they're just friends, stop trying to make them gay" how about i set you on fire, huh?