#why did they write it like that then

[leni-31]

YOU MEAN TO TELL ME THAT DEAN'S TOP 13 ZEPP TRAXX AND CASTIEL STEALING THE COLT ARE IN THE SAME EPISODE ????? HOW DID PEOPLE MANAGE TO NOT DIE WHILE THIS WAS AIRING ????

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[all-my-ocs-are-evil]

[insert poetic title here]

fun fact: this did not start out as isat fanart

(rambling in tags)

[dear-ao3]

pov your ex held your collection of thrifted spoons hostage for over a year (not entirely his fault, they got mixed up in his things during a move and you did not realize it, though he did adamantly deny that he had them) and reached out to your roommate on instagram nine months post break up after being thoroughly blocked for several months just to ask if you were still roommates and then to very cryptically reveal that he had in fact found the spoons (among other, mystery items that he did not reveal and you also have no idea what they are) in his car that he had not driven for a year cause he decided to make the worst financial decision of his life and buy a tesla and then tried to coordinate a meet up to drop off said spoons and mystery items which you did not want but you do want your spoons so you told him to either mail it or show up to your place of work when you were not scheduled only for him to entirely miss the point and still try to see you, then you reveal that you do not want to see him so he finally says that he will put on his big boy pants and mail it (though him actually mailing it is entirely unlikely) and also aparently hes gotten a perm since the last time you saw him and it looks terrible

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[idiotsonlyevent]

i wonder where the idea of chilchuck being a deadbeat came from when theres like. no textual evidence for it ?

he knows what all of them are up to; he still writes to flertom and she sent him his neckwarmer, so that to me implies that they at least have a somewhat positive relationship?

its more ambiguous with meijack and puckpatti, but since meijack is also a picklock, i wouldn't be surprised if he taught her himself, considering how trades are often passed down through families, and because he talks about sending people to her if he dies.

also the way he talks about puckpatti is very like... it's obvious he wants her to take things more seriously, but he's accepting, and his tone here reads more fond to me than anything else.

like, he keeps his daughters' old toys under his desk? that doesn't scream 'deadbeat' at all, it screams 'empty nester' who doesn't know how to reach out or is scared to do so

EDIT: i know a lot of the 'deadbeat dad' stuff is jokes, but some people are Not joking and genuinely think chilchuck is a bad dad. this post is not saying that you cant joke about it; it is just outlining what canon shows regarding his (clearly positive) relationship with his kids.

[soranker]

my girlfriend

[fuctacles]

Soulmate identifying words but the first words *meant* for you count, so Steve knows the lyrics of Corroded Coffin's first hit song before ever hearing it on the radio. It's written in chicken scratch on his thigh.

Eddie wrote this song about his stupid crush from stupid Hawkins High that never fully went away.

[fishofthewoods]

I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"

Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.

In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.

In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.

In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?

In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.

The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.

And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?

And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?

Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.

The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.

The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.

They always come home eventually.

[nondelphic]

me planning out my story: this will be so straightforward and easy!

me writing: why is there a subplot about flour?

[reineydraws]

✨️ BROTHERS! ✨️

(shouto will live out his idle childhood daydreams, even if he has to reverse their roles himself haha)

[a-scary-lack-of-common-sense]

A phone call between brothers (takes place AFTER this incident and Fiddleford's phone call)

Sorry if this is OOC!

[wordpress-blaze-219959775]

Finding Your Academic Path: A Guide to Making the Ikigai University Choice

Choosing the right university may seem like a daunting task, but it’s an opportunity to move closer to the life you want. It’s not just about picking a prestigious name or a course with promising job prospects—it’s about finding the intersection where your talents, passions, and opportunities align.

There’s a Japanese concept called ikigai—the sweet spot where what you love, what you’re good at, what the world needs, and what you can be paid for come together. Your university choice is the first step toward your ikigai: the place where you can develop your skills and build a future that resonates with your passions.

The best university for you is where you achieve your highest results naturally, because your mind naturally gravitates toward that field. Analyze your grades and the subjects where you consistently excel—what topics excite you enough to explore them beyond class time? The answer to this question is your first clue to the right path.

But choosing a university isn’t just about numbers. The learning environment plays a crucial role. Some people thrive in large universities, surrounded by a dynamic atmosphere with endless networking opportunities. Others do better in smaller colleges, where classes are more personal and interactions with professors are more direct. Think about how you learn best—do you need lively discussions, or do you prefer to study in peace and quiet?

Geographic location also matters. Would you rather be in a bustling city with access to events, internships, and professional connections, or in a quieter campus setting where you can focus deeply on your studies? Some flourish in fast-paced environments, while others need a more serene space to concentrate. The setting you choose will be the soil where you plant your roots for the next few years.

The concept of wabi-sabi teaches us to find beauty in imperfection. The same applies to choosing a university—there is no perfect decision, only the one that best aligns with who you are right now. Look beyond academics: your extracurricular activities, hobbies, and the things that excite you in your free time are valuable clues about which path might feel most natural to you.

Don’t underestimate the importance of seeking advice. Talk to students, professors, and professionals in the field that interests you. Their experiences can offer insights that a university website cannot. Attend open days, explore internship or study-abroad opportunities. Academia isn’t just about theory—it’s made up of people, environments, and opportunities that can shape your journey.

And then, there’s the financial aspect. A quality education doesn’t have to mean overwhelming debt. Research scholarships, financial aid, and part-time work opportunities. Just as an artisan carefully selects the materials for a masterpiece, planning your resources wisely will help you build a sustainable academic path.

Ultimately, choosing a university isn’t just about prestige or future job opportunities. It’s about finding a place where you can grow, learn, and develop your full potential. Ikigai and wabi-sabi remind us that the path won’t be perfect or linear, but every authentic choice carries value and the potential for growth.

University is only the beginning of your journey. What truly matters is how you seize the opportunities ahead to discover who you are and what impact you want to make in the world.

Source: Finding Your Academic Path: A Guide to Making the Ikigai University Choice

[obsesssedblerd]

“SATORU!!!” 

Your white-haired boyfriend pops around the corner. “Yes? Why on earth are you screaming?” 

You fearfully point at the roach scampering up the living room wall, nervously hiding behind him. “That.” 

“Uh...What am I looking at here?” 

“Oh, don’t act— the bug, Toru!” You yell. “You mean to tell me that you can’t see that thing with your Six Eyes?!” 

Satoru lifts his blindfold, then looks back and forth between you and the insect. A wide, incredulous smile spreads across his face. “No way,” he snickers, then bursts into loud laughter. “That tiny little thing?! Baby, you exorcize curses daily, but this is what you’re afraid of?!” You stare at him blankly as he leans against the wall, breathless from laughing. Oh, my god, this is too funny.” 

“Yeah, yeah, whatever. Can you just kill it, please?”

He sighs dramatically, then pokes your cheek. “Sure, I’ll take care of the big scary bug,” he mocks, and you curse underneath your breath as he walks closer to the wall. 

“Satoru—you better not do anything stupid,” you warn him. You know that he enjoys playing jokes, and you would be stupid to think that he wouldn’t bring the insect to you to scare you even more.

“Oh, relax. Why don’t you go to the room since you’re so scared?” 

You bite back any insults, and then go all the way down the hall. There, you find your other boyfriend, Suguru, who had rushed out of the bathroom, his hair wet from the shower. “Heard you scream. Everything okay?” 

“Yeah, I saw a bug in the living room, but Satoru’s taking care of it.” You reach up to push a wet strand of hair out of his face. “You can head back and finish up. By the way, for dinner, I was thinking—” 

“HOLY SHIT!!!” 

You and Suguru see the burst of crimson light from the living room before the loud explosion fills your ears. The house shakes, and both of you stumble to the ground. When everything settles, Suguru helps you up, then you both rush to the living room. 

What’s left of the living room. 

The wall is completely gone, and where there isn’t rubble from the house, there are bits and pieces of your furniture. From where you’re standing, you can see some of the neighbors begin to poke their heads out of their doors and windows, wondering what the explosion was. Then, you see Satoru, who is wide-eyed, and slightly trembling. 

Suguru is the first to break the silence. “What the hell just happened?!” 

Satoru’s chest rises and falls with each breath. He then turns to you, pointing at where the wall used to be. “You didn’t tell me that it flies.” 

“...Huh?!” You ask.

“What- Don’t ‘huh’ me!” He sputters, flailing his hands around. “The roach! You didn’t tell me that it flies! It scared the shit out of me! It was so unexpected!!” 

Finally, the only thing that could’ve happened clicks in your head. The light you saw, the blast. “Did you just fire Red?!” 

He crosses his arms. “Yes, I fired Red!! Didn’t you just hear me say that—” 

“Okay, both of you, just stop!” Suguru shouts, putting his hands up. “Just…” He then faces his boyfriend, disbelief and disappointment evident in his features. “You mean to tell me, that you blew a massive hole in our damn house all because of a roach?! Satoru, what the hell!!” 

“Suguru, it was flying!!” 

“So that’s a good reason to destroy our house?!” 

“Hey! At least it’s not the whole house,” he says, then laughs nervously when Suguru glares at him. “Like yeah, our TV is definitely gone, but, uh… at least the roach is dead?” 

“You fucking idiot!!” Suguru snaps. 

Satoru snaps right back at him. “You weren’t there to see how it was flying!” 

As they go back and forth with their yelling, you groan, burying your face into your hands. You definitely should’ve just found the strength to kill it with a shoe earlier.

----

a/n: got inspired by that post about spiders that i made lmaooooo

[1v31182m5]

On my planet, this is hilarious /starfire ref

Joke explanation in tags

[bluerosefox]

Waiting... Waiting...

So... This was inspired by listening to EPIC (FREAKING LOVE ALL THE ALBUMS, SO GOOD) and by @noxcheshire post of Tim being Odysseus reincarnated and Danny (maybe also reincarnated) being his Penelope (Here) so I had to turn it into a Dead Tired idea.

The song The Challenge is the main one here. (Cause I LOVE that song... along with Would You Fall In Love With Me Again)

So WHAT IF Danny IS the reincarnated Penelope, after becoming the Ghost King Danny's memories of his past life as Penelope returns and remembers how before dying/ or being reincarnated both Penelope and Odysseus promised to find each other in their new lives, no matter who they are, what new form they take, they will find each other.

So Danny/Penelope, just like before waits for their Odysseus to return to them, but also tries to find him in their new life (CW is laughing whenever Danny asks for hints and gets a 'In due time, just wait' answer, ugh Danny wants to smack CW for that)

However just like in his previous life with being in a high position of power, Danny is being pressured to marry/take a spouse (now its not just men/males though so its a huge headache, I head canon Ghosts don't care much for gender preference) mostly by the dang eyeballs that Danny is still trying to find a way to get rid of without upsetting the Infinite Realms delicate (but slowly healing) balance even if Danny wanted nothing more than to punch all of the suitors out.

So Danny decides to play the long game again.

And waits for their Odysseus return.

Danny's wait is over when they suddenly feel the Realms shift one day, as if welcoming someone familiar home, and the same feeling Danny had when he had been Penelope and saw the storm that was sign of Odysseus coming home, Danny decides its time to bring out The Challenge once again. (CW gifted Danny a few things from his past as Penelope as a coronation gift, like Odysseus's bow (now enchanted to be unbreakable), a painting of when he was Penelope, with Telemchus, and Odysseus, and the Marriage Bed/Olive Tree, AND the Palace Odysseus made that Danny takes to being in over being at Pariah's Keep)

-x-x-

Meanwhile

Tim Drake, aka Red Robin, always had strange dreams as a child.

War, Death, Monsters, Gods, Goddesses.

His dreams were more like nightmares, haunting him and he sometimes woke up in cold sweat.

He hated storms. Hated being in the water for to long. Hated how he felt both tense but also at home when around Greek heroes, as if he was afraid to 'disrespect' them (Cassie was the only one he didn't feel that way around, mostly cause they had been somewhat friends before their heroing since their parents knew each other) but also knew how to appease them should he insult them. He also had a strange hatred for the CoO with a burning passion because he felt like they were mocking real Owls.

The worst part of nightmares that always pop up are of what feels like should be his home is being invaded by unwanted guests (they aren't guests), how they are angry over trying to string a bow and shot an arrow through axes, of the terrible terrible things he hear them saying they were going to do to his loved ones (two names that keep getting muted out).

How it ends in bloodshed with echoing of begging, pleading, mercy, and screams.

However in those nightmares at the end. He also finds himself looking for something in them.

Or rather he always found someone waiting for him at the end of the nightmares. Calling him by the wrong name but it sounds just right coming from them.

The dream always ends with the person asking 'How long has it been?' and before he can answer he wakes up.

So yeah Tim has horrifying nightmares/dreams he could never explain.

And the urge to find someone. To go home to them.

It isn't until he and his friends from Young Justice are hit by a spell from Klarion (who may or may not had a visit from a certain chaos encouraging Time Keeper) and sent to a place called the Infinite Realms in the middle of their fight, that Tim is hit hard with déjà vu when he spots a certain Palace in the distance and overhears some of the 'people?' (they glow and float and some don't even look human?! where are they?) talk about how the 'King' has issued a new 'Challenge' for his 'suitors'.

A Challenge involving a bow, and axes.

And Tim, feels like he knows this all too well and needs to do it.

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes