#why did they get everything and are main ship lost everything
Explore tagged Tumblr posts
Text
Ok so when Neil said it would be quiet, gentle and romantic and “they like holding hands” turned out all our predictions were wrong and he was actually talking about Beelzebub and Gabriel-AKKSKDKDL
#good omens#good omens 2#good omens spoilers#go2 spoilers#good omens season 2 spoilers#ineffable bureaucracy#like don’t get me wrong I love it they were so cute#BUT AT WHAT COST AND WHYYYY#why did they get everything and are main ship lost everything#ineffable husbands#more like ineffable divorce#Gabriel#Beelzebub#neil gaiman#Crowley#aziraphale#beelzebub x gabriel
2K notes
·
View notes
Text
my favourite headcanon for glass sorenson is that she came down with farm station and watched them murder luke right in front of her eyes (or kidnap him or something cause i love tragic lovers but she deserves to be happy) and so she’s one of the first people to join pike’s militia and turn vengeful, and her best friend wells (he lives too cause this is my canon now) is trying to get through to her but she won’t hear it cause all she wants is justice and to get her oldest friend clarke griffin out of polis and away from harm (they’re friends too fight me on this i dare you)
(also sorry about the tags i didn’t know i had that rant in me 😭😭)
#the 100#the 100 novels#kass morgan#glass sorenson#please explain to me why she wasn’t in the show#actually dont i dont want excuses 😭😭#shes my babyyyyy#and this is my favourite headcanon for her#i think that after everything that happened to her she deserved to stab someone#i also think having someone explicitly in the younger main cast who was affected by the farm station massacre would help highlight why they#refused to trust grounders and wanted vengeance for what happened to them#because it feels like the show was going for a whole black and white youre wrong thing#which sucked#cause you literally hear hannah and pike say that the CHILDREN who were just PLAYING IN THE SNOW were the first to die#and then the writers are like but how DARE they want retribution#also im sorry but lexa was so stupid to think the ice queens body would be enough#everyone was so for jus drein jus daun but when they demanded the grounders responsible it was literally never adressed#and they didn’t even see the ice queen die#lexa just wanted to hand them her body and be like okay its done now stop causing problems#also she did literal shit to help because a whole ass SEASON later some of farm station are still alive being held as SLAVES by the ones#who attacked them#and if the main group didnt go after the ship for ita resources they would have died their in praimfaya or died through the labour#like please explain to me why the writers just brushed this aside and then made BELAMY the guy who lost someone he loved and was manipulate#the villain of that season like the fuck????????#not saying they had a right to go around massacring villages im not an idiot that was too far but the people who are like oh they were#murdering children how could they 😔😔#like the grounders didnt kill children FIRST and get NO FUCKING CONSEQUENCES pisses me off to no end#also im really supposed to see skaikru as villains fot wanting vengeance when literally 99.99% of the grounders we meet wanted it and the#ones who didnt DIED for chosing peace because the rest refused to abadon violence like titus and lincoln literally say lexa would DIE for#wanting peace and changing her ways cause her people would MURDER her and yet skaikru were evil for wanting justice
4 notes
·
View notes
Note
One thing I’ve never exactly understood. Why did the victory on Earth in books 53/54 correspond to a total victory over the Yeerk Empire? Most clearly, we never see the Council of 13 get defeated.
Short answer: Eva.
Long answer:
This is all kind of background to the main plots of the books, but. What we know happens is something like this.
The yeerks try to take Leera, under Visser One's leadership. They meet andalite resistance, leeran resistance, and Animorph resistance — ultimately they fail (#15 - #18).
V1 gets reassigned to Sleegab Five. Not many details, but it doesn't go well. Doesn't help that Marco has been actively discrediting her within the Empire (#30).
V1 gets rereassigned to Anati (#30).
Toby et al. launch a resistance on the Hork-Bajir Homeworld (#34).
V1 gets tried as a traitor (thanks, Marco) and slated for execution (Visser). V3 becomes V1. This corresponds with the Empire withdrawing from some failed attempts to take other planets.
Eva (after being rescued; thanks Marco) points out that the Yeerk Empire has few territories outside of Earth that aren't being occupied by andalite counter-invasions (#45).
Andalites have occupied Yeerk Homeworld, Taxxon Homeworld, and Sleegab Five, taking them back from Yeerk Empire (#46). Eva knows that the yeerks are trying to convince the andalites that their focus is on Anati, and that their actual focus is on Earth.
Ax persuades Andalite War Council that yeerks are concentrating on Earth, which is a mixed blessing — it gets the andalites to head for Earth, but they plan to annihilate it when they arrive (#46).
Yeerk forces further concentrate on Earth (#51). Eva speculates that they now have 0 other planets, if they've lost Anati.
Jake, Toby, and Eva plan to blow the biggest yeerk pool on Earth to convince the yeerks "Earth isn't worth their time". They know they're making the yeerks some other planet's problem, but need to prevent the andalites from wiping out humanity (#52).
The yeerks are so overcommitted to Earth that blowing the yeerk pool has the opposite effect. New!V1 instead lands the Pool Ship on Earth and throws everything at an open Earth invasion (#53).
Eva, Jake, Arbron, and V17* conspire to both draw andalite forces to Earth and conceal that fact from new!V1. Now all the andalites' and all the yeerks' eggs are in the Earth basket (#53).
Jake corners V1 and forces him to surrender. V17 reveals to the Empire that the andalites are here, and plans to use that chaos to escape with a splinter group. The andalites accept Jake's handing over the Yeerk Empire (#54).
Rachel kills Tom, preventing V17's escape.
Ax and Alloran manage to negotiate Earth remaining independent, even as the andalites take control of the Yeerk Empire.
#animorphs#animorphs meta#yeerk empire#jenga tower theory of yeerk politics#animorphs spoilers#yeerk politics#*visser seventeen = how i refer to the unnamed head-of-security yeerk inside Tom's brain in 46 - 54#i guess i could just call him Security Bro#Mr. Director of Security Sir?#Visser Secures-Things?#Morphy McMorphface?
419 notes
·
View notes
Text
An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.
I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)
I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.
My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.
I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”
That’s how it works. This is how stories and literary structures work.
Of course you’re not satisfied with season two. You’re not supposed to be.
The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.
My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.
I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.
Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.
No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.
And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.
Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.
You see where I’m going?
If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.
So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.
The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.
Thank you, @davidjenks 🖤
714 notes
·
View notes
Text
I just feel like talking about how deep Mikayu’s bound runs don’t mind me (HEAVY spoilers ahead).
Lets get this straight : i don’t care if you ship them or not (even if you would be a fool not to) but no one can deny that they’re literal soulmates and I’m gonna show you exactly why.
Yu and Mika were ALWAYS bound to find each other and reunite. I’m not saying that because I’m delusional it’s literally canon. Their relationship is as old as dinosaurs and once again : this is canon.
Yu (or should I say Mika but like whatever if you didn’t read the scans it would take an eternity to explain) was literally created for Mika. The sole purpose of his existence was to look after Mika and be his only friend. Since day one they were ment for each other.
They swore on every stars and defied fate itself that they will always found each other again no matter how many times they die or get taken away from the other in a way or another, no matter their race, age or era.
There I was talking about the first versions of them, but let’s talk about the main one, the one we all know in the anime and throughout the whole manga, Yuichiro and Mikaela Hyakuya.
Mika was the first one in this life to get Yu to open his heart, to make him accept his fate and push him to make the best of it. Yu was just a traumatized child that almost got killed by his own parents yet Mika made him feel like he belonged somewhere, he showed him that family wasn’t always meant to be bound with blood.
When Yu lost Mika it was like he lost all hopes, for the longest time Yu was suicidal, already from young age and this loss just made him feel so much worse. Yes the loss of his whole new family, including Akane and the kids was bad for him, but deep down what truly broke them was the loss of one another.
Years later they reunited, Mika like Yu both changed deeply because of their own experiences and yet their relationship stayed unchanged. Just the dynamic between them switched, Yu was now the one to convince Mika that he could trust his new family (Glenn and his own squad).
One day my mom told me « if when you reunite with a long lost friend and it feels like not even a day has passed, then it’s real friendship » and it’s been proven to me that this is true, Mikayu being yet another exemple of this.
As a vampire Mika doesn’t feel much anymore, it’s said loud and clear that turning into a vampire takes away from you any vulnerability, any love or lust. Yet Mika feels so vividly for Yu, it runs so much deeper than his own nature. His loyalty towards him is beyond any words could ever describe.
And it’s also so damn obvious how Mika is just so grumpy with anyone but smiles whenever Yu is around. He didn’t smile for anyone else than him throughout the manga, Yu is his literal everything, he is the only one that brings him peace and joy.
Now we skip forward a bit, Yu and Mika are in a deadly situation and against everything Mika dies. First let’s get the obvious out of the way, his last words were « Yu, I love you. ». I mean. There’s nothing more straightforward than that.
But then, when a vampire dies he becomes a demon, so of course Yu had to take him as his cursed weapon. So that’s exactly what he did, after so much struggle that I will pass here he finally got to talk with Mika and have a contract with him.
But the thing is when a vampire dies and becomes a demon he loses all his memories from his previous life, so Mika didn’t remember Yu at all. Yet, despite everything their bound didn’t die, quite the contrary. Even before they did the contract, so before Mika had access to Yu’s memories, there was still something inside him that screamed « that guy is important to me », even if he didn’t understand where it came from.
All the memories Mika had of Yu after that was again : from Yu’s own memories.
And what Mika saw broke him, the desire to die was so overwhelming even in his demon form he found himself speechless and hurt. He didn’t remember Yu but he knew that he was important to him more than he could ever tell. And he didn’t only see their memories together, he saw Yu’s whole life, the moment with his parents, the years they spent apart, Yu and Glenn’s relationship and his new family, he saw everything.
He swore his loyalty to him yet again, ready to do anything for him and face the end of the world hand in hand with him. And of course, even when he lost his memories Yu never once doubted him and that he would still follow him.
Now. I’ve been talking a lot about Mika’s love for Yu but what about the other way around ? Moving forward in the story again Glenn revealed something to Yu, his squad and Mika that left a dilemma hanging in the air. Yu had to chose between humanity and Mika. And what did he do ? He chose Mika, betraying not only Glenn, the man that save him physically and psychologically and that he respected the most in the world, not only his squad with who he shared ups and downs like a family but humanity itself for the survival of Mika.
If this doesn’t speak volumes to you I don’t know what will. Yu sacrificed EVERYTHING down to his own survival just to spend one more day with Mika. Now not only vampires, demons and angels were against him, but humanity too all for the sake of one man.
Both of them constantly put their whole life and universe on the line for the other and they always do it in a heartbeat, like any other decision would just be unthinkable.
They had so many discussions that made clear how deeply their feelings for one another go, no matter if you interpret it as brotherly or romantic love. They confessed to each other so many times how they can’t live without the other, how life is meaningless if the other isn’t around. How there’s not even a point in trying to live if it isn’t to face tomorrow together and how each other’s happiness is more important than anything else in the world.
Both of them held on solely for the other, both of them are still breathing and living their truth thanks to nothing else than one another.
Their love is so fucking beautiful and pure, it stayed untouched through generations and generations of them.
Mikayu is an amazing ship and anyone would be a fool to not read Seraoh of the end just to witness such utter and raw love.
#seraph of the end#owari no seraph#mikaela hyakuya#mika hyakuya#mika x yuu#mikayuu#mika#yuu hyakuya#yuuichirou hyakuya#yuichiro hyakuya#mikaela x yuichiro
679 notes
·
View notes
Text
Everything about the Starship was the result of a series of decisions designed to make spaceflight cheaper. The methane fuel. The steel structure. The method of construction. Even the rocket’s enormous size. All of it was a gamble to create a system that is fully reusable, bringing the cost of getting to orbit down to a small fraction of what it is today and making space almost infinitely more accessible.
However, one decision in the process didn’t just result in the destruction of the rocket, it generated a cascade of failures, one that’s likely to set the program back by a least a year, erasing the chance of NASA’s scheduled return to the Moon in the process. That decision is 100% on Elon Musk.
HERE’S THE TL;DR VERSION
The no-clamps slow throttle-up meant Starship stayed on the pad for a long time, throwing up concrete, rock, and sand in all directions, damaging the pad, nearby facilities, and Starship itself.
By the time it left the pad, that debris had already destroyed three of Starship’s engines and likely damaged valves and systems that would lead to additional engine failures as well as an incorrect fuel mixture.
Starship was slow to reach every point in the flight plan, suggesting that other engines were not able to throttle up to compensate for the lost engines.
At what should have been stage separation, either software errors or more smashed hardware kept the main booster firing long after it should have shut down.
The result was an uncontrolled spin that required Starship to be destroyed.
WHY THIS IS 100% ELON MUSK’S FAULT
Starship is the work of hundreds of talented engineers and thousands of employees who put their best into making this thing go. The design is extremely daring, and something of a wonder. The engines are amazing, even if they have demonstrated that reliability is currently lacking. The whole system of construction promises to revolutionize the space industry.
But there are two parts that were left out of Starship that absolutely doomed this flight and the decision not to include them falls right with the guy at the end of the first row at “Star Command.”
Those parts were not parts for the rocket. They were parts for the launch pad.
For some reason, Musk became convinced early on that he did not want the launch tower to have:
A flame-diverter or flame trench to redirect the blast from the booster’s engines
A water deluge system to dump a massive amount of water around the launch tower during liftoff
The launch facilities at Kennedy have both of these. Even the launch pads used for the much smaller Falcon 9 have both a flame trench and a water deluge. They help to protect not just the launch pad, and the surrounding area, they also help to reduce the noise. Which sounds trivial, but that noise is energy. That’s what broke up the concrete under the Starship Stage Zero, not the fire. That’s what sent car-sized chunks flying in all directions.
A flame diverter and a water deluge would have greatly reduced, or even eliminated, the damage to the area around the pad. They would have prevented the blow back of debris that damaged Starship before it even left the ground. It might have headed off the whole cascade of events that resulted in that button being pressed 4 minutes into the flight.
We don’t have to guess about whose decision it was not to implement these systems, because Musk already said he decided to skip these systems over the recommendations of his engineers. Musk even had a preview of what was going to happen, as past test flights of the upper stage also resulted in significant spalling of concrete structures and damage to at least one of the ships. He just made them try different kinds of concrete.
The parts for a water deluge were actually on site, ready to install, but Musk decided to forego that installation—likely so he could enjoy the pun of launching his super-joint on 4/20. Which was something Musk had joked about doing months ago.
Hopefully he enjoyed the joke, because the EPA and FAA are going to be thinking long and hard before they authorize another flight from Boca Chica. All those engineers, and all those workers, and all their good work, is held hostage to Musk’s whims.
Also a victim of Musk’s decision to leave these vital pieces off the table? The Artemis Program at NASA. Musk has already been awarded the contract to create the first lunar lander for the new program, but that lander is absolutely dependent on Starship. It’s a sure bet that Musk won’t have his part of the program ready on schedule. It’s going to be some time before we even so another test flight.
In the meantime, SpaceX can repair the damage, build a flame diverter, install that deluge system, clean up the software, and ditch the whole “pitch over” means of stage separation for something simpler—like using the second stage engines to push the stages apart with an unignited shot of methane.
See you in 2024, Starship.
Maybe.
👉🏿 https://m.dailykos.com/stories/2023/4/22/2165317/-A-Starship-Post-mortem-Why-the-giant-rocket-failed-and-why-it-s-Elon-Musk-s-fault
2K notes
·
View notes
Note
Add this to the bottom of the barrel.
I was playing tears of the kingdom and my brain did a hop skip and a jump.
Human body that climbs everything and everyone. has killed a bot with some really archaic weapon, lord knows what they'll do with an actual gun. doesn't really talk but communicates through grunts and hand gestures.
plus
Rodimus who just wanted to get a midnight drink - ...Buddy?
cut to Buddy who just stares back at him for a moment before running into the vents.
Rodimus - HEY GET BACK HERE!
Buddy is chaos. There is no stopping them from climbing anything they can get their little hands on.
Hope you enjoy!
Human Buddy who communicates in grunts, noises and likes to climb with Rodimus Prime, Cyclonus, Nautica, and First Aid
SFW, Platonic, Human reader
MTMTE
The crew picked Buddy up from a planet’s flea market.
Buddy looked so miserable and malnourished.
The crew members were outraged seeing a human so far out in space and being treated like this.
Some go off in a corner to think of a plan to get the human without buying them.
Buying them will only make the buyer rich and chase more humans.
Whirl was the one who stole them from the buyers after causing a diversion.
For once Magnus didn’t put him in the brig for stealing them
The human didn’t speak like any normal human and was very distrustful of all the bots.
Except Whirl.
With time the human eventually warmed up to the bots, but they never really learned how to talk.
They were just fine with the grunts and noises.
It was a random name generator that picked their name since many bots had already gone to the brig for wanting to name them and others not agreeing.
Buddy was a simple name.
And they seemed to like it.
But there were some habits the bots picked up on.
Buddy loved to climb anything they could get their little hands on.
This caused much distress and amusement amongst the crew.
Buddy becomes the crew’s mascot/ friend/ gremlin that lives on the ship.
Rodimus
Rodimus likes Buddy.
He even set up a little chair for them on the main bridge in case they wanted to sit there.
He put it there after too many times seeing Buddy trying to climb the chair themselves.
And that one time they did manage to get on the seat and Rodimus nearly sat on them.
That’s why Buddy now has their own chair.
Do they use the new?
Yes and No.
They use it when they are on the main bridge for more than 5 minutes.
But they don’t sit on it.
At least correctly.
The amount of times Buddy has sat down on the chair wrong nearly glitches Ultra Magnus’s circuits.
Buddy knows this and likes to get a laugh out of everyone.
Rodimus is the loudest.
But not everything is fun and games.
Rodimus hates it when Buddy uses the vents.
He’s scared they are going to get lost up there like one of those Earth videos of families not finding their gerbil until they had to cut a hole in the wall and find it deceased.
Buddy, obviously, doesn’t listen to him.
Rodimus came back to his room after a meeting with Magnus and Megatron.
Turns on the light.
Buddy is sitting on his berth eating some chips.
“…Buddy?”--Rodimus
Buddy stares at him before running to the vent on the ground.
“HEY! NO, NO, BUDDY WE TALKED ABOUT THIS!”--Rodimus
Buddy makes some mocking noises in the vent.
“I HEARD THAT!”—Rodimus
Cyclonus
Being one of the bots on board that they were slower to warm up to, Cyclonus does find himself looking after them.
He blames Tailgate for planting the idea in his helm.
He lures Buddy in with treats and by being calm.
Buddy warms up to him eventually.
Cyclonus wants to teach Buddy how to talk so they don’t have to rely on noises or grunts like some unintelligent being.
Buddy was intelligent, they just couldn’t talk or write, that’s all.
He tries his best and sees that Buddy does try their best.
Even if they manage to make a letter sound, is plenty accomplishment for both.
“Repeat after me. Hello.”--Cyclonus
Buddy tries to say but huffs instead.
“No, like this. Hello.”--Cyclonus
Buddy starts making noises that sound like a cat hacking on a hairball.
“…Maybe that’s enough lessons for today.”--Cyclonus
Hacking noises increase.
Nautica
Nautica is one of the crew members that got along the fastest with Buddy.
Maybe it was her being friendly and kind to them.
Or it could also be the snacks she secretly gave to them after their meal.
Who knows?
Buddy has a habit of climbing on her when they want something or need to relax.
They do this with certain bots too, but she still feels honored to be chosen for this job.
All she needs to do is acknowledge Buddy, then be still until they reach the top of her helm or neck cables.
Gives them many head pats.
Buddy looking at Nautica from across the room.
Nautica was talking to Brainstorm about her new wrench.
Buddy walks over and begins to climb her leg.
“EEP! Buddy! You know better to do that without me knowing.”--Nautica
Buddy still keeps on climbing until they reach the top of her helm and just lays there.
“I guess someone wanted some attention?”--Nautica
Buddy huffs but pats her helm.
First Aid
Also, one of the faster members Buddy warmed up to.
But First Aid doesn’t really know why.
He did help Ratchet in making sure they were okay and helped them around the ship, but he didn’t do anything extraordinary for Buddy to like him.
But he is fine with that.
First Aid rather enjoys the company of the smaller human.
He knows Buddy is smart.
One day First Aid came in feeling a bit under the weather and Buddy was making all sorts of gestures and noises to get him out of his desk and to the med slab.
Even trying to carry his digit to the slab.
They knew he wasn’t feeling well and wanted to help, something First Aid found endearing.
However, …
Giving Buddy checkups were 50/50
They could come into the med bay doing everything he said to do and get a treat by the end.
Or…
They would be ‘clawing’ and squirming at everything that came towards them.
First Aid walks into the med bay.
Buddy is sitting on his desk chewing.
“Buddy? Buddy what are you chewing?”—First Aid
Buddy pauses, but then chews faster.
“NO, NO, NO WHAT DO YOU HAVE SPIT IT OUT!” –First Aid
#transformers x reader#maccadam#human buddy#mtmte x reader#mtmte x platonic reader#mtmte rodimus#mtmte nautica#mtmte cyclonus#mtmte first aid#feral buddy
253 notes
·
View notes
Text
warning - bad guy wants to kill people and threatens to eat them + ship invasion
General Morbius was one an accomplished soldier. He was ruthless to his enemies, loyal to those who appreciated him, and willing to do anything. He was made for war. The coalition was not, it was made for peace and thus the general was rarely if ever used.
He had been fine with this...until he rejected as captain of the main ship. A tighalax by the name of Nox was chosen instead. Nox was not ruthless, was too hesitant to make the hard decisions, was a runt.
Morbius would not let a runt replace him.
That's when he met Sine Macula, a ruler who stood for everything the coalition did but was not afraid of getting their hands dirty to do so. Morbius respects that and so he fed him information. He got away with this for several months until found out...but not caught. There was not enough proof to charge him with treason and so he laid low. His schedule became tight and rigid, work then straight home. No dawdling or talking...well not to anyone he thought were a real threat.
The human chef from the west side cafeteria, the human who was head of sanitation, the human from the youngling centre, these were the only ones he talked to. They were the only one's who understood him and listened to him. At least that's what he thought.
He had a strange feeling about why the captain's first mate had reduced the amount of tails/watchers on him and so he did some digging. Oh how he longed to rip those filthy humans apart with his teeth...how he longed to watch the life leave their eyes as they gurgled out pleas through blood...
He let them into his home, he let them know of his thoughts and desires, he told them details and secrets, he let them meet his family-touch his family with those filthy dirty hands!!
He has calls to make.
.
The general cruelly smiles as he walks through the halls and sees his former allies escorted into the cargo bay, a temporary jail until they see who is worthy to join and who is to die.
His grin widens as he steps into the command center to see the Captain wrestled to the ground along with the first mate. A muzzle is shoved into the tighalax's mouth. A shock collar is strapped around the petronlic's neck. How lovely.
Growls and curses follow him as he turns around to continue to enjoy the show. He sees dozens of his new soldiers subdue an orc with tasers and guns loaded with rubber bullets. He hopes Fenrir will see his side and join, the orc will be a wonderful soldier.
Disgust crosses his face as he sees the ships tech supports throuple make the most offensive and crude gestures to him as they're dragged to the cargo bay. How Quip ended up Glip and Kal he'll never know.
..
"So we have everyone?"
"Not yet General, we're missing 30."
"30? How was I not made aware of 30 missing crew members??" he sneers grabbing the soldier by the shoulder.
"They weren't high priority-!"
"Well they are now since you lost them! Who did you lose?!"
"Th-the youngling centre sir!"
"...the youngling centre?" he whispers.
"Y-yes, sir."
"...you lost the youngling centre? The very centre run by the disgusting humans who betrayed me?"
"Well find them right away sir-!"
"You have two hours or I'll be using your bones as the broth for my diner tonight." he releases the soldier who sprints away to his team.
...
Kim knew she was going to die if they were found. The younglings would be most likely safe, Max too if he didn't fight back, but her? She would be killed.
When Captain asked her to spy on Morbius she did so without really thinking of the danger. She wasn't going anywhere dangerous, she would just talk to him whenever she him in the ship. Just talking, easy!
But then he actually opened up to her and that's when she realized how dangerous he actually was. The 'jokes', the wishes, the cracks that let her see who he really was...it scared her. And she couldn't do anything but grit her teeth and smile.
She was still safe though. They never met off the ship. She rarely actually talked about herself, he did all the talking, she never let anything slip.
But Morbius had still found out. He had found out, played along, and now the ship has been taken over.
They've done this before, her and Max, and therefore already had a plan. Lock the door, close the blinds, turn off the lights, hide in the supply room in the secret room and block the door. No one make a sound.
Hours pass and they do their best to keep the children quiet. Do their best to take their minds off the shouts, blasts, and shots fired with whispered stories and reassurances.
By the fifth hour, she knows because Max counted to keep himself calm, all is quiet. Kim hates it. She wants to leave, she can't breathe, her heart is too loud, she-
The tiny door opens.
Standing there before the group of 30 is a youngling. Standing between them and their fate is Morando. The General's son.
The youngling's mouth opens.
....
"WHAT IS THE MEANING OF THIS?!" Morbius roars, sirens blaring throughout the ship nearly drowning out his voice.
"Sir! There is a fire in the youngling centre!" a soldier screams directing his comrades towards the fire.
"AND WHY ARE YOU PUTTING IT OUT?! WE'RE BLOWING THIS SHIP UP THE SECOND WE LEAVE!!"
"Your son is there sir!"
General Morbius is many things. A killer, a soldier, a liar, a betrayer, but in that moment he was only a father. And fathers' love their children.
"Kill the one who was supposed to watch him. All available soldiers with me. If my son dies I will skin you all and eat you whilst you still breathe."
General Morbius loves his child and if his child dies he will kill everyone and anyone who contributed to it.
.....
General Morbius loves his child. Morbius loves his child. He would kill for him. Die for him. And in this case forgive him.
The fire was a diversion. His son was not in any danger. His son was tricked by the disgusting humans.
Morando had found them while looking in the supply room for a toy to play with after having given his escort the slip. His son had intended to alert him, call for reinforcements. But the humans had used their silver tongues to trick him.
One last meal they said. Humans were given one last meal before defeat, before death. Morando had seen no issue with this, he respected Kim and Max, they had given him much fun and amusement.
The final meal involved fire but since the centre's kitchen was partially destroyed they asked to use Fure, a fyreian. Morando agreed once again.
They cooked, involving all the younglings, even Morando. They sat down together and ate, inviting Morando, giving him his own plate. Kim begged him to let her tell one last tale before capture, he allowed.
The comradery, a warm meal, a tale catering towards his son's taste...the humans were not as foolish nor soft as he had thought.
They lulled the youngling into a false sense of security before capturing him. Tying him up, his son. Gagging him, his child. Carrying him like a sack over their shoulder, his flesh and blood. Setting the fire and leaving Morando's shawl just outside the door to make it look like he was in there, trapped, burning...a brilliant plan.
With how little soldiers there were in the cargo bay they managed to sneak in and free their crew mates. How the orcs, rextalians, tighalaxes, and other apex species fought.
It was a swift defeat. They had taken control of the ship whilst he was distracted by the fire. They had the armory now. They had called in reinforcements. They had Morando. What else could he do but surrender?
Humans are so much crueler than others give them credit for. A species who have mastered trickery to such a degree that younglings are not even safe from them.
#no beta we die like men#humans are space orcs#humans are space oddities#the adventures of kim and max running a space child centre#happy halloween! ...in 20 minutes#i had the realization that bc of my job i have learned how to make kids trust me#i have learned how to make them see me as someone they can turn to when needing help or guidance or simply as someone fun#i also rembered/realized that young children are very easy to win over cause their standards are pretty much rock bottom#just play with them and entertain them and they like you#so bam! kid tricking for good!#also you do have to lie to kids sometimes for their safety#like i told them not to go to a area under repair because it was electric and could shock them#it was a ladder and toolbox and a pipe...if i didnt lie they would have played with it!
56 notes
·
View notes
Text
The Impact of Tech's Death: Was it necessary? Was it in vain? Why did Tech have to die?
Disclaimer: This will be a very emotion fueled rant and I'm sorry if my personal feelings get in the way. I love my boys, but there are times when I just sit there and shake my head. I do my best to understand their circumstances, but sometimes the Crosshair girlie in me really can't make sense of things.
The short answer: NO, it wasn't necessary. With S3 now behind us and my rewatch of S2 at its conclusion, it hit me just how little weight Tech's death had on the overall plot.
Let's breakdown the finale a bit:
The lead up: Tech found out that his long-lost brother Crosshair was captured by the Empire and sent to a shady place where no good was to come. He also discovers that Crosshair sent a distress message, warning his brothers to hide. Realizing that Crosshair was in danger, Tech decided to rally the others on a mission to find and track Hemlock's ship, hoping it would lead him back to his brother. The mission is a complete failure, with Tech being forced to sacrifice himself in order to save his family.
The Aftermath: the Batch is discovered by Hemlock, Omega is captured, Hunter cuts his losses, and Crosshair remains a prisoner
Here's the part that really messed with me: Tech's death DID NOT affect Hemlock's capture of Omega and it DID NOT change the ability to track the ship. The only impact it had was that Hunter decided to cut his losses and pull an early retirement. And even when Hunter is like "we're going to get Omega back," he doesn't mention Crosshair once.
Tech died to save Crosshair. Period.
(and the others I know, but this mission wouldn't have happened if Cross wasn't in trouble)
Which brings us to S3 where Tech is hardly mentioned, Crosshair himself is never shown on-screen learning of what happened, and there is no moment where anyone (except maybe Cross) processes their feelings about it. Why kill off a beloved character when their demise has almost no impact on anything? The only thing it really impacts is the speed of which things get done and Crosshair's mental health. It makes no sense. I think there was an interview where DBB said they tried to keep Tech alive, but couldn't write a script where that was the case. Ok? Then go back and talk some more about the plot. Or if you can't avoid killing him off, then show the characters processing it or why Tech's death mattered. The cynical side of me says Tech died in vain. I'm being brutally honest here. Tech could've survived and Cid would still sell out the Batch and Saw's detonators would still destroy the ship and tracker. From a story POV, it's pretty bad when a main character's death barely leaves an impact.
In CW, Fives' death enabled Rex and Ahsoka (and Maul by extension) to all survive Order 66. Satine's death led to Mandalore being thrown into chaos, thus leading to the Siege of Mandalore.
In Rebels, Kanan's death crippled Thrawn's Tie-defender project, made Pryce look bad, and taught Ezra important lessons about sacrifice. For Hera, we got to see her grieve the loss of her lover. Kanan's death mattered. Also, the buildup to Kanan's sacrifice was him becoming Caleb Dume again after everything he went through.
The buildup to Tech's death was great too because it was about the Batch trying to find Crosshair. And while the mission is a failure, it showed that they were willing to go back for someone they lost. They hadn't given up on him. But everything after falls pretty flat and only makes Tech's death even sadder.
Why did Tech have to die? Because he probably would've found Tantiss a lot quicker than everyone else. I really think that's the case and that's pretty bad writing if you ask me. I still love TBB immensely, but I'm willing to call it out when it falls short.
It also really pisses me off as a Crosshair fan that Hunter just completely throws him under the bus. I will let my biases speak for me because it really bothers me and I'm sorry if you disagree. I value your opinion too. I don't know if Hunter subconsciously blamed Crosshair for Tech's demise, but I would've felt a whole lot better if he decided to honor Tech's wish of saving him. Hunter was always going to go after Omega, so why not add Crosshair to the mix? Was it because he still thought Crosshair could be lying? I understand cutting his losses in the moment due to the pain of losing Tech. I get that 100%. But after, he just doesn't bother to think about Crosshair. Would he even have gone after Crosshair if the original last-minute retirement plan came to fruition? Crosshair suffered immensely and who knows what would've happened if he just got left there with no one coming for him. Tech was the only one who supported Operation: Rescue Crosshair. No one else suggested that idea except him. (I know Omega also supports it, but I'm talking about the boys). Yes, I know I'm being harsh and perhaps unfair, but it hurts ok? I know Hunter has no clue what's going on with Crosshair.
But here's why it bothers me so much outside of Crosshair getting the short end of the stick again: It makes Tech's death feel even more in vain because the reason for why Tech died is just forgotten about.
Let that sink in. Tech's death doesn't leave ANY lasting impact on the plot post-incident.
It makes even more frustrated and just heartbroken because of how cruel and unfair losing Tech really was. Had we gotten more time of the Batch processing emotions or taking something meaningful away from it, then that's different. But no. That's not what we got and I am heartbroken by it. At minimum, we should've gotten one scene in S3 where Crosshair (or anyone really) talks about it in a meaningful way. (No, "CF99 died with Tech" doesn't count). Yes, Tech's legacy can be seen through Omega's actions but that's not enough.
All and all, the only real weight Tech's death had was on Crosshair's mental health. And even then, it's only implied instead of said straight out. If Tech hadn't died, then Crosshair probably wouldn't have decided to enact Plan 99. (Or he would've due to other reasons).
In conclusion: Tech never had to die nor should he have died.
103 notes
·
View notes
Text
I know now without a doubt Kingdom Hearts is L��
No actually I think Kingdom Hearts is honestly purposely censored.
I used to be like well I don't think it's inherently the translators faults, Japanese is a tough language for people to know what it's referring to and likes to Americanized certain things like adding heteronormativity and romanizing things. People like romanticizing thingz so I can't exactly blame them it's part of westerners.
Like when you think of relationships most think of straight relationships so that probably what they thought of it's probably about even though the relationship doesn't really develop that much.
A lot of Action movies have the same problem when there is a male main character, there is always a forced romance with some side girl character when it's not a developed or good relationship it's just there to mark of the love interest category.
But now realizing how much Kingdom Hearts censors things, maybe they had an idea.
Some lines are WAY off from the original made to romanticized so much when the original wasn't even anything remotely like that or about a character in that way. And some scenes take out movements and edit it.
They change the entire meaning to censor things for American Audiences.
Nobody knows why.
And all I can think of is to make it have things that American Audiences would rather enjoy having romance in places unnecessarily or censoring things to be "safe"
I made a post about the Dream Drop Distance scene which gotten a crazy amount of attention only on the first few days it's at 300+notes, but the post was essentially about how when Sora was sleeping he tells Donald and Goofy it's his job to keep him on his toes and he puts his arm down in a fist. Then Riku moved his arm slightly to the left and put it in a fist again?
But the scene actually had Riku telling Donald and Goofy how he slapped Sora awake whenever he fell asleep on the beach and it shows Riku moving his hand in a slapping motion, not whatever that awkward motion was.
The thing is DDD was one of the side games and I thought they didn't pay much attention to the censoring in those. And given how gay DDD is and it wasn't as censoring their dynamic.
However, it got censored and it's like why? Did they think Audiences couldn't handle it?
Like it just seems like a silly thing he would do. It's kinda like how some people would pour water on someone to wake them up.
Like a teasing thing which he does A LOT and it probably wasn't that hard.
And other times I heard about how the language had some swearing or words that could be translated that way but of course since it's Disney the western version had to censor that.
The novels and manga actually still have more language in it.
And I think the main problem is Disney. They censor things a lot now.
They used to be more open to this kind of thing, but now they are soft and never take risks. I also heard how their team would edit things that would be in their original movie to tone it down for KH players.
It's kinda sad because there is definitely a lot of meaning to KH that is lost in translation. The battle with Vanitas is one in particular I had realized it's meaning is a bit more than the western version. The western version also simplifies things and tries to condense aspects as well. Xehanort's reason for everything is also worded very differently in the western version.
One of the reasons I look at fan translations is because it gives more meaning to certain events, not only because of dynamics and possible ships that are lost, but also explanations that are no longer there.
I'm so grateful for everyone who tries to retranslate things accurately and sometimes I use a site for certain things I'm curious but by no means do I speak their language and I get translation is hard, I really hope their future installments don't do this especially with KH4 and ML coming up in the next several years.
#soriku#kingdom hearts#translations#kh translations#kh censorship#the censorship is honestly real#Disney is probably the main team trying to censor things#but didney doesn't care about KH unless it does something with their properties#if they did care they would show it more#dream Drop Distance#kh3#chain of memories#heteronormativity#this plays a huge factor as well#Sora#Riku#kh Riku#kh Sora#I hope kh4 censorship won't do this
226 notes
·
View notes
Text
rescue bots headcanons !!!
chase has very strong opinions on pretty much everything. anything from the best multiple of 12 to how ants work (his opinions on these two are 60 and "they are very civilized creatures when they are not stealing food")
heatwave needs the most fuel out of everyone because he's a quadruple changer, and because synthesizing water from the air is surprisingly exhausting
blades watches the most mature television out of all of the original four. he's the only one who's watched anything rated higher than pg-13
boulder does volunteer work at soup kitchens and homeless shelters on his off days
none of the og's speak neocybex because of the whole stasis thing
blades' medical knowledge is super outdated (again, stasis--most of the major medical breakthroughs came after they left)
the first time heatwave met wheeljack he tried to deck him. they did not get along (this surprised optimus bc he thought they were very similar and would therefore get along)
quickshadow is jazz and prowl's kid
hightide and optimus used to on and off date (both ratchet and megatronus hated hightide)
boulder reads such a wide variety of books that he sometimes forgets what a normal frame of mind is. like, he reads books for toddlers to classic literature to those books of facts about ancient history. there are a lot of books in the bunker.
salvage dropped out of engineering school and then got a job loading up transport ships. always sort of regretted it, but kept his loader job up until stasis
blurr and heatwave were both trained as professional pilots. blurr had the transport ship he and salvage worked on, and heatwave was/is the main pilot of the sigma
quickshadow was one of elita-one's team members until the squad was disbanded
hightide is a cityspeaker and his suit was a gift from a titan
boulder has minor claustrophobia. it normally isn't too bad, but part of the reason he loves nature and the outdoors is because he feels free/not restricted
all the original four rescue bots were dorm mates during their academy years
heatwave didn't even want to be team leader it just kinda happened because of his natural talent for leadership. the others elected him as their leader and he just went with it.
chase is a night owl and usually does most of his tasks at night. he likes the quiet and also that means during the day he can focus completely on rescues
blades gets "grounded" ridiculously often by dani. like, "no tv for a week" type grounding not "no flying." blades thought it was the second one and was thrilled, and then devastated when he learned what she actually meant.
boulder is a clean freak. not a germaphobe, but he needs everything to be tidy
blades bet heatwave that he wouldn't make a "deez nuts" joke to optimus. he lost that bet but it was so worth it for the pained look on optimus' face when heatwave did it
hightide REEKS of salt. it's constant and everyone hates it.
blurr and salvage were both neutrals before they became rescue bots, which is why they've never done combat
all the official rescue bots (everyone but blurr and salvage since they were trained later and never went to the academy) have an outlier because forged rescue bots are built that way
also all the official rescue bots can easily bench press optimus. like, one handed. they're all ridiculously strong (again, rescue bots are just built that way. super strength is very important)
heatwave is ultra magnus's and hot rod's/rodimus's kid (he was raised by them)
rescue bots (official ones, not blurr and salvage) are exclusively cold constructs. they have to be manufactured to achieve the abilities necessary for their line of work (super strength+speed, outliers, olfactory sensors, different optic types, ability to scan extra alt modes, etc.)
after rid2015 the bee team was trained by the rescue bots to become rescuers (this is canon)
at some point before rba heatwave sorta became everyone's boss. pretty much every cybertronian of significant influence listens to him or works for him. this happened in a similar way as how he became his team's leader (on accident and because he just naturally takes charge)
the original four rescue bots are ambassadors to earth and technically all have government jobs but they just also do other stuff (teachers at the academy, rescuers, god knows what else)
game night, movie night and karaoke night are sacred traditions to the team and are taken extremely seriously. hightide refused to look at salvage for a month over a game of scrabble. optimus and bumblebee have both been forced to join in multiple times.
way more but that's where imma stop this post for now
#tfrb#rescue bots#transformers rescue bots#transformers aligned#rid2015#tfp#transformers#tfrb heatwave#tfrb boulder#tfrb chase#tfrb blades#tfrb blurr#tfrb salvage#tfrb quickshadow#tfrb hightide#tfrb bumblebee#tfrb optimus
380 notes
·
View notes
Text
Rogue got delivered a day early.
Gonna put a whole bunch of quotes and observations and things under the cut, very Rogue focused.
SPOILERS, OBVIOUSLY.
Also I will say, PLEASE PLEASE PLEASE buy this book, it absolutely deserves it, I adored it. It was wonderful and gave us SO MUCH.
Rogue's former partner is a he, and he's Rogue's boyfriend. His name is Art, which is indeed short for Artificer (reference to D&D). And Art is confirmed dead at this point, and has been for 5 years. Rogue and Art were together for 10 years.
Rogue jumps off a building at some point, knowing Art will save him.
Art was tall with shoulder-length curly hair and wore a sleek purple tunic, rolled up at the sleeves. On top of this was a metallic chest-piece that crackled with electrical energy. On his head he wore a pair of steampunk goggles that complemented his hazel eyes. As he pulled on the net, a long grey scar could be seen on his arm, a memory from a battle lost years before. As the net neared the ship, Rogue smiled up apologetically at Art. But judging by the icy look he got back, well - he couldn't smile his way out of this one.
Rogue doesn't like parties. Partly because he prefers "a good night in". (Though Rogue cannot cook, lmao.) And partly because while "watching the wealthy gorge themselves" he knew "most of the population was living in abject poverty." Rogue says eat the rich.
It was an odd feeling to think that nights like that wouldn't be on the cards for Rogue and hadn't been in fact for a long time. It's strange, the shape time takes when you lose someone. One morning they are next to you, on their pillow, and the next morning you realise they haven't been sleeping there for nearly five years. The five years had gone by slowly and quickly, all at once, Rogue's bounties all blending into one another. It wasn't that Rogue hadn't continued to live, or even to love a little bit. But when you felt you'd lived through the main event of your life, everything else - that extra bit of life you found yourself wandering through - was a bit like an epilogue. Rogue would walk the ship, each night, inspecting every weathered part. A fading heartbeat of a life once lived. He could no longer think about that day. That time. He felt more ghost than man at this point. That was why it was so surprising when Rogue gazed down at the ballroom below and suddenly found himself transfixed. There was a man in the middle of that dancefloor. A gorgeous man. But this wasn't just shallow attraction. There was an energy to the man. An unfiltered joy. Something Rogue instantly knew he wanted to be close to.
There's minor dialogue changes, as there usually are.
'You know, I can help you,' the man went on. 'Trouble, I am good at.' It was then that Rogue emotionally left his body and starting panicking a good 50 feet above the scene playout out below. Was this man handsome? Yes. Was there a bit of chemistry here? Yes. Did the man smell surprisingly nice for someone from 1813? Absolutely.
Instead of going outside, Rogue and the Doctor get punch and actually chat together.
Rogue recognised her as the woman the Doctor had been spinning joyfully across the dancefloor. "You okay?" the Doctor said, concerned. "Yeah. Just, avoiding engagement." She noticed Rogue. "So you found a scandal, then?" The Doctor raised an eyebrow at her as if to say - you behave! - but she just laughed and rushed off down a corridor. Rogue watched it all play out, intrigued. So his dance partner does know him then. But how well? The Doctor turned back and looked into Rogue's eyes, apparently noticing his puzzled expression. "Don't trouble yourself, love; she won't need me till there's screaming, or smoke, or both. Or Goblins. Right now, I'm all yours." Rogue nodded. Okay, Goblins - interesting - but the Doctor could just be a fan of fairytales.
Rogue imagines conversations with Art sometimes, and in this case, Art is encouraging Rogue to flirt with the Doctor. "The fantastical joy of dead boyfriend imagination theatre."
Usually, the imaginary conversations Rogue had with him were when he was alone in the ship but in moments of crisis sometimes, he would imagine him, a life raft in a sea of social interaction nightmares. "Would you let go, for a second. Flirt back. Ask him about his favourite paintings, the wonders of the universe." Rogue looked at Art. "He's from 1813." Art laughed. "Okay, well ask him about the wonders of lawn bowls then, who cares." Rogue sighed. "It was always so easy with you. Why can't it be easy with anyone else?" Art gave him a knowing smile. "You gotta be willing to let it be easy." He gestured back to the Doctor. "Now, come on, you can't just bat your pretty eyes at him." Rogue looked at Art and batted his eyes. "Oh, I absolutely can." "What are you blinking at?" the Doctor asked, intrigued, and Rogue found himself snapped out of his daydream and back into reality. Rogue apologised. "Sorry. A ghost."
The Doctor continued to sip. "You know, I think it's kiwi. No, they aren't here for another century. So what are the green bits?" Immediately, Rogue let go of his fleeting feelings of enjoyment and replaced them with cold resolve. How could the Doctor know something like that? He talked about the present and future like they were all the same to him. No, Rogue had found his bounty and it was time to get back to work. The manor was too busy, too full of guests. He needed a safer place to capture him. Somewhere he could get him alone. "Why don't we continue this conversation in the garden?" Rogue said, a flicker of mischievousness in his eyes. The Doctor laughed. "Fast mover, let's go."
The dialogue confirms again and again that they are SO FUCKING THIRSTY FOR EACH OTHER THE ENTIRE TIME. Besties, please.
He looked back at Rogue, walking, brooding (of course), and had to remind himself that this was an interrogation, not a date. "I love these old skies. Ripe with constellations being found and named." He gestured above, pointing out his favourite constellations. "The bear, the ram ... the poop-deck." "The romance of the night sky," Rogue replied sardonically as he gave the Doctor an oh really look. That stare of his. The Doctor laughed. "Don't blame me! De Lacaille chose them! Great astronomer, bad with names." Then he smiled cheekily. "But if it's romance you're after? He also named those stars there the pump, the chisel, and Norma." Okay, he was flirting now. Ruby would be furious with him if this silly side quest was what got him killed. "Not what I'm after," replied Rogue, his tone back to matter-of-fact but his face blushing a little.
Rogue made the gun himself!
"Keep moving," Rogue replied languidly. Another day at the office for this guy. The Doctor turned his head back to check on the glowing chamber of the blaster. "Is that a glo-stick?" He knew he had said something good because he got the biggest reaction from Rogue yet, hearing him grunt then look immediately offended. "Glo-stick? I made this!" Rogue bit back. Okay, we have an ego here and apparently an inventor, thought the Doctor. That's- "Cute," he said, which only spurred on Rogue. "It's not cute, it's a disseminator. It's very complicated." "Like its owner." The Doctor grinned. He figured if he was going to get killed, he might as well enjoy himself.
Their ship is named the Yossarian.
You can tell a lot about a person by the ship they fly in, thought the Doctor. It's home away from home. Which explained why he was shaken by what he say. Granted, he had made some assumptions about Rogue, but this dimly lit and cluttered space was not what he had expected. It was an absolute mishmash of tech, half-made projects, tools and strange-looking things in piles or cages. It looked and smelt like a mechanic's workshop. In the corner was a cockpit for flying, pretty much hidden behind a stack of metal toolboxes and a hammock slung in the corner, he assumed for sleeping but perhaps eating as well? Oh, Rogue, he thought. What happened, love?
The mess aside, the make of the ship did not surprise. It was an old asteroid hawk from the 50-56, often sold on the cheap in many star systems. In anyone's ship was a shed, this was the one. He looked across the console, trying to see if there might be anything useful to help him escape or at the very least steer the conversation towards suggesting Rogue should get a broom. [...] On the console was an Ood translation sphere, plugged into the ship's controls. It would allow Rogue to understand the local languages wherever he travelled, but the Doctor's attention was taken more by the can of unfinished Gurgle balanced dangerously on top. It was a dusty can. Left there a long time ago.
The spaceship scene is very similar, just tiny differences. Although it confirmed that the Doctor has played D&D, specifically with the Paternoster gang, and that Strax played a bard with a beautiful singing voice.
The Doctor also thinks about Fourteen, thinking that he likes him and hopes he's living his best life right now.
Different past selves of the Doctor, different genders and ages, all projected on top of his current form. Right now, standing in the middle of the Yossarian, he was revealing his true heart. His power. His strength. His undeniable wonder. The Doctor looked from the scan back at Rogue, right in the eye. "I am not a Chuldur. I am something much older and far more powerful. I am a Lord of Time from the lost and fallen planet of Gallifrey." He took a deep breath. "Now, let me go, Bounty Hunter. We have work to do." Rogue just started in awe, taking in the Doctor, all of them. "You're beautiful," he said.
And then you get a long lovely flashback to Art and Rogue having a romantic dinner. (And I would just like to say that I 100% called the Artificer thing.)
"You are so stubborn!" Art said, lowering his spoon. "I told you not to put more chilli powder in, yet here we are." Rogue laughed. "Look, I tried really hard to make us this terrible meal." "Now, hold the phone, I did not say this was terrible, I just said you deliberately ignored my advice." "Unwanted advice," Rogue replied. As he took another mouthful, a tear started to form in his eye. The stew was too hot, but he was never going to let Art know that. "I can see you crying," Art said. "There's a literal tear, rolling down your face." Rogue looked at him, faux dramatic. "I'm just feeling really emotional about my chair over there, that you still haven't fixed. Art laughed. "Oh it's your chair now, is it?" Rogue smiled and wiped away the tear he had pretended was not there with his sleeve. He continued to look around the ship, at the home he and Art had made together. Art had built everything on the Yossarian and nearly every gadget Rogue used on the missions. The emphasis on 'nearly' was because Rogue had foolishly attempted to build a few of his own. It was a learning curve for him. A steep one. Where Rogue had charm in spades, Art had a talent for turning a kitchen spoon into a deadly laser ray. He could do anything. The name Art had also come from Dungeons & Dragons, a shared pastime and passion between them both. Art was short for Artificer; this was a class in the game known for their invention and incredible ability to see the full potential in objects, and it suited Art to a tee. Rogue could never pin down exactly when the nicknames had started. Like so many things when you've been with someone for a very long time, it had begun as a cute reference, but then the nicknames just became everyday for them until, eventually, the old names just didn't fit any more. They were just Rogue and Art to each other. And that suited them both fine.
"You know, I could go undercover next time," Art said. "Oh yeah," Rogue said playfully. "Last time we tried that, you gave someone our actual contact details." "We got on! An alias shouldn't prevent an actual friendship." Rogue nodded. He got up, went round the console and put his arms around Art, nuzzling into his shoulder. "I guess it's how I met you," he said, and the pair of them laughed. Art smelt like a warm fire. He was taller than Rogue, only by a bit, but it meant he looked up to him slightly, which was a bit of a novelty for Rogue, who was usually the tallest in the room. He took in Art's face: every line, pore, the stubble, the striking, hazel eyes. Art looked back down at Rogue, and it looked as if he was about to say something deeply profound or romantic. "So, is this your apology for dinner?" Rogue leant in closer. "Oh, never," he murmured.
Oh also, Rogue hadn't meant to give the Doctor that name.
"Does 'not a Lord' have a name?" "Rogue." Immediately, Rogue panicked. It wasn't his actual name - Rogue was the name that Art had given him - but it would do fine. For now. [.....] "You ready for this, Rogue?" It was funny hearing someone else call him that, but his name sounded good being said by the Doctor. Rogue liked it. It fitted.
Also Rogue "immediately recalled a quite complicated winter with Houdini". Apparently him and the Doctor has an ex in common.
They explain what happened to the gun.
"Now, trap, please." Rogue handed it over but immediately regretted doing this so willingly. Sure, this man's ship was brilliant. But the trap, that was his. "And your disseminator?" "Only if you handle it carefully," said Rogue, keeping his eyes locked on the Doctor, worried what the plan could be for his precious creation. The Doctor took it calmly. Then he snapped the disseminator in half. "Hey!" Rogue shouted. "Do you want to save everyone or not? Look, watch me." And Rogue did, as the Doctor moved some parts from the disseminator into Rogue's trap, then attached it to the TARDIS, using cables. Rogue found himself fighting not to remember the hours of work that building the disseminator had taken. He had to let this go. "Okay, past me the hyperdyne link," said the Doctor. "Blue wire, under the switch, there." Rogue did as he was told, eager to see exactly what new monstrosity the Doctor had turned his favourite gadget into. The Doctor grabbed the cable and plugged it into the newly upgraded trap. It sizzled slightly. "I can't believe you broke my stuff!" Rogue complained. The Doctor stopped what he was doing and looked at him, dead serious. "Whatever the Chuldur have done, I can't let you kill them. I also can't let them kill others. So, instead, we'll send them to a random, barren dimension. No one to hurt there and no way back." "Random? So I can't trace them," Rogue protested. The Doctor just nodded as the trap continued to whirr behind them. "Don't pout too much. When we're not trying to kill each other, we're a good team."
"You know, you don't have to stay a bounty hunter. You could travel with me. Oh the worlds I could show you, Rogue." "And what if I like what I do?" Rogue got the feeling that when people met the Doctor, they would often uproot everything for him. Why should that always be the case? Rogue had just as much to offer in adventure.
"I'd like that." Rogue felt that swell in his chest, that nervous energy as he took another step towards him. He was very aware that their faces were almost touching. It would only take one of them to lean in a bit closer, and they were already so close, so close that they could almost-- Ping! The console in the TARDIS chimed. "The trap is ready," the Doctor said, and the moment was gone. He moved back to the console as Rogue stood there, recovering. He could hear the Doctor speaking down at the console, but he barely registered what he was saying. He just nodded, lost. What was he getting himself into?
And then I went ahead and typed up the entire chapter 19, because the whole thing is an imaginary letter from Art to Rogue.
Chapter 19 A Letter to Rogue Dear Rogue It feels silly, writing you this letter, but I hope it finds you. So we're clear too, I don't want this as a Please don't mourn for me or some other such nonsense. Honestly, I am quite irritated that it wasn't you that died... Would I say that? I suppose. Whatever helps your imagination. I know you've likely dreamt up and read this letter many times. I fully understand why; I was good chat. However, if only for your negotiation skills, I hope you've made at least one friend since my passing. Imaginary letters from dead boyfriends can't be your only form of communication. Of course, if the person reading this is his only friend then I gleefully warn you: Rogue is stubborn. He says he will clean that particular corner of the ship, but I promise you he won't. I spent ten years asking and I could have put that time into something actually productive. I could have learned at least five more languages in the time I would have saved. So take my advice. Give in to this reality. Admit defeat. It will never happen. A few other things to note: his snoring can and will wake up the most dangerous animals, and for some reason - despite eating pretty much everything - bread with any kind of seeds or olives in is an absolute no. I agree, it's a real failing on his part. Apart from this, however, what you will find is a great man who I loved with every part of my soul. Please give him a hug from me and do not name a child or dog in my memory when you move in together. A cactus is fine, though. And Rogue, if it is you reading this letter, don't let me worry about you. I did enough of that when I was around and oh, the time I wasted. Don't hide. And please don't go fixing up our ship for ever. I was the mechanic anyway. Live. Talk with everyone. Laugh. Dare to ask someone, 'Is this seat taken?' And, most importantly, don't forget to dance. That's the best part. Yours, Art
So anyway, after that heartbreak, it's back to more action.
"Should we be telling humans?" Rogue asked cautiously, leaning in behind him. The Doctor noticed Ruby's curious expression. "Oh! Ruby 2024 and Emily 1813, this is Rogue, he's a bounty hunter and almost incinerated me." "A mistake he said he was letting go of." Rogue held out his hand to Ruby and Emily, who both went for it at the same time and ended up shaking it together.
"But what does it all mean?" Emily gasped. "Are we all going to die?" The Doctor and Ruby exchanged a look: Who is going to take this? To their surprise, Rogue stepped up. "There's a creature from another planet at this party," he said. "Highly dangerous, it can look like anyone it's killed and if it gets you ---" He looked at her, dead serious. "It'll drain your life in a second." Emily's eyes widened and she hurriedly began to fan herself, presumably as an alternative to fainting. "We need to work on your people skills," the Doctor said as Ruby put her arm around Emily, trying to calm her. "Now, let's find our Duchess!" He looked over at Rogue, exhilarated. This was one hell of a first date.
The Doctor could already feel people starting to turn and whisper but his focus wasn't on that. All he was thinking about was Rogue. Rogue's hand on his shoulder, his chest. Rogue's eyes locked with his as the pair of them turned and twirled across the floor.
"We need to have a big fight so I can storm off alone and draw her to us," the Doctor said, spinning Rogue away from him. "Can't I storm off alone?" said Rogue. "I would rather not talk in front of this many people." "Oh, come on, Rogue," said the Doctor. "I'm sure you talk to lots of people. Your bounties for a start." He gave his hand a little squeeze and whispered, "I believe in you." "Doctor, please!" Rogue protested. He was too late. The Doctor pulled away from him and gasped. "How dare you, my Lord!" he shouted. He was incredibly pleased to hear the music stop immediately, the crowd turning to stare. It was so deliciously dramatic. "You would ask me to give up my title, my fortune -" he chewed up every word, really hamming it up - "but what future can you promise me?" Rogue didn't say a word back. He just looked at him pleadingly and stuttered slightly. "Say anything," the Doctor whispered, then raised his voice again. "Tell me what your heart wants, or I shall turn my back on you for ever." By way of illustration, he literally did turn his back on Rogue. He looked at the crowd, hearing nothing but silence behind him. Then a gasp. The Doctor turned and faced Rogue again, who was now down on one knee. He had pulled off a ring from his finger and was holding it up to him. Rogue was proposing. Fast mover indeed. The Doctor knew this was a moment of fun, for the drama. Despite that, he couldn't stop a jolt of panic. "Sorry... I can't," the Doctor said. He raced out of the ballroom, and Rogue chased after him.
The worlds I could show you. That's what the Doctor had said to him in the TARDIS. A phrase that was playing over and over in his head. Rogue looked over and saw the Doctor, waiting for him, hidden behind a hedge. He felt a rush of excitement as he tried to focus. He'd not been asking the Doctor for marriage, but for some simple commitment. A sign he could stay longer than this one adventure. To see those worlds he'd promised. At least for a little while. Now he couldn't stop wondering how much of their connection was real and how much had been for show.
To escape the Chuldur, Rogue and the Doctor dive into the lake, where Rogue finds the body of the real Lord Barton. He almost panics and has to go back up, but the Doctor takes his hand and calms him down, so they can stay hidden long enough.
They get out of the lake soaking wet, and the Doctor makes a comment about "Ruby was right, this is a bit Mr. Darcy."
Then there's a wonderful additional scene, where Rogue is initially refusing to help because it's too dangerous, and he's too scared after having lost Art.
He had expected one Chuldur, that was the contract. Not a family. He'd counted at least five. These were very bad odds. "I'm not being paid enough for this." "Paid or not, people have died." The Doctor had his sonic screwdriver out and he was fiddling with the waterlogged trap while they walked. Rogue thought he was as focused on fixing machines as Art had been. Annoyingly, both of them had the ability to do that and argue at the same time. "We go back there, we'll die," Rogue insisted. "So you'll just walk away?" Rogue stopped.
Rogue had read about family of Chuldur. One that had destroyed every place it visited, leaving no survivors. In the past, he would have dived headlong into this kind of danger without batting an eyelid. He loved the rush of adrenalin and he had that stubborn will to reach his target, whatever it took. Then he had suffered the cost. The Doctor was wrong. He wouldn't just walk away from all this. He'd run. "There's too many. It's not my problem." Rogue quickened his pace away from the manor and towards the Yossarian. This time, the Doctor did not follow him. He had stopped still, determined not to take another step. Rogue reluctantly stopped too and turned back to face him. "If it's not our problem, whose is it?" The Doctor's voice was cold, angry. "Who do you think will help these people if we don't? You're here. You've seen what they're doing. You are choosing not to care." In the dark garden, Rogue stood defiantly across from the Doctor, his breath shallow and fast. He'd hit a nerve. Rogue had had years of practice at not caring and didn't want to change now. The Doctor was calm in comparison, determined and immovable. Rogue knew that if he chose to walk away now, he would be walking away alone.
Rogue agrees to help, but is still scared and trying to convince the Doctor to leave with him, and WEEHH GUYS.
The Doctor was about to clamber through when Rogue reached for his hand. "Are you sure?" Rogue asked, his voice soft. They were facing beings that had destroyed cities, taken countless lives. How could the two of them stop such creatures? And with one shot? He felt a deep ache in his chest; he couldn't lose someone else. Rogue looked pleadingly at the Doctor. If he gave himself enough time and distance, he could learn to forget his troubles and bury his guilt. He could stop himself from caring. Rogue had done it before. He could do it again. He could show the Doctor how. "We could go anywhere," he said. "I'm going in here," replied the Doctor. Not a waver in his voice, not a second of doubt. Rogue looked into the Doctor's eyes and knew that he would never stop caring. Could never stop wanting to help, to fight, to go on. That was who he was. The Doctor let go of Rogue's hand and climbed in through the window, and Rogue did what he knew he would do for ever. Follow him.
Absolutely unhinged content, thanks Kate and Briony. Rogue wanting to leave makes his ultimate sacrifice SO MUCH MORE INTENSE.
When the Doctor finds out about Ruby, he almost lunges himself at the Chuldur, and Rogue has to pull him back so they can remain hidden.
And then, absolutely heartbreakingly, as the Doctor tries to find some other solution for maybe bringing Ruby back:
He was desperate, and Rogue's silence gave him every answer he didn't want. Rogue slowly opened his arms, and the Doctor fell into them and sobbed. "I'm sorry," Rogue said over and over.
The Doctor absolutely hams his speech up, and there's a minor change as Rogue is there to help him set up the triform trap. (Emily, like a fool, just accidentally walks straight into the trap!)
And then we reach the final sacrifice.
Seven… Rogue didn't want to push him, but they were running out of time. "They'll kill us, then everyone here. They'll destroy this world.' Six… Rogue was next to the Doctor now. He could hear him breathing hard. "And you know that, you absolutely know that." All that torment was wrapped so tight around his chest that Rogue could feel his heaviness, his dread. "So, can you do it? Can you lose your friend to save the world?" Five… The Doctor started to cry. "No." "I know." Rogue smiled at the kind, brilliant, amazing man in front of him. Four… Then he stepped forward and wrapped the Doctor in his arms and kissed him. It was a soft, passionate kiss, full of promise. The moment was tender. Romantic. It was theirs. Three… Rogue stepped back and gave the Doctor one last smile, revealing he had taken the trigger device from him. Then he turned quickly and ran full pelt into the trap. Two… It flicked on and off as the Chuldur tried to scramble to the edges. Emily moved a step towards Ruby, grabbing at her as Rogue barrelled in. He knocked Emily to the trap floor, causing Ruby to be thrown free. Only one shoe left behind. One… Rogue looked down at his feet inside the glowing triangle and back up to the Doctor. He was now trapped with the Chuldur, but he was not afraid. Rogue could not have let the Doctor say goodbye to the person he was closest to. He knew that pain too well to let the Doctor hold it, even for a second. And so he'd known the decision he had to make. He couldn't lose anyone else. But he was ready to be the one who was lost. Zero. "Find me," Rogue said as he pressed send. The patch of triangular floor turned jet black, as the Chuldur started to scream and fall. Rogue caught a last glimpse of the Doctor before he dropped down into the darkness of the Transport Gate. As he fell, his mind had one, clear thought. Worth every second.
The rest goes about as it does in the episode. We don't get the Doctor's immediate reaction to the loss. But as Ruby hugs him, "The Doctor leant into it and let himself feel what he had buried for a moment. Not all of it but just enough to carry on with the day."
And then of course he discovers the ring in his pocket and he puts it on. "A little piece of Rogue to go with him."
And you'd think that would be the end, but there is ONE MORE CHAPTER, which I'm just gonna quote in its entirety, because it's insane, you guys.
Chapter 33 The Forgotten Place A howl in the darkness. The wind growled ferociously around a barren and abandoned planet, far out in the forgotten reaches of space. Giant grey rocks covered the surface. As the wind hit them, charcoal-sand blasted up, creating sandstorms wherever it hit. This was the only movement on the surface and, at first glance, it would have seemed the only sign of life. But if you looked more closely, there was a light. From the mouth of a cave, the bright glow of a campfire burned through the grey. Inside, sat a man. Rogue. He was trying to keep warm. Rogue had been there for what felt like months. The cave had been a saviour, sheltering him from the environment but also from the enemies sent here with him. He had lost them, at least for now. As time passed in the cave, any concept of a day had folded in on itself. Rogue kept his mind busy with the simple tasks of staying alive: build the fire, watch the fire, build the fire again. Rinse, repeat. Thankfully, there was some food to be found on this planet - mainly winged dalnats and other small cave-dwelling creatures. But they were not enough. Rogue knew that if the cold didn't get him, starvation would. What this planet didn't know, however, was that Rogue could not be broken so easily. He had made a promise to himself. He had agreed that he wasn't going to be lost any more. Because Rogue had realised he was worth finding. As the fire began to die, Rogue thought of the man he had come here for. The magnificent being who was beyond any comprehension of existence. The one known to most as the Doctor. Of all the timelines they could both have inhabited, Rogue was grateful that their eyes had met on this one. What a great surprise that had been from the universe. Yes, right now, he was lonely, but time wasn't linear, and this was his favourite thing about it. Rogue was sitting in this cave, but he was also walking with the Doctor in the garden, he was laughing with Art in the Yossarian, he was falling from a building, he was running from one memory of his life to another. All at once. Rogue was in the Doctor's arms, spinning around and around, for ever.
So there it is. Absolutely gorgeous book.
There's a bunch of stuff I didn't include, a bunch of extra stuff about the Chuldur. But also the first adventure with Art, and a bunch of extra minor stuff.
So please please do get the book if you can!
#doctor who#doctor who meta#dw meta#dw rogue#rogue#rogue doctor who#hero watches doctor who#jonathan groff#fifteenth doctor#fifteen#ruby sunday#kate herron#briony redman#you both did an amazing job and i'm so grateful#we were absolutely flipping out in the TimeRogue groupchat#and it was a great journey
58 notes
·
View notes
Text
Keiji is a character that I'm pretty sure every one of us can recognize is an absolute weirdo (ok maybe some are too hard on copium for the "weirdo" part) and sketchy as hell, but thinking about everything he's done it really feels like he's so much shady and ruthless than we give him credit for. So here's me bulletpointing some the moments that I haven't seen too many talk about, a little theory throwing his status into question and addressing the massive elephant in the room that almost everyone refuses to acknowledge. If there's something else you feel I missed or wanted to evaluate on, do leave it in the comments.
[Also, disclaimer: I will be discussing Keiji and Sara in a romantic light near the end of this post, so if that makes you uncomfortable please proceed with caution or skip entirely. This should go without saying but for my own sake I will say it anyway-- No, I do not condone their relationship in real life. No, this is not meant to be "shippy" or endorsement of any kind. This will simply be pointing out their dynamic as another example to prove the whole point of this rant. But if someone else does ship them that's totally fine. Fiction doesn't equal reality and if you harass a real person over fictional characters you will not see the light of heaven. Be civil, please and thank you. My block button is rated E for Everyone and if anyone decides to ignore the warnings and be an asshole I won't hesitate to use it. Thanks for listening. Disclaimer over.]
*Being a murderer.
I feel like I should start with the most obvious and undeniable. I don't think this is debatable to anyone here. Mr. Policeman may have been an accident and kinda confirmed by Midori to have been set up, but he still shot and killed an unarmed man in a moment of panic and recklessness. Even putting that aside, there's no denying that he killed Megumi in cold blood to get out of his debt to her and covered it up to the group to preserve his credibility. Regardless of what you think of Megumi, he has no excuse here. Not only is he one more kill away from being a serial killer, he's the only participant in our group that has actually killed people directly aside from Alice. Another reason why I bring this up is cuz something that completely flew over my head is this:
At the start of the game he had the audacity to complain about not having a partner or someone he knows with him like Sara does as if he didn't literally let Megumi get ripped apart by chains probably not even an hour ago Keiji what the hell--
*Throwing Kanna under the bus repeatedly.
Despite positioning himself as a protector and someone to rely on, he's far from above putting their youngest members in danger. Next to voting for the fourteen year old girl to die, he had the great idea of letting said fourteen year old be the one to babysit their biggest liability. Up to the point where they would stay in the same room both day and night. While I absolutely 100% trust that Sou would never EVER do anything to her, Keiji had no guarantee of that when he send her off. Hell, he literally just got done accusing Sou of setting Joe up to die (which I don't believe almost solely based on the fact that he said it, more on that another time maybe). He knew Sou was bad news, and openly acknowledges how adults can be terrifying, but he did it anyway. The dubiety of throwing the already traumatised little girl to keep watch on what they thought to be the most dangerous adult that had manipulated her once before is not lost on me, and that he didn't take any responsibility for her afterwards isn't lost on me either. To be fair, the Sou and Kanna thing doesn't just fall on him, it falls on everybody (Alice gets a pass because he actually swapped out with Kanna to watch Sou for her), but he was the one with the final say on the matter and who encouraged her to take the role despite Reko's rightful protests. The fact that he also voted for her to die in the Main Game, and is the only adult to do so, doesn’t help his case.
*Attempting to frame Sou knowing Reko was actually responsible.
While you could argue he was trying to cover for her since he knew why she did what she did, trying to pin this act on Sou to cast more doubt on his is extremely shitty. Never mind the blatant corruption and the irony of a supposed man of the law abusing his power to knowingly frame an innocent person (in this situation at least), and him sowing more seeds of confusion and resentment within an already rattled group, and giving Sou legitimate reason to be suspicious of him (and by extension Sara)-- this makes it so difficult to trust him after realising he's done this. Literally every time he accuses someone of being or doing something suspicious (mostly Sou), I always have to think in the back of my head if he’s telling the truth or just telling a blatant lie. He's shown that he's willing to not only lie to cover for himself, but to lie to delegitimize someone else. And Sara never caught onto it (Sou and maybe even Nao likely did tho). She never openly acknowledged it-- No one did. The complete lack of mention of what he did here makes this action quite missable. Hell, I didn't even catch it the first time. Has he done this before? Who else has he lied about? Who else would he lie about? Who else would he knowingly pit against the group? You don't have to wait for that answer, because I will provide an example later. And with "later", I mean now.
*Casting suspicion on Gin before the vote while hiding the fact that he killed Megumi.
While it's not as blatant as with Kanna, there are two instances where Keiji shows a readiness to either put or leave Gin in harm's way. The biggest one for me is in the Main Game. Like, how dare you. That is a furry child, sir. This kid’s like TWELVE. Even though he makes a valid point about calling out suspicious actions to clear them up so we can all trust each other, casting doubt on Gin of all people right there feels pretty screwed to me. This was before the preliminary vote. His words could’ve very well gotten Gin voted for if he couldn’t disclose why he did what he did for whatever reason and therefore being unable to clear himself from suspicion. It’s even more fucked when you realise that Keiji has literally murdered his partner and is currently planning to get Sou killed while giving this whole spiel about doubting others so that we can believe them and pointing the finger at a little kid to make an example to the group. But when Nao, Sou and Sara call him out on his suspicious actions that could rightfully damage his credibility, he tries to shut them down completely. My brother in Christ, you brought it on FIRST (don’t get me wrong I’m very much aware he didn’t really mean the whole “trusting each other” bit but come on dude)--
Speaking about not meaning what he says:
*Letting the group think he’s Ok to vote for knowing he’s the Keymaster.
This kinda got to me because I thought this was Keiji actually being… vulnerable? Accepting the consequences of his actions and allowing them to vote for him in their distrust without protest even tho it could cost him his life, maybe. Correct me if I’m wrong, but I can’t remember a lot of times-- or any times, really-- where Keiji has willing put himself into the line of fire, at this point at least. He always finds a way to keep himself safe, give himself insurance, and I thought that this would be the one time he doesn’t do that. But this feels so ominous looking back knowing that he was the Keymaster the whole time. That our distrust and betrayal and his resignation to it all didn’t matter because he was going to be safe no matter what. That he knowingly allowed us to assume that he was a safe vote because he didn’t want his plan to kill Sou to be ruined, which narrowed down choice of people we can safely vote for even further. That this action is ultimately the reason why Sou and Kanna were our only options to kill off in the end. If he had admitted it there, we could’ve found someone else to vote for so our final options could consist of three people, not two. But he didn’t, and the rest is history. There’s a lot of things he’s done I can’t get over. This one ranks pretty high. The second Main Game is already a huge sore spot for me for obvious reasons; knowing that a lot of the things that happened were due to his inaction where it truly mattered and activity in all the wrong places doesn’t make me fee any better. He didn't say he was a safe vote-- he didn't lie-- but his words carefully omit that voting for him means a total party death, something he should've stated then (and before this, really).
*Leaving Sara with the sacrifice card.
Despite making a big show about “always being by her side” and being her “reliable policeman”, he chose to look away when she was in real danger. He attached himself to her as her right hand man, made her shoulder the responsibility of being the leader, constantly manipulated and flattered her to win her trust and gain her favour-- but when she needed him the most, he basically left her for dead because it was the most beneficial to him. Keep in mind that not only did he know about her getting the sacrifice (he was also the sage so he'd have seen the trade happen), but he had the tokens to help her get rid of it. But those tokens weren’t for her life. They were for his. He used them instead to give himself the Keymaster as insurance for the Main Game (the Keymaster he stole from Sou/Kanna most likely to buy Sara’s trust btw). His desperation for survival outweighed his sense of obligation to keep her safe, and that’s the most subtle yet transparent he’s been about his selfishness. What makes this so much worse is that Keiji is our support character. He’s an ally, and our closest one at that, to the point where Sara burned her hands in a futile attempt to rescue him and signed her life away to save his. And yet his loyalty and protectiveness pale in comparison to other characters. Compare his actions to Sou’s: one of their many parallels and similarities is that both their girls get hit with the sacrifice card. As we’ve established, Keiji was fully aware of Sara being send the sacrifice by Sou, had 50 tokens ready to go and chose to secure his own survival than save her life. Kanna ended up doing it instead, attempting to trade the card off Sara with Sou realising what happened immediately. And what does Sou do? Completely bend over backwards trying to keep her alive. He lied about being the Sacrifice so the others wouldn’t suspect Kanna of having that role, meaning he could try gathering vote for her without anyone seeing his true intentions. He tried to stop her about coming out with the truth of what she had done so she doesn’t sentence herself to death. After everything he did to survive-- after how much he lied, how much he schemed, how much he hurt, and how he had thrown himself away to replace everything that made him Shin with the man that had traumatised him years before the game began to scrape together even the tiniest chance to survive-- he threw it all to the wind and was willing to let it all be in vain if it meant she got to make it out of the Main Game alive. The worst part is that Sou had never intended to make it through that Main Game. He confessed to already knowing that Kanna would choose Sara over him if she truly had the Sacrifice card. Yet he still did what he did all in the hopes that she could win. Because it was all about her survival first, not about them surviving together.
It also gives a different context to Sou's panic and him stumbling over his words trying to come up with any argument to get them to stop. At first I thought that Sou was afraid for his life. Which would make sense-- Keiji and Q-taro set him up to die and seemed pretty adamant on having everyone voting for him to get it all over with. But he was already prepared to die the minute he realised Kanna traded with Sara. So it means it wasn’t his life he was fearing for here-- it was hers. To him, if they voted for him there, it wouldn’t have just been his end but hers too. But we know that Kanna isn’t the one who has the sacrifice. It’s Nao, and considering how the Main Game can end either or both of them dead, I wonder if he regrets not having given up there, not letting Keiji get away with that shitty stunt he pulled knowing it would’ve at least guaranteed her safety than leave her fate in hands of a girl with enough reason to kill her. Ignoring the sounds of my heart shattering into pieces for the 100th time thinking about the Greenblings, it’s so fascinating that our biggest rival and most distrusted member has a greater sense of loyalty and responsibility for his ally than Keiji has for his own. Sou can be a liar and manipulative and selfish, but for how unpredictable he is something I can always trust is his love for those he holds dear (Kanna) and general desire to protect our most vulnerable (Gin). Sou loves Kanna, and so he’s fine with protecting her even if it comes at a price he never wanted to pay. Keiji surely cares about Sara, but unfortunately that is something I can’t say about him-- at least at that time (also the fact that Sou ended up taking more care and responsibility for Kanna despite Keiji having been the one to throw her on him in the first is so ironic).
*Continuously pushing Sara to take on the role of leader.
I think one of Keiji's biggest failures in the game come from his treatment of Sara despite positioning himself as her most reliable ally and her partner. From the very get-go, he was very adamant of making Sara be the one to shoulder the responsibility of the group. He, along with Joe (he didn't do anything wrong here), pushed Sara to be the Challenger during the Russian Roulette, despite Q-taro and Kai being readily available. He made Sara be the one to interrogate the suspicious convict while distancing himself from the situation. And he encourages her to lead them through the Main Game, lets her make the choices that steer them all forward and as a consequence take the fall for them as well. Rather than take on the role himself, or let another adult take it, he places his full trust in her and makes her shoulder everyone's weight so he doesn't have to. And he can see the effect it has on her: having horrific hallucinations due to the immense guilt she feels. But having Sara as their leader gives him a greater shot at survival and helps his credibility, so even though he tries to provide her comfort he still continues to keep her in that role. Again, the high schooler taking responsibility for the adults falls on a lot of the older people here, but Keiji was the one who kickstarted it rather than just go along with it like everyone else had. Gin, Nao, Kanna, Reko and even fucking Sou to an extent all have moments where they take the burden off her and relieve her of that pain she shoulders all the time (or at least try to). I need Keiji to take more responsibility for both the group and for her.
*Pitting Sara and Joe against each other.
This is just another example of the previous point. This isn't as bad, and I could give him the benefit of the doubt that this might have not been intentional, but it's something I want to bring up regardless. I'll be the first to say that Keiji wasn't wrong here. Prying into everyone's votes is a very bad move, especially since no one knew that Mishima would actually die (it was introduced as a practice round, after all). I agree with him, Joe was being rash, but instead of leaving the conversation there, he decided to throw Sara into it to pick a side. Which is... not good. He already won the argument and already had Reko on his side. Bringing in Sara could not only make Joe feel worse and potentially strain their relationship (especially if she rightfully chooses Keiji's side like he was expecting and hoping for), but just puts Sara in the spotlight during something she doesn't want to be part of. While there's a chance he might've done this because he know Joe is more likely to listen to her than him, he should've known better than that. It again makes her take the responsibility of giving the final verdict that would've otherwise gone to him.
*Asking Sara to take responsibility for his life
I've got nothing other that the grown adult swearing his life to the grieving, unstable teenager to take responsibility for while asking her if she'd die along with him is weird as heck. Keiji's said weirder things prior to this, but this one is a different weird. I think Beanieman's post mostly echoes my thoughts on this on, so I'll link it here for this point. This part kinda bothers me:
He shouldn't be encouraging her taking on anymore responsibility than she already is. He knows that the deaths that happened under her leadership haunt her. He knows that she's very much unstable enough already, to the point where he takes baby-steps to avoid triggering her trauma over Joe. He positioned himself as her reliable partner, her rock to lean on (quite literally sometimes). We see first hand how emotionally dependent she is on him. If he died, it would destroy her-- she'd destroy herself over it. He knows this (or should) but he still does it. His disappointment and dismissiveness when she understandably rejects him makes it worse. The guilt of potentially not living up to his expectations is not what she needs.
*Potentially working for Asunaro
This is more ambiguous than everything else here and more a theory than anything but it's been on my mind for a long time that Ranmaru might actually be onto something here. We know that Asunaro has a strong hold on the police. Midori was able to infiltrate the force, and they were able to get rid of Mr. Policeman for looking into the corruption going on, first having Megumi fire him and secondly getting Keiji to kill him by planting false info about the suspect having a gun. Megumi was also able to get Keiji off the hook for murder, which I believe Asunaro had a hand in too (I theorize this might've been her wish). There's also Alice, who was arrested and sent to prison despite the fact that he (legally) didn't kill anyone since Midori was a doll. The police are connected to Asunaro-- by extension Megumi and extending further potentially Keiji.
Something I've seen someone rightfully point out is that neither of the options you're given to say in response to the accusation... actually deny it? Both choices dance around answering directly, which is suspect as fuck. If Keiji truly wasn't with Asunaro, why not shut that theory down immediately? There's no benefit to answering anything but "no" when he's innocent, and he's lied straight to people's faces for less. So why not just debunk it? I think it's cuz there might be some truth to what Ranmaru was saying here. The biggest reason I think this is because despite the fact that Keiji quit the force, he and Megumi were still associating with each other years later. They were kidnapped together and partnered up for their first trial. One missable piece of dialogue is Keiji admitting that he was with his partner-- or rather a "coworker"-- before getting knocked out.
That slip of the tongue and backtracking makes me believe this part to be true. Him switching from "my partner" to "a coworker", which is a lot more distant and impersonal, makes me think it's got to be Megumi. However, I don't believe that Keiji would wanna keep in touch with her after what happened willingly, so I can only imagine that it's due to that debt he has to her. My little game theory here is that after the shooting, the debt he owed her was a forced recruitment into Asunaro. It's the only thing I can imagine he meant by "the worst kind of debt", a debt he'd literally let her die for to get out of. And if this is true, then it could also explain away his instant attachment to Sara, since he'd know beforehand that she's someone he can depend on due to her having the highest chance at survival. Maybe he already knew about her beforehand, one way or the other. We know Hayasaka did (which I think we as a fandom moved on from way too fast btw). Kai and Sou did too. There's always a chance. And unlike Sou's victory rate and Midori's favourite number, it's not zero. One person made a comic about this idea I recommend checking it out, it's tastefully unsettling. But still very much unsetling and uncomfortale. Be warned that it's also Keisara-centred, so if that makes you even more uncomfortable they did the job right you can ignore it. Proceed with caution or don't read if you don't like.
*Being a predator
I have been waiting so long for this one XD For context: a while ago I made a longpost discussing the sanitisation of soushin and this kind of toxic attitudes in fandoms regarding "problematic content" (ships, characters, shows, you name it). In it, I mentioned that it's not only soushin that receives this treatment but a certain other dynamic too. It's not a rainy day, however this has been way overdue and if I don't get this done now I never will.
Something I've seen a lot, and I mean a LOT-LOT is this notion that Keiji acts "like a father" to Sara and that their relationship is a completely platonic father-daughter bond and that he's the resident dad of the group? Like, it's cute, but that's not at all what their relationship is. At all. Not even a little bit. We called Sou and Kanna siblings before the Greenblings reveal. The difference is that not only does half the fandom think this man is gay, but he's only ever been protective and caring and loving without any romantic intentions towards Kanna ever. His title as her brother was deserved, based on the genuine affection and platonic protectiveness similar to that of Alice's. Keiji has made advances tho, on many occasions, and his flirting is repeatedly acknowledged by other characters. Namely Sou and Reko.
(Sou grills him for being a creep every chance he gets I love him XD) But yeah, these are not the type of reactions and comments you receive when being a "father-figure" to the teenager. You get all this when you hit on the teenager. Which he does all the time by calling her "cute" every time she asks something and his "cute little detective", swearing himself to her by saying that "he's always on her side" or something like that, asking her if she'd die alongside him, repeatedly claiming or insinuating that they're on a date, or ""having a moment"" and going to ""take the next step"" when in private (*cough* groomer *cough*)-- you name it, he likely said it. He's a walking-talking ladykiller machine and teenage girls aren't safe, apparently.
(Quick note: The dialogue for the Russian Roulette one is a tad different now. In the new translation he says "cause you're so darn cute" now. I dunno if that makes it sound any less weird, but I felt like putting that out there. What I'm also putting out there is that according to the trivia he calls her cute 8 times throughout the game so. Yeah. *Cough* groomer *COUGH COUGH*)
Like, who tf says this?? Especially that last part 💀 Even if you wanna die on the hill that these are supposed to be "jokes" not to be taken seriously, we should all be able to agree that the (ex)police officer in his late 20s jokingly hitting on the high schooler he follows around is still weirdo behaviour at best and down right despicable at worst. The fandom seeing lowkey predatory/inappropriate behaviour from a figure of authority persistent for almost three entire chapters and dismissing it as "fatherly" and "platonic" is, well, concerning. It's very concerning. If your dad acts like Keiji, you should probably call the police. Unfortunately for Sara, Keiji is the police. And considering this guy got away with manslaughter, I don't think said police would do anything anywho. But yeah-- he uses flattery and flirting to distract her from prodding to much at him while simultaneously aiming to gain favour in her eyes. He showers her with reassurance of his loyalty and affirmation of his deeper attachment towards her and her alone every chance he gets to cement his position as her closest and most trustworthy ally. He insinuates a romantic partnership between them to others to mostly keep her to himself or the two of them alone (he always does that when they're investigating or going to investigate by themselves). There's such an obvious romantic undertone to their relationship and his actions that it going almost completely ignored in the fandom feels weird to me.
I want to make clear that there's nothing wrong with headcanoning Keiji as a father figure to Sara. It's cute. Keiji didn't have a dad himself, and the closest thing to a father figure he had was the man he shot dead. He's a damaged and hardened guy. But Sara's dad is involved with Asunaro and Gin's is an alcoholic, and in a situation where they both need guidence and protection he tries his best to grow and change, fumbling to become that decent father none of them got to have. It's nice, and a wholesome dynamic for our "characters with memorandum counterparts and only non-determined deaths" trio. But that's obviously not what their dynamic is. There's a difference between headcanoning something and erasing canon and the Yttd fandom leans heavily into the latter. Keiji's a creep, he always has been, yet 90% of people I see always portray him as a Mr. Dad Guy or completely sanitise him to hell when him being creepy and unnerving to be around is what made him such a fascinating character. Just like I said with Soushin, the sanitisation to make canon more digestible is one thing: harassing or insulting the people that explore canon is another. I'm gonna take a bullet, derail this rant and say it-- Keisara shippers get so much shit for literally being right it's so infuriating. Keiji does hit on Sara, a lot. He's creepy and weird like that. Him flirting with her isn't a "mistranslation" or a joke or anything like that; his dubious wording and antics are very much intentional. Yet the only people I see actually addressing and acknowledging that without adding fluff is keisara shippers and other ""proshippers"" only for them to get fucking sniped for it I cannot 💀💀 I have yet to meet a single eastern fan who calls this cop "fatherly". This really feels like such a western issue cuz the majority of the japanese fandom agrees that this man's a predator (correct me if i'm wrong but keisara is the most popular ship in the japanese side of the fandom, right?). Then again, eastern fandoms are more chill over there when it comes to separating fiction and reality in general anywho.
*Yeah, I think I'm done with the Keiji slander. Yay. Time to unceremoniously end this.
There's more to say about that, but this is a Keiji post, not another shipping discourse post (although it's hard discussing Keiji's predatory behaviour without bringing it up too). Before I do spiral from the original point, I'm going to try and reach some sort of conclusion here. While I did spent the majority of this post just reading Keiji to filth, and am very salty towards him in particular, this was not just to rake him through mud for my own sanity (tho it's part of it XD). Keiji's character is that he started off as someone who wanted to do the right thing, someone who wanted to be good and moral and protect others by joining the force only to kill all the progress he made along with the person who inspired him to become an officer in the first place. It heavily contrasts the Keiji we have now, a sleazy, unreliable and corrupt ex detective who flirts with underage girls and is willing to resort to the most bankrupt of decisions to save himself. A man that has long lost hope of his wounds healing that he lets them fester and his rot spread onto others. And while I headcanon Keiji to just inherently be a piece of shit, his former self tried his best to be genuinely good before he became so convinced he can never be better that he made peace with his shittiness in the end.
With all this I wanted to highlight some the shadier and bankrupt things he's done that I haven't seen much discussion around and refresh myself on them before the final part. Both so no matter how emotionally dependent and therefore rose-tinted Sara is about the man I don't forget what he's actually like and what he's done while also being able to appreciate how much he's changed for the better. Some of my favourite examples about how he's changed are these:
Before the second Main Game Keiji was willing to let Sara and Kanna die because it was the most beneficial option for him, but in Chapter 3 he takes the on the role of "it" from Kanna and refuses to tag Sara when he thought he was gonna die after failing to beat Midori.
Actually showing more sympathy towards Sou after the Main Game. He was very mean about dismantling his pretence of a cold front to Kanna's death, don't get me wrong, but he showed a lot more consideration and understanding for Sou's feelings and acknowledgement about his active role in it than he ever had beforehand.
He was genuinely fighting for everyone to survive the game, not just himself. While Keiji would prefer everyone making it out safely, he has a tendency to guarantee his own survival first through any means necessary. His plan to corner Midori in the banquet could've cost him his life if it weren't for Q-taro's final stunt, yet he still reassured Sara to save Gin even tho it could've resulted in his execution from Meister potentially finding him guilty of violating the rules.
Him hugging Mai and trying to be more cheerful was cute as heck. I'm sorry but him showing more vulnerability around his allies and being less closed off in a way he hasn't been before is something I'm very head empty about. That he was hugging and interacting with Mai without making any unwanted advances or ladykiller jokes and generally just having a more friendly vibe was nice. It makes his creeping on Sara more unfortunate, but I'll take what I can for now. The bar is in hell.
And that's it, I think. Overall, I hope they do address some of his actions here in the final part or make them have an impact on his and Sara's relationship. Especially that Asunaro part. The person who wished for Sara to join the death game is still unknown and so is Keiji's consent form wish (same goes for the Dummies, Hinako and Megumi), so I'm curious if they're related or not. If he's going to go down an even darker path or redeem himself as much as he can we'll see when the final part drops. He has the potential to go both ways. This is going to be kinda awkward if the next part reveals him to have been a decent guy all along, so hopefully that doesn't happen. Please be morally bankrupt, man. This post didn't end up the way I wanted it to, nor bring up as many points as I would've liked, but I know I won't finish it if I went full perfectionist on it (I already spent months on this writer's block do be a bitch) and it's looking kinda long already. Hopefully it's still decent enough as is right now. I'd like to say that this is my apology for the last longpost I made, but I brought up one of the most controversial and hated ships and traits of Keiji's character and defended them, so maybe I shouldn't 🙃 Anywho, hope you enjoyed and cheerio.
#yttd#your turn to die#keiji shinogi#keisara#character discussion#apologies to all the keiji fans i promise i'm one of you. sorta#he's one of my faves in the game and ranks pretty high but not for the reasons he should i think#keiji's one of those characters i feel negatively about yet want to learn and do more with so that's the energy i probably give off here#also i noticed that most of these points involve sara which makes sense but is also very sad when you think about it#there's a lot of other things i'd want to expand on (mainly that last point) but i suppose i can wait another day#this is going to be my last longpost in a while because i'm going to be busier from today for better or for worse. probably for better lmao#last reminder to be nice. this isn't twitter but i know better#i'll beta read it again later for any mistakes i missed so apologies for any potential typos or errors#also it might actually rain today so heck yeah#i'm a soushin shipper so happy keisara week to anyone that participates btw ^_^#momento rambles
60 notes
·
View notes
Text
i will never understand how or why the httyd movies did the books such an injustice.
the movies aren't even an adaptation - they stole the name of the series, the name of some of the characters and places, and the general idea that there are dragons. honestly, i would be fine with the movies and maybe even like them if they didn't capitalize off of cressida cowell's incredible books that never get any credit.
the books are an amazing story about the cycle of violence and how vengeance and revenge is dangerous. hiccup says that the past is a ghost story, one we need to learn from to better ourselves. the books are about how everyone deserves freedom, how every creature, every being on the earth deserves to be free. we see that in the slavemark, with the dragons.
and like... hiccup is so different. they did him a severe injustice. he's scrawny and intelligent and learned to talk to dragons simply by observing them! he chooses kindness first above all else; instead of yelling at toothless to train him, he is kind. and in the end, that kindness is why toothless chose to save him. bc even toothless himself says that dragons are inherently selfish creatures who care only for their survival. hiccup is brave - his beliefs differ drastically from both the vikings and the world.
hiccup is a child who chose to do the right thing even at the expense of himself. he agreed to free the slaves on nobert's ship, and in return, they gave him the slavemark which is easy to give but cannot be removed. he was like twelve. and having the slavemark means he cannot be with his tribe or his family, it means he isn't considered a human being anymore. and he keeps it a secret for awhile until it's revealed and when it is everyone turns their backs on hiccup. his family, his tribe, his mentor, people he TRUSTED. everyone except fishlegs, and, once she got over the shock, camicazi. he was thirteen. and even when he lost his memories and was really injured, he persisted. he was told to go to tomorrow and to save the dragons and he did bc in his heart he knew it was right even though he didn't know who he was or how he got there.
and fishlegs,,, oh my god FISHLEGS!!! the did him SO DIRTY!!! fishlegs is hiccup's best friend, one of the main motivators for hiccup. he steals norbert's potato for the sake of fishlegs, he gives fishlegs his dragon and goes to retrieve another, he takes the blame for fishlegs. and fishlegs does the same for him. he takes the slavemark with pride. he refuses to turn. he gives hiccup his lobster claw necklace which is his most prized possession. he is brave for hiccup, he believes hiccup is alive. he fights for hiccup harder than anyone else ever has. he does not turn. his is loyal, has allergies, has asthma, has a squint and a limp, has glasses bc he's blind without them... and he's still a hero despite being a runt, despite everyone even the adults telling him he's hopeless, telling hiccup to leave him behind.
and they cut camicazi! i'm sorry, but astr*d is nothing compared to camicazi. camicazi is a tiny, feral child who can easily best hiccup, fishlegs, and pretty much anyone in a sword fight. she can bring a grown man to tears with her rudery and smack talk. she is recklessly brave and craves adventure and follows hiccup blindly bc she trusts him that much. she isn't in love with hiccup - in fact she doesn't care about romance and love. she gives up everything to help hiccup bc she has a strong sense of justice. she is the motivator, the cheerleader, she finds a positive in everything. she never gives up. literally never gives up. and that's one of the most inspiring things about her: she always has hope.
and toothless! god!!! toothless is *thought to be* a common or garden dragon. he is horrifically tiny, he is literally toothless, and is the biggest brat in the world. he will cause problems on purpose. he has a stutter, he's the most selfless selfish dragon around. he and hiccup can talk to each other. he masks his fear with singing and being annoying. his growth is remarkable. he starts off refusing to obey hiccup, doing the opposite of what he says, making life harder for literally everyone around him, and he's still somewhat like that. but he's also braver, more caring, more willing to make sacrifices for the sake of others. he's clever, which he needs to be to make up for his size and aggression. he protects hiccup with everything he has, therefore, he protects what hiccup cares about just as hard. he was the only dragon that didn't abandon the vikings in the first book bc he cared about hiccup.
and snotlout,,, god,,, i will never forgive the movies for butchering snotlout. hiccup's cousin, the bully character, the one who is horrifically jealous that hiccup's dad was born before his. the one who desperately wants to prove himself, to be worthy, to make people proud. and you hate him, you despise him. he betrays everyone many times bc of the nothing promised to him by alvin and his mom. he loses himself, turns his back on himself, all bc he wants to prove himself. all bc he wants to be better than hiccup. and hiccup still forgives him and gives him chances, sometimes out of pity, but also bc snotlout is his cousin. he can't just turn his back on him no matter how miserable snotlout made his life. and in the end, snotlout sacrifices himself for hiccup. he gives up his life for hiccup in one last attempt to set things right. his death and the events preceding it are one of my absolute favorite moments in the book. gives me chills. makes me cry.
that's the thing with the books - they're so realistic. there is no inherently happy ending where everything works out. the first book begins with "there were dragons when i was a boy", implying that they're gone now. the books show there are consequences to our actions. they enslaved the dragons, they fought against them during the dragon rebellion all bc alvin and his mom said to, and now they're gone bc a simple apology doesn't fix hundreds of years of enslavement. and the only way for the world to move forward was for the dragons to leave and heal on their own. and now they have to learn to live without them. and yeah i've heard the third movie ends like that but. it doesn't have the build up. it doesn't have "there were dragons when i was a boy". it doesn't have eleven books of development to back it up, to make it feel meaningful.
i know that the movies are really special to a lot of people. i know that, on their own, they're genuinely good movies. i can acknowledge that the soundtrack is amazing and the animation is beautiful. i just can't see past the way they butchered the world that i love, the world that i grew up with. i can't see past the way people yelled at me for saying i liked the books better, the way that people gave me weird looks when i showed them a picture of the original toothless, when i tell them that nightfuries aren't even a type of dragon. cressida cowell created hundreds of different dragons, and the movies couldn't even pick from that. i can't forgive the way that barely anyone knows there are books bc the movie barely gives credit to them. i cannot forgive the way they capitalized off the books and then shoved them aside. i know cressida thinks they're good movies and i know a lot of httyd book fans also like them. but i just... i cannot get over how much they changed and how they missed so much and ignored the books. also they got rid of camicazi so hiccup could have a love interest and that is unforgivable to me.
if you disagree, that is a-okay. we're all entitled to our own opinions. i just ask that you, perhaps, try the books out. give them a chance. bc they're amazing works of art and also just like. don't yell at people who don't like the movies? whether it's bc they prefer the books or just aren't into that kind of movie. and just remember that dreamworks didn't come up with the story; cressida cowell did.
#corey talks:)#this has been in my drafts forever but i saw something that made me have feelings and so i finished it and here take this iuygfcvghuij#i justgod the books are SO GOOD and barely anyone knows theyexist#and i think that's what makes me the kost upset#or some [people chose to ignore they exist or don't give them a chance bc... i don't even know why. ppl are just so quick to dismiss them#the books are so important to me (literally got a httyd book tattoo) and i get most book fans also like the movies#but it sucks bc i can't go through the httyd tag without being bombarded with movie stuff#i'll even look up 'httyd books' and half of it is still about the movies.#i'll look up snotface snotlout and only finds movie stuff even tho ig they changed his last name in the movies???#i'll look up camicazi and find it filled with astr*d. WHAT.#i'll look u toothless and only see the freaking nightfury. not the original.#like god movie enjoyers at least tag correctly. i get you want ppl to see your posts but the more i see movie stuff in the book tag the mor#i hate the movies lol like the movies are so much more popular than the books let us have our tags okay#sorry if any of this sounds bitter also i hope it doesn't sound like i want to argue or fight#this is just my opinion and i have feelings and i just want ppl to know there are books#also i am not shaming anyone who likes the movies like i already said you do you boo just don't come at me for doing me#bc yes that has happened to me multiple times :) which is one reason why i get so upset :)#i just personally cannot separate the two. i know some ppl can and i'm glad! but i can't and that's okay too#httyd#httyd books
65 notes
·
View notes
Note
What's your opinion on the anime? I find it pretty funny, but I can't say that I am not disappointed to see so many scenes missing.
For exemple, I wanted to see Dazai cry laugh at Chuuya's young mistress act, show that it was a joke shared by both of them, rather than one made to us at the expense of Chuuya. They took a genuinely funny moment and made me cringe SO hard for no reason T^T
God i could go on for hours about how Bones ruined this series. I'm obviously thankful we have an anime adaptation but. Well just compare bsd anime to jjk one or smth and yeah.
I will be complaining more under the cut,,
First the overall writing choices:
-Deleting or changing skk scenes to the point im not even shocked when ppl think these two actually somehow hate each other.
-The way they portrayed Sigma. They deleted half of his personality and backstory. And just speedrunned the Sky Casino arc like if seeing that place was giving them nightmares. No wonder he gets mischaracterized now.
-Tachihara's internal conflict about belonging to either Port Mafia or The Hunting Dogs? Bones never heard about it. It's not like IT'S A VERY IMPORTANT PLOT POINT.
-Akutagawa's whole character in the anime is just 'edgy and angry and bad grr'. In the manga he had some 'kind' or even seelf-reflection moments that were ommited in the anime. Like where he realizes defeating Atsushi didn't satisfy him (ship fight, season 1). Or when he gives files about the orphanage Director to Atsushi and says he won't fight him today because he lost someone impirtant to him. Sskk vs Fukuchi fight?? No scene where Sskk r helping each other walk. Instead we get Akutagwa just pushing Atsushi away. Won't even start on that last smile that looked more like another angry expression.
-THE WAY THEY CHANGED "DAZAI'S ENTRANCE EXAM" INTO SOME CURRENT TIMELINE EPISODES. IT MAKES ME SO ANGRY LIKE. THIS NOVEL WAS SO GOOD. Showing both Dazai and Kunikida's characters and partnership so well. But no. Let's just??? Put Atsushi there. Let's delete the fact this thing happened 2 years ago. And let's delete everything that was actually important about it, too.
-also some changes in the Dark Era arc. Like. Lord. Dazai is so much more emotional in the novel. His expressions r described so well. But the anime either shows him from the back at those moments (him finding out Oda was almost killed by a sniper in Ango's room) or just deletes/changes the thing (Oda dying. This scene is so emotional in the novel. From the description u can tell Dazai was crying/on the verge of it as Odasaku died. But in the anime he looks calm and then we get a far aeay frame and he just. Gets up and that's it yeah.) They also deleted the scene of him visiting Oda's grave.
-The way they rushed seasons 4 and 5. Just to give us an episode that goes further than the manga and has the shittiest writing ever when it comes to skk's plan revelation (im so angry about this u guys have no idea. I sincerely believe that if this episode never came out, the manga would go differently bc there's no way that Asagiri who wrote things like Stormbringer suddenly thought that some dollar store vampire make up will fool a guy who's centuries old and literally lived next to vampires. But well!! Seems like these two speeches Dazai gave weren't important at all and now we can just forget about them yippiee)
I could definitely mention WAYY more examples of that but this is already long af. Like guys. I know u cant fit everything in an animated show. It takes time to make it and all but. Bro. The character's in the anime r so shallow compared to their original versions.
.
Now onto the artstyle of the anime.
Lord. U know? It was actually pretty in the first 2 seasons. The official arts at the time were also really nice to look at.
No idea what happened later. Why did Bones suddenly decide that those ugly turtle smiles r gonna become the main thing in the character design. Why so many fisheyes. Atp sometimes i look at the official art and i go oh lord even i could fix it. It really feels like they draw some characters ugly on purpose now (Chuuya being the main victim for unknown reasons).
Tho i must say they have their moments even now. Some last episodes of season 5 weren't really bad, especially the Meursault part (love them for animating Dazai and Sigma dancing so well. And for that 101 animation. And maybe for the heartattack they gave me with 109 and Chuuya shooting Dazai so many times.)
.
On some other things, i really like the music! Bsd openings and endings never miss,,,
#sab q&a#tumblr crashed when i was half into writing that and i had to start from the beginning again but it's no longer as detailed bc >:(#my relationship with bones looks like that: i would like to see stormbringer animated but im actually scared of seeing it animated#not because its sad but because there r very high chances that Bones will completely ruin it too#if u want me to talk solely about the manga vs anime skk then yeah just tell me i can do that too muah#sab yapping
98 notes
·
View notes
Text
~`All ours part 2~`
Part 1
~`Pairing: Viking!141 x reader
~`summary : after the raid you and the rest of the survivors were taking to price's village where your fate awaits.
A/n : OMG THANK YOU ALL FOR SO MUCH LOVE FOR THE PREVIOUS FIC. Since you guys loved the previous one so much i wrote a longer version and i hope i live up to the expectations. Also huge thanks to anon from this post for the idea for this part. AGAIN THIS IS A DARK FIC CONTAINING SHIT. Also my asks are open for ideas
!WARNINGS! : slightly NSFW, simping over john price, being kept prisoner, mention of slavery.
~`wordcount : idk.
Blackness. Pitch blackness. Thats what it felt like. You felt it consume you slowly..bit by bit it was eating everything. All the memories you had, all the times you laughed and cried...it all felt worthless now that you were being consumed.
Slowly you opened your eyes. Everything was blurry at first but bit by bit your vision was returning. You looked around and tried to move only to realize both of your hands were bound by some kind of rope to your back. You also realized that you were moving or atleast you were on something that was moving. You carefully sit up and observed your surroundings. You were in the back of what looks like a wagon with a buch of the survivors from your village, you could see some familiar faces and some bruised and bloodied faces.
"What happend...where are we going" you asked to the old woman that sat closest to you
"The raid happend...everything was destroyed and burned...they took us from our homes and loaded us up onto theire ships like cattle and made us beg for food. We then got off and then they loaded us up here.....our next destination may be our last"
The old lady said with a look in her eye that was a mixture of fear and despair. You remember the killing, the stealing and you remembered the men who did it. You also remember failing to escape...a mistake that would change your whole life.
After what seemed like eternity the wagon came to a halt. You could hear people calling out and children's voices. A village?
"THEY HAVE RETURNED!"
"Look they're back"
"Lord price is back!!"
You heard people and children shouting and praising. Lord price. That was the man. The man who murdered hundreds and led the raid. Why are people praising this monsters return? And why are they calling him lord? Thats when it dawned on you. You were in a village. His village. This is the home of those monsters. You could hear footsteps aproaching the wagon and tried to mentally prepare yourself for what was about to come. It was the man with the skull mask that approached the wagon with keys in his hand. he opened the cage and ushered everyone to get out.
"All of you. Out. Now. "
He said in a stern and terrifying voice. Afraid and terrified of what the man would do they started to get out slowly one by one. And since you were all the way in the back you had to wait until your turn finally came. You slowly tried to crouch walk to get out of the cage without looking him in the eye but just as you were about to jump out you lost you balance and almost fell out. You were sure you were about to fall face first into the dirt but you didnt. You opened your eyes and looked up and saw the masked man holding you bridal style.
"Be careful. You arent going to be of any use if your injured"
He put you on the ground again and you joined up with the rest of the captives.
"Move"
You heard the masked man say from behind you lot. Slowly as a group you started walking. You looked around and saw tents, huts, homes, children and woman. You all walked on the main path with several people staring at you lot with disgust.
"I'd say this haul is fairly successful"
"I wouldn't call only getting weat and goats successful. They had almost no gold."
You turned you head and saw the 2 men who slaughtered your home speaking amongst themselves. One was dark skinned one and the other apears to be a woman. You were so into their conversation that you didnt look where you were walking and bumped into what felt like a wall of a chest.
"Wadda we 'ave here. If it isnt the pretty little thing that tried to run away from us"
You recognized this man with a mohawk haircut and immediately lowered your head as to not offend him. You tried to move with the group so you dont fall behind but he wasnt having it.
"Oh come on now i just wanna talk it'll fun commonnn."
He said in a low sultry voice. His hands then wrapped around you waist and he pulled you towards him.
"This here is my home. What dont you like it?"
He said in a mocking voice. You tried to squirm away from him without making eye contact.
"JOHNNY" you heard someone yell.
"Ah duty calls. here hold onto this for me will ya. I will find you again mkay"
He handed you what seems to be a small wooden plate. Carved into it was the name "Johnny "soap" mactavish". You quickly put it into your pocket of your dress and tried to catch up with you group. What did he want? What does he mean he will find me? Why did he hold me like that? These questions were like the plague. Dangerous for your body and soul.
You and the rest of the survivors where escorted to the back of the camp into what looked like a prison of sorts where you were to stay until you found out what in gods name they wanted with you.
"We can't keep them here without them dying of starvation John. And we certainly do not have enough food to feed everyone. Why did you bring them back here?"
"I have a plan kate."
"Care to share it with us boss" Johnny said as he entered the tent with simon right behind him.
"I will sell them. Easy. Graves informed me that he needed more slaves for his buyers. So we will sell him the survivors as slaves in exchange for more food and weapons" john said with a serious look on his face while sitting on his throne like chair signing some kind of papers.
"Sound good to you kate?"
After a moment of silence laswell sighed then nodded her head in approval.
"Now if you dont mind i have work to attend to" john said as he was getting up and ready to leave.
For the next week or so you spend as their prisoner you seen alot of things. Monsters tho they may be they also care about this village. But at night they are like feral beast. Each night they all have different women and sometimes they dont even wait till night fall. You gathered this much from seeing and hearing things. The masked one is called ghost but his friends refer to him as simon. He doesnt bed a woman often but if he does he is certainly ruthless with a stamina of a horse. The one with a mohawk is refered to as soap but also as Johnny. He is a real ladies man. With him its every night and sometimes there are more than just 1 women. Then there is the dark skinned one wich you rarely see but when you do he's usually hurt or just came back from hunting. Just like simon he sometimes has a woman come with him to bed. He is probably a passionate lover if anything else and then there is the captian. John is his name. Everytime you see him its like something inside you burns. Tall dark handsome. You shouldnt be liking him but you cant help it. It also doesnt help when the woman he beds let out such moans you can only hope to make one day.
You snapped out of your daydream when simon aproached the cage and unlocked it.
"Everyone out now"
Fearing him everyone quietly obeyed and one by one exited the cage. What was going on? Is this the day you would die? These questions where eating at you.
"Follow me" simon said as he walked in front of the group until he reached a small dock with a couple of boats and ships. Simon then waved at one of the ships and soon the crew of the ship started to come to the dock with small boats.
"All of you get on"
"W..whats happening? Where are you taking us" one of the elder ladies asked with fear lached into her voice.
"Your being sold" said the voice from behind us. Price walked up to us with soap right behind him as he started to speak.
"Your being sold as slaves in exchange for supplies. It is only right i tell you your fate."
Your felt your heart sinking and your breath started to get unstable. Sold? As slaves? You can't be a slave? Soon all the captives started to cry and plead for their lives but simon forced them onto the boats until it was finally your turn. You pleaded him for mercy while crying.
"Wait not her" price spoke up and you saw johnny behind him grinning like a mischievous cat.
"Why not"
"Well she will be ours ofcourse" price said nonchalantly to simon. Simon in turn released me and i watched as the rest of the captives where being hauled away. Confused you asked
"Why...why me"
Price looked at you amusingly and smiled.
"A pretty little thing like you belongs here. With us ofcourse. You are ours now. And as for why well.." price looked back at a grinning johnny and continued.
"Someone requested you so as a favour now your ours."
Price took a few steps forwars until he was close enough for me to hear his heart beat. He took my face in his hand and pulled it upwards toward him. Slowly and in a low voice he whispered in my ear.
"All ours."
Ahhh finally done with this part and next part will be spicy i can assure you that and as all ways my asks are OPEN. Also i am making a taglist for everytime i post a fic so feel free to comment if you want to be part of the taglist. Also i apologize for any mistakes cuz english is not my first language. THANKS AGAIN FOR THE LOVE <3
#captain john price#cod#cod mw2#task force 141#writing smut is exhausting#reading#cod mwii#ghost mw2#captain price#simon x reader
136 notes
·
View notes