#i have learned how to make them see me as someone they can turn to when needing help or guidance or simply as someone fun
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Seriously, academics and the like are flawed like the rest of us, so use critical thinking skills even when you're talking to an "expert" (obligatory disclaimer half because this is the internet and half because I majored in philosophy and am wont to quarrel about what exactly counts as an "expert" because my brain is wrong)
BUT
I promise that, in general, they will be very happy to talk about their work. Academics in particular, a lot of them I've known, don't get to pursue exactly what they want all the time. So when you engage with them on topics they actually have a background in, they sometimes forget how to act and infodump with the enthusiasm of your autistic friend who lights up talking about their special interests. All the ivory tower pretentious bullshit you sometimes have to cake onto yourself in that world, it can just crumble to dust with the force of their excitement about actually getting to talk about things that interest them rather than having to publish for publishing's sake or having to teach a course because someone in the department has to and it's their turn. (Seriously, I don't know if this is common knowledge, but that's actually how some departments run things: I taught the intro course last year, so it's so-and-so's turn next. See, for example, the dude who taught my intro to astronomy course. Lecture was a snoozefest. The planetarium and outdoor work? He was a different man. The final grades for the class had like a 40 point curve. It was kind of a mess. But it was cool when he actually wanted to be there.)
I used to say that was my favorite part of academia, but then I realized it's the main thing about that world that drew me in: I wanted a place where I would be expected and encouraged to explore in ways I wasn't allowed (or wasn't able, not having the resources and living in a small town) to do when I was a kid. It didn't work out the way I wanted it to, but that's a story for another post.
It's why I love libraries. There's a "bookmine" near me (I don't want to doxx myself naming it but DM me if you want and I'll elaborate) that I would fucking adore to roam for days and days. Or just nights. You know, sneak in and hide in this massive building full of books, wait for them to close and go home for the evening, and just go to town exploring various subjects. Also my partner would be there so we could gab to each other about our discoveries. I feel like a lot of people, academic types especially but not exclusively, can relate to this yearning to explore and share.
Don't feel like the only people worth talking to are folks with advanced degrees or prestigious titles, though. Academics can be easy to find relative to other kinds of experts, but good information can come from anybody. Not just somebody with an email address ending in edu. At the same time, beware of influencers and whatnot, obviously. Good information can come from anywhere, and the same is true of bad information. Someone saying things with a lot of confidence isn't necessarily telling you the truth and doesn't necessarily know what they're talking about.
Anyway. Send the email. I promise you're not bothering them by asking about the thing they literally got at least one advanced degree learning about on purpose (in the case of academics, but like I said, this can apply more broadly than that; read the room and shoot your shot, or whatever the kids are saying nowadays). I have a lot more to say about this and may even make a post to help people find experts in a given field of study and how to use responsible critical thinking skills and research methods more generally, especially if anybody expresses an interest in any of that. But I've babbled enough on somebody else's post lol I apologize and also it will happen again
Signed - your local autistic philosopher weirdo who just really really likes information and libraries and finding and exploring cool stuff and can't shut up about it sometimes
#also beware of most people who call themselves philsopher kings or warrior poets or stoics#same with people who describe themselves as sapiosexual#most people are chill but in my experience most internet randos who talk like that have a lot of growing to do#at a minimum#i mean don't write anybody off just on that basis alone#i would advise that about most individual characteristics out of context aside from eg bigotry#i'm just saying it's often an indicator that the person is at best insufferably pretentious and not as infomed as they think they are#at worst it's like the weird slide from cottagecore aesthetic posting to tradwife bullshit and suddenly they're talking like a nazi#which is why i keep emphasizing critical thinking skills#anybody can be a fraud and anybody can be taken in by one#don't think you're the exception#that's how they get you#so send the email but don't assume someone is a reliable or credible source just because they work at a certain place#or because their email ends in edu#this has been a psa from your local grad school dropout#i really want to get my MLIS tho#another story for another post
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heyyy
can I ask for a part 2 on fuckboy soap?
i want to know more about what happens with reader and simon
in my head, Simon HATES seeing Johnny treat the reader that way. i can envision Simon taking her out, treating her right and all but stealing away Johnny's toy.
So, I posted a part 2, but I have these asks about it and I’d hate for them to go to waste— so I thought I’ll do a little bit of expansion on the relationship. Some shite exposition.
Uhhhh I’m back from writing this now and I didn’t mean to do this but I kind of made this like a prequel or like a part 1.5 I didn’t mean to make it so long oops
Promethean: how to starve a beast
Simon does not involve himself, in any way, in the nasty hookup miasma that Soap is a part of. That most of the frat is a part of, honestly. Motherfucker doesn’t party. This man is on financial aid and has a part time job. He is studying because he’s the one paying for his schooling and for his living expenses.
He doesn’t care that Johnny fucks people under less than savory pretenses. People get played by him? Better they learn their lesson with some harmless douche with a mohawk than with someone who will actually do some damage. Ultimately, not his business. He’s seen plenty of people come and go across the hall, and he’s not fussed.
He doesn’t respond to the conquest stories from the other guys when they’re sharing takeout, or the occasional ‘family’ dinner. Really, the only reaction he gives, even internally, is when one of them comments on something some girl did that was gross, or something about them that wasn’t hot.
A complaint that her period started when she stayed the night. I’d like to fuck a girl while she’s on the rag. Bet it’s fucking warm and slick.
A complaint that she had cellulite. Way to out yourself as being a porn addict, mate.
A complaint that her nails dug too hard into his skin. I’d love for a girl to make me bleed when I fuck her.
He didn’t feel any sympathy. Just accumulated little, harmless fantasies.
Until Johnny started talking about you.
Simon didn’t know you. Had never met you. Seen you once or twice, maybe. Hadn’t learned to even recognize your face.
“Kept leanin’, think she wanted me t’kiss her.”
“So fockin’ bad at giving head. S’a bit cute, tae be honest.”
“Tried tae make a grab for my hand the other night. Can ye believe it? Tryin’ tae hold my hand while ah’m givin’ it tae her. Daft thing still doesnae get it.”
Then he starts to notice you when you leave Soap’s room. The way you very gently close his door as if you’re worried about bothering him. The way you pause, like there’s something you want to say, before you move on. The deep breath. The odd sniffle.
And then, when you show up. Yanked inside without so much as a kind word.
Simon has to strain and get close to the door if he wants to hear you. Soap’s loud as all fuck, but from what one can hear from the hall, he may as well be in there alone.
It’s like there’s an electric coil in his belly. Every time there’s something to do with you, the dial ticks over a notch. The current heats the metal. Every time Soap brags about what he’s done to you. Every time he sees you shake when you walk down the hall and out of the house. Every time Soap brags about what you, the stupid little thing he keeps for a fuckpet, really wants—
The coil is red hot. Even if he could figure out how to turn off the burner, the heat would stay. The metal would be hot to the touch. The heat radiates the very air in front of him, like a mirage. He thinks of you when you’re not even in the house. When no one’s talking about you. You’re a parasite that’s squirmed deep into his gut and you can’t be removed without pulling his organs out with you.
He feels like he’s gone mad. How can no one else see it the way he does? How can Johnny not see how privileged he is to have you even look at him? How can he not want the perfect devotion you’re so keen to give him? How can you not know that any man would thank god for your returned affection, if you’d only set your sights on one that wasn’t a complete and total fuckhead? How has no jealous classmate or longtime friend come by and set Johnny’s nose bloody and crooked for how he’s treated you, sensitive and dangerously endearing as you are?
Every time Johnny talked about you, he had no idea that it was another rusted staple under his best mate’s skin. Building your mythology. Making you a prize. No, that wasn’t right.
Making you seem utterly wasted. Shackled yourself to a mutt with no sense for what he had writhing and submissive beneath him.
Soap has the perfect thing, the finest yield of flesh, right between his teeth and he won’t bite down.
Content for you to rot in his maw.
Well, Simon isn’t.
#writing#cod fanfic#cod#simon ghost riley#simon ghost riley x reader#simon riley x you#simon ghost x reader#john soap mactavish#ghost x reader#college au#Promethean
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Hi I have a request could you make a yandere gojo with a shy reader who doesn't care that he is a yandere because the reader was in toxic relationships and doesn't see yandere behavior as bad Thank you for reading me ^^
Oh. My. God. THAT IS SUCH AN IMPRESSIVE IDEA. I'm so down for this.
Gojo’s Ego Feeds Off Your Acceptance
❥ When Gojo realizes you don’t see his obsessive, possessive tendencies as a red flag, he feels invincible. Most people would run screaming if they caught a glimpse of the real Satoru, but you? You’re fine with it. That just confirms what he’s always believed—you’re meant for him.
❥ He sees your tolerance as proof of your love. In his mind, you’re basically giving him permission to be as controlling and overbearing as he wants. “You don’t mind, do you? Of course not. You’re perfect, and perfect people don’t need anyone else but me.”
Your Shyness Brings Out His Protective Side
❥ Gojo already sees himself as your protector, but your shy nature makes him feel even more responsible for your well-being. He’s constantly hovering, ready to step in if anyone so much as looks at you the wrong way.
❥ He loves that you rely on him—whether it’s for emotional support or dealing with situations that make you uncomfortable. “Don’t worry, sweetheart. I’ve got this. You don’t have to lift a finger.”
He Gets a Little… Territorial
❥ Gojo doesn’t like the idea of anyone else getting close to you, especially since you’ve been in toxic relationships before. He’s convinced that only he can keep you safe, so he goes out of his way to isolate you from potential threats (aka anyone who isn’t him).
❥ He’s not subtle about it, either. If someone from your past tries to reach out, they’ll regret it. ���Oops. Looks like they had a little accident. Guess you’ll have to stick with me, huh?”
He Twists Your Past to His Advantage
❥ Gojo uses your history with toxic relationships to justify his behaviour. In his mind, he’s not being overbearing—he’s saving you from ever being hurt again.
❥ He’ll casually remind you of how much better he is than anyone else you’ve been with. “They didn’t deserve you. None of them did. But me? I’m different. I’ll take care of you, no matter what.”
A little scenario for having such a good idea <3
You’d barely settled into your seat at the small café when you felt it—the unmistakable prickle of someone watching you. Or rather, someone burning a hole into your soul with their gaze. You didn’t need to look up to know who it was. Gojo Satoru, with his signature sunglasses and that infuriatingly cocky smirk, was already making his way toward you.
“Hey, sweetheart!” His voice was as loud and unapologetic as ever, turning heads across the room. He dropped into the seat across from you without waiting for an invitation, leaning forward with an intensity that made your cheeks heat up.
“Satoru,” you mumbled, barely managing to meet his eyes. You were shy by nature, but something about Gojo made it even harder to hold your ground. He was overwhelming in every sense of the word.
“Miss me?” he teased, propping his chin on his hand.
You bit your lip, not sure how to respond. Of course, you’d missed him—it was impossible not to miss someone as magnetic as Gojo. But you also knew that admitting it would only feed his ego.
“Maybe,” you said softly, your voice barely above a whisper.
His grin widened. “I’ll take that as a yes.”
The waitress approached with a nervous smile, clearly intimidated by Gojo’s presence. He ordered for both of you without consulting you, rattling off your favorite drink and a dessert you’d been craving lately. How he knew about the dessert was a mystery, but with Gojo, you’d learned not to question things.
As the waitress scurried off, Gojo turned his attention back to you. “So, how’s my favorite person doing today?”
You hesitated, fidgeting with the edge of your sleeve. “I’m okay.”
“Just okay?” He frowned, reaching across the table to take your hand in his. His touch was warm, almost too warm, and it sent a shiver down your spine. “Come on, you can tell me if something’s bothering you.”
You hesitated, but the truth slipped out before you could stop it. “I… I ran into someone I used to know.”
Gojo’s grip on your hand tightened ever so slightly. “Someone from your past, huh?” His voice was calm, but there was a dangerous edge to it that made your stomach churn.
You nodded, unable to meet his gaze. “It wasn’t a big deal. They just wanted to talk.”
“And did you?”
“No,” you said quickly. “I didn’t want to.”
His expression softened, but there was still a flicker of something dark in his eyes. “Good. You don’t need people like that in your life. You’ve got me now.”
You looked up at him, surprised by the genuine warmth in his voice. Gojo could be a lot to handle, but moments like this reminded you why you hadn’t pushed him away. He made you feel… safe.
The rest of the afternoon passed in a blur of playful banter and stolen touches. Gojo was relentless in his affection, showering you with compliments and teasing remarks that left you blushing and stammering. By the time he walked you home, you were exhausted in the best way possible.
“Thanks for today,” you said softly as you unlocked your door.
“Anytime, sweetheart,” he replied, leaning casually against the doorframe. “You know I’d do anything for you, right?”
You nodded, your heart skipping a beat at the intensity in his voice. “I know.”
“Good.” He reached out to tuck a stray strand of hair behind your ear, his fingers lingering against your skin. “Because I meant what I said earlier. You don’t need anyone else. Just me.”
There was something about the way he said it that sent a shiver down your spine. It wasn’t a threat, exactly, but it was close. Still, you found yourself nodding, unable to argue.
“Just you,” you murmured.
Gojo smiled, satisfied. “That’s my girl.”
As he turned to leave, you couldn’t shake the feeling that you’d just made a deal with the devil. But if Gojo was the devil, then maybe—just maybe—you didn’t mind being damned.
#fyppage#fypシ#fyp#writers on tumblr#yandere#yandere gojo satoru#jujutsu gojo#gojo satoru#jjk gojo#satoru gojo x reader#gojo x reader#yandere gojo#jjk satoru#jujutsu satoru#gojo#yandere satoru gojo#yandere jjk#jjk#jjk x reader#satoru gojo
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Sonic 3 spoiler rambling about Sonic and Shadow under cut !
Y'know something that I feel might go lil under-appreciated is how well they made Sonic and Shadow mirror each other in the movie.
Like something that always can easily irk me are people boasting one of the two over the other because from the very beginning of his introduction to the series, Shadow's character is meant to reflect Sonic. They're meant to be equals that are so similar and complete opposites at the same time.
With the movie, I honestly wasn't expecting it that much. Sonic actually has a backstory that is just like Shadow's: powerful little hedgehog that is wanted for his power, so the one he's known his whole small life that he loves sacrifices herself to save him.
I fr fully expected Sonic to learn about Maria and be like "I lost Longclaw, I know you're pain, but-" blah blah blah- BUT they don't do that??
Of course, we have Commander Walters first telling Sonic that Shadow's story is a lot like his but wasn't able to find family and friends, and Sonic does find Shadow had a family from finding a picture of him and Maria together. He never gets told what happened exactly though, although it wouldn't make too much of a difference with the fact they did change up Shadow losing Maria just a little bit.
Since they didn't live up in space, Maria didn't have a capsule to send Shadow off with sacrificing herself and instead they made it an accident. WHICH- can be understandable if people don't like that, however personally I don't mind it that much because honestly the intent to shoot Maria was there, but she ended up being lost from an accident caused by Walters.
Which, ties in to Shadow hurting Tom...
Walters in trying to help save Maria's, Shadow's and Gerald's lives unfortunately led to Maria's death and watching Shadow be put in stasis for 50 years where all he thinks about is that painful memory burned fresh in his head. So of course when Shadow sees Tom disguised as Walters, he takes his anger out on him by hurting him while also stealing the key for the ARK. Leading to unfortunately another scenario of where the intent of harm is there, but someone still got hurt from an accident because Shadow never really meant to hurt Tom. But he does anyway..
Which of course in turn, makes Sonic mad just like Shadow was 50 years ago. Only difference is Sonic doesn't get immediately captured by GUN and forced into stasis. Letting him able to go straight to Shadow afterwards for hurting his family.
We have Shadow take note of all of that himself, telling Sonic he's feeling exactly the pain he felt and Sonic being the one to say "I'm nothing like you!". Just like how I thought Sonic would tell Shadow about Longclaw in hopes of redeeming him, but reversed and both sides full of anger and grief.
One awesome super fight later though, we come to the talk on the moon. Probably my favorite part in the whole movie. outside of the super fights and Live and Learn playing lol
After mentioning Tom and getting uppercutted straight to the moon by Sonic, Shadow loses his super form, leaving him vulnerable, easy for Sonic to take his revenge on him. Only for all of that to be stopped because of Shadow pointing at his own chest which reminds Sonic what Tom told him at the beginning of the movie and calm down.
"You didn't let pain change who you are."
This completely baffles Shadow, with him actually wanting Sonic to finish it, but of course Sonic just refuses saying "No one wins with revenge". It just leaves silence between them, finally giving Shadow his own moment of remembering Maria outside of her death by looking at the stars he used to gaze upon with her.
He mentions it to Sonic how all he knew and felt was just the pain, and now finally- FINALLY, Sonic mentions how he shares that feeling of loss from Longclaw. Not in a moment of trying to just redeem Shadow without the full weight of it, but in a moment of understanding.
A strong moment of these two looking at each other in a mirror, eye to eye. Sonic, who was allowed to grieve all those years ago after losing Longclaw, telling Shadow the pain of loss will never go away, but the love will always remain.
"The light shines, even though the star is gone."
And through that shared pain and loss, now coupled with empathy and understanding one another through it. They truly connect.
Sonic and Shadow's dynamic was just done SO WELL in the movie and I couldn't be happier with it...
#sonic 3#sonic move 3#sonic#sonic spoilers#sonic 3 spoilers#sonic movie 3 spoilers#sonic the hedgehog#shadow#shadow the hedgehog#Sonic snd Shadow#sonadow#Of course this doesn't have to be seen as shippy in any means I just also want sonadow peeps to also see lol#This is pure rambling but also such huge feelings I have with these two and their dynamic that I just forever will adore#Name two fictional characters that are better foils amd reflections of eachother better than these hedgehogs - YOU CAN'T -#(this is a joke not an actual challenge btw)#(i am well aware people can list off many good examples of this type if dynamic that they will deem “better”)#(these two are just MY favorite y'know y'know- imma peaise them whenever i get the chance- lol)
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Mockingjay - Part 14 (Alternate ending)
Hey, it's me again!
So this is the happy ending. I have to admit that writing this one was way easier than the other one. I hope you will like it too :)
TW : Blood, mention of death and PTSD.
Chapter Before
As they both are talking and fighting, neither Ona nor Tony sees the shape of the person coming next to them. Panting, the silhouette takes some time to take their breath. The fight was hard, as expected. Both Lucy and Kayla come from career districts, they both learned how to fight during their childhood and were almost prepared for the Games.
“Lucy won’t let anything happen to me” Ona states confidently.
She’s sure about what she’s saying, everyone can see it in her eyes. Ona doesn’t blink when she looks at Tony, who seems almost amused by her.
“Do you think so? I don’t see her here for now” he laughs softly.
His laugh is empty, without any fun. He looks like a psychopath in Ona’s mind, but she thinks it’s maybe better not to push him further. He seems close to a mental breakdown.
His hand is shaking when he raises it, showing his sword near Ona’s throat. Ona flinches but doesn’t try to back off. She doesn’t want him to think that he has any power over her.
“I could kill you, right now. She wouldn’t be able to do anything against it.”
He seems so sure of himself, looking at her from above, his smirks talking for him. But Ona has never had so little respect for him since the beginning. The brunette doesn’t even want to fight against him, he’s here standing while she’s sitting on the ground. How can someone’s ego be like this?
“Do you really think so?”
Tony turns around to face the person who just talked and Ona jumps on her feet when she sees them. It’s Lucy. Tony just has time to turn around before being hit right in the face. He falls somewhere near Ona, making her fall back with him.
Ona groans when she hits her head on a tree root, right where she was already hurt. She tries to get away from Tony as fast as possible, but the boy is grabbing her legs for his dear life, trying to drag her to him. But he’s less strong with his arms than he was at the beginning, Ona hurt him there before, and she knows it.
She manages to kick him in the chin, making him go back. Ona goes back on all four, standing again when she thinks that she’s away enough from Tony. He’s bleeding from his mouth and Ona deduces that he might have bitten his tongue.
Just when he was going to jump on Ona, Lucy grabs him by the collar of his jacket.
“Don’t even think about it” she groans, pushing him away.
Lucy is smaller, but Ona has to say that with her anger and the hammer in her hand… She looks impressive. Her green eyes stay on Tony, even when she throws the bow and the arrows at Ona.
But Tony just sneers, arming his hand and his sword before talking again.
“I don’t have any problem to kill you before killing her”
“Aren’t you sick of hearing you?” Lucy snaps.
Ona sees Tony’s face becoming darker, clearly not liking Lucy’s comment. Ona can’t help but smile at Lucy’s comment, the sarcasm of the girl always making her smile. She takes advantage of this little moment to have a better look at her girlfriend. She has blood on her body but doesn’t really seem hurt. She has some cuts on her arms, but nothing seems really bad.
“I’m sick of you” he answers.
Lucy snorts this time, waiting for him to attack first. He’s turning his back to Ona and the younger girl wonders if she should take advantage of it, but it seems to her that Lucy wants to defeat Tony alone. She has something to deal with, beginning with the fact that Tony seems to want what is hers.
The fight starts and is maybe not really fair, Tony has a sword which is longer than Lucy’s hammer, in addition to the fact that he’s bigger and then has bigger movements. But Lucy still manages to hit him several times, using her smaller form to move faster than him.
That was until…
“Wolves!”
Ona scream is a little bit ignored by the two others to be honest, until Lucy spots the urgence in Ona’s voice when she talks again.
“Lucy! Wolves!”
Lucy turns to the direction Ona is pointing, before groaning when Tony takes advantage of it to hit her on the arm. Lucy groans in pain and almost throws her hammer on Tony’s face, helped by the rush of adrenaline.
Just like Ona, she saw the four wolves walking in their direction, in the form of a diamond. They are white and she would probably have found them beautiful if they weren’t explicitly looking for their next meal.
Ona is fully concentrated on the animals, forgetting Tony for several seconds.
Wrong move.
The boy, seeing Ona not far from him, raises his sword once again and hits her right in her stomach. The pain is so intense that Ona isn’t able to say anything. It’s Lucy who screams something that the brunette isn’t able to understand.
She feels someone grabbing her and holding her protectively against their breast, before the person starts to run. Ona doesn’t need a lot of time to recognize Lucy.
“It’s okay, you will be okay” Lucy keeps saying.
Ona doesn’t really understand what is happening when she feels herself being shaken. But she trusts Lucy and if she says that she will be okay, she knows that she will be. It’s only the sound of the canon who makes her open her eyes again.
Her vision is gloomy, but she still can see Lucy’s face right above her very clearly.
“Is he…” she whispers.
“Dead. The wolves…”
Lucy stops her sentence, but she doesn’t have to talk more for Ona to understand. She’s glad that the animals chose the one of the three who will give them the most fresh meat.
“I’m so cold” Ona whispers again.
And it looks like it’s starting to rain. She feels one or two drops of water on her face, seeming strangely hot against her cold skin. But when she looks at Lucy again, she understands. It’s not raining. Lucy is crying.
“I’m dying”
She can only whisper for now, her strength just not here anymore. Lucy shakes her head, but Ona isn’t sure if it’s because she’s answering her that she isn’t, or if Lucy just couldn’t stand the idea.
“It’s okay” Ona whispers. “We are going to be okay”
She concentrates all of her strength to raise her hand and softly strokes Lucy’s face. Lucy kisses her palm softly before pressing her forehead against Ona.
“Remember when I said I couldn’t live somewhere where you aren’t?”
“Yes” Ona breathes softly. “But you promised…”
“I never promised anything” Lucy shakes her head. “We live together, or we die together”
Ona looks at Lucy for several seconds, before nodding softly. She understands. She couldn’t live in a world where Lucy isn’t here either. It must be harder for Lucy; Lucy doesn’t have her family or any friends outside the arena.
“What do you have in mind?” Ona whispers.
“We can jump. Where Teagan…”
Lucy doesn’t finish her sentence, but Ona understands easily. After thinking for some more seconds, Ona nods again.
“I don’t know if I could walk, it’s a little far from here”
“I’ll carry you”
They can’t hear the wolves anymore, but there is no doubt that they are busy with whatever they are doing now. It doesn’t really matter anyway. Very carefully, Lucy picks Ona from the ground to carry her like a just married couple. It makes Ona smile softly, passing her arms around Lucy’s neck.
“I love you” Ona whispers, her face in Lucy’s neck.
“I love you too. So much.”
They stay silent during the walk, Lucy walking slowly. She’s exhausted to be honest and now they know how they will end. Together. They don’t need to rush anything.
“What are you thinking about?” Lucy asks after some minutes.
“My parents. My brother… Aitana, too”
“Do you think they will be together?”
“They better be together already”
Lucy chuckles before kissing softly Ona’s temple. Her mind goes to her family too, wondering what they are thinking about her right now. They probably aren’t proud of her, but she doesn’t care anymore.
Seeming to be able to read in her mind, Ona talks again.
“I’m proud of you, you know?” she whispers.
Lucy hums at first before looking at Ona. The younger one was already looking at her, her chocolate eyes so soft and full of love.
“I’m proud of you too” Lucy says back. “And I’m sure that your parents and the people you love are proud too. Alexia must be really proud too. You kind of win the Games after all.”
“No” Ona shakes her head. “You’re the real winner.”
Lucy rolls her eyes as they get out of the forest. They pass the starting point, Ona looking at the scoreboard. It’s strange to see that only their names are on it now. Lucy killed the most people between them both, but it doesn’t mean anything now. It isn’t important anymore.
“Are you in pain?”
Ona shakes her head once again at Lucy’s question. She feels good and almost safe in Lucy’s arms.
“I always feel better in your arms”
“You don’t need to try to charm me, you know? I’ve been in love with you for a long time already.”
“I’m not trying” Ona mumbles sleepily. “Just telling the truth.”
She takes advantage of being carried by Lucy to look around her, admiring the view for the first time. Before, she was too concentrated on the Games to find something beautiful. She remembers perfectly the building in the north of the arena, giving her a sweet feeling of being back home.
“Don’t fall asleep now, Love. We’re almost there.”
Lucy’s voice kind of wakes Ona up. She opens her eyes with difficulty, but looking at Lucy is enough to help her stay awake.
Lucy was right though, several minutes later, they were standing next to the cliff. Ona’s isn’t sure that it’s exactly where Seth tried to kill her, but the idea is here.
“Are you sure?” Lucy asks one last time.
“More than ever. You?”
“More than ever.”
Lucy smiles softly, looking at Ona with the most tender gaze ever. It makes Ona harder to breathe, and it has nothing to do with her bleeding wound.
“One last kiss?” Ona asks.
Lucy doesn’t even answer, she just softly puts her lips on Ona’s. She couldn’t say how many times they had kissed each other, but it’s still the same feeling. And she loves it.
“At three?” Lucy asks softly.
Ona nods and takes a deep breath. She’s tempted to have a look below, but she chooses to look at Lucy instead. She holds Lucy harder when the other girl starts to count, wanting to be against her as long as possible.
“One”
Lucy takes a few small steps, coming closer to the end of the cliff. Ona can hear the water near them, a sound that she finds almost soothing.
“Two”
Ona keeps looking at Lucy. Her green eyes, her freckles, even if Lucy has way less than her. Lucy is looking at her too, smiling softly. But, just before Lucy says “three”, a deep voice suddenly resonates in the arena.
“NO! STOP!”
********
Awakened by the sun coming right into her eyes, Lucy sits down suddenly in her bed, looking around her, a little lost. The dream she just had is one that she still makes from time to time. But it’s vivid, so real that it catches her every time.
“Ona?”
Next to her the bed is empty, no trace of someone alive there. It makes her heart beat faster and she doesn’t like this feeling.
“Ona?” Lucy calls again, harder this time.
She almost trips in the sheets of her bed when she gets up, and she arrives at the door at the same time as the door is open.
“Ona” Lucy sighs, before taking the younger girl in her arms.
Ona is here, seeming a little surprised by Lucy’s neediness at first before understanding that Lucy probably just had a nightmare. It happens to her too from time to time. Ona passes her arms around Lucy’s, stroking her back with her fingertips.
“You’re here” Lucy mumbles with her face hidden in Ona’s neck.
“I am here” Ona answer softly
They stay like this for a moment, Ona not wanting to break the hug. She feels that Lucy needs it, and she would never refuse a hug or a kiss to Lucy.
“Did you have a nightmare?” Ona asks with empathy.
Lucy only nods, her face still in Ona's neck. Her hairs are tickling the younger one, who has trouble not to laugh about it.
“What can I do for you?”
“Cuddles”
Lucy doesn’t really leave any choice to Ona, grabbing her from the ground to put her on her shoulder until they reach the bed. Then, she throws Ona on it before crawling on the bed too and laying on Ona.
“It’s okay, Baby” Ona says softly, playing with Lucy’s hair.
But Lucy only hums, her fingers following Ona’s scare on her stomach. She still can’t believe their luck sometimes. The organisers let them alive, the two of them. It provoked a lot of trouble for those men, but the fact’s still here. Lucy and Ona are still very alive.
They live together now, in District 8. Lucy went back to her family at first, they needed an answer from the Capitol for their request to live together. They could live in the Capitol, but it was very clear from the beginning that they will go near Ona’s family.
Everything isn’t perfect, to be honest. Lucy still has nightmares, Ona still jumps when she hears a big noise and has sometimes panic attacks too. They are both scared that someone would separate them at some point. Lucy dreams sometimes to run away, but there is nowhere to go. They are way safer here, in the house they built in District 8.
“Alexia’s pregnant” Ona says softly.
“What?”
Lucy raises her head suddenly, looking at her girlfriend with surprise paint on her face. Ona smiles, cupping tenderly Lucy’s cheek.
“Alexia is pregnant. She just told me in the letter I received this morning. The baby is due to spring”
“Pregnant” Lucy whispers, like she never heard of pregnancy before. “Is it a boy or a girl?”
“They don’t know. They want to keep the surprise”
Lucy hums again, looking at Ona’s stomach thoughtfully. They left the arena four years ago and Joan already had a little girl last year. Lucy knows that she told Ona that she doesn’t want a baby, when they were in the Capitol. But right now, she has to admit that she wouldn’t be against that idea. But for that they have to go to the Capitol.
“Maybe we will have one baby too, someday” Lucy says carefully.
She doesn’t miss Ona’s surprised gaze at her. But Ona’s surprise quickly changes to a soft smile, before she grabs her face with her other hand to take her higher to be able to kiss her.
Lucy kisses her back, before kissing her cheek.
“But first I want to marry you” she says against Ona’s skin.
“You know that I’m already yours. All you have to do is ask”
It was true, she was only waiting for Lucy to propose. The dark-haired woman made clear really quickly that she wanted to be the one who would propose to the other. Ona doesn’t mind at all to be honest; she knows how much it means for Lucy.
And she will do so, several months later, after having asked Ona’s father if he would give them his blessing. She will ask Ona in their garden, during one of what they now call “stargazing session”. Of course, Ona’s answer will be yes.
And when they will welcome their little miracle almost three years after the wedding, Lucy knows that her life couldn’t be more perfect.
Perfect life, with her perfect wife whose surname she took. And now their perfect little boy, almost a clone of Ona, with his perfect name.
Jordi Teagan Batlle.
Sad Ending
#woso imagine#woso fanfics#ona batlle#ona batlle imagine#lucy bronze#ona batlle x lucy bronze#lucy and ona#lucy bronze x ona batlle#ona and lucy#lucy bronze imagine#woso x hunger games
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Slime HRT - Full Core Integration
<<| ⏯️ |>>
[The scene opens to a not before seen living room. Familiar decor can be seen alongside other furnishings. Elise sits on a couch inside a small plastic tub, where only the upper half of her body can be seen. Next to her is a shorter woman, speckled with red scales across her skin and small claws and horns. The timestamp reads ��5½ Months.’]
“Oh gosh, how does she do these…
“This is Elise’s entry at five and a half months into transition. I’m Pandora, her wife, and I’ll be speaking for her for this entry and hopefully only this entry. I just started my own species replacement therapy like two weeks ago I think? I kept it hidden from her to surprise her but about three days ago Elise’s vocal cords finally dissolved. That’s why I’m speaking for her.
“Normally she wouldn’t have done an update this early but I encouraged her to make something, mainly because I think it’s important to have this documented. Anyone who goes through the same stuff my wifey has should know how things go when you absolutely need help around the house.
[Pandora retrieves a piece of paper from offscreen.]
“We did make a list of things to go over. My love is going to be demonstrating a few things, and it is her documentation series… thing, so she’s gotta be a part of it! First off is the obvious: no more muscles, and no more bones either!
[Elise outstretches an ‘arm’ to show the lack of muscle and bone. The entire limb is transparent and a vibrant green.]
“All she has left is a few organs and her brain. Everything else is just a little goopy puddle.
[Elise nuzzles into Pandora’s shoulder, and is met with a kiss to the forehead.]
“All the affection is just my wife being all cute and loving, like she’s always been. She’s basically been biologically a slime for a few weeks now, and definitely passes as one from the few I’ve been able to see.
“As a matter of fact, we learned that slimes are apparently part of the country’s No Fly List, since they’re made up entirely of fluid. We had to do a whole cross-country road trip, meaning four days full of driving for me. Loved that. But it just meant that my little goop got to be a little passenger princess all the way back to the west coast!
“Back to the ‘my wife’s organs are starting to dissolve’ matter, she’s actually about two and a half months ahead of schedule. Which meant I had to have a very strongly worded talk with Dr. Acosta from Something Else Solutions.
“Something Else Solutions is not licenced by anyone in Hyper City. We had to hire a private investigator to find that doctor. Turns out, he gave Elise a fake name and the whole office turned out to be some shady black market coven trying to advance their practices. So, my last week and a half has been spent talking to doctors and specialists and actual fucking witches. That last one was actually pleasant, and I would’ve enjoyed it a bit more if it wasn’t my love’s life on the line, possibly.
“The only real reason we’re doing an update now is because Elise is going into surgery tomorrow to get her core formed. Normally, Slime HRT has the patient go through something called C3 surgery: Core Cell Conversion. They’d take all your organs and link them together, and after a few weeks they’ll turn into what’s called a proto-core, which basically just replaces the organs. Eventually that proto-core absorbs the brain after like a month and at that point it’s just a normal slime core.
“Buuuut, now that someone went and fucked up my wife, she’s going into an emergency surgery called FCI: Full Core Integration. What they have to do–and thank the gods that we did this before her organs got dissolved–is take all her organs and her brain and rapidly accelerate that core formation process with donated nuclei from other slimes and a whole bunch of other inpatient hospital stuff. It takes a week, and after that Elise is gonna have a few gaps in her memory.
[Pandora hugs Elise from the side.]
“It’s scary. But we’ve somehow made it through worse.”
[The segment ends. The next segment fades in and shows a still image of a hospital waiting room. An anthropomorphic boar, a human skeleton with glowing green eyes, a well-dressed vampire and two humans are present around the room.]
-captions-
-The waiting room in the Hyper City Interspecies Hospital. Elise’s surgery was 12 hours long.
[A picture of many specialists and surgeons, human and nonhuman, with a blonde human woman in the centre.]
-Thank you to the care team for everything and an even bigger thank you to Dr. Therkin for walking me through every step of the procedure.
[A picture of Elise in a pressurised tank, connected to a series of tubes, wires, and monitors. A very small, almost invisible mass is at the centre of the slime.]
-This was my wife for nine days. Very glad to report that she pulled through.
[The final picture fades out. The next segment fades in where Elise sits in a long tub in a hospital bed, with an intact emerald green core. A timestamp reads ‘Five Days Post Surgery - 6 Months.’]
“...This is…my entry at 6 months during transition. Or at least that is what I’ve been told.
“I’ve been conscious for five days. In that time I learned how to speak and I was reminded who everyone was. Apparently I was in a…terrible condition. My core was able to save my life, and for that I am very grateful.
“I came out of surgery with near total amnesia, they said. Apparently that is a risk when you undergo such a procedure. It isn’t all bad, though. Relearning you have a wife is incredibly nice, makes the core sing something fierce.
“I’ve watched through those progress reports and learned about the journey I’ve taken to get this far, and to think that all that progress is behind me is incredibly inspiring. I’m going to continue living, all because of the work she did. I get to be happy, have a wife, all thanks to her.
“I’m not the same person as she was, definitely not. I have her voice, her life, and eventually the memories will come back, or so I’m told. But I don’t have her face, don’t have the same struggle that she had. So, please allow me to introduce myself once more to you all.
“My name is Mint, and I am a slime girl.”
[The scene fades to black as Mint extends herself towards the camera.]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SLIEM TIEM IS BACK EVERYGOOP!!!
Plot Twist: Mint is Authoress :3c
I've been meaning to get this out for a while and Solstice hit me with a lead brick of inspiration! Mint is now here to stay, but by no means is her story over!
Shoutouts today go to @ariathelamia whose character Dr. Therkin made an appearance to advise the surgery team! Tbh I do not trust Erian as far as I can throw him (and for therian standards that is not that far), so we got a second opinion and went to her!
Next time on Slime Ball Z: going to the solstice and definitely having a transgender moment[tm] with doubts about what makes oneself a 'real slime'
#I'm kinda impressed with how fast I pumped this one out :3c#slime#slime girl#slime hrt#therian hrt#otherkin hrt#my gender#my oc#my writing
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This took a few days to put together but is so worth it!! I'm very happy with how it turned out!
Some lore on MetaMari, Marionette started work at Castle DDD when she first arrived! This takes place before she and MK started to hangout until they slowly start to date!
I may write and show MK as smooth and know what he's doing, but truth be told: He doesn't know what he's doing at all and he was a shy lil thing! He still gets easily flustered sometimes!
I write MetaMari starting off as being a slow burn as I felt MK wouldn't fall in love so easily considering his vague past (most of the fandom, including myself make up a majority of it from the bits and pieces that came from the anime). Heck he wouldn't recognize it all that well until like. Last minute. Being a War Veteran and Military Lord can occupy your mind!
As for Marionette, she did recognize she liked MK, yet also struggled to understand what it meant to fall for somone! I haven't completely revealed her past just yet, but I will say she did not grow up in an environment where Love was present. And the time she spend when she was finally able to leave that environment to burn, she only just started to experience her own emotions.
I like to think as the two continued to hangout mutually, they start to learn what it means to have such an attachment to someone else.
Of course their are different types of relationships they also came to learn and understand, even welcome them! Like friendship, mentor/student, admiration, ect.
But yeah!! Kirby already could pick up on the attachment Meta and Mari have, so he goes and tries to put them together cause he likes seeing his MetaDad happy! Course, said MetaDad would attempt to stop the child, but the child is a perseverer!
On Mari and Kirby's relationship, and I really should doodle/write about it more, Marionette grew quickly to become Kirby's surrogate mother! She would play with him and the other kids if they asked, make them lunches and snacks, sing for them, study with them, ect.! More will be revealed as I continue to work on this!
Thank you for reading if you did! I'm having so much fun writing and drawing this AU and Ship and it makes me so happy and motivated that others like it too!
💙✨️
#kirby fanart#kirby of the stars#artists on tumblr#meta knight#kirby meta knight#meta knight fanart#kirby oc#oc x canon#shipping couples#canon x oc#traditional drawing#traditional art#pencil art#graphite
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what are ur steps to writing a complex character? i’m having so much trouble w that
✧ write the characterization out on paper so you can visualize it
write out their likes, their dislikes, their personality type, what makes them impatient, what scares them, give them habits and put the reason as to why the habits are there, is it a coping mechanism? a trauma response? did they get it from a parent that died and they don't even realize they adopted that habit until someone points it out? seeing all of this will help you make connections that maybe you were blind to when it was all in your head.
✧ let them be imperfect !!!
when writing complex characters, it can be so easy to fall victim to the concept of trying to make them perfect, of no flaws, because it is your creation and at the end of the day, you are the one making the choice for them but remember that flaws are what drive the complexity of a character. let go of the idea of them always being well versed (bc that isn't reality) and let them make poor choices, be stupid, have horrible coping mechanisms, shut people out, get them into situations other characters wouldn't touch and then let them struggle to find a way out.
✧ don't let the character think like you, but rather think like the character
it's extremely common to use certain life experiences and build them into events in your book. if you do this when involving a complex character, allow them to make choices that you wouldn't ever make. let them over react where you would under reacted or under act when you would over react. let them blow something out of proportion, snap at a character, and say things that you never would and then give it a ripple affect... let it take damage to a strong bond because of their inability to listen and then have them suffer the consequences of that choice in order to allow them to grow enough to fix their present flaws.
the more you write, the more you will learn how to embody what character you're writing and your brain will almost slowly turn into theirs and it will become easier to make choices that accurately fall around their flaws rather than your own.
✧ let them piss you / the readers off
as a writer who is publishing works to the public, it can sometimes be intimating to think about readers reactions when decides on certain choices a specific characters makes, weather you're going to make them mad or not or make them wanna throw their phone. if you do? then good bc you're making them feel something and in my opinion, complex characters are not made to be made to be liked 100% of the time. sometimes they do things they shouldn't or they make choices that makes their development spiral backward, but that's the point. take eren for example, he is a very complex character, has he done things to piss me off? yes. do i love him despite all of that? yes. do i love him because of that complexity and those flawed choices? yes. zuko is another good example of this.
another example, i hated how jean was at the beginning of ob, it was so painful me to write and is even painful for me to reflect on, his flaws made me so angry, but i had a vision as to where i wanted him to end up and i knew if i wanted to develop him and flush him out the way i have, i needed to start him in the trenches and give him a solid reason as to why he was stuck in the hole he dug for himself.
✧ complex characters need a reason that they are complex
where did they come from? what did they experience that made them this way? what triggers their anger? what things are they sensitive too and why? every complex character should have depth as to why they have become who they are. understand their triggers and create boundaries (i.e jean's back, yn's thighs). also give them layers upon laters of identity that you can later leverage out of them and say "this character hates this specific thing because of x y and z and because x y and z happened to them, this is where they fall short in this specific part of their life.
✧ allow them to contradict themselves and let it happen a lot
let them say something and then do something that goes against what they said and turn it into an inward battle. many times the biggest villain of a complex character is themselves.
for example, when keith called yn to tell her to come back to stohess because of lucas she was aware of his flaws and that she wants nothing to do with him but when he mentioned her brother, she took off running and reverted back into the little girl she used to be when they were at the dinner table and he was telling her that he loves her and wants them to be a family and she was inwardly questioning if he actually meant it even though in the back of her head she knows its not true. this is where her complexity comes in. it would be easier just to write her as a 'fuck you dad' type of girl but that isn't who she is. she loves people to a fault and at the end of the day, despite her horrible experiences with keith and all the suffering he put her through, she will always have a piece of her that yearns desperately for her father and the family she lost and will always be hopeful that vacancy will somehow be filled and that is something she truly hates about herself hence why she so often says she knows better than to hope (and yet, she still does).
; hope this helps bb, please remember i am not at all trained in any of this, what i know is what ive learned by doing so take it all w a grain of salt lmfao <3
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Hi again!! Figured that since you were technically open to any question, I want to hear your thoughts or views on this. I'm not sure if I could message you (because I'm very awkward and I can't exactly hold a conversation based on small topics) But, how do you feel about choosing something practically over passion? This question has always plagued me ever since it was brought up during class, and it provoked to me how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.
Was choosing tech for you a more practical choice or were you passionate about it? I don't want to sound rude over this question, but it only occurred to me when you mentioned that you were working in a field that is quite more on the technical side. Do you see it as something similar to an art form as you develop products that could help improve lives tremendously? Or is it just a job that you expect to pay good?
(P.S Sharing these photos I took some time ago, I believe it was last year and it was submitted for a class. Hope you enjoy them as well! Not as much sun as the last one though)
First off. Before going into any of the content of this post. THAT GIANT SNAIL IS SOO COOL! I just recently found out that they exist and was just amazed by the size of them. GREAT PICTURE!!!
Alright lets unpack the content of this ask.
TLDR:
You got this I believe in you. Stand tall and proud and go for whatever your heart and head want. If they disagree pick one and evaluate later. Even if your heart and head dont know that is OK as the story of your life unfolds the path will become clear. If you are honest you can always move with confidence and never lose a moment of sleep.
I am choosing to dive deep into this again for a few different reasons. The reason I am doing this you are at a moment in time which you perceive to be important (final exams, deciding about life etc etc etc). The unfortunate thing is this moment is no more important then any other you will experience. All it is would nothing more then a "MileMarker" which you will use for evaluation later in life. That does not mean its not important. All that means is every decision you made every action you took got you to the moment you are in RIGHT NOW. So dont worry no matter your choice you will always make the right decision. Even if its wrong you will always gain insight and that insight will always lead to success if passion is applied.
how do you feel about choosing something practically over passion?
I am not sure if there is exactly a correct answer for this one. If there is I think the best one would be do whatever makes you happy, and the only way to find out what makes you happy is to try. One thing I have learned is sometimes money or love is not enough. One can have all the money in the world and be miserable. Same goes for love. One could be loved by the world and be empty inside. That answer is kind of B.S. for someone that is seeking input. With that being said I will go over some of my experiences. My very first job was at an auto mechanic shop. I used to love working on cars. I would spend my weekends doing it. I would hang out with my friends and all have a great time. So i figured it would be a good choice to work as a mechanic. So I went and got that job. I worked it for about 5 years. At the end of it I never wanted to work on cars again. To this day I will not even change my own oil because I hate it so much. Am I upset it turned out that way? Not at all. Life is all about the experience nothing more nothing less. That lesson for me was finding out what I did not like in life and was just as important in my journey as knowing what I liked. At the end of my mechanic experience I figured I should just go be a garbage man. I would get the same blue jump suit but instead of the trash coming to me I would go to the trash. Really all we can do is to try. There is no wrong answer. Even if one makes a choice and find out its wrong for you that is OK.
Was choosing tech for you a more practical choice or were you passionate about it? "Neither and both"
The reason I brought up the above being a mechanic. If i did not want the same thing to happen on my outlook of computers as it did for mechanics. It was because of this I did not get into tech. I loved it so much I did not want to risk ever hating it. So that is passion but born of practicality based on what is important to me and only me. This is was dictated by my previous experiences and not wanting to have any regret in life. More on this: I have always been interested in computers and tech. I grew up in a very poor household. We only ever had exactly what we needed and nothing more. My childhood was amazing. Yea at the time I wanted more but after I got older and realized how the world was I landed on the outlook of "I could not have asked for more and it was amazing even though it was viewed bad at the time". One of my best friends growing up his family was very rich. It was through him that I was able to get access to technology. From that my obsession was born. I loved tech so much I avoided it professionally because i did not want the same thing to happen as did with mechanics. Then one day just purely by happenstance a neighbor offered me a job. I decided at that moment you know what try it. Why not, I now knew the signs of when i might start to hate it. so why not. We can never have any form of regret. So at that first job I literally ran around a call center unplugging and plugging back in headsets. Was this something that made a difference in this world. No, was it something that I found great internal satisfaction. No. At this point did it provide me financial security. NO IT SURE DID NOT! It was until many years went by to get a chance to shine. When that moment came I was ready and I crushed it. From that moment it was all different. I gained both functional and passion in my career with huge paychecks. But you know what, none of that matters now. The only thing it provides is a story for others of my personal experience. None of it means anything right now and clearly I cannot seem to pay the bills. That is ok. I would not change my situation, the outcomes, my choices or or any aspect of how i got to this moment right now. As long as I continue to try, learn and adapt I will find my way. However none of that will happen if I never take steps on my own and try with every fiber of my being each day.
how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.
Based on that statement I feel how you are looking at this in the wrong context. That statement is taken from the third person. You need to have it worded something more like this. how practically was always chosen over passion as it would technically "help" me more than pursuing my passion. The context of that change is huge. Lets take a moment and reflect on that. I bring special attention to this because 1. We can never know what is best for any other person. Its hard enough knowing what is best for ourselves. Its ok to use other peoples stories and experiences as guidance in our own actions and decisions. It should never be our place to dictate what is best for another. We can never know that persons experiences, thoughts, emotions or context. We can offer guidance and feel happy we had an opportunity to share. 2. This now forces an action from the third person to a first person. This logic dictates something must happen. Even non action is an action and should be evaluated later and potentially adjusted. Sometimes non action is the best action. Often times its not though. Its all about that re-evaluation. 3. Experience is the most important thing in life. If you are struck in any form of "I wish I could...", "I always wanted to...", "Why cant i just...", "I don't know what ...". The only way to fix that is to do anything different. If you are frozen in a conversation start with one single word "Hello". If you are struck with any form of indecision just make one that is easier and more open ended. Instead of "I will make a final decision by", change it to "I try to evaluate my choices on", then take some time do a proper evaluation. Ok i wanted to try but i was unable to do that. Its ok that happened what can I do differently to "try anything else" and step with confidence in whatever choice you make. Even if its wrong there is never any regret because you made the best decision for you at the moment. Changing the view from "Observer" to "Doer" is what this context change provides. When an honest action is taken you can always do it with confidence no matter what it is. to Your final question. Money is a sign of a job well done. If you enjoy what you do you never work a day in your life.
In final thoughts: Tomorrow will never come and yesterday is just a story that only you care about. People might want specific things for you but none of that matters. Anyone who truly cares will want your happiness above all else. If that person cant understand that then they are probably not the best person to spend your time with. If you are living in the past you are depressed. If you are living in the future you are anxious. Its all about right now nothing more nothing less. Just smile, be confident and just do what is best for you and no one else. No decisions are final, you are free to change your mind at any time. Its ok not to know. We can never know the story of life through any other way then just living it how we choose. If future you is worried (anxious). Then present you should do something to set that person which don't know but implicitly care about up for whatever that success is defined as such by you. If past you is upset (depressed) about something then future you (currently present) can do something about it and make a change. Even if that change is wrong you can tell past you (depressed) that you tried and ask that person for advise and make adjustments accordingly. As long as you try you will always get exactly what you need. Survival is a very strange thing like that. It always is right up until it is not. The moments of survival in most cases outnumber the moments of conclusion. So dont ever worry the statistics are on your side.
Time is the only thing we never get back. I choose to spend my time happy. My personal definition of happiness has changed many times throughout life (story). Money will come for me as a result of that. So far it has worked out for me. To date I have survived (lived) far more moments then i have concluded (died). The same thing can be said about anyone reading this.
Conclusion: Each time i chose based on passion, One time I lost a passion. The other time I did not. Each time I was able to survive. Each time i gained valuable experience and understanding of who I was. I always succeed because I will always try hard and hopefully learn from my mistakes just enough to be good. I want to be happy in life and If at any moment I am not that is my measuring stick to make some kind of change.
Much like the seasons change is forced.
But we will always find the beauty of tomorrow. Even though we might have suffered a broken arm.
#photography#nature#snow#original content#original writers#writers on tumblr#thoughts#questions#responses#missedmilemarkers#eyeofcathulu
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@mitsuyaswifetoasty has informed me that I keep making them cry and to “write some fluffy shit.”
So I give you a lil fluffy concept thingy about Mitsuya teaching Takemichi how to sew.
Mitsuya stood there fighting not to smile as Takemichi apologised to him over and over. The subject of his apology was his torn Toman uniform in Mitsuya’s arms.
It was nothing too difficult to fix. But it was sweet seeing the other get so upset for messing up a gift Mitsuya gave him.
He put a hand on Takemichi’s shoulder and reassures him the uniform could be fixed. Takemichi looks up at him in surprise making Mitsuya chuckle and tell Takemichi follow him.
Mitsuya was no stranger to people watching him work but they were usually people from the sewing club.
Other then Hakkai no one from Toman had ever watched him sew.
Takemichi sat on the offered stool and watched in awe as Mitsuya mended the tears in his uniform. He tried his best to be quiet but couldn’t help asking questions here and there.
Mitsuya answered them all patiently without even needing to pause. When he was done he handed the mended uniform to Takemichi who smiled brightly and thanked him.
He was going to leave but then turned around and sheepishly asked if Mitsuya wouldn’t mind giving him some pointers.
“So I don’t have to pull you out like this the next time it gets ruined.”
“It wouldn’t bother me if you did. But if you wanna learn, sure pull up that chair.”
Mitsuya was a great teacher. He was clear in his instructions and patient as he guided Takemichi through different mending and sewing techniques.
They started off simple but Takemichi was a pretty fast learning. Despite being rather clumsy to begin with and stabbing his hands multiple times with pins and needles.
And Mitsuya found it quite fun to share something he enjoyed with someone who was new to the craft.
The next time a uniform came to Mitsuya in need of repair it was Draken’s. Someone got lucky in a fight and though he wasn’t harmed his uniform wasn’t in the best of shape.
Mitsuya took the uniform from him and was thoughtful for a moment before calling out to Takemichi. He held up the damaged uniform with a grin “care to help me?”
Takemichi blinked in surprise before smiling brightly “you can count on me!”
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academic rival pogue!reader
content warnings: micro aggressions, child endangerment (obx plot), past drug use, rivals to lovers, light misogyny
academic rivals with pope. she’s one of the few people that can really piss him off.
on an academic scholarship at kildare academy and gets harassed for it
“you know it’s really just charity they’re doing letting you come here. they need at least one pogue to make them look diverse.”
bethany leans against her locker across the hallway glancing over every so often barely trying to be subtle about who
“wow that’s a big word for you. you learn that on sesame street?”
“bitch.”
“see you later bethany.”
she and pope push each other to be better and keep each other on their toes. she helps him out with clues from the pogues’ treasure hunts before she knows what’s going on
“i mean what else could it mean.”
“did you never take english lit? the curtains are blue for a reason pope.”
“oh that’s so helpful thank you for your input.”
“did you try looking in a
the only girl in a house full of boys (her father and twin brother)
pope’s complete opposite in every way but academically, she parties, smokes, drinks, and on occasion does coke
“yo rafe!”
“matilda.”
“fuck off.”
“ooh that’s no way to talk to someone that wants something from me.”
hates that pope uses his intelligence to help the pogues with their schemes, she sees it as a waste and thinks he should invest all his brain power into his academics
she definitely fell first. didn’t know how to handle her feelings so she was nicer to him and he was a little scared. why was his rival suddenly being nice to him?
he realized he liked her after she hugged him when he returned to outer banks in s3
“for a genius you sure act like an idiot. do you know how many assignments you missed? don’t scare me like that again asshole.”
“you were worried?”
“no shit heyward.”
“do you like me?”
“wasn’t it obvious?”
gathers homework for pope when he’s absent and drops it off
“i brought your homework.”
“isn’t kildare county high an hour away from kook academy?”
“just take it heyward.”
pope doesn’t realize she likes him until she tells him how much she missed him during his time on poguelandia
study dates at each other’s house that usually turns into making out
the heywards love her, think she’s a good influence on pope unlike his hooligan friends (little do they know)
academic rival!pogue helps pope study for his GED and apply to colleges in and out of state
she’s worried that pope won’t want her when she tells him she’s not a virgin
does not get along with jj but knows how important they both are to him so she would never make him choose
graduates top of her class at kildare county academy
loves cleo. she thinks jj is scum and the other pogues are idiots but cleo? she’s an angel. she’s a thief? who cares. she’s killed people? good for her. she truly believes cleo can do no wrong and might have a tiny crush on her
worries about long distance dating when she goes to brown but is reassured by pope constantly keeping in touch whether it be through phone calls, texts, or actual handwritten letters
very possessive but pope finds it hot
could’ve solved half of the pogues’ problems if they came to her
#academic rival!pogue reader#pope heyward x black oc#obx fic#academic rival!pogue#pope heyward x black reader#outer banks#academic rival pogue#pope heyward x reader#obx#academic pogue rival pogue reader#pope x black reader#outer banks moodboard#pope heyward
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"Well, I'm learning how that feels too.." slowly but surely, in fact she was sure something was taken from her, each time the magical manacles clamped her wrists.. it felt draining, like part of her was sucked away from her soul and it was agonising. Even now she couldn't explain to him that his favourite colour brought her an odd sense of colour. They both know that as much as she'd liked hufflepuff yellow, Erin liked pastel tones. The softer colours, gentle blues, pale pinks, sage greens and heather purples. Sage green would tend to be her choice, it was like the colour that reminded her of the tommy she knew, the softer side, the side that'd do anything for he,r that'd smile and ease her soul, that brought her a serene sense of peace. In the end it felt like her favourite fell down to what she at that time, would relate most to him.
"There's nothing else but I-.." she swallowed, her own hand moving to touch the necklace, the metal chain resting around her neck so delicately. It was made for her to wear that much was clear, it suited her so perfectly, so delicate on her. "I will keep this close." if anything... at least he would consider it, it gave her some hope, it was better than nothing but then Erin got that awful sense she was just irritating him, that her presence was just a simple annoyance to him. "Thank you." her tone a pitch higher in her thanks that she gave, whilst stepping away. "For the necklace and the consideration. It was-" that was the first time she really seemed to let the emotion take over her tone, her pitch, to be revealed. "It was truly nice to see you, Tommy."
Turning and walking back into the hall was the last thing she wanted to do. She wanted to be away from the ministry, she wanted to get away but Erin wanted her job to help people, this negotiation was the most peaceful thing she could do with her hands tied. "Erin. Where are you going?" that voice made her stiffen, her superior. She'd never been able to say anything against them, it was always do as told, and we won't have to change your mind. Always threats behind the words, but never spoken directly. "I organised this but I play no voice loud enough to be heard here, I'm going home." she answered truthfully. "You're going to see him, Dumbeldore. Always the Hogwarts Student aren't you?" their voice hissed at her. Dumdeldore was someone Erin trusted, maybe she was a fool for it and maybe not but he'd always been good to her.. the man listened to her, he'd helped her time and time again. " There's no harm in me visiting him." her brows briefly, god just for a second furrowed and just like that her hand was gripped and she was being leg, her superior even pulled her hand to hold to the loop of their arm. The woman was... frightening really. "You will sit and you will be present, it's required."
Only when she'd been guided back safely into the main crowd of the room did the womans hand reach up to her necklace. "What's this th-" Erin jerked back. "Don't-" there was a sudden clatter, she'd stepped back into a waiter who'd let a tray slide from their hand and wine spill onto Erin. "Miss Flores- Oh Miss Flores I'm so terribly sorry, I'm sorry." the waiter for horrified. "It's okay." that was her, the soft tone, the gentle caress of her kind heart.. for a few moments, she was back. "It's just a little stain, maybe you can show me the kitchen so I can try and get it out?" and with that the waiter was the one eagerly insisting that it wouldn't be a problem. She was playing the game well, she knew her superior wouldn't be able to control that, she couldn't appear cruel to the staff or the people that'd turned their attention to the slight commotion. "Thank you, I'll be fine from here.." Erin was kind to the waiter, insisted they'd not be reprimanded for this, even spoke to the kitchen lead before she slid out of the exit via the staff back door and into the gardens so she could make her way home. The darkness of the garden hedges more into focus now than the warm hum of that manor the meeting held place in and she couldn't help but look fondly up to the balcony where she'd been able to speak to Tommy. Her hand moving to the necklace she'd not let anyone else take away from her. I miss you, she thought.
Heartbreaking. Devastating. That was what this should be if he would be only able to feel anything at all. There was a glimpse of that poking his crippled heart when she looked at him with those eyes he barely could remember and with every second that passed it felt like memories were coming back to him. Erin Flores had been the only one who was able to keep him grounded. Now she was the only one breaking through his dark magic by lifting the fog that rested so heavy on his mind since he put it there.
“Nothing brings me happiness anymore.” he said in a monotone tone, his head shaking lightly before he looked down at her hands again. “I’m not yours though. Even a dream can’t change that.” And she wasn’t his, which was the worst truth of it all. A truth that made his own hands fiddle in his pockets. Nervously wondering if she was someone else’s. Since he couldn’t visit her mind anymore he didn’t know and even if he could have find out, he had to stop his informants at some point telling him. Even Albus was once shut down by him and since then he promised to only tell Tommy about her when she was in terrible danger or lost. Nothing else he would bear to hear.
“I heard you.” he murmured and took a deep breath in before correcting his posture in front of her. For a moment he just stared down at her face, tried to remember how it felt to touch her but it was like an invisible wall he casted himself that kept him away from it. With every second passing though images of her returned. As if looking at her right here burnt her face back into memories where it always belonged. Tommy nearly got wistful when he saw her now wearing his favorite color and he wished he could do more for her than just listening, but that was over wasn’t it?
Without a word he focused his eyes to her collar and raised one hand flatly in front of her chest. A broken smile appearing on his lips for a short moment while green magic streamed out of palm. The lights formed into a necklace that drew its way around her neck. A golden heavy lace that led down to a big green emerald in form of a heart whose shape perfectly ended right between her breasts and was decorated by diamonds. “A dress like that needs a necklace. Now you have something for yourself.” He lowered his hand again and took another cigarette from his inside pocket to light it, the smoke between them not able to make the sparkling of her necklace go away. It was one he kept for her many years but never could throw away and maybe if she once allowed it, he could watch her through it from afar again. “I will think about your request. Anything else?”
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warning - bad guy wants to kill people and threatens to eat them + ship invasion
General Morbius was one an accomplished soldier. He was ruthless to his enemies, loyal to those who appreciated him, and willing to do anything. He was made for war. The coalition was not, it was made for peace and thus the general was rarely if ever used.
He had been fine with this...until he rejected as captain of the main ship. A tighalax by the name of Nox was chosen instead. Nox was not ruthless, was too hesitant to make the hard decisions, was a runt.
Morbius would not let a runt replace him.
That's when he met Sine Macula, a ruler who stood for everything the coalition did but was not afraid of getting their hands dirty to do so. Morbius respects that and so he fed him information. He got away with this for several months until found out...but not caught. There was not enough proof to charge him with treason and so he laid low. His schedule became tight and rigid, work then straight home. No dawdling or talking...well not to anyone he thought were a real threat.
The human chef from the west side cafeteria, the human who was head of sanitation, the human from the youngling centre, these were the only ones he talked to. They were the only one's who understood him and listened to him. At least that's what he thought.
He had a strange feeling about why the captain's first mate had reduced the amount of tails/watchers on him and so he did some digging. Oh how he longed to rip those filthy humans apart with his teeth...how he longed to watch the life leave their eyes as they gurgled out pleas through blood...
He let them into his home, he let them know of his thoughts and desires, he told them details and secrets, he let them meet his family-touch his family with those filthy dirty hands!!
He has calls to make.
.
The general cruelly smiles as he walks through the halls and sees his former allies escorted into the cargo bay, a temporary jail until they see who is worthy to join and who is to die.
His grin widens as he steps into the command center to see the Captain wrestled to the ground along with the first mate. A muzzle is shoved into the tighalax's mouth. A shock collar is strapped around the petronlic's neck. How lovely.
Growls and curses follow him as he turns around to continue to enjoy the show. He sees dozens of his new soldiers subdue an orc with tasers and guns loaded with rubber bullets. He hopes Fenrir will see his side and join, the orc will be a wonderful soldier.
Disgust crosses his face as he sees the ships tech supports throuple make the most offensive and crude gestures to him as they're dragged to the cargo bay. How Quip ended up Glip and Kal he'll never know.
..
"So we have everyone?"
"Not yet General, we're missing 30."
"30? How was I not made aware of 30 missing crew members??" he sneers grabbing the soldier by the shoulder.
"They weren't high priority-!"
"Well they are now since you lost them! Who did you lose?!"
"Th-the youngling centre sir!"
"...the youngling centre?" he whispers.
"Y-yes, sir."
"...you lost the youngling centre? The very centre run by the disgusting humans who betrayed me?"
"Well find them right away sir-!"
"You have two hours or I'll be using your bones as the broth for my diner tonight." he releases the soldier who sprints away to his team.
...
Kim knew she was going to die if they were found. The younglings would be most likely safe, Max too if he didn't fight back, but her? She would be killed.
When Captain asked her to spy on Morbius she did so without really thinking of the danger. She wasn't going anywhere dangerous, she would just talk to him whenever she him in the ship. Just talking, easy!
But then he actually opened up to her and that's when she realized how dangerous he actually was. The 'jokes', the wishes, the cracks that let her see who he really was...it scared her. And she couldn't do anything but grit her teeth and smile.
She was still safe though. They never met off the ship. She rarely actually talked about herself, he did all the talking, she never let anything slip.
But Morbius had still found out. He had found out, played along, and now the ship has been taken over.
They've done this before, her and Max, and therefore already had a plan. Lock the door, close the blinds, turn off the lights, hide in the supply room in the secret room and block the door. No one make a sound.
Hours pass and they do their best to keep the children quiet. Do their best to take their minds off the shouts, blasts, and shots fired with whispered stories and reassurances.
By the fifth hour, she knows because Max counted to keep himself calm, all is quiet. Kim hates it. She wants to leave, she can't breathe, her heart is too loud, she-
The tiny door opens.
Standing there before the group of 30 is a youngling. Standing between them and their fate is Morando. The General's son.
The youngling's mouth opens.
....
"WHAT IS THE MEANING OF THIS?!" Morbius roars, sirens blaring throughout the ship nearly drowning out his voice.
"Sir! There is a fire in the youngling centre!" a soldier screams directing his comrades towards the fire.
"AND WHY ARE YOU PUTTING IT OUT?! WE'RE BLOWING THIS SHIP UP THE SECOND WE LEAVE!!"
"Your son is there sir!"
General Morbius is many things. A killer, a soldier, a liar, a betrayer, but in that moment he was only a father. And fathers' love their children.
"Kill the one who was supposed to watch him. All available soldiers with me. If my son dies I will skin you all and eat you whilst you still breathe."
General Morbius loves his child and if his child dies he will kill everyone and anyone who contributed to it.
.....
General Morbius loves his child. Morbius loves his child. He would kill for him. Die for him. And in this case forgive him.
The fire was a diversion. His son was not in any danger. His son was tricked by the disgusting humans.
Morando had found them while looking in the supply room for a toy to play with after having given his escort the slip. His son had intended to alert him, call for reinforcements. But the humans had used their silver tongues to trick him.
One last meal they said. Humans were given one last meal before defeat, before death. Morando had seen no issue with this, he respected Kim and Max, they had given him much fun and amusement.
The final meal involved fire but since the centre's kitchen was partially destroyed they asked to use Fure, a fyreian. Morando agreed once again.
They cooked, involving all the younglings, even Morando. They sat down together and ate, inviting Morando, giving him his own plate. Kim begged him to let her tell one last tale before capture, he allowed.
The comradery, a warm meal, a tale catering towards his son's taste...the humans were not as foolish nor soft as he had thought.
They lulled the youngling into a false sense of security before capturing him. Tying him up, his son. Gagging him, his child. Carrying him like a sack over their shoulder, his flesh and blood. Setting the fire and leaving Morando's shawl just outside the door to make it look like he was in there, trapped, burning...a brilliant plan.
With how little soldiers there were in the cargo bay they managed to sneak in and free their crew mates. How the orcs, rextalians, tighalaxes, and other apex species fought.
It was a swift defeat. They had taken control of the ship whilst he was distracted by the fire. They had the armory now. They had called in reinforcements. They had Morando. What else could he do but surrender?
Humans are so much crueler than others give them credit for. A species who have mastered trickery to such a degree that younglings are not even safe from them.
#no beta we die like men#humans are space orcs#humans are space oddities#the adventures of kim and max running a space child centre#happy halloween! ...in 20 minutes#i had the realization that bc of my job i have learned how to make kids trust me#i have learned how to make them see me as someone they can turn to when needing help or guidance or simply as someone fun#i also rembered/realized that young children are very easy to win over cause their standards are pretty much rock bottom#just play with them and entertain them and they like you#so bam! kid tricking for good!#also you do have to lie to kids sometimes for their safety#like i told them not to go to a area under repair because it was electric and could shock them#it was a ladder and toolbox and a pipe...if i didnt lie they would have played with it!
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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Mockingjay - Part 14
Hi guys!
We are at the end of this story... And this is the sad ending of it. There will have another part, were you can read an happy ending, coming in like one hour. Don't hesitate to tell me which one you enjoy the most!
And thank again for the amount of love, encouragement and everything I had during this story. It wasn't always easy to write it to be honest, it was an heavy one. But i liked it anyway.
Lot of love ♥
TW : Death, fight, angst, no happy ending, blood
Chapter Before
As they both are talking and fighting, neither Ona nor Tony sees the shape of the person coming next to them. Panting, the silhouette takes some time to take their breath. The fight was hard, as expected. Both Lucy and Kayla come from career districts, they both learned how to fight during their childhood and were almost prepared for the Games.
“Lucy won’t let anything happen to me” Ona states confidently.
She’s sure about what she’s saying, everyone can see it in her eyes. Ona doesn’t blink when she looks at Tony, who seems almost amused by her.
“Do you think so? I don’t see her here for now” he laughs softly.
His laugh is empty, without any fun. He looks like a psychopath in Ona’s mind, but she thinks it’s maybe better not to push him further. He seems close to a mental breakdown.
His hand is shaking when he raises it, showing his sword near Ona’s throat. Ona flinches but doesn’t try to back off. She doesn’t want him to think that he has any power over her.
“I could kill you, right now. She wouldn’t be able to do anything against it.”
He seems so sure of himself, looking at her from above, his smirks talking for him. But Ona has never had so little respect for him since the beginning. The brunette doesn’t even want to fight against him, he’s here standing while she’s sitting on the ground. How can someone’s ego be like this?
“Do you really think so?”
Tony turns around to face the person who just talked and Ona jumps on her feet when she sees them. It’s Lucy. Tony just has time to turn around before being hit right in the face. He falls somewhere near Ona, making her fall back with him.
Ona groans when she hits her head on a tree root, right where she was already hurt. She tries to get away from Tony as fast as possible, but the boy is grabbing her legs for his dear life, trying to drag her to him. But he’s less strong with his arms than he was at the beginning, Ona hurt him there before, and she knows it.
She manages to kick him in the chin, making him go back. Ona goes back on all four, standing again when she thinks that she’s away enough from Tony. He’s bleeding from his mouth and Ona deduces that he might have bitten his tongue.
Just when he was going to jump on Ona, Lucy grabs him by the collar of his jacket.
“Don’t even think about it” she groans, pushing him away.
Lucy is smaller, but Ona has to say that with her anger and the hammer in her hand… She looks impressive. Her green eyes stay on Tony, even when she throws the bow and the arrows at Ona.
But Tony just sneers, arming his hand and his sword before talking again.
“I don’t have any problem to kill you before killing her”
“Aren’t you sick of hearing you?” Lucy snaps.
Ona sees Tony’s face becoming darker, clearly not liking Lucy’s comment. Ona can’t help but smile at Lucy’s comment, the sarcasm of the girl always making her smile. She takes advantage of this little moment to have a better look at her girlfriend. She has blood on her body but doesn’t really seem hurt. She has some cuts on her arms, but nothing seems really bad.
“I’m sick of you” he answers.
Lucy snorts this time, waiting for him to attack first. He’s turning his back to Ona and the younger girl wonders if she should take advantage of it, but it seems to her that Lucy wants to defeat Tony alone. She has something to deal with, beginning with the fact that Tony seems to want what is hers.
The fight starts and is maybe not really fair, Tony has a sword which is longer than Lucy’s hammer, in addition to the fact that he’s bigger and then has bigger movements. But Lucy still manages to hit him several times, using her smaller form to move faster than him.
That was until…
“Wolves!”
Ona scream is a little bit ignored by the two others to be honest, until Lucy spots the urgence in Ona’s voice when she talks again.
“Lucy! Wolves!”
Lucy turns to the direction Ona is pointing, before groaning when Tony takes advantage of it to hit her on the arm. Lucy groans in pain and almost throws her hammer on Tony’s face, helped by the rush of adrenaline.
Just like Ona, she saw the four wolves walking in their direction, in the form of a diamond. They are white and she would probably have found them beautiful if they weren’t explicitly looking for their next meal.
Ona is fully concentrated on the animals, forgetting Tony for several seconds.
Wrong move.
The boy, seeing Ona not far from him, raises his sword once again and hits her right in her stomach. The pain is so intense that Ona isn’t able to say anything. It’s Lucy who screams something that the brunette isn’t able to understand.
She feels someone grabbing her and holding her protectively against their breast, before the person starts to run. Ona doesn’t need a lot of time to recognize Lucy.
“It’s okay, you will be okay” Lucy keeps saying.
Ona doesn’t really understand what is happening when she feels herself being shaken. But she trusts Lucy and if she says that she will be okay, she knows that she will be. It’s only the sound of the canon who makes her open her eyes again.
Her vision is gloomy, but she still can see Lucy’s face right above her very clearly.
“Is he…” she whispers.
“Dead. The wolves…”
Lucy stops her sentence, but she doesn’t have to talk more for Ona to understand. She’s glad that the animals chose the one of the three who will give them the most fresh meat.
“I’m so cold” Ona whispers again.
And it looks like it’s starting to rain. She feels one or two drops of water on her face, seeming strangely hot against her cold skin. But when she looks at Lucy again, she understands. It’s not raining. Lucy is crying.
“I’m dying”
She can only whisper for now, her strength just not here anymore. Lucy shakes her head, but Ona isn’t sure if it’s because she’s answering her that she isn’t, or if Lucy just couldn’t stand the idea.
“It’s okay” Ona whispers. “We are going to be okay”
She concentrates all of her strength to raise her hand and softly strokes Lucy’s face.
Lucy sighs softly when the sun strokes her face softly, sneaking between the blinds she hadn’t correctly closed last night. The sun is not something usual at this part of the year here, but today is a special day. It’s Ona’s birthday.
It has always been a shining day, just like if her dead girlfriend keeps sending her sign, saying that she’s still here. Just like she promised her before dying in the arena, seven years ago.
Lucy rolls on her belly, hiding her face in a pillow. She hates those days, but somehow it makes her heart flutter to see how many people still have clear memories of Ona. And she loves the idea that she isn’t the only one to celebrate with her despite everything.
Lucy just had the time to take a shower and get dressed before someone knocks on the door of her house. But Lucy smiles softly, knowing perfectly who it is. When she opens the door, a small silhouette jumps in her legs and Lucy takes the small girl from the ground to cuddle her.
Laia, Joan and Aitana’s daughter, is Ona’s certified copy. She has the same smile, the same cheeky grin and the same big doe eyes.
After the Games, Lucy made the decision not to come back to her District, but to come leave with Ona’s family instead. She got the Batlle’s approval before coming here, of course. It made several adjustments with the Capitol, but they finally agreed to give her a house in the victory quarter of the 8 and not the 4.
Then she gave the house to Joan and Aitana, choosing to live in Ona’s former flat. It’s maybe not the healthiest way to live her grief and mourn her girlfriend, but like she told her parents, she’s old enough to know what she wants to do.
The Batlle never judged her. They welcomed her into their family, making her feel really integrated in a family for the first time in her life. They maybe aren’t her blood family, but they are her chosen one and she would give them everything.
When Ona’s mother started to call her “Mija”, she understood clearly that the things were reciprocated.
“How are you?” Aitana asks Lucy, hugging her when her daughter finally agrees to go back on the ground.
Lucy just shrugs before accepting Joan’s hug. They are supposed to be at the train station in twenty minutes, to greet Alexia’s family. Like every year, Alexia and Olga are coming here to be with Lucy and the Batlle.
This year they will be here with a new addition though. They welcomed a little girl less than one year ago.
Keeping her promise, Alexia named her Ona.
“Tia I’m hungry”
Lucy looks back at her niece, who crossed her arm on her chest with her signature pout on her face. Lucy feels her heart clenched when she sees one more time a perfect copy of Ona.
“Didn’t you have breakfast?” Lucy smiles at the little girl.
She retains a bigger smile when she sees the girl looking guilty at her parents before answering. She knows that look too.
“Sí… But I’d like a mince pie, please”
“Of course” Lucy laughs softly. “Can I?” she asks Joan.
He nods softly and Lucy leaves for her kitchen to grab what to please her niece. This is something Lucy likes to cook from time to time and Laia loves them. Lucy always has at least one for Laia, no matter what. She still hears Aitana talking while rummaging in her cupboard.
“You can eat it while we are going to the train station, okay? Otherwise, we’ll be late”
The walk to the train station is pretty quiet from Lucy’s side, but the attention of the others is taken by Laia who is happily walking and running around. Ona’s parents join them at some point, and they all walk together to get to Alexia and Olga.
At some point, Ona’s mother grabs Lucy’s arm to link them together. They don’t have to talk, just an exchange of regards makes them understand each other. It is sometimes strange for Lucy to see that another woman understands her easier than her mother ever did.
Lucy misses her niece and her nephew, and she goes from time to time to District 4 to see them, but that's all. Going back there is very difficult for her, every time it’s like she’s separated from Ona once again.
“The train’s coming!” Laia says, pointing at it.
The four-year-old doesn’t wait for anything or anyone before starting to run towards the train.
“Laia don’t run there!”
Joan’s voice is audible by far without any doubt, but Aitana grabs his arm.
“It’s okay. She’s safe” she points out.
“But the train…”
“She’s safe.”
The married couple look at each other before Joan sighs. No one around says anything else, but Lucy understands perfectly. Joan lost her little sister; she was one of the most important people in his life. He might be dead afraid for her daughter, wondering how he can protect her from finding herself in the arena too.
They finally arrive at the train station, catching Laia who is jumping on her feet, waiting for the three people to get out of it.
Lucy can’t help but smile softly when she sees the small baby in Olga’s arms. She knows the two girls perfectly now. She saw her a lot during those last years and Alexia wrote to her every month to exchange news.
She heard a lot about Alexia thanks to Ona, and when Lucy got out of the arena winning, Alexia reached her very quickly. Alexia was devastated to have lost Ona, but she never blamed Lucy for anything. Just like the others finally.
Lucy hates it.
She would like someone who thinks like her. She doesn’t know why she need someone to blame her for Ona’s death, but the understanding and the care she received from anyone is making everything more painful.
Everyone coos while seeing the baby, who seems to have blond hair and light eyes, just like Alexia. To be fair, it’s a very beautiful baby.
“Do you want to hold her?” Alexia asks Lucy.
“Oh… I don’t know” Lucy mumbles.
“Here, take her”
Lucy mumbles something more, but Alexia ignores it prodigiously and softly puts her daughter in Lucy’s arms. The baby is looking at her already when Lucy puts her eyes on her.
A new life, an innocent one that she has to protect too, at any cost.
Like every other year, they went to Ona’s memorial together, putting Ona’s favourite flowers on her statue’s feet. And like every year, Lucy remembers Ona's last words.
“Just live your life. I’ll be waiting for you, wherever I am. Wherever you are.”
She still can hear Ona’s voice perfectly. She’s glad that with time neither her voice nor her face is blurred. She wouldn’t have stood it.
Lucy lost herself in the contemplation of the statue, Ona’s life froze in time. The statue was made by the most talented person in the Capitol, it is really similar to Ona. The colour has been perfectly chosen, whether it’s the colour of her skin, eyes or hair. But Lucy misses her laugh, the warmth of her skin and the wrinkles in the corner of her eyes when she smiles.
“We’re going back, Luce” Ona’s dad says softly.
Lucy turns away from the statue to look at her father-in-law. He has a soft smile and Lucy realises that Olga is just behind him. Lucy nods at him and she needs two seconds to understand why Olga is taking steps to approach her.
She still has Baby Ona in her arms, having cradled her almost unconsciously all this time. The little girl finally falls asleep, feeling easily confident in Lucy’s arms.
“Can I have her back?” Olga smiles.
“Of course! I just… Here” she mumbles, passing carefully the baby in her Mama’s arms.
She misses the warmth of this tiny human against her chest almost immediately. Olga smiles at her a last time and Ona’s father taps her shoulder two times before going to find the others.
“I’m coming. I just…”
“It’s okay. We know.”
Lucy nods and turns to face the statue again. Of course, they understand. It’s the same thing every year. They come together, they spend some time here together. Then everyone leaves except Lucy to go to Joan’s house, where Ona’s mother cooks Ona’s favourite meals. All together.
Alexia was here last year too, 8 months and a half pregnant. Lucy was almost sure that she would give birth on the train back home, but it wasn’t the case.
Lucy always needs alone time here and the others understand perfectly. They never know her when she was younger, those days in the arena changed her a lot. She’s not really smiling anymore, unless she is with Laia. She’s not really talkative either. She’s just here, seeming lost and sometimes so broken inside that the Batlle hate how they are helpless facing the pain of the woman who loved their daughter so much.
“I’m still waiting for you to come and get me” Lucy mumbles to the statue. “It’s been seven years, Ona.”
She’s now sitting on the ground, her knees pressed against her chest and her arms around them.
She doesn’t know where they would've been if Ona was still alive, but to be honest Lucy never asked herself this kind of question. It hurts too much. She doesn’t have any plan, any project now. She just waits.
The amount of money she has every year for being the winner of her Games is enough for her to live. She pays for her apartment; she works with her parents-in-law and uses the rest to buy presents for Laia or the others. The Batlle probably have the most well decorated houses around.
She knows Jana’s family too and she’s kind of friends with Jana’s sister. It’s a strange friendship to be honest, but Bruna is a nice girl. And just like her, she lost someone she loved deeply because of the Games. It makes it easier for them to understand each other.
“If you need me, you just have to look at the sky. I’ll always be here”
It was strange that it was Ona who needed to comfort Lucy when she was the one dying. But with this sentence she keeps looking at the sky. She sees Ona in every star, every planet, every rainbow, every sunset or every dawn.
“You are the best thing that ever happens to me”
Ona was the best thing in Lucy’s life too, so how is she supposed to feel like breathing correctly when Ona isn’t here anymore. It just doesn’t make any sense for Lucy. She was her everything. Now she just has nothing left.
If the Batlle hadn’t taken her in as one of their own, Lucy is certain that she would have given up a long time ago.
Watching Ona’s eyes slowly fade while she kept saying how much she loves her is still something very vivid in Lucy’s mind. She’s glad to have been able to say all those things to Ona, but she would rather be able to tell them again.
Soon, she hopes.
Because there is no world where she could forget Ona, even if she wanted to.
The Happy Ending
#woso imagine#woso fanfics#ona batlle#ona batlle imagine#lucy bronze#ona batlle x lucy bronze#lucy and ona#lucy bronze x ona batlle#ona and lucy#lucy bronze imagine#woso x hunger games
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I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?
What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.
#this is my curly slander post ig#disclaimer i need you to understand i see all fictional men i like as like butches Curly is no exception#but like they didnt need to add that many polygons to his chest like its unnessary and honestly a little mean he already has so many things#to handle and you expect him to hold those boys up like that just aint right this is like something so stupid but i know you can tell im#having strong feelings about it cause like what was the point why did they survive the fucking crash it has to be a injoke at this point#with the devs it shouldnt make me this mad im turning into a misandrist but only towards large chested men#mouthwashing#curly mouthwashing#shitpost#suggestive#ig because this is just about his chest but like also they made him objectively pretty for no reason like yeah like ideal man and work ig#but they went over the extra mile like i have a right to be mad they did that much for a model we see canonically for like two seconds its#crazy actually how little we see of curly pre crash because we also lose his physical movements to help characterize him the way we see#body language with the other characters and how it gives way to their struggles and personalities and sentiments in certain moments#like all he does and how he emotes is stifled by the fact we always play as him until the last moments where he takes over to try and save#the ship and crew and even right before that the scene is so wrought with tension we cant tell what that look he gave Jimmy meant due to#the limitations of the models and how stiff Curly is like was it fear acceptance denial we dont know enought about how he acts himself#to tell and then everything else is charaterized by what Jimmy had done to where we dont really just get to see Curly as himself like Anya#and Swansea and Daisuke we have no idea how theyd act in a regular moment outside of a few glimpses and even then it is them doing#their jobs like grrrr we hate an unreliable narrator but also its the fact jimmy clearly does not interact with them or try to outside of#his position as copilot and then captain harkening back to the entire capitlist view of utility and how he views all of them as useless eve#Curly which fandom tangent the fandom also tends to do to Curly as they base every trait on what they think he failed to do as Captain#between Jimmy and Anya when the QnAs kinda make him out to be a rather open and willing person but still someone who isnt like a push over#just thinking of QnA three where it mentions hes very open to trying new things and you need to be an open minded person to open urself up#to failure like that and ig this is just the weird view that Curly needs to learn that or that theres redemption he needs personality wise#verses healing and learning from trauma like idk its the idea that people assume he did abosultely nothing when the games points out direct#and throught parallels he was taking actions its just wasnt enough and an over focus on absolute inaction vs ineffective methods used to#tackle the issues and themes the game grapples with plus wanting someone to take the blame and have to make it up to Anya even tho#i think it would mean nothing from Curly because she saw his efforts and would be disappointed it wasnt enough but the idea she would#disregard the attempts or not acknoweldge Jimmy as the epicenter compared ot Curly is weird and too focused on someone
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