Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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Might be blasphemy within the Danny Phantom fandom but I just cannot see Danny x Sam being an actual ship regardless of it being canon in the actual show and now book.
Even as a kid I thought it was weird and couldn’t figure out why that bothered me, and I think now it’s because I never saw any indication of Sam or Danny ever being actually romantically attracted with each other. To be fair I saw that show when I was little, and maybe I’ll see those romantic moments that the show was building to if I can find actual length videos of the episodes.
But at this moment, I can’t recall ever having seen it.
And it baffles me, because I kinda don’t feel like Sam really loved Danny, even as a friend. And I think that really showed in the episode with her wish that changed the structure of time and space so that Danny never died and she was never friends with Danny and Tucker.
If she loved Danny, regardless if it was as a potential lover or friend, she would never have allowed him to die. Not once, but twice.
The first, okay, it was an accident. Kids do dumb things all the time, the more potentially dangerous it is the better — but the second time? The second time was deliberate.
She put him into that suit, without explanation, and without assurance. Nothing but a change of his hero signature.
She didn’t hesitate to let him die again, instead of asking herself if she could stomach watching him go through that again.
What person who loved you could do that to you? Could stand to see you go through that pain?
I feel a good example of love as well, especially in the show, is Jazz. She loves Danny, as a sibling, as a friend, and with all that love she would choose to walk herself into that portal then to let Danny do it instead.
She shows that deep love for Danny to the audience by choosing to protect him from their parents so they would never know he is the ghost boy that they want to rip apart molecule by molecule because she doesn’t want to take the chance of loosing him twice.
Jazz wanted to do that.
So why couldn’t Sam?
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Do you think Mac has jacked off while reading the Bible? Or is he too ashamed? Or does the shame just turn him on more? Are the pages of his Bible all stuck together?
Oh, I don't think; we know:
(Pages stuck together, thanks for the confirmation, Charlie)
I think the shame definitely turns him on more, considering Mac Day:
And, the connected punishment, lest we forget The Gang Goes to Hell... (and the script here... whew)
While he was repressed then, he wasn't as of Charlie's Home Alone, so I think it's clear to claim that a part of his "homosexual awakening" was connected to the fact that he was gradually getting more and more into the idea of being punished (gone sexual) for his sins, to a point where he was just genuinely jerking off to the "evils of homosexuality"
I do wanna continue here though and say Season 15 is pretty interesting because we see Mac battle between being Catholic and proudly gay. He seemingly has no issue bragging to a Priest in the middle of a church that he's into triple penetration, but it is his sex life that is the driving "reasoning" for why he thinks he should become a Catholic Priest:
He's been "S-ing&F-ing" his way though life for too long and now he thinks God has taken away one of his identities (Irish) as a result. Mac's idea of being punished by/for God continues, but it's now through the form of revocation (as opposed to shame or flagellation). I think there's a clear "connect the dots" idea that depriving himself of sex (via becoming a Priest) is an "evolved" form of allowing God to punish him for being gay.
Obviously Mac learns he was lied to, as he actually is Irish, so his "journey" here is a bit of a wash, but the fact that his rationale jumped to God punishing him for having gay sex still stands. As he grows to accept himself, he's still looking for ways to feel shame (which, as we've seen, gets him off)...
But is the constant seeking for some form of punishment still there? We didn't see much of his Catholicism in Season 16 (I think the only mention of God from Mac was in The Gang Gets Cursed), but we did continue to see his sex life and—well, that was pretty heavy on Mac, openly gay dating, somehow managing to be neglected and deprived of actual gay sex, wasn't it?
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Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?
Hope you have a wonderful day!! So happy I found your fics again!!
I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.
I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.
I am going to talk about the prologue.
The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.
Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.
But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.
They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.
I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?
Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.
Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.
At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.
What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.
It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.
But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.
ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?
When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.
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maybe this will get rocks thrown at me but i kinda hate when people call the 18+ prisoners "grown adults" as insults and ways to like... shut down any sympathy with them. how because they are "grown adults", they "should have known better". this has just always bothered me. i see it and i have to sit and stare at the wall for 10 minutes.
like. idk. being an adult does not automatically give you skills like Emotional Regulation, Impulse Control, Ability To Learn From Consequences, Ability To Plan For The Future, Critical Thinking, Interpersonal Skills, etc etc. you have to be Taught these things no matter how old you are. if you are not taught these things, and you are not supported in an environment that helps you further develop these things... you just. Aren't gonna be able to do them well.
adults just, typically, have accumulated enough experiences in life to have been able to learn these things. but not every adult has had that privilege. or some adults have had to just shut off the parts of their brain that would allow them to learn these things to be able to function at a basic level.
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Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.
There's this part in Doctor Who Unleashed where RTD says this:
“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”
And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).
I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)
To quote RTD:
“...before you start to think, everyone in this community is white.”
This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)
—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?
How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?
And this just keeps happening.
And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.
The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.
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