#whoo... tags...

[applepixls]

please join me in imagining:

a sitcom starring the 4 Gs with their creaking neighbour as a frequent visitor and everyone else as side characters we see a lot. and they have super powers.

just imagine, cleo is a necromancer who on the daily has to deal with her sassy zombies and hide them to avoid dealing with the issues of them being undead (fitting 2 extra people in their already cramped flat, taxes, insurance,,, grown up things.) scott is supposed to be super powered but all he does is turn into random barn yard animals impulse can teleport but its not its all cracked up to be (once he sneezed and got accused of robbing a bank) pearl just has a tendency to do dolphin elytra hopping in the living room cause she never has enough room in their cramped flat. ft. their silly neighbour bigb (appears about as much as the landlord in one day at a time if you're familiar.) shows up for family breakfasts and dinners, helps fix things and brings his silly little creaky guys as enrichment for scott when he wants to be something other than a chicken

their neighbours include: 3 college aged guys (who mostly put up with each other and start gradually liking each other better as the show goes on.) who live in the flat below them, one sleeps at any time of day and tends to slow time down to be funny, one runs really fast and freezes water he steps on and the third bounces high with glorified farts and owns a really fancy meat tenderizer. (and is cousins with their other neighbours including a violent ginger girl, a guy obsessed with fast and furious and a guy who seems to be stuck as a 1910s carnival barker-) their 3 upstairs neighbours who more or less keep to themselves and have pet birds, one of them has been asking the landlord if they can build a rooftop rollercoaster (in lieu of a garden) and can.. sit on stuff.. and punches really hard and you ouch if you punch him, another one celebrates every day he lives and is able to go invisible. the third struggles to keep the other two alive and is able to blind others in a vicinity and briefly vanish making her effectively an enhanced cuttlefish. (she is married to their downstairs neighbour and therefore spends as much time as possible in their flat instead of her own. wise choice) then there's the 2 neighbours who are really into roleplay? one of them is nosy and peeps through peep holes cause he can hear everything he sees, the other one borrows peoples identities (no harm done tho mostly just to raid his neighbours fridges without getting yelled at by their roommates) the snooper accidentally trash compactors himself trying to escape the carnival barker and the identity thief is now looking to move in with someone- finally, the main 4's mortal enemies, a guy with a fancy car who can jump on air and a girl who frequently has out of body experiences in which she can talk to the dead. they've recently adopted a silly guy with a waffle who does all of the above but only one at a time on a 6 hour or so time frame. he recently lost his roommates (both in trash compactor incidents, tragic really. one got too close and got eaten the other was leaning out the window trying to see where it was and fell out. self defenestration. rumour has it it was actually one of his buddies but that guy's innocent until proven guilty. these two are ironically now cleo's goons) and couldn't pay the rent himself so he's had to move in with the torettos

i would watch it

[dont-put-rice-in-a-toaster]

BRO TOMORROW IS PERCY JACKSONS BIRTHDAY! GET THIS POST TO 300 NOTES AND ILL ONLY EAT BLUE FOOD THE WHOLE DAY! Edit: holy fuck you guys am I famous now? Yes I did only eat blue food I promise. Update on my profile!

[paintedplum7]

What a colorful cast of characters

[theplanisinruins]

pnat textposts (2/2)

[aroaceleovaldez]

I HAVE BEEN REMINDED OF SOMETHING i think i've made a post about it before but maybe it's just sitting in my drafts. idk, whatever, I will ramble again. Said thing that reminded me was a tiktok by madison_murrah about how the PJO TV show doesn't get the balance between mundanity and magical correct for pjo and I want to expand on that cause while a.) it totally is a problem in the show and i take issue with it, b.) it is also a problem in later books and i ALSO take issue with that too and i would like to elaborate on it

this got long so ramble of the day below the cut:

so the thing is that PJO is actually pretty unique in it's approach to hidden world modern fantasy. like, hidden world modern fantasy is a decently established genre with a ton of examples, but there's a reason why PJO stands out so much, and that's because technically it's NOT "hidden world." There is very intentionally no distinction between the mundane world and the mythological, at least in first series. They 100% overlap. And you do not necessarily need to be "special" to see the "mythological world-" some mortals are totally naturally clear-sighted, a lot of kids are clear-sighted, and it's like 50/50 for if mortals can become clear-sighted. In fact, most demigods aren't immune to the effects of the Mist, all that really matters is if you're actually thinking about being able to see through it. And there's a reason for that!

In general, this format of the "hidden world" modern fantasy serves two purposes: One, as the series is meant to introduce people to Greek mythology and explain why it is relevant and how it can be relatable in modern contexts, it intentionally juxtaposes myths against modern concepts: Medusa runs an apparently average garden statue store. Procrustes runs a mattress store. The entrance to the Underworld is in LA at a record store. Circe lives on an island paradise that's secretly dangerous. Hydras are like chain donut stores that seem to pop up on every corner. Perseus and his mother struggle in Perseus' childhood but get a happy ending. Calypso has an island paradise where the challenge for the hero of our story is being tempted to leave behind his goals. The plot of Sea of Monsters is blatantly the Odyssey, and it's about Percy trying to get to his best friend (who he shares a literal psychic link to) who is in danger of getting married to someone awful (a literal monster) to help you understand Odysseus trying to get back to Penelope and how important to each other and in sync they are. Battle of the Labyrinth is Theseus and the Labyrinth and it's Percy/Theseus trying to protect his home and his people and fellow kids (like Nico) from the dangers in the maze. These are all supposed to help us understand what is actually going on in those stories.

We also still see how Greek mythology influence shapes and influences western culture in general in their world (which is supposed to be our own and so uses real-world examples) - in government, in architecture, in pop culture - Mythomagic is clearly supposed to be your standard TCG like Magic The Gathering. And in general there is no distinction between where the mythological ends and mundane begins - Camp Half-Blood is both a magical training space for demigods and your run of the mill underfunded summer camp, complete with cheesy camp songs and t-shirts and crafts. Olympus is located on top of the Empire State Building which is operating completely as normal except for when a demigod asks to go to a non-existent floor. Your best friend with a muscular disease in his legs is secretly a satyr. Your brother with down syndrome is a cyclops. Your teacher in a wheelchair is secretly an immortal centaur. Your crappy algebra substitute is a literal fury. But also they're still your teachers. The satyr is still your best friend, the cyclops is still your brother. And that brings me to the second aspect of all of this (which i have talked about before [here] and [here]) - the other purpose it serves is that it is an extension of the overarching disability themes that form the core of the series.

The entire reason that meshing of mundanity and magical is so intertwined is entirely because it's part of the disability metaphor, specifically inspired by early 2000s parenting/teaching concepts for children with disabilities, particularly learning disabilities, as trying to reframe disabilities as "superpowers" to empower kids (and still exists in some more modern forms - like referring to disabilities as "being differently-abled") (I talk about it in my previous post on the subject but this generally fell out of favor due to many kids/students finding it belittling of their struggles) - this is why we get the description of ADHD and Dyslexia being framed as "demigod superpowers." In the series this structure is intentionally made to encourage kids to reframe how they view disabilities in general as not something negative but something interesting and fantastical that they may be more open to engage with - and PJO does this in a really nice way where a lot of the disability struggles are still acknowledged and treated sympathetically. Kids still get bullied, Percy and Annabeth struggle in school or with reading/spelling, they grapple with both internal and external ableism. The entire reason for the titan war in the first series, at least from the demigod perspective, is criticizing flawed systems meant to support disabled people that don't do their job effectively or let too many people fall through the cracks. The Mist "hiding" the "mythological world" from mortals (and even some demigods) is about how most abled people (and some undiagnosed people) don't recognize disability struggles until it affects them personally. None of these things are glossed over! It's handled with nuance and care! The series says "you can be disabled and you can be like these fantastical heroes - not in spite of your disability, but alongside it. Neither negates the other." The series was explicitly made so Rick's disabled son could see himself in a hero and learn about mythology for school. Those are the two pillars of the entire franchise: Disability and learning about mythology.

So, when you mess with that "hidden world" structure, the entire thing falls apart and it immediately doesn't feel right, because it's no longer serving either of those two purposes when it needs to be fulfilling both. Late-series Riordanverse has a tendency to compartmentalize the mythological and keep it entirely sectioned off from the mundane. Think about first series and even TKC versus later series - how many mortal characters are there? what do they do? are they just in the background or do they interact with the main cast frequently? are they more than just family or an extension to the main cast? First series we see Percy's classmates frequently, Percy talks about his mundane experiences at school, multiple mortal parent characters (and other mortal characters like Rachel) are active participants in and vital to the plot. We even see a lot of background mortal characters. In TKC, not only are all the magicians technically mortal, but also Sadie's completely mundane best friends help her out. Now think about HoO, or ToA, or even MCGA. Think about the mortal characters in those series. How important are they? Out of the important ones, how much are they in mundane situations versus being almost entirely involved in something mythological? How many aren't related to any of the main cast? How many aren't actively working for a god? The answer is basically zero! Why is that? Because Rick stopped letting the mundane exist. The entire draw of the main series is that Percy does continue to live this mundane life and that adds to his mythological life and makes the balance and meshing between them interesting, but basically all mundanity ceases to exist by HoO. Camp Jupiter is an isolated entirely magic town. Percy and Jason's schools are full of mythological beings as basically the only people they interact with. The Tri's headquarters is an entire giant building in New York City that they completely control that just so happens to ALSO be directly across the street from the local Oracle's house, because even where Rachel lives isn't allowed to be mundane anymore. Why is Olympus just at the top of the Empire State Building versus the Tri having an ENTIRE building? That feels weird and unbalanced, particularly given the difference in importance between those two! Because one is playing into that balance of the meshing of mundane and magical and the other isn't! The show continues this trend. It doesn't allow any of the mythological to exist within mundanity like it functions in the books, which creates a completely different atmosphere and doesn't allow those spaces or scenes or characters to serve their actual narrative purposes, either making it easier to understand mythology contextually or what disability metaphor or representation is occurring there.

It's part of the problem with show!Percy being too mythologically-savvy - Percy is supposed to be the mundane lens unfamiliar with mythology that the audience is learning by proxy through. That's the entire point of the series! If you have Percy already know everything because he's already too ingrained into this mythological environment from the start, and he just exists in this entirely magical world where he understands everything immediately then the literal target audience of the entire franchise (students being introduced to mythology) is left behind! That's part of why the pacing of the show feels so bad! It's rushing through every scene that's more or less the same as the books, particularly anything mythological, because the show is assuming you've already read the books and already know enough mythology to know what it is and what happens and that you don't want to see it again, so it rushes through. The show doesn't explain things that it presumes you already know - worldbuilding, character decisions, basically any mythology, etc, so it doesn't even bother with it.

Later books in the franchise do this too - as long as it's tangentially Greco-Roman mythology, or if it's anything to do with the main series like a reference in TKC or MCGA or etc, it's not going to elaborate much if at all. HoO speeds through Jason's introduction to CHB, and the only reason we get much introduction to Camp Jupiter is because it's actually new. We're no longer trying to contextualize or learn about mythology, it just all becomes set-dressing and references thrown at you rapid-fire as filler. By late HoO and into TOA and TSATS and such, we're not longer even within the realm of pretending like we're adhering to mythology at all. Why is Iris a vegan? Why is Rhea a hippie? Dunno, don't care! Literally doesn't matter! Why are the pandai panda/elephant-monsters and the troglodytes frog-monsters when that's not part of their actual history at all? Well a.) literally just word associations and b.) possibly a little bit of racism (they're supposed to be humans from India and northern Africa, and you made them monsters. cool. okay. and their plotlines totally aren't horrible within those contexts. awesome. please try thinking literally at all next time, thanks). We're not even bothering to look at mythological instances anymore for a basis, a lot of it's written like we're just going based on the first results on google (hi Menoetes and the cacodaemons - the latter of which is not even spelt correctly once in the entire book - which is weird because they do say "daemon" so they know the word. Not that the cacodaemons are mythologically accurate at all because then they would be humanoid. Instead they seem to just be inspired by the things from Doom). None of it serves the purpose of the narrative at all; we're literally just making random choices, some of them quite distasteful! In large part due to refusing to acknowledge the actual contexts of the myths and how that might translate into something similar or equivalent a modern setting to help conceptualize it - something the first series did inherently by design. And we need this! A.) So that you're less likely to make bad decisions because you are inherently thinking about the historical and cultural contexts of these things and how to compare/explain it, and b.) because the audience for later books/the other series and the show is going to be the same as the first series! Those nonsensical references may be at best cameos to people who are already familiar with them, but if your intended audience is new to mythology then making references like that is just going to leave people out of the loop! You don't shift your target audience in the middle of a franchise!

Later books in the series and the show are failing to understand what the first series was actually doing narratively and how it was approaching these subjects and its audience. When you fail to do that, it completely messes up the general worldbuilding and the core themes and intentions of the franchise as a whole. Once you lose touch with that you might as well just be writing a completely different franchise. You need to approach it from the same lens or else it will feel completely off, because otherwise you've lost all base touchstones that make the series what it is.

[xovera-toz]

Doodles that never became anything

[polyphonial]

happy pride month 🏳️‍🌈 lee jihye is an ally to gay people but not kim dokja

[ID: a redraw of the breaking bad gay meth comic. It's a black and white wonkily lined cartoony comic, showing Lee Jihye, Kim Dokja and Yoo Joonghyuk from Omniscient Reader's Viewpoint. In the first panel, Jihye and Dokja stand in profile. Jihye smiles and says: "it is pride month ahjussi you know what that means". Dokja looks deadpan and slightly confused. He says: "huh / what".

The second panel shows Jihye standing closer to the viewer. Her arms are folded behind her back and she is smiling smugly and knowingly, staring into the camera. Dokja stands behind her, arms spread apart in confusion. He says, slightly agitated: do you want me to do like / gay scenarios / what". The dialogue bubble from Jihye shows only three dots. Joonghyuk stands behind Dokja with a flat expression and holding a sword. End ID.]

[brolcagno]

Various Homicipher doodles bc I am not immune to pretty and offputting men

[ragdolls-and-such]

MP100 WONDERLAND AU!!!

I will probably never write a real fic for this, so I'm gonna explain the general plot and ideas and lore and stuff as a way to introduce each character. Or you can just not read and look at the designs instead

Ritsu is our Alice,

and Sho is the rabbit he chases after. Unlike the white rabbit, Sho isn't anxious - he's mischievous more than anything. While he IS trying to be on time to the Queen's croquet game at first, teasing Ritsu as he fails to catch up with him becomes his main priority.

Tome and Goda (do people in this fandom call him musashi or goda?? i have never seen anyone talk about him) are the first characters Ritsu meets. They play the roles of the mouse and the dodo from the book. After the whole pool of tears thing - I'm assuming you know the general story of Alice in Wonderland - Tome infodumps at everyone, much like the mouse does in the book. Goda is basically like "that's BORING we should EXERCISE the water off of us" and then the caucus race happens!!

The scene where Alice gets stuck in the Rabbit's house does happen but I have no character assigned to Bill so I didn't draw anyone for this.

Next stop is the caterpillar!! Played by Dimple. He's the ghost of a caterpillar that looked forward to becoming a butterfly, but died before reaching the chrysalis stage, and has since become a little crazed about the butterfly idea. He finds Ritsu kind of annoying but keeps talking to him because he enjoys the attention.

Mezato is the Cheshire cat! Psycho Helmet is not a thing in Wonderland so her time is more devoted to being mysterious and cryptic and taking photos of people and things. Plays the cheshire cat role pretty straight.

And now! The moment everyone's been waiting for! The three characters that people usually care the most about in aiw AND mp100.

Reigen started the hat business with his good pals Serizawa and Mob and then went a little bonkers. The Queen sentenced him and his coworkers/friends to eternal teatime for being annoying basically. (There IS lore there, but aiw is my special interest and i could talk about that forever.) He's still very Reigen-y but always a little on edge. Basically, think about Reigen's most high-energy yet pathetic little meow meow moments, it's just that.

Serizawa is just like - imagine you teleported Serizawa into the March Hare's place without warning and he just had to figure out what to do about it. That's not what happened, but that's basically how he behaves.

Mob is the dormouse, but like the book version of the dormouse, he gets his time in the spotlight. (anyone out there know about the three girls in the well?? no? just me?) Because this is Ritsu's dream, nobody needs to wonder whether mousemob is humanritsu's brother. Just don't worry about it

Finally, we have Teru as the Queen of Hearts. His personality definitely matches his pre/during-that-fight-with-mob self. Violent, self-absorbed fashion disaster. Sho, being his messenger, has a very "siblings who kind of hate each other" dynamic with this Teru, in my eyes.

That's it!! If anyone wants to write or draw a wonderland au based on this casting, that's totally fine because I in no way own the idea of a wonderland au. That's like, the most basic "what if this media was actually this other story?" au concept.

[artgallerys]

r/askreddit i accidentally thirst trapped my arch nemesis send help

[fedoraspooky]

Somehow I managed to make it through Ghost Trick completely unspoiled, and while looking back there were hints all throughout... MAN, there was no way I could have possibly guessed how that was going to end.

[cherry-bomb-ships]

Aaaaaah I know I've been talking abt this art for like 3 days but I FINISHED IT HEEHEE 💖💘💖💘💖💘💖 The thought behind this was Cherry was getting mugged during their walk back to her apartment cuz Townsville be like that, and this is the moment Mojo swooped in to her rescue (How did he know it was happening? He deeeefinitely wasnt spying on them lol) ANYWAYS ENJOY If you want more thoughts look at my tags!! 💖💖💖💖💖💖

[[🧡 Reblogs and comments are all seen and very appreciated!! 🥺 Tag list below the cut, check out my pinned for my taglist form! 💙]]

@absentmoon @ava-ships @bee-ships @beetleboyfriend @berryshipbasket @canongf @clawfull @cloudyvoid @derelictdumbass @dissonantyote @edencantstopfallininlove @final-catboy @flowering-darkness @gible-love-nibles @nagirans @hoppinkiss @hotrodharts @hyperionshipping @iwishihadfangs @iyamifucker @judetama @lex-n-weegie @lficanthaveloveiwantpower @little-miss-selfships @little-shiny-sharpies @loogi-selfships @mandrakebrew @mintpecks @mothfinite @mrs-kelly @nameless-self-ships @orbitingaroundyourlove @nerdstreak @paper-carnation @p-i-t-s @qilinkisser @reds-self-ships @rexscanonwife @rotten--cotton @ship-trek @spacestationstorybook @squips-ship @toogayforthistoday @winterworlds

[lavenoon]

TFW your curious human partner wants to watch you eat but you're maybe not quite ready to have them witness it, so you tease them out of it

@naffeclipse I looked at all the angst buildup from chapter 17 and just decided to ignore it to instead deliver post-canon fluff <3

[fawnim]

normal convo between sapphics

*flibberwabble (v.) - to surprise or to shock /ij

[close ups under the cut!] im having a lot of fun with these accidental drawing prompts from discord !! 😆😆 thank u again to @/yicketydah & @/supernova-109 for being such lovely ppl to talk to <33 they honestly embody their pfps to a T /pos

shameless promo: If you liked this, then please consider helping me reach my goal of $200 over on kofi. Donations will be used for my living expenses as a student studying away from home, while my family and i try to find a more stable way to raise funds for my dad's heart surgery. I also have commissions open, if those are more your style. Thank you so much!

[the-lonelyshepherd]

what’s your opinion on the travlottienat s2 sex scene

hi! um category five autism event and i got way too serious about this. however its not my problem.

oookay SO first off obligatory i am a minor BUT we are analyzing this from a narrative/plot perspective and not in a sexual way. theres naked people in art its fine. I think this scene is fascinating from like. not a shipping perspective but a character based one. it shows a lot about travis and it also shows a lot about lottienat (mostly talking abt the character combo and less the ship) and also jackie. yeah, jackie.

Madonna della Pietà, Michaelangelo

To start - even w how it looks, this is a Lottienat scene. Not even from a shipping perspective but because this scene SHOWCASES their "rivalry", the contrast in their characters and how they are perceived to the rest of the team (w Travis as a stand in for the team). It shows how they're both very present figures in the whole yellow jackets situation (shown through travis but can apply to all of them imo). Nat is there with travis. shes physical, shes providing. But lottie is also there spiritually, and against the norm, leading whats going on.

Nat as the physical

lottie as the spiritual.

so despite the fact that natalie is physically there, travis cant (probably physically cant as hallucinations are NOT voluntary) take his mind off lottie. because she can give him something, in his mind, that nat cant. Shes almost an escape - nat is the harsh reality hes living while lottie is the voice that brings him hope that his brother is alive. lottie is someone who can lead in a way that he wants to make sense. and its an idealized version of her in his mind, probably stemming from his issues w authority figures like his dad and the built up version of masculinity in his mind.

And this scene also emphasizes Nat’s role in the Javi situation. Because of this:

The wound on her leg where she faked Javi’s death so that Travis would stop his self-destructive search for his brother, who by all means should have been dead. Why? Because who is Nat but a realist? She’s gotten everything from life thrown at her and came out of it with that attitude, and who can blame her?

But this scene is right after she brings Travis forged proof that his brother is dead. Her guilt is present through this scene, and showing the wound is to emphasize that. layers!!! but travis has a lot of guilt throughout this scene as well - not only because of the supposed death of his younger brother that he as the older sibling feels at fault for but also… the jackie situation.

The Jacke of it all:

yeah this is a jackie scene. not only is it right before when they FUCKING EAT HER but like in spirit as well. Okay so the thing is that jackie is the character who puts the most emphasis on virginity, we all know this, but in the end it's travis that gets the "first time" that she puts so much emphasis on. Yes, jackie and travis lose their virginities to each other, but in this scene travis checks off doing it with his actual girlfriend. That, and he does almost the same thing jackie did with jeff. She looks to shauna's photo, travis thinks of lottie. They have to be outside of their bodies to perform because both of them have hangups (for one reason or another).

It's not that Travis doesn't want to have sex like jackie with jeff, he clearly tries, but he can't do it while thinking very clearly. First by being drugged, then by imagining himself doing something unrelated. And they would've been happier if they hadn't done it - jackie is immediately shunned for it. If you think about it, she literally dies for it. Travis feels like he cheated and did something wrong despite being drugged out of his mind and having no real control over the situation (something jackie didnt know). and then IMMEDIETLY after this scene, there’s the Jackie feast. Not only is she everywhere symbliocally, shes also physically in them now. THE JACKIE OF IT ALLLLL

The Pietà

The Pietà is a reference to the 6th sorrow of mary. for all you guys who arent christian/catholic →

The Seven Sorrows of Mary are seven significant moments in her life:

Simeon's prophecy of joy and sorrow.

The flight to Egypt to escape King Herod.

Finding Jesus in the temple after being lost.

Mary meeting Jesus on his way to crucifixion.

Witnessing Jesus' crucifixion and death.

Holding Jesus' body after his crucifixion.

Jesus' burial, which Mary mourns.

To clear things up here - lottie as mary in this context is not a “maternal” as in motherly way - imo its supposed to be peace and hope, guidance/authority. travis, despite being famous for his daddy issues, is hinted at having mommy issues as well (see: him not getting hugged goodbye by his mom in the pilot while his dad and javi both do)

also, he clearly struggles a lot w masculinity - having a woman in authority doesnt come naturally to him, but in this moment it is his only comfort.

so in the wilderness, there’s a complete power shift from the outside world. in this isolated environment there’s a female majority - specifically, the team, who already (roughly….. it gets messy but ykwim) trust and know each other. they already have a, albeit shifting, power dynamic established. in the normal, precrash, world, it would be isolated to them. but post crash, they are now the majority and the three guys left standing are now forced to assimilate into that instead.

Ben had power - he was one of their coaches and an adult - but with the death of coach martinez, he loses a lot of power 1) because he’s only an assistant 2) hes outnumbered 3) he doesnt want to be in charge of these insane girls anymore. he just wants gay daydreams. let him live.

Then there’s Javi - he’s younger, and none of the girls really know him, but they’re generally nice to him. he cant contribute much though - and eventually he has to contribute all he has - his literal flesh.

Finally travis - arguably the most involved as he is the same age as the team. this puts him on their field as “involved”. He originally has this very built up view of masculinity that you can tell stems from a place of self consciousness/ self loathing as well as a buildup of society’s expectations on him as a teenage boy in the 90’s. He’s supposed to be tough, hes supposed to be in charge, hes supposed to be better. And when hes thrown into this female dominated space it completely falls apart. He’s not the best shooter, he doesn’t have authority or leadership. The only other older male figures are dead or have tried their best to remove themselves from the situation. He has to completely reevaluate everything he knows - Travis has come to learn that there is power in being near and simply being an approximation of femininity.

Travis has come to learn that there is power in being near and simply being an approximation of femininity. Travis has gone from the top (he was never really there, but the built up idea of masculinity put him there in his mind, though even then he had doubts and it came from a negative place) and to bottom of the totem pole - and now he’s rising back up to somewhere in the middle by connecting with femininity, by recognizing women in authority, and also trying to have that hope and spiritual belief that is brought about by these female figures. The middle is where travis can reconcile with the weirder things (ive been in discussions about how travis actually parodies a lot of classic feminine tropes) that clash with what travis should be.

overall this scene is fucking insane. its lottienat its travnat its mommy issues its daddy issues its deadass jackie its an older brothers guilt its religious its a sin its deconstructing the very nature of yourself and those around you. all through the power of weird sex hallucination. and eating someone right after.

if youre still here i love you. please send me yellowjackets discussion asks i love them so much <3 feel free to ask questions and shit, also if none of this makes sense im sorry lmao.

ALSO. special thanks to @periwinklekryptonite who like carried this discussion and came up with like half of tjis. ask him about trans travis or travis in general or maybe pike. shoooo go send him travis questions.

[lucky-numberme]

happy heart day from everyone's favorite eldritch office comedy podcast

[ID: A series of 10 Magnus Archives themed valentine cards. They're all done in a cartoony style in rich jewel tones, and accented with hearts.

1) Mikaele adjusts his glasses with one hand while posing with a suit jacket slung over his shoulder. he smiles flirtatiously at the viewer. text reads, "You're a rare treasure Xoxo Mikaele"

2) Jane Prentiss poses inside a cut out heart, winking at the viewer. her hair and dress are flowing, and her worms are numerous. text reads, "you'll never be lonely again. love, Jane"

3) Agnes sits with her hands wrapped around a steaming mug of coffee that is spilling onto her arm. she smiles vacantly at the viewer, the smile not quite reaching her eyes. Text reads "You make me feel normal, Valentine. Love, Agnes"

4) Manuela Dominguez stands in front of a dark sun and holds out a hand to the viewer, smiling sweetly. text reads "let's do unethical darkness sciences together. love, Manuela"

5) Oliver turns back over his shoulder and smiles a little sadly at the viewer. he's surrounded by tendrils of darkness in the shape of a heart. "Loving you is inevitable. (heart symbol) Oliver"

6) Michael Distortion curls lazily in a door frame, a rainbow spiral behind him. text reads "I'm lost in you. (heart symbol) Michael"

7) Mike Crew falls through the air, cocking an eyebrow at the viewer. text reads "I'm falling for you, Valentine. xoxo Mike"

8) Gerry's ghostly form rises out of an open book. They hold a lighter and look up at the viewer with heart eyes and a slight smile. text reads "Burn me up, Valentine. xoxo, Gerry"

9) Helen Distortion hangs upside down from a door frame, pushing herself through slightly. she grins at the viewer. "You make me spiral, Valentine. Xoxo Helen"

10) Gertrude stands with her arms crossed and turns sightly to look directly at the viewer, scowling deeply. A glowing eye is on her forehead. There are no hearts anywhere. Text reads, "No." End ID]