#white is also hard to say too

[neoymm]

while billy himself turn into cap, he is a magical girl and/or without his sister Mary and his best friend Freddy (or brother idfk)

but the whole kids in the shazamily (6) is power rangers (/super sentai my beloved), they are so colour-coded that i think they fit more in power rangers/super sentai

but since mary is also red, imma a lil’ switch in colour and make her costume white (sorry mary :()

temporary name for them

Marvel Red! (the captain as always)

Marvel White! (wise legendary type)

Marvel Blue! (the cool type)

Marvel Grey! (the tech type)

Marvel Green! (the nice type)

Marvel Purple! (comic relief type or the feminine type — idk man purple is usually the tech one but eugene got the tech one)

[royaltea000]

YO! Being a drawing, what’s there to be afraid of!

[dawnthefluffyduck]

feeling of being watched

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[funzige-gedachten]

👾The käärijä tamagotchi👾

I made this little guy for @jaarijani s birthday‼️‼️‼️‼️‼️‼️

[oyeixcher]

First as Yok in Not Me ↳ Episode 4 

"You've been riding a lot to where?" "To get inspiration."

[up-in-flames-writing]

In lieu of Stuff Your Kindle day, can we talk about the issue of how the m/m genre of books, romance or not, is almost entirely dominated by women? Can we talk about how the most recognisable gay couples in media are written by women? Can we talk about how queer men can't even write about ourselves, how we are only allowed to exist when it's from the point of view of a straight woman sexualising us?

Can we talk about that? Or am I going to get called misogynistic for pointing out the disparity between who gets the writing deals, & who gets their books turned into movies, & whose shit gets popular versus whose doesn't? Can we talk about how m/m fiction is only allowed when it appeals to a cishet gaze, or is that too much for tumblr to take?

Can we also talk about how trans queer men are even more hated by publishing? Can we talk about how we get shit from both sides? Can we talk about how books about the experiences of being a queer man, written by queer men, never get the same recognition as books written by women on this subject (barring academia which has its own problems)?

Can we talk about that? Can we?

[vbrosclips]

s5e4 - Spanakopita

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[nerdyqueerr]

TRAGIC: no one paid any attention to local butch while it made delicious dinner and now it's lonely

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[rintinningvt]

Started watching the Bayverse movies with my besties and... Are we just too gay for these movies??? Admittedly we only finished the first two and got through a quarter of the third, but the second one was such a drag to sit through at times and it probably doesn't help that we do NOT care about Sam that much. I hope that there is a character arc for him in the rest of the third movie. Because so far he has not been fun to watch in that one. He just comes off as a slight manchild to me, like... I can see why he would be frustrated with where he is in life but the way he acts with others and lashes out does not help him in the slightest. I do have to admit though that seeing him go to Cybertronian Heaven in the second movie was the funniest part for me and my besties lol.

I'll just hope that the other guy in the next movies will be at least a bit more interesting. Doesn't even have to be a good guy, just an interesting guy for me lol

[white-weasel]

Writing something about Zirk. Meant for it to just be a quick “Fia and Henry find out about Zirk’s deal with the fairy.” I have instead written 2k and we’re just getting to the part where Fia comes in and is going to start the conversation

[sinnettini]

are you catholic? i wouldn't have said so

anon 😭😭 i'm not trying to make fun of you and i'm taking this as a compliment actually but i don't know how to tell you this... i'm literally italian 😭

but seriously, i've grown up catholic yeah, but i don't believe in god and haven't taken part in anything religious in many years. i would say i'm like culturally catholic tho. and technically still catholic to the eyes of the church bc baptism and all that

[laraluu2]

Lol seeing a post about how people who like moash are all "moash did nothing wrong". As one of those moash enjoyers I think I can definitively say that anyone who is saying that is just fucking around and very much know his crimes. Counterpoint - Dalinar, Kaladin, Jasnah, Adolin, and Shallan have all done crimes that would warrant jailtime.

I've talked about this before but I really do think here on tumblr people can explore the paths less traveled in terms of character study. Sanderson has literally said he's not too much of a fan of moash but I think it's cool how you have people on here who show him a little more love. You take a character that has gone through the worst and has a literal evil god influencing him but I think he falls under the "would be entirely right if he didn't kill people" liberal leftist antagonist that gets pretty annoying to constantly see. When in the real world violence is a valid form of protest you have these constant depictions of people lashing out against their oppressors as a bad thing it's understandable to be a little annoyed with how moash is depicted.

Not to mention the tragic aspect is kind of cool too??? Not everyone is going to get redemption, some people make bad decisions and fuck up and won't make it out and it's cool to enjoy that aspect. I enjoy a nice tragic character foil - there's some real nice fanart too of him.

[software-bugs-b-gon]

*gives you a bouquet of flowers* for u :D

I'm not looking for a new significant other or anything, but still.

Thanks.