#saying this both as a reader & as a writer

[daisybell-on-a-carousel]

We should talk more about the fact Jason got swarmed and attacked by a mob as Robin, like??? Hello. He had to be left there because the mob was too violent with Batman near. He had to be taken to the hospital.

Look at those injuries!!

The next time we see him he's forcing himself out of bed and putting on the Robin costume thinking "I've gotta do what I can to help, even if it kills me!"

The next next time we see him he has walked into yet another violent mob

I cannot stop thinking about this story and the effects it probably had on him honestly. Do you think it's made him nervous in crowds, do you think it made him trust others just that bit less. How long do you think he was being attacked before he was found, the scene had cleared. "I've gotta do what I can to help, even if it kills me!",,,,

Just the concept itself! I don't know about you guys but being attacked and grabbed and trampled into unconsciousness sounds absolutely terrifying! Did he black out, still getting hit, thinking he was going to die? Knowing he couldn't defend himself as his injuries to took their toll? At their complete mercy?

1986-87 Legends, issue #2 (the attack), #3 (the hospital), #5 (getting up), #6 (defending heros from another forming mob)

2010 DC Universe: Legacies, issue #6 (flashback panel to Legends moment)

[project-sekai-facts]

do u think prsk writing is good?

it's inconsistent. sometimes it's pretty good, sometimes it's not so good. this is something i would like to go way more indepth on but i don't think i'll have the time for a while, but i'll outline a few things here.

honestly early events are much stronger than some more recent ones. partially this is preference on my part due to preferring more character driven stuff which most early events were, but also in general the writing was much higher quality.

most year one events had a very strong sense of flow between them that has been lost over time. while events usually revolved around one character's issues, they would introduce aspects of the other characters and their issues which would be focused on later. if you read wonder halloween you'll notice there's foreshadowing for emu's arc across smile of dreamer and wonder magical showtime. this is partially because of the fact the events were so early on. we weren't as familiar with the characters as we are now and we were also new to the plots. you can also see how much more cohesive stories were back then as well because of there being way more mixed events marked as key story, like twilight parade and sakura for ln and picnic for n25. while most events still pick up from where the previous left off the sense of flow for most units just isn't felt as strongly as it was going through, say, l/n arc 1.

it also in some ways feels like the writers had a much stronger vision for early events than they do now, though distribution meta may come into play a bit. first arcs were the ones planned from the getgo. this is what they had already planned ahead for by launch. pretty much everything past year 1 was written after the game launched. we know they have a clear end, and it's evident they also had a clear start. we're currently filling in the middle and some events really feel like there's a slight lack of vision for the middle. vbs is a good aversion what with rad weekend having happened (aside from arata and souma's arcs lmfao), but other units and characters feel shafted.

to add to that last point as well as distribution meta. tsukasa5 is arguably one of the hardest hit. what seems to have happened is that they needed a second wxs event to focus on daigo's troupe, and tsukasa is the character who is most fitting for that troupe's speciality. unfortunately in order to come up with the actual plot, they had to retcon elements of tsukasa's character. tsukasa5 overall is probably one of the worst written of the recent events. it's really rough and doesn't make sense in some parts. it truly just exists bc they needed a wxs event with daigo and a wxs event in that slot.

kanade is another character who got hit hard. while she had the white day event in 2024, she was heavily shafted in terms of n25's story due to the focus being on mizuki and ena for half the year. mafuyu and ena's events were also very focused on them as individuals, leading to kanade getting like no character development for a year.

for non-2024 examples the 2nd arc enders were a mixed bag. step by step is very clearly a shoe-in because they needed to pad for time. retie functions perfectly well as an arc ender and reads like one in a few places, especially near the end. while minori had some good moments in this event it honestly feels like a mixed event. hell look at the banner card. shizuku and airi are also only in this event for a few lines of dialogue it's really rough.

oyf is incredibly rushed and tries to wrap up way too many loose ends from lutf. it feels like this arc was cut short, and you can really feel it in arc 3 when all the loose ends that still existed after oyf get their proper conclusion. side characters barring kotaro excluded, tatsuya and gurney flap had the shittest resolutions ever (tatsuya is also. barely a character lol). kohane had some good moments here, but other than that it was a really weak event.

same can be said for ohe they really needed more time and it's painfully obvious considering how much foreshadowing they did with rui only for... him to get one chapter in an emu event. there's some other things that really make this feel like it was meant to be rui or be two events one rui one emu, like the travelling troupe show. remember when rui wrote that show about his life and wxs rewrote it to show him he had a place with them. clpl doesn't. obviously it's always been important to all of them but it's significance to rui specifically has always been highlighted for obvious reasons. hell it was even mentioned in wxs first live like a couple weeks before this event dropped. while again this has good emu moments and good wxs moments it's painfully obvious at points that this was either a rui focus at one point or they combined two events. i wonder if part of the reason for that is because they realised that rui graduates at the end of the next arc so "wxs disbandment arc 2" (tentative name) will probably be more centered around him, especially with asahi's return looming over the story, and they didn't wanna make it seem like they did the same character arc with him twice.

sayonara persona and starry song are fine.

clpl really fucked themselves over with wles and the event schedule lol.

another issue with the writing from a technical standpoint is that recent events have really obnoxious exposition. listen i know we all make fun of people who only read chapter 1 and 8 of an event but did you know that actually works. you can sometimes even just read chapter 8. there's this need to constantly remind the player of stuff that happened earlier on in the event, sometimes in gratuitous detail, and i can understand why this might be necessary for the really long events like lutf or curtain call, but most events since 3rd anni have been under 1hr 30, in most cases just over an hour. the player can retain significant events that happened in the previous chapter. we don't need it constantly explained and it can actually make the audience less engaged if you constantly treat them like they don't understand what's going on. even for a game aimed at the tween/teen demographic you don't need to handhold them through the story. while yes younger audiences won't have the same literacy as an adult you should also trust that they can follow the basic story and read into basic subtext (honestly prsk is usually fine with subtext this is just an example).

"outline a few things" my ass this is pretty much everything i wanted to say. i do games writing next year and i think we cover VNs so maybe i can provide more insight then if the blog isn't dead.

(obligatory i'm not saying you can't like the events i outlined here i'm just saying that from an objective standpoint they're not the best. doesn't mean you can't find enjoyment in them. like whatever you want i'm not here to dictate your opinions)

[aweirdundertalehetalian]

Look, I'm not too far in the story, but is Satan really a mirrored image of Lucifer? Look how uncannily similar he is to Simeon—

[up-in-flames-writing]

In lieu of Stuff Your Kindle day, can we talk about the issue of how the m/m genre of books, romance or not, is almost entirely dominated by women? Can we talk about how the most recognisable gay couples in media are written by women? Can we talk about how queer men can't even write about ourselves, how we are only allowed to exist when it's from the point of view of a straight woman sexualising us?

Can we talk about that? Or am I going to get called misogynistic for pointing out the disparity between who gets the writing deals, & who gets their books turned into movies, & whose shit gets popular versus whose doesn't? Can we talk about how m/m fiction is only allowed when it appeals to a cishet gaze, or is that too much for tumblr to take?

Can we also talk about how trans queer men are even more hated by publishing? Can we talk about how we get shit from both sides? Can we talk about how books about the experiences of being a queer man, written by queer men, never get the same recognition as books written by women on this subject (barring academia which has its own problems)?

Can we talk about that? Can we?

[mermaidsirennikita]

People are ridiculously entitled and it’s genuinely so disheartening. Books are someone’s ART. You don’t just get to alter a name in someone else’s creative work. (I’m appalled people out there think this is remotely acceptable - writers are not court jesters nor do they exist to please everyone - no human being nor their creative work does, in fact!) Thanks for putting your various responses out there! Here’s hoping people learn to respect and appreciate artists and creators once again

Quoth Nora Roberts:

I am not here to be a slave to certain reader’s wants, needs, whims. Again, I write what I write, and these are MY characters, in my books. Not yours. They are yours to enjoy or not, but they belong to me, they come from me...

You don’t have to agree, but I’m not writing for your particular point of view. Again, I’ve explained my reasons for this. I won’t do so again. My characters, my books, my decision. If you want something else, read something else.

And yes, I said that, too. Blast away, it changes nothing. I am not obliged to meet an individual’s demands.

So.

First off:

If you're really super chill about the idea of being able to change what writers write just because you didn't like a detail you think is small and irrelevant, I would sincerely encourage you to read La Nora's full thoughts on similar issues... and yeah, I'm gonna equate something as "small" as a name with what Nora's talking about here. Because it is ALL the author's domain. I've never personally subscribed to the idea that a work "isn't yours anymore" once it's out in the world. The way people interpret and interact with it isn't yours, sure. But it's still your creation, and you should be the only person with control over the content.

... and sometimes, I, as a reader, don't like what authors do with their content. I get it. I don't like that Lisa Kleypas edited her work years after publishing it, because I'm big on the "own what you wrote originally even if it's uncomfy" train... (for the most part--editing the fetishization of Cam and Kev would've made sense to me). And I don't think there's anything wrong with readers pointing out problematic shit in a writer's work, offering critique in an open forum, as Smart Bitches, Trashy books did when reading Hello, Stranger, which I speculate may have prompted some of Lisa's edits.

But! I can't say that it would ever be my right as a reader to, say, use future technology to tell my reading device "edit out the times Cam says shit that reads super fetishized". It's just kind of repellent to me to imagine rewriting someone's work in any way without their permission. Fuck, I don't even like the idea of estates releasing sequels or revised versions of books unless the author indicated that such was in their wishes in their will. (See: the TWO official Gone with the Wind sequels/prequels/whatever authorized by Margaret Mitchell's estate.)

We, as readers, have our lanes. The writers have theirs. And sometimes, as writers, they do tiny things or BIG things in their lanes that we dislike. (I love Tiffany Reisz's Original Sinners series, for the most part. I really, REALLY hate the most recent book in the series. HATE. IT. But the only thing I can do about that shit is just pretend that book never happened, which I actually can fairly efficiently because I do in fact control what my brain does. Or, seek out books that give me what that series didn't with that most recent book. Sierra Simone's do a bangin' job.) But you know... Not only do I not think it is safe for me to merge into their lane... I don't want writers to feel like they have to submit to demand and give away pieces of their work in order to keep selling.

(And honestly? For the vast majority, I don't think it would make enough of a difference anyway--writers are often sold bills of goods with new strategies or tech. "This will change the way you sell books". Most writers won't ever be able to write full time anyway, and I find the way that this fantasy that you'll be able to do otherwise with THIS TECH optimizing your writing time, or THIS SUBSCRIPTION increasing the eyeballs that will see your book... Scammy. Not all of it's bad! But the selling strategy that you'll make more money... If you're selling on KU, if five extra people buy your book you're still making pennies, so it's gotta be more than one thing that converges to create the sale, and a lot of that, I gotta say, is word of mouth and people just LIKING YOUR SHIT. And I'd argue that they're more likely to like your shit if you're invested as a writer.)

Second:

No need to thank me! I honestly think that the majority of readers do appreciate what writers do (or don't feel either way about it and just read like people have always read lol) but I don't know. I can't really tell what it is--the sort of "fandom" that's been created around books (and like, author fan clubs and such have always existed, but obviously the accessibility is so different), new tech developing very rapidly when for centuries books were relatively stagnant technologically speaking, the fanficification of EVERY type of media it feels like... But the sense of entitlement that certain readers feel does seem to have grown. Or maybe it's simply become more visible. I mean, Nora Roberts has from the dawn of her writing career taken off had fans that can communicate with her, and I'm sure many have written letters like "Go give these characters a baby :(".

My biggest thing is always going to be this: some books ain't gonna be for you. There are books that sound so Caroline. I read them, and for whatever reason--writing style, one character choice, something ephemeral I can't name--they aren't. Everyone else loves these books. I'd love to love these books. I'd love to discuss these books. I'm not in the party. And that's FINE. Not every party is going to be a party I'm down for! One of my best friends loooooves Tessa Bailey and Tessa-like contemporaries. Tessa, by and large, doesn't work for me. So my friend and I can't discuss a lot of books in depth. Do I wish historicals worked for her so that I could nerd out with her? Sure! But I can't make something that doesn't work for her work for her, and I can't make Tessa's books work for me.

And I know that people will be like "it's just a name bitch", but... it's a slippery slope to me, just like ALL of AI and AI-related tech has been a slippery slope. Like, y'all said AI wasn't gonna be a big deal and would just make things easier, and people are now selling AI-written books under their names. Everyone said that authors would have control over how AI interacted with their books, and books are being scraped for AI on the daily.

I do not want anyone to have final control over what is and isn't in a book but the person who wrote the book. I do not want writers to feel like they need to cede any amount of control over the copy in that book over to readers in order to succeed.

And I honestly think it would be a lot healthier for everyone involved if we as readers (viewers, general audiences) just accepted that we don't get everything we want, and creatives are not here to dance to our tune. They are people, and they want to tell the stories they want to tell. Your power? Is in your dollar. If you don't like that shit, don't buy it. If you don't want to support it... don't! Fuck, if you want to talk shit on the internet about how the most recent book in the series was absolutely not for you, that's your right, too.

I don't want you fucking with a single word on the page, though. Feel free to go write your own shit--prosper! But that part of what Nora said that rings true to me most is "they come from me". These books come from writers. You have them because of those writers. So, I don't know, dude. Just take what's there, and if you dislike it, spit it out and move on to the thing you will like. Authors aren't churn factories to produce what you want, and ROMANCE as a genre, however commercial it is and however much it does have that One Rule that defines it as a genre... Is still something that writers should be allowed to experiment with. That's the work writers put in. The work readers put in? Finding shit that works for us. And I'm telling you... With a little practice, it ain't hard. How do y'all think I have all these books to recommend? Lmao

[longagoitwastuesday]

Thinking of one of those two fanfics that rewired my brain this last summer once again. Thinking of the sunrises

[always-a-joyful-note]

You don't know how much I can Omniscient Reader's Viewpoint code Enstars because I could. Because you have a set up where you are basically taking the place of Anzu--a person created simply to be the reader's/player's self-insert. Because the characters all exist to love Anzu while they're going through their own arcs. Because Anzu also exists to love and support the characters by the game's own coding. She is their world and their hope, and the enstars characters are her idols (and I don't just mean that as singers and dancers).

But slowly, I've seen posts and even small summaries of how Anzu starts becoming her own person, small ways apart from the characters. Yes, she's still quiet. Yes, she is almost always a Viewer. Except for the fact that this is a game story, not just a book or novel story. And games are meant to be played...not by the characters but by someone who is watching them but has not created them.

This is how Anzu has more power than a normal reader. This is also how she has less power than a normal reader. The game allows her to exercise power over the characters' lives that a normal reader of a book cannot--she can help along Trickstar, be the behind the scenes producer for a number of the idol groups in the school, doing something to make them shine. But she is always a puppet, controlled by the player. She has a silly personality with a questionable naming sense and determination and hard-headedness to boot...her preferences for the units and who she builds up are always changing according to the player. Her only goal is to make sure her idols shine (what more does a reader want than to see their characters shine?), yet the goal of the Enstars characters is to adore Anzu and make people like her who support them happy (where would the characters be without a reader?)

Like the Oldest Dream, she is the most powerful and weakest god of all. A puppet steered by the fantasies of many, many individuals yet always loved by the characters for "herself."

[scrawnytreedemon]

Is it so bad that I don't really like ships of characters I simp and I only like the reader insert fics with them?

Yeah I can't deny I'm jealous of the canon x canon ships with my faves, knowing that they possibly can be together while I can't. I know it's dumb,so that's why I never hate on someone who likes those ships I just ignore it

Like Sefikura for example, I don't like it cuz I'm a massive hoe for Sephiroth,also bcuz sometimes they make the ship pretty icky,also bcuz Cloud is baby and I'm still angy at Sephy for mentally torturing my Babyboy like that

IT'S CHAOS WITH MY FICTIONAL FAVES!!!!!!

Nothing wrong with that, personally! I get wanting to indulge in the warmth of a good fantasy-- That is what alot of fiction is for, after all.

Bless you, anon. Alas, as someone also plagued with my own Dumb and Horrid Fictional Feelings, the brain can be such a little bitch when it comes to that stuff. Good on you for recognising how and why you feel that way, ignoring the stuff you don't like and focusing on what you do.

LMAO I get that completely. I should mention, though, that I am one of those people who indulges in the nastier side of the ship, lmaooo. Even so, I get why it wouldn't click with you.

(FR when is it not?)

[foxmulderautism]

i dont always like the term trauma porn and think it gets diluted but i think there are absolutely stories out there that involve trauma that treat it really weirdly, almost fetishise it. the fact that many marginalised writers can be expected by the industry to write deeply about their trauma from bigotry so it can be ‘educational’ ‘representation’. the writing industry turning writing into product ultimately, as a consequence, turns trauma into a product too, and there is absolutely commercialisation and commodification of that. writers writing about complex trauma they haven’t experienced whilst not examining why they want to write this trauma beyond being “curious” or liking “dark topics”, the fact that some writers genuinely take the fact it’s fiction as to not examine how certain portrayals of real life trauma can become harmful, which really all you need to do is check in with your work and yourself and have a compassionately critical approach. like as someone with many different complex traumas who has been treated differently because of it, i have so many thoughts considering my trauma informs my writing (that have no conclusion because I don’t think you can really make any, just that it needs to be discussed with nuance), but it makes me upset when it seems like the extent other people think about this is just “fiction isn’t reality so depiction is just depiction”. but anyway that’s not the extent of my thoughts at all i just wrote this to procrastinate sending an email

[ink-of-a-thousand-currents]

Mmm I definitely have Thoughts on site lore and Ancient lore. And I mean, for the most part I (as well as many people) use site lore more as Inspiration/Building Blocks for further lore building.

I've been meaning to get around to writing lore for my Clan and in general, so. I guess I'll just make some notes on the current Ancient Lore and what I think and where I'd go.

Deciding to put this under a read more since it's a lot more than I meant to write lmao

Gaolers - Part of this being because they were the first, and therefore had the most hype around their introduction, but so far lorewise Gaolers still have probably the most impactful story. Them being forgotten by modern society makes sense; withdrawn, a small population of creatures that never evolved into their softer modern counterparts. Which is another thing that makes Gaolers stand out; they're the only Ancient with an explicit connection as being ancestors of one of the Modern breeds. The whole This Thing Is You But Older, More Primal And Dangerous is just. Soooo good. Gaolers as a design have grown on me recently, so it definitely generates some ideas.

Banescales - BANESCALE LORE. BANESCALE LORE. My favorite of the bunch, but this is partially that I am someone who loooves music. The idea of Banescales having been a musical society, and now all that remains is the song that was left to their children as they protected their eggs... god it's just so beautiful to me. Plus the parallel to how Coatls ended up having a notably musical language... The idea of the Flamecaller mourning her first children and passing on their gift. The Coatls and Banes bonding over this similarity. I love them, I need more Banes.

Veilspuns - I'll be honest. I don't remember anything about the Veilspun lore. Legitimately. I love Veil's designs but their lore just Did Not Stick. I'll have to go reread it and probably rebuild it somehow lmaooo

Aberrations - Okay, I also kinda forgot this one, but they literally crawled out of the Wyrmwound, right?? Like, sort of had a "cast away by their god" type of thing? Failed experiment energy? Idk if that was actually what happened, but it's the take I'm going with.

Undertides - They felt betrayed by their god so turned their back on him, and then reintroduced themselves to modern society upon the Surge in the Elements. Cool! Interesting! I think this could be very cool to explore, especially with the modern members of Water Flight who have effectively been abandoned by Tidelord (as far as we know. Dad come back.) Also, strong ties with a specific sect of Maren! Neat! Not as potent of lore to me, maybe, but it's interesting and has potential. Execution was ehhg but I can work with the concepts.

Aethers - I love their lore yes its stupid yes its goofy and I adore them for it. If I go through with my lore crafting I'll keep all this because the other Ancients having cool and fucked up lore next to these dumbass sparkly floofs is hilarious to me.

Sandsurges - Okay I DID. Think the "pay" bit in the story was funny. But I do think a "cooler" take could have been done, with Sandsurges having a better reason to have been unknown to modern dragons aside from "They were underground all along" whsgsgs. I think you can combine the best of both world by saying they return upon seeing the exploitation of modern Lightning society, and the building of something Big and Dangerous, with allusions to this having been done in the past and having had consequences to Ancient Sandsurge society... AKA, they're here to teach the young'uns about unions.

Auraboas - Okay, so. The issues have been brought up several times, and most of us are aware at this point. I can see the angle they were going for, for a sci-fi-esque hivemind tyoe of situation. I also don't necessarily disagree with the decision to make it Nature. While Arcane might make more sense for sci-fi themeing, I think choosing a different Flight makes it a little less on the nose. In any case, I think the concepts are there, but were executed very poorly and with a decent dose of "ignorance and tone-deafness." I think the story specifically should have treated the elder Auraboas with more compassion for their fears for their children and difficulty in communicating with modern dragons. Way less infantilization, and more "person struggling with a language they barely know, reaching out to someone they never would have otherwise out of desperation." (By this I mean I think they could have written the difficulty in communicating far better than they did). The Loop is interesting as well, though very hard to grasp as a concept. This is partially on purpose, and partially because I kind if think staff purposefully left some things vague because they didn't actually want to try and figure out how the concept would work, lol (which I can't entirely blame them for, especially since with Site Lore sometimes less is more, allowing for multiple interpretations by users).

Another note: in both the recent Lightning and Nature ancient stories, they're both stated and/or heavily implied to have already been known about by certain dragons In The Know, so to speak. I have some mixed thoughts on either, and might incorporate them differently. Sandsurges as sort of secret workers was a little funny and backed up the Weird Shady Company Execs thing, but it could be interesting to make it a sort of, deliberately covered up because We Can't Have Them Teaching The New Hires How To Unionize!

As for Auraboas... Not really sure. I can see them being a culture that has been largely self-reliant for their existance, hence the lack of contact with modern dragons. But, given their connection to the Behemoth (and maybe a connection that could be elaborated on), maybe they've appeared or collaborated with moderns in the past over threats to the Behemoth. So, mutual knowledge, but no sustained contact since it was A) difficult and B) outside of curiosity, most on both sides saw little reason to establish further contact. A sort of living alongside one another but never really talking, like neighbors you see sometimes but don't talk to. It's only the disruption of the Loop in the younger generation that both kickstarts a greater Need to connect, but also a bridge for easier communication.

[handspunyarns]

who else does this?

So yeah, I'm working on my next chapter, but my brain keeps bugging me about a future chapter (like, way future chapter), so I gotta write that down too ... anyway, here's a tiny bit of dialogue from the future chapter, which has a bit of a spoiler, so under the cut, but hey, y'all know I'm not killing off my female OC, right? I like her too much.

Cobb: Sit on my face.

Marathel: I beg your pardon?

[dangerous-advantage]

do you ever just remember like... fanfiction is free? like on god, people are just writing this shit and putting it up?? just so other people can look at it??? thats wild man

[cinnamorollcrybaby]

Good enough

Tags: Caleb x fem!Reader, smut, unprotected angry sex, Caleb’s back and he’s jealous, breeding kink, mdni, not proofread sorry, this shit is NASTY i fear.

An: This one is for a dear friend of mine 🙂‍↕️ Thanks for making me pull out of my writer’s block. LOOK i’m so sorry if this is bad but i had to write SOMETHING to pull me out of this funk… i hope you all enjoy

How did you end up trapped underneath your half-cyborg best friend who was legally deceased while taking the meanest deep strokes of your life? Well, there’s a simple answer. Caleb knew Xavier was home.

Actually, he knew everything: the dates, the tender moments, the secret times, the nightly rendezvous. Pissed was an understatement.

Had you forgotten? Had you forgotten all the promises you two made each other when you were younger? Had you forgotten that you were fucking made for him? You had to have. That’s why you were stringing along 4 different guys. You were trying to fill a hole that only he could fill.

That had to be why.

Regardless, Caleb knew Xavier was the type to listen to you through the floorboards of his upstairs apartment. He was a lot alike Caleb in that sort of manner. They were both possessive freaks who couldn’t stand the thought of you being with somebody else.

That’s why Caleb was fucking you so hard — pounding your pretty pussy so deeply into the mattress that you were seeing stars with each mean thrust.

He used his size to his advantage. It was fitting. He’d always loved how much bigger he was than you. That’s how you received your adorned nickname: pipsqueak.

He planned on his first time with you being a lot more gentle than this. He planned on being sweet and loving. He planned on cherishing your body the way you deserve, but you just had to go and give yourself to 4 other guys before him.

“Stop crying.” His voice rumbled as his piercing gaze found yours — so much different than the sweet childhood friend you had. His hand covered your mouth as he hunched over your figure, still ramming his cock head into you ruthlessly. “I know you can take it. I’ve watched you take it before.”

Your eyes blinked back tears as you looked up at him. He was being so mean. You couldn’t believe this was the same doting Caleb that you grew up with, and you didn’t even want to think about the face he had been watching you…

“Fucking pussy’s made for me, and you’ve been letting other men try to make her feel good.” He growled as he used his less-than-human arm reach down and gently rub against your small button of nerves.

“Caleb-!” You choked out as your body writhed beneath him. You could feel every ridge and vein of his thick cock splitting you apart, making you wholly his and his alone.

“That’s right… Say my name, baby. Tell me who’s making you feel so good.” He prompted with a confident smirk before he hauled your legs up above his shoulders, sinking even deeper into your dripping cunt.

Clawing at the bed, your back arched as you tried to cope with the intrusion. He’s so fucking deep it feels like you’re going to choke on him. “Caleb-“ You sob as your cunt pitifully clenches around him.

Feeling you wrapped around him so sweetly, crying out his name as you’re so overwhelmed with pleasure has Caleb revitalized with a new vigor. His hips work in tight circles, pumping his fat cock in and out of you as your cunt makes the most obscene squelching noises he’s ever heard.

“Such a fucking noisy girl. I should’ve know you were going to be a crybaby.” He teased before placing open mouth kisses along your neck snd shoulder.

“W-wait Caleb- calebcalebcaleb. I’m gonna..” You pant out nervously as his metal fingers were still rubbing languid circled around your cunt, and his tip was smooshing globs of precum against your cervix.

His fingers suddenly pinch down on your clit, making you cry out from the sensation. Your body went taut as you were being dangled on the edge of pleasure. His robotic arm wasn’t quite letting you get there.

You thought his arm was literally malfunctioning until you heard him chuckle from your suffering.

“You’re going to cum when I saw you can, okay baby?” He asked in that same condescending tone he always used when you two were younger.

His hips continued to roll after he was sure that you weren’t going to fall off the deep end, and he let out deep guttural groans, feeling your pretty pussy soak him. It was like you were practically trying to suck him in. He couldn’t believe he had waited this long to sink into your cunt like this.

and the best part about it was he knew your stupid upstairs neighbor was listening! Xavier knew you were down here getting railed, and he couldn’t do a damn thing about it.

Hell, if he even tried, Caleb would use his evol and force him kneel beside the bed as he drilled you even harder.

Fuck, the thought of slutting you out in front of every single one of your little boyfriends had his stomach tightening. His hips snapped forward into you with a pace that could only be described as feral.

You were a complete babbling mess at this point — utterly cock drunk as Caleb had you folded in half, filling you up to the brim with his length.

“Ohhh, that’s my girl.” He purred as he saw your glossed over look. “It’s coming, baby. I’m going to give you want you need.” He promised as he pressed a sweet kiss to your forehead that completely contradicted the ruthless way his hips were rutting into you.

“C-caleb- Caleb no, wait.. Don’t cum inside-“ You stuttered out in a panic. You hadn’t been by the pharmacy yet to pick up birth control, so technically, this was all unprotected.

“Why?” He growled as his back curled over. He was fucking mounting you while holding your thighs in the prettiest mating press he’d ever seen. “You fucking let them fill you up. Am I not good enough to breed this pussy?”

His hips slammed into you. It felt like he was trying to push his way straight into your womb. It was mind-numbing pleasure, making black orbs and stars dance across your vision.

“Look at me, baby.” He ordered, dragging your face to look back up at him. You could barely see straight. It was all too much. “You’re going to let your best friend breed you, and you’re gonna fucking love it. You’re going to cum all over this fat cock until you can’t breathe. Understand?”

You dumbly nodded your head, halfway hearing his words. Your pussy was aching to cum. Your swollen puffy folds were greedily accepting him in with every thrust. You wanted this. Birth control be damned. Everyone else be damned.

Caleb gritted his teeth together as he gave you a few more good harsh thrusts for good measure. He then crushed his body against yours, burying himself all the way to your womb before his cock started to jerk and pulse inside of you, shooting rope after rope of his thick potent cum. The only thing on his mind was the need to see you, his childhood best friend, round with his baby.

He needed to see the look on each other of those pricks’ faces when they realized you were spoken for.

The cherry on top was when he felt your walls clenching around him, happily milking his cock for everything he had while you sobbed and hiccuped his name. It seemed like his childhood best friend was maybe just as twisted as he was. He’d have to give her an extra good reward for being such a good girl.

As the room went still and quiet — only filled with shared breaths and pants for air, the sound of someone stabbing a sword through the ceiling was heard, and Caleb chuckled deeply. He had definitely pissed Xavier off.

[gold-wolf-soldier13]

honestly genuinely think a lot of writers here on tumblr have lost the plot more than a little. like if your writing for external validation, ie begging for comments and reblogs or saying kudos/likes mean less, i really believe you need to take a step back and reexamine your relationship with your writing. of course we all love to hear how much someone likes our work- we’re human- but the incessant posting and polling about comments and how “no one comments anymore” is starting to give entitlement. you aren’t owed engagement. just because you’re choosing to put the your work out to the public sphere, whether it’s here on tumblr or ao3 or wattpad or literally anywhere, for free and explicitly for others entertainment doesn’t mean they- the strangers on the internet- owe you anything. they don’t owe you a like, a comment, a reblog, a favorite, a bookmark- they don’t have any obligation to you. if you’re posting and immediately concerned about engagement metrics you’re no better than any tiktok or instagram content creator.

[actual-changeling]

In the spirit of encouraging people to comment on fanfics while also making it easier to do so, I feel obliged to share a browser extension for ao3 that has quite literally revolutionized the comment game for me.

I present to you: the floating ao3 comment box!

From what I've seen, a big problem for many people is that once you reach the comments at the bottom of a fic, your memory of it miraculously disappears. Anything you wanted to say is stuck ten paragraphs ago, and you barely remember what you thought while reading. This fixes that!

I'll give a little explanation on the features and how it works, but if you want to skip all that, here's the link.

Edit: Yes, this also works on mobile!

The extension is visible as a small blue box in the upper left corner.

(Side note: The green colouring is not from the extension, that's me.)

If you click on it, you open a comment box window at the bottom of your screen but not at the bottom of the fic. I opened my own fic for demonstrative purposes.

The website also gives explanations on how exactly it functions, but I'll summarize regardless.

insert selection -> if you highlight a sentence in the fic it will be added in italics to the comment box

add to comment box -> once you're done writing your comment, you click this button and the entire thing will automatically copied to the ao3 comment box

delete -> self explanatory

on mulitchapter fics, you will be given the option to either add the comment to just the current chapter or the entire fic

The best part? You can simply close the window the same way you opened it and your progress will automatically be saved. So you can open it, comment on a paragraph, and then close it and keep reading without having the box in your face.

Comments are what keep writers going, and as both a writer and a reader, I think it's such an easy way of showing support and enthusiasm.

[haljathefangirlcat]

#writing fic isn't a job and comments aren't a salary #and if it starts to feel that way then you might be experiencing burnout #and it could be time for a rest - or to think about one anyway #I obviously don't know your situation #but that's what it was for me

I'm going to start this post off by saying that I write fic, and I know the pain of putting something out there and not getting a response. It sucks and it hurts and it puts a dent in my self-confidence. If I have the choice between posting a work on AO3 and getting only comments or posting a work on AO3 and getting only kudos, I'll probably choose comments let's say 8 times out of 10.

But with that in mind, posts that attempt to shame or guilt readers into commenting don't actually work.

Negative reinforcement (in the form of shame, guilt, or other worse emotions) doesn't make anyone want to do the thing. It just makes them want to avoid the guilt, etc. Rather than encouraging someone to talk to you about your writing, you're making that person want to avoid you so that they don't have to feel bad. That's just human nature.

I've said before that I think a lot of writers are looking for community rather than comments, and I still think that's true. The reason I love both writing and receiving comments is because it makes me feel like I've made a connection with someone. I may never know their real name or what they look like or where they live or anything else but what fandom we have in common, but we've reached out to each other in this text-based medium and we've shared words that made each other feel something.

I know that these posts are written out of frustration or loneliness or needing support or a hundred other reasons I could list off the top of my head. But when I read "you should be grateful for the things I give you and show me proper appreciation" it just reminds me of my parents telling me to clean my room or to follow the rules while I live under their roof.

It's so much more vulnerable to admit, "I don't know if this story is any good and I really wish someone would reassure me right now."

It's much harder to say, "I feel so alone in this fandom, and I want to make friends with someone."

It's difficult to admit, "I worked so hard on this for so long and I'm so tired, but if someone out there likes it then all of that effort will be worthwhile - and if no one says anything, then I'll feel like my effort was wasted."

I'm not trying to shame the people who made those posts, and if that's how this comes across then I'm sorry. I'm just trying to explain why I think those posts will harm more than they help.

I also hope that any readers who see this post will understand that those writers are just people who are feeling a lot of different ways, and they're venting their frustrations. I've been there. I've reblogged those posts before when I was feeling frustrated like that too.

If you're able to comment, those comments are appreciated. If you're not able to comment (for whatever reason), that's okay too. ❤️