#and i think people make it hard to talk about the main themes of the movie because they have a preconceived notion of what the movie is

[eclipseberrycake]

Virulent (MBC x Reader)

AN: Hey Guyysss-

It's me :) Have I annoyed you all yet? /lh Anyway, I was on tiktok as I always am these days when people annoy me (Ginger mains- when I catch you ginger mains-) I noticed a lot of redesigns of the mains twisted forms to turn them lethal and yk what? Hell yeah. So I've been brain rotting and decided to share with you!

This is kind of far off from what I normally post but I still wanted to share with you, plus it's still MBC! And Distractor! Reader. Think of it as an AU! Of that universe.

Warnings: Depictions of horror themes, talk of mutated twisteds, threats of death (No one dies dw, I'm too soft for that), if you don't vibe with zombie apocalypse vibes, then this one may not be for you, and that's okay! Also kinda shorter than normal because I'm tried and had an assignment due that I forgot about :(.

☁ With all the mains back, runs had surprisingly gotten easier, if you did say so yourself. It was much easier to distract when you knew where the twisteds were and who they were the second you stepped out of the elevator. And having Shelly running around giving boosts made the time spent distracting cut shorter and shorter. Plus having Pebble right there as well was always a bonus.

☁ And of course, your sweet moonshine and berry boy. It was always a pleasure to be with them on runs and have them shadow you as you went; It was like a safety net in a way, moreso when Cosmo came along. It was very rare there was a run going on where one of you was going, and the others did not follow.

☁ That being said, there were times you missed the simpler runs with just you, Poppy and Boxten and maybe a few other commons. The mains all had their inside jokes and experiences together that, regardless of how hard Sprout and Astro tried not to, sometimes left you and Cosmo feeling like the odd ones looking in.

☁ Which is where you were currently, joking and laughing with the other commons as you all tried to go for a long run. It had started early this morning, and while you were unsure how long you were down there, you were sure it was well past lunch. The others knew you'd be gone a while though and planned their days accordingly.

☁ You hadn't even realized the true extent of how far you'd gone until Dandy was popping up, eyes frantic despite you all buying regularly. He eyeballed you as you approached, making you hesitate when reaching for the band on a pillow. "...Is there something wrong?"

☁ "Floor 50. I'm not even down here very long." He spoke and your blood chilled at the tone, Cosmo quickly threading his fingers with your own. Dandy noted this before refocusing back on you, eyes sharp and calculating. "Do you know what you're stepping into?"

☁ "I assume it's no different than any other floor." You sneer back, quickly exchanging your tapes for a bandage, watching carefully as Cosmo did the same.

☁ Dandy took them almost robotically, lips twitching just a bit. "...You've never been this far, have you?" You haven't, you didn't even think there were this many floors, but you weren't going to tell him that. Whether he saw it on your face or not, he grinned. "I'll leave the elevator open. As a one time grace for you all to return at any time." He yanked on the lever suddenly, giving a bright wave. "Good luck! You're gonna need it!"

☁ The warning, from Dandy nonetheless, does little to ease your nerves, but you still step out of the elevator with a kiss for Cosmo before taking off. It was a replica of the Christmas Toon's floor, so the twisted's should've been easy to find. Only...you didn't find anything.

☁ You immediately called out to be aware of objects on the ground, because as much as you loved Blu and Oakley, you didn't want a repeat.

☁ Still, the air felt...different then it did in that time. Like something sinister was watching, waiting, hunting. Taking off once more, you quickly rush to find Cosmo, finding him working on a machine. Seeing him find brings a sense of relief to you, but it's not enough to erase the feeling.

☁ "I don't like it." You frown, looking over your shoulder as you heard the rapid swish of air moving. There was nothing there.

☁ "I get what you mean. Leaving the elevator open?" Cosmo raises a brow ridge, pausing the extracting he was doing. "It's just not-" He turns to face you, only to pause, mouth gaping open as he grows impressively pale incredibly quick. He's staring behind you, watching as something moves. You go to look, but he's quick to stop you.

☁ "Something's wrong." He whispers, much quieter, struggling to draw his eyes away from whatever he was seeing. "I don't want you near...that."

☁ "Near what?" You try to turn around again and he grabs your chin this time. "Y/N, please." He pleads. "We just need to back away and-"

☁ There's a shrill shriek and this time he can't stop you as you whirl around to see Tisha with the same expression Cosmo had on his face. Behind you is a tall twisted, taller than any you've seen, other than Dandy. It's one red eye is glowing at you, locked on as it hands from the ceiling. Two of it's arms hang by it's head, lifeless and stained with ichor, though the large claws don't look any less deadly. A drop of ichor hangs out of its mouth before splatting on the ground, making your stare it, horrified. It moves like a bug, slowly as it's multiple limbs each click against the ceiling.

☁ None of you can move, you can only watch as it grows closer. There's a swish of fabric as it reorientates itself to stand upright, the two limbs that were previously lifeless lifting, as if to caress you. You don't let it, stepping back in time as Cosmo pulls you back into him.

☁ It's close enough you could see it's face though. Half of it's face is stretched unnaturally, tinged a soft blue, but darkens as it twists up in recognition of your act of denial. There's a large white star on the other half, which begins to whirr wildly, spinning and spinning and spinning.

☁ For a fleeting second, your traitorous brain turns to Astro and his twisted and the similarities between that and this...thing.

☁ The star on it's face suddenly shoots out and you tackle Cosmo to the ground as Tisha takes off to warn the others to get to elevator. There's a crash as the machine Cosmo was working on is shattered, ichor spilling out over both of you as glass rains all over the floor. Whatever is in front of you screeches and two arms reach for you.

☁ You're quick to grab Cosmo, hauling him up and taking him with you as you both take off towards the elevator. There's two sets of footsteps behind you, but with a quick glance, you see it's only the one twisted, but with four running limbs being used rather than the regular two. It's catching up fast, too fast, and for a second you swear it's going to grab you, but a hand around your waist makes you're entire system shudder before you and Cosmo are both being yanked into the elevator, which shuts much faster than usual.

☁ Everyone in the elevator is silent before Tisha is letting out a blood curdling scream, grabbing at the edges of her box. "What was THAT?!"

☁ "I don't know!" Goob cries out, big eyes already welling with tears as he pulls at his fur. Scraps is trying to help him best she can, but even she's pale and struggling to control her shaking.

☁ You couldn't outrun it. You couldn't outrun it. YOU COULD NOT OUTRUN IT. As a distractor, that's one of your only roles, and you couldn't do it. Scrambling, you shakily get to your knees, crawling to where Cosmo is slowly sitting up. His eyes are darting everywhere before landing on you, meeting you halfway and cradling you to his chest.

☁ You clutch onto his sweater with white knuckles, shaking so badly you fear tearing the fabric. The way he holds onto you is much the same however, so you don't think he minds too much.

☁ "Maybe...Maybe next time we..." You struggle to find words, throat closing as you fight more tears. Your tail gives a whip behind you before curling around Cosmo, lacing itself between the center of his curl for a better hold.

☁ "We don't." Glisten shudders, smoothing out his bow before rubbing the space between his brows. "We can't- I don't even think the mains would know how to handle that."

☁ "It kinda looked like Astro." Rodger mentions, fingers tracing a crack in his glass before retracting. "Do you think it's possible the Ichor is mutating?"

☁ "Mutating?" You shake your head. "That- That can't be. That's-" You pause before growing suddenly angry. "That's not fair!" You're suddenly seething at the aspect of it all. A new terrain to learn, new twisteds, new methods of containing them; a whole new set of injuries...Of scars. "I can't. I can't do it! I can't!" You cry out, turning to hide your tears in Cosmo's sweater as he numbly rubs your back.

☁ The elevator gives a cheerful ding, a direct contrast to everyone else's mood in the elevator. It opens to the vibrant and cheerful colors of the lobby and you hear the footsteps of the others rapidly approaching, but to you, you're just reminded of-

☁ "Cosmo! Y/N!" Your attention is quickly redirected to where Sprout and Astro are eagerly approaching, the former wrapping you both in a tight hug that the remaining partner is quick to join.

☁ It's a comforting presence and it makes your heart steady itself before fingers are picking at your fur. "Did something happen? You're both covered in ichor." Astro frets, immediately making that ill feeling return to your guts. You debate not telling them before immediately erasing the thought. They needed to know they had too. If anyone could at least begin to get a handle on how to survive...whatever that was.

☁ "There's something about floor 50."

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[thehorrorgirlstyles]

Make you Scream

Billy Loomis x reader

Summary: You find out your boyfriend is Ghostface, which should scare you, instead it turns you on even more.

Warnings: Blood, Violence, sexual content, 18+ themes, swearing, foreplay, knife-play, mature themes, sex, reader is in denial

________________________________________________

"It's gotta be him right, I mean in a horror movie, it's always the person closet to you that turns out to be a fucking killer, I'm telling you man" Randy says to you as you both walk down the hallway of your school.

"Randy for the last time, Billy... who is my boyfriend as you know, is not a fucking killer.. trust me I know him better than anyone else... and besides if he was Ghostface I don't think he would be able to hide it from me" You reply, holding you books closer to your chest.

It's been a week since news of Casey and Steve's murders and Randy won't stop coming up with ideas on who the mystery killer is. First he pointed fingers at you because you never liked the girl, which he claims is a perfect motive. You don't like half the people at your school, but they're all still alive, so his reasoning is invalid. Now, he's claiming it's your boyfriend, which you think is ridiculous, I mean why is he naming all the people in your friend group for starters, you guys are friends for crying out loud.

"I don't know man Billy is pretty scary looking" He says opening the door to the library.

You walk in and drop the books off, "Well I think he looks sexy"

"Gross"

"Can we stop talking about Ghostface now, you know Stu is hosting a party tonight, you going?" You ask him.

"Yeah right, the killer will probably show up there, a bunch of drunk, not to mention high teens that probably won't notice if someone gets stabbed...but yeah I'll be there".

You roll your eyes at his dramatics.

------------------------------------------------------

After you left Randy, you went to grab a book you forgot in your locker. You decided to go now since everyone was in class and the halls would be empty.

You turn the corner and run straight into a hard figure. You look up to quickly apologize, but see no other than Ghostface himself. You gasp in shock and back away quickly, your heart starting to race.

Ghostface stares at you, mocking your movements. You see him pull out a knife from behind him. He looks at it and runs his fingers along the blade, toying with you. Quickly, you run past him and reach the stairs towards the main entrance of the school, but he's quicker. He grabs your arm, halting you from going down and pulls you backwards, your back meeting his chest. You try to break free, but he slices at your arm, the knife cutting into your shoulder. You scream out and fight against him.

He brings the knife up to your throat and pushes against it, cutting just enough to draw blood. You close your eyes, thinking this is your final moments and you curse yourself for not putting up more of a fight, but it never comes. He stays still, holding the knife against your throat, but not going deeper. You open your eyes and look up at him, but he's looking off to the side. What is he distracted by? You don't stay to think as you use this as a time to escape, you push at his arms and he lets go without putting up a fight. You didn't realize how easily he would let you go, as you were close to the edge of the stairs. You trip out of his arms and your foot skips a step, making you tumble down the stairs.

When you reach the bottom of the stairs, your vision goes black and you can faintly make out two voices arguing.

--------------------------------------------------------

When you wake up, you feel your head pounding. You take in your surroundings and try to make sense of where you are. You look around the room and see your boyfriend sitting in a sit next to you, his face in his hands.

"Billy?" You rasp out.

He immediately looks up at you and rushes over to your side.

"Y/n, how are you feeling, are you okay?" He grabs your hand and goes to touch your hair.

"Yeah, I-I'm okay, are we at a hospital?" You ask leaning into his touch.

"You fell down the stairs, I found you and called the ambulance"

"Oh my God, I remember now..Billy the killer he was trying to kill me!.. He was at the school!"

He looks off to the side like he's angry at something, "I'm dealing with it, but uh- the doctor said you should be free to go tonight, your injuries where just minor, nothing serious, they think you weren't looking and tripped"

"That's goods, but the killer...wait what do you mean dealing with it?" You ask, confused by his response.

"Nothing, listen I have to go to Stu's party tonight, are you still up for it?" He ask, moving a stray hair behind your ear.

"Are you serious, I just told you I got attacked by the killer and you want to go to a party?" You look at him in disbelief.

"Trust me nothing's going to happen to you, I'll be by your side at all times... and you don't have to go, but the doctor said you'll be fine, I just really have to go Y/n"

You roll your eyes at him, "Fine, I'll go with you.. I need a drink anyways".

---------------------------------------------------------

After you got cleared from the hospital, you went home to change. Luckily you didn't break anything on the way down the stairs, getting away with the few marks left by Ghostface. Billy was adamant on going to this party, which makes no sense to you. Now that you think about it he didn't seem phased when you mentioned that a literal killer had you in his grasp ready to slice your throat. Weird.

"You look so hot Y/n... I heard what happened at school you okay?" Tatum says to you when she opens the door.

"Thanks, you too and yeah I'm okay it wasn't anything serious" You give her a hug and walk inside, your hands interlocked with Billy's.

"Hey I'm going to grab a drink, you want anything?" You shout to your boyfriend, over the loud music.

"No, I'm fine sweetheart, come straight to me after, don't want anyone slipping something into your drink".

"Ok, meet you by the front" You saying giving him a final kiss on the lips then leaving.

--------------------------------------------------

After you grabbed your drink, you walked back, frowning when you realize that Billy wasn't by the front.

Instead you see Randy by the door, drinking a beer, "Hey Randy, have you seen Billy?"

"I saw him go upstairs" He nods towards the stairs, continuing to drink his beer.

You go to walk upstairs, but he stops you, "Hey what happened at school?"

"What do you mean?...everyone heard that I fell down the stairs".

"Yeah..but like did you fall, or were you pushed?" He asks you, looking dead into your eyes.

You sigh, "It was Ghostface, he tried to kill me at the school, but something distracted him... He let go of me and I missed the step, when I woke up in the hospital Billy was there and he said it was better if I didn't tell the cops anything, that way Ghostface won't come after me anymore".

Randy scoffs, "Don't you see, it is so clearly him.. "don't tell the cops", that's complete bullshit, in what world would you not tell the cops a literal killer came after you?... and your stupid enough to agree with him, HELLO?!"

"Randy, enough with this Ghostface shit, I know you think it's Billy, but its not and if I was pushed down the stairs, it wouldn't be by him.. I do think it's a little weird he didn't seen phased by it, but I trust him.. he probably just didn't want to scare me into thinking Ghostface was going to come after me again and besides I'm pretty fine, just a few scratches".

"Whatever, you're either in serious denial or your a complete fucking idiot, I'm leaving.. call me later, if you're still alive be then" He grabs the door handle and walks out, slamming it shut.

You think that maybe Randy's right, even though he could have worded it nicer. I mean you were just in a hospital a few hours ago and now you're at a party?!

You brush off Randy's words and start to head upstairs. You pause when you get to the top, hearing hushed voices.

"I'm going to fucking kill you!..Why the hell would you go after Y/n.. when was that part of the plan?"

"You're going to kill Tatum, why can't I kill Y/n?"

"Uhh- maybe because Y/n is my girlfriend dumbass".

"Tatum is my girlfriend!"

"Yeah, but Tatum is just a means to an end, we actually want Y/n alive because I love her!"

"Whatever I'm going to go talk to Tatum before you kill her!"

Just as he stops talking, your phone starts to ring. Shit! You hurry up and try to turn it off seeing that it's Randy. This man has perfect timing.

"What the fuck was that?" Stu asks.

Before you can leave, a tall figure appears from around the corner. Billy stares at you, his facial expression unreadable. Your heart drops.

"Well What is it?" Stu asks.

He continues to stare at you for a minute before answering, "It's nothing, someone was probably at the bottom of the stairs".

You don't wait to hear Stu's reply and hurry down the stairs. WHAT THE FUCK?! Randy was right this whole time, Billy is ghostace? Stu is ghostface? THERE ARE TWO GHOSTFACE?!

"Y/n!" Someone calls your name.

You look behind you and see Billy standing by the stairs, he nods his head, wanting you to follow him upstairs. This is dumb right? You shouldn't go upstairs BY YOURSLEF with someone you know is a killer. You should call the police and turn both of them in.

You follow Billy upstairs. He leads you to one of the guest bedrooms, opening the door for you. You walk in first and he closes the door behind you, locking it.

You face him, waiting for him to speak. He smiles at you, shaking his head, "Why were you on the stairs?"

"I was looking for you".

"Hmmm, and you found me" He chuckles. "What did you hear?" he asks, walking closer to you.

You back up, your legs hitting the side of the bed, "Nothing".

"Mmmh, okay... Do I scare you?" He closes the gap between you.

"No".

He nods at your answer and he reaches behind himself, pulling a knife out of his pocket. He holds it up and quickly grabs you, applying pressure to your neck. You gasp at his quick movements.

"And what about now?" He says adding pressure, but not enough to actually hurt you.

"No".

"No? I don't make you scare sweetheart, even after you know what I have done, the people I've killed?"

"No".

You don't know why, but you're finding this to be extremly hot. Billy threatening you with a knife, but knowing that he would never hurt you. Maybe you're just sick in the head, after all your boyfriend is a murder, you shouldn't feel this way, but you do. Maybe it's because of all the dark romance books you have been reading or maybe it's because you love him too much that you can cast away his flaws. You should probably call the cops, but instead you rub your legs together, the friction does nothing to ease your aching cunt.

Billy catches the movement without his eyes, and groans when he sees what you're doing, "You're enjoying this?".. "You're more sick than I am, what a dirty whore you are" He chuckles out.

You moan, "Billy pleasee, I-I just need you".

"You want it baby?" he guides the knife over the top of your chest.

"Please, Mr. Ghostface".

His eyes darkenen in response as he halts his movement, looking at you. He grabs at you quickly and slices your top open with the knife, exposing your breast. The cold meets your chest, your nipples hardening. He looks down at your breast and moves his mouth to meet your bud. He licks and flicks at it with his tongue. He moves up to your neck and laps at it, leaving marks. You moan and wrap your arms around his neck, encouraging him to continue his bitting.

When he finishes attacking your neck, he picks you up and throws you on the bed. You gasp as your back meets the mattress. He gets on top of you and starts to undo his belt.

"Turn around and get on all fours" He tells you, slapping your cheek.

You listen to him and flip over on your stomach. After he gets his pants off, he flips your skirt over, exposing your bare cunt.

"You didn't wear anything underneath?" He asks in shock, but he quickly turns unfazed.

"Always prepared for me huh sweetheart" He pulls your legs closer to his hip and you can feel just how hard he is. He rubs his tip against your entrance, making you grow wetter by the second. Without warning he pushes his length past your folds. Making you scream out. You quickly adjust to his big size, the pain turning into pleasure.

He snaps his hips back and forth. Your whines egg him on as he continues to fuck into you ruthlessly not caring if you can take it. He doesn't let you gather your breath, each movement your face pushes more into the sheets. You cry out, but it's muffled by the sheets. He repeatedly hits your g-spot, making you cry out even more.

"Fuck, look at you making a mess on my cock, you're a fifthly little thing aren't you?" He pulls you up, your back meeting his chest, waiting for you to answer him.

"Only for you Billy~" You whine out, tears forming in your eyes from the pleasure.

He pushes you back down into the sheets, his movements continuing, "That's right baby, you're mine, my dirty slut, my pussy to fuck, my cunt to cum in".

You feel his dick twitch inside of you, knowing that he is close. You moan out his name, begging for him to fuck into you faster. He listens, his pace picking up. Your wet pussy hugs his dick, clenching around it tightly.

"Fuck, Y/n..I'm gonna cum, you feel so good... so wet for me baby"

You moan in response, as you feel yourself getting closer and closer. With one final snap of his hips you clench down on his cock, causing him to reach his climax too.

"Fuckk~" He pulls your body closer to him, making sure that his dick is fully inside you as far as it can go. You feel his cum painting your walls as he comes undone. He collapses on top of you, his dick twitching inside of you. When you both calm down from your highs, he flips you over, pulling your naked body on top of his.

After you both finish, you lay on the bed together. He holds you to his chest and strokes your hair. You look up at him and he grins at you. You reach up to meet his lips. He kisses you back immediately, humming into the kiss. After a while, you pull back and look up at him, meeting his eyes.

"Please don't kill Tatum, I like her".

He chuckles, "Whatever you want baby".

[gloomwitchwrites]

I absolutely love your stories they’re so amazing! Can I please request the task force and pranking them by telling them a guy did your Brazilian wax

Thank you! I can't take all the credit. I might be the writer, but the Imagines Series couldn't be what it is without all the amazing ideas people have submitted. I'm honestly blown away by the amount of creativity and ideas sent my way. My inbox is full of wonderful requests, and while it's going to take me a bit to get to them all, I'm eager to complete them!

The amount of prank requests I've been getting has been so fun. Not just this one, but telling mom to shut up, and the premium air prank, etc. All of these make me giggle and have been a blast to work on. Thank you so much for sending this in!

Presented in four double drabbles.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings (per the warnings MDNI): swearing, suggestive themes, established relationship, pranks, non-descriptive nudity

Word Count: 800

ao3 // main masterlist // imagines & what if masterlist

John Price

John briefly licks the pad of his thumb before counting out the appropriate amount of pound notes.

“This enough?” he asks, presenting it to you.

It’s more than enough. “Plenty. Thank you, John.”

He leans forward a bit, and you eagerly greet him, pressing a quick kiss to his cheek. Drawing back, you give him your best smile. But beneath the grin is a trick.

You want to mess with him a bit.

“I have a new waxer,” you shrug, adding the cash to your wallet. “Cheryl put in her notice.”

Cheryl did not put in her notice. That woman probably won’t retire until she dies.

John inclines his head, already turning away. “That’s too bad. You liked her.”

“Yeah,” you sigh, grabbing your purse. “They’ve put me with someone new. A Mark? Mike? No—Marcus? I think.”

John freezes. He slowly turns back, cheeks bright red. “What?”

“It starts with an ‘m’,” you muse.

“Your new waxer is a man?”

“Yes,” you shrug. “And?” John’s face resembles a beet. “Everything good?”

“Where does Cherly work now?”

“John—”

He grabs his phone from his pocket and starts tapping away at it. "I want to know if she accepts walk-ins."

Kyle "Gaz" Garrick

Kyle's hand slowly runs over your newly waxed skin. "Look at you. So soft and smooth." His touch makes you shiver.

"You paid for it," you murmur.

"I did," smiles Kyle, head dipping.

His tongue makes contact, and you release a moan. It’s slightly distracting, but not enough to detract from you poking at him.

“Had a new waxer,” you sigh as Kyle goes in for another taste.

“Did you?” he asks absently, more interested in your new smoothness.

“A man, actually. Undergoing training. There were two of them in the room.”

Kyle's head snaps up. "What?"

"Why'd you stop?" you whimper.

"There were two men that waxed you?"

“No, Kyle. Just one.”

A series of emotions pass over Kyle's face. His mouth opens. Closes. And then his hand forms a fist, fingers flexing and relaxing as he mulls over something.

"Everything okay?" you ask, suddenly worried.

“Can’t be that hard.” Kyle pushes away from the couch and reaches for his phone. “Or expensive.”

“What can’t? Kyle. What are you talking about?”

You lean forward and see him adding a waxing kit to his online shopping cart.

“No,” you say firmly. “You’re not putting hot wax anywhere near my vagina.”

John "Soap" MacTavish

"Oh, what's this?"

Johnny's hands are on your thighs and then beneath your skirt in a moment.

"Johnny!"

"Is this for me? You don't have to. You know I like a good adventure through the woods."

"Johnny!" you say again, slapping his arm playfully as his fingers lightly squeeze, making your squirm in his grasp.

"Was this on my dime?" he asks.

"Maybe."

"Oh, aye. Am I gonna find an unknown charge?"

"With a tip. A large tip. My waxer deserved it. He did a good job."

"Oh, they—he?"

"Yes. That a problem?"

Johnny's hands don't retreat but he's staring at you—hard. You arch an eyebrow and he finally speaks. "Your waxer is a man?"

No.

"Yes."

Johnny nods and then he leans in, lowering his voice. “You’re taking the piss.”

“I’m—”

“I saw your location. I checked it out. They don’t have a single male employee in that place.”

Your face grows hot.

Johnny’s hands squeeze a bit harder, and then he lands a brief smack against the curve of your ass. “Lying to me, love?” Johnny tsks. He palms the curve of your ass where it stings. “Suppose I should punish you.”

“Maybe you should.”

Simon "Ghost" Riley

You reject the call and clutch your phone to your chest. You've messed up. Royally. Pranking Simon is always a terrible idea.

The texts were just a tease. Just a way to push Simon’s buttons.

I have a new waxer.

I thought it would be one of the other ladies.

But no!

It was a guy!

Your phone buzzes again and you nearly throw it across the room. It’s Simon. You decline the call. Everything is quiet for a few brief seconds before a text message from him comes through.

Answer your phone.

You click out a reply.

I'm in the car!

His reply comes instantly.

You're at home. I know your location.

Another incoming call. This one you answer.

"Simon,” you say flatly.

"What location did you go to?" he asks, voice rough with tension.

"Why?" you counter.

"What's his name?" he snaps.

"I know what you're doing, Simon.”

You always forget just how deep his possessive streak goes.

Silence. Then, "I just want to talk."

"Simon.”

He growls your name in warning.

"You don't need to go there. Just...come home. You can see the results for yourself."

He sighs. "I'll be there in ten. Be ready for me."

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@ash-tarte @enarien @gingergirl06 @greeniegreengreen @certainlygay

[cookinguptales]

You know... I had an experience about two months ago that I didn't talk about publicly, but I've been turning it over and over in my mind lately and I guess I'm finally able to put my unease into words.

So there's a podcast I'd been enjoying and right after I got caught up, they announced that they were planning on doing a live show. It's gonna be near me and on the day before my birthday and I thought -- hey, it's fate.

But... as many of you know, I'm disabled. For me, getting to a show like that has a lot of steps. One of those steps involved emailing the podcasters to ask about accessibility for the venue.

The response I got back was very quick and very brief. Essentially, it told me to contact the venue because they had no idea if it was accessible or not.

It was a bucket of cold water, and I had a hard time articulating at the time quite why it was so disheartening, but... I think I get it a little more now.

This is a podcast that has loudly spoken about inclusivity and diversity and all that jazz, but... I mean, it's easy to say that, isn't it? But just talking the talk without walking the walk isn't enough. That's like saying "sure, we will happily welcome you in our house -- if you can figure out how to unlock the door."

And friends, my lock-picking set is pretty good by this point. I've been scouting out locations for decades. I've had to research every goddamn classroom, field trip, and assigned bookstore that I've ever had in an academic setting. I've had to research every movie theater, theme park, and menu for every outing with friends or dates. I spend a long time painstakingly charting out accessible public transportation and potential places to sit down every time I leave the house.

Because when I was in college, my professors never made sure their lesson plans were accessible. (And I often had to argue with them to get the subpar accommodations I got.) Because my friends don't always know to get movie tickets for the accessible rows. Because my dates sometimes leave me on fucking read when I ask if we can go to a restaurant that doesn't keep its restrooms down a flight of stairs.

I had one professor who ever did research to see if I could do all the coursework she had planned, and who came up with alternate plans when she realized that I could not. Only one. It was a medical history and ethics class, and my professor sounded bewildered as she realized how difficult it is to plan your life when you're disabled.

This woman was straight-up one of the most thoughtful, philosophical, and ethical professors I've ever had, one who was incredibly devoted to diversity and inclusion -- and she'd never thought about it before, that the hospital archives she wanted us to visit were up a flight of stairs. That the medical museum full of disabled bodies she wanted us to visit only had a code-locked back entrance and an old freight elevator for their disabled guests who were still breathing.

And that's the crux of it, isn't it? It's easy to theoretically accept the existence of people who aren't like you. It's a lot harder to actively create a space in which they can exist by your side.

Because here's what I did before I contacted the podcasters. I googled the venue. I researched the neighborhood and contacted a friend who lives in the area to help me figure out if there were any accessible public transportation routes near there. (There aren't.) I planned for over an hour to figure out how close I could get before I had to shell out for an uber for the last leg of the trip.

Then I read through the venue's website. I looked through their main pages, through their FAQs to see if there was any mention of accessibility. No dice. I download their packet for clients and find out that, while the base building is accessible, the way that chairs/tables are set up for individual functions can make it inaccessible. So it's really up to who's hosting the show there.

So then and only then I contacted the podcasters. I asked if the floor plan was accessible. I asked if all the seats were accessible, or only some, and whether it was open seating or not. Would I need to show up early to get an accessible seat, or maybe make a reservation?

And... well, I got the one-sentence reply back that I described above. And that... god, it was really disheartening. I realized that they never even asked if their venues were accessible when they were booking the shows. I realized that they were unwilling to put in the work to learn the answers to questions that disabled attendees might have. I realized that they didn't care to find out if the building was accessible.

They didn't know and they didn't care. That, I think, is what took the wind out of my sails when they emailed me back. It's what made me decide that... yeah, I didn't really want to go through the trouble of finding an accessible route to the venue. I didn't want to have to pay an arm and a leg to hire a car to take me the last part of the journey. I didn't want to make myself frantic trying to figure out if I could do all that and still make the last train home.

If they didn't care, I guess I didn't either.

If they'd apologized and said that the only venue they could get was inaccessible, I actually would have understood. I know that small shows don't always get their pick of venues. I get it. I even would have understood if they'd been like "oh dang, I actually don't know -- but I'll find out."

But to be told that they didn't know and didn't intend to find out... oof. That one stung.

Because.... this is the thing. This is the thing. I may be good at it by now, but I'm so tired of picking locks. I'm tired of doing all the legwork because no one ever thinks to help me. I'm tired of feeling like an afterthought at best, or at worst utterly unwelcome.

If you truly want to be inclusive, you need to stop telling people that you're happy to have them -- if they can manage to unlock the door. You need to fucking open it yourself and welcome them in.

What brought all this back to me now, you may be asking? Well... I guess it's just what I was thinking to myself as I was tidying up my phone.

Today I'm deleting podcasts.

[artsymeeshee]

Been in a weird headspace lately and I wanted to put my thoughts and feelings out to give a better idea of what's been happening. Putting under a read more/feel free to ignore.

I've talked about my struggles mentally on and off for a while and this one has been an ongoing thing for me and it's one I feel has begun to stick out more as time goes on.

I don't see myself as a good person. Most of the time I feel like I'm a bad person. And there's a lot of factors that play into this. One, is the things that I draw, which sounds absolutely crazy. Even I think it is as well.

It's no secret that my main priority has always been familial/platonic themes because that's how I've always viewed Gravity Falls as. And I know a lot of people do as well. It's one of the main themes of the show for crying out loud. And it's not to say I'm getting tired of it. That's a thing that has never crossed my mind, ever. It's more so along the lines of thinking it's too boring or falling back to that feeling of feeling bad because I don't make ship art. And I know I shouldn't feel bad about it and there's plenty of others that gladly do it. It's just one of those things that I'm not sure I'll really accept. And I'm always always grateful for the ones that tell me they appreciate all the family bonding/themes in my art. I guess the feeling of loneliness plays a part in that as well. I'll still make all the family things as long and as much as I can, but I won't deny the feeling of loneliness I get sometimes.

I do have that strong feeling that I am made to do something more and actually be someone and not the usual husk of a terrible individual I fall back on so many times. I won't deny anxiety and fear has taken a big hold on me lately. And it's also driven me to isolate myself in a sense and made me a cold person. I was so much more open years ago and now I've closed a good part of me away because... maybe I realized my "correctness" of myself being a bad person and who would even want to be around someone like that, so it's easier to hide. And I'm always afraid that one day I'll do or say something to no longer make me feel like I'm safe to approach. I've gone through so many people I've found that I've grown to like only for them to be an awful person and it sucks. I never want to be like that.

It's also been hard to not fall back to up and leaving. Whether that be online or real life. Last year was a time I fought with staying or leaving and it was always hard to decide to stay because leaving seemed like the only option I deserved.

I'm aware my ongoing battle with depression has hindered me a lot and it's a main factor for all of my negative feelings and thoughts about myself. And I don't want it to always resort to being the final say of who I am. I would like to find and show that part of me I feel people deserve to see.

I'm going to be honest, putting my raw emotions and thoughts like this is always scary. I'm sorry for the unexpected and serious post. I hoped I didn't make it too annoying or bring the mood down, but I needed to clear an ongoing struggle I've had for a long while. Thank you all for the constant support. Thank you for liking my silly, dumb, wholesome, sometimes feelsy art. Wanted to state another serious thing because life is so unexpected and you never know what will happen, but if something were to happen to me, I really can't explain how grateful I am for the love I've gotten from my time sharing my art. Thank you. Truly. 💜

[retrorats]

Some thoughts about Komaeda's fifth free time event and his relationship with Hinata

The fifth Komaeda free time event has always been very popular between Komahina fans, specially because the event was where the romantic tone of their relationship was consolidated for a lot of people. But even if the focus is usually on Komaeda's love confession, I have always felt that this free time event is way more important and meaningful besides that. This event has on it a lot of important moments that say a lot about their relationship, and that make very clear the most prevalent themes of it.

The free time event starts with Komaeda wondering why Hinata is still going out in his way to talk to him. Hinata answers that he is doing it so he can hear the rest of his story, in his typical fashion of rationalizing and dismissing his feelings for Komaeda. While Komaeda tells the rest of the story, he says one of the most important things for this free time event, and in general for the relationship of Komaeda and Hinata.

This dialogue reveals to us the important information about how Komaeda not only perceived the similarities between them since they first met, but also how since that moment, he deeply believed that Hinata would be able to understand him. All of the things that this scene explains are the fundamental basis of the relationship of Komaeda and Hinata. Komaeda's attachment towards Hinata comes from a place of feeling like he had finally found a person that could get to understand him and as we will see with other parts of this free time event, he thought he had finally found a person that could love him.

Hinata's response towards Komaeda is also important to mention. Hinata negates to be not like Komaeda, he rejects their similarities and also in certain way he rejects the connection Komaeda feels between them, something that's accentuated even more considering how Komaeda interprets his words as having lost the opportunity of having someone inheriting his soul. But even in his negation, there's something deeply interesting in the way Hinata phrases certain things in it. If we look well at what Hinata is saying, we can see how while he negates being similar to Komaeda, his negation is mostly focused on negating his misery, and he seems to silently accept being a bystander that is devoid of any unique aura possessed by the talented.

In a certain way, Hinata's negation in this part has always read to me as being a last resort to try to distinguish himself in some way from Komaeda. Compared to other parts where Komaeda alludes to him and Hinata being similar, here the negation of Hinata doesn't feel so unaware like in the other times that he negated it, here it feels more like Hinata is legitimately aware of how similar they are; He says that he's not miserable, and that he is ultimately different from Komaeda as a last resort to negate what he already knows, and to dissociate himself from him.

Komaeda talks about how he doesn't have anyone in this world and how absolutely lonely his existence is. Something very interesting that Komaeda says, is that he mentions his ideologies as the main reason for being alone.

This moment is not only interesting because it puts Komaeda loneliness to be something that is a lot about his way of thinking being completely incomprehensible for other people, but also because it provides us with certain information about the relationship between Komaeda and Hinata. People distancing from Komaeda because of his beliefs is not something that is only mentioned here, but it is very explicitly the main reason why Hinata distanced himself from Komaeda since chapter 1. Because of this, it's not hard to read this to be a certain reference to his relationship with Hinata -a person that Komaeda really felt he could connect with- and how he also ended up distancing himself because of his way of thinking, like other people Komaeda knew.

This seems to be the principal reason of why Komaeda seems to be so focused on believing that he and Hinata are similar, and also in the belief of Hinata being able to understand him. Komaeda has been misunderstood by everyone all his life and his ideologies have isolated him from the rest of society. All of this has resulted on Komaeda having the fixation on finding someone that would be able to understand him, this fixation ultimately leading him to have a very intense attachment towards Hinata even when they barely really knew each other, because it was probably the first time he had known someone that was similar enough to him to understand him.

There is also a certain connection between Komaeda thinking that they are similar, Hinata distancing himself from him and Komaeda's surprised reaction in chapter 1 seeing Hinata had started to think lowly of him. When Komaeda thought that he and Hinata were similar, he probably also believed that Hinata had a similar way of thinking, and because of that, he wouldn't just distance himself from Komaeda like the others when discovering the truth of the murder.

Considering how Komaeda talks about feeling that Hinata was able to understand his feelings, how he implied that he wanted Hinata to "inherit his soul" and in general considering how much this free time event talks about their connection, is not hard to think that in certain way this line is also a little bit about Hinata. Obviously, Komaeda's desire to be loved wasn't born because of Hinata, but I do think considering all we have seen before, is logical to think that one of the reasons Komaeda was so attached to Hinata is because he saw in him -because of their similarities- someone that he could connect with, and for that same reason, someone that could love him.

This is specifically accentuated considering the very strong reaction that has Hinata regarding this statement, literally considering throwing everything he has believed about not forgiving Komaeda until that point. I don't think that his reaction is because he was aware of that fact, but I do think it was written in that way to accentuate how this was talking in a certain way about Hinata.

Hinata's extremely heartbreaking and intense response towards Komaeda "lying" could also be easily considered a hint towards this being in a certain way about Hinata, but his response to this is also about way more than just that. His reaction is due to a lot of things, for one part it's about how Hinata feels like he was just deceived by Komaeda again, after having spent so much time trying to actually understand him. But is also about how Hinata wanted to believe in the existence of the Komaeda he once knew. Both of these very strong reactions -this one and his reaction towards Komaeda wanting to be loved- are born from that, from the need to believe him and to have a proof that after all, there existed some truth about the Komaeda he once knew, that there was some logic behind Komaeda, that there existed a reason behind his behavior.

He specially wanted to believe on that line because of how human it makes Komaeda. His biggest desire being something as sensible and human as connection, and this desire, being only realized when on the verge of death, is something that makes Komaeda look very tragic. That makes, Komaeda, human and sensible, and his actions, suddenly are more understandable. Hinata wants to believe on this because he wants to make reason of Komaeda, and give a logic, a very human and sensible logic, to the way he acts.

To finalize, I really love this event because I feel that in it is conveyed all of the main themes and important parts of the relationship of Komaeda and Hinata. It's very beautiful for me to see all the little parts that make them themselves being presented so strongly and explicitly on a full event.

[lalalian]

weird/uncommon genres | dr ideas

date: december 16, 2024

Im never making a joke again 😭 after talking to my friend abt it, i feel better, but im still too scared. I thought poop jokes were childish and funny, like “your mom” 😭 regardless, nobody's seeing a joke from me ever again unless it’s on tiktok-- just to be clear tho, even if I found it funny, if the other party didn't, obviously the fault relies on me

I saw a guy get canceled for saying “your mom” too— though tbf it’s bc in Confucian countries it’s really bad to joke about your parents

sjfhdhsks I wanna cry…

Anyway, I haven't done these in awhile; I'm not sure if yall like my aethergarde academy posts more, these kinds of posts, or both (equally).

it's been awhile-- here's some weird ass genres you could make a DR from.

disclaimer: I used chatgpt (out of curiousity for some of these genres, those genres are made up and are not actual terms. Italicized ideas are ones from chatGPT. Guys it's unfair how good chatgpt is getting.. my brother told me that the goal of the current model is to have the AI simulate proper critical thinking instead of simply spitting out information.. isn't that crazy)

futuristic

cli-fi - this genre delves not only into climate change itself, but issues relating to the sun disappearing, or the world freezing. I remember seeing a shifter somewhere saying that she shifted here bc in her previous reality climate change was getting really really bad.

social sci-fi - focuses on how humans interact and behave in a futuristic setting.

planetary romance - exploration of different planets + romance, especially with an alien. Also characterized by distinctive extraterrestrial cultures and backgrounds.

data gothic - cyberpunk x gothic horror; characters encounter malevolent AI beings, digital ghosts, and corrupted data streams.

cosmic agriculture - genre focused on growing plant life in outer space or on different planets. Can also including breeding alien organisms (bacteria).

psychic noir - solve crimes in a world where memories, emotions, and thoughts could be hacked, manipulated, or weaponized. I think I'd make the memory thing extremely hard to do, since if it was too common I think it'd cause way too much havoc.

eco-metamorphosis - kinda like alien stage, but if you'd like, it could be less dark. This genre centers around earth being colonized by aliens, but the goal isn't to reject these changes, but rather to coexist with the other species.

liminal

slipstream - "speculative fiction that blends together science fiction, fantasy, and literary fiction or does not remain in conventional boundaries of genre and narrative"

abandoned intentions - explore incomplete worlds-- as if the world was abandoned mid-creation.

fantasy

lost world - discovering a hidden civilization, like atlantis or lumeria.

subterranean - a world that is primarily in an underground setting; similar to the hollow earth theory.

mythic/mythopeia -  "fiction that is rooted in, inspired by, or that in some way draws from the tropes, themes, and symbolism of myth, legend, folklore, and fairy tales."; very similar to my wandering apocathary dr.

oceanic

nautical fiction - relationship between humans and the sea; "human relationship to the sea and sea voyages and highlights nautical culture in these environment".

wholesome/cute

furry sleuth - this is not about furries-- this is essentially a mystery where the main character is a household animal, typically a dog. Said animal would be the detective and solve mysteries.

cashier memoir - this genre always takes place in the head of a cashier. The goal is to come across as many different kinds of people as possible. This would be incredibly boring in this reality, but imagine if you were a barista in a fantasy or futuristic reality... you'd come across a lot of people without much effort or mental strain.

epistolary - a story told exclusively through fictional letters, newspaper articles, emails, and even texts. This isn't necessarily a genre of DR, but I think it'd be really interesting to guess/assume the plot of a DR through short snippets of letters or texts.

[usomads]

Finisher // Roman Reigns x Reader (Pin Me Pt. 2)

Author’s Note -> Hiiii everyone! So many of you requested a part two to Pin Me, which again thank you so much for all the love on the first part. I honestly didn’t think of making it multiple parts when I first wrote this, but here we are and here it is lol! Happy reading!

Plot -> After pinning the Smackdown Women’s Champion in your mixed tag-team match with Roman Reigns, you gained popularity and with that your first singles title opportunity. You’ve never been more nervous for anything in your life, so your Tribal Chief helps ease your nerves before your match…

Pairings -> Roman Reigns x Fem!Reader (Y/N)

Warnings -> Cursing, Oral Sex (Fem!Receiving), Fingering, Gagging, Implied Smut, Not Proofread, MDNI

Word Count -> 3.0k

(time skip to the first Smackdown episode after Saturday Night’s Main Event)

“I’ve been your Smackdown Women’s Champion for nearly five months now, and since becoming your champion I have proved that I am the irresistible force and nobody can take this title from me. Not Bayley, not Naomi, not Tiffany, and esp-” Nia’s promo was cut short by your entrance music hitting, the crowd rising to their feet and popping loudly for your theme. Since pinning Nia at Saturday Night’s Main Event, you had taken the WWE Universe by storm; your social media following went up, more and more people were recognizing you in public, you had gotten exactly the recognition you wanted all along- and it was all thanks to Roman Reigns.

Since last Saturday and your “celebration” post-match, you’ve grown closer to Joe. You were getting to know each other better, spending more time together, and what you initially thought was a one-time thing in the heat of the moment was clearly not. Joe got his hands on you every chance he could, it didn’t matter where or when, if he wanted you he was going to have you. And who were you to turn down your Tribal Chief? 

Now, you two hadn’t defined your “relationship” just yet but you both were perfectly fine with the way things were at the moment- taking things slow and really getting to know each other (among other things) before making anything official. You were doing pretty well for yourself; you were gaining more traction than before and you had a fine ass man to go home to- you had zero complaints with how your life and career were going at the moment.

You emerged from backstage, microphone in hand, as the crowd roared at your entrance. You signaled for production to cut your music, walking confidently to the ring as you spoke. “Now, Nia, I know damn well you didn’t come in the ring to talk all this mess about ‘no one can beat me’ after last week… did you hit your head too hard during our match or something because I,” you paused, signaling to the crowd filling the arena, “as well as the entire WWE universe remember very clearly that I pinned you last week at Main Event.” The crowd cheered in response, boosting your already high confidence as you smirked at Nia. “If you’re soooo confident you can beat me one-on-one, then do it. Put your title on the line next week and let’s see how much of a ‘force’ you really are.”

“Oh, Y/N…” Nia mocked you, “it’s so adorable that you think you’re a threat to me and my title. That win you got last week, pinning me? Was pure luck.” Nia stepped to you, with little distance between you too as she glared down at you, “But unlike you, at least I don’t have to sleep with anyone to get my main event spots, I work hard for what I have. Do that first, then come talk to me.” That wasn’t in the fucking script, is she serious right now? Oh, if she wants to improv, best believe I can too. You swung without thinking twice, using the microphone in your hand to hit her on the side of the head. It was time for a fight. 

You and Nia took turns trying to go at each other, both of you countering the other until she blindsided you out of nowhere with a hit that made you see double for a second. You knew you were done after that, feeling blood trickle from a cut on your head created by her. She continued to attack you while you were down, the crowd booing with every hit she delivered. After your body had slumped in the center of the ring she grabbed you by your hair and pulled you up, showing your beaten and bloody face to the crowd and cameras. “This isn’t fantasy, Y/N, stop playing pretend with Roman and go back to catering where you fucking belong.” She threw your head back onto the mat and exited the ring as security and medical personnel rushed to the ring. You dragged your fatigued body out of the ring and backstage, refusing treatment from medical despite their protests. You walked into the locker room Joe and you now shared, while Joe was screaming at someone on the phone.

“Nick, are you fucking kidding me? There’s gotta be some form of punish- I don’t give a shit what the higher ups thought about it, she could’ve seriously injured Y/N, I-,” Joe paused, turning around and seeing you enter the locker room, “I gotta go. This conversation isn’t over.” Joe hung up on the GM and rushed over to you. “Baby, are you okay? Did she hurt you? Have you gotten looked at by-”

“No, Joe, and I’m not going to. Just please, drop it. I’m over it.”

“Well, I’m not. Why the fuck would she even say something like that? How would she have known about us?”

“I don’t fuckin’ know, Joe! Now leave it alone, seriously, I’m not in the goddamn mood.” You went silent, thinking about what you were going to do about Nia. You needed to do something different, something she would never see coming. Your priorities shifted completely after that segment, you now no longer wanted just the title. Your biggest priority, maybe even more than wanting the belt, was to beat the shit outta Nia Jax, no matter what it took.

“Babe, c’mon, you need to sit down. You’re gonna stress yourself into a heart attack if you don’t quit pacing around the room like that,” Joe was currently attempting to calm you down, you had been completely fine this past week you were training and promoting the match, but now that the show had officially started your overwhelming amount of confidence had completely vanished.

“Easy for you to say, title matches are second nature to you. Muscle memory. I  have never competed for a title before, I have every right to be freaking the fuck out right now, Joe,” you sighed. “It feels like everything just did a 180 degree turn, like I have so many eyes on me now and they all want me to beat Nia’s ass, and I just don’t know if I-”

“Hey, none of that. Y/N, look at me,” you slowly brought your head up to meet his eyes, the same ones that completely captivated your being just a couple weeks ago. “Whatever you’re about to say, don’t. That crowd out there knows exactly what you’re capable of, you know what you’re capable of, and I know what you’re capable of. I believe in you, baby, and if you can’t find it in you to believe in yourself then I’ll believe enough for the both of us. You got this, Y/N, I know you do.” Your heart melted at his words, the soothing and reassuring tone in his voice providing you some much needed comfort. 

“You still nervous, baby?” You nodded your head, looking down at your lap as he scooted closer to you on the couch. “I think I have an idea on how we can fix that. Do you trust me?”

“A-always, Joe.”

“Good girl.” He lifts your chin with his finger and passionately presses his lips to yours, resting his palm on the side of your face as you moan into the kiss. Your stomach flutters at his soft demeanor, feeling some of your nerves dissipate as his lips caress yours. He lays you down on the couch, hovering over you as he deepens the kiss. Breathless, he pulls away, leaning his forehead against yours and looking lovingly into your eyes. “You still feelin’ nervous, baby?”

“Y-yeah,” you breathed out, “a little less, but still pretty nervous.”

“I guess I’ll have to keep going then, don’t I?” His lips find their way back to yours, resting there for a moment before trailing along your jawbone and down your neck, leaving a few wet kisses at the base of your throat before continuing his path downward. Your breathing had picked up, and you were now looking down at him as his lips left a trail down your abdomen.

“A-are you sure we should… now? I mean, I have my match later and I-”

“Shhh, I promise I’ll be quick. Just wanna take care of you, help my baby out,” he muttered against your hip bone as he teased the lining of your ring gear you had been wearing. You sighed contently, leaning your head back against the arm of the couch and allowing yourself to relax into his touch. His fingers interlock in the lining of your bottoms as he looks up for you, asking for permission to remove them. You lift your hips off the couch, allowing him to slowly drag the material down your legs and throw them to the side. He snakes both hands up your legs, kneading the soft flesh of your thighs before splitting them apart and exposing you to him. Your body was so reactive to him- Joe loved how goosebumps would scatter across your skin at the brush of his lips or how your eyes would flutter closed and your eyebrows would scrunch together with just his touch, but most of all, he loved how how wet he made you without doing a thing to you. 

“Fuck, ma, always so ready for me,” you moaned loudly and bucked your hips, desperate for any sort of friction, “you gon’ have to be quiet for me, don’t want nobody to hear us, right baby?” You nodded and bit your lip, trying to hold in your cries and his fingers danced up the smooth skin of your inner thighs and through your folds, leaning down to make his face level with your core and presses a soft kiss on your clit before wrapping his lips around the swollen bud, nipping and sucking while he continues to drag his fingers along your slit before pushing a finger inside. His thrusts are slow, putting his focus on his mouth as he eats you with a burning intensity. His tongue works itself in ways that set your body on fire, the scruff of his beard along with it only adding to the sensation he’s giving you. The lip you’re biting to keep quiet is nearly drawing blood. You want to cry out, you want to moan his praises loud enough for the crowd inside the arena to hear, but you know you can’t so you continue to restrain yourself despite wanting to do the complete opposite.

He replaces his fingers with his tongue now, pumping it inside of you and using one to pin your hips down and the other to draw slow circles into your clit. This time you can’t help yourself; your clit is so sensitive that the second his fingers brushed it, you were done for. He pauses for a moment to remove his t-shirt he was wearing and you whine from the loss of contact, watching as he morphs the cotton material into a ball and hands it over to you, bringing his hand back down to your clit. “Bite down on this, since you can’t keep yourself quiet, I’ll make you.” You hesitate for a moment and look down at him, his features darkening and giving you a sly smirk before nodding his head. You bring the material to your lips before biting down on it, your senses being completely filled by Joe. He goes back to eating you as you moan into the cloth, the material successfully muffling your cries. Joe’s movements become more and more desperate, moving his tongue and fingers faster as he can sense you’re close. You can’t stop your moans now, saliva drooling from the corner of your mouth as you feel yourself getting closer to your release. Your legs begin to shake and Joe, noticing you were close, dives his head deeper into your pussy, trapping you with his mouth. Your eyes squeeze shut as you inhale, breathing in his scent and cologne you were using as a gag, triggering your own orgasm. You came on his tongue hard, shaking and moaning into the fabric of his shirt as he laps up your juices like an animal deprived of water. You even your breathing and throw his shirt back at him, the both of you laughing as he crawls on top of you.

“Oh, you wanna throw things at me do you? I might just have to teach you a le-”

Joe was interrupted by someone knocking on the door to his locker room. “Excuse me, Ms. Y/N? It’s almost time for your match, we need to head to Gorilla to finalize some things real quick.” You both sigh, him getting off of you as you put your bottoms back on in a rush. You make a run for the door to hurry and get to your position, but he grabs your arm to stop you. “You still feeling nervous?” You smiled at him and shook your head, going to thank him but getting cut off. “Good luck out there, baby. I’ll be waiting for you in Gorilla for you to show me that new title,” he kisses your cheek and you blush.

“Thank you, Joe, for everything. I mean it, I wouldn’t be doing this without you.” He gives you a soft smile and ushers you out the door, as you prepare yourself for possibly the biggest match of your entire career.

“Ughhh,” you groaned as Nia dragged you from the center of the ring to the corner, preparing to give you an Annihilator and win this match. From the jump Nia had punished you, much to the crowd’s distaste. It seemed like everybody in the arena had been behind you and you felt it, right up until the bell rang and she started throwing heavy combinations your way. You managed to sneak in a couple pieces of offense but none were convincing enough to give you any sort of edge. Nia got on the ropes, and performed the move. She remained seated on you, trying to get the pin. 1… 2… kick out. You pushed her off of you and sat on your heels, gripping your side. Jesus, my fuckin’ ribs. 

Finally to your feet, you unload on Nia as she laid on the ground. Kicks, punches, springboard moves, you threw the whole arsenal but each pin attempt gave a 1 or 2 count, and never close calls. You knew deep down you were going to have to do something completely insane to get this win, so you start stringing things together to get it done. You start by giving her a drop kick to send her to the outside, following her out, then throwing her into the steel steps. You dragged her by the hair to the announce table, laying her on it as you ran to the ring and climbed to the top rope. You made sure everyone near the table had cleared before crossing your heart and doing a senton, landing on Nia as the table and collapsing along with it. You could tell that Nia was nearly to the breaking point, so you mustered all the energy and strength you could to drag her back into the ring and climbed to the top rope once more. You hit your finisher, but wasn’t satisfied. You wanted no doubts, so you climbed up and hit it again, straddling her shoulders and hooking your arms around her legs. The arena was so loud you could barely hear the ref’s count. 1… 2… 3… ‘Here is your winner, and the NEW… WWE Women’s Champion… Y/N!’

You couldn’t even process what had just happened, all you wanted to do was get the hell out of that ring so you snatched the title from the ref and escaped. You slowed down when you made it to the stage, clutching the title in your arms and looking down at it with tears brimming your eyes. Your knees felt weak, and your heart was beating out of your chest. You did it. You triumphantly raised the title in the air, tears starting to fall as you smiled and took the moment in. After the cameras had cut and you had taken a few pictures with fans, you walked backstage only to be greeted with cheers. You made your way to everyone, getting pictures, hugs, and everything else in between before locking eyes with the man you wanted to see ever since your hand was raised. Joe. You practically ran to him, jumping into his arms and wrapping yours around his neck, hugging him tightly. He spun you around and smiled from ear to ear. 

“I’m so fuckin’ proud of you, baby. You had a helluva match out there, I knew you had it in you,” he kissed you sweetly right there, not caring who was watching as you grinned widely. “Now, let’s get you home,” he winked at you, setting you down before whispering low in your ear.

“We’ve got some more celebrating to do tonight.”

[crazilust]

astrology observations pt. 5 (i believe)

remember, if this doesn’t resonate, leave it, scroll away and forget it. i wanted a summer theme, so i’ll do it on this post why not 💛

🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅

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🐬 I wish I could look a Sag sun in the eyes and tell them that no matter how little or big they achieve, they’re worth something. That they don’t have to chase the next big shiny thing, that they don’t have to be a millionaire by age 30, that they don’t have to « be someone » because they’re already someone.

🍋 We’re always talking about how lucky Jupiter natives are and how free spirited they are, but the truth is, Jupiter is also about expansion and sometimes I feel like that expansion translates in a pressure to be exceptional. And in this society, in this world, being exceptional is only valued at a material level. The number of Sag suns that I’ve met that felt like complete failures at like 20 years old is not normal. They’re so harsh on themselves. I wish I could give them all a big hug

🌊 The power of pisces mercury lies in their intuition. As virgo’s sister sign, it makes sense that Pisces mercuries don’t find their answers through logic and evidence-based facts but rather intuition and feelings. It can be hard for them to trust that gut feeling or to feel intelligent cause if someone asks them « well how do you know? » their answers most likely will be « Eh, just a hunch » But trust it, it’s one of your many gifts

🌅 I used to be so fascinated with people with Aries and Gemini in their birth chart cause I found them so comfortable with people, the life of a party type of people and so damn charming. As I grow older though and begin to see life in nuances of grey instead of straight black and white, I’m able to realize that those people often suffer from people-pleasing tendencies, a sense of self that is either broken or fragile and codependent behaviors. It’s like their sense of worth is tied to how much people like them.

🐬 Cancers are very loyal, I know it’s not a popular sign on mainstream medias and people love to shit on them, but the truth is, Cancers will have your back, no matter the placements. If you’re ever loved by a Cancer, make sure to treat them right !

🍋 People who are not that much into astrology will meet a Leo and be like “omg, you don’t act like a Leo at all, you’re not arrogant or an attention whore” When we look at Leos celebrities, it’s easier to see that arrogant, flashy, extra side. But irl, we rarely meet that “kind “of Leos, right? (Except at bars lol) The reason for it, I found, is that Leos, for the most part, have personas. First of all, they’re a lot more private than you’d think. I believe that most Leos loooove attention, but they also know when it’s appropriate to show it or not. Depending on their other placements, they’ll decide when to grab that spotlight and when to leave it to others.

🌊 I had this girl that I knew that was a Leo sun (and I’m sure a bunch of virgo placements) and everybody was shocked of her sun sign because she was introverted, quiet and observant. But she was still a theater girl, wanted to be the main character (preferred the villain), veryyyy assertive when it came to her boundaries or what she liked and didn’t liked, and very extra and colourful in her outfits. The reason why I don’t like mainstream astrology is because it’s a bit childish in the way it describes a sign. You can love attention but show it in a way other than screaming and dancing on tables. This girl, for example. To me, she was a Leo sun to a T.

🌅 Aquarius placements 🤝🏽 their desires to connect with someone through intellectual stimulation, but refusing to show and acknowledge their deep rooted fear of intimacy and vulnerability

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and that’s it from me, folks.

-B.

[gayraeofsun]

i just really want to scream about this movie into the void because it was so well done, and i doubt anyone will really see this but i don't really have anyone i could have a deep discussion about this with.

trigger warning and spoiler warning ahead for the movie blink twice. content ahead discusses themes around sa, including r*pe, drugging, manipulation, and general physical/verbal abuse.

i don't keep up with any previews or recent movie releases much anymore, so i was going into this movie almost completely blind like i do with most new movies anymore. i had seen one preview, but it was apparently plain and simple enough for me to mostly forget about it. the irony in that will be made known a bit later on.

the movie automatically opens with a screen that displays a trigger warning, which is something that i had been seeing for the first time in any kind of visual media. normally these things are already listed by the ratings, but as a sa survivor who had no idea what this movie was going to be, it was a good thing to see so i could brace myself for what was to come. do i think this is necessary for any and every movie of this kind? no, it feels a little redundant (again, these things are typically included in the ratings). and, well, asking me to not watch if it would upset me is kind of a no deal, since i paid for a ticket and popcorn to see this on the big screen.

we're immediately introduced to our two main characters, two best friends, and it's hard to not immediately fall for their relationship with each other. so playful and silly and ridiculous, you can immediately tell they adore each other's company in their shitty job living in their shitty apartment, and you can tell that they're written by a woman who loves these characters and wants to portray them as relatable people. the interactions between the whole cast of girls, i think, was just outstandingly done. they felt realistic, not constantly shitting on each other and fighting for the attention of the men (though some jealousy of that fashion is still portrayed). they were all there enjoying the island and they ended up bonding together wonderfully. they were funny without being over-the-top rude or nasty or promiscuous, as is portrayed commonly in female characters in popular media. i can't and won't stop gushing over how much these characters felt just like real life girls that i was hanging out with.

this movie was really great at putting a pit in your stomach and slowly making it grow. of course, the trigger warning at the beginning spoils what's to come, so for me the pit was there from the start. any sensible person who's been socialized to be a woman will know, you don't ever just run away with some random ass group of men you don't know to the middle of nowhere with no cell service. but the little things that make the main character, frida, stop and question are so subtle, and so easily dismissed to start with. the used lip gloss in the drawer, the available clothes despite being an "unexpected" guest, the weird cleaning staff. but they increasingly get more odd. the island is full of venomous snakes and they all have to be killed on sight. something about these flirty interactions isn't quite right anymore, and he's talking about repressed memories. what day even is it? why am i always waking up with dirt under my nails?

who even knows or cares though, since we're all high and/or drunk 24/7. welcome to paradise!

it builds and builds until it begins to unravel, slowly and then all at once as the girls come to the realization of what happens to them every night when they get unbelievably high after dinner. the bond between the first two to piece it together was outstanding, and i love that there wasn't a cheap "find the phones and call authorities" plan. they worked out why that wouldn't work at all, because who would they believe? the "hysterical bitches" making claims without any kind of solid evidence, or the rich white man who's now a reformed soul and probably good friends with some of the cops?

the ending is not a happy one, in my eyes, though i believe it was probably supposed to be portrayed as one? two girls live and three girls die by the end. the ringmaster (ceo) of the whole thing ends up accidentally taking his own forgetfulness juice and suddenly doesn't understand what's going on and why all his friends are dead or have been otherwise brutalized. he knocks over lit candles and then trips and knocks himself out in his stupor, and the island burns down, the photographic evidence (that was later discovered) and all. i thought it was just going to end there and we would be left with the ambiguous ending, and that's never satisfying and feels very overdone anymore.

but instead, we're given a scene where our main character is now the ceo of the company, and legally married to the man who lured her away and horrifically abused her. twice. i interpreted this as her getting her own form of justice/revenge. i doubt she gives him half the treatment he gave her, but now she controls him and everything he owns and knew, and gets every bit of respect she wants. he killed her best friend and two other girls after overpowering the lot of them every single night. in a perfect world, he'd get tried and punished for his crimes legally. but all the evidence of it ever happening burned to the ground. so this is what she does to cope. in the final scene, she seems very satisfied, more than pleased to make her new husband's old crew squirm. she becomes the thing that destroyed her and so many others (but yk, most likely without the rapist cult).

one character i very suddenly grew interested in was the scrawniest boy in the group. he flies perfectly under the radar and doesn't appear in many of scenes that portray the gruesome sa. the one where he's in clear view, he appears to be another victim, trying to flee from one of the bigger men and receiving a black eye, which he would have no memory of getting the next morning. he's told by one of the girls that he smells nice, most likely referencing the perfume that was making them forget everything. it seemed very clear that he was in a victim role here as well, likely also being sa-ed. but he's never seen bound and gagged with the girls.

his final scene gets interesting when the ceo berates him for doing nothing to help the girls the entire time (yeah, the same ceo millionaire who's been basically orchestrating this whole sick fucking show in his perfect little getaway island). how he thinks there's a special place in hell for people who sit and do nothing in the face of evil. there are two very different ways to interpret this. 1) he wasn't actually getting drugged and abused with the girls, and was there as someone who didn't actively participate in abusing the girls, but also didn't do anything to try to stop it either. this could be blatant commentary on the two types of evil; while "not all men" r*pe and abuse people, not enough men will speak out against it or try to run to the victim's defense. or 2) the ceo was casting blame onto someone who was genuinely confused as to what was happening (which seems to ring true in both scenarios), and someone who was also a victim and stuck in a completely helpless situation. both could hold some level of truth, but ultimately i read him as the latter, thinking he was meant to represent the less common male victim. he gets killed by one of the girls, who wasn't specifically targeting him but also wasn't taking any chances, and that's the last we see of him. in my eyes he could either be read as the kind of evil that merely observes and therefore was rightfully murdered, or he could represent his male victims often get forgotten about or less acknowledged, which could speak as to why he was killed off so quickly never to be discussed again.

and i've gotta say, one thing i really appreciate about the scenes depicting r*pe is that it put a lot of the focus on the r*pists and not their victims. they were careful to not show any nudity or any shots of the women getting r*ped, but still showed them getting forced down when they tried to flee. i have not personally seen any other graphic scenes of this nature in other movies, but from what i hear a lot of it can get rather pornographic, and i feel like that's incredibly distasteful when you're trying to depict something that's absolutely vile. this movie does a great job of getting the absolute terror of the moment across without compromising any of the actresses by posing them seductively or showing off their bodies, and same goes for the men (if you don't count a couple of them being shirtless).

the writing is so wonderful, and the little clues as to what's happening beneath the surface are so good and plentiful. this is a movie that i don't think i'd ever be able to sit through again, but the sense of dread that continued to grow and grow will surely stick with me. it was very darkly funny in many places, which did great to break up some of the tension. for anyone who was able to stomach it, i would highly recommend watching through it once you're able. i think it was outstandingly well done and handled certain things as well as it could without watering any of it down.

[oneforthemunny]

build me up, buttercup |dad!rockstar!eddie munson x mom!nepo baby!reader|

prompt: you and eddie are planning a baby shower to welcome in your first baby, persephone. or how the girl's flower themes are born.

a teeny tiny blurb that i'm excited to share. follows the lore than each of the girls have their own flowers, and this is how persephone's came to be <3 hope you enjoy!

contains: pure fluff. honestly just cutesy shit. language. pregnant!reader.

"I just want something bright." You hum, swaying gently to soothe your sore, aching joints. Your ring dazzled in the bright light pouring in from the open windows, smoothing over the swell of your stomach.

"Is there a specific color, Mrs. Munson?" The timid event planner asked, spreading out swatches of bright yellows, powdery blues, pastel pinks. "If we start with a color, maybe that would help narrow down the options?"

"I don't know." You frowned, a swell of frustrated tears bubbling to life in your chest. You didn't know, and you hated that you didn't know. It was your baby shower, you wanted it to be perfect.

Eddie's spine straightened, eyes cutting to you carefully. He sensed the tears, the irritation of feeling overwhelmed and frustrated, all threatening to come out the only way they knew how to. He'd been on the receiving end of too many of those fits. His hand found your thigh, squeezing it gently, thumb rubbing soft circles over your soft flesh, a desperate attempt to soothe.

"You're wanting flowers, right? That's the main theme." Your assistant, Natasha, a complete saint in disguise. With pregnancy brain and hormones, you were sure you'd never make it without her. "Do you have options for a floral theme?"

"Yes," The planner squeaked, thumbing through her briefcase of photos, swatches, notes.

Eddie felt you tense, your hand rubbing over your stomach in slow circles, huffing in defeat. "Hey, could you give us a second, Nat?" Eddie hummed. "Just give us one sec to look and kinda talk."

"Of course. Let's take a little break. I'll go get some tea." Natasha gave you both a small smile, padding to the kitchen the event planner following closely behind.

Your sigh, heavy and huffy, echoed off the walls. It made Eddie cringe gently, pulling the flower pictures closer to the two of you. "What about this one? Nice and pink for ya." Eddie held the small sample photo up to you, filled with sweet peas and hydrangeas, obnoxiously pink.

"Yeah," You muttered, lips still puffed in a pout. "I don't even know if I want pink anymore."

"Blue?" Eddie grinned lightly. "Trick everyone into thinking it's a boy incase there's a leak." He cringed when your breath hitched, eyes wide in horror.

"I'm kidding, baby." Eddie added quickly. "No one's gonna leak. We're keeping it intimate."

"Yeah, right." You sighed. "My mom and dad will bring all these people I barely even know."

"And I'll tell them to leave." Eddie's chest puffed, spine straightening. "I'm serious. They're not on the list, they can fuck off, alright? Goes for Victor and Tana too. Not gonna let them upset you."

The small smile you gave him felt like a standing ovation, a victorious win after a grueling, hard day. Filled his chest with warmth, hand squeezing yours lightly.

"If there's even a shower to kick them out of." Your smile fell just as quickly as it came, shoulders slumping with them. "Can't even pick a theme."

"We'll get it. C'mon," Eddie's calloused fingertips tickled your jaw, lifting your gaze to his. "Don't be like that, sweetheart."

"I can be like that if I want to." Your voice teetered on the edge of a whine, the hinting of a cry. "I can't even make a decision about a baby shower theme. How am I going to make a decision about a baby?"

"Stop that." Eddie shook his head, voice dropping to a soft coo. "Two totally different things, baby. Not even comparable." It was rational, firm but soothed your bundles of nerves. You both had your own worries, fears about parenthood- fear of the unknown that was creeping closer and closer.

"Here," Eddie stood, chains hanging from his jeans jingling with every heavy step towards the shelves on either side of the television, lined with books.

Eddie's fingers danced over the spines, until he found the book. Still new, no cracks in the spine or bent pages, a gift from Farrah when you told her the baby's name. "I saw it at this bookstore in Amsterdam. I had to get it." She'd squealed, giving you the book with a title that your baby shared- Persephone.

Eddie had been more elated than you, reading it front to back more than once. Reading it to you at night, eyes lighting when he'd read something interesting.

"I think I saw somethin' in here." Eddie sank back down beside you on the couch. "Just an idea."

You curled into him, knees tucked under you, head on the soft, worn material of his t-shirt. His cologne, a faint smoky smell of a cigarette- you could feel your body relaxing, intoxicatingly calm.

Calloused fingertips thumbed through the pages until he found the page he was looking for, lips parting in a soft, triumphant hum. "Look," Eddie tilted the page towards you, fingertip tracing the small etching of a flower. "Says there's some history behind this flower and Persephone."

You titled your head, eyes scanning over the text.

"In the Homeric Hymn to Demeter, Earth Goddess Gaia produced the yellow petaled Narcissus specifically to enchant Persephone. Now, this early blooming flower is seen as the harbinger of Spring, announcing Persephone's ascent to the surface."

"Interestingly, for all it's association with rebirth and new life with Spring, the bulb is highly toxic?" You frowned, head tilting up towards Eddie.

His lips curled in a wide, excited grin, eyes shining with gleaming pride. "That's fucking cool, isn't it?" Eddie beamed.

Heat blossomed in your chest, dissolving the feeling of frustration and fear, and blooming with something lighter. Soothing and happy, spreading through your chest all the way to your cheeks.

"That is pretty cool." You nodded, scanning the table for a yellow swatch. "We could do like a yellow and white kinda theme, right? That would be neutral in case it did get leaked."

Eddie gave a small eye roll. "It won't get leaked." He muttered, setting the book to the side. "But, yeah, neutral but still bright."

"Make the narcissus the main flower. Maybe add baby's breath and something else..." You muttered, pulling the swatches in front of you. Eddie's chest boasted, watching your small frown on your features, determined instead of frustrated now.

"Do they keep?" You turned to Eddie. "Like, they won't wilt or be gross, right?"

"Buttercups? Nah, they'll keep." Eddie shook his head gently. "Used to pick them for my mom all the time when I was little. She'd keep 'em in a vase and some water, and they'd stay forever."

Your heart swelled, a dull ache behind his words. Even now, married and expecting a baby, Eddie rarely spoke about his mother. Every small detail he'd share, you'd guard protectively in your thoughts, wanting to remember every detail you could.

"Ok," You nodded, a small sigh of relief. "Let's do that then."

You groaned, pushing off the back of the couch, Eddie's hands quickly finding your waist to help you stand. "Will you go get them? I have to pee, and I'll be right back."

Weeks later, Eddie was sure he'd never seen so many shades of yellow- so many flowers in his life. Your family's Malibu home transformed to a bright, floral baby shower of your dreams. Buttercups at every arrangement, starred prominently in bustles of baby's breath and tiny white daisies. All the guests even in various shades of yellow, shining brightly under the California sun.

Eddie managed to sneak a bouquet after the party, when you'd gone to lay down and the staff was cleaning up. He'd handed it to Natasha, sent it with her to get pressed and framed, until it found it's new home in the nursery.

[uriekukistan]

i wanna talk about this thing gege said

i’ve seen a lot of people saying that this is a bad way to write a story, and i couldnt disagree more. from a writer’s perspective, there is no reason to kill off a character if it’s not going to have impact.

in any case, i think this reaction points out two things i’ve noticed about the jjk fandom.

i. jjk fans prioritize enjoyment of characters over the plot

which is fine, i guess. i’m not gonna begrudge any readers the space to enjoy their fav characters. however, what i disagree with is the constant trashing of gege and jjk as a story because the narrative doesnt treat the characters as you want it to.

i mostly talk about these things from the perspective of someone who has been writing for a while, so i will take a second to acknowledge from the reader perspective. it’s easy to get attached to characters and see them as real people in your life.

but they arent real people. they only exist for the author’s intentions. every time i see someone complain that “x character only died because plot” i just think “yes?” characters exist for the plot. they exist to serve the narrative. they live and die for the plot, and that isn’t a bad thing. this is a story. that is how stories work.

with characters like gojo or choso, it’s easy to look back and see their character arcs and how their ends fit their purpose in the story, but i think people get so caught up in wanting to fuck the character, or fanon, that they forget their original purpose is to do what gege wants them to do.

this is a war against the most powerful, most evil sorcerer in history. of course characters are going to die, and of course it’s going to be characters we love. it’s honestly unrealistic to expect anything else.

and i think it’s really disrespectful to say so many rude things to gege because he is thinking about the story he wants to tell, and not the story that best suits your favorite character.

ii. few people want to feel anything from what they’re reading anymore

which again, is totally fine, but maybe read something else?

tragic stories have existed and enjoyed immense popularity for millennia. and theres nothing wrong with that. there’s nothing wrong with authors intentionally stirring up their readers’ emotions.

i wanna bring attention to the origins of the words “tragedy” and “catharsis”

“tragedy” is a genre that stems from greek drama based on human suffering and the terrible or sorrowful events that befall the main character. the intention of of tragedy is to invoke “catharsis”

“catharsis” is commonly used to refer to the purification of thoughts and emotions by way of expressing them. in terms of tragedy, this refers to arousing a negative emotion with the intention of expelling it so the audience can walk away feeling relieved.

for all intents and purposes, jjk is a tragedy. it’s meant to make you feel sad. that’s gege’s intention. yet every time people feel upset by a specific event, they call “bad writing.” if anything, according to what jjk is, it’s good writing if you feel sad.

i have seen some people say that jjk wasn’t set up this way, and i disagree so strongly that it’s hard to comprehend.

jjk0 ends with gojo having to kill his best friend, his one and only. tragedy. yuuta’s story is tragic too, having cursed rika and accidentally isolated himself just because he didn’t want her to die.

jjk starts with yuuji faced with execution just because because he wanted to honor his grandfather’s dying wishes. within a handful of chapters, there’s yuuji’s “death” and junpei, and there’s a clear set up of tragedy and repeated loss, despite characters giving their best effort.

i could get into how this relates to my interpretation of the themes of jjk, and sharing burden/responsibility to be stronger together, but that’s another point.

tldr; the point of this post is to say that gege killing characters and making readers feel sad is not bad writing or a bad narrative choice. it’s true to his intentions and the essence of jjk. if you don’t like that, then don’t read. but there’s no reason to disrespect gege and his hard work just because it’s not your cup of tea

[heliomanteia]

Kind of adding on to my previous analysis bit about Davrin's arc, but I'm gonna say I'm concerned about media literacy within the DA fandom if Davrin's arc was hard to comprehend for people.

A little rant-like so I'm putting this under the cut:

VG has a strong and consistent narration that is mirrored or reflected within each companion's quest line: it's all about the bigger picture of personal choices and regrets and change and the inevitability of alteration and the need to live with the consequences — it is also somewhat about mortality and carpe diem. Pretty much every companion's line has something to do with death, coping, trauma, fear, and a big and important personal choice that would alter them as a person — it's always a "neither is better" choice and it calls upon your personal judgement to be made. There's room for criticizing the necessity of the black-and-white nature of some choices (i.e. Taash's culture question, for example) but overall they all have a consistent and equally important narrative line.

Claims that Davrin's arc is about Assan are actually hilarious. I assume people saying that have never in their life encountered a story where the main character had an animal companion, or just less sentient companion, that reflected their personality or some of their inner conflict. You know, the staple Disney/fantasy trope. This is an incredibly common narrative tool, it's bizarre to me that people saw that Assan has a lot of screen time and immediately assumed it's no longer about Davrin just because of that. I guess I could say it's not particularly shocking to me that DA fandom of all places had an issue of keeping their focus on a Black man's story. Moving on.

As for the claims that Davrin's arc is about Isseya, I'm a little shocked that was even a talking point. Because just as "animal companion reflecting the character's struggle" is a narrative tool that's up there among the ten most frequently used in media, "antagonist that reflects the main character's pathway in an inverted, perverted manner" is just as frequently applied. In fact, it's concerning that people missed Davrin vs. Isseya mirroring in the game based around the concept of recognition through the other and mirrors of self (Solas vs. Rook). I think it's safe to say that if someone did not catch anything about Davrin's arc and how it's entirely about him, I don't trust their general opinion on DATV overall. Because they're fucking stupid/didn't pay attention.

I don't think it's any surprise that at certain points VG gets a little too exposition-heavy, because apparently just giving people a good storyline with consistent and repetitive narrative that breaches the same narrative points but reflects it differently depending on the character it's about is not enough? Some people will be given the most direct mirror narration there could be without spoon-feeding it and they will still miss the whole fucking point? I'm not shocked that a large bit of "criticism" on VG writing/narrative/what was kept and what was omitted from being mentioned has been genuinely shit. And has consistently offered "fixtures" that would just make the stable narrative of VG a mess without a main theme.

Anyways, Davrin's storyline is very directly about him in every aspect mentioned; every person within his story reflects back on him and fleshes him out.

[gloomwitchwrites]

I wish to see how each of the 141 boys respond to their ex, reader, calling them for emotional support bc readers newest bf was toxic af

bonus points if 141 boys are still possessive over reader, but doesn't do anything besides telling reader to leave her toxic bf. OR ORRR he's possessive bc him and reader have been together for so long, who would know how to treat her better than him? He knows every little detail she cares about, every little action that makes her fall head over heels in an instant. Her toxic bf? He doesn't care to learn about those types of things, even if reader outright says it

EVEN MORE BONUS POINTS for smut to show reader what a quick fuck of satisfaction looks like vs genuine sex / love making

Apologies, Anon. This has been sitting in my inbox for…a while, but I’ve been thinking about it off and on since you’ve sent it in.

I’ll drop some HC’s about how this would go down but I absolutely want to explore this further as part of the Imagines & What If Series.

I'll tackle these separately and make them individual one-shots (with much more detail) once I wrap up the By the Belt prompt. But for now...enjoy my HC's (if you will) on what I think would go down in this scenario.

The official masterlist for the extended fics can be found HERE.

ao3 // taglist // main masterlist // imagines & what if masterlist

Content & Warnings: suggestive themes (it's vague), brief mentions of protective/possessive behavior, canon-typical swearing

John Price

Breakup status: Strained (at first), but settled into friendship.

Absolutely hates texting, and you know if you need to reach him immediately, you have to call. Price isn’t an old man, he’s just the old man of the group, and would absolutely be tech literate but also super picky on how he communicates with people personally. It’s Price’s job to be calm, to be a leader, and pick up on things others don’t necessarily notice. So, Price would know you’re upset with your current boyfriend without you even having to spell it out. Besides, Price hates the guy, and knows he’s not worth even a lob of spit.

Plus, Price has been wanting to get back with you for ages. Now that the two of you are friends and have repaired whatever it is that separated the two of you in the first place, Price is looking to find a way to move in again, to slowly (or quickly) win you back, and now he has the opportunity.

Price insists on talking in person, and the moment the two of you are together, he makes the effort he knows you’re needing—because he wants you back, but also because he knows you better than your current boyfriend. Price doesn’t understand why you even gave the guy a chance, but he’ll do everything to get you back.

He would start with subtle indications eventually moving the conversation into past memories, reminiscing on happier times when you were his woman, and how that felt. It slowly devolves until you’re admitting first that you still miss him, and Price goes in for the kill, stating clearly that he still has feelings for you.

The final act is passionate, rough, and intense. Like an atom splitting, it is explosive.

Kyle “Gaz” Garrick

Breakup status: mutual (away all the time; hard to make it work)

When you call, on the verge of tears, needing to talk to someone, Gaz immediately knows something is wrong the moment he picks up. (Sorta like Price but more attuned emotionally to the situation).

I can see Gaz not being a fan of chatting for long periods on the phone, so you don’t even need to ask, Gaz will drop everything and come to you without you having to suggest it. In fact, Gaz picks up, realizes your upset, and immediately says he’s coming over.

When he arrives, it’s like the two of you have never been apart. It’s almost routine, completely natural the way the two of you come together. Gaz is very much about physical affection. He’s constantly touching you, comforting you, and saying sweet things that always make you melt.

Totally knows you need a distraction, and while you’re upset, you’re having a difficult time expressing yourself. When this happens, Gaz just shuts it down, guiding you toward distraction to help you calm down and ease your mind before probing to see if you want to return to the topic.

Once that happens, game over for boyfriend. He’s lost you to Gaz.

The reunification is absolutely passionate and soft. I will die on that hill.

John “Soap” MacTavish

Breakup status: Messy. (You cannot tell me Soap isn’t a hot mess. Our boy is a little too high energy at times.)

While the breakup between the two of you is messy, Soap has always been a “safe” person for you. So, when you call him to vent, you don’t realize that Soap immediately starts heading in your direction until he knocks on your door and the two of you stand there staring at each other, phones held up to your ears. It’s an impulsive decision on his end to come to you, but you don’t turn him away.

Like Simon, Soap would be forward in the way he addresses your concern and the issues—which is your shitty boyfriend who deserves to only be known as your ex. However, where Simon is more of a blunt “these are the facts” kind of communicator, Soap will go for the jugular, using harsher language about this “boyfriend.” He won’t be critical of you, but he will be overly critical of him, listing all the ways this idiot doesn’t deserve you. He might even grow a bit heated in tone and pitch, becoming creative with his slang, and his accent might thicken slightly especially if he’s going off.

But ultimately, Soap is defending you, and reiterates the need for you to stand up for yourself and get rid of this loser.

I don’t think anything passionate would happen in that moment. But I could also see Soap in the middle of him criticizing your toxic boyfriend, you shutting him up with a kiss. Now…that could easily go sideways with someone like Soap. He’s very much impulsive at times, and I think that would win out. Soap would totally kiss you back and not allow you to pull away from him again until you’re…satisfied.

Simon “Ghost” Riley

Breakup status: Tumultuous, eventually mellowing to mutual understanding afterward.

Would listen to you rant without interrupting. He would not ask any clarifying or follow up questions.

When you have it all out of your system, his response is simple: break up with him. Simon is direct—could even say blunt depending on the situation, and he would absolutely be that way in this scenario.

He makes it clear that you’re obviously not happy and that the relationship is making you miserable. He might even lay it out plainly, stating only the facts, sliding into that mindset when he’s in the field, thinking about all scenarios and problem-solving while doing so.

Internally, he’s absolutely ecstatic that your current boyfriend is a garbage heap of a human being. He will see this as an opportunity to slip right back into your life if he plays this right. Sure, the two of you aren’t together anymore, but he’s not over it. Simon is possessive and territorial to the core. Totally still considers you his.

Will absolutely make up a reason to come over, and it will likely fall under the “I’m looking out for you” or “trying to protect you from him” insisting that your boyfriend could escalate and he won’t allow you to potentially be in harm’s way.

When he arrives, Simon immediately turns soft and attentive in just the way you like. He gives you his full attention, doesn’t lecture, and offers plenty of physical touch.

The physical touches turn…well, I’ll save that for the full fic. But it is a reminder of how you’ve always been his and you just need to realize it.

taglist:

@km-ffluv @glitterypirateduck @tiredmetalenthusiast @spicyspicyliving @coffeecaketornado @aykxz98 @kayden666 @36namey @miss-mistinguett @keiva1000 @cherryofdeath @pertinentpostmortem @enfppuff @berarenado @saoirse06 @ninman82 @no-oneelsebutnsu @thewulf @hayleybarnesx @lxblm @ferns-fics @ooldcardigan @beebeechaos @enarien @sw33tsnow @kessi-21 @makayla-666 @lifes-project @burn1ngw00d @heeheehoohoohahahihi @lulurubberduckie @ravenpoe67 @jade1605 @miaraei

[notjustjavierpena]

His

Series Masterpost | Main Masterpost | Support a disabled creator

A/N: This has been on hiatus since July. I have finally decided to finish up another chapter. I have no idea where this is going but I am just going with it at this point. They’re fun! Enjoy part 4 of mean!joel ❤️💖

Summary: After Joel kisses you, something shifts. You find out a hard truth and take matters into your own hands.

Pairing: Joel Miller x f!reader/you (no y/n)

Tags: +18 smut, a mishmash of feelings, dubcon-ish themes, a hint of sub!joel (?!!!!?!!??) but he is not happy about it, a hint of edging, handjobs, degradation, humiliation, riding, unprotected piv, slapping, dirty talk, empty threats

Word count: 3.6k

Link to this work on AO3: https://archiveofourown.org/works/48179338/chapters/135617983

His

Something shifts after Joel kisses you and leaves. Especially because he did it in a way that made it seem like he was bolting out of a burning building, leaving you inside for the walls to come tumbling down around you. You hardly blame him for reacting like he did that night; he is the most emotionally unavailable man you have ever had the (dis)pleasure of meeting, and you doubt that he even has the vocabulary to put words to why he fled your bed like it was the scene of a crime. It isn’t like you’re going to ask him though, not even despite being curious about his reasoning and intentions. 

For you, it is not a mystery what the shift is. The arrangement between the two of you used to be anticipation, fury, and lust. Now it’s a gentle tug at your heartstrings when you catch a glimpse of him in the streets and he doesn’t look your way, knowing you should not want him in the way you do. 

How you want him is harder to pinpoint. It’s not wedding bells, it’s not children padding around on the wooden floor of your home, it’s not doing laundry for him and watching him do the dishes after sharing a meal. It’s something less complicated than love. You don’t want him to love you, but you wouldn’t mind being his only and his favorite. 

Though irony would have it that it turns out you are indeed not his only source of whatever fucked up thing the two of you exchange once in a while. 

During a short break from a late-night meeting of your patrol group (Joel had decided last week to switch to another), one of the newcomers to Jackson snickers girlishly as she tells the rest of you about how Joel Miller had made her come four times last weekend. It makes something uncomfortable swirl in your stomach, makes it drop as you feel foolish about thinking you were special. Additionally, it takes all the willpower in you to not blurt out that he had made you come seven times during one of the nights you’d spent together.

To your surprise, It isn’t that he has slept with someone else that hits you. It’s the little piece of information that your new patrol member lets slip with a giggle. 

“Such a gentleman,” she says, basking in the attention of the circle of women standing around her. Their collective sigh makes you wonder what they’d say if you let them know that Joel forced you to suck him off the first time you were together. A part of you suspect that she is lying as she continues, “They don’t make ‘em like that anymore, girls. He was just so attentive and sweet.” 

After the meeting, you feel like you’re about to suffocate if you don’t leave the building quickly. The tightening in your chest makes your heart feel caged, desperate to come out into the open and bleed all over the place from making its way past your ribs. Desperately, you push past anyone who does not jump out of your way immediately. 

Once outside, you find a quiet spot behind the community center where people only come to be alone. You rest your forehead against the side of the building, breathing deeply in through your nose and exhaling shakily as you suppress the tears that threaten to roll down your face. 

“Fuck,” you say bitterly as a droplet still manages to escape from the corner of your eye. You wipe it away with a quick swipe of your hand as if to hide the evidence from the world and yourself, “Fuckfuckfuck. What the fuck are you crying over him about?”

However, the single tear seems to have opened the floodgates because you find yourself properly crying a few seconds later. It is ridiculous, you know this, but you cannot help the shaky breaths that leave your mouth as your cheeks stain with tears. 

Joel is not anything special. Joel is rude and arrogant, bordering on narcissistic and psychotic. You’re not even sure if he can smile, if he’s funny, or if he’s capable of not ruining things when touching them. He sure has ruined you, ruined both your nights and days because they’re spent wondering about him. 

Then again, surely he must know this because he looks at you from across the room the way he does. He must know what he is doing to you, and it makes you fucking furious because how did he ever think that he had the right to pursue you? Make you want him? And, to top all of it off, how does he think he has the right to not appreciate you? 

Rage slowly builds in your chest. Your heartbeat is threatening to make you pass out with how fast it is going, but you ground yourself by taking a few deep breaths that eventually stop your tears as well. 

I’ll fucking show him, you think, and it’s the white-hot fury in you that is talking.

You stalk across the streets of Jackson, earning a few concerned glances but no warning words. It’s a relief that you look angry enough for people not to bother you, because you wouldn’t be able to articulate your reasons for wanting to implode with how furious you are. 

Your legs take you all the way to Joel’s house. You stomp angrily up the porch’s stairs, but it’s only when you burst Joel’s front door open that you realize that you actually haven’t been in his home before. It’s also only then that you realize that you have no idea what you’re going to do now that you are here, too angry and out of your damn mind to explore the many pictures on the walls, the wooden carved figures on the shelves and… is that a guitar? 

You mentally shake yourself.

“Focus on the task at hand,” you say quietly with exasperation, and then the search for your betrayer begins.

You walk through the house with determination, but you soon realize that he is nowhere to be found downstairs. It doesn’t surprise you that he hasn’t locked his door (nobody in Jackson does), but you still feel disappointed that you can’t make a big dramatic scene of throwing a plate in the kitchen or a cushion in the living room. You feel slightly like a rage-filled balloon that’s slowly losing air. 

So you decide to go upstairs whilst still clinging to your rage, planning on waiting in his bedroom for his return but realizing that Joel is already in and sleeping in his bed. It’s late enough, you suppose, and you know he has a series of hard labor tasks on certain days.

You try your hardest not to feel too intoxicated by the smell of him on the sheets, need your head clear as you slowly start to undress right in front of his sleeping form. He looks so peaceful and so unlike his usual stoic self, and so vulnerable that the opportunity is too great to miss. 

You freeze the times he stirs slightly but he never wakes up, and soon, you are down to your underpants and nothing more and you are so wet with the anticipation of both sex and power in the room, even more with Joel being so unaware of it.

The bed creaks as you crawl onto it. You manage to straddle Joel before he wakes up fully, immediately lifting his arms to grab you and defend himself but when he realizes it’s your body on top of his, he falters.

“What’re ya doin’ here?” His voice is filled with sleep but he is nowhere near panic as you had hoped. 

You lean down over him and grab at his chin with the hand that’s not holding you up. You smile down at him but Joel is already staring down at your chest as you hover above him. You shake his head slightly, “Eyes up here, you bastard.”

“Shouldn’t look so pretty then,” he retorts. 

“Heard you were screwing around with that new bimbo. I thought you liked a challenge,” you tighten the grip on Joel’s jaw, push him back into the mattress, and catch the way he is connecting the dots in his head but the time it takes him makes you realize that there has been more than her. You growl, still hovering over him, and leaning down to ghost your lips over his whilst your eyes roam over his face, “It’s a damn fucking privilege to be breathing the same air as me.” 

“Cute,” he says quietly and brattishly. 

You push down briefly before letting go. Your eyes look down at his lips but you don’t kiss him like you want to, don’t want to give in when it would seem so vulnerable to give in to that temptation. 

Instead, you reach up to hold your palm in front of his mouth. You smile innocently, “Lick it.”

“What?” He chuckles in disbelief.

“Go on. Do as I say.”

Joel lets out his tongue and wets his lips. He gives in faster than you have anticipated, licks a long stripe from the start of your wrist to the middle of your palm, and coats your hand in disgusting, hot, and dirty saliva. 

“Did she do that?” You ask. You feel behind yourself to slide a hand down into Joel’s jeans and then past the waistband of his underwear, “Put you in your place because she knows how disgusting you are?” 

Joel is already half-hard as you take him in your slicked palm, and his cock comes alive fully not a moment later. He gasps into the bedroom but still looks cocky as ever, “Which of ‘em?”

“Fuck you,” you stroke him slowly and his breaths come out in small puffs that hardly make him seem calm and composed. You realize how much you’ve needed, craved, to put your hands on him. 

“That can be arranged,” he says, trying to catch a glimpse of what you are doing to him. He starts to move, makes an effort to flip you around but you catch him before he can follow through. You tighten your grip around his cock, squeezing him around the base until he gasps softly. 

“No one but me,” you say, “Okay?”

“Don’t be ridiculous, sweetheart, what is this?” He rolls his eyes and moans when you stroke him once and then twice. 

“Are you going to behave?” You ask with a harsh grip again. You let your lips touch briefly now. 

“What?” Joel looks slightly disgusted. 

“I asked,” you begin and now you start to stroke him properly, mimicking what you have seen him do to himself when he has wanted to come on your face, “Are you going to behave, Joel?”

“No,” he teases. 

“Don’t make me ask once more, baby,” you move your hand up and down quickly, almost forcing him to near orgasm before you squeeze around the base to edge him. He hisses, neck blushing with how his heartbeat must be on overdrive. 

“Fuck,” he groans, throbbing in your hand, and with his snark, you almost just want to spend hours tracing the vein along his length with your fingertip, “Whaddaya want? You want me to be your little boyfriend or somethin’? Don’t be dumb, it don’t suit ya.”

“Listen,” you say, scooting back slightly and leaving a stain of your slick on the bottom of his t-shirt, “I’ll stick your big cock in me right now and let you come in me if you say I’m your only girl. You’ll never need another pussy than this.” 

He says your name as you straighten on top of him again but you let him know it doesn’t mean anything to you. Your free hand reaches to pull your panties to the side, and then you hold his cock in place as you slide down onto it and let it stretch you by bottoming out inside of you. You try your best to look motionless but he has a girth that stings.

“Say it,” you demand, slightly out of breath at the feeling of sitting on his thighs now. 

Joel is silent. He stares up at you, looking as if he has won because he is already inside of you but when you don’t hear an answer, you start lifting yourself off of him again. Joel grabs your hips in protest, holds you down, “No.”

“Then say it,” you reply, “Now.”

“You’re my girl,” he moans helplessly as you reward him with a roll of your hips. You make a noise as well, something closer to a tiny cry for him but you aren’t going to give in just like that.

“The only?” You inquire when you regain your composure. 

“My only girl, even if she’s a fuckin’ pain in the ass,” he groans. You flex your thighs to grip him around the middle and then you squeeze his length, letting your walls clamp down and it sends his eyes rolling backward. He bucks up his hips and you moan. 

However, you still have more to say and do. You don’t move yet, “I don’t believe you.”

Joel rolls his eyes, his grip on your hips tightening but he still doesn’t force you to ride him, “Jesus Christ, what the fuck now?”

“I think you’re a liar,” you inform him, trying to ignore how much every instinct in your body is telling you to use his dick for yourself. You squeeze around him again, “I think you’ll say anything to get pussy.”

“No one’s got a pussy like yours, sweetheart. You think I don’t know that?” He bares his teeth like an aggressive, cornered dog and he groans at the feeling of your soft, wet walls, “You’re like fuckin’ cocaine. Need more each time or I’ll never recover.”

“Don’t go finishing in me, Joel,” you scold. 

“I ain’t gonna,” he bites back, “I do have some self-control.”

“With the way you’ve been whoring around?” You tut, experimentally rocking your hips forward to feel him slip almost all the way out of your cunt. You move back to let him bury himself deep once more and whine, “Riiight.”

“Watch it, we’re only doin’ this because I allow it. I could break ya spine like a fuckin’ toothpick,” he breathes, hands going up along your thighs until he lets them glide up your back as if he is going to make truth of his threat, “Don’t forget who has the upper hand here.”

You relish in his rough hands on your lower back and finally start up a pace to ride him properly, not caring about how your thighs start to burn as you seek out pleasure. It’s a fun contrast to what Joel has just told you because his eyes glaze over in a way that shows you that he wouldn’t even know how to snap you in half if he wanted to. 

His breath has quickened, each intake and exhale becoming airy, whilst he holds your soft sides in his calloused grip. You rest your palms on top of his forearms, undulating your hips until his eyes roll back. He seems like he might lose his mind this time around, so submissive in his own way now that what you are doing to him has hit him by surprise. 

He shamelessly groans your name. Its roughness spurs you on, making you lean forward a little further to give him more. You ride him as if your life depends on it until something burns delicious in your belly and his pelvic bone grinds into your clit. 

Your first proper moan leaves you, high and squeaky. The angle has you baring your teeth, your breathing shaking, from how his cockhead stabs at your front wall repeatedly. You start spitting filth to not sound pathetic even further, “Fuck, Joel, your big cock is enough to make a girl lose her sanity. Makes my eyes wanna roll back.”

But Joel says nothing as he seems pissed off by what you have made of him. Instead, he breathes hard through his nose and occasionally lets a moan fall from his mouth. It pisses you off too. He had such a smart mouth just moments ago, and now he has resorted to being spiteful. 

You make a rash decision then. You move steadily on his cock, rhythm not faltering once, whilst reaching down to his face with your dominant hand. You smack his cheek hard enough to make a point and a noise, eyes narrowed, “Snap out of your ego tripping.”

Joel responds not with words but by curling his hand around your wrist and yanking it away, and then he takes hold of your smaller body once again and starts snapping his hips upwards, crashing them into yours until you nearly topple off of him after crying out. He tightens his hands on your body whilst you hold his forearm with one hand and have the other firmly planted on his chest, and suddenly you are working together towards a crescendo. 

“Give it to me!” You yell with your eyes screwed shut from the pressure against your clit and g-spot. Joel is swearing and his chest is glistening with sweat but he gives in to your command, making you bounce in his lap until he throws his head back and yells with you. 

“Fuck, honey,” he grits out, “Gonna make me come inside ya tight pussy.”

“Oh, it talks?” You quip, trying to hold back a pathetic string of cries but to no avail. Joel smooths his hands up to cup your body just below your breasts, digging his thumbs into your rib cage. 

“Shut the fuck up,” he retorts. 

“I’m gonna come,” you say instead and furrow your brow. 

“Yeah?” He mocks but then his face goes slack and you feel him twitch inside of you, impossibly close to the edge too, “Fuuuck, I can feel ya. Choke my cock real good, Doll.”

You come hard, unable to catch your breath as you keep moving back and forth on his length. Your whole pussy pulses, tight walls gripping him even further. The fingers holding onto his forearm make little indents and your nails on the other hand scratch into his chest until red lines form. And you cry. Oh, you cry and cry for him whilst singing his name.

The clenching of your cunt around his dick makes him reach his own point of no return a moment after. He does a sharp intake of breath and when he exhales even sharper, a groan follows, and his cock releases come inside of you. 

You use your last bit of energy to ride him through it. Your delirious mind, hazy with pleasure, makes your mouth run as you slowly drag your hips to match each twitch of his length, “See? She can’t love you like I do. Is that really what you want, Joel?” 

Joel pants underneath you. He tenses up when he hears those words but instead of pulling away, he grabs the back of your neck and pulls you down, “What the fuck did you just say?”

Your eyes widen slightly at the realization. In your chest, your pulse beats rapidly, “Just ‘cause I said it, doesn’t mean that I meant it.”

Joel tightens his grip briefly but then lets go. He sighs, then reaches up to rub his forehead in frustration, “I don’t have the strength.” 

“What’s so bad about it?” You ask, figuring that you might as well jump into the conversation now that you’ve been stupid enough to start it. 

“Don’t,” he warns, letting out a noise as he moves to pull out of you. Your panties move back into place, causing you to shiver.

“Please,” you know it is weak of you.

Joel says your name, mimicking the tone of a parent who is tired of hearing their child pestering them about something. He finds your eyes but doesn’t say anything else. 

“Just let me try something,” you continue and earn a raised brow. He stops trying to move. You swallow thickly but decide to be brave. 

Carefully, you curl your fingers into Joel’s chest hair and reach for his cheek with your other hand. You close the distance between the two of you, finding his mouth with your own and kissing him with a lot less vigor compared to what you have just done.

Underneath your palm on Joel’s chest, you can feel him exhale in something resembling relief. He doesn’t fight the kiss, no, instead he moves his arms and holds your waist. He kisses you back with closed eyes and soft hands, and you try not to ruin it by becoming eager. 

A few moments pass. When you finally pull away, he looks like a deer in the headlights of a car but you talk before he can, “Go to sleep. It’s okay. You don’t have to say anything; I can see you’re exhausted.”

You move off of him to lie down at his side instead. Besides you, Joel closes his eyes without hesitation as if he needs to escape any conversation but when his breathing slows down further and you realize that he is drifting off, he looks mostly like a tamed beast. 

Ever so gently, you run a hand over his hair. He shifts only a little bit, so you do it again and suddenly you’re stroking the salt and pepper curls repeatedly.

To think that he had been ready to fight if someone touched him just half an hour ago. You continue for a few minutes before leaving the bed, heading for his bathroom to get cleaned up, and when you return again, he doesn’t react this time either.

The next day, you’re back in the same patrol group. 

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