#and i think people make it hard to talk about the main themes of the movie because they have a preconceived notion of what the movie is

[aprillikesthings]

okay actually I want to copy-paste what I wrote, because I think I ended up writing a REALLY good summary/advertisement for She-Ra--

Okay, so. Uh. Things to know:

It's listed as five seasons but it's actually four, because the second season was split into seasons two and three.

The animation budget was not super high, and you can tell. It improves in later seasons but it's still a little wonky here and there.

Like most animated shows theoretically aimed at children (it's rated y7 in the US), the first season takes a while to get going, because they have to introduce all the characters. The actual plot does start in the very first episode, though; and some fan-favorite moments of the show are in that first season.

When people say "yeah it's gay," they're not kidding lol. You could absolutely make the argument that there's not a single cishet character in the whole show. That said: I've met people who completely missed all the extremely heavy subtext up until the very last season. Somehow. But if you've already watched some Gay Cartoons or been in fandom before, there's obvious hints from episode one. JFC I remember watching that first episode and going "oh shit. They meant for us to ship this. It's....not even subtle."

If enemies to lovers is not your thing, you will not enjoy it. And by enemies I mean literally almost killing each other.

There are also themes of child abuse and religious trauma. They manage to not pull any punches while working around the y7 rating. If you're a child abuse survivor (hi!) or a religious trauma survivor (the show runner grew up conservative Calvinist/PCA) there's a few scenes which might be hard to watch, but everyone's different. (The themes around religious trauma are mostly told via allegory. The child abuse stuff is not.)

If you spend much time on any site where people are talking about the show you will be heavily, HEAVILY spoiled for a huge plot point at the end; but that might not bother you? I know I have a friend who refused to start watching it until she knew how it ended, and then marathoned it.

It rewards rewatching. It's a really wild experience to start over from the beginning Knowing The Things You Know. It also rewards close watching--people's expressions changing for just a split second happens a LOT. Multiple main characters are intentionally suppressing, literally unaware of, or lying to themselves/other people about their feelings and motives; and close watching/rewatching means picking up on that stuff, which (imho) is like, 80% of what makes it so damn fun.

I make the show sound entirely serious, and it's not lol, there's a lot of humor in it, too. It's not some grimdark edgy thing For Kids. Parts of it are fucking hilarious.

Someone on a she ra meme sub: hey Reddit keeps suggesting this sub, even tho I haven’t seen she-ra. I do like gay cartoons. But like. How gay is it

A few people: I mean it’s not really gay until the last season

Me, without having read any other replies: it’s gay from the first episode if you know what subtext is

[devilsskettle]

i’ve seen + heard people say that they thought norman bates was creepy from the beginning of the movie but that’s not my interpretation at all, i think now that that everyone knows the plot of psycho as pop culture trivia, it’s impossible to watch psycho the way it was meant to be seen (hitchcock basically changed how movies were shown in theaters so that audiences would see the whole movie from beginning to end and wouldn’t see the plot twist first, for the sake of suspense! now there’s not the same kind of suspense because every single person in the audience knows who the killer is). i think there’s clear foreshadowing and the whole vibe of the motel is creepy, but norman himself, while a bit awkward, i think comes across as endearing and kind but extremely lonely. obviously as certain things are revealed, he gets creepier, but imo the truly bad thing that he does consciously is cover up his “mother’s” crimes but ofc he has to try to protect her. none of what happens in the movie is premeditated or malicious or even intentional on his part. he’s not even a good liar. idk i really think you’re supposed to see his narrative alignment with marion and feel sympathy for how completely trapped he is in his life, while also being scared of him, at first as someone potentially predatory, then as an accomplice to murder, then as a murderer himself. but not until AFTER his conversation with marion!!

[gloomwitchwrites]

I absolutely love your stories they’re so amazing! Can I please request the task force and pranking them by telling them a guy did your Brazilian wax

Thank you! I can't take all the credit. I might be the writer, but the Imagines Series couldn't be what it is without all the amazing ideas people have submitted. I'm honestly blown away by the amount of creativity and ideas sent my way. My inbox is full of wonderful requests, and while it's going to take me a bit to get to them all, I'm eager to complete them!

The amount of prank requests I've been getting has been so fun. Not just this one, but telling mom to shut up, and the premium air prank, etc. All of these make me giggle and have been a blast to work on. Thank you so much for sending this in!

Presented in four double drabbles.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings (per the warnings MDNI): swearing, suggestive themes, established relationship, pranks, non-descriptive nudity

Word Count: 800

ao3 // main masterlist // imagines & what if masterlist

John Price

John briefly licks the pad of his thumb before counting out the appropriate amount of pound notes.

“This enough?” he asks, presenting it to you.

It’s more than enough. “Plenty. Thank you, John.”

He leans forward a bit, and you eagerly greet him, pressing a quick kiss to his cheek. Drawing back, you give him your best smile. But beneath the grin is a trick.

You want to mess with him a bit.

“I have a new waxer,” you shrug, adding the cash to your wallet. “Cheryl put in her notice.”

Cheryl did not put in her notice. That woman probably won’t retire until she dies.

John inclines his head, already turning away. “That’s too bad. You liked her.”

“Yeah,” you sigh, grabbing your purse. “They’ve put me with someone new. A Mark? Mike? No—Marcus? I think.”

John freezes. He slowly turns back, cheeks bright red. “What?”

“It starts with an ‘m’,” you muse.

“Your new waxer is a man?”

“Yes,” you shrug. “And?” John’s face resembles a beet. “Everything good?”

“Where does Cherly work now?”

“John—”

He grabs his phone from his pocket and starts tapping away at it. "I want to know if she accepts walk-ins."

Kyle "Gaz" Garrick

Kyle's hand slowly runs over your newly waxed skin. "Look at you. So soft and smooth." His touch makes you shiver.

"You paid for it," you murmur.

"I did," smiles Kyle, head dipping.

His tongue makes contact, and you release a moan. It’s slightly distracting, but not enough to detract from you poking at him.

“Had a new waxer,” you sigh as Kyle goes in for another taste.

“Did you?” he asks absently, more interested in your new smoothness.

“A man, actually. Undergoing training. There were two of them in the room.”

Kyle's head snaps up. "What?"

"Why'd you stop?" you whimper.

"There were two men that waxed you?"

“No, Kyle. Just one.”

A series of emotions pass over Kyle's face. His mouth opens. Closes. And then his hand forms a fist, fingers flexing and relaxing as he mulls over something.

"Everything okay?" you ask, suddenly worried.

“Can’t be that hard.” Kyle pushes away from the couch and reaches for his phone. “Or expensive.”

“What can’t? Kyle. What are you talking about?”

You lean forward and see him adding a waxing kit to his online shopping cart.

“No,” you say firmly. “You’re not putting hot wax anywhere near my vagina.”

John "Soap" MacTavish

"Oh, what's this?"

Johnny's hands are on your thighs and then beneath your skirt in a moment.

"Johnny!"

"Is this for me? You don't have to. You know I like a good adventure through the woods."

"Johnny!" you say again, slapping his arm playfully as his fingers lightly squeeze, making your squirm in his grasp.

"Was this on my dime?" he asks.

"Maybe."

"Oh, aye. Am I gonna find an unknown charge?"

"With a tip. A large tip. My waxer deserved it. He did a good job."

"Oh, they—he?"

"Yes. That a problem?"

Johnny's hands don't retreat but he's staring at you—hard. You arch an eyebrow and he finally speaks. "Your waxer is a man?"

No.

"Yes."

Johnny nods and then he leans in, lowering his voice. “You’re taking the piss.���

“I’m—”

“I saw your location. I checked it out. They don’t have a single male employee in that place.”

Your face grows hot.

Johnny’s hands squeeze a bit harder, and then he lands a brief smack against the curve of your ass. “Lying to me, love?” Johnny tsks. He palms the curve of your ass where it stings. “Suppose I should punish you.”

“Maybe you should.”

Simon "Ghost" Riley

You reject the call and clutch your phone to your chest. You've messed up. Royally. Pranking Simon is always a terrible idea.

The texts were just a tease. Just a way to push Simon’s buttons.

I have a new waxer.

I thought it would be one of the other ladies.

But no!

It was a guy!

Your phone buzzes again and you nearly throw it across the room. It’s Simon. You decline the call. Everything is quiet for a few brief seconds before a text message from him comes through.

Answer your phone.

You click out a reply.

I'm in the car!

His reply comes instantly.

You're at home. I know your location.

Another incoming call. This one you answer.

"Simon,” you say flatly.

"What location did you go to?" he asks, voice rough with tension.

"Why?" you counter.

"What's his name?" he snaps.

"I know what you're doing, Simon.”

You always forget just how deep his possessive streak goes.

Silence. Then, "I just want to talk."

"Simon.”

He growls your name in warning.

"You don't need to go there. Just...come home. You can see the results for yourself."

He sighs. "I'll be there in ten. Be ready for me."

taglist:

@glitterypirateduck @km-ffluv @tiredmetalenthusiast @cherryofdeath @ferns-fics

@tulipsun-flower @miss-mistinguett @ninman82 @eternallyvenus @no-oneelsebutnsu

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@cod-z @keiva1000 @littlemisscriesherselftosleep @blackhawkfanatic @sammysinger04

@kylies-love-letter @dakotakazansky @suhmie @kadeeesworld @umno-yeah

@daemondoll @jackrabbitem @lxblm @arrozyfrijoles23 @lovely-ateez

@ash-tarte @enarien @gingergirl06 @greeniegreengreen @certainlygay

[thehorrorgirlstyles]

Make you Scream

Billy Loomis x reader

Summary: You find out your boyfriend is Ghostface, which should scare you, instead it turns you on even more.

Warnings: Blood, Violence, sexual content, 18+ themes, swearing, foreplay, knife-play, mature themes, sex, reader is in denial

________________________________________________

"It's gotta be him right, I mean in a horror movie, it's always the person closet to you that turns out to be a fucking killer, I'm telling you man" Randy says to you as you both walk down the hallway of your school.

"Randy for the last time, Billy... who is my boyfriend as you know, is not a fucking killer.. trust me I know him better than anyone else... and besides if he was Ghostface I don't think he would be able to hide it from me" You reply, holding you books closer to your chest.

It's been a week since news of Casey and Steve's murders and Randy won't stop coming up with ideas on who the mystery killer is. First he pointed fingers at you because you never liked the girl, which he claims is a perfect motive. You don't like half the people at your school, but they're all still alive, so his reasoning is invalid. Now, he's claiming it's your boyfriend, which you think is ridiculous, I mean why is he naming all the people in your friend group for starters, you guys are friends for crying out loud.

"I don't know man Billy is pretty scary looking" He says opening the door to the library.

You walk in and drop the books off, "Well I think he looks sexy"

"Gross"

"Can we stop talking about Ghostface now, you know Stu is hosting a party tonight, you going?" You ask him.

"Yeah right, the killer will probably show up there, a bunch of drunk, not to mention high teens that probably won't notice if someone gets stabbed...but yeah I'll be there".

You roll your eyes at his dramatics.

------------------------------------------------------

After you left Randy, you went to grab a book you forgot in your locker. You decided to go now since everyone was in class and the halls would be empty.

You turn the corner and run straight into a hard figure. You look up to quickly apologize, but see no other than Ghostface himself. You gasp in shock and back away quickly, your heart starting to race.

Ghostface stares at you, mocking your movements. You see him pull out a knife from behind him. He looks at it and runs his fingers along the blade, toying with you. Quickly, you run past him and reach the stairs towards the main entrance of the school, but he's quicker. He grabs your arm, halting you from going down and pulls you backwards, your back meeting his chest. You try to break free, but he slices at your arm, the knife cutting into your shoulder. You scream out and fight against him.

He brings the knife up to your throat and pushes against it, cutting just enough to draw blood. You close your eyes, thinking this is your final moments and you curse yourself for not putting up more of a fight, but it never comes. He stays still, holding the knife against your throat, but not going deeper. You open your eyes and look up at him, but he's looking off to the side. What is he distracted by? You don't stay to think as you use this as a time to escape, you push at his arms and he lets go without putting up a fight. You didn't realize how easily he would let you go, as you were close to the edge of the stairs. You trip out of his arms and your foot skips a step, making you tumble down the stairs.

When you reach the bottom of the stairs, your vision goes black and you can faintly make out two voices arguing.

--------------------------------------------------------

When you wake up, you feel your head pounding. You take in your surroundings and try to make sense of where you are. You look around the room and see your boyfriend sitting in a sit next to you, his face in his hands.

"Billy?" You rasp out.

He immediately looks up at you and rushes over to your side.

"Y/n, how are you feeling, are you okay?" He grabs your hand and goes to touch your hair.

"Yeah, I-I'm okay, are we at a hospital?" You ask leaning into his touch.

"You fell down the stairs, I found you and called the ambulance"

"Oh my God, I remember now..Billy the killer he was trying to kill me!.. He was at the school!"

He looks off to the side like he's angry at something, "I'm dealing with it, but uh- the doctor said you should be free to go tonight, your injuries where just minor, nothing serious, they think you weren't looking and tripped"

"That's goods, but the killer...wait what do you mean dealing with it?" You ask, confused by his response.

"Nothing, listen I have to go to Stu's party tonight, are you still up for it?" He ask, moving a stray hair behind your ear.

"Are you serious, I just told you I got attacked by the killer and you want to go to a party?" You look at him in disbelief.

"Trust me nothing's going to happen to you, I'll be by your side at all times... and you don't have to go, but the doctor said you'll be fine, I just really have to go Y/n"

You roll your eyes at him, "Fine, I'll go with you.. I need a drink anyways".

---------------------------------------------------------

After you got cleared from the hospital, you went home to change. Luckily you didn't break anything on the way down the stairs, getting away with the few marks left by Ghostface. Billy was adamant on going to this party, which makes no sense to you. Now that you think about it he didn't seem phased when you mentioned that a literal killer had you in his grasp ready to slice your throat. Weird.

"You look so hot Y/n... I heard what happened at school you okay?" Tatum says to you when she opens the door.

"Thanks, you too and yeah I'm okay it wasn't anything serious" You give her a hug and walk inside, your hands interlocked with Billy's.

"Hey I'm going to grab a drink, you want anything?" You shout to your boyfriend, over the loud music.

"No, I'm fine sweetheart, come straight to me after, don't want anyone slipping something into your drink".

"Ok, meet you by the front" You saying giving him a final kiss on the lips then leaving.

--------------------------------------------------

After you grabbed your drink, you walked back, frowning when you realize that Billy wasn't by the front.

Instead you see Randy by the door, drinking a beer, "Hey Randy, have you seen Billy?"

"I saw him go upstairs" He nods towards the stairs, continuing to drink his beer.

You go to walk upstairs, but he stops you, "Hey what happened at school?"

"What do you mean?...everyone heard that I fell down the stairs".

"Yeah..but like did you fall, or were you pushed?" He asks you, looking dead into your eyes.

You sigh, "It was Ghostface, he tried to kill me at the school, but something distracted him... He let go of me and I missed the step, when I woke up in the hospital Billy was there and he said it was better if I didn't tell the cops anything, that way Ghostface won't come after me anymore".

Randy scoffs, "Don't you see, it is so clearly him.. "don't tell the cops", that's complete bullshit, in what world would you not tell the cops a literal killer came after you?... and your stupid enough to agree with him, HELLO?!"

"Randy, enough with this Ghostface shit, I know you think it's Billy, but its not and if I was pushed down the stairs, it wouldn't be by him.. I do think it's a little weird he didn't seen phased by it, but I trust him.. he probably just didn't want to scare me into thinking Ghostface was going to come after me again and besides I'm pretty fine, just a few scratches".

"Whatever, you're either in serious denial or your a complete fucking idiot, I'm leaving.. call me later, if you're still alive be then" He grabs the door handle and walks out, slamming it shut.

You think that maybe Randy's right, even though he could have worded it nicer. I mean you were just in a hospital a few hours ago and now you're at a party?!

You brush off Randy's words and start to head upstairs. You pause when you get to the top, hearing hushed voices.

"I'm going to fucking kill you!..Why the hell would you go after Y/n.. when was that part of the plan?"

"You're going to kill Tatum, why can't I kill Y/n?"

"Uhh- maybe because Y/n is my girlfriend dumbass".

"Tatum is my girlfriend!"

"Yeah, but Tatum is just a means to an end, we actually want Y/n alive because I love her!"

"Whatever I'm going to go talk to Tatum before you kill her!"

Just as he stops talking, your phone starts to ring. Shit! You hurry up and try to turn it off seeing that it's Randy. This man has perfect timing.

"What the fuck was that?" Stu asks.

Before you can leave, a tall figure appears from around the corner. Billy stares at you, his facial expression unreadable. Your heart drops.

"Well What is it?" Stu asks.

He continues to stare at you for a minute before answering, "It's nothing, someone was probably at the bottom of the stairs".

You don't wait to hear Stu's reply and hurry down the stairs. WHAT THE FUCK?! Randy was right this whole time, Billy is ghostace? Stu is ghostface? THERE ARE TWO GHOSTFACE?!

"Y/n!" Someone calls your name.

You look behind you and see Billy standing by the stairs, he nods his head, wanting you to follow him upstairs. This is dumb right? You shouldn't go upstairs BY YOURSLEF with someone you know is a killer. You should call the police and turn both of them in.

You follow Billy upstairs. He leads you to one of the guest bedrooms, opening the door for you. You walk in first and he closes the door behind you, locking it.

You face him, waiting for him to speak. He smiles at you, shaking his head, "Why were you on the stairs?"

"I was looking for you".

"Hmmm, and you found me" He chuckles. "What did you hear?" he asks, walking closer to you.

You back up, your legs hitting the side of the bed, "Nothing".

"Mmmh, okay... Do I scare you?" He closes the gap between you.

"No".

He nods at your answer and he reaches behind himself, pulling a knife out of his pocket. He holds it up and quickly grabs you, applying pressure to your neck. You gasp at his quick movements.

"And what about now?" He says adding pressure, but not enough to actually hurt you.

"No".

"No? I don't make you scare sweetheart, even after you know what I have done, the people I've killed?"

"No".

You don't know why, but you're finding this to be extremly hot. Billy threatening you with a knife, but knowing that he would never hurt you. Maybe you're just sick in the head, after all your boyfriend is a murder, you shouldn't feel this way, but you do. Maybe it's because of all the dark romance books you have been reading or maybe it's because you love him too much that you can cast away his flaws. You should probably call the cops, but instead you rub your legs together, the friction does nothing to ease your aching cunt.

Billy catches the movement without his eyes, and groans when he sees what you're doing, "You're enjoying this?".. "You're more sick than I am, what a dirty whore you are" He chuckles out.

You moan, "Billy pleasee, I-I just need you".

"You want it baby?" he guides the knife over the top of your chest.

"Please, Mr. Ghostface".

His eyes darkenen in response as he halts his movement, looking at you. He grabs at you quickly and slices your top open with the knife, exposing your breast. The cold meets your chest, your nipples hardening. He looks down at your breast and moves his mouth to meet your bud. He licks and flicks at it with his tongue. He moves up to your neck and laps at it, leaving marks. You moan and wrap your arms around his neck, encouraging him to continue his bitting.

When he finishes attacking your neck, he picks you up and throws you on the bed. You gasp as your back meets the mattress. He gets on top of you and starts to undo his belt.

"Turn around and get on all fours" He tells you, slapping your cheek.

You listen to him and flip over on your stomach. After he gets his pants off, he flips your skirt over, exposing your bare cunt.

"You didn't wear anything underneath?" He asks in shock, but he quickly turns unfazed.

"Always prepared for me huh sweetheart" He pulls your legs closer to his hip and you can feel just how hard he is. He rubs his tip against your entrance, making you grow wetter by the second. Without warning he pushes his length past your folds. Making you scream out. You quickly adjust to his big size, the pain turning into pleasure.

He snaps his hips back and forth. Your whines egg him on as he continues to fuck into you ruthlessly not caring if you can take it. He doesn't let you gather your breath, each movement your face pushes more into the sheets. You cry out, but it's muffled by the sheets. He repeatedly hits your g-spot, making you cry out even more.

"Fuck, look at you making a mess on my cock, you're a fifthly little thing aren't you?" He pulls you up, your back meeting his chest, waiting for you to answer him.

"Only for you Billy~" You whine out, tears forming in your eyes from the pleasure.

He pushes you back down into the sheets, his movements continuing, "That's right baby, you're mine, my dirty slut, my pussy to fuck, my cunt to cum in".

You feel his dick twitch inside of you, knowing that he is close. You moan out his name, begging for him to fuck into you faster. He listens, his pace picking up. Your wet pussy hugs his dick, clenching around it tightly.

"Fuck, Y/n..I'm gonna cum, you feel so good... so wet for me baby"

You moan in response, as you feel yourself getting closer and closer. With one final snap of his hips you clench down on his cock, causing him to reach his climax too.

"Fuckk~" He pulls your body closer to him, making sure that his dick is fully inside you as far as it can go. You feel his cum painting your walls as he comes undone. He collapses on top of you, his dick twitching inside of you. When you both calm down from your highs, he flips you over, pulling your naked body on top of his.

After you both finish, you lay on the bed together. He holds you to his chest and strokes your hair. You look up at him and he grins at you. You reach up to meet his lips. He kisses you back immediately, humming into the kiss. After a while, you pull back and look up at him, meeting his eyes.

"Please don't kill Tatum, I like her".

He chuckles, "Whatever you want baby".

[cookinguptales]

You know... I had an experience about two months ago that I didn't talk about publicly, but I've been turning it over and over in my mind lately and I guess I'm finally able to put my unease into words.

So there's a podcast I'd been enjoying and right after I got caught up, they announced that they were planning on doing a live show. It's gonna be near me and on the day before my birthday and I thought -- hey, it's fate.

But... as many of you know, I'm disabled. For me, getting to a show like that has a lot of steps. One of those steps involved emailing the podcasters to ask about accessibility for the venue.

The response I got back was very quick and very brief. Essentially, it told me to contact the venue because they had no idea if it was accessible or not.

It was a bucket of cold water, and I had a hard time articulating at the time quite why it was so disheartening, but... I think I get it a little more now.

This is a podcast that has loudly spoken about inclusivity and diversity and all that jazz, but... I mean, it's easy to say that, isn't it? But just talking the talk without walking the walk isn't enough. That's like saying "sure, we will happily welcome you in our house -- if you can figure out how to unlock the door."

And friends, my lock-picking set is pretty good by this point. I've been scouting out locations for decades. I've had to research every goddamn classroom, field trip, and assigned bookstore that I've ever had in an academic setting. I've had to research every movie theater, theme park, and menu for every outing with friends or dates. I spend a long time painstakingly charting out accessible public transportation and potential places to sit down every time I leave the house.

Because when I was in college, my professors never made sure their lesson plans were accessible. (And I often had to argue with them to get the subpar accommodations I got.) Because my friends don't always know to get movie tickets for the accessible rows. Because my dates sometimes leave me on fucking read when I ask if we can go to a restaurant that doesn't keep its restrooms down a flight of stairs.

I had one professor who ever did research to see if I could do all the coursework she had planned, and who came up with alternate plans when she realized that I could not. Only one. It was a medical history and ethics class, and my professor sounded bewildered as she realized how difficult it is to plan your life when you're disabled.

This woman was straight-up one of the most thoughtful, philosophical, and ethical professors I've ever had, one who was incredibly devoted to diversity and inclusion -- and she'd never thought about it before, that the hospital archives she wanted us to visit were up a flight of stairs. That the medical museum full of disabled bodies she wanted us to visit only had a code-locked back entrance and an old freight elevator for their disabled guests who were still breathing.

And that's the crux of it, isn't it? It's easy to theoretically accept the existence of people who aren't like you. It's a lot harder to actively create a space in which they can exist by your side.

Because here's what I did before I contacted the podcasters. I googled the venue. I researched the neighborhood and contacted a friend who lives in the area to help me figure out if there were any accessible public transportation routes near there. (There aren't.) I planned for over an hour to figure out how close I could get before I had to shell out for an uber for the last leg of the trip.

Then I read through the venue's website. I looked through their main pages, through their FAQs to see if there was any mention of accessibility. No dice. I download their packet for clients and find out that, while the base building is accessible, the way that chairs/tables are set up for individual functions can make it inaccessible. So it's really up to who's hosting the show there.

So then and only then I contacted the podcasters. I asked if the floor plan was accessible. I asked if all the seats were accessible, or only some, and whether it was open seating or not. Would I need to show up early to get an accessible seat, or maybe make a reservation?

And... well, I got the one-sentence reply back that I described above. And that... god, it was really disheartening. I realized that they never even asked if their venues were accessible when they were booking the shows. I realized that they were unwilling to put in the work to learn the answers to questions that disabled attendees might have. I realized that they didn't care to find out if the building was accessible.

They didn't know and they didn't care. That, I think, is what took the wind out of my sails when they emailed me back. It's what made me decide that... yeah, I didn't really want to go through the trouble of finding an accessible route to the venue. I didn't want to have to pay an arm and a leg to hire a car to take me the last part of the journey. I didn't want to make myself frantic trying to figure out if I could do all that and still make the last train home.

If they didn't care, I guess I didn't either.

If they'd apologized and said that the only venue they could get was inaccessible, I actually would have understood. I know that small shows don't always get their pick of venues. I get it. I even would have understood if they'd been like "oh dang, I actually don't know -- but I'll find out."

But to be told that they didn't know and didn't intend to find out... oof. That one stung.

Because.... this is the thing. This is the thing. I may be good at it by now, but I'm so tired of picking locks. I'm tired of doing all the legwork because no one ever thinks to help me. I'm tired of feeling like an afterthought at best, or at worst utterly unwelcome.

If you truly want to be inclusive, you need to stop telling people that you're happy to have them -- if they can manage to unlock the door. You need to fucking open it yourself and welcome them in.

What brought all this back to me now, you may be asking? Well... I guess it's just what I was thinking to myself as I was tidying up my phone.

Today I'm deleting podcasts.

[artsymeeshee]

Been in a weird headspace lately and I wanted to put my thoughts and feelings out to give a better idea of what's been happening. Putting under a read more/feel free to ignore.

I've talked about my struggles mentally on and off for a while and this one has been an ongoing thing for me and it's one I feel has begun to stick out more as time goes on.

I don't see myself as a good person. Most of the time I feel like I'm a bad person. And there's a lot of factors that play into this. One, is the things that I draw, which sounds absolutely crazy. Even I think it is as well.

It's no secret that my main priority has always been familial/platonic themes because that's how I've always viewed Gravity Falls as. And I know a lot of people do as well. It's one of the main themes of the show for crying out loud. And it's not to say I'm getting tired of it. That's a thing that has never crossed my mind, ever. It's more so along the lines of thinking it's too boring or falling back to that feeling of feeling bad because I don't make ship art. And I know I shouldn't feel bad about it and there's plenty of others that gladly do it. It's just one of those things that I'm not sure I'll really accept. And I'm always always grateful for the ones that tell me they appreciate all the family bonding/themes in my art. I guess the feeling of loneliness plays a part in that as well. I'll still make all the family things as long and as much as I can, but I won't deny the feeling of loneliness I get sometimes.

I do have that strong feeling that I am made to do something more and actually be someone and not the usual husk of a terrible individual I fall back on so many times. I won't deny anxiety and fear has taken a big hold on me lately. And it's also driven me to isolate myself in a sense and made me a cold person. I was so much more open years ago and now I've closed a good part of me away because... maybe I realized my "correctness" of myself being a bad person and who would even want to be around someone like that, so it's easier to hide. And I'm always afraid that one day I'll do or say something to no longer make me feel like I'm safe to approach. I've gone through so many people I've found that I've grown to like only for them to be an awful person and it sucks. I never want to be like that.

It's also been hard to not fall back to up and leaving. Whether that be online or real life. Last year was a time I fought with staying or leaving and it was always hard to decide to stay because leaving seemed like the only option I deserved.

I'm aware my ongoing battle with depression has hindered me a lot and it's a main factor for all of my negative feelings and thoughts about myself. And I don't want it to always resort to being the final say of who I am. I would like to find and show that part of me I feel people deserve to see.

I'm going to be honest, putting my raw emotions and thoughts like this is always scary. I'm sorry for the unexpected and serious post. I hoped I didn't make it too annoying or bring the mood down, but I needed to clear an ongoing struggle I've had for a long while. Thank you all for the constant support. Thank you for liking my silly, dumb, wholesome, sometimes feelsy art. Wanted to state another serious thing because life is so unexpected and you never know what will happen, but if something were to happen to me, I really can't explain how grateful I am for the love I've gotten from my time sharing my art. Thank you. Truly. 💜

[retrorats]

Some thoughts about Komaeda's fifth free time event and his relationship with Hinata

The fifth Komaeda free time event has always been very popular between Komahina fans, specially because the event was where the romantic tone of their relationship was consolidated for a lot of people. But even if the focus is usually on Komaeda's love confession, I have always felt that this free time event is way more important and meaningful besides that. This event has on it a lot of important moments that say a lot about their relationship, and that make very clear the most prevalent themes of it.

The free time event starts with Komaeda wondering why Hinata is still going out in his way to talk to him. Hinata answers that he is doing it so he can hear the rest of his story, in his typical fashion of rationalizing and dismissing his feelings for Komaeda. While Komaeda tells the rest of the story, he says one of the most important things for this free time event, and in general for the relationship of Komaeda and Hinata.

This dialogue reveals to us the important information about how Komaeda not only perceived the similarities between them since they first met, but also how since that moment, he deeply believed that Hinata would be able to understand him. All of the things that this scene explains are the fundamental basis of the relationship of Komaeda and Hinata. Komaeda's attachment towards Hinata comes from a place of feeling like he had finally found a person that could get to understand him and as we will see with other parts of this free time event, he thought he had finally found a person that could love him.

Hinata's response towards Komaeda is also important to mention. Hinata negates to be not like Komaeda, he rejects their similarities and also in certain way he rejects the connection Komaeda feels between them, something that's accentuated even more considering how Komaeda interprets his words as having lost the opportunity of having someone inheriting his soul. But even in his negation, there's something deeply interesting in the way Hinata phrases certain things in it. If we look well at what Hinata is saying, we can see how while he negates being similar to Komaeda, his negation is mostly focused on negating his misery, and he seems to silently accept being a bystander that is devoid of any unique aura possessed by the talented.

In a certain way, Hinata's negation in this part has always read to me as being a last resort to try to distinguish himself in some way from Komaeda. Compared to other parts where Komaeda alludes to him and Hinata being similar, here the negation of Hinata doesn't feel so unaware like in the other times that he negated it, here it feels more like Hinata is legitimately aware of how similar they are; He says that he's not miserable, and that he is ultimately different from Komaeda as a last resort to negate what he already knows, and to dissociate himself from him.

Komaeda talks about how he doesn't have anyone in this world and how absolutely lonely his existence is. Something very interesting that Komaeda says, is that he mentions his ideologies as the main reason for being alone.

This moment is not only interesting because it puts Komaeda loneliness to be something that is a lot about his way of thinking being completely incomprehensible for other people, but also because it provides us with certain information about the relationship between Komaeda and Hinata. People distancing from Komaeda because of his beliefs is not something that is only mentioned here, but it is very explicitly the main reason why Hinata distanced himself from Komaeda since chapter 1. Because of this, it's not hard to read this to be a certain reference to his relationship with Hinata -a person that Komaeda really felt he could connect with- and how he also ended up distancing himself because of his way of thinking, like other people Komaeda knew.

This seems to be the principal reason of why Komaeda seems to be so focused on believing that he and Hinata are similar, and also in the belief of Hinata being able to understand him. Komaeda has been misunderstood by everyone all his life and his ideologies have isolated him from the rest of society. All of this has resulted on Komaeda having the fixation on finding someone that would be able to understand him, this fixation ultimately leading him to have a very intense attachment towards Hinata even when they barely really knew each other, because it was probably the first time he had known someone that was similar enough to him to understand him.

There is also a certain connection between Komaeda thinking that they are similar, Hinata distancing himself from him and Komaeda's surprised reaction in chapter 1 seeing Hinata had started to think lowly of him. When Komaeda thought that he and Hinata were similar, he probably also believed that Hinata had a similar way of thinking, and because of that, he wouldn't just distance himself from Komaeda like the others when discovering the truth of the murder.

Considering how Komaeda talks about feeling that Hinata was able to understand his feelings, how he implied that he wanted Hinata to "inherit his soul" and in general considering how much this free time event talks about their connection, is not hard to think that in certain way this line is also a little bit about Hinata. Obviously, Komaeda's desire to be loved wasn't born because of Hinata, but I do think considering all we have seen before, is logical to think that one of the reasons Komaeda was so attached to Hinata is because he saw in him -because of their similarities- someone that he could connect with, and for that same reason, someone that could love him.

This is specifically accentuated considering the very strong reaction that has Hinata regarding this statement, literally considering throwing everything he has believed about not forgiving Komaeda until that point. I don't think that his reaction is because he was aware of that fact, but I do think it was written in that way to accentuate how this was talking in a certain way about Hinata.

Hinata's extremely heartbreaking and intense response towards Komaeda "lying" could also be easily considered a hint towards this being in a certain way about Hinata, but his response to this is also about way more than just that. His reaction is due to a lot of things, for one part it's about how Hinata feels like he was just deceived by Komaeda again, after having spent so much time trying to actually understand him. But is also about how Hinata wanted to believe in the existence of the Komaeda he once knew. Both of these very strong reactions -this one and his reaction towards Komaeda wanting to be loved- are born from that, from the need to believe him and to have a proof that after all, there existed some truth about the Komaeda he once knew, that there was some logic behind Komaeda, that there existed a reason behind his behavior.

He specially wanted to believe on that line because of how human it makes Komaeda. His biggest desire being something as sensible and human as connection, and this desire, being only realized when on the verge of death, is something that makes Komaeda look very tragic. That makes, Komaeda, human and sensible, and his actions, suddenly are more understandable. Hinata wants to believe on this because he wants to make reason of Komaeda, and give a logic, a very human and sensible logic, to the way he acts.

To finalize, I really love this event because I feel that in it is conveyed all of the main themes and important parts of the relationship of Komaeda and Hinata. It's very beautiful for me to see all the little parts that make them themselves being presented so strongly and explicitly on a full event.

[crazilust]

astrology observations pt. 5 (i believe)

remember, if this doesn’t resonate, leave it, scroll away and forget it. i wanted a summer theme, so i’ll do it on this post why not 💛

🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅 🐬🍋🌊🌅

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🐬 I wish I could look a Sag sun in the eyes and tell them that no matter how little or big they achieve, they’re worth something. That they don’t have to chase the next big shiny thing, that they don’t have to be a millionaire by age 30, that they don’t have to « be someone » because they’re already someone.

🍋 We’re always talking about how lucky Jupiter natives are and how free spirited they are, but the truth is, Jupiter is also about expansion and sometimes I feel like that expansion translates in a pressure to be exceptional. And in this society, in this world, being exceptional is only valued at a material level. The number of Sag suns that I’ve met that felt like complete failures at like 20 years old is not normal. They’re so harsh on themselves. I wish I could give them all a big hug

🌊 The power of pisces mercury lies in their intuition. As virgo’s sister sign, it makes sense that Pisces mercuries don’t find their answers through logic and evidence-based facts but rather intuition and feelings. It can be hard for them to trust that gut feeling or to feel intelligent cause if someone asks them « well how do you know? » their answers most likely will be « Eh, just a hunch » But trust it, it’s one of your many gifts

🌅 I used to be so fascinated with people with Aries and Gemini in their birth chart cause I found them so comfortable with people, the life of a party type of people and so damn charming. As I grow older though and begin to see life in nuances of grey instead of straight black and white, I’m able to realize that those people often suffer from people-pleasing tendencies, a sense of self that is either broken or fragile and codependent behaviors. It’s like their sense of worth is tied to how much people like them.

🐬 Cancers are very loyal, I know it’s not a popular sign on mainstream medias and people love to shit on them, but the truth is, Cancers will have your back, no matter the placements. If you’re ever loved by a Cancer, make sure to treat them right !

🍋 People who are not that much into astrology will meet a Leo and be like “omg, you don’t act like a Leo at all, you’re not arrogant or an attention whore” When we look at Leos celebrities, it’s easier to see that arrogant, flashy, extra side. But irl, we rarely meet that “kind “of Leos, right? (Except at bars lol) The reason for it, I found, is that Leos, for the most part, have personas. First of all, they’re a lot more private than you’d think. I believe that most Leos loooove attention, but they also know when it’s appropriate to show it or not. Depending on their other placements, they’ll decide when to grab that spotlight and when to leave it to others.

🌊 I had this girl that I knew that was a Leo sun (and I’m sure a bunch of virgo placements) and everybody was shocked of her sun sign because she was introverted, quiet and observant. But she was still a theater girl, wanted to be the main character (preferred the villain), veryyyy assertive when it came to her boundaries or what she liked and didn’t liked, and very extra and colourful in her outfits. The reason why I don’t like mainstream astrology is because it’s a bit childish in the way it describes a sign. You can love attention but show it in a way other than screaming and dancing on tables. This girl, for example. To me, she was a Leo sun to a T.

🌅 Aquarius placements 🤝🏽 their desires to connect with someone through intellectual stimulation, but refusing to show and acknowledge their deep rooted fear of intimacy and vulnerability

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and that’s it from me, folks.

-B.

[gayraeofsun]

i just really want to scream about this movie into the void because it was so well done, and i doubt anyone will really see this but i don't really have anyone i could have a deep discussion about this with.

trigger warning and spoiler warning ahead for the movie blink twice. content ahead discusses themes around sa, including r*pe, drugging, manipulation, and general physical/verbal abuse.

i don't keep up with any previews or recent movie releases much anymore, so i was going into this movie almost completely blind like i do with most new movies anymore. i had seen one preview, but it was apparently plain and simple enough for me to mostly forget about it. the irony in that will be made known a bit later on.

the movie automatically opens with a screen that displays a trigger warning, which is something that i had been seeing for the first time in any kind of visual media. normally these things are already listed by the ratings, but as a sa survivor who had no idea what this movie was going to be, it was a good thing to see so i could brace myself for what was to come. do i think this is necessary for any and every movie of this kind? no, it feels a little redundant (again, these things are typically included in the ratings). and, well, asking me to not watch if it would upset me is kind of a no deal, since i paid for a ticket and popcorn to see this on the big screen.

we're immediately introduced to our two main characters, two best friends, and it's hard to not immediately fall for their relationship with each other. so playful and silly and ridiculous, you can immediately tell they adore each other's company in their shitty job living in their shitty apartment, and you can tell that they're written by a woman who loves these characters and wants to portray them as relatable people. the interactions between the whole cast of girls, i think, was just outstandingly done. they felt realistic, not constantly shitting on each other and fighting for the attention of the men (though some jealousy of that fashion is still portrayed). they were all there enjoying the island and they ended up bonding together wonderfully. they were funny without being over-the-top rude or nasty or promiscuous, as is portrayed commonly in female characters in popular media. i can't and won't stop gushing over how much these characters felt just like real life girls that i was hanging out with.

this movie was really great at putting a pit in your stomach and slowly making it grow. of course, the trigger warning at the beginning spoils what's to come, so for me the pit was there from the start. any sensible person who's been socialized to be a woman will know, you don't ever just run away with some random ass group of men you don't know to the middle of nowhere with no cell service. but the little things that make the main character, frida, stop and question are so subtle, and so easily dismissed to start with. the used lip gloss in the drawer, the available clothes despite being an "unexpected" guest, the weird cleaning staff. but they increasingly get more odd. the island is full of venomous snakes and they all have to be killed on sight. something about these flirty interactions isn't quite right anymore, and he's talking about repressed memories. what day even is it? why am i always waking up with dirt under my nails?

who even knows or cares though, since we're all high and/or drunk 24/7. welcome to paradise!

it builds and builds until it begins to unravel, slowly and then all at once as the girls come to the realization of what happens to them every night when they get unbelievably high after dinner. the bond between the first two to piece it together was outstanding, and i love that there wasn't a cheap "find the phones and call authorities" plan. they worked out why that wouldn't work at all, because who would they believe? the "hysterical bitches" making claims without any kind of solid evidence, or the rich white man who's now a reformed soul and probably good friends with some of the cops?

the ending is not a happy one, in my eyes, though i believe it was probably supposed to be portrayed as one? two girls live and three girls die by the end. the ringmaster (ceo) of the whole thing ends up accidentally taking his own forgetfulness juice and suddenly doesn't understand what's going on and why all his friends are dead or have been otherwise brutalized. he knocks over lit candles and then trips and knocks himself out in his stupor, and the island burns down, the photographic evidence (that was later discovered) and all. i thought it was just going to end there and we would be left with the ambiguous ending, and that's never satisfying and feels very overdone anymore.

but instead, we're given a scene where our main character is now the ceo of the company, and legally married to the man who lured her away and horrifically abused her. twice. i interpreted this as her getting her own form of justice/revenge. i doubt she gives him half the treatment he gave her, but now she controls him and everything he owns and knew, and gets every bit of respect she wants. he killed her best friend and two other girls after overpowering the lot of them every single night. in a perfect world, he'd get tried and punished for his crimes legally. but all the evidence of it ever happening burned to the ground. so this is what she does to cope. in the final scene, she seems very satisfied, more than pleased to make her new husband's old crew squirm. she becomes the thing that destroyed her and so many others (but yk, most likely without the rapist cult).

one character i very suddenly grew interested in was the scrawniest boy in the group. he flies perfectly under the radar and doesn't appear in many of scenes that portray the gruesome sa. the one where he's in clear view, he appears to be another victim, trying to flee from one of the bigger men and receiving a black eye, which he would have no memory of getting the next morning. he's told by one of the girls that he smells nice, most likely referencing the perfume that was making them forget everything. it seemed very clear that he was in a victim role here as well, likely also being sa-ed. but he's never seen bound and gagged with the girls.

his final scene gets interesting when the ceo berates him for doing nothing to help the girls the entire time (yeah, the same ceo millionaire who's been basically orchestrating this whole sick fucking show in his perfect little getaway island). how he thinks there's a special place in hell for people who sit and do nothing in the face of evil. there are two very different ways to interpret this. 1) he wasn't actually getting drugged and abused with the girls, and was there as someone who didn't actively participate in abusing the girls, but also didn't do anything to try to stop it either. this could be blatant commentary on the two types of evil; while "not all men" r*pe and abuse people, not enough men will speak out against it or try to run to the victim's defense. or 2) the ceo was casting blame onto someone who was genuinely confused as to what was happening (which seems to ring true in both scenarios), and someone who was also a victim and stuck in a completely helpless situation. both could hold some level of truth, but ultimately i read him as the latter, thinking he was meant to represent the less common male victim. he gets killed by one of the girls, who wasn't specifically targeting him but also wasn't taking any chances, and that's the last we see of him. in my eyes he could either be read as the kind of evil that merely observes and therefore was rightfully murdered, or he could represent his male victims often get forgotten about or less acknowledged, which could speak as to why he was killed off so quickly never to be discussed again.

and i've gotta say, one thing i really appreciate about the scenes depicting r*pe is that it put a lot of the focus on the r*pists and not their victims. they were careful to not show any nudity or any shots of the women getting r*ped, but still showed them getting forced down when they tried to flee. i have not personally seen any other graphic scenes of this nature in other movies, but from what i hear a lot of it can get rather pornographic, and i feel like that's incredibly distasteful when you're trying to depict something that's absolutely vile. this movie does a great job of getting the absolute terror of the moment across without compromising any of the actresses by posing them seductively or showing off their bodies, and same goes for the men (if you don't count a couple of them being shirtless).

the writing is so wonderful, and the little clues as to what's happening beneath the surface are so good and plentiful. this is a movie that i don't think i'd ever be able to sit through again, but the sense of dread that continued to grow and grow will surely stick with me. it was very darkly funny in many places, which did great to break up some of the tension. for anyone who was able to stomach it, i would highly recommend watching through it once you're able. i think it was outstandingly well done and handled certain things as well as it could without watering any of it down.

[oneforthemunny]

build me up, buttercup |dad!rockstar!eddie munson x mom!nepo baby!reader|

prompt: you and eddie are planning a baby shower to welcome in your first baby, persephone. or how the girl's flower themes are born.

a teeny tiny blurb that i'm excited to share. follows the lore than each of the girls have their own flowers, and this is how persephone's came to be <3 hope you enjoy!

contains: pure fluff. honestly just cutesy shit. language. pregnant!reader.

"I just want something bright." You hum, swaying gently to soothe your sore, aching joints. Your ring dazzled in the bright light pouring in from the open windows, smoothing over the swell of your stomach.

"Is there a specific color, Mrs. Munson?" The timid event planner asked, spreading out swatches of bright yellows, powdery blues, pastel pinks. "If we start with a color, maybe that would help narrow down the options?"

"I don't know." You frowned, a swell of frustrated tears bubbling to life in your chest. You didn't know, and you hated that you didn't know. It was your baby shower, you wanted it to be perfect.

Eddie's spine straightened, eyes cutting to you carefully. He sensed the tears, the irritation of feeling overwhelmed and frustrated, all threatening to come out the only way they knew how to. He'd been on the receiving end of too many of those fits. His hand found your thigh, squeezing it gently, thumb rubbing soft circles over your soft flesh, a desperate attempt to soothe.

"You're wanting flowers, right? That's the main theme." Your assistant, Natasha, a complete saint in disguise. With pregnancy brain and hormones, you were sure you'd never make it without her. "Do you have options for a floral theme?"

"Yes," The planner squeaked, thumbing through her briefcase of photos, swatches, notes.

Eddie felt you tense, your hand rubbing over your stomach in slow circles, huffing in defeat. "Hey, could you give us a second, Nat?" Eddie hummed. "Just give us one sec to look and kinda talk."

"Of course. Let's take a little break. I'll go get some tea." Natasha gave you both a small smile, padding to the kitchen the event planner following closely behind.

Your sigh, heavy and huffy, echoed off the walls. It made Eddie cringe gently, pulling the flower pictures closer to the two of you. "What about this one? Nice and pink for ya." Eddie held the small sample photo up to you, filled with sweet peas and hydrangeas, obnoxiously pink.

"Yeah," You muttered, lips still puffed in a pout. "I don't even know if I want pink anymore."

"Blue?" Eddie grinned lightly. "Trick everyone into thinking it's a boy incase there's a leak." He cringed when your breath hitched, eyes wide in horror.

"I'm kidding, baby." Eddie added quickly. "No one's gonna leak. We're keeping it intimate."

"Yeah, right." You sighed. "My mom and dad will bring all these people I barely even know."

"And I'll tell them to leave." Eddie's chest puffed, spine straightening. "I'm serious. They're not on the list, they can fuck off, alright? Goes for Victor and Tana too. Not gonna let them upset you."

The small smile you gave him felt like a standing ovation, a victorious win after a grueling, hard day. Filled his chest with warmth, hand squeezing yours lightly.

"If there's even a shower to kick them out of." Your smile fell just as quickly as it came, shoulders slumping with them. "Can't even pick a theme."

"We'll get it. C'mon," Eddie's calloused fingertips tickled your jaw, lifting your gaze to his. "Don't be like that, sweetheart."

"I can be like that if I want to." Your voice teetered on the edge of a whine, the hinting of a cry. "I can't even make a decision about a baby shower theme. How am I going to make a decision about a baby?"

"Stop that." Eddie shook his head, voice dropping to a soft coo. "Two totally different things, baby. Not even comparable." It was rational, firm but soothed your bundles of nerves. You both had your own worries, fears about parenthood- fear of the unknown that was creeping closer and closer.

"Here," Eddie stood, chains hanging from his jeans jingling with every heavy step towards the shelves on either side of the television, lined with books.

Eddie's fingers danced over the spines, until he found the book. Still new, no cracks in the spine or bent pages, a gift from Farrah when you told her the baby's name. "I saw it at this bookstore in Amsterdam. I had to get it." She'd squealed, giving you the book with a title that your baby shared- Persephone.

Eddie had been more elated than you, reading it front to back more than once. Reading it to you at night, eyes lighting when he'd read something interesting.

"I think I saw somethin' in here." Eddie sank back down beside you on the couch. "Just an idea."

You curled into him, knees tucked under you, head on the soft, worn material of his t-shirt. His cologne, a faint smoky smell of a cigarette- you could feel your body relaxing, intoxicatingly calm.

Calloused fingertips thumbed through the pages until he found the page he was looking for, lips parting in a soft, triumphant hum. "Look," Eddie tilted the page towards you, fingertip tracing the small etching of a flower. "Says there's some history behind this flower and Persephone."

You titled your head, eyes scanning over the text.

"In the Homeric Hymn to Demeter, Earth Goddess Gaia produced the yellow petaled Narcissus specifically to enchant Persephone. Now, this early blooming flower is seen as the harbinger of Spring, announcing Persephone's ascent to the surface."

"Interestingly, for all it's association with rebirth and new life with Spring, the bulb is highly toxic?" You frowned, head tilting up towards Eddie.

His lips curled in a wide, excited grin, eyes shining with gleaming pride. "That's fucking cool, isn't it?" Eddie beamed.

Heat blossomed in your chest, dissolving the feeling of frustration and fear, and blooming with something lighter. Soothing and happy, spreading through your chest all the way to your cheeks.

"That is pretty cool." You nodded, scanning the table for a yellow swatch. "We could do like a yellow and white kinda theme, right? That would be neutral in case it did get leaked."

Eddie gave a small eye roll. "It won't get leaked." He muttered, setting the book to the side. "But, yeah, neutral but still bright."

"Make the narcissus the main flower. Maybe add baby's breath and something else..." You muttered, pulling the swatches in front of you. Eddie's chest boasted, watching your small frown on your features, determined instead of frustrated now.

"Do they keep?" You turned to Eddie. "Like, they won't wilt or be gross, right?"

"Buttercups? Nah, they'll keep." Eddie shook his head gently. "Used to pick them for my mom all the time when I was little. She'd keep 'em in a vase and some water, and they'd stay forever."

Your heart swelled, a dull ache behind his words. Even now, married and expecting a baby, Eddie rarely spoke about his mother. Every small detail he'd share, you'd guard protectively in your thoughts, wanting to remember every detail you could.

"Ok," You nodded, a small sigh of relief. "Let's do that then."

You groaned, pushing off the back of the couch, Eddie's hands quickly finding your waist to help you stand. "Will you go get them? I have to pee, and I'll be right back."

Weeks later, Eddie was sure he'd never seen so many shades of yellow- so many flowers in his life. Your family's Malibu home transformed to a bright, floral baby shower of your dreams. Buttercups at every arrangement, starred prominently in bustles of baby's breath and tiny white daisies. All the guests even in various shades of yellow, shining brightly under the California sun.

Eddie managed to sneak a bouquet after the party, when you'd gone to lay down and the staff was cleaning up. He'd handed it to Natasha, sent it with her to get pressed and framed, until it found it's new home in the nursery.

[uriekukistan]

i wanna talk about this thing gege said

i’ve seen a lot of people saying that this is a bad way to write a story, and i couldnt disagree more. from a writer’s perspective, there is no reason to kill off a character if it’s not going to have impact.

in any case, i think this reaction points out two things i’ve noticed about the jjk fandom.

i. jjk fans prioritize enjoyment of characters over the plot

which is fine, i guess. i’m not gonna begrudge any readers the space to enjoy their fav characters. however, what i disagree with is the constant trashing of gege and jjk as a story because the narrative doesnt treat the characters as you want it to.

i mostly talk about these things from the perspective of someone who has been writing for a while, so i will take a second to acknowledge from the reader perspective. it’s easy to get attached to characters and see them as real people in your life.

but they arent real people. they only exist for the author’s intentions. every time i see someone complain that “x character only died because plot” i just think “yes?” characters exist for the plot. they exist to serve the narrative. they live and die for the plot, and that isn’t a bad thing. this is a story. that is how stories work.

with characters like gojo or choso, it’s easy to look back and see their character arcs and how their ends fit their purpose in the story, but i think people get so caught up in wanting to fuck the character, or fanon, that they forget their original purpose is to do what gege wants them to do.

this is a war against the most powerful, most evil sorcerer in history. of course characters are going to die, and of course it’s going to be characters we love. it’s honestly unrealistic to expect anything else.

and i think it’s really disrespectful to say so many rude things to gege because he is thinking about the story he wants to tell, and not the story that best suits your favorite character.

ii. few people want to feel anything from what they’re reading anymore

which again, is totally fine, but maybe read something else?

tragic stories have existed and enjoyed immense popularity for millennia. and theres nothing wrong with that. there’s nothing wrong with authors intentionally stirring up their readers’ emotions.

i wanna bring attention to the origins of the words “tragedy” and “catharsis”

“tragedy” is a genre that stems from greek drama based on human suffering and the terrible or sorrowful events that befall the main character. the intention of of tragedy is to invoke “catharsis”

“catharsis” is commonly used to refer to the purification of thoughts and emotions by way of expressing them. in terms of tragedy, this refers to arousing a negative emotion with the intention of expelling it so the audience can walk away feeling relieved.

for all intents and purposes, jjk is a tragedy. it’s meant to make you feel sad. that’s gege’s intention. yet every time people feel upset by a specific event, they call “bad writing.” if anything, according to what jjk is, it’s good writing if you feel sad.

i have seen some people say that jjk wasn’t set up this way, and i disagree so strongly that it’s hard to comprehend.

jjk0 ends with gojo having to kill his best friend, his one and only. tragedy. yuuta’s story is tragic too, having cursed rika and accidentally isolated himself just because he didn’t want her to die.

jjk starts with yuuji faced with execution just because because he wanted to honor his grandfather’s dying wishes. within a handful of chapters, there’s yuuji’s “death” and junpei, and there’s a clear set up of tragedy and repeated loss, despite characters giving their best effort.

i could get into how this relates to my interpretation of the themes of jjk, and sharing burden/responsibility to be stronger together, but that’s another point.

tldr; the point of this post is to say that gege killing characters and making readers feel sad is not bad writing or a bad narrative choice. it’s true to his intentions and the essence of jjk. if you don’t like that, then don’t read. but there’s no reason to disrespect gege and his hard work just because it’s not your cup of tea

[lalalian]

weird/uncommon genres | dr ideas

date: december 16, 2024

Im never making a joke again 😭 after talking to my friend abt it, i feel better, but im still too scared. I thought poop jokes were childish and funny, like “your mom” 😭 regardless, nobody's seeing a joke from me ever again unless it’s on tiktok-- just to be clear tho, even if I found it funny, if the other party didn't, obviously the fault relies on me

I saw a guy get canceled for saying “your mom” too— though tbf it’s bc in Confucian countries it’s really bad to joke about your parents

sjfhdhsks I wanna cry…

Anyway, I haven't done these in awhile; I'm not sure if yall like my aethergarde academy posts more, these kinds of posts, or both (equally).

it's been awhile-- here's some weird ass genres you could make a DR from.

disclaimer: I used chatgpt (out of curiousity for some of these genres, those genres are made up and are not actual terms. Italicized ideas are ones from chatGPT. Guys it's unfair how good chatgpt is getting.. my brother told me that the goal of the current model is to have the AI simulate proper critical thinking instead of simply spitting out information.. isn't that crazy)

futuristic

cli-fi - this genre delves not only into climate change itself, but issues relating to the sun disappearing, or the world freezing. I remember seeing a shifter somewhere saying that she shifted here bc in her previous reality climate change was getting really really bad.

social sci-fi - focuses on how humans interact and behave in a futuristic setting.

planetary romance - exploration of different planets + romance, especially with an alien. Also characterized by distinctive extraterrestrial cultures and backgrounds.

data gothic - cyberpunk x gothic horror; characters encounter malevolent AI beings, digital ghosts, and corrupted data streams.

cosmic agriculture - genre focused on growing plant life in outer space or on different planets. Can also including breeding alien organisms (bacteria).

psychic noir - solve crimes in a world where memories, emotions, and thoughts could be hacked, manipulated, or weaponized. I think I'd make the memory thing extremely hard to do, since if it was too common I think it'd cause way too much havoc.

eco-metamorphosis - kinda like alien stage, but if you'd like, it could be less dark. This genre centers around earth being colonized by aliens, but the goal isn't to reject these changes, but rather to coexist with the other species.

liminal

slipstream - "speculative fiction that blends together science fiction, fantasy, and literary fiction or does not remain in conventional boundaries of genre and narrative"

abandoned intentions - explore incomplete worlds-- as if the world was abandoned mid-creation.

fantasy

lost world - discovering a hidden civilization, like atlantis or lumeria.

subterranean - a world that is primarily in an underground setting; similar to the hollow earth theory.

mythic/mythopeia -  "fiction that is rooted in, inspired by, or that in some way draws from the tropes, themes, and symbolism of myth, legend, folklore, and fairy tales."; very similar to my wandering apocathary dr.

oceanic

nautical fiction - relationship between humans and the sea; "human relationship to the sea and sea voyages and highlights nautical culture in these environment".

wholesome/cute

furry sleuth - this is not about furries-- this is essentially a mystery where the main character is a household animal, typically a dog. Said animal would be the detective and solve mysteries.

cashier memoir - this genre always takes place in the head of a cashier. The goal is to come across as many different kinds of people as possible. This would be incredibly boring in this reality, but imagine if you were a barista in a fantasy or futuristic reality... you'd come across a lot of people without much effort or mental strain.

epistolary - a story told exclusively through fictional letters, newspaper articles, emails, and even texts. This isn't necessarily a genre of DR, but I think it'd be really interesting to guess/assume the plot of a DR through short snippets of letters or texts.

[notjustjavierpena]

His

Series Masterpost | Main Masterpost | Support a disabled creator

A/N: This has been on hiatus since July. I have finally decided to finish up another chapter. I have no idea where this is going but I am just going with it at this point. They’re fun! Enjoy part 4 of mean!joel ❤️💖

Summary: After Joel kisses you, something shifts. You find out a hard truth and take matters into your own hands.

Pairing: Joel Miller x f!reader/you (no y/n)

Tags: +18 smut, a mishmash of feelings, dubcon-ish themes, a hint of sub!joel (?!!!!?!!??) but he is not happy about it, a hint of edging, handjobs, degradation, humiliation, riding, unprotected piv, slapping, dirty talk, empty threats

Word count: 3.6k

Link to this work on AO3: https://archiveofourown.org/works/48179338/chapters/135617983

His

Something shifts after Joel kisses you and leaves. Especially because he did it in a way that made it seem like he was bolting out of a burning building, leaving you inside for the walls to come tumbling down around you. You hardly blame him for reacting like he did that night; he is the most emotionally unavailable man you have ever had the (dis)pleasure of meeting, and you doubt that he even has the vocabulary to put words to why he fled your bed like it was the scene of a crime. It isn’t like you’re going to ask him though, not even despite being curious about his reasoning and intentions. 

For you, it is not a mystery what the shift is. The arrangement between the two of you used to be anticipation, fury, and lust. Now it’s a gentle tug at your heartstrings when you catch a glimpse of him in the streets and he doesn’t look your way, knowing you should not want him in the way you do. 

How you want him is harder to pinpoint. It’s not wedding bells, it’s not children padding around on the wooden floor of your home, it’s not doing laundry for him and watching him do the dishes after sharing a meal. It’s something less complicated than love. You don’t want him to love you, but you wouldn’t mind being his only and his favorite. 

Though irony would have it that it turns out you are indeed not his only source of whatever fucked up thing the two of you exchange once in a while. 

During a short break from a late-night meeting of your patrol group (Joel had decided last week to switch to another), one of the newcomers to Jackson snickers girlishly as she tells the rest of you about how Joel Miller had made her come four times last weekend. It makes something uncomfortable swirl in your stomach, makes it drop as you feel foolish about thinking you were special. Additionally, it takes all the willpower in you to not blurt out that he had made you come seven times during one of the nights you’d spent together.

To your surprise, It isn’t that he has slept with someone else that hits you. It’s the little piece of information that your new patrol member lets slip with a giggle. 

“Such a gentleman,” she says, basking in the attention of the circle of women standing around her. Their collective sigh makes you wonder what they’d say if you let them know that Joel forced you to suck him off the first time you were together. A part of you suspect that she is lying as she continues, “They don’t make ‘em like that anymore, girls. He was just so attentive and sweet.” 

After the meeting, you feel like you’re about to suffocate if you don’t leave the building quickly. The tightening in your chest makes your heart feel caged, desperate to come out into the open and bleed all over the place from making its way past your ribs. Desperately, you push past anyone who does not jump out of your way immediately. 

Once outside, you find a quiet spot behind the community center where people only come to be alone. You rest your forehead against the side of the building, breathing deeply in through your nose and exhaling shakily as you suppress the tears that threaten to roll down your face. 

“Fuck,” you say bitterly as a droplet still manages to escape from the corner of your eye. You wipe it away with a quick swipe of your hand as if to hide the evidence from the world and yourself, “Fuckfuckfuck. What the fuck are you crying over him about?”

However, the single tear seems to have opened the floodgates because you find yourself properly crying a few seconds later. It is ridiculous, you know this, but you cannot help the shaky breaths that leave your mouth as your cheeks stain with tears. 

Joel is not anything special. Joel is rude and arrogant, bordering on narcissistic and psychotic. You’re not even sure if he can smile, if he’s funny, or if he’s capable of not ruining things when touching them. He sure has ruined you, ruined both your nights and days because they’re spent wondering about him. 

Then again, surely he must know this because he looks at you from across the room the way he does. He must know what he is doing to you, and it makes you fucking furious because how did he ever think that he had the right to pursue you? Make you want him? And, to top all of it off, how does he think he has the right to not appreciate you? 

Rage slowly builds in your chest. Your heartbeat is threatening to make you pass out with how fast it is going, but you ground yourself by taking a few deep breaths that eventually stop your tears as well. 

I’ll fucking show him, you think, and it’s the white-hot fury in you that is talking.

You stalk across the streets of Jackson, earning a few concerned glances but no warning words. It’s a relief that you look angry enough for people not to bother you, because you wouldn’t be able to articulate your reasons for wanting to implode with how furious you are. 

Your legs take you all the way to Joel’s house. You stomp angrily up the porch’s stairs, but it’s only when you burst Joel’s front door open that you realize that you actually haven’t been in his home before. It’s also only then that you realize that you have no idea what you’re going to do now that you are here, too angry and out of your damn mind to explore the many pictures on the walls, the wooden carved figures on the shelves and… is that a guitar? 

You mentally shake yourself.

“Focus on the task at hand,” you say quietly with exasperation, and then the search for your betrayer begins.

You walk through the house with determination, but you soon realize that he is nowhere to be found downstairs. It doesn’t surprise you that he hasn’t locked his door (nobody in Jackson does), but you still feel disappointed that you can’t make a big dramatic scene of throwing a plate in the kitchen or a cushion in the living room. You feel slightly like a rage-filled balloon that’s slowly losing air. 

So you decide to go upstairs whilst still clinging to your rage, planning on waiting in his bedroom for his return but realizing that Joel is already in and sleeping in his bed. It’s late enough, you suppose, and you know he has a series of hard labor tasks on certain days.

You try your hardest not to feel too intoxicated by the smell of him on the sheets, need your head clear as you slowly start to undress right in front of his sleeping form. He looks so peaceful and so unlike his usual stoic self, and so vulnerable that the opportunity is too great to miss. 

You freeze the times he stirs slightly but he never wakes up, and soon, you are down to your underpants and nothing more and you are so wet with the anticipation of both sex and power in the room, even more with Joel being so unaware of it.

The bed creaks as you crawl onto it. You manage to straddle Joel before he wakes up fully, immediately lifting his arms to grab you and defend himself but when he realizes it’s your body on top of his, he falters.

“What’re ya doin’ here?” His voice is filled with sleep but he is nowhere near panic as you had hoped. 

You lean down over him and grab at his chin with the hand that’s not holding you up. You smile down at him but Joel is already staring down at your chest as you hover above him. You shake his head slightly, “Eyes up here, you bastard.”

“Shouldn’t look so pretty then,” he retorts. 

“Heard you were screwing around with that new bimbo. I thought you liked a challenge,” you tighten the grip on Joel’s jaw, push him back into the mattress, and catch the way he is connecting the dots in his head but the time it takes him makes you realize that there has been more than her. You growl, still hovering over him, and leaning down to ghost your lips over his whilst your eyes roam over his face, “It’s a damn fucking privilege to be breathing the same air as me.” 

“Cute,” he says quietly and brattishly. 

You push down briefly before letting go. Your eyes look down at his lips but you don’t kiss him like you want to, don’t want to give in when it would seem so vulnerable to give in to that temptation. 

Instead, you reach up to hold your palm in front of his mouth. You smile innocently, “Lick it.”

“What?” He chuckles in disbelief.

“Go on. Do as I say.”

Joel lets out his tongue and wets his lips. He gives in faster than you have anticipated, licks a long stripe from the start of your wrist to the middle of your palm, and coats your hand in disgusting, hot, and dirty saliva. 

“Did she do that?” You ask. You feel behind yourself to slide a hand down into Joel’s jeans and then past the waistband of his underwear, “Put you in your place because she knows how disgusting you are?” 

Joel is already half-hard as you take him in your slicked palm, and his cock comes alive fully not a moment later. He gasps into the bedroom but still looks cocky as ever, “Which of ‘em?”

“Fuck you,” you stroke him slowly and his breaths come out in small puffs that hardly make him seem calm and composed. You realize how much you’ve needed, craved, to put your hands on him. 

“That can be arranged,” he says, trying to catch a glimpse of what you are doing to him. He starts to move, makes an effort to flip you around but you catch him before he can follow through. You tighten your grip around his cock, squeezing him around the base until he gasps softly. 

“No one but me,” you say, “Okay?”

“Don’t be ridiculous, sweetheart, what is this?” He rolls his eyes and moans when you stroke him once and then twice. 

“Are you going to behave?” You ask with a harsh grip again. You let your lips touch briefly now. 

“What?” Joel looks slightly disgusted. 

“I asked,” you begin and now you start to stroke him properly, mimicking what you have seen him do to himself when he has wanted to come on your face, “Are you going to behave, Joel?”

“No,” he teases. 

“Don’t make me ask once more, baby,” you move your hand up and down quickly, almost forcing him to near orgasm before you squeeze around the base to edge him. He hisses, neck blushing with how his heartbeat must be on overdrive. 

“Fuck,” he groans, throbbing in your hand, and with his snark, you almost just want to spend hours tracing the vein along his length with your fingertip, “Whaddaya want? You want me to be your little boyfriend or somethin’? Don’t be dumb, it don’t suit ya.”

“Listen,” you say, scooting back slightly and leaving a stain of your slick on the bottom of his t-shirt, “I’ll stick your big cock in me right now and let you come in me if you say I’m your only girl. You’ll never need another pussy than this.” 

He says your name as you straighten on top of him again but you let him know it doesn’t mean anything to you. Your free hand reaches to pull your panties to the side, and then you hold his cock in place as you slide down onto it and let it stretch you by bottoming out inside of you. You try your best to look motionless but he has a girth that stings.

“Say it,” you demand, slightly out of breath at the feeling of sitting on his thighs now. 

Joel is silent. He stares up at you, looking as if he has won because he is already inside of you but when you don’t hear an answer, you start lifting yourself off of him again. Joel grabs your hips in protest, holds you down, “No.”

“Then say it,” you reply, “Now.”

“You’re my girl,” he moans helplessly as you reward him with a roll of your hips. You make a noise as well, something closer to a tiny cry for him but you aren’t going to give in just like that.

“The only?” You inquire when you regain your composure. 

“My only girl, even if she’s a fuckin’ pain in the ass,” he groans. You flex your thighs to grip him around the middle and then you squeeze his length, letting your walls clamp down and it sends his eyes rolling backward. He bucks up his hips and you moan. 

However, you still have more to say and do. You don’t move yet, “I don’t believe you.”

Joel rolls his eyes, his grip on your hips tightening but he still doesn’t force you to ride him, “Jesus Christ, what the fuck now?”

“I think you’re a liar,” you inform him, trying to ignore how much every instinct in your body is telling you to use his dick for yourself. You squeeze around him again, “I think you’ll say anything to get pussy.”

“No one’s got a pussy like yours, sweetheart. You think I don’t know that?” He bares his teeth like an aggressive, cornered dog and he groans at the feeling of your soft, wet walls, “You’re like fuckin’ cocaine. Need more each time or I’ll never recover.”

“Don’t go finishing in me, Joel,” you scold. 

“I ain’t gonna,” he bites back, “I do have some self-control.”

“With the way you’ve been whoring around?” You tut, experimentally rocking your hips forward to feel him slip almost all the way out of your cunt. You move back to let him bury himself deep once more and whine, “Riiight.”

“Watch it, we’re only doin’ this because I allow it. I could break ya spine like a fuckin’ toothpick,” he breathes, hands going up along your thighs until he lets them glide up your back as if he is going to make truth of his threat, “Don’t forget who has the upper hand here.”

You relish in his rough hands on your lower back and finally start up a pace to ride him properly, not caring about how your thighs start to burn as you seek out pleasure. It’s a fun contrast to what Joel has just told you because his eyes glaze over in a way that shows you that he wouldn’t even know how to snap you in half if he wanted to. 

His breath has quickened, each intake and exhale becoming airy, whilst he holds your soft sides in his calloused grip. You rest your palms on top of his forearms, undulating your hips until his eyes roll back. He seems like he might lose his mind this time around, so submissive in his own way now that what you are doing to him has hit him by surprise. 

He shamelessly groans your name. Its roughness spurs you on, making you lean forward a little further to give him more. You ride him as if your life depends on it until something burns delicious in your belly and his pelvic bone grinds into your clit. 

Your first proper moan leaves you, high and squeaky. The angle has you baring your teeth, your breathing shaking, from how his cockhead stabs at your front wall repeatedly. You start spitting filth to not sound pathetic even further, “Fuck, Joel, your big cock is enough to make a girl lose her sanity. Makes my eyes wanna roll back.”

But Joel says nothing as he seems pissed off by what you have made of him. Instead, he breathes hard through his nose and occasionally lets a moan fall from his mouth. It pisses you off too. He had such a smart mouth just moments ago, and now he has resorted to being spiteful. 

You make a rash decision then. You move steadily on his cock, rhythm not faltering once, whilst reaching down to his face with your dominant hand. You smack his cheek hard enough to make a point and a noise, eyes narrowed, “Snap out of your ego tripping.”

Joel responds not with words but by curling his hand around your wrist and yanking it away, and then he takes hold of your smaller body once again and starts snapping his hips upwards, crashing them into yours until you nearly topple off of him after crying out. He tightens his hands on your body whilst you hold his forearm with one hand and have the other firmly planted on his chest, and suddenly you are working together towards a crescendo. 

“Give it to me!” You yell with your eyes screwed shut from the pressure against your clit and g-spot. Joel is swearing and his chest is glistening with sweat but he gives in to your command, making you bounce in his lap until he throws his head back and yells with you. 

“Fuck, honey,” he grits out, “Gonna make me come inside ya tight pussy.”

“Oh, it talks?” You quip, trying to hold back a pathetic string of cries but to no avail. Joel smooths his hands up to cup your body just below your breasts, digging his thumbs into your rib cage. 

“Shut the fuck up,” he retorts. 

“I’m gonna come,” you say instead and furrow your brow. 

“Yeah?” He mocks but then his face goes slack and you feel him twitch inside of you, impossibly close to the edge too, “Fuuuck, I can feel ya. Choke my cock real good, Doll.”

You come hard, unable to catch your breath as you keep moving back and forth on his length. Your whole pussy pulses, tight walls gripping him even further. The fingers holding onto his forearm make little indents and your nails on the other hand scratch into his chest until red lines form. And you cry. Oh, you cry and cry for him whilst singing his name.

The clenching of your cunt around his dick makes him reach his own point of no return a moment after. He does a sharp intake of breath and when he exhales even sharper, a groan follows, and his cock releases come inside of you. 

You use your last bit of energy to ride him through it. Your delirious mind, hazy with pleasure, makes your mouth run as you slowly drag your hips to match each twitch of his length, “See? She can’t love you like I do. Is that really what you want, Joel?” 

Joel pants underneath you. He tenses up when he hears those words but instead of pulling away, he grabs the back of your neck and pulls you down, “What the fuck did you just say?”

Your eyes widen slightly at the realization. In your chest, your pulse beats rapidly, “Just ‘cause I said it, doesn’t mean that I meant it.”

Joel tightens his grip briefly but then lets go. He sighs, then reaches up to rub his forehead in frustration, “I don’t have the strength.” 

“What’s so bad about it?” You ask, figuring that you might as well jump into the conversation now that you’ve been stupid enough to start it. 

“Don’t,” he warns, letting out a noise as he moves to pull out of you. Your panties move back into place, causing you to shiver.

“Please,” you know it is weak of you.

Joel says your name, mimicking the tone of a parent who is tired of hearing their child pestering them about something. He finds your eyes but doesn’t say anything else. 

“Just let me try something,” you continue and earn a raised brow. He stops trying to move. You swallow thickly but decide to be brave. 

Carefully, you curl your fingers into Joel’s chest hair and reach for his cheek with your other hand. You close the distance between the two of you, finding his mouth with your own and kissing him with a lot less vigor compared to what you have just done.

Underneath your palm on Joel’s chest, you can feel him exhale in something resembling relief. He doesn’t fight the kiss, no, instead he moves his arms and holds your waist. He kisses you back with closed eyes and soft hands, and you try not to ruin it by becoming eager. 

A few moments pass. When you finally pull away, he looks like a deer in the headlights of a car but you talk before he can, “Go to sleep. It’s okay. You don’t have to say anything; I can see you’re exhausted.”

You move off of him to lie down at his side instead. Besides you, Joel closes his eyes without hesitation as if he needs to escape any conversation but when his breathing slows down further and you realize that he is drifting off, he looks mostly like a tamed beast. 

Ever so gently, you run a hand over his hair. He shifts only a little bit, so you do it again and suddenly you’re stroking the salt and pepper curls repeatedly.

To think that he had been ready to fight if someone touched him just half an hour ago. You continue for a few minutes before leaving the bed, heading for his bathroom to get cleaned up, and when you return again, he doesn’t react this time either.

The next day, you’re back in the same patrol group. 

.

.

If you would like to follow my writing then go follow @notjustjavierpena-fics and turn on notifications 💖❤️

[gloomwitchwrites]

I wish to see how each of the 141 boys respond to their ex, reader, calling them for emotional support bc readers newest bf was toxic af

bonus points if 141 boys are still possessive over reader, but doesn't do anything besides telling reader to leave her toxic bf. OR ORRR he's possessive bc him and reader have been together for so long, who would know how to treat her better than him? He knows every little detail she cares about, every little action that makes her fall head over heels in an instant. Her toxic bf? He doesn't care to learn about those types of things, even if reader outright says it

EVEN MORE BONUS POINTS for smut to show reader what a quick fuck of satisfaction looks like vs genuine sex / love making

Apologies, Anon. This has been sitting in my inbox for…a while, but I’ve been thinking about it off and on since you’ve sent it in.

I’ll drop some HC’s about how this would go down but I absolutely want to explore this further as part of the Imagines & What If Series.

I'll tackle these separately and make them individual one-shots (with much more detail) once I wrap up the By the Belt prompt. But for now...enjoy my HC's (if you will) on what I think would go down in this scenario.

The official masterlist for the extended fics can be found HERE.

ao3 // taglist // main masterlist // imagines & what if masterlist

Content & Warnings: suggestive themes (it's vague), brief mentions of protective/possessive behavior, canon-typical swearing

John Price

Breakup status: Strained (at first), but settled into friendship.

Absolutely hates texting, and you know if you need to reach him immediately, you have to call. Price isn’t an old man, he’s just the old man of the group, and would absolutely be tech literate but also super picky on how he communicates with people personally. It’s Price’s job to be calm, to be a leader, and pick up on things others don’t necessarily notice. So, Price would know you’re upset with your current boyfriend without you even having to spell it out. Besides, Price hates the guy, and knows he’s not worth even a lob of spit.

Plus, Price has been wanting to get back with you for ages. Now that the two of you are friends and have repaired whatever it is that separated the two of you in the first place, Price is looking to find a way to move in again, to slowly (or quickly) win you back, and now he has the opportunity.

Price insists on talking in person, and the moment the two of you are together, he makes the effort he knows you’re needing—because he wants you back, but also because he knows you better than your current boyfriend. Price doesn’t understand why you even gave the guy a chance, but he’ll do everything to get you back.

He would start with subtle indications eventually moving the conversation into past memories, reminiscing on happier times when you were his woman, and how that felt. It slowly devolves until you’re admitting first that you still miss him, and Price goes in for the kill, stating clearly that he still has feelings for you.

The final act is passionate, rough, and intense. Like an atom splitting, it is explosive.

Kyle “Gaz” Garrick

Breakup status: mutual (away all the time; hard to make it work)

When you call, on the verge of tears, needing to talk to someone, Gaz immediately knows something is wrong the moment he picks up. (Sorta like Price but more attuned emotionally to the situation).

I can see Gaz not being a fan of chatting for long periods on the phone, so you don’t even need to ask, Gaz will drop everything and come to you without you having to suggest it. In fact, Gaz picks up, realizes your upset, and immediately says he’s coming over.

When he arrives, it’s like the two of you have never been apart. It’s almost routine, completely natural the way the two of you come together. Gaz is very much about physical affection. He’s constantly touching you, comforting you, and saying sweet things that always make you melt.

Totally knows you need a distraction, and while you’re upset, you’re having a difficult time expressing yourself. When this happens, Gaz just shuts it down, guiding you toward distraction to help you calm down and ease your mind before probing to see if you want to return to the topic.

Once that happens, game over for boyfriend. He’s lost you to Gaz.

The reunification is absolutely passionate and soft. I will die on that hill.

John “Soap” MacTavish

Breakup status: Messy. (You cannot tell me Soap isn’t a hot mess. Our boy is a little too high energy at times.)

While the breakup between the two of you is messy, Soap has always been a “safe” person for you. So, when you call him to vent, you don’t realize that Soap immediately starts heading in your direction until he knocks on your door and the two of you stand there staring at each other, phones held up to your ears. It’s an impulsive decision on his end to come to you, but you don’t turn him away.

Like Simon, Soap would be forward in the way he addresses your concern and the issues—which is your shitty boyfriend who deserves to only be known as your ex. However, where Simon is more of a blunt “these are the facts” kind of communicator, Soap will go for the jugular, using harsher language about this “boyfriend.” He won’t be critical of you, but he will be overly critical of him, listing all the ways this idiot doesn’t deserve you. He might even grow a bit heated in tone and pitch, becoming creative with his slang, and his accent might thicken slightly especially if he’s going off.

But ultimately, Soap is defending you, and reiterates the need for you to stand up for yourself and get rid of this loser.

I don’t think anything passionate would happen in that moment. But I could also see Soap in the middle of him criticizing your toxic boyfriend, you shutting him up with a kiss. Now…that could easily go sideways with someone like Soap. He’s very much impulsive at times, and I think that would win out. Soap would totally kiss you back and not allow you to pull away from him again until you’re…satisfied.

Simon “Ghost” Riley

Breakup status: Tumultuous, eventually mellowing to mutual understanding afterward.

Would listen to you rant without interrupting. He would not ask any clarifying or follow up questions.

When you have it all out of your system, his response is simple: break up with him. Simon is direct—could even say blunt depending on the situation, and he would absolutely be that way in this scenario.

He makes it clear that you’re obviously not happy and that the relationship is making you miserable. He might even lay it out plainly, stating only the facts, sliding into that mindset when he’s in the field, thinking about all scenarios and problem-solving while doing so.

Internally, he’s absolutely ecstatic that your current boyfriend is a garbage heap of a human being. He will see this as an opportunity to slip right back into your life if he plays this right. Sure, the two of you aren’t together anymore, but he’s not over it. Simon is possessive and territorial to the core. Totally still considers you his.

Will absolutely make up a reason to come over, and it will likely fall under the “I’m looking out for you” or “trying to protect you from him” insisting that your boyfriend could escalate and he won’t allow you to potentially be in harm’s way.

When he arrives, Simon immediately turns soft and attentive in just the way you like. He gives you his full attention, doesn’t lecture, and offers plenty of physical touch.

The physical touches turn…well, I’ll save that for the full fic. But it is a reminder of how you’ve always been his and you just need to realize it.

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[rebelliousstories]

Flirting Gone Wrong

Relationship: Remy LeBeau/Gambit x Reader

Fandom: X-Men

Request: Yes by Anon

Warnings: Fluff, Brief Angst, Brief Mentions of Suggestive Themes

Word Count: 1,040

Main Masterlist: Here

X-Men Masterlist: Here

Summary: After a while, most people would throw in the towel. Thankfully, or unfortunately, Remy is not most people.

Consider A Donation: Here

Remy was at the kitchen, sulking as he stared at the group on the other side of the room. No matter what he did, no matter what he said, they just would not join him in the fun. After a while, Gambit thought that they might not be interested in him. But Storm had put a quick stop to that thought in his head. According to her, they really did like him, yet, for some reason they were not acting on it.

For months, he had been trying to make a move on the person. And every time he did it, they found another way to negate his attempts. Each time he laid down a line, they took it literally or chuckled it away. If he tried to wrap an arm around them, they ducked out of the way. If he tried to give them pastries or treats, they always split them with whoever else was around.

Safe to say, Gambit did not think that they liked him as Storm claimed. But he kept trying. Hoping that one day he would be able to win them over. However, there he sat. Sulking over the fact that they were laughing about something with Rogue and Wolverine across the kitchen.

“Are you going to sit there and stare at them all day?” Jubilee asked, saddling up to where the Cajun was.

“I jus’ don’t get it, petite. Storm says they like me too, but they ain’t doin’ nothin’ to prove that. Jus’ treatin’ me like one of the rest o’ ya.” He lamented, dropping his chin on to the heel of his hand. Remy’s body sagged with the weight of a deep breath leaving his body.

“Gambit, listen. When we have our nightly talks, I can tell how much they like you. They’re just a little afraid to show it. Have you tried talking to them about it? Maybe seeing why they won’t return the affection?” This gave the man pause. He shook his head when he realized that he had never stopped to ask them why they were acting like this.

“Well, there’s your problem,” she shoved Gambit gently, “go talk to them about it. Because, if I’m being totally honest, I can’t deal with another day of you two pinning after each other. It’s frustrating in a sweet way.”

“You’re right, petite. Gambit should just go talk to them. Been beatin’ ‘round da bush too much.” He said with such conviction that Jubilee cheered. As he began to walk across the room, Remy stopped, turned back around, and held a worried look on his face.

“What should I say?” Jubilee rolled her eyes, but got up to go near him anyways.

“Something that’ll get you two together and not this ridiculous pining!”

The girl turned him back around, and shoved him hard towards the group. He stumbled, and nearly fell which caught everyone’s attention. Feeling his cheeks heat up, Remy chuckled nervously. Gambit shot a dangerous look back at the girl that had pushed him, who only smirked at him in return.

“You alright there, Gambie?” They asked, coming closer to offer a helping hand up. He only hoped that his confidence did not fail him now.

“Course I am, pistache. Listen, can I talk to you real quick? Alone?” Remy wondered quietly. They nodded and began to lead the both of them out of the kitchen towards the hallway. Sitting in silence for a while, Remy kept his eyes trained to the floor below as he tried to muster his courage back up.

“So…” they started, “what did you want to talk about?” The man was trying very hard to put his thoughts into words, but that was going horribly. They sat in silence for another minute before he composed himself.

“Do you like me at all?” He blurted out.

“Of course I do, Gambie. Why-“

“Not as a friend or another member of da team? But as a romantic partner?”

It was now their turn to become silent. Chewing their lip, their eyes stayed on the ground below them. Remy’s silver boots were now the most interesting things in the world. They knew that he was trying to get their attention back on him by calling their name, but they felt their mouth getting dry.

“And what if I do,” came their question once they could speak. Remy came closer to them so he was now in their bubble.

“Well, I’d love nothin’ more, pistache. Cause I’m right there with ya. Jus’ neva thought you liked ol’ Gambit is all. Neva game no signs or nothin’.” His hand scratched the back of his head as he admitted his feelings.

“Oh, no, Gambie. Don’t think that. I just never expected you to like someone like me.” Tilting his head to the side in what could only be described as a puppy tilt, Remy looked confused.

“Whatcha mean, pistache? We both mutants.” They groaned just a bit as they realized they needed to spell it out for the Cajun.

“No. That’s not what I meant, Remy. I mean, I never expected you to like someone that was asexual.” When he did not speak, they continued. “I don’t feel any sexual attraction. I want to go on dates and have a relationship, but sex grosses me out. I just don’t see the point to it.”

They teared up a bit when Remy had not spoken still. Realizing he had a fleeting moment, he rushed to take them in his arms comfortingly.

“Oh, pistache. Don’t think that now. Gambit don’t care. You jus’ keep bein’ lovin’ you, and we’ll figure it out from there. Ain’t gotta do nothin’ you uncomfortable with now.” He ran a hand over their head as he spoke, hoping that his words were able to get through.

“You really don’t care?”

“Non, pistache. Just care ‘bout you.”

The tears went away near immediately at this. Pulling away, they were able to look him in the eyes with joy this time. Raising onto their tiptoes, they pressed a soft kiss to his cheek, causing him to blush. He reciprocated as soon as he got the go ahead, and boy did he enjoy watching their cheeks light up in flames.

[twice-inamillion]

The Company 

Double Life

Fluff and Angst (Dark theme)

Chapter 12

1735 Words 

(Company OC lives his everyday life, taking care of his business and ensuring everything runs smoothly. He has a soft spot for Mina, being his first recruit as the CEO. He also cares for trainees like Nayeon, who are as important as anyone else. Running a business is hard work, and sometimes you must get your hands dirty to ensure everything runs smoothly.)

After arriving from San Francisco, you went straight to work. Setting up an acting division within the company seemed easy, but recruiting talent was the most important part.

Luckily, the company executives took care of recruiting personnel and coaches while your main focus was on selecting actresses. 

While you look at some actress profiles, you get briefed on what you missed last week. IU mentions that rumors about the acting division have been circulating since someone, a well-known actress, visited the company. Officially, nothing hasn’t been confirmed, but you knew this was bound to happen. 

“We’ve been receiving many inquiries from trainees, asking if they can audition for a position in the new acting division.”

”Damn, what do you think? Should we open the recruitment to the trainees?”

”That’s up to you, sir. You mentioned you want to get some well-known actresses first, so maybe you should focus on that.”

”You’re right. Once we’re settled, we can think about expanding it to the rest.”

Also, while you were away, the trainee, Mina, stopped by. She mentioned that she wanted to see you.”

”Oh, okay. I’ll get in contact with her. Thanks Ji-eun.”

——

There is a knock at your door, and you see a silhouette, “It’s me, Mina.”

”Come in.”

Mina slowly opens the door and walks inside, “Good morning.”

”Good morning, Mina, how are you?”

”I’m okay. I didn’t know that you left abroad.”

”Oh, I’m sorry. I forgot to tell you. Did you need something?”

”No, I just haven’t seen you, so I came to stop by.” 

“Aww, that’s nice of you. Come and sit down.”

Mina takes a seat on the couch and stares at you. 

“How’s it going with your training?”

”It’s going well. I still have a hard time talking to all the girls, but I’ve gotten close to Momo and Sana.”

”That’s great. It's nice to see that you have someone to talk to.”

”They speak Japanese, so it’s easier for me. I just wish I didn’t get nervous.”

Don’t worry about it. People are naturally going to come to you based on your personality. You’re a really sweet girl.”

Mina’s ears get a bit red, and you find it kind of cute. You can’t help but see her as a younger sister, someone to protect.

”Oh, by the way, your parents sent you a package,” you say as you stand up and get the box that is on the other side of the room. 

“Oh, what is it?”

”All they told me was that you had to open it before it goes bad.”

Mina picks up the box and places it on the table. You hand her an envelope cutter and opens the box, “Aww, they sent me my favorite snacks.” She grabs one of the snacks and hands it to you, “Here, try it.” 

You try the bag of Skittles she gave you and share some with her. You can’t help but smile as you see her show her gummy smile. “Do I have something on my face?”

”No, it’s just that it’s nice to see you so happy.”

Mina’s ears turn red from your comment, “It’s just that these are my favorite, plus my parents sent them, so it makes it more special.”

”You’re right. Let's send something to them as well; what do you think?”

”Really?”

”Yeah. You don’t want to?”

”No, I do.”

”What do you want to send?”

”Umm, maybe some bread?”

”That sounds nice. Do you have an idea of where we should buy it?”

”Umm, there is a bakery that they used to take me to when I was little.”

”That’s nice. Let’s put in an order and have it delivered to them.”

”Are you really going to do it?”

”Yeah.”

Mina goes towards you and gives you a hug, “Thank you so much, Oppa.” It only takes a few minutes for her to realize what she did, and she steps back, face completely blushed, “I’m sorry, I just reacted without thinking.” 

“Don’t worry about it, it happens.” 

The two of you end up talking a bit more before Irene interrupts you two, “Sorry, I didn't know you had someone with you, sir; I’ll come back.”

”It’s okay, I was leaving anyway. Thanks, Oppa.” Mina waves goodbye and exits your office, leaving you and Irene to discuss important matters. 

———

You finish your evening run and go to the nearby cafe by the company building. Coming out of the cafe, you see one of the trainees standing in front of one of the gates that lead to the campus buildings. From afar, you can see they are pacing back and forth like they are waiting for something. You see a person cross the street and walk towards the trainee and wonder what’s going on. 

They seem to be talking to each other when you see the person, who seems to be an older man, grabs the trainee by the arm. The trainee struggles and tries to let go and yells, “Let me go!”

You exit the cafe and walk towards the street, trying to get an idea of what’s going on. As you walk closer, you see Im Nayeon, one of the transfer trainees from JYP. “She said to let her go” as you grab the man’s arm.

”This has nothing to do with you, so let me go!” shouts the older man.

”It does; I’m responsible for her, so I’m going to ask you to stop bothering her.” 

“Nayeon, tell that man that I’m not bothering you.”

You turn and see Nayeon frozen, unable to say a word.”

”Come on, sweetie, tell this man to not treat your father this way.”

”You… you’re not my dad.”

”Don’t be like that, Nayeon; of course, I’m your dad. I’m the one who raised you and your gold-digging mother.”

”Don’t call her that.”

”Well, she is a gold-digging whore. She’s been asking me for money and forcing me to support you.”

You can tell that Nayeon is getting upset by this whole situation and asks, “Nayeon, do you want this man here or not?”

Nayeon shakes her head, “No, I don’t want him here.”

”See, she told you to leave; now go before I call the police.”

”Fuck you, let me go. Nayeon! Listen to me; I’m going to get my money back, one way or another!” 

You grab the man’s arm and push him in between toward the sidewalk, “Go or else it’s going to go worse for you,” telling him in a serious voice. 

“Fuck! This doesn’t end here!”

Turning around, you say, “Nayeon, are you okay?” She doesn’t respond and is frozen from the encounter. You grab her hand, lead her to a private area, and sit on one of the benches, “What happened? Why did that man say he was your dad?”

”He… he’s not my actual dad but my mom’s ex-husband. He’s been harassing us ever since my mom broke up with him.”

”Did you try calling the police?”

”We did, but they wouldn’t do anything. He just wants us to pay back the money he spent on us.”

”What a douchebag.”

”It’s one of the reasons why I decided to join JYP; I thought I could earn some good money after debuting, but that hasn’t happened.”

”I’m sorry to hear that, but I've heard from your coaches that you’re one of the top trainees in the group.”

”How does that help me now? I was supposed to help my mom and get us away from that man.” Nayeon begins to cry, upset at her current situation.

”Everything is going to be okay,” you say as you try to comfort her. 

“I’m sorry you had to see me cry; I’m so embarrassed, especially since you’re the company's CEO.”

”There is nothing to be embarrassed about,” you say as you caress her head. It takes her a while to calm down, but after settling down, she asks, “Is there a way I can work part-time while still being a trainee? I just want to pay that man back so he can leave us alone.”

”You don’t have to do that; just focus on your training. I’ll try to contact your mom and see what we can do to ensure he doesn't bother you again. Nayeon agrees, knowing that she can’t do anything in her situation. Jeongyeon and Jihyo appear a few moments later after receiving a message from Nayeon earlier. 

You head back to your office and look for one of your family’s contacts, a friend who can help you in these situations.

”Hey, Don, It’s me. I have a bit of a situation going on.

”……”

”Let me send you the info.”

”……”

“Let’s make this as discreet as possible. I don’t want it causing problems anymore.”

————

Nayeon’s former step-father walks out of the gambling club after losing his month’s earnings. Defeated, he cuts through the alley, trying to return to his cramped apartment after getting kicked out of his house. ‘Fuck that gold-digging slut and her daughter, stealing my hard-earned money. Throwing me like some trash after supporting them for so long. 

Covered by the darkness comes out a figure, “Hey man, it’s been a while.”

”Do I know you?”

”No, but I know you.”

The former step-father is too late to realize and falls to the group. He only sees a vague silhouette of a figure standing before him in the dark alley, “Who are you?”

”No one, I’m just here to take care of someone who’s been causing trouble to my employer. They send their regards.”

There’s no response, only a man lying on the cold, dark floor in an unknown alley. 

Don takes out his phone, calls his employer, “It’s done,” and clicks it. 

The door of a black van opens, and multiple men step out and carry the man lying on the floor. They toss him inside and shut the door before leaving the alley like nothing happened.