#which they have been doing for a lot of young queer creators

[atenderofsycamoretrees]

Matty Bovan Spring 2023 Ready-to-Wear

Photos by Daniele Oberrauch / Gorunway.com

[thatlgbtqfandom]

I've watched a few interviews with the cast and crew of Good Omens and can I just say that, as someone who was a BBC's Sherlock fan back when it was still airing, it makes me so incredibly happy to finally have a show that not only doesn't queerbait (yes, the bar is in hell), but where the actors seem genuinely happy with and open about the queer direction the show is going in, and where they don't shame the fans for also being happy about this development. I just watched an interview with Michael Sheen where he, almost unprompted, brought up fanfiction and said that he thinks that it's a shame that people used to be weird about fanfiction because he thinks it's amazing and shows a love for the show. And... as someone who kind of still gets upset whenever I'm reminded of certain interviews and panels with the cast and crew of Sherlock (if you were in the fandom I'm sure you know which ones I'm talking about), this unabashed celebration of queer joy from the cast and crew of a big show like this is just something I could never have imagined as a young, queer fan!

I get that there are different circumstances, Sherlock fans could definitely be a lot sometimes, and maybe it's cruel of me to compare shows like this. But I genuinely believe that Sherlock did some actual damage to my (and many others') trust in media and in creators. It's one of the main reasons I absolutely didn't believe Our Flag Means Death would do what it did even when I was seeing it play out before my very eyes. It's why I didn't believe Crowley and Aziraphale would ever even come close to actually expressing their feelings for one another despite all of the queer subtext in season 1 and despite the cast and crew calling it a love story. Maybe all of this even added to my suspicions that they weren't going to follow through because we've all been let down time and time again.

And I'm not trying to pin the fault of queerbaiting solely on Sherlock and the team behind it - I am aware that there were many other big shows and movies that also queerbaited at the time. But out of all of those shows, I mainly watched Sherlock and it, along with the interviews with the cast and crew, were my main points of reference for what to expect regarding queer representation in (especially mainstream) media at the time. Which is why I'm mainly using Sherlock as an example of this unfortunate trend.

I guess what I'm trying to say is that with all of these shows now subverting our very, very low expectations for what kind of space queer characters and queer stories are allowed to occupy in (especially mainstream) media, I feel like my teenage self is starting to heal just a bit. But, both back then and in hindsight, I'm also completely baffled that a few shows in the late 2000s and early 2010s were able to get away with the shit they were pulling and completely ruin young, queer fans' trust in both creators and in their own media literacy.

[thestarlightforge]

Why “I’m Billy Maximoff” Mattered to Me — A Queer Disabled Person’s Journal

10/17/24

***

Call it silly if you like. But I feel actually healed. Because these stories, they’re not just “superheroes”—they’re modern mythology. They’re how we teach each other and our children who deserves a place in the world.

When I watched WandaVision, like a lot of people, I identified with Wanda’s grief/depression/trauma journeys. And of course saw myself in the queer kids she gave a loving home, more so the more Young Avengers books I read. But with the WandaVision versions of Billy and Tommy in particular—more so even than the comic books—I also read into it the disability/childhood terminal illness allegory. It’s something on Schaeffer’s mind while writing them—leaked audition tapes from actors not cast as the boys revealed as much—even if it didn’t occur to all the viewers.

But I wasn’t supposed to live, either. Wasn’t even supposed to be born.

I don’t talk about it a lot because it’s hard to talk about. But when my mom was pregnant with me, doctors in Tennessee (pro-life peons they claim to be; it’s all an act) tried to get my parents to late term abort me, all because of a genetic condition they suspected I had—which I don’t even have lol, turns out I had a different handful of impairments, but anyways. A lot of people with the genetic conditions I DO have die within two hours of being born. My whole childhood was spent ducking in and out of hospitals, I had eleven major surgeries and almost died a dozen or so times before I turned twenty… I am so pro-choice it’s insane, but I was one of the “inspiration porn” kids that white, southern Republicans used in their crusades, screaming their “pro-life” BS at the Democrats who gave MY mom the right to choose my life.

I know. It’s WILD.

All that to say, though: It hit me in a particular place when Wanda married her trans husband, had queer kids who the entire world screamed at her (either weren’t real or) shouldn’t have been allowed to live, and then believed in them and loved them. With her everything. Thanked her queer, disabled kids for the honor, for choosing her to be their mom. (And Multiverse of Madness asked us to hate her. It baffles me to this day.) She didn't give up on them, did everything in her power to rescue them on the faintest hope they had survived (calling out for help in the Darkhold), even as some of the most powerful mages on SEVERAL worlds gaslit her for years... And when the gaslighters finally convinced her they were right, she destroyed the artifact that could be used to hurt anyone like her boys ever again.

For years, since Schaeffer had to relinquish creative control to the Multiverse of Madness team, I have felt that “the only creator amongst my favorite stories who feels like I belong has had to let us go, and the people who follow her don’t even believe we deserve a chance… we’re crazy, imaginary, and the world is better off without us.”

A slam-the-door narrative, Doctor Pandemonium & Avengers: Disassembled come again, the likes of which Byrne & Bendis would be proud.

But Agatha is an anti-hero/anti-villain story about ALL misunderstood, outcast people who deserve a second chance, no matter what the world may think.

The fact that Billy’s story in the MCU is now a meta-commentary on that publication history narrative… That Schaeffer took the episode to say, “I don’t know how many times or in how many different ways I’m gonna have to spell this out for y’all, but Wanda’s kids are HERS. They are and were REAL. They have their OWN SOULS and they BOTH DESERVE to FIND THEMSELVES and FIND LOVE and LIVE.”

I can’t think of a better way to have honored us. 💙

“It’s nice to see you again, Billy” 😭

(for the record, Agatha saying this totally genuine and with tears in her eyes—she will never be a villain to me, not ever again 💜🖤)

Thank y’all for listening. ❤️

This one’s for Tommy 🥹💚

[pinkyjulien]

It's been rotating in my head all morning and since I have to wait a few hours to get my day started, might as well throw my two cents in a proper post

We really should talk about Kerry Eurodyne

Now before you run off, I think it's important to point something out; As a fandom veteran who been here since early 2021, I think others will agree when I say that the discourse surrounding Kerry has always been a hot topic that comes back around every few weeks- but why does it keep coming back?

I'm well placed to know that ignoring a problem and not talking about it publicly doesn't solve anything; everyone is quick to throw assumption and accusations, to make "callout" post, to blow things out of proportions, to take someones's squick as personal attack, and the mob mentality does the rest; everyone follow whoever is going to be the loudest about an ongoing "fandom drama"

This isn't an attempt to show anyone that they're "wrong" or "right"; there is no right or wrong in this recurring discourse. This post is an attempt at opening an healthy and mature conversation! I come in peace gfhgfh

Prefacing this by saying that I'm not a Kerry fan, and I'm not bisexual. So why the hell do I care? Well to be frank, I don't particularly care, I have my own opinions on the character, but I do care (to an extent) about this "community" and I hate seeing what happened to me happen to others, especially new commers who never meant anything wrong. Nobody deserves to be bullied out of a fandom for sharing their opinions on their own blog/space!

Alright this intro was long but let's get on it- buckle up cause this is going to be a looooot of rambling

━

Through the years/months, I've noticed something rather sad; this isn't a debate between bisexual people vs biphobic people, as a lot of people might think and assume; this has always been queer people sharing, sometimes in a really awkward and hurtful way, their interpretation of a character (don't block me yet, please hear me out)

Those who know me knows that I personally care a lot about the canon and writers's visions, so first I want to share some posts about Kerry made by his literal "parents"

Mateusz Tomaszkiewicz, Narrative Designer at CDPR, shared informations on the different romance interest back in December 2020, on the game's release day

When asked about a MLM relationship option, here what he states:

(don't leave just yet)

On a now-deleted comment, RTalsorianGames, original creator of the Cyberpunk tabletop game and by definition original creator of Kerry Eurodyne, stated the following:

Please note that CDPR did in fact consult with Mike himself about Kerry being a MLM exclusive romance!

(Also this isn't a debate about if Kerry cares about V or not, let's not derail this conversation, remember that everyone is allowed to interpret a character and a relationship as they wish)

I wanted to share these tweets to point something really important; there is no "right" or "wrong" label for Kerry, and it all boils down to interpretation < key word

Kerry have multiple states; we HAVE to remember Kerry exist in some kind of cyberpunk multiverse!

We have his 2020 and 2023 self that are confirmed to be bisexual; this is the Kerry Mike and RTalsorian created, the Kerry they have full control and say over; the same young Kerry we see in Johnny's flashback

And then comes his 2077 self, which we see confirmed above as labeled as Homosexual (which again as been approved by Mike himself)

I personally think it's important to start with what his different creators have to say; Kerry is both Mike's and CDPR's character; Kerry is both labeled as being Bisexual and Homosexual

There is a lot of reasons why this change / evolution was made, even tho we all know the main reason; they needed a MLM romance in the game to complete the LI roster. But why take an already established character, a Bi character even, for the Gay romance?

I've seen a lot of people saying that CDPR erased his bisexuality, I understand why it might feel like this, but I don't think it's true or fair! Again, remember that Mike gave his OK for this; he could've at any moment said no, Kerry is HIS baby first and foremost

In game, we learn about Kerry's ex wife and kids; this is something CDPR could've not included at all (and THIS would've been erasing his bisexuality imo) it's not even something that is said out loud, but something to be found by dedicated fans; it's here on purpose, to give depth to the character and to his personal life!

We also see a couple of feminine clothes around his villa; let's not assume anything here, clothes have no genders especially in the 2077 setting, but it can also well point at one-night stand with women and/or multi-gender orgies for example

But, this won't be anything new or controversial, Kerry pushes femV advances in game- this is simply a fact! Like it or not, that's how CDPR's writers, RTAL and Mike decided to evolve Kerry's character for the game; everyone was ok with this

━

Now comes the root of the debate; Is it homophobic to mod Kerry to be romanceable by a femV? and is it biphobic to not be comfortable with this?

No, and no - (don't leave just yet, please read a bit more)

Remember that I'm "just" a gay man, I've had discussion with friends of all gender and orientation about this topic and it's been enlightning to hear the different opinions on the matter!

As previously mentioned, it all boils down to Interpretation.

The discourse recently came back because someone shared their uncomfortableness regarding mods that change Kerry's preferences; in the post tags, OP made sure to say that everyone was free to do anything, to ship anything, and that this was just their opinion; but obviously the fandom didn't read that part and started to throw accusation around, and here we are (I shouldn't have to remind people that we all are free to share whatever on our respective blogs, if it hurts you just block the person, don't jump them)

OP is a Bisexual Man; a lot of other Bisexual Men related to this post and rebloged it, sharing their thoughts in the tags (I also rebloged it, I know it caused a few people to back off and block me as a result, which I respect totally)

Going to pick up my questions back up to hopefully state my opinions and "analyses" of the situation as clear as possible

Is it homophobic to mod Kerry to be romanceable by a femV?

No, it's not

Kerry is bisexual, he was married to a women, and potentially still have sex with women and fem individuals, these infos are all canon in game.

Kerry pushes femV flirts away; but since he experience attraction to women, who is to say that in someone's own canon, their fem OC isn't a V, and doesn't have Johnny involved, changing how Kerry and their OC meet drastically; Kerry could fall in love with her! He could; he's bisexual after all.

Is it biphobic to not be comfortable with this?

No, it's not

Kerry has a clear preference for men; CDPR choose to show this multiple time in the game, during Johnny's flashback we can see him make out with a masc fan, we can see him being vulnerable with Johnny (imo, his lil crush is showing hard)

I personally haven't seen it/heard it in game, but I've been told that after learning about Kerry's ex-wife, Johnny has a vocal, surprised reaction, has if imagining Kerry with a woman is strange to him

However, there is a lot of biphobic things being said in the discourse, and not in the way you might think of

I thankfully never see the full extent of it; I don't see the obviously biphobic takes, stating that Kerry SHOULD NEVER be with a femV, people being nasty and ATTACKING femV/Kerry shippers; this is never ok, these have been blocked for a long time now

But I sadly see the other takes, which always icked me a bit; the takes that say, "you bisexuality isn't worth of respect if it isn't a 50/50 attraction at all time", takes that are sadly biphobic in nature (making it clear that I'm not pointing finger at anyone, nor am I accusing anyone of being biphobic)

This is what it boils down to, I think, this is the root of the problem

As mentioned before, a lot of Bisexual Men expressed their uncomfort when it comes to femV/Kerry mods; it invalidated Kerry's preference. But this isn't about Kerry, he's fictional, he CANT be hurt by anything, by mods or art or whatever; It invalidate Bisexual Men that share the same preference in Men, Bisexual men that related to Kerry for X or Y.

Bisexuality is a spectrum, queer people has been fighting against Bi erasure for years, but also against Bi stereotypes; and I think this is one of them? (Please correct me if I'm wrong)

Bisexuality isn't a strict 50/50 split preference- it can be! But 60/40, 20/80 and even 99/1 attractions are still Bisexual attractions. I've met a lot of queer people who, despite being bisexual by definition, choose not to label as such (prefering to label as straight or gay depending on their preferences) just because of this "bisexual police" imposing a strict 50/50; "How can you be bisexual, you've only dated men/women" etc

This is what is being imposed in the fandom, this is how it might looks like to people; when you attack a Bisexual Man sharing his uncomfort in seeing people not respecting a Bisexual character's preference, you're telling them "Hey, your bisexuality isn't valid if you have a preference". You're telling them "Your bisexuality isn't correct". You're showing them that you "fixed" a "flawed" bisexual character "that got erased as gay for having a preference" by "modding his bisexuality back"

Kerry being written as MLM exclusive in Cyberpunk 2077 isn't bi erasure; he's still Bisexual, he simply has a strong preference for Men. A preference that he always had, but that can also be amplified after his divorce with his ex wife, for multiple reasons; I also don't have to point out how many queer people in real life explored their homosexuality after being in a hetero-marriage for most of their lives! And that's ok, queer love is an ever evolving spectrum, and I think it's awesome we get more fleshed out characters that explore this in depth

I've seen people compare Kerry to Johnny, and I don't think it's fair; for the simple reason that Kerry is a romance option and Johnny is not.

Johnny express a clear preference for women; however he replies to V (and flirt, in some case) the same way regardless of gender! Kerry on the other end, as previously said, pushed femV's advanced away. Something Johnny can't do since he's not a romance option; tho if he was, and if he was pushing mascV advances away, it would be the exact same situation and same problematic!

Another character that is canonly bisexual is Goro; he replies to V's flirt through text messages the exact same way, he doesn't seem to express any preferences (and no, his "obligation in japan" isn't necessarily a wife, this is heteronormative and another problem all together, not the subject here)

People can express being uncomfortable seeing Johnny with a given gender, or Goro with a given gender; but there isn't any """reason""" to it outside of personal preferences

Kerry situation is problematic because it lies in his clearly, canonly stated preference, how people decide to interpret it, and how it can come off to other queer people who might share sexuality and/or preference with the character

━

Everyone is free to ship whoever however they want

But please; remember that everyone is different. People being uncomfortable with a character bisexuality preference being ""fixed"" shouldn't be too surprising; and if it is, please re-read my post/ You have to be ok with this fact, it's OK to make content that might be uncomfortable for others; this is fiction!

There isn't any Right or Wrong way to be bisexual, to be queer Kerry's bisexuality is perfectly fine; unmodded or modded Everyone is Different; Every Queer experiences is different People relate to characters in different way

Nobody is being misoginist; there isn't any double standard at play

Bisexual people sharing their opinions on their own blogs on how a fandom handle a character's bisexuality isn't biphobic, or an attack to anyone who interpret the character differently!

I promise you nobody is attacking anyone, and a lot of things being said accidently comes off as biphobic on both sides of this eternal "debate"

It all comes down to respecting others interpretations, and agreeing to disagree! Tumblr's filtering system work great, you can easily filter and block tags, or even people if needed

I might've said things awkwardly, and for this I apologise; but don't put words I didn't say into my mouth! If you don't agree, that's fine, and you're more than welcome to filter/block me if needed; but please do not paint me as biphobic or misoginist, same goes to everyone who shared their thoughts on the matter, these are serious accusation and can wrongfully hurt a lot of people

Ship and let Ship, take care of yourselves and remember to curate your space 🙏

[tetitous]

Everyone, I have done it.

So, the post about Yugo and queerness in Wakfu is a 3 parter due to my use and abuse of pictures. You'll be able to enjoy part 2 here, and dw I'll add one at the bottom too

First, I would like to preface this by saying that, while I do believe they didn’t create or write Yugo with the idea making him queer in mind, I do not think the creators made things unintentionally either. What I think they actually wanted to do with Yugo, was to have a character that felt as gender neutral as possible, in order to make him relatable to the show's originally young audience, without alienating girls or boys. A character not leaning too much one way or the other.

But as such Yugo is a character that can be read within a queer lens without that much of an effort. I know a lot of people on this site hc him as on the aro and/or ace spectrum, some degree of nonbinary and in my specific case as genderfluid bi/pan, and I'm even considering possibly intersex.

Wakfu also happens to be the kind of show that, whether intentionally or not, just finds itself to have a ton and a half of queerness in it: from simple implications to actually out queer characters, the world depicted in the show is a diverse one, in that sense and more.

That’s why I genuinely think that it's not just random readings that come from fandom's typical queering goggles, I think there are elements in the show that do help these readings, precise elements as well as elements that need a little more digging.

So here's what this post aims to do: to find those elements and compile them in as clear a way as possible. Please do take into account that I am very easily prone to reaching so if you don't see it, that's totally fine, and I may end up structuring things in very chaotic ways, but I am doing my best.

I decided to separate my writing between the gender elements and the sexuality elements, with a listing format. One element, one dash. Since I am french and don’t know much about the english translation, I’ll be illustrating everything using screenshots as reminders, and will be adding some small notes and quotes translated by myself when needed. Well then, let's get started!

The gender category, or as I'd like to call it "this could have been an email- but make it about a trans character":

Yugo's name: first, this one is 100% due to a fic I read that made me reflect on a very interesting fact: in s1ep1, when Alibert finds Grougal's message, Yugo's name is never mentioned.

During that scene, he’s only called “this child” and “that small one”

What that means, given that Yugo's name has been "Yugo" since previous lives, is that either Alibert somehow picked the right name on first try, or, more logically, that he didn't. That Yugo got called another name for some years, until he got old enough to correct them.

And you would think the argument stops there, but in s2ep12, a character gets openly deadnamed and mocked for it by literally everyone, saying "his real name is…". There is one exception to this,

Yugo, who never mocks him and says "It’s not because your parents named you… ", which is a very interesting nuance in phrasing. It implies that, while to others the name their parents chose is a "real" name, an immovable fact of life, to Yugo it is a choice made by others for them, that can be wrong, that can be changed.

Yugo's relationship with femininity (and masculinity): Have you ever noticed that the Brotherhood of the Tofu very frequently separate themselves with gendered terms? You’ll often hear Tristepin and Ruel call Amalia and Eva “the girls” and Eva and Amalia call them plus Yugo “the boys”. Prior to the OVAs Yugo only does so in one episode, s2ep21, the one episode where he's magically seduced into being aggressive towards "the girls".

“You are so strong and smart, right guys?”

“If you aren’t happy you can go with the girls!”

Prior to this, Yugo never really plays into gender roles, and after it will be mainly due to his aging process, which we will discuss.

Yugo seems to treat socially gendered activities as if they weren’t, I believe it is also noticeable with his relationship to heroism, though that one can only be inferred in contrast to Tristepin's former very strict hero/princess binary viewpoint.

(Here I would have put an exception about the OVA and him admitting he always wanted to save a princess, but given that in the most recent manga the term is used as a pet name for him I guess I’ll let that one slide)

During s1ep4, Yugo crossdresses and not only is he comfortable with that fact, not only is he the one who came up with the idea (although Amalia gave him an unconscious push), he is thriving in it.

Look at the joy on his face upon putting a bow on.

I feel the need to remind everyone Yugo is 12 during s1, an age at which young boys are definitely aware of a gender divide and typically reject girly stuff like the pest.

Back to the Boufbowl episode once more, in s1ep10, you may have noticed Ruel calling being a cheerleader “being the girls”, and while Yugo may be on the bench as a substitute, he does participate in cheerleading right in the next episode.

Two three very motivated children and their unconvinced chaperone.

Actually he is the only character in the Brotherhood of the Tofu to be a cheerleader during both Boufbowl arcs.

His outfits are also not strongly gendered, especially compared to Tristepin's chest-out s2 design or Eva and Amalia's early short skirts, his most gendered character design might be his adult-form one, and even then, when compared to Nora's, you’ll notice Yugo is only ever wearing the same thing as her with added details (royal details?) and his own color palette. My take is he’s actually meant to look like the Eliatrope goddess, with his cape reproducing her hair.

S4 teaser Yugo because we don’t have a clean pic of his s4 design, and I did my best for Nora.

Yugo's aging process as a metaphor for transness: as we all know, from the OVAs until the last quarter of s4, Yugo is a young adult trapped within a child's body. He gets mocked and infantilized on the regular, his status as king belittled. The only thing that he maintains some form of respect for is his status as a hero. And you can tell it is weighing him down. For one, this body is an obstacle to his relationship with Amalia, not just due to the eyes of others,

"I grow slowly whereas she, she became a queen, a woman...", with the implication "and I'm not a man” or “I don't pass as one"

but also due to his own degrading self-perception.

“Let’s see who’s small!”

(notice how easily he gets tickled by a simple comment on his size, how the mere notion of his body being revealed becomes reason enough for violence in s3ep7).

Yugo gets angry and violent, a lot, and more than is typically expected of him.

“I tried thinking like Yugo, I’m sure he would have preferred this to the hit-you-in-the-face method.”

“Dear little brother, I don’t know what happened to you these last few years, but I don’t recognize you anymore!”

A result of trauma, sure, but if you're like me you may have noticed how turning into an adult made him feel very… relaxed, suddenly. In a way that can be compared to the disappearance of symptoms of body dysphoria with people who go through a process of gender-affirming transition.

As an aside, his s3 design really makes him look like he's wearing a binder, in addition to the turtleneck that would hide the absence of an Adam's apple, the look is very transmasc.

That one particular art of him is what really marked me, because of the slight shade under the chest. Doesn’t mean it is a binder, just means it could look like one.

Yugo's Eliatrope hat as a metaphor: There may not seem like there is much to say, but the fact is that this hat was very mysterious for a very long time. If you were part of the fandom before the s2 finale you may have been theorizing on a forum about what was going on behind that hat (I was on the "a second pair of ears but these are shaped like cat ears" team, but still slightly unconvinced), and you knew that there wasn't anyone more curious about this than Nox.

“We may finally get to find out what you hide under your hat.

-Even my friends never forced me to tell them!”

was a very iconic line, one that definitely could remind people of the infamous "what's in your pants" question.

Well the Brotherhood was curious as well, but mostly respectful and patient with their friend.

It was clear that there was discomfort with that part of him that he refused to reveal, so much so that he probably never washed with any of his friends. When they would hang around for days, when the girls wouldn't care between each other (and neither would Eva and Pinpin between each other, wink wink), when they would all sleep together, Yugo probably would still never take it off in front of them.

Overall my point is just that inthe rare times the hat gets discussed, it just doesn't sound cis.

the Eliotropes: they're coming back in the sexuality section, dw.

But, as Yugo himself says, they are "versions" of himself. The interesting question now is "in which way?" Since they are not "past versions" of him, and since they seem to "inherit" some of his personality/physical traits, I do believe them to be an expression of his own fragmented sense of self. Some of them may be men, as a reflection of his own perception of himself as one, but then some may be women for that same reason, and well some are women, some even are canonically enby.

Character on the far left is enby and character on the far right is a woman. Obviously Echo is not an Eliotrope.

One could even go as far as considering these traits can physically express themselves only because Yugo's anatomy reflects them, and in that case we can go into not just a gender reading, but into an intersex one. Pushing further into it, Yugo, being their creator, effectively gave birth to them, and as such they call him father, but the act of giving birth itself is typically associated with the feminine, sowe could argue that Yugo’s position is both one of father and of mother.

Of course they also have physical and mental aspects that are separate from Yugo, like none of the ones we met are the same sandy blonde as Yugo is for example, but the ambiguity of the existence of the Eliotropes is and will always be a matter of "where does Yugo end and where do they begin?".

A little question mark for the road: In OVA2, as a joke, Rubilax “reveals” that Tristepin was actually a woman all along. This is a sample of everyone’s reaction:

1st, Amalia is so bi it’s insane, but that’s not my point here. Yugo’s reaction being of absolute shock, even more so than Tristepin himself always had me wondering what was going on in his head. Through a queer lens it remains just as hard to read through, so my personal take is that Yugo is amazed at how male-“passing” Pinpin is, so much so he may think “You mean to tell me I knew that guy for years and never realized he was trans too?!” I don’t know, I’d love to get some feedback on that one.

That first section was 2 pages-long without the pictures, so let’s take a tiny break and enjoy some Yugo cuteness as a breather.

Just the cutest. He doesn’t even need to try.

part 2

[gor3sigil]

Hi ! I’m a 29 year old trans man from France, and I really like reading your blog. You write very eloquently and what you have to share is important. It’s bittersweet for me to finally encounter people talking about transandrophobia. I’ve been trying to talk about it for years. My heart breaks when I think about all the young trans men and transmasculine people who grow up hating themselves because of both the societal transphobia and the transandrophobia of queer spaces. I detransitioned for 4 years, partly because I felt so alienated. A woman I loved and looked up to, who calls herself a feminist, told me that after my first testosterone injection I could not talk about feminism anymore. She said I was now on the side of the oppressor. She stated that she would support me as an individual but that her fight was for women, cis or trans, and I had to stay quiet and let women speak. She, in fact, did not support me as an individual either. When I was an androgynous non binary person she would compliment me all the time. When I transitioned, she started to grow colder and patronizing with me. She blocked me after I made a general post to talk about my experiences and explain, in a very gentle way, how trans men experience misogyny in a lot of spaces, misandry in queer and feminist spaces, and transphobia everywhere, and how our fights are intertwined with feminist fights.

Another trans man from France hooray !! I'm very glad you shared your experience, partly because I relate to it a lot (idk if you've seen the post I made about how I detransitioned for a year and it was partly due to the mistreatment I've been getting because I was a trans dude), and also because it's so important to spread the word. I'm really sorry you went through that. I had the same type of shit from women that I considered my sisters before transitioning, who ditched me like crap when I started using he/him pronouns. Since you're french too, I'd like to point something that I noticed in the french trans community (maybe you'll disagree and that's totally fair), is that anti transmasculinity and radfem ideologies are VERY LOUD in queer spaces and that trans men often play a part in it. I saw 2 separate videos recently from two trans men youtuber (who I will not name publicly for obvious reasons but you can ask me in DMs if you want) who both made videos asking if "Men are trash" included trans men, and both I found... Well, wrong, in a lot of ways. Because the main argument is that trans men who medically transition, do so with the intent of being treated and perceived in society AS men (or if this wasn't the intent, this is what happens anyways), and so basically take the role of men in the patriarchy, so the role of the oppressor. The second video was a bit more nuanced with the idea that not all trans men do transition medically, some don't pass etc but still, I find it appalling to see that almost every transmasc creator I see, who makes content in french at least, talk about transmasculinity in a way that is almost exclusively "AFAB perisex person who wants to be a Neo Cis Man". Which is, at least from all the people I've talked to since coming out in 2017, not the case for a vast majority of people, and even when it IS the case, trans men don't, and I say that with my whole chest, they DON'T have cis men privileges and they ARE NOT in a position of power over women, ESPECIALLY cis women. Well, that's my way of seeing things anyways. I really hope our local activists will stick their heads out of their white, skinny, cis passing trans men asses and start taking a look at the actual experiences of the many more of us. It'd be a nice change of pace. Thank you for your comment and sorry for the rant lmao

[hawkinsschoolcounselor]

Regarding queerbaiting: Sherlock is one of the more famous examples, and the tumblr drama surrounding it is an... interesting story that I think is worth knowing if you want to understand the queerbait allegations.

The show, made and set in the 2010s, liked to poke fun at John Watson for being a straight man shacking up with another single dude. The show's creators -- one of whom is a gay man himself -- were born in 60s, so I see these jokes as two guys who were adults during the height of AIDS and Thatcherism taking delight in the fact they're now living in a world where queerness is largely accepted and somewhat normalized. A straight guy being forced to constantly defend himself from nonchalant assumptions that the man he's living with is his gay lover is funny when he's not in any danger of being hate-crimed over it, right?

(I'm not a fan of the joke personally, but I get it.)

They really liked this stupid joke though, so they used it again and again and again, to the point that young fans started to become convinced it was hinting at something. I can't blame them: there was even a lesbian character who fell for Sherlock and explicitly compared herself to John as someone who wasn't into men and yet was just so spellbound by this one special detective boi.

It was pretty lesbophobic imo, which should have been a massive red flag as to how the showrunners really felt about queer characters...

...But where the show went from annoying to actively hostile was the mystery of how Sherlock survived his apparent death at the end of season 2. The showrunners swore up and down it was solvable... and then when the next season aired, the "solution" was "lol who cares how he did it, this is a ~*character driven story*~ and only stupid obsessed idiots would want to solve the mystery. 🤣🤣🤣"

Make no mistake, they singled out the mlm shippers specifically for mockery -- there's a group of Sherlock Holmes conspiracy theorists in the show who argue over a theory that Holmes and Moriarty staged the death together and then kissed about it. (The viewer is clearly meant to laugh at this.)

Some of the Johnlockers on tumblr refused to believe this was happening to them and doubled down and convinced themselves there was going to be an amazing Johnlock plot twist at the end of season 4. My understanding (which might be wrong, I wasn't in the fandom) is that this contingent was largely composed of naive queer teenagers who blindly trusted a handful of influential adults who insisted that the show was deep and clever and didn't hate its fans.

So I can definitely sympathize with the folks who fear Byler is just queerbait. This too is a mlm fandom made up of naive teenagers trusting the adults who swear that the secret gay plot twist is totally gonna happen this time, trust me bro it's not called Surface Things.

And, look. I think it's very sensible to be skeptical of random strangers on the internet who insist they have the answers, no matter how authoritative they might sound. Keep on doing that, folks. 👍

But I think that principle applies just as much to the "this is just like Sherlock" doomers as it does to the "anyone who thinks Byler won't happen has no media literacy" lot. Yes, it's always possible that the Duffers were queerbaiting us all along... but the way Sherlock and Stranger Things approach queerness truly is like night and day.

Huh, well, if what you say is accurate, then it sounds like the Holmes writers were just jerks overall. I can see the joke, as you explain it. I may not think it appropriate to make it a running gag, but it's good for a chuckle or two. If it was truly presented as a joke, then it would be on the fans for misinterpreting it, but I don't know enough about how it was presented to know how easy it would be for fans to make that conclusion.

To me, it only makes it more apparent that things on Stranger Things are "night and day," as you put it. Will's feelings, and Robin's, for that matter, are not treated as jokes. They're treated as dramatic, emotional parts of their individual arcs. In Will's case, his happiness is linked to his relationship with Mike, which is complicated by the fact that he doesn't think he'll get to have a romantic relationship with him, or at all really.

I prefer to think the Duffers are better than whoever was responsible for what you described. While it all remains to be seen, they deserve the benefit of the doubt, for now.

[lizardboy66]

im deeply bored so here are all of my gay 911 thoughts for your entertainment.

OKAY SO

Idk about 911 being queerbait guys...i dont think it ever was. I think we have entered a new era of fanservice. Usually with queerbait, the creators and people involved in the show are quite vicious to shippers and queer fans generally, and any easter egg or "moment" feels like crumbs to keep us hooked enough.

911 acknowledged the shipping very very early. Like second half of season 2, and there has never ONCE been a joke at the expense of the concept of being gay, or about buck or eddie being queer. It was simply a nod, like "hey, we get it, you want it, thats all good."

Its not 2010 anymore, gay people are accepted and visible in a way that has never been a reality in the past. In fact, gay people, especially gay men, have come to be understood as a fantastic marketing tool.

This is where i get jaded and cynical, but listen the outcome is the same so stick with me here. Gay pairings and relationships = money is not a groundbreaking concept. It's why they did queerbait. But with stuff like supernatural, it seemed like a far greater risk to make the repressed men kiss than to piss of the queer fanbase. But times have changed. But since the age of queerbait, there has been a rise in gay romance content being made, and being made FOR the fangirls, boys and theys. Think Red, White and Royal Blue, or Heartstopper, or Young Royals, or Our Flag Means Death, or Good Omens. Gay isn't a risk anymore, its a marketing category with a level of guaranteed success. And not just in the global north, Boys Love content has been booming in places like Japan, Thailand, Korea for decades, but never more than now. TV companies in these places figured out very quickly that producing fluffy, comforting gay love stories earns them billions, and have not hesitated to seize this opportunity. My point being, gay dudes sell as fuck.

911 got cancelled and had to move networks. The budget is too high and they need to pull viewership and quick. I think their answer is canonise that ship! I couldn't tell you if that was there original intent, but i do believe that it would be far less lucrative to fuck over their viewer base. I could be wrong, this could be a crazy long game to make the fans trust the show, then pull the rug from under them. But i truly think we are past that point with shows like this.

911 is pure fluff! No one ever dies, if someone is hurt they recover quickly and with no complications, conflict is tame and easily resolvable, and everyone is a sickeningly good person. And the show is also about family, found family, unconventional families. I think originally, the unconventionality of the eddie, buck and chris family dynamic was that it is two men who are not together or married raising a child as coparents and friends. Which is a great story, but even better fanfiction fodder.

I think they are going to do it like the fanfiction. It's the easiest way to bridge the epistemic gap between the current cannon and the reality of both buck and eddie being queer and having feelings for each other. they could try and explain it in their own way, but the fans have already done it, and have clearly agreed on some elements of how this love story plays out, so i think that will be the route they go down. Currently my evidence is that Buck is now canonically bisexual. For some reason a lot of the ships people have have one bisexual and one gay, so the trope is being realised. My next piece of evidence is the catholic thing for eddie. This has literally never come up, its a fan invention, and its in the show now. The eddie and marisol plot line is slightly bizzare, but i think the reason for that is that it is eddie making sense of why he struggles so much to commit to the women he dates. Or its just a bad storyline and isnt very coherent. I guess we will see. My next evidence is the whole set up of Tommy. He is so clearly a way to push eddie and buck together in my opinion. From his introduction, he acts as a wedge between the two that neither of them can make sense of. Very love triangle energy. And my last evidence is all of those goddamn interviews. It seems no one can shut up about these fire fighters getting it on with each other. I feel if they weren't doing it, there would be more effort to shut down the clowning gently, as they have done previously.

In conclusion, i too am a clown. My theory has rocky foundations, a rocky middle and an equally rocky conclusion. I am so tired and delulu right now. I'm with you girlies, this is stressful.

[dandelion-jester]

Writblr Intro:

Hello All!!!

I've been meaning to do a proper intro so better late then never!

Who Am I?

You can call me Dandelion. I'm 22 years old, I use they/them pronouns, I'm English and I am a queer, trans, neurodivergent fantasy writer. I've not had anything published yet but it's my aim.

I have a background in theatre and circus so performing arts tend to turn up in my work. I also love making maps and studying conlangs! I do a lot of art and reading as hobbies, but my favourite pass time is playing dnd!

What Do I Write?

I write mainly fantasy, but also scifi and historical fiction. I also dabble in poetry and I would like to learn how to write for games and screen at some point. For now though, it's all novel writing as far as the eye can see.

My favourite trope to write is found family (I blame all the dungeons and dragons I play). I also write a lot of queer characters and try to diversify my casts as much as possible. My work tends to be very character driven although I do love world building a lot, especially building different cultures and places. I'm best st dialogue and really struggle with building plots. I also have a deep love for history, specifically the 1700s and Anglo saxon - medieval Britain, so that's usually finds its way into my work as well.

You can find my work on Patreon here

What Do I Read?

Unsurprisingly, it's mostly fantasy. I used to read over 100 books a year, but university made me hit a massive reading slump which I've been slowly recovering from. So the main thing keeping me going right now is Robin Hobb, although ive only got a few of her books left! I also listen to a lot of audiobooks.

My WIPs:

Information on my current work is under the break!!

Feypocalypse

Feypocalypse is a queer, fantasy horror comic set in medieval England following the events of a Fey Apocalypse in the 1300s. It follows a group of knights trying to survive in a world that has been turned into a Fey hunting ground, whilst protecting the Changeling child they accidentally adopted. The current plan is eight issues, to be published on Patreon and then printed as a complete novel at the end! It will be written by myself and illustrated by my amazing co-creator @withlovefromthecrowss.

The Legend of The Rat Bastards (vols. 1 & 2)

Now available to read on my patreon!

I recently finished playing in a Curse of Strahd campaign that lasted about 2 years and was one of the best dnd experiences of my life. So of course, I decided to write it up in novel form so that I and the other players could always return to it. Our paladin was an extremely detailed note taker so I've been borrowing their notes. It's currently the longest piece of writing I’ve ever done and I add to it every day. It's from the pov of my character, a human necromancer called Sepulcrave who has a pretty crazy character arc and it's my current main WIP, even though its a personal project.

Eye of the Falcon King (working title)

A secondary-world medieval fantasy novel about identity, rebellion, and manipulation. In a world where some few people have the ability to shape-shift into birds, the king seeks out these people to be his personal servants, messengers and spies. Turik is a young boy able to turn into a falcon and becomes a member of the King's circle. But after a tragedy befalls his best friend it begins to become apparent that the king is not as benevolent as he seems and Turik must come to terms with the knowledge that his reality is a lie. This book is about breaking free from manipulative forces, the ways invisible disabilities are ignored and pushed aside, and mostly about how the monarchy is terrible. Also queer people because all my stories have queer characters.

Otherlings (working title)

It's 1875 and Eliza Farthing's twin brother Alexander has just reappeared in her life after seven years. Except he's not her twin, he's her changeling. And Eliza isn't always Eliza, sometimes he's Francis. The world's of the two twins - one fey, one queer - are about to become very intertwined against their wishes. The two have to fight against their family, the police, a morally corrupt scientist, inter-community distrust, and their own dislike for each other, or both of them will never regain the lives they so desperately need and desire. Also there's a circus. The book deals with identity, secrecy, hatred, and community. It's a book about found family, about accepting yourself and others, about not needing to be seen to exist and be worth something. Mostly it's about sticking together despite your differences.

So that's my current WIPs! I'll add more as I get them, but that's all for now! Thank you for taking an interest in my work and if you have any questions, don't hesitate to send me an ask :)

Tags I use

#legend of the rat bastards, #eye of the falcon king, #ask dandelion-jester #feypocalypse #otherlings novel

[amyoffline]

im so ready for ur video essay its been a long time coming for someone to make a video about them from a phannie perspective, ik some others have made videos but they just haven’t fully Got It imo

Thank you! Yeah, the existing videos I found kind of stopped at "Dan & Phil fans shouldn't have done [insert thing]" and, like... I absolutely agree on a macro level and I'm glad those videos exist as case studies. But the topic is a lot more nuanced in the context of this specific fandom and these specific creators and the specific time period in which [insert thing] happened. But also, why did we do [insert thing]?? What was going on in the world that led so many queer and/or neurospicy and/or otherwise struggling young people to sit down in the audience and become so parasocially attached as to [insert thing]?? Why did I send Ticketmaster $250 not even two days after finding out they had started making videos together regularly again???? I'm driving three hours one way for this!!! Do you know how much gas money that is!!!

Not to mention there's way more to the history of this fandom than just the bad parts of 2012-2016. Like, what about the good parts? Or how the evolution of social media and content creation has changed the audience makeup over time? Or how we seem to generally be pretty chill now??? I was kind of worried I would show up here and then immediately get flack for swinging a bat at the hornet's nest, but I've only gotten positive feedback and it's strengthened my resolve to actually make this damn thing <3

It'll be at least a few months, though. There's research to do, graphics to make... my actual dissertation to work on... I know people do film with their phones, so I could test the feasibility of that (SD card space notwithstanding), but I absolutely need to buy a mic because I am a Gesturer™ and a ring light because fucking everyone who has to be on Zoom for work needs one - I've just gone without because I've in grad school for half a decade and we don't exactly get paid much.

I just made my afternoon pot of coffee, I'm finishing bookmarking the last cookbook I bought (Nisha Vora's Big Vegan Flavor), and then it's time to finish the outline!!

[saveraedae]

Late Indie Animation Day Post (A thread)

Pouring my heart out edition

Nothing new to show for myself this go around, but hi! I'm Saver! I'm making The Mark Side— a comedy about queer teens in Texas with an underlying personal story about life, mental health, & navigating friendship with a best friend who wants nothing to do with you!

My thread here is less about the series' content, but about my journey as a creator through the years, and my gameplan for it moving forward. If you wanna learn about the series itself check out this post or go to the official TMS website.

But if you've never heard of me— hi!

I'm Saver! An artist, storyteller, and animator!

A bunch of personal and sappy stuff below the cut!

I am not new to the indie animation scene by any means. Just a very small creator with a tiny reach. My journey in beginning to develop TMS as a show kicked off in 2016 when I was only 13.

During this time I made lots of little productions with TMS, most of which had pretty sub-par quality. (I was a kid with no experience after all.)

They're all still out there if you go looking for them!

But hey, I set out to make stuff and guess what? That's what I did!

In 2020, I released an animatic titled "Friend Fiction," which serves as both the pilot as well as episode 1 to the show. I was in high school during its creation and had no idea what I was doing, and it shows! But guess what? I set out to make something, and did exactly that.

Episode 2, "An In-Tents Trip" is currently in production. It will feature a huge increase in production quality, full animation, and will serve as the proof of concept for the show as a whole! (A bit messy with the proof of concept to pilot pipeline, but it's got the spirit!)

Throughout the years I've been through so many personal struggles, both related to TMS and not. There's been countless times where I felt like I was at my breaking point, or like I wasn't good enough. But I kept pushing through, because I wanted to see the show come to life.

I've spent my whole life up until recently living with undiagnosed neurodivergence and untreated mental health issues, and only a short time ago did I realize that despite all of that, I always held onto my one goal: To make a cartoon and tell a story.

Ever since I was a young child, even before TMS existed, I always knew I wanted to make cartoons. Not just any cartoons, my own cartoons. I remember being just 4 years old and daydreaming about spearheading my own production, telling my own stories and entertaining others.

A handful of indie cartoons nowadays, much like industry produced cartoons, feature full teams managing each department, as well as several to many other animators. Which is cool as hell! Who would have thought that one day animation would come to this point?

GLITCH and Spindlehorse are truly blowing my mind by what they have and continue to accomplish. It's really remarkable and satisfying to see as someone who grew up thinking the only way to get things in front of others was to give up control and sacrifice the quality.

Another handful of shows though, which The Mark Side falls under, has everything lead, animated, produced, and even more by just one person: the creator. There's people with enough passion to do what teams of hundreds do, just by themselves. Because they want to.

I one day aspire to expand its production to the likes of the aforementioned studios, but only time will tell if that goal will get met. Regardless, I'm going to keep going. My goal is to get a show made, and my eagerness to see it all in full one day is what drives me.

Does any of that sound messy? Unprofessional even?

It does!

And that's ok!

Indie is not the industry.

Indie is independence, and breaking free from the norm. Don't let anyone tell you what you can and can't do. Let your passion and love for your craft drive you

I believe the best creators write and tell stories from the heart.

Not everything will look perfect, but our love for what we do is evident in everything we create, and our eagerness for the future accomplishes more than we think. That's what indie means to me.

I've been through a lot as a creator. And I'm far from meeting my goal. But the world will be ready for what I have to offer some day, and same for whoever this thread resonates with.

Until then, let's support our colleagues and let our creations guide us.

[dnpbeats]

Just going a little more into the whole thing about understanding young dnp differently now that we have the whole story, something else I have been thinking about so much is queer rights movements and legislation in the uk. Im a good decade younger than them, when gay marriage was legalised I was 12. I was old enough to understand what it was, but i didnt really have any sort of understanding of how it affected me bc i hadnt even started to figure out who i was yet. To me it feels like so long ago, i feel like ive always had it, which is an immense privelage. But dan and phil were not only already in their mid twenties and in a 5 year strong relationship, they already had an active career on youtube. Watching ditl in london, that was the year gay marriage was legalised in the uk. That was who they already were as people and as creators. I cant imagine what it would have been like when the bill passed. They were still so closeted, but that was also such a big win for them and the whole community. I wonder if at the time it still seemed like such a far fetched thing anyway, bc i cant imagine they were even close to wanting to come out yet. Idk if they thought at that point they ever would. And then i think about the fact that they had been in a committed relationship for 5 years at that point. I cant imagine what it would be like to be with my self-proclaimed 'soulmate' and know that you can not legally recognize your relationship. To not know if you ever would. Which then makes sense as to why its not necessarily a priority for them now. Idk, its like you said. Its strange and a little sad to know now who they were then, but in the end it all worked out. They made it to the other side and i could not be happier for them.

oh wow yeah!! im about the same age as you I think, and yes it was much the same for me in the sense that I was aware of same-sex marriage legislation being passed but I had no real grasp on like, what that actually meant for people lol. this got me curious so I went back and tried to see if they ever even talked about same-sex marriage being legalized in the UK. from what I can see they didn't tweet about it at all, and im assuming they didn't make any other statements about it? then in 2015 when it was legalized in the US, they did both tweet, but quite impersonally (I mean I get why im not saying they should've been making grand statements or anything like that). like even setting their relationship aside for a moment, I can imagine it was incredibly difficult for them as two closeted gay men to navigate how to address things like this publicly—obviously when it came to the UK they didn't even address it at all. but im sure it was a huge deal for them to see it legalized just in the sense of what it represents. but even with this landmark that represented lgbtq+ ppl being more generally accepted, they were still closeted, so there was only so much they could say. like I would love to know their thoughts that they couldnt express in 2013/2014/2015 on what it meant to them! but also how it affected them that they couldnt share their thoughts

but then yeah I do wonder how it was for them in the context of their relationship. bc like before it wasn't even a possibility that they could get married. and then they did have the option, but actually not really because they were still closeted, so even if they wanted to they still technically couldnt without outing themselves. but obviously just knowing you now have the option when you couldnt before meant a lot to them im sure

[falciesystemessays]

As a game designer, I will say something you probably don't expect from me:

Online personality quizzes are video games.

They are interactive digital media for the purpose of entertainment. There is no reason not to consider them in conversations about game design unless you think of them as simply a lesser medium. I'm going to be talking about them here through the lens of game design, because it's honestly fascinated me for a long time. If you want to check out my track record, check out this quiz I made in high school as a supplemental for a tabletop game, and this quiz that essentially functions as a Gender Dysphoria Diagnosis. Now then!

What is the core appeal of a personality quiz? Well, it's pretty straightforward, to discover something about yourself. It's kind of an inverse of the character creator, instead of self-expression the aim is to find something that you can't express. But even so, answering the questions themselves are a form of self-expression. I feel like expression and self-discovery are often left out of conversations about design, because they're a lot more personal and difficult to quantify than something like challenge. But they are often vital to making a play experience work. It's really important when you play that you feel like your style of play is your own.

To get philosophical for a second, the nature of a personality quiz will necessitate two core assumptions: 1) that there are distinct types of people that can be neatly categorized, and 2) that answering questions in an online quiz is an adequate way to determine someone's type. This is not uncommon, it is the basis for psychological diagnoses after all, but inevitably it leaves gaps in capturing the full human experience. In quizzes this usually manifests in two ways: Either the answer doesn't capture your experience, or the questions don't.

This is a really noticeable thing on uQuiz, and anybody who's been on that site knows the common pitfalls: Asking you to pick song lyrics from an artist you don't listen to, asking you to pick aesthetics when none of them really resonate, or lacking the appropriate nuance when talking about complex issues. At that moment, the game breaks down. It stops being about expressing the self, and becomes about what kinds of people the quiz's creator can imagine.

There is a certain narrative component to all this. A quiz tells a story, even if a small one. It can tell you something about yourself, but it will also inevitably say something about the person who created it. And that doesn't have to be a bad thing. If you ask the right questions, and ask them the right way, you can guide your audience towards realizing things just by how they how they answer. You can, with effort and care, make a solid piece of art out of an online quiz. But not everybody is looking to do that.

Look, I've skirted around it for a long enough time. We all know uQuiz is mostly populated by people in high school or younger than that, and most of them will never read this post. This is functionally a site for amateur game developers to make something quick and easy, but they're not using the same gamic language as itch.io or Newgrounds or Scratch. And that's fine, like i'm not saying it's bad that young girls and queers have a space to be creative and have fun. But it does mean that, as someone who is Not a teenager and who works in engines like SRPG Studio, i am not exactly built to thrive in this climate.

The quizzes that get the most popular tend to be the most immediately clickable, stuff about fandom or relationships or whatever meme phrase is popular that day. Anybody who makes art for the internet knows the importance of clickability, of being immediately eye-catching with a promising pitch. And what a lot of these titles end up emphasizing is the quiz creator themself. There is an undeniable social component to making or taking a quiz. Because the quiz maker can see all of your responses, there is an extent to which both the creator and the taker are getting to know each other. This is, honestly, the secret sauce that I only realized as I was writing this. There is a real community and sense of fellowship with modern online quizzes.

So what do we make of all of this? Well, using the MDA framework, we can see that some of the core play aesthetics for an online quiz are Expression, Discovery, Narrative, and Fellowship. If I were to give some advice for people making quizzes, it would be to lean into these more. Give players more options for expression, ask more meaningful questions, give more insightful results, and make it your own in a way that's hopefully endearing and not irritating. Other avenues for quiz-making might be ones that lean more into fiction, asking players to roleplay as a character, rather than answering as themselves. It might be using the format to give specific goals, like asking players to find the way to a specific result. It might involve playing with agency, giving players intentionally few or too many options to comment on the nature of the question. But honestly? Just have fun! I take it on myself to think too hard about this stuff, because it helps me grow as a designer. I think it's really fascinating to see how game design crops up in places that aren't normally considered "games." But honestly, if this post caused the vibe of uQuiz or Quotev or whatever site to change, I'd be horrified. Honestly just, game design is really cool. That's the takeaway.

[hopeymchope]

Harry Potter-like series reveals a sexfluid character among its protagonists

Do YOU: A) Support trans/LGBTQ rights, BUT ALSO B) Want to be 100% free of any guilt while you enjoy/embrace a story that contains all of the following:

Up-and-coming young wizards/witches attend a magical academy together

Said academy is a castle in England

The students attend the academy for seven years

Classes include magical combat, potions, magical creatures, herbology, and broom-flying

While the students attend those classes, they simultaneously have adventures in and around the school's grounds, encountering dangerous beasts and dark wizards?

If that sounds like something YOU want, I legit recommend you try out Reign of the Seven Spellblades — a light-novel series which became a manga which has now become an anime!

I first came into this series via the current anime. And as the headline up above states, said anime recently revealed one of heroes in the focal circle of friends has literal sexfluidity. (Like, they're not merely genderfluid. They actually switch their physical sex. ["If only it were that easy," amirite?])

Episode 7 (i.e., the one right after that big twist/reveal I wrote about previously) begins with one of our protagonists, Pete Reston, waking up from a strange dream to reveal that the character-formerly-known-as-"he" is hiding breasts under their shirt. Upon my first viewing, I naturally thought we were learning that Pete was secretly transmasc this whole time, which would've been a cool enough touch. But I've already spoiled that that's NOT where this story goes, so...

Ultimately, Oliver (Pete's roommate and the series' co-lead) notices that Pete's... shaped differently, and Pete is forced to admit that they don't even know what's happening to them. Lucky for Pete, then, that Oliver has read up a LOT on the magical world. He's always there to drop a knowledge bomb. Like this one.

Not only does Pete then get the full support of his friends (who finally learn all about this in episode 9 and are happy for him/have no problem with it), his class president also steps in to share with him a secret meeting place for people just like himself.

QUEER MAGIC CLUB QUEER MAGIC CLUB

So yeah; it's been a pretty cool little touch. Plus it feels like they're gently flipping the bird at the creator of Rot7S' obvious inspiration.

[hornystiel]

hiii!! offering my 2 cents on the subject of "old man". younger generations in general use it very loosely but it's without ill intent, rather it's coming from a perspective of "that man (dilf) is so hot i need them but i could never because they'd see me as a child so i gotta call them old instead". like they're out of my league but i'll blame it on the age difference you know?

and in destiel's case i believe it's affectionate, they're old compared to most queer couples represented and they're getting older together and it's hopeful to see that :)

~ a gen z mutual who's too shy to come off anon ly 🤍

hi! a literal wall of text ahead

okay i actually have a lot of thoughts about this topic and i really hope i won't sound rude but i just want to talk about it for a sec here. and below will be purely my own musings which probably won't coincide with a general fandom views on the matter and it's wider than this question and destiel but well

anyway

i totally get what you're saying about younger fans calling them old because they're too young for them but still hot etc etc. i know that's not some ill intent, clearly. however, what bothers me about the question of 'old' age in fandom spaces is this - for some 'old' starts somewhere around 35+ and they mean it (i wonder what they call a 50 yo? a corpse probably). and yeah of course for 16 yo 35 is twice their age but i wouldn't have even the slightest problem with it because i've been in fandom spaces since i was maybe 14 and stumbled upon people of different ages and backgrounds and we can all coexist quite fine. but what i see now (and maybe again, that's like a recurring generational thing, i don't know, i'm not that old and i wasn't in english spaces until i got at least 18-20 so) - those younger fans repeatedly saying 'you're 30 and in fandom? get out. go find some appropriate hobbies for your age group, like fishing hehe'. like it's fine to be horny over some dudes twice (or even more) your age, but people who in reality are not even that far from you, because usually it's 20 somethings who write such things - and it's a crime. you're suddenly gross. i wonder what those kids would do without all the stuff written, drawn and giffed by those who have a child on one hand, a full time job on the other, and their age appropriate hobbies in between. like when i was a tiny fan i was like 'holy shit that person somehow found a way to update that long ass sherlock fic while being neck deep in her family things and work i wanna be like them!" and it also gave me hope about the future of my fandom life. like age shouldn't matter. but now i see this shit, the whole 'more than 3 yo age difference is pedo' talk, 'adult creators shouldn't post anything because children can see' talk etc etc. and i know, of course, that that's the general internet censorship on the rise and neopuritanism is dancing tango with it but still.

what i'm saying - i do have a problem with younger generation using the term old very 'loosely' because they wield it as a double aged sword. you're either some hot dilf who can be forgiven for your shitty fandom takes because well you're hot (and i'm not talking about anyone in particular here rn) or you're a gross 30 smth in fandom space who shouldn't draw porn because teens can't click the block button

AS FOR DESTIEL

short answer - i don't like what the people who call them old add to their characters and lives when they do that.

long answer under the cut

all of that is what EYE don't like in most popular fandom hcs and i usually just scroll past the things i don't like, i don't want to start shit publicly (and because of what, takes?), but here you can read what i usually think when i see them.

first - if we're talking canon ages. 40 smth and this is dean's age at the end of the show - is NOT old. at all. i can't even call him that affectionately. because this is the tragedy of it all - he dies YOUNG. very fucking young, he didn't see any calm life, didn't pursue his dreams, didn't have a normal life and love and then he died. in a way, and i see some others think the same, calling him old is like 'welp it's not that bad, he lived long enough, seen shit'. but the thing is - he didn't? literally. so no, for me he's young, died young and it's fucking awful. not talking about cas here because well, billions years, old, young, he's everything (<3)

if we're talking about post canon fics where they settle. you can all burn me at the stake but sadly my spirit will just repeat the same shit - making them some kind of a wannabe hetero aging couple is not only boring as fuck, but also completely out of character for them?

what i usually see in the posts with 'old men <3' there

some variation of a white picket fence house

baby jack

dean being some kind of a soccer mom who bakes and argues with other moms

cas being more of a dad shaped thing who gardens and Doesn't Get It at the parents' meetings or somewhere equally boring and somehow still clueless about a lot of human shit

them creaking every part of their bodies (jesus my joints have been like this since i was 14, and my back is bad now when i'm only 30 where is my retirement pakige?)

probably forgetting smth but you get the gist. and, again, not saying that that's ALL i see with the old men posts and art etc (some hcs are wild and i LOVE them), but the majority? yeag, i've been permanently a destiel blogger for 4 years now, i've seen the popular stuff

doesn't all of that remind you of a typical heterosexual family on some conservative cable tv show? if not i'm happy for you, but i can't help but see how the roles are set in stone and i don't find it endearing at all. that's one reason. and also i'm a strong believer that a baby won't fix dean. jack won't fix shit and here's another stick to my pyre - i don't care about him at all and i think that dean especially should focus on himself and his own shit and his shit with cas if they settle together, not be thrown into the baby routine again. the fandom likes to remind everyone how dean raised sam and it's mostly true but don't you think for one goddamn second he would want/need to live for himself and not over obsess about bringing up another kid? sure he loves them, but if every person with dean's baggage were trusted with kids as a cure-al ...well. and again very hetero, 'you should have a child, that'll fix your hysteria!' i'll even say, very real life stuff, just not the one i want to see here.

another reason is this - they are freaks.

they are assholes, freaks, serial killers, undead creatures, bad people...who are very much in love and very soft with each other and their family but they are still freaks. and i don't understand how them getting old will so fundamentally change so many aspects of their characters that they become typical suburban mom and dad combo. maybe i sound like a person who doesn't want them to be happy, or who doesn't get the 'it shows that their life is finally calm and they can pursue Normal Hobbies and Raise Kids and Build a Farm (idk how that is a calm place have you ever been on a farm with animals that you should watch and take care and kill if needed. another talk for another time) and To Love is to be Changed' etc etc etc. believe me i get it all perfectly, just not for them. if it tickles your pickle, by all means. what tickles mine is cas getting the weirdest (and often dangerous) hobbies (and this is why i got him driving a motorcycle, boxing and skydiving in my old men cheating fic) and he's an impatient guy so i don't think he'd love gardening really, he'd be mad at the plants and kill them or grow them as fast as his grace would allow (yes i'm also against human all the way cas, baby we're getting a bingo here). and dean of course should have ties with his community and i've already talked about this but i see how they are out of active hunting, but still help those who are still in it (if the supernatural isn't wiped completely and i don't see why it should be), maybe they always have a place in their home for those who come to regroup or just to chat or smth. and dean is an overprotective and micromanaging asshole so he would want to still have the gist of it all (and cas would want to unwind by killing some things from time to time)...and they still sleep in the same bed, eat the food they cook together, wear matching tatts maybe as a wedding gift to each other, and have dogs, cats and whatnot.

what i want to say - i don't get why the weird and the sweet can't coexist. why should they lose all of their insane bits. they loved each other WITH them (cursed or not remember) why should they change so drastically to fit the 'happily ever after' narrative.

anyway i can probably write a lot more but that's a long ass grumbling as it is.

sorry your question became the starting point for this rent i genuinely hope i didn't offend you and if you finished reading all of this woah you are a hero <3

[three--rings]

You Should Watch Moonlight Chicken

Welcome to my formal rec of this show, which has stolen my heart so completely over the last few weeks.

What is it?

Thai BL series from GMMTV which has just finished airing (as of March 2, 2023). The characters all revolve around a chicken rice diner called Moonlight Chicken. It's got eight episodes a little over an hour each.

Couples:

Jim and Wen:

The main characters and couple are Jim (left above) and Wen (right). They meet when Wen passes out drunk at Jim's restaurant one night and they end up talking and flirting and then going home for a "no strings attached" one night stand.

Afterwards Wen is determined to attach strings but Jim holds firm to his "no complications" rule. Wen starts working part time at the diner in a not-at-all-sneaky plot to win him over.

Heart and Li Ming:

The adorable teen couple of Jim's nephew Li Ming, who he is raising, and Heart, a boy who has been extremely isolated since becoming deaf three years ago. They quickly develop a friendship and learn to communicate and it's heartwarming and adorable right up until it deal with very real issues of ableism.

Other characters:

Alan

He's Wen's not-quite-or-maybe ex. It's complicated. The show might be just as much about Wen and Alan as Wen and Jim, but theirs is a breakup story.

Gaipa:

He's a young friend of Jim, with a massive crush on him. Unrequited love and his relationship with his amazing mom is his focus. Standout performance from the actor.

Saleng:

The token straight. I felt bad leaving him out, okay? He's a good boy.

Okay but what's it ABOUT?

Life. Love. Relationships. Growing up, healing, building community and family even in the face of adversity.

Could you elaborate?

Okay look, the way the plot of this show was sold was "One Night Stand leads to complications when one of them already has a boyfriend?!? Drama!" Which is downright misleading. I showed up for messy gay drama and got a profound piece of queer cinematic art about the struggles of modern life and love and relationships.

This is honestly not your typical BL series at all. It really does feel a lot more like serious drama, queer film, etc than what we are used to. (I'm not saying it's ALONE...just rare.) It feels like a director/creator coming into their own and really stretching their abilities.

The cinematography is gorgeous, creating a quiet and pensive mood throughout. The acting is remarkable, excellent across the board with some real stand-out performances from the "side" characters.

The plot flirts with melodrama/soap opera turns but it always comes down on the side of grounded, realistic takes. I'll just say there are some moments that really hit me because they reflect experiences I've had in my life so well.

This show is very Adult to me. And by that, I don't mean steamy or sexy. It's really not, despite the first episode. It's a very chaste show, all things considered. I mean Adult in terms of These are Problems Adults Have. Dealing with the ending of relationships, getting over past relationship trauma, dealing with grief and loss, figuring out what you want in life, having to be there for your ex because they need you and you still care, etc. Just life, sometimes messy and painful, but ultimately beautiful.

If you can't tell I could go on for a while. But honestly, even if you're not a BL watcher normally, I recommend you give this a try. It's a feel-good show that will make you cry.

Okay where do I watch it?

Good news! The show is available for free on YouTube in its entirety! Just look for the GMMTV official channel.

Content Warnings under the cut to avoid potential spoilers but they will remain vague

Having sex while under the influence of alcohol but fairly lucid, cheating as a topic, breakups, ableism and parental neglect as a result, death of a partner, death of a parent, motor vehicle accident aftermath, age gap relationship(s)