#which really isn't that long but i was a kid and those were two very long years honestly

[projectjasper]

POND NARAVIT: On his rocky start in the entertainment industry and believing in yourself even when you don't succeed

[PART. TRANS. CREDIT]

Pond: Basically, in the five years I've been in the entertainment industry, I've never talked about this anywhere. This will be the first time I talk about it, now that I got a chance to finally debut with my friends.

The reason why I want to be a dancer/artist is because that's what I've always wanted, even before entering the entertainment industry. Going back around six years ago, in 2018-2019 - that's when I started dreaming about this. But I didn't dare tell anyone, because I was afraid people would think it's funny or something like that. Like "is that even possible?", so I've never told anyone. It was my passion and I was just trying to do it by myself.

As time went by, I tried more and more. But to be an artist, you have to have training and skills, which you need to constantly perfect. At the time, my family let me earn money on my own. I went to work part-time. It was some coffee shop, it was a while ago now. I worked there every day during school break. I worked until I saved some money.

Then, in the evening, past 6 p.m. I would go to dance classes. I didn't care that I had to wake up early, because this was something I really wanted to do. I thought that one day I could succeed at this, so I went to dance classes every evening. For about two or three months, I went there every day. But it was expensive and - what's more - time-consuming. Because, with dancing skills, it's not like you can do it for a couple of days and become good. At the time, I'd been going to dance classes for two months, but it wasn't enough to go to an audition or anything like that.

So I kept practising, but I also got into university and had to study hard there. I didn't really have an opportunity to go to dance classes as much because I had to focus on studying. We were poor. But there was an audition held somewhere and I decided to try. At first, I was very excited. But I didn't even go past the first round.

It was 2019, I was a kid, and I was like "What am I doing?" At first, to be honest, I was quite disappointed and really sad, because I remember trying very, very hard, waiting for this opportunity for so long, and then it just didn't happen. But though I was sad, I wasn't upset, because I felt like I just hadn't reach my full potential yet.

Then I tried to send an audition tape somewhere. The person contacted me back. I was so happy. At the time, it was like the greatest thing I've ever experienced in my life. Things went smoothly for a while, I almost got it, but there were certain circumstances that made it impossible to move forward at the time. They said: "Oh, the situation isn't right yet" or something like that. "Let's wait until everything is resolved, and you'll be contacted again".

I remember I was really sad about this because I thought they were just trying to be nice and comfort me. I was devastated, I was crying a lot. Because things went quite far, but then they ended up saying it couldn't happen because of the "current circumstances". And I just had to "wait until they contacted me again". I was so sad, I cried and I couldn't dance either. I basically stopped dancing for like a year. I felt really hurt.

Joong: [leans over to look at Pond]

Pond (to Joong): Don't cry, don't cry.

Pond: So there was a period when I just couldn't dance, I would think about it and I'd just get really sad. I couldn't do it. I couldn't even watch or otherwise consume anything dance-related. I just stopped completely, disappeared from the circle of friends who danced with me for a while. For almost a year. At that point I've been trying to do this for almost three years and it hadn't gone anywhere, it didn't work, so I just disappeared because i was devastated. I was so sad. Any time I thought about dancing again, I just thought about what happened. When those friends called me, I kept saying I was busy and making up other excuses.

But then something happened, exactly a year later. I got a call and they said: "Do you remember when we promised we'd contact you?" They really did, they called me back. All this time, I thought they were just trying to console me when they said that.

I was shocked. And I looked back at what I've been doing the past year and thought I shouldn't have stopped dancing. If I didn't stop, all my skills would still be there. But because I did, they started disappearing. They were gone. I had to practically start over with my dancing skills. I was also trying to sing, but that skill worsened too. As for rapping, I never practised it continuously in the first place. And oh, I was so stressed about it all. They told me: "See you in two weeks!" And I was sitting there, thinking to myself: oh no, what am I supposed to do? I can't do anything. So I was practising my dancing skills every day.

Pond: [points at Joong] You know this, you know.

Joong: Ooooh yeah! Woke up early and immediately went dancing!

Pond: I was dancing every day, I was dancing so much that my body could barely handle it anymore. I was working and studying hard at the time too. There was so much on my plate, my immune system was in bad shape. But I just felt like it was a once in a lifetime opportunity. I wanted to do it. I didn't know what would end up happening, but I really wanted to do my best. I was ready to practice even until I died if necessary.

And with time, things were going okay, they were getting good. I was contacted again and they said they want to meet up. They wanted me to prove my talent one more time. And in the end, it didn't happen. I was so upset at the time, but then I thought: oh, that's alright, at least I've grown up during this experience. I wasn't going to cling to those missed opportunities anymore. If I focused on regret and stopped dancing again, the skills that I worked so hard for would deteriorate once more. And that's the story!

I want to tell everyone that no matter what your dream is - I want you to have this mindset. If it doesn't work the first time or something goes wrong, don't be sad or blame yourself. Don't blame others. Don't get so discouraged that you abandon everything. Think about it carefully. It's okay, just try again. Even if that one thing didn't work out, something better will come up in the future. But just prepare yourself, because if I didn't stop for an entire year back then, I might have even gotten that opportunity in the end.

Joong: One door closes but another opens.

Pond: Exactly.

BONUS: Five years later, he has achieved what he set out to do! 🫶

[aeimygdala]

I'mm more awake now, so:

YES, EXACTLY, TO BOTH. Describing how accurately it reflects every other queerbaiting with male characters really drives it home. For some reason, I've also been thinking about the kids shows Victorious and Sam and Cat queerbaiting, too. It wasn't until reviewing it as an adult that I realized they knew full well that their audiences cared and were invested in these female relationships as romantic. They knew what they were doing, and that's really what defines queerbaiting.

It's like, 20years ago the WWDITS writers would've faced a LOT of backlash for so many sex jokes about people being bisexual simply bc being LGBTQ was still just being treated as something so ugly and wrong in the 2000s, even in a rated R show. And they have more freedom Now to make jokes about gay sex without the joke relying on disgust or other homophobic drivel. And I will say wholeheartedly that I think Guillermo being gay was handled quite nicely and earnestly! Like, genuinely!

... But note how that was done After they got a bunch of articles and realized a bunch of LGBTQ fans were invested because it seemed like "Oh, the showrunners acknowledge we exist and don't see us as subhuman, so maybe they'll do more with us" and because an actually gay man, a member of our community, was playing a major role and had his thoughts about his character's feelings

But is it really the queer representation we want when besides Guillermo, it's just stock variety "depraved/promiscuous bisexuality"? They got all this credit and hype for being so "queer-friendly" long before they confirmed Guillermo was gay Because of those jokes.

it's not groundbreaking just bc they're happy to say "yeah these people aren't all washboard straight," and I think too many people thought it was because we'd been directly lead to believe there'd be romantic payoff with two of the main male characters. That WOULD'VE meant something. Like it would've meant something in every fucking other show that queerbaited two main characters like this. This one really stings because the main Changes and Development happen regarding Guillermo and Nandor's relationship!

Now we know all of that stuff we saw as rep was just jokes about how funny it is when people are sexually free and don't understand or care about modern day homophobia. That wouldn't be the worst thing in the world, just kinda obnoxious, but it really is an ugly look when they've spent this long shipbaiting.

Men being in complicated but very openly gay relationships just doesn't suit the show's "Sense Of Humor" but Nadja and Lazlo's marriage always gets to be heartwarming. and there got to be plenty of nice moments of growth.

The writers really took nothing they wrote seriously when they didn't want to, which is also what really killed the show this final season. WE'RE the fools for expecting something serious and better from the "vampires are out of touch and insane" show because obviously that's all it ever was, to them, unless they wanted otherwise, and they didn't when it came to this. But they'd be happy to bait us with whatever made us watch it. They knew what they were doing, and they knew they didn't respect the audience and the LGBTQ following the show had garnered.

So, still queerbaiting. Because they mostly treated LGBTQ people as a marketable audience and a subject of half their sex jokes (specifically, mostly bisexuals.) Or they saw every person hoping for Guillermo and Nandor to get together as an obnoxious person unable to see or enjoy the show past shipping, which, like, I'm the first person to say that people NEED to be able to enjoy media without fixating on shipping, but people picking up what they're Deliberately putting down Isn't That. People Caring and following the writing of a thing they're watching isn't That.

And I don't really enjoy fanfics, I just wanted to see what felt like a really messy Rollercoaster of a relationship and how it changes and improves between two lead mlm and pay off in a show that isn't explicitly about gay romance, because actually seeing that in media matters. It means LGBTQ people aren't jokes!

Honestly, I would've been irritated but accepted it ending the way it did if they hadn't put the whole hypnosis ending thing. It would've been one last annoying wink at the camera with no Canon payoff, but it wouldn't have been the writers showing their asses and mocking everyone who wanted to see the two together, telling us what we wanted was a different show. It's just so mean spirited.

I'm still glad I watched the series and Guillermo being queer really does matter a lot, but it doesn't mean they didn't know what they were doing.

I think the thing people aren't acknowledging about WWDITS is that yeah the main characters are all queer. And yet, the only established and long lasting main couple is M/F, regardless of how many jokes are made about them also being queer. im not saying bi/pan m/f rep isnt important, but it is relevant to note. most of the mentions of other characters being queer (besides Guillermo being gay) are basically "promiscuous bisexuality is funny and surprising" when you actually think about them seriously. I actually hated everything with lazlo's dad, ngl. looking back at the entire shitfest of season 6, it feels like everyone gives its "representation" too much credit when defending its shipbaiting. like you understand this was intentional, and it's obvious the intent was never to actually deliver on queer relationships long term, even if it gives us queer characters? like, it's cool that you have queer characters, but are you doing to deliver on what you've been implying regarding them?

we get heartwarming moment after heartwarming moment with Lazlo and Nadja. idk I don't think it's Evil but I think a lot.of us collectively gave it too much credit for how much it actually gave a shit. it's a sitcom, and it made it soo clear, and we're pissed at realizing it.

idk, but looking back, a lot of shipbaiting and jokes reslly feel kind of mean-spirited and mocking. like we know you CAN write meaningful relationships, everything with nandor and Guillermo this season was leading up to the extreme improvement in their relationship and interactions, soooo.

I think people who are pissed really deserve to be bc it really leaves a bad taste in your mouth bc you KNOW. the shipbaiting was deliberate. n we'd rather be funny here than actually deliver on queer relationships and happiness. and it's always been that way, and that isn't EVIL or anything , I guess, and it's fine, but it sucks that I gave it too much credit thinking otherwise because I want happy m/m relationship rep or something lol

feels like a slap in the face to people who just wanted something nice!!! I'm not a shipper, I don't exist in the wwdits Fandom, I'm just a queer fan that was eagerly hoping they'd actually have a payoff for all they were doing!!

[cptkitten]

Rammstein - Feuer Frei!

[sairenharia]

MK's First Dad

The snakes represent my many, many dads!

Why yes, MK, they do represent your many, many dads.

Or rather, one dad, many times.

This dad.

So very clearly, the world of Lego Monkie Kid has been experiencing timeloops. Nuwa made MK to collect the stones and when the cycle of the world ends, he yeets himself into the pillar, and restarts everything from the beginning. Without outside factors, everything happens the same as it always did.

The Celestial body establishes itself, demons run amok, the journey happens, society builds, further and further until at least the Jade Emperor and maybe the other Guardians reach the end of their life and the Heavenly Pillar starts to crumble and has to be rebuilt and start the cycle.

Until THIS cycle where the Nine Headed Demon decided to wake MK up early.

And you know what?

I believe every single word the NHD said after he revealed himself was one hundred percent the complete and utter truth. He never ONCE lied to MK or any of the others, at least not from his perspective.

From the explanation of his motives, to the idle comments.

We see this in what he says he's doing. NHD said he isn't trying to push MK to a choice. What he wants is for MK to MAKE a choice. If MK chooses to sacrifice himself, NHD said he's going to save everyone, affirming his choice. By that same token, when MK comes back out of the pillar, he says he choose to face the end together in a supportive tone, affirming his choice again!

NHD didn't lie. Whatever choice MK made, he supported and encouraged MK in it.

His tune only changed, ONLY changed when he was terrified he was going to be trapped in the cycle again. And even then, it was only a brief moment. Once he saw he didn't have to be trapped, he was back to supporting MK, and he was relieved.

Even with the way NHD interacts with the others shows this. NHD allowed them to SPEAK. He only interfered when they tried to PHYSICALLY take MK's choice from him. NHD was fully enabling them to convince MK to make the choice they wanted him to make. They were allowed to persuade, because it was still ultimately MK who got to decide what he was going to do.

From start to finish, NHD had two goals. One was to leave the cycle, which he saw as happening either way. Either everything fell apart, or he had a way out when the cycle reset. MK's moved changed his gateway and that's when he got upset, but he had no issue with MK's CHOICE, just the fact he would be trapped again.

And two, that very choice.

But why? NHD manipulated Azure. He manipulated the Yama Kings. Potentially a lot of people in heaven and those below, which is pretty against people making choices. So why does he care so much about MK's choice?

Because the cycle wasn't supposed to end for another eon.

Because this cycle wasn't the first, it wasn't the second, and it likely wasn't even the hundredth.

Which means MK didn't have Pigsy. He didn't have Tang, or Mei, or Sandy, or anyone else in his life. They were long dead by the time the Harbinger is released in every other cycle.

Now with MK having longer to cook, he may be fully grown. Or he may be a kid again, but I think with what NHD said about wanting to give the Harbinger a chance to have a life, the Harbinger is usually grown enough to be able handle the trials.

But he's probably not got a lot of personality going on. Nuwa may have chosen an extreme way to maintain the pillar, but she does seem to be trying her best to minimize suffering. She is repeating the cycle because its the only way she can see in protecting the world from chaos. She makes Harbinger because a sacrifice is necessary for the pillar, to remain as a building block like I think she is. Harbinger has to be someone who EXISTS, but if he's largely a blank slate, then the loss is not so great.

Harbinger lives to sacrifice himself. He has no family. He has no life to lose.

But this means someone who is blank and potentially easy to lead astray.

This is why the trials. Because really, Harbinger is suppose to just live, grab the stones, yeet. Why does he need TRIALS? But then there is what the trials actually teach, as we know them.

A trial of resolve, to push through to the end despite the dangers. To endure danger and hardship to the end. Then the other trial, of focus on self, on what he needs to do in the present. But what's interesting is the DANGER of this one. Its not to Harbinger, but whoever is with him.

These trials are to make sure Harbinger has the nerve to go through danger and hardships to get to the end of the quest...and to keep his focus to PROTECT OTHERS.

Harbinger is made to be a sacrifice. He is made to protect. He is made to save. What happens if he sees people in danger on the way to the pillar? He would get distracted, but in delaying, he puts them in MORE danger. He has to be able to ignore those in smaller danger, and focus on his inner task, to make sure he focuses on the greater goal of sacrificing himself to keep them ALL safe.

I'm sure the dragon and tiger would have something similar.

So the trials help train Harbinger into some personality, but he still has to GET there. More over, he needs to have SOMEONE for the Black Tortoise.

The Yama Kings also know about the Harbinger. They know when he should be released and what he is supposed to do. They likely know what he is supposed to be like, and likely they are also how MK is supposed to even GET to the Jade Emperor.

The Harbinger needed a guide.

And I think that is the Nine Headed Demon.

Because here is the thing. NHD says he's not a monster. And he's tired of being the hero. And he isn't lying.

Here is the cycle.

The world starts. The Celestial body establishes itself. Demons run amok. The Journey happens. Society builds. Nuwa at some point puts the Harbinger in the stone. Eons pass. The Jade Emperor hits the end of his life.

The Harbinger is released.

And NHD is there, as a representative of the Yama Kings who know enough to know this will happen and what is expected. NHD helps the Harbinger to the trials. He helps him to the pillar. He watches the Harbinger sacrifice himself.

The cycle begins again.

He is there again.

The Harbinger dies again.

Over and over, until at some point, perhaps after the first time, perhaps later on, NHD is exposed to chaos. Likely when the cycle is ending and resetting, there is a window that chaos seeps in and NHD is able to see all that is beyond the world.

This is likely why he thinks he's fine regardless of MK's choice. Either he left during the brief window of a reset, he everything fell apart, so he was freed. He didn't account for continuing on beyond the reset.

NHD sees beyond and he sees beauty. NHD sees beyond and now he can REMEMBER. Why is hard to say. Likely he made a deal with whoever "he" is, but regardless, NHD loves chaos and he retains his memories.

But NHD was chosen to help the Harbinger for a reason. He is not cruel. He is not heartless. He loves the masses. He wanted to save and protect them, even at a cost, so he was chosen to help the Harbinger.

It is why even after he saw chaos, he chose to return. He had seen something so GOOD in his eyes, and he wanted to see if he could change the mind of those in the world. To convince Heaven to LET the chaos in. To end the resets and allow chaos and life to CHANGE beyond.

But no one listens.

They reject him.

Call him a monster.

The cycles continue.

He tries. He tries persuasion. He tries trickery. He likely tries force, but the Harbinger is too strong to stop and he will fulfill his destiny. He asks for help.

He even asks the one person who might stop the Harbinger.

Sun Wukong.

NHD said they were old enemies and old friends. NHD sought a solution, so he would ask who he could for help. Sometimes he could convince Wukong to help him. Others, he couldn't. And sometimes, he managed to get Wukong enraged enough to become an enemy. But unfortunately even with Wukong's power, he's never quite strong enough to keep the Harbinger from the pillar.

Likely because the Harbinger wants nothing more than to get to the pillar, and ultimately, the Harbinger is just some kid getting used, and Wukong can't bring himself to kill him. Allowing the Harbinger a moment to get through regardless of how the fight is actually going.

Which could be going far in Wukong's reaction to MK.

NHD said that MK is a remnant of chaos. Which means either the clay he was made from...or from Wukong's stone. And since the Celestial Primates are ODDITIES, its likely Wukong's stone that has that bit of chaos in it that Nuwa is using in her sacrificial building block. No one is gonna be able to make Wukong do anything he doesn't want, and likely none of the other primates, and Nuwa doesn't want to ask anyone to end their life either. Start anew is better.

But likely this bit of chaos may be why Wukong feels a draw to MK. Some part of him remembers the Harbinger. Remembers his strength. Remembers he's a kid being used, who hadn't been allowed to live, who did so much for the sake of others. A kid who idolizes him. A kid who can use his staff.

I think it says something with how much Wukong focuses on MK becoming self confident and choosing things for himself and why he steps in with the Spider Queen because its a fight MK desperately doesn't want even though he SHOULD be capable of handling it, instead of thinking the fights are too much for MK like the Lady Bone Demon. Wukong wants MK to decide things for himself, he wants MK to LIKE himself. Wukong wants MK to choose to. There is a bleeding of the timeline because of Wukong's connection to chaos by being a Celestial Primate.

The Harbinger is a blank slate...but he is a person. NHD, at first, just wants to help the world. He wants to be the hero. He wants to move beyond the cycle. But in trying to find that path, he introduces new elements to the Harbinger.

The Harbinger starts to show signs of development. Of change. The Harbinger starts to laugh. The Harbinger starts getting cheeky. The Harbinger starts crying when fights break out at the end. There is LIFE in the Harbinger.

Yet another beautiful thing this cycling world rejects for the sake of continuing to spin.

NHD tries to find a third solution. He tries over and over again. He knows the Harbinger will continue to the pillar, to save the world, over and over again, and he doesn't have the power to stop him. The Harbinger will always choose to sacrifice himself. He cannot end the cycle by preventing the sacrifice. He looks for a way to move past the eon. Maybe if he had more TIME, he could convince people to give chaos a chance. Perhaps he could allow the pillar to crumble more slowly, allow the sun to peak in over time. If he could just get the box to OPEN, then that would be enough.

Except nothing works. He can't fight anyone strong enough to replace the guardians. He can't find another means to fix the pillar. He tries over and over again.

There are several consequences to this and I'll get into one of those in another post. (Red Son has some INTERESTING things going on.)

NHD cannot find a means to move beyond the cycle. He is getting disillusioned. He wants to save everyone. He wants to bring them to the sun. He just can't.

He knows...he knows he doesn't HAVE to keep trying.

He sees it every reset. He has a window. He can LEAVE the cycle himself. Let everyone stay in their cave forever.

Except.

He sees the Harbinger throw himself into the pillar. The one he's sees sacrificing himself countless times for a world he never gets to truly experience. He only gets slivers of it. Moments of joy. Moments of triumphant. Moments of pain. Moments of truly being alive, when he deserved so much more.

NHD is tired. His sanity is fraying. He could simply go...

But he decides one more time.

He would live the cycle one more time.

Because the Harbinger deserved to fully experience the world. The Harbinger deserved to DECIDE whether or not to keep the cycle going, or let the world fall apart.

He manipulates the world in a different way. He's lived this cycle countless times. He knows much of what happens. He chooses a time.

He knows DBK gets released. He knows in short order, the Lady Bone Demon also gets freed, whether this is by the Demon Bull Family, the Mayor, or perhaps even Macaque (I haven't gotten a solid theory on what Macaque's deal is YET, but I have a suspicion his revival may not be a consistent thing.) Either way, DBK getting freed gets Wukong off his mountain because DBK is running around with HIS staff and while Wukong isn't interested in being a hero, that is HIS staff, thank you very much.

And the Lady Bone Demon is simply too big of a threat to ignore.

Its the first time where Wukong HAS to be active.

Its also the first time, in a while, where Wukong leaves his mountain. At times, visiting this city because its the first time in a while where the incarnations of the pilgrims are in close proximity and Wukong can't help himself. He just has to check things are okay.

Its the perfect set up.

The danger of releasing the Harbinger early is people noticing him. He will feel compelled to help people. NHD is pretty sure there is no way to be rid of that. So he needs something to justify this powerhouse running around.

This is the perfect time. Pigsy is a family man. If he leaves the Harbinger nearby, he will at least take care of the kid, and hopefully take him in. NHD can't be sure, but perhaps he has an idea depending on if Mei always finds Pigsy and Tang independent of MK's existence.

It works though. The Harbinger becomes MK and he's in place to be noticed by Wukong, who NHD already KNOWS experiences some bleed. Has seen Wukong react to the Harbinger with familiarity. Knows Wukong will be intrigued by MK enough to stay close.

Then DBK's freeing comes and Wukong is acting on suspicions, and maybe NHD is manipulating other things, but MK ends up with the staff, and Wukong is declaring MK his successor and NHD is thrilled.

MK now has the perfect smokescreen. The Celestial court has no say of what goes on with Celestial Primates without direct force. They don't know how they WORK. If Wukong says MK is his successor, then clearly he's done some weird primate magic on the boy and that's why he's powerful. The fact DBK and the Lady Bone Demon appeared, it screams of potential destiny to Wukong to. Throw in a few more of Wukong's enemies, keep him thrown long enough to not risk him thinking too much. Not like its hard, Wukong doesn't often think too much.

Even if this set up did present a few unexpected challenges NHD didn't account for. Macaque was largely an unknown because without MK's influence, IF Macaque is ALWAYS revived, Wukong and him likely never make up. They have too much bad history and too much stubbornness to actually work through their issues without MK calling Macaque out on his bullshit and enabling them to have to be around each other without turning into a huge fight. NHD got lucky that it took as long as it did because while Wukong doesn't overthink, Macaque certainly does and his plan may have been in more danger if Macaque had longer to explore those questions from episode one.

But no one knows MK is the Harbinger.

MK is allowed to experience life and what is means to save and have people to care for and he gets to make decisions on the scale of restoring the pillar and its perfect!

MK not only can make a choice, but will have the experience to do so.

Its all NHD ever wanted for him.

He's likely been doing something to the Jade Emperor to hasten his decline, or perhaps an eon really counts for the end of the man's life. Either way, he just has to free someone who is strong enough to take on the Jade Emperor in that state, but isn't strong enough to keep the stone functional.

The cycle can finally end.

MK can make a choice.

He can be free.

NHD never lied to anyone. He wanted to save everyone. He wasn't a monster. He wanted MK to have the freedom to chose, whatever it was.

He was only ever against MK the brief moment when he realized the world would continue and he wouldn't have his gap to escape. He didn't know WHAT would happen after that moment. Chaos had a chance to come in. There was a chance chaos wouldn't be able to, or at least wouldn't be able to for a very long time and he was so TIRED, he just wanted out, and for a moment, he was afraid to lose the thing he wanted for HIMSELF.

But as he stands on those stairs, as he sees the chaos, he is relieved.

He is HAPPY.

His words to MK are genuine. They are full of care and perhaps love. The child he had sent to die was finally alive. He was brilliant and clever. He found a third option that he hadn't been able to do for eons past.

He knows chaos is coming and that there will be a battle. The chaos MK feared may still be allowed through. So he warns him there is danger, that he will have to deal with the consequences of what happens Next.

He wishes him luck and thanks him. Sends him to a home he is glad his Harbinger is allowed to experience. For better or worse.

[amirasainz]

Can you write about her and the grid couple and her family dynamics like in details with each couple and family member?

Hi love! Sorry it took me so long. I hope this is what you were searching for! @zahwoka My request are always open. Feedback is welcome. -XoXo

Baby!Sainz Relationships

Carlos Sainz Sr. and Reyes Vázquez de Castro -I think there's not much to say here -the two of them were more than joyed to have another baby -she definitely has her Papá wrapped around her finger -so that means that her Mamá has to be the bad cop -they are quite protective of her -i mean, no parent wants to let their youngest daughter fly to Colombia alone and stay there for nearly one year (for Narcos) -they were always very supportive of her career -all in all they are the best parents she could ask for

Ana and Blanca Sainz -YAY -another sister -when i tell you, those two acted like she was a doll -Amira always goes to them when she has boy problems -they are definitely the type of sisters to color each others nails,do their Make-Up together,… -when they were kids, they always forced Carlos to play Barbie with them -ALWAYS -they always criticize each other -but if someone else dares to: you're never seen again -when they are older, they will live pretty close -they also never know who has whose clothes -they also encourage Amira to embrace her beauty and attention she receives -which only gives Carlos more gray hair (Senior and Junior) -they are Amiras safe space -all in all they are like the Spanish Power-Puff-Girls

Carlos Sainz -Carlitos -poor little Carlitos -during his younger years he is so busy chasing away the boys -now it's the same thing, just that the boys became men -is a really protective brother -he was NOT happy when Amira went to Colombia -will buy her anything -"do you like the new Dior dress, hermanita? Let me get it for" -visits her quite often unexpected -he aged at least 20 years when his sister decided to wear crop tops -hates to leave her alone -it feels like he is dying -was very happy when she decided to attend his races -but he forgot about the drivers (and their girlfriends) -look it's not his fault that non of them are good enough for his darling sister -Carlos is her protector and always will be -a big spider in the room? Bring me a tissue hermanita -a scary thunderstorm? He will hug her the whole time -he will always be there for her

Baby!Sainz isn't in a relationship with any of them, even though it may seem like that (But we all now she isn't the brightest out there)

Max Verstappen and Kelly Piquet -for some reason they give me older couple x younger babygirl vibes -I mean there are not THAT old, but they kind of act like it -Max and Kelly are more mature than others (I mean, they do have Penelope) -so they would kind of treat her like an innocent babygirl -and they love it -"Don't worry Schatje, me and Kelly will do everything. You just sit here and look pretty" -Max is protective of her, but me thinks Kelly is a bit more -she doesn't like when guys are near her -she would sometimes pick clothes for her to wear -protective waist holding -they surely took her and P to a lot of ski trips -and Penelope? she adores Amira -I think if they would ever manage to get together with her, she would get babied a lot (but not in a weird way)

Charles Leclerc and Alexandra Saint Mleux -Cottage Core Vibes -they are the definition of privat but not secret -i think they tease the internet the whole time with quite strange pictures -for example: Charles post a picture of Leo with clearly two women there -or Alex posting a mirror picture with Baby!Sainz in the background, in their bedroom -they are unsurprisingly very affectionately -words of assurance are a daily thing -always calling her jolie fille, petite fleur or dove -Alex and her would be all matchy-matchy when it comes to nails, shoes, clothes… -if Alex is wearing a white dress and Baby!Sainz a black one, be sure to expect Charles to wear a black jeans with a white shirt -they would spend the summer-break with her on the yacht -would treat her like a princess -Charles would write a song for her, of course -the prince of Monaco and his two princesses

Pierre Gasly and Francisca Gomes -Ok it might only be me that thinks like that but hear me out -I feel like Pierre and Kika a very possessive of her -no doubt they already manipulated her to spend more time with them -of course she wouldn't find out -if they are sitting somewhere, Pierre will have a hand on her thigh and Kika would play with her hair -and Amira would only be like: Oh physical touch is their love language -would tease her with their touches -when Kika buys her a necklace and puts it on her in front of a mirror while babygirl holds her hair up, she will definitely kiss her from the shoulder to her neck -or when Pierre helps her take of her heels, be sure to expect his hand to lightly touch her thigh -we all know how much PDA those two like -they will not hesitate to do the same with her -in the club, when they are dancing, she will be in the middle -the hands will roam each other and….. -well babygirl surly isn't the smartest one out there -they will be possessive till the end of the world

Daniel Ricciardo and Heidi Berger -the fun couple -they call her Roo, because she is their very own Kangaroo -if Baby!Sainz ever seeks an adventure, she knows where she has to go -they would take her on late night drives -she wants McDonalds at 3am? No problem, let us grab our shoes -during the Australia GP she is certainly staying with them -they teach her how to surf and take her to the Australian Zoo -Of course, Babygirl has to sleep in their rooms -what if a big bad spider is in her bed? -or a snake that wants to bite her? -only Heidi and Daniel can protect her -when they have a bond fire, Heidi will brush her hair and Daniel will take a hundred of pictures -and if she falls asleep on Heidis lap while Daniel plays the guitar, that's no-ones business but their own

George Russell and Carmen Mundt -Old money vibes -they are without a doubt the couple that always celebrates each others accomplishments -George likes to show the two of them of -I mean, who wouldn't like to have those two by their side -they will take her anywhere -a family feast? Ohh honey, you have to meet my grandma -a Tommy Hilfiger shoot? Honey the always need more models -a vacation in Spain? Honey, you know George will get a sunburn without us -what really makes her heart race is when she is talking and they give her 100% of their attention -she is actually always happy when George is shirtless -for example: the Watermelon picture (fr that was freaking hot) -their will always leave space in the middle for her -I think, they are quite protective

Oscar Piastri and Lily Zneimer -they give me the quite kind of love -shared glances -fleeting touches -i feel like they were quite shy with each other the first time they met -over time, they opened up more to each-other -now they will have a monthly movie night -her head on Lily's lap -her feet on Oscar's lap -they have insider jokes with each other -if Baby!Sainz ever needs quite time, they are the perfect couple for that -I imagine long walks on the beach during the sunset -sharing the same blanket and watching the sky

Alex Albon and Lily Muni He -like Pierre and Kika I think the are quite possessiv as well -They would certainly be the funny couple as well -but I think that they sometimes get quite jealous as well -they will post her often on Instagram -include her in all the fun activity's -however, if they think she spends to much time with someone unimportant, they always have a reason to get her away -"Oh my god, love! I have to show you this new bag i got you. It's blue and small and-oh hi George- and has a bit glitter on it and…." -as I said -possessive -they would be the couple to cuddle her when she's sick -play with her fingers during a conversation -make her look at them with a hand under her chin

Extra: Rebecca Donaldson -she is like a third sister to Amira -always goes shopping with her -which doesn't make Carlos happy -they are the types to read the Vogue together and watch the Met Gala with each-other -Mira and Becca are a dream team -me thinks they have the quite kind of friendship -the giving advice to each-other and are complete honest -Carlos is happy that they get along amazingly, but what do you mean his sister is here to visit Rebecca and not him??????

Lewis Hamilton -let's be honest -we all have an older man crush -and hers is 100% Sir Hamilton -I mean, look at those hands -look at his tattoos -is the type to buy dresses for her -when she wants to go out, "here baby, use my credit card" -he can make her blush and giggle like a school girl -he would definitely be the soft but dominate partner -with him, she truly is babygirl -would buy the world for her -(Am I listening to Older by Isabel LaRosa? Yes!)

Lando Norris -oh boy -on one hand Lando would feel very guilty -it is his best friends littles sister after all -but the heart wants what it wants -and his wants Amira Sainz -at first Lando would be kind of like a dork -trying to make her laugh all the time -taking her to go karting together -meeting his friends -but over time Lando would become more bolder -the hugs would linger -he would stare more -and the nicknames would include a my -"What did you do today, MY pretty girl?" -"MY darling, aren't you a sight fore sore eyes" -if she ever starts doubting herself, he will be the first one to stop her -would have one of her necklaces around his neck all the time -he would use stupid excuses to spend time with her -"my girl, can you help me with my curls again?" -he might have been Lando Norizz a long time ago -but now he's full of Rizz (?)

[ch4bby]

I read two fics some time ago with Tim dancing along with Cass, and omg, it changed me- Because... JUST THINK ABOUT IT-

Tim being a rich kid, with really strict parents but who are flexible enough so that they don't have prejudices regarding very conventional gender roles. And thanks to this, Tim is put in classical ballet classes long enough to be able to wear pointe shoes.

Tim likes it to a certain extent, as the exercises, physical conditioning and muscle elongation help him to be able to follow the bat and bird duo around Gotham. Over time he stops attending classes either due to his parents' influence to focus on some other activity, or because he preferred that time to coordinate patrol routes and get more photos.

By the time he starts being Robin, he no longer attends ballet classes. The training left a small mark on the way he moves as Robin, but nothing too noticeable. He finds it easy to jump really high and is able to land silently and smoothly. He doesn't get dizzy easily thanks to the pirouettes and fouettes his teacher made him practice daily.

Also, training with Dick is easier than when he trains with Bruce, since with Dick there are really similar exercises thanks to the older boy's training in the circus as an acrobat. The elasticity is not comparable between the two, but Tim has enough so that some of Dick's exercises are not so impossible for him.

Cut out when Cass arrives and Tim notices that she likes ballet, and even more surprisingly, she dances ballet! It is thanks to this that Tim manages to find a common point between the two to be able to start a friendship, with Cass being really excited to know that Tim also knew ballet!

They both connect thanks to ballet, Tim, taking advantage of the fact that they were both quite similar in height and complexion (even in face, which still leaves him wondering sometimes if they weren't secret twins?) shares with her his leotards and shoes, at least the training ones. Because although Cass can stand on pointe with amazing ease, Tim prefers to help her go over the basic training to get on pointe. Because literally, those things break feet, and he doesn't want to see his adopted sister go through that (We're talking about Cass, though.)

By the time they've been through about two months of helping Cass go over the basics, and remembering moves she remembered seeing from when she lived in the basement of that Ballet school, she can get up on pointe, and Tim hands her some cute yellow pointe shoes that he got years ago, when Robin colors still drove him crazy. So when Cass wears them, they're flexible and soft, not hard and uncomfortable like the ballet slippers one recently bought.

And Tim, he has his cream pointe shoes to wear, also used and flexible, comfortable like an old toy you haven't used in a while and despite everything, you still know how to play with it.

They both select certain days to practice and dance different pieces of music, Tim occasionally teaching her the classical pieces she doesn't know, or showing her how to dance as a couple. Although for this he takes off his pointe shoes and goes back to his leather slippers.

They keep up this routine even when Damian arrives, and so far the only one who knows what they're doing is Alfred, basically because he's the one who usually does their laundry and tidies up the room they use to dance. Making sure the floor isn't too slippery and the furniture is pushed up against the walls to make room. Every now and then, they both invite him to watch a specific dance they've practiced, like a snippet from Swan Lake, The Nutcracker, or The Rite of Spring.

As more time passes, Cass takes more liberties in the dance and fuses ballet with something more contemporary, while Tim sticks to classical ballet. They keep dancing, but now each one gives a personal touch to each pirouette, pas couru, and movement. They make a temporary bar with pvp pipes, which despite everything, works wonders for them.

Maybe Bruce is the first one to find them, after a particularly tiring day in which he just wants to be alone for a few moments and decides to go to the rooms less used, he hears a classical melody from one of the rooms that supposedly, should be empty. And when he goes to see where the music was coming from and why, he finds his two children playing a fragment of Carmen (Gipsy friends duet) and is more than surprised by the ability not only of Cass, but of Tim! Bruce had no idea that Tim could dance ballet, did he learn it now from Cass? Or is it something he already knew?

Whatever the case, what surprises him the most is the amazing coordination of the two, they seem to be the reflection of each other. And with regret Bruce admits inwardly that if it weren't for the distinction of the clothes and the hairstyle, he would swear that he was seeing double.

[satsuha]

i'm always really interested in how the characters call each other in japanese games, so i laid out a few differences between the japanese and english versions of some ace attorney games that particularly interest me. this isn't meant to be an exhaustive list but it did get really long 😭

i highlighted english nicknames/etc in blue while japanese nicknames/etc are orange just to make reading a little easier

AA1-2

while only playing the english version i liked that maya called phoenix nick, it's a nickname that makes sense and phoenix is annoying to say and write anyway (lol) but the reason maya gives for this nickname in english is that it's what larry uses for him, which pales in comparison to maya in the japanese version opting for how mia used to call him: naruhodo-kun.

to me, this is a LOT more meaningful and informative than the english nickname because it not only is evidence of how much maya heard about phoenix from mia using that nickname, it also gives us a glimpse of maya's personality and her relationship with phoenix. -kun is an honorific that's usually used for either male classmates or for teachers/superiors to use with their students/subordinates. maya falls into neither of these categories with phoenix, but it also lines up with how she acts like the boss of the office a lot of the time. SO LIKE... ultimately the nickname nick just does not hold up in terms of both maya's reasoning for using it, and phoenix's apprehension at her calling him that... which i just think is a shame!! in the same vein, this nickname is passed down to pearl, and again you see phoenix having a Reaction to it which makes sense considering it's funny that a kid is calling him naruhodo-kun...

i don't only want to talk about changes in english that i don't prefer, so i also want to mention that i'm very impressed that they managed to get phoenix and edgeworth referring to each other by their surnames in english to sound natural... because it's also exactly what they do in japanese except there, the idea of male friends using their surnames with each other is a very very normal thing. i AM torn on the fact that in japanese larry also refers to the two of them by their surnames, which means all 3 of them are on equal grounds in that respect. AT THE SAME TIME... english makes larry's "nick" and "edgey" work so well that i really can't say we missed out with this localization, but i do like the relationship between these 3 so i do like that the japanese is indicative of it too :)

AA4

i'm skipping ahead to aa4 because trucy's also a very interesting localization to me... the first time i played aa4 i felt like trucy wasn't sufficiently differentiated enough from maya's character which is like. debatable but those were my initial thoughts anyway. in japanese though she uses third-person pronouns (calling herself by her own name, minuki) which is VERY distinct from maya. there are a number of ways to interpret this choice but i like the one that indicates that it's part of her stage persona. aside from that though, she also has a very normal nickname for apollo (odoroki-san, with -san indicating general politeness) while polly is um well canonically the name of a parrot LOL

i do find it pretty interesting that the above exchange is the first instance trucy uses the polly nickname, because it's entirely different in the japanese version. phoenix says "if this onii-chan over here can't help you..." to which trucy responds by saying "how could you, onii-chan!" this exchange is hilarious to me because phoenix referring to apollo as an onii-chan is pretty normal? it's common to refer to any young man as that and in this case he's also referring to apollo from trucy's perspective. but trucy DIRECTLY calling apollo onii-chan (brother) is just so funny because HERE it's a lot closer to how an actual younger sister would refer to her older brother; there's a difference between saying "this onii-chan" and just "onii-chan". now i'm not saying this was direct foreshadowing because onii-chan is also used between close friends/acquaintances but like... the possibility is there.

AA5

now onto simon because i don't actually have a problem with the localization making him a british weeaboo i think that's really funny but i DO wish the nicknames he uses for the defense attorneys were more... appropriate? the honorific -dono that he uses in english does complement his samurai look but it's usually used in contexts where there's some respect involved, which is... not simon's intention in japanese. i'm admittedly not too familiar with the nicknames he uses in japanese; he uses "[kanji] no ji", while using a kanji from phoenix/apollo/athena's surnames. by searching it in japanese, i'm finding answers that it was medieval slang used by men usually in red light districts and such, and was used to refer to those with equal or lower status to oneself but never to those of higher status. this is kinda the opposite of what -dono is which is used for those of equal or higher status!!

i also find it pretty amusing that despite him using the first kanji in phoenix's name; 成 (turn into, grow), he uses the second kanji in both apollo and athena's names; 泥 (mud) and 月 (moon) respectively. i can only imagine that he did this because the first kanji in their names; 王 (king) and 希 (rare, hope) respectively, were too positive/complimentary for him? LOL

AA6

now i want to to talk about apollo in aa6 because NNGNRHGH i'm not normal about this one. because like, similarly to what i said up there about phoenix, edgeworth and larry's relationship, it's completely normal for close male friends to use their surnames with each other. phoenix, being apollo's boss, refers to him as odoroki-kun (mirroring how mia and maya call phoenix). trucy uses odoroki-san, indicating general politeness and athena uses odoroki-senpai, because he's her senior in their workplace. clay uses odoroki (no honorific), which is the same "level" as phoenix/edgeworth/larry's relationship.

a male character never being referred to as their first name is pretty normal, which is also the case in the aa games. franziska calls edgeworth by his first name reiji which is SUPPOSED to stand out because it's notably impolite/informal for someone who is younger than him, which suits the idea of her thinking of herself as the elder sibling. for additional reference, phoenix is only referred to by his first name by dahlia/iris; ryuu-chan ("feenie" equivalent) and desiree; ryuuichi-kun ("nicky boy" equivalent). so apollo is referred to exclusively by his surname, because there isn't anyone who's associated with him who would feasibly use his first name.

THAT IS. UNTIL we meet datz who is the first (!!) character to use apollo's first name in japanese. this moment doesn't stand out in english because i KNOOWWW datz uses the AJ nickname which is very cute but he doesn't actually use that nickname the first time he indicates that he knows apollo in case 6-3!! phoenix's momentary confusion here is also explained because while he obviously knows apollo's full name, he's never heard anyone refer to him with it!!!

so phoenix's thoughts in japanese here were originally "housuke... wait, that bracelet! that's odoroki-kun!"

dhurke and later nahyuta (during the last moments of the 6-5 trial) also refer to apollo with his first name, which is... really nice!!! they're family!!!! i mourn the fact that this distinction isn't visible in english because most characters just call him apollo but it's special in japanese... it's only dhurke, nahyuta and datz who use his first name.... i'm normal i promise

funnily enough i sort of have the opposite issue with nahyuta, who is generally referred to as prosecutor sahdmadhi in english but nayuta-kenji (prosecutor) in japanese. i'm assuming this is because his name is written with his given name first unlike japanese names, so they just used his given name instead of his surname...? unfortunately we don't have an example of any other foreign prosecutor as reference (i'm excluding van zieks here because they DO use his surname but it's also an entirely different time and place) but i prefer the english here since it also makes it stand out when apollo, dhurke and datz (with yuty hehe) use his first name with him.

but then again... rayfa also refers to him as prosecutor sahdmadhi in english, but just calls him nayuta in japanese. there aren't a lot of characters rayfa refers to by name but generally she's either overly polite (with ga'ran and inga) or overly impolite (with phoenix and apollo). it makes sense that the way she calls nahyuta is a little unique, since he's of lower status than her but not enough to get a rude nickname fdjhja... and then of course at the end of the game she tries to call him onii-(chan? san? sama? we just don't know) which nahyuta interprets as oni (demon) i think the localization here is really impressive actually. they somehow managed to seamlessly fit braid head into the mix of barbed head and horn head (both nicknames that refer to their hairstyles) while braid also begins with the same letters as brother... anyway i think i slightly prefer that rayfa (and ga'ran) call nahyuta by his first name rather than by his prosecutor title, it's indicative of their higher status because of the lack of an honorific but by the end of the game it fits in with the idea of them all being family...

TGAA1-2

you would think that because tgaa opted to leave japanese honorifics in the dialogue that there wouldn't be any differences in how the characters refer to each other but there are... first of all kazuma and ryunosuke are once again male friends who refer to each other by their surnames without an honorific in japanese, but the english has them use their first names with each other instead. i can understand this change because characters using only their surnames with each other feels oddly distant in english, and while it worked for phoenix and edgeworth's relationship it definitely doesn't suit kazuma and ryunosuke's.

additionally, the way susato calls ryunosuke was also changed from naruhodo-sama to naruhodo-san. this is... also an interesting change since it requires the player to have some basic knowledge of japanese honorifics but for some reason decided to change it anyway, despite the fact that susato also uses -sama with kazuma... one thing to note is that susato does use kazuma's first name instead of his surname like she does with ryunosuke, which helps indicate their closer relationship despite her still showing respect with the -sama honorific. in that sense naruhodo-san feels like an interesting middle ground because she's still using his surname but doesn't seem to view his position with her as equal to kazuma's? i assume that was the intent of the localization, similarly to how the way kazuma and ryunosuke call each other was changed to indicate closeness to the english-speaking player

--

anyway while i do prefer the original japanese version most of the time, my general view of original vs localization is like wow! two cakes! i might prefer one of those cakes more, but the english version usually provides enough that i like that both canons exist. because of this i can't agree with the idea that all localization is bad nor the side that believes the original doesn't matter because you're engaging only with the english side of the fandom. both are good and can reveal interesting things about the characters, story and setting!!

and thank you for reading if you got this far 🙇 i'm not an expert at japanese so i try to do my research and use multiple sources to get a better view of things, so please let me know if i got anything wrong! i also recommend checking out this post if you haven't seen it already since it's where i got some pointers on the trucy and simon segments

[ennn]

Jac Schaeffer on Agathario, Rio as Nicky's dad, Rio' scar speech

Some highlights from the Jeff Goldsmith Podcast.

Jeff: That brings us obviously speaking of relationships to Agatha and Rio, you have a very interesting foundation and I know if stuff was cut, you wouldn't be able to speak exactly on some of it, but I'm curious, was there more there? It's good to leave your audience wanting more. And people have speculated as to whether or not there was more of a flashback between them and more of their history.

Jac: There was more in the writer's room. There was never any more on the page. We sort of, it was our story instinct, I would say, that getting too far into their backstory would sort of be too much of a counterweight to the Nicky material. And so we really included what we felt was vital to this chapter. But we, we certainly talked about it at great length of how they met and what their relationship was and what it looked like in happier times and all of that.

And I didn't anticipate that the shippers would be so fervent that there would be, you know– and I–it feels foolish for not – you never know how anything is gonna land and you never know if people are gonna care.

And the amount that people care is staggering to me. And it's my hope that in the MCU there's more unpacking of the Agatha and Rio backstory.

Jeff: You were talking about the shipping group, like was there ever anything about Nicholas's father or is there any credence to the concept that it could have been born as the love child between these two?

Jac: Yes. I mean, we talked about a lot of different versions of who is the father of Nikki. And we ultimately decided that for Agatha's story, it wasn't relevant to the story we were trying to tell and we didn't really wanna get into the weeds of if it was magical or, y'know – that's again – it's sort of more rules.

We certainly considered the idea that Rio is the father. I wonder if I should ask the writers if they sort of still hold that in their hearts. It's something that I certainly thought about a lot and, and like to sort of contemplate. I enjoy that it is left to fan interpretation.

I also feel that I know how the MCU works and I don't think it serves anybody to sort of for me as the creator to emphatically tell you something that isn't on screen. Because, you know, like I said, it's my hope that these stories continue.

So, so perhaps there is a later chapter that will address this, but I, but I will say that, that when we were casting, sometimes we were like, "Does that kid look like Rio? Does that kid look like Aubrey Plaza?"

Jeff: So it's a path that, that is...

Jac: Fans and viewers, yes, are– I think they're picking up on our brainwaves for sure.

Jac: [on the toughest scenes to do] And then Rio's like little speech by the campfire was really hard.

So Giovanna Sarkees wrote a beautiful monologue that was quite long. And then it was one of those things that on the day Aubrey was doing it, and it wasn't Aubrey's fault, but it just wasn't clicking. It didn't feel right for what Aubrey had brought to the role. There's so much economy in what Aubrey does, you know, like she accomplishes so much with her physicality and her very being, that this long speech just felt wrong to me.

And I changed it on the day –which is always a risk – I changed it in the moment and the "she is my scar" I came up with, watching her do that.

[mizgnomer]

Behind the Scenes of The Star Beast - Part Eight

Excerpts from Benjamin Cook's Star Beast Set Visit - discussing the Camden night shoots:

Is nobody here having a bad time?? WHAT'S WRONG WITH THEM? "I had a little lull earlier," admits David, "at 2AM when we were waiting to turn over- I definitely yawned, maybe twice - but then the blood starts pumping again." Wrap isn't till 3AM. David lives across town. Isn't he worried he'll wake up his family when he gets in? "Listen, the kids are at Davison's," he says (this is Fifth Doctor actor Peter Davison, who happens to be David's father-in-law), "so I'm full of beans. Oh, and sugar. Do you want some?" He's bought a churro from a market stall that's stayed open because it's very much in shot. "You can have more than that." He breaks me off a bigger piece. "The sugar rush will do you good." He offers the director [ Rachel Talalay ] some too: "Go on, Rachel, you deserve it." "Are you doing OK?" she asks him. "Yeah! Sugar! I'll move on to the Yorkie bars next. I give not a fudge at this time in the morning." He claps his hands, dusting off the sugar from his churro. "But are you OK?" "I am at this moment," she says, waving to some fans. "Tomorrow at 4:30AM I might not be. Ask me again then." "You do get a lot of love from the fans, don't you?" says David. "In a tiny way, which is just lovely. I mean, I'm not you," she says, with a laugh. "I love hearing them scream for you. But I'm not used to any of this. And… I think it's stopped raining." "OK, here we go," says Scott. "Let's go for one. Stand by then, folks…" They go for another take. And another. When I catch up with Rachel later – much later, it’s October 2023, and she’s chatting over Zoom from her home in Vancouver – we’re five weeks away from The Star Beast airing on TV. “I didn’t know quite how well the episode was working,” she says, “till my family watched an almost-finished cut. I came downstairs, and my two girls were crying. It was like, oh, OK, this does work! And on a much, much deeper level too. To have them go, ‘We knew it would be full of joy’ – which I think it is – ‘but we didn’t expect it to be so emotional,’ that was very satisfying. It was an emotional time all round.” It was. In more ways than one. Which is something that Rachel wants to talk about – here in DWM – for the first time publicly. “I think I can now,” she says, “because I’m close to two years in remission. I will be this month. Two years in remission. And Doctor Who really helped heal me. Directing Doctor Who while I was only a couple of months post-chemo.” A deep breath. “I had lymphoma,” she explains. “I’d been in chemo for seven or eight months. I wasn’t sure if I was going to survive. Then I was offered The Star Beast. I thought, I’ve got to do this. I didn’t tell anybody I was sick. I hadn’t told anybody except very close family. And I didn’t tell anyone on Doctor Who till I was there long enough to say, ‘Look, I’m well enough, so I don’t want you worried about me.’ Because, frankly, I don’t know that they’d have wanted to hire someone who might not have made it through the shoot. I totally get that. That’s fair enough. [...] “I could not have been surrounded by a more supportive crew,” says Rachel. “The best crew in the world. When I realised, it’s all night shoots, I thought, oh god, and I’m two months post-chemo. But that crew – David especially – made those night shoots so fun. It’s weird now, because I look back at the pictures – like that lovely one of me and David you published last issue – and that was my chemo hair. I was just getting my hair back. But I got healthier and healthier, stronger and stronger, as the shoot went on. When I got back to Canada, the doctor said, ‘You’re a poster child for how well someone can do after chemo. This is what people are capable of.’ “But it’s just what you do,” she reflects, “isn’t it? – when you love Doctor Who in your heart so much. There was no better place for me than Doctor Who.”

Additional parts of this set are in the #whoBtsBeast tag. The full episode list is [ here ]

[matan4il]

Simchat Torah, which is Hebrew for "Torah joy," has long been one of the happiest holidays in the Hebrew calendar, arguably even happier than Purim. If you've ever been present when we Jews annually celebrate our Torah, the cycle of its reading, a beginning and an end at once, an infinity created by our love and devotion to our scriptures and our customs, then you know what I'm talking about. The dancing, the singing, the shared joy, the circles we form, representing the Torah cycle, where we link arms and are our individual selves and Am Yisrael at once, is something else.

I remember it as a kid, at the synagogue in my childhood city, this innocent joy and wonder as they were bringing out the Torah scrolls and the entire community came together around them, and I remember it as a soldier on duty during Simchat Torah, this exhilaration of the soul at seeing people dancing with uniforms and Torah scrolls, spirit and matter at once, expressing our unique identity and religious and cultural legacy, which taught us to live, and which we were willing to die for our right to have it.

Unlike in the diaspora where there are two days we celebrate to conclude Sukkot, each with its own customs, in Eretz Yisrael the holiday is only celebrated along one day, and for that reason, it incorporates the nature of both days. It conveys the joyous nature of the Torah reading cycle, and it also gives room to solemn blessings for the rain, as well as (for the Ashkenazim) the mention of our departed's names. Simchat Torah is happiness and seriousness and mourning all at once.

It is truly a holiday which is like Jewish history itself: contains stark contrasts, of beginning and end, of happiness and grief, all at once.

We read "And this is the blessing," the last parasha in the Torah, then we follow it by reading "In the beginning," the first parasha. "And this is the blessing" deals with the blessings Moses confers unto the tribes of Israel, focusing to a great degree on the part of the Land of Israel that each tribe inherits. Yet another indisputably Zionist part of our religion and heritage.

But I keep thinking about that particular combination. "And this is the blessing, in the beginning." It is easy to end and remain ended when something goes horribly wrong. It is so much harder (and therefore holds the promise of a blessing) to keep going despite everything, to rebuild, from scratch, from nothing, from the ashes of burnt communities... from the very beginning.

Hamas weren't the first to massacre Jews on this date. The worst previous antisemitic massacre to be tied to this date took place in 1655, at the old synagogue in Krakow, Poland. The Jews there weren't accused of colonizing anything, but when the Poles lost a battle to the Swedes, it was easy to blame the Jews. We were always guilty of something, because there were never consequences for the murderers who defiled our holy celebrations by spilling our blood, unlike there would have been for going against those who were actually guilty, those who had the power to punish.

No, the killing of Jews during this holiday isn't new. But us being able to defend ourselves, that is. That's what they really can't forgive us. But that's okay. We're not asking for forgiveness. We're looking for our blessing. And that's found in the beginning that's born out of every end, in the unbroken nature of our circles, which are these cycles of ours that we keep observing, and these communities of ours that won't stop holding hands. We will contain these stark contrasts. We will sanctify life, even when they try to make us pay for that with our own lives. We will observe Simchat Torah in all of its joy and all of its solemnity and all of its grief. We will talk about what this holiday means to us, in the wake of the worst massacre of Jews since the Holocaust. We won't be intimidated out of being Jewish. If anything, by delving into these meanings, we'll be more Jewish than ever before. We will read out the names of our dead, AND we will dance.

(for all of my updates and ask replies regarding Israel, click here)

[thewebcomicsreview]

You know, it's always struck me as a little odd how little most webcomics actually attempt to adapt to their medium. There's basic strips, the old 2k era 4-square, the endless scroll of Webtoons, and a few weird experimental things like Homestuck, but most webcomics I run into tend to stubbornly stick to conventional portrait-oriented page layouts.

It's… readable, I guess, but that format doesn't seem to work very well for either desktop or mobile viewing. It wastes a lot of screen-space, and usually makes it impossible to actually view the full page without making the text too small to read.

Have you encountered any interesting webcomics that experiment with more landscape-oriented layouts? I'm kinda curious about how well that would work.

So, there's this dude Scott McCloud who wrote about comics in the 90s. His first book, Understanding Comics, is literally the book on comics, it's the one schools make kids read. This third book, Making Comics, is a pretty good practical advice guide I'd recommend, even if it's not his groundbreaking seminal work. In between those two books was one called Reinventing Comics

Reinventing Comics, written in 1993, was basically a book of predictions about how this newfangled Interweb was going to revolutionize the art of comics creation. Like a lot of early-90s stuff "Wow the internet!" stuff, it has a lot of inaccurate predictions, and thus isn't super well remembered (though, unlike a lot of early-90s predictions of the internet, it at least vaguely resembled reality).

Anyway, one of the big things from that book was the idea of the "infinite canvas".

Which was basically the idea that a comic didn't have to be constrained by the size of the screen because you could scroll it. And this was a big idea in early webcomics, you heard this phrase a lot. And you'd see infinite canvas techniques like "What if the characters are falling and the comic is really tall to sell that?"

(Read Narbonic)

Which is basically the one and only example that actually took off, because it turns out that scrolling horizontally sucks and no one really wants to do it except as a one-of gimmick (as Homestuck does). The much bigger impact of the internet was that a webcomic could be infinitely long and still reasonably expect it's readership to have read it all, but I think McCloud missed that one. So while there were a bunch of "landscape" webcomics where you scrolled horizontally, none of them took off, and even the ones that were well received are long gone.

Adams himself would make Zot!, which is a vertical scroll comic that had a bit of a gimmick with parallel story beats being literally parallel. I think he even did some branching paths, and experimented with comics that you could read in different directions or that looped back on themselves.

But then Homestuck just did that better because, as I mentioned, infinite depth ended up being a lot more impactful than infinite width. It turns out that making a comic really wide calls a lot of attention to itself and makes the comic annoying to read. And it doesn't mean you can't do it (Homestuck did it!), but it does mean it can't be the gimmick you hang your comic up on unless you've got a really good reason for doing it.

[katsukikitten]

Handing Katsuki father's day cards that are for his own dad or yours and he needs to "read and sign it" but as he's reading it his brow starts to furrows.

"Sweetheart, ya got the wrong cards." He's reading it for the third time now.

"I got the right ones." You're trying not to giggle before he's rolling his eyes and reading the card aloud.

"You're not just an amazing father," he flips it open, "You're going to be an amazing grandfather too."

"Yea baby that's the right card." You hum, stepping into the kitchen to get the final card and present.

"Baby, it isn't. We don't have kids. Unless ya mean our cats but then they've been grandparents." He tosses the card down, rising to help you find the backups he's assuming you're looking for. This wasn't the first year you'd accidently gotten the wrong card or one that was just slightly off, he thinks nothing of the message.

Barely had any caffeine as the two of you rose early to get ready to host his parents and yours.

"Katsuki, it is the right card." You say, pressing another card into his hands, no envelope or anything. Just thick white card stock with black letters and an image of white new balance shoes.

"It's almost time for these bad boys." He scoffs, looking at what the world has deemed the official dad shoe, he looks up to see a box in your hands, "Sweetheart, what the fuck? I hate these ugly ass shoes. Ya know that."

He's got this smile to his face the one where he thinks you're being too playful and silly, every now and again you two get each other gag gifts. You're surprised he hadn't caught on yet especially since you always joked that the second you knew, you'd be getting him "those ugly ass dad shoes."

"I know." You both share a laugh, you pressing the shoe box into hands, "Just open it. They'll be fun to wear today, goes with the theme."

"What's the fuckin theme? Dads?" He opens the box and sees the shoes but something is taped to the top of the box. A grainy picture in black and white, a blob in the circle and when he lets his eyes focus as best they can without his glasses perched on his nose, he thinks he sees a very specific shape.

He rips it from the box, bringing the film closer and yes he can see a nose and his face morphs into complete surprise. You giggle as you watch him figure it out, which you swore you wouldn't be able to get this far without him figuring out why you'd been feeling so sick lately.

"No fuckin way." It's low and for a split second you think he isn't excited, then he locks eyes with you and he gives you that look. The one where he's smiling but his brows furrow up and his eyes aglow with unshed tears like you are his world, like you're giving him the world, and he's putting the shoes down to gently pick you up and twirl you around.

"A baby. We're having a fucking baby." He's pressing kisses to your cheeks when he sets you on your feet, if you thought you were spoiled before you'd be rotten by the time this pregnancy was done.

"A baby." You repeat back to him, your own excited tears clinging to your lashes, ones Katsuki gently kisses away.

"How long?"

"Three months. It was really hard to keep a secret but I really wanted to do that shoe thing I teased you about. I've got the receipt so we can return them I'll-"

"Nah I've got the perfect idea for 'em."

An hour later after a shared shower and rapid fire questions, Bakugou is coming down the stairs, he's got some ugly ass jean jorts you gifted him as a gag for his birthday two years ago before giving him his real gift and one of his dad's old white tees he tucked into the waist band of the shorts and of course his new white new balance shoes.

"You look ridiculous." You giggle in your sundress, somehow he made the outfit a little hot. You were sure Bakugou could make anything look hot and here was living proof.

"Better get used to it Sweetheart, this is how I'm gonna look when I put another one in ya." He puffs his chest out, smoothing his big palms over his shirt as you roll your eyes.

"I've made a monster." The door bell rings, when you go to rise, Katsuki gently presses you back into the couch by your shoulder as he gets the door for his parents. He opens the door with a sense of pride that comes with being the cocky pro hero, looking much larger than life.

His mother is unphased.

"Oi, I brought that stuff you- Why are you dressed like a fuckin dad from the 90s?" Mitsuki makes a face before she processes what he's wearing, "Oh my fucking GOD OH MY FUCKING GOD MASARU! WE'RE GONNA BE GRANDPARENTS. YER GONNA BE A GRANDPA! RIGHT RIGHT?"

She pushes past her son, a quick squeeze to his forearm before she's honing in on the daughter in law she already adored and now even more.

Masaru quirks his brow and Katsuki nods.

"I'm so happy for you son." He hugs Katsuki the way men do, a quick tight squeeze before a clap on the back, Masaru tries not to let the tears slip past his eyes as Katsuki's life plays on fast forward in Masaru's mind. He remembers how Mitsuki told him they were expecting, remembers holding him for the first time and thought his whole world view shattered and changed. Remembers his first words and steps. Remembers his first mishap with his quirk and how Katsuki had blown the coffee table sky high. He remembers him growing taller and taller, going to UA, figuring out how to be a better person as he grew in size. How Katsuki called him and his ma in the middle of the night the first time he hit the top ten rankings. And again when he was number one.

How he took his dad out to lunch, wiping his palms on his pants like he did when he was nervous to ask his dad how he asked Mitsuki to marry him. He smiles, tears slip past anyway as he stares at his broad shouldered son adding one final comment that makes Katsuki's throat close up in the best way.

"I can't wait to watch them grow up to be as great as their parents and more."

[listofwhyyouloveher]

Can I request the Curtis siblings with a sister who is obsessed with her looks

Summary: The Outsiders with a Curtis sibling who's obsessed with her looks Warnings: none Author's Note: none PONYBOY CURTIS He doesn't mind having a sister who is obsessed with her looks, as long as you don't get in his way when he's getting ready for school in the morning. He doesn't usually do a big routine before school but he hates being late so he prefers for you to stay in your corner and for him to stay in his. There's definitely a corner of the room that's totally dedicated to you and your makeup desk that your parents got you when you were just a little girl who liked to play with makeup. He's not ashamed of you as his sibling, especially since you always look super put together and well dressed. Sometimes you're even a ticket out of him getting cut up by some socs. Of course, being pretty makes you a very underestimated girl, sometimes Pony can forget that you can keep up with him while he's running and you get top marks. He remembers and then he just is so happy that he has some friendly competition. JOHNNY CADE He doesn't usually interact with you, Dally's got the idea that 'all girls are the same' nailed into his head. But he's friendly and open when you two talk. He's pleasantly suprised at how genuine and kind you are. He forgets that Dally's seen some rough things but also tends to exaggerate. So as his way of 'making up for it', he spends a lot of time hanging out with you. He did develope a little crush on you when he was younger, like WAYYY younger. But it was more of a "wow, it's a girl!!" kind of crush and it didn't amount to much. Currently, you two are rather close and when Pony's busy and he has nothing to do, you two will go out and just goof off and have fun together. SODAPOP CURTIS Unsuprisingly, Soda's pretty apperance-obsessed as well, he's like the 19--s version of men using hair masks as shampoo to get their hair shiny and smooth. Of course a lot of times those 'hair masks' are yours. You get along quite well despite the fact that sometimes he uses your stuff like he bought it. Which he probably did, he got it under the guise that it was for you but actually he bought it to test it. He likes to do face masks with you, it relaxes him and he genuinely likes taking care of his skin because he actually had some pretty bad acne in like middle school. You two get along realllly well, probably the best out of all your brothers because of this shared hobby. You do have to worry about some of your stuff going missing though. STEVE RANDLE On a scale of "How much Steve likes you," you're inbetween Pony and Soda. Pony being he's literally trying to blow that kid up with his mind and Soda he's frolicking with. He likes you because you're a Curtis, they're all cool and he likes you better than Pony because you don't give Darry and Soda heart attacks when things happen. You and him don't really interact much, only when he swings by the Curtis house. Sometimes he likes to look at your makeup and stuff but that's really all the interactions you've had. TWO BIT MATHEWS You and Two Bit are twins because you and his sister are twins. Like you two go out and have girls days because you're the only girl-siblings. He'll sometimes tag along because his mom makes him, so he'll buy you two ice-cream and stuff like that and maybe help you do his sister's makeup/face-paint. He genuinely really enjoys how you two get along, and tells you that when he gets really drunk. Because of that, you two have a strong bond. Sometimes he'll take you out some places without his sister, as friends. He's really grateful for your influence and he's also grateful that you're willing to spend time with him and his family. DARRY CURTIS

He secretly really likes the fact that you're well put together, because it shows that the gang isn't influencing you to become a 'bad person,' (for example, drink too much, let yourself go, like that stuff, not that Darry wouldn't love you if you were a tomboy LMAO) It also really reminds him of his mom, how she would spend a good amount of time putting herself together meticulously, sometimes even putting some blush on you and Darry when she caught you two watching for too long. Of course, its hard for him to afford your lifestyle, he's barely scraping by with two jobs and he always feels sooo bad for letting you down when you want to get something. He tries his hardest to make up for it with quality time, but you remind him that even though you really care about your looks, you care more for the family's security and that he doesn't need to 'make up' for the fact that you guys aren't broke because of a new foundation. DALLAS WINSTON To Dallas, you're just another girl. Doesn't matter if you're a Curtis, and/or part of the gang. He doesn't really care much about you, you're just another girl. He's definetly seen you in a 'I would date her' light, but quickly shut that down because a) Dallas is only into dating for one thing, and b) you're a curtis, and Darry would BEAT HIS ASSS. Sometimes you guys get along really well, especially when he's drunk and tired so he just lays on the couch and does nothing while you apply some fancy serum on his face. But other than that you don't talk much, he'll say hi if you see each other outside, but that's about it.

[scalefeathers]

Thinking once again about how Nobuo Uematsu and Masayoshi Soken are both completely amazing composers but in completely opposite directions let me explain

Disclaimer I am not a music theorist; most of music theory is black fucking magic to me. I barely know what a chord is and the circle of fifths makes me quake as though before an Elder God. I just really like both of their works and sometimes I have thoughts about things. Also this is all just my opinion, it's fine if you don't agree, etc.

So: Uematsu is first and foremost, in my opinion, an absolute master of melody. I believe it's what makes his work so iconic and makes so many of his pieces so instantly recognizable. The Final Fantasy theme, the chocobo theme, Dancing Mad, Vamo'alla Flamenco, fucking One-Winged Angel--Just from seeing those names, you've probably got one playing in your head already. You could start humming it right now. Maybe you are already.

And it makes perfect sense when you consider the era he was working in, because back in the 8-bit and 16-bit era, the melody was all you had. When you have such a tiny amount of storage space to work with, you can really play only one, maybe two notes at a time. You can't do anything that's layered, because you only have one layer to work with. I think that's why so much video game music from that era is so memorable and iconic. It's not just because you played so much Street Fighter II when you were a kid that the music is indelibly seared into your brain (though that probably doesn't hurt); it's also because Yoko Shimomura wrote really solid melodies that had nothing else competing for your aural attention (apart from the in-game sound effects, which are probably also seared into your memory). (Yoko Shimomura, btw, also composed the music for Final Fantasy XV, the entire Kingdom Hearts series, and like 50 other games over the past 40 years, another fucking icon).

But back to Uematsu: like I said, melodic genius. Even when his work is upscaled into full orchestral arrangements, that core melody is always front and center. And his affinity for melody makes even more sense when you consider that before he got into video game composing, he was writing commercial jingles. (Younger folks may not be aware, but there was a time when practically every product had to have its own theme song, and the best ones were short, snappy, and instantly memorable--and for that, again, you need a strong, simple melody. Ba da ba ba ba, I'm lovin' it.)

Compare: Soken. Soken only started at Square 12 years after Uematsu, which isn't that long in human terms (to me at least, cos I'm old), but it is a long fuckin' time in video game years. By the time he started composing for games, there was so much more you could do with game music in terms of layering, complexity, and sound, and you can tell from his work that he takes full advantage of that. His work is complex and dense, a rich layer cake of themes and motifs, all beautifully merging and weaving together, often to extraordinary effect.

And again, if you look at his pre-music career, it makes a lot of sense that he'd have that approach to music, because he first got into the games industry as a sound designer; I believe that he is the sound director for all the FFXIV expansions, as well as being the composer. So of course he'd be very aware of not just how a sound (or piece of music) works on its own, but of how it fits into the greater whole, and of how to layer and balance lots of different sounds to create something greater than the sum of its parts. And of course it makes sense that he'd bring that approach to his compositions as well.

As a consequence of this approach, though, his music often lacks the memorable melodies that characterize Uematsu's work. Like, I ground (grinded?) Dun Scaith a lot the last time it was on the Mogstone rotation, I know all the boss themes extremely well and can recognize each of them instantly. But if you asked me right now to hum one? I don't think I could. (This isn't a deficiency, to be clear; music doesn't need a prominent core melody in order to be good.)

And that's also not to say that all his music lacks iconic melodies. His vocal tracks, pretty much by definition, have to put a single melody front and center; and then on top of that (or rather, behind it), you have all that trademark Soken richness and depth. Which is probably also why his vocal tracks go so fucking hard.

I think that's also why, out of all the expansions, I like Heavensward's music the best. Most of Heavensward's score is written by Soken, but the main theme is Uematsu's, and you may notice it's basically a tasting menu of like 5 or 6 excellent, very recognizable melodies, one right after the other. And basically every piece on the Heavensward soundtrack incorporates one or more of these melodies. So it really does give you the best of both worlds, and gives the overall score a cohesion that I don't see as much with the other expansions.

TL;DR, Uematsu and Soken are both amazing composers with very different and complimentary styles that reflect their differing backgrounds and the different eras of games in which they have worked and I just think that's neat.

[the-snail-that-reads]

Please ramble about the Au I’m so curious

Well, since you asked so nicely~

(This isn't proof read. Forgive the incoherence)

I've just been calling this Traveling Companions Au. So basically, Odile meets Siffrin way before the events of the story, not long after the whole Island thing. So, when they're about eleven-ish and she's in her 30s.

And now Odile has this child on her hands who

Can barely communicate. (Going off the assumption that Siffrin was already taught some Vaugardian when he was young since the countries were so close)

Remembers nothing about where their from.

And seemingly just showed up out of the mist.

At this point, Odile has already begun traveling the world. So even if she was in the mood to take a random child in (which, she very much isn't) she isn't in any position to give them a stable home. So, she leaves them at the first orphanage she finds and that's that, isn't it?

Of course not. Because Siffrin just. Keeps. Finding her, having latched onto her like a duckling to the first thing it sees. And eventually she just kind of caves and stops trying to get rid of them. She understands what it's like to feel like you don't belong anywhere, after all.

She's not their mother, never tries to be their mother. She probably just calls them her ward until their old enough to reasonably be called a travel companion. Obviously she cares about him. She just. Never tells him how much she cares about him. In direct words.

And yes, while cute kid Siffrin stuff is all well and good. What I really wanna explore with this AU is how it affects the main story.

Sif grows up with a drier sense of humor. Though puns are still a thing. Odile will never be free from the puns.

Siffrin probably? Learns about her whole Familytale quest, but never pries into the context until the Friendship quests arc.

Self-esteem issues are still a thing, just in a different flavor.

He's definitely a lot more comfortable with making fun of Odile than he is in canon. Though it goes both ways. They've got over a decades worth of dirt on each other.

And if Odile was perceptive before, imagine how much easier to read Siffrin is going to be now? She's known them for like 2/3s of their life she's definitely going to notice somethings going on in most of their loops.

Mirabelle and Isabeau get two party members for the price of one in this AU! And with the way Odile and Siffrin behave around each other they assume they've been traveling together for a while.

One day, Mirabelle actually thinks to ask how long they've known each other. And when Odile casually replies, "oh... fourteen years? Fifteen?" She and Isabeau are baffled because ??? Siffrin's in his mid-20s????

At one point, Mirabelle or Isabeau mentions that Odile must be like a mother to Siffrin, and the absolutely disconcerted look Siffrin gives them in response is enough to make them never bring it up ever again.

So yeahhhhhh those are my rambles. Maybe I'll write a fic about this. Maybe I'll just release this into the wild and let people do what they want with it. Who knows?

[cityofmeliora]

Terzo mentioning Secondo 😎

Terzo mentioned Secondo many times during his first year as Papa, which gave us some insight into their relationship that i really love.

Secondo and Terzo learned music together. they were taught songs / trained for the band by their father, Nihil.

PAPA EMERITUS III: […] But this is something me and my brother were taught by our father. Believe me, there are worse fish in the sea. Yes– Papa’s papa. The grandpapa. You will meet him one day, I promise. And he told us, “As long as you have one thing, it’s okay, y'all. The whispering walls. The spirits around you. The darkness inside.” So he looked at us and said… You know what he said? “If you have ghosts…” Unholy / Unplugged - Baltimore, Maryland, USA (August 22, 2015)

when Secondo stepped down so Terzo could replace him as Papa, Secondo gave Terzo a lot of entertainer advice. he talked to Terzo about what it's like to be Papa, how a concert usually goes, what the audiences are like in different cities, etc.

PAPA EMERITUS III: I’ve heard from my brother that you are somewhat of a singing crowd. So you like singing, eh? That is fantastic because that is exactly what we’re gonna do right now. [...] So everybody knows the lyrics for this last song, huh? It’s a damn predictable band, always playing the last same song. I told him, but… apparently, it works. Sweden Rock Festival - Sölvesborg, Sweden (June 4, 2015)

PAPA EMERITUS III: Thank you. We are so happy that New York loves us, because we love New York a lot, too. We've had so many beautiful evenings here. Or at least my brother told me about them. He told me that New York has always been treating Ghost very, very well. And he said that, "Y'know, I'm giving it to you now. As much as I would like to keep them all –do them all– sometimes, there isn't just enough time to do everybody. You could do one, maybe two." […] Um. But he also told me something before he pissed off: "I'm giving you this now, and as long as you have your sanity, and you get a lot of the right claps –the claps you do want– you will be in a good place." But he also told me something useful. There's one thing that he gave me, and he said… "If you have ghosts…" Unholy / Unplugged - New York, New York, USA (August 23, 2015)

PAPA EMERITUS III: How are you doing tonight? It's been some time ago that Ghost was here last time, eh? Well, it was my brother at that point, but he told me you were a rocking crowd. Silver Spring, Maryland, USA (September 22, 2015)

it's so clear from the way he speaks that he and Secondo hang out and talk to each other a lot, but also Terzo can't stand him. typical brother behavior.

Terzo notes that Secondo is a lot more sexually active than him, emphatically replying "Yes." when someone in the audience calls Secondo a whore. Secondo has also apparently also given Terzo advice on how to pick up partners for hookups. 😂

AUDIENCE: I saw you got a little kid now, in Los Angeles! PAPA EMERITUS III: Oh, yes, yes. They have a tendency to pop up, ha. Yes. Maybe it's my brother's, I guess, because he has been around the block a few more times than I have. AUDIENCE: What a whore! PAPA EMERITUS III: Yes. Unholy / Unplugged - Baltimore, Maryland, USA (August 22, 2015)

PAPA EMERITUS III: I'm gonna need your assistance a little bit later, giving me some claps. [CLAPS HIS HANDS] Those kind of claps. AUDIENCE: If you want the claps, I know where you can go. If you want these claps. PAPA EMERITUS III: Alright. Yes, my brother has told me a few– he has given me a few tips. Unholy / Unplugged - Baltimore, Maryland, USA (August 22, 2015)

Terzo called Secondo an "imbecile" and "a fucking asshole" for his silly prank where he pretended to (badly) speak Swedish.

PAPA EMERITUS III: Thank you very much. OK. So! Let me bring you up to speed. That guy –my imbecile brother– has somehow fooled you into thinking he can speak some fucking Swedish– pidgin Swedish. No more of that! I do not speak Swedish, OK? Do we have an agreement with this, OK? Thank you very much, Lincopia… Let’s enjoy our first “Ritual” together now! Linköping, Sweden (June 3, 2015)

PAPA EMERITUS III: How are you doing? It's nice to see so many of you here. What has it been, a little over a year? My brother told me about you. And you do know that I'm not gonna trick you with any fucking pidgin Swedish, huh? I know he fooled you into believing he could talk. He sounded like a fucking asshole. Stockholm, Sweden (November 13, 2015)

Terzo also refers to Secondo as "my asshole of a brother".

PAPA EMERITUS III: [SEES A SECONDO COSPLAYER IN THE AUDIENCE] Very good work, my friend. Please give it up for Papa Emeritus II! Yes. My asshole of a brother! Baton Rouge, Louisiana, USA (April 27, 2016)