#which isn’t much better

[chloesimaginationthings]

Elizabeth Afton bets on losing dogs in FNAF..

[izzystizzys]

TW: discussion of something approximating suicidal tendencies but with the usual crack programming of this blog

“Ah, High General Windu”, says Fox, pleasantly. “So we meet again.”

High General Windu raises an unimpressed eyebrow at him, Fox thinks, though it’s getting hard to tell with all the blood rushing to his head. “If I let you go, will you try to throw yourself out of another window?”

Fox makes a vague shrugging motion - or tries to, anyways. It’s hard to tell where any of his limbs are going, hanging upside down in the air as he is. “I am willing to discuss terms.” A bridge will do just fine.

Impossibly, the High General’s eyebrows climb even further up his forehead. “A compromise, then, esteemed Commander.” And so, he righths Fox the head way up in the air, but leaves him floating just above the ground, at which point several painted shells come skidding around the corner followed by billowing robes and screeches.

“WHAT”, says Kote, calmly, “THE BANTHA-KARKED, FORCE-LOVING KRIFF, FOX.”

“You’ll short out your helmet mic”, Fox advises him, sagely. Fondly, he thinks back to decimating his own on only his second time in the newly-christened official Coruscant Guard Scream Closet. He’d just received the comm about the Zillo Beast being transported to 000, and made sure to take his bucket off thereafter to improve the quality of his closet time.

High General Windu’s face does something complicated between sympathy and constipation.

Because the Galaxy doesn’t hate Fox enough already and Cody wasn’t enough on his own, Wolffe elbows his way through their batch to plant himself in front of him, shoulders squared and shaking with repressed rage. “If you try that again, dickhead”, he begins, in a low growl that quite frankly sounds more cringe that intimidating, “I’m going to resurrect you and then kill you again.”

“Ah, Wolffe”, Plo Koon says, in his deep, shivery timbre, “Remember our conversations about effective conflict resolution and communication of needs?”

Wolffe’s eyes narrow at Fox, because all non-Guard are sweet summer children who walk around buckets off on 000 like absolute lunatics. Fox prays they never have to find out why that’s a bad idea. “I feel”, his ori’vod presses out between clenched teeth, “that if you make me watch you throw yourself out of another window, I’m going to jump after you and strangle you on the way down, you little bitch.”

“That’s fair”, says Fox, and watches High General Kenobi bury his face in his hands. Wolffe twitches in place and makes an aborted groaning noise, the hypocrite.

“Excuse me, High Marshall Commander Fox, but I fail to see what’s so dire about this situation that the Jedi High Council and your brothers cannot help you solve”, says Windu, the only sane one left on this Force-forsaken bloated corpse of a planet. Behind the gaggle of Jedi and ori’vode already gathered in front of Fox, the rest of them come veering around the corner in a commotion that’s quite frankly embarrassing. High General Yoda is mounted on Skywalker’s back like he’s a race-Eopie, which is Fox’ only consolation.

He got up this morning at 0300, bleary-eyed and with a pounding headache as always, and all was right in the world. And then Fox got called into the Jedi High Council’s chambers and was ceremoniously informed that in the wake of Chancellor Palpatine’s unfortunate demise (hah), and through the emergency state of the Senate, as well as several invented promotions foisted on Fox to make the delegation of any and all paperwork less shady, he was now next in the chain of command and-

Well, Fox is the acting Chancellor, in short.

Haha, he had said, and been meet with several seconds of silence, until it got both awkward and exceedingly painful. Wait, he’d said. You’re kriffing serious.

Kriffing serious, we are, had said High General Yoda, and thus Fox launched himself out the first best window with a maniacal cackle of, you’ll have to catch me first!

And catch him, High General Windu sure did.

“The will of the Force this is”, Yoda interrupts Fox’ train of thought. He scans him thoughtfully from beneath his wizened brow, and hems to himself. “Shake things up, this will. Determine the fate of the Galaxy, this shall. A feeling, I have, that a good Chancellor you will make. A better one, hmmm.”

“That’d be high praise, if not for the fact that a dead lemming would make for a better Chancellor than the last one”, says Fox, drawing and indignant gasp from Skywalker. He doesn’t bother with either that or the green goblin’s cackle, lost in the deep sense of resignation that settles over his shoulders like a suffocating blanket.

“Alright, then, get me Thorn on the comm. As my first act in office, I’m firing all the Jedi. No offense, but you’re kind of a disaster. Then, someone get me to the Chancellor’s office, I’m calling Dooku to let him know the war’s off. And please get me Judicial, they’ll be up all night working on my datafolders - I’m having the Senate arrested.”

“Who - is - arresting - “, Bly pants, hands on his knees from where he’s just come sprinting around the corner with his Jedi.

Underneath his bucket, Fox smiles a smile that’s all teeth. “The Senate”, he says, sweetly, wondering if he’s just imagined the shiver that’s gone through the room. “I’m suing the Senate, and taking them all into temporary custody for abuse of sentient rights.”

[theswedishpajas]

Based on my favorite gif lately

[woodsie]

Shadow Yosuke’s Symbolism

I recently got a friend to play Persona 4 and we were talking about the symbolism of each of the character’s shadow selves, when we came to the realisation that neither of us really knew what Yosuke’s was meant to represent.

Chie’s represented her relationship with Yukiko. Yukiko’s her desire for freedom but lack of action in taking it. Yosuke has… a ninja frog…?

So I’ve done some digging.

Official Statements

The first thing I did was look at the official concept art sheet for shadow Yosuke. This primarily detailed that as the first of the shadows, they wanted it to be very obvious that their shadow’s and persona’s were the same thing.

This is done quite well and tells players subtly that they are the same without being obvious.

Jiraiya does look a lot like shadow Yosuke. The main body’s colour is inverted from black (evil) to white (good), the frogs eyes are added to Jiraiya’s head and the frog’s mouth becomes a chest piece, with the frog’s skin pattern carried over to the cuffs of Jiraiya’s clothes.

Jiraiya is easily the most similar persona to shadow. Important for early game. This idea is also helped by Tomoe looking very similar to shadow Chie, and allows the idea of persona’s and shadow’s being the same to be cemented into the players minds before they meet shadow Yukiko who is visually very different to Konohana-Sakuya.

Jiraiya In Folklore

My next step was to look for any symbolism between Yosuke and the story of Jiraiya himself. Granted, as a white woman™️ my knowledge of Japanese folklore is limited but I will summarise my findings and compare them to Yosuke’s story directly.

[Sorry for the weird formatting, I’m working around the 10 image post limit]

Both stories open with a character from an influential background and moving to a new area.

Jiraiya’s stance as a robber could be in reference to the fact that Junes is taking business away from local businesses and their families.

Saki could be taking the place of the woman in the house. Regardless of if she actually likes him, she is kind to him when others are not. This is something Yosuke admires greatly but it still doesn’t prevent Junes from ruining the Konishi’s business.

His shadow self is then a reference to the old man/magic frog. It recognises him from who he is, and although the shadow is hostile its intention is to teach Yosuke about the parts of himself he is trying to hide so he can reconcile with those feelings. This is what allows him to gain his persona, or in other words “teaching him magic”

Gaining his persona is what helps set Yosuke’s resolve and desire to avenge Saki and the others who have suffered due to the killer. He shows a distinct intelligence and is often the one to piece together vital information. Without him insisting they investigate Saki’s murder, the Investigation Team might not have ever existed. In that sense you could consider him a hero.

A good portion of his social link is devoted to him coming to terms with his situation, both around the murders and his place within Inaba. He frequently talks about feelings of loneliness and a desire to be valued, and he finds comfort in having his persona and being able to do something about what’s going on, it gives him some control over his life which he lost by coming to Inaba in the first place. Overtime though he does come to love Inaba as a whole and recognises that it’s the people around you that really make a place special. He’s not alone anymore and he’s far happier for it.

Other Potential Inspirations

In my attempts at seeing what others online think about potential symbolism for Yosuke’s shadow, I found that most people also did not understand what his shadow was meant to represent. However, I did come across a few older threads of people sharing possible ideas.

One of which was of a Chinese story about a frog in a well. The story related to narrow mindedness and limited perspective as the frog is unaware of life beyond the well and is amazed by it when told what it has to offer. This could be a potential reference to his dismissal of country life and him growing to love the town.

[1960z]

it’s interesting to me how the politics of writing romance (in general I suppose but rn I’m specifically talking about sci-fi/genre fiction) can often get in the way of writing good romance

I saw this post a couple days ago talking about why k/s as a romance feels more satisfying to a lot of people than a lot of the actual queer rep on star trek — how because they weren’t written with romance in mind, they were allowed to develop a dynamic of genuine camaraderie, mutual respect and chemistry.

and the thing is, I don’t even think this is unique to how queer relationships are written, or at the very least there is a non-queer version.

like I have a huge soft spot for kira/odo, but you can obviously tell when the writers decided to start explicitly writing for them as a romantic couple rather than simply two people who had chemistry together. and the moment they were being written as a romantic couple they were immediately forced into this very cishet model of what relationships are supposed to look like. there are some good moments I feel (pining!odo will always be a highlight for me) but that in itself— the fact they chose to focus so heavily on odo’s perspective is very telling.

the arc leading up to the two being canonically a couple is very focused on odo needing to “win” kira, with kira becoming an object of desire in odo’s arc rather than another fully rounded character with agency in the romance. which is very jarring because 1) again, before the romance arc was set in stone their dynamic was not written this way and 2) outside of this plot, kira is very well rounded and has a shit ton of agency.

it also doesn’t help that there is a lot of room for queerness to be explored within their relationship and especially odo’s character when it comes to gender, an opportunity which they just never take, not explicitly anyway. and having such fertile ground to explore those themes and then simply not and in fact doing the opposite, forcing them into a dynamic the characters are ill-fitted to, missing the point of their core appeal as a couple in the first place it’s… frustrating.

and I just wonder how many great dynamics and storylines we miss out on due to this heteronormative view of romance and what different types of relationships are “supposed” to look like.

[murdleandmarot]

To dance by the light of the ✨jellicle moon!✨

(Close ups of the critters under the cut :)

[shorthaltsjester]

maybe this is just because it feels like a metaphor for how tlovm uses vex in general (and i could write an essay about it and have and will again) but something that i both understand tlovm choosing to do and deeply hate as a choice they made is vex no longer being the one to break thordak’s crystal even though vax was still the one to kill him. especially since the show was very explicit about thordak being responsible for killing the twins’ mother and also set it up as a sort of avenging of percy, it felt tonally weird to literally just have vex hanging out in the background for both the crystal breaking and him being killed. it’s fine (deeply upset voice) i understand that adjustments to pike’s vestige made this make sense for the plot but. glad to have vex continue to be a witness in tlovm moments that in the campaign her agency in were delicious character moments. it’s fine.

[otaku553]

The eventual kazuha and sanemi dynamic

[hana-bobo-finch]

Shoutout to this draft I made a couple hours ago when I suddenly had an epiphany for how I could fix a part of my story and I was so excited that the only way I could express it is to write whatever this is but I couldn’t post it because I didn’t have internet

also it got marked as mature for some reason

[nantokanarusaa]

Ao no Flag (SERIES FINALE SPOILERS!!)

Seriously, don’t read this if you are planning to read Ao no Flag. That being said, go read the manga now!!

Finally finished reading Ao no Flag and I have so many feelings. Non-coherent, rambly, messy feelings. I was looking at reactions online and what mainly boggles me about the reactions to the final 2 chapters is people being “how is Taichi suddenly gay??” My friend living on this big planet he never was (he’s bi). He most likely just realized it later in life. Did the events of his 3rd HS year help him figure it out? Heck yes. Is he suddenly bi? No.

Not all queer people pop out into this world and instantly know they are queer. Heck, it took me 23 years to figure that out. It’s not like Taichi instantly realized he likes Touma and started dating him. He knew Touma mattered to him somehow, but it took him multiple years to realize how, as evident by him maybe starting his relationship with Touma after 5 years when Touma contacted them all. He gained life experience and grew.

People go through a lot of learning, unlearning and growing. Especially if you are outside of societal expectations and norms. Taichi grew up learning to and wanting to blend in with society. “Be normal, don’t stand out too much”. Add to that low self-confidence and you feel stuck. Feel like there is only black and white. only one right answer to life. It can be very difficult to look out of this dark box, trust me, I had a tough time and sometimes still do. But it feels like Taichi thought and thought and pondered even back in high school and came to the decisions that he did.

And isn’t that what the series is about? growing as a person, making mistakes, learning, allowing yourself to be visible and vulnerable, and eventually, making choices, even if they don’t make sense to anyone else, and continuing to do so?

These two pages really hit me hard and I was wondering why. And then it hit me. This is possibly the happiest I’ve seen Taichi be since his childhood. Like genuinely happy. He’s reached max happiness points and is sharing those with Touma. He’s made his choices, and he’s happy. You can and are allowed to choose what or who makes you happy.

That’s all that matters.

[fortune-maiden]

Random TGCF AU of two days ago actually but it won’t leave me alone

Beefleaf AU where HX accidentally gets SQX pregnant… and revenge has to be put on hold because Shi Wudu loves his nibling a lot and is doing 90% of the childcare

[headfullof-ideas]

Some more headcanon-drawings…things…i have doodles

I actually had these done for a while now, just…never posted them. Idk why. Im trying to get some drawing done today, though for whichever project it’s for, I don’t know

[hella1975]

i passed all my exams

[mxnosferatu]

travel season is endlessly charming . many others have already said but i need to throw it out there: a genuinely fantastic show

[petrichormore]

I’m too lazy to analyze it someone do it for me but that part in the convo q!Bad had with q!Baghera where she says something like “The workers could have a family, they could be someone else’s egg” and q!Bad responds with “yeah I thought about it, that’s when I stopped uh…”

because that seems very important to me. it seems like a confirmation of the fact that q!Bad saw these workers as mindless drones and Walter Bob as an outlier, an mistake on the federation’s part. And then when Ron essentially confirmed that it wasn’t, that they all have feelings, he stopped.

Stopped what? Stopped seeing workers as nothing but extensions of the federation? Stopped psychologically torturing Ron? Stopped keeping him in a damp cage? Stopped resisting the urge to care?

Stopped what? No matter which option you pick, you learn that q!Bad thought about the workers in a certain light, learned information that potentially severely contradicted his belief, and then reflected and adjusted his own behavior accordingly. If the “that’s when I stopped…” was about to end in “torturing him” that feels like a huge… something… about q!Bad and his supposedly “unhinged” nature.

There are a couple natural conclusions to that sentence, almost all of them make q!Bad seem a lot more… something… than I’d originally given him credit for.

[kacievvbbbb]

I love bokuto. I would lay down my life for him.

…..but how did they ever make that boy captain 😭😭😭.

I get that he’s the star player and when he’s hype he brings the energy. But that’s just the thing dude goes through such intense mood swings and half the teams energy is devoted to cheering him up.

I’m pretty sure they only made him captain cause he would have simply passed away if he wasn’t nominated . And because Akaashi is a second year

I know his coach tired of him 😭