#which is still not a lot bc just an hour but still

[silentgravesdontexist]

9. What are your favorite pair of shoes?

• Combat boots! Though they broke and I no longer have them but those kinds of shoes are my absolute favorite. I wanted them since I was like 12 but my parents won't let me buy a pair bc they said I'd look weird. They expected me to give up but I never did. Got my first pair when I was 16 and I still love combat boots to this day!

21. What keeps you going during the day?

• The idea of plopping down on my bed afterward. I'm partially kidding lol. Mnhhhh, it would probably my desire to want a comfortable life for myself? I'm innately lazy and laid back but I find it's easier to live comfortably if I work hard for a bit then get to relax afterwards.

• Ohhhh, ironically— I actually also made a promise to myself that I'd become an elder sister that my 'lil sis can be proud of (we aren't blood related but I love her like she's my own blood). In my defense, this happened before I knew abt Ace. So, yeah ehe

24. What's your favorite piece of jewelry you own?

• I do admit that I don't really wear a lot of jewelry. But I do have one singular thing that I wear every single day. It's a simple chain necklace with a rose quartz as a pendant. It has a lot of sentimental value to me. That's why I only ever take it off when I'm taking a bath.

• (Small note but I actually have other necklaces that I received as a gift. Obviously, I wanna wear them too...so that ends in an akward match-up with the necklace that I already have bc I refuse to take it off no matter what but I also wanna wear the gifted necklace to show my appreciation)

25. Favorite niche topic?

• Anything related to psychology. My best friend went into the topic of the human consciousness (which was a topic for a report I had at the time as well) and it ended with me yapping for over an hour long abt it. I dunno, I've just always love psychology since I was a kid and love learning anything abt the subject (except psychological statistics— that one's a nightmare pls)

You know me too well. Even when I'm in the middle of a now becoming obsession with Hoshina— that man is still lingering in my mind every now and then. The hold he has on me is too strong, I fear😭🫶

I enjoyed answering these questions! Thank you sm @that-student-that-has-homework !

Deep/Fun Questions to Ask!

Do you like watching sunsets?

Have you ever started a rumor?

What makes you laugh hard?

What's the last concert you went to?

If you believed in it, what would you be reincarnated to?

What's your current vocal stim?

What shirt are you wearing?

Who or what is on your mind?

What are your favorite pair of shoes?

What would easily win you over if someone gave you it?

What three words describe you?

What's a funny memory you have?

Do you have any drunk stories?

What's one thing you own that you're sure no one else has?

Do you have any superstitions?

What is your guilty pleasure?

What weird thing do you do when you're alone?

What is the worst food you've ever had?

What fictional character would you bring to life if you could?

If you could join a career immediately, what would it be?

What keeps you going during the day?

Current song on repeat?

Funniest inside joke?

What's your favorite piece of jewelry you own?

Favorite niche topic?

What fandom are you currently in?

Most controversial take?

Favorite ship and why?

Do you have any piercings or tattoos, and what are they?

What is your worst & best quality?

[oodlyenough]

arcane s2 act 1

alright might as well collect my thoughts for posterity

first and foremost: obviously the triumphant cackle i was doing the entire hexcore scene. huge W for me, personally. did it always feel like the most logical and narratively satisfying extension from s1? sure. do i trust television to do the most narratively satisfying thing? no. especially not after fandom spent years of the hiatus trying to convince me otherwise

really all the jayvik scenes were, more or less, exactly what i expected/wanted and very satisfying lmaooo. i knew jayce wouldn't give a fuck about the shimmer or unethical experiments. i win!

other stuff i liked:

in the hiatus i've now seen all of yellowjackets and it has made me fonder of ella purnell and by extension jinx, lol. i love sevika and i think their grudging alliance in the wake of silco's death is a fun direction. jinx finding a random dumpster baby and adopting them immediately, silco would be so proud lmfao

i love caitlyn's dictator arc. i have to be honest i found her disney princess schtick in s1 pretty boring, so this is finally something more flawed and dynamic for me to invest in. yes girl get worse

ambessa rules. i was a little rolling my eyes at the "wow she was pulling the strings all along" reveal, bc it was so obvious and i was sort of hoping they'd do something more interesting with her. but this show has never been subtle. either way it still seems ambessa believes she's protecting mel? so i AM curious about how that plays out

i don't know shit about the league lore around the black rose stuff and don't want to <3 knowing league lore has never improved my arcane experience. but those sequences were very cool and took me by surprise. some good body horror with elora. good luck in the nightmare labyrinth mel!

stuff i liked less:

i think the stylized music video sequences are being a little overused. maybe s1 did them as frequently and I forget? anyhow, the police brutality one really worked for me, because it's the kind of info that def needs to be montaged, and the style was cool and engaging. cassandra's funeral ... i understand why they did it but i didn't like the regular arcane models mixed with the charcoal bgs, i found it distracted me from what was meant to be the emotion of the moment. and the jinx montage i found kind of mid.

i do think the pacing feels as breakneck as ever, to its detriment. i said above the jayvik stuff all played out basically as i wanted, which is more-or-less true, but viktor just be like I Have To Go Now was a bit abrupt. i can excuse a lot of that on the basis that i don't think viktor is really himself anymore because of the hexcore -- very flat emotionally, etc. and i assume we'll see them butt heads again later in the season. but still, the hextech weapons, the nonconsensual hexcoring, etc, would've expected something a little more explosive lol

plus, then we shift from that scene to the Furby Comedy Hour and jayce and heimerdinger having like a nonreaction to each other despite how acrimoniously they parted or how emotionally charged jayce must be sleeping next to viktor's empty cocoon etc... felt whiplash-y to me. but i hate heimerdinger and ekko teaming up to begin with lmao (and ofc ekko directs his frustrations with piltover to jayce, and not the 300 year president furby he has no beef with for some reason)

this extends to vi's decision to pick up the badge, etc. stuff just happens really quick and the fact that the passage of time in the show isn't very clear doesn't really help. i can understand why riot didn't want to spend two decades making five seasons of this show, but 2 seasons will probably feel too short imo.

[wizardsix]

ok... so I have finally finished veilguard after about 90 painful hours (two playthroughs). im not gonna write an actual review about all of my detailed thoughts bc it'll actually take days, this is just to at least get my general thoughts out and see if anyone else feels the same or if ive actually lost it.

overall it is the weakest dragon age game story-wise, and I'd give it a nice lukewarm 4/10.

(i wrote this post right after I finished the game on the weekend so maybe I sound a bit harsh, I tried to edit it to be more reasonable lol but I didn't really want to delete this since I do still stand by a lot of this)

I really tried to go in with an open mind, bc I always want to experience media in full before making any kind of judgement, but about a few hours in I had this horrible feeling that once again this was another soulless, rushed game, and I still don't feel any different after finishing the game.

what stuck out to me was that there's no sense of urgency despite what the plot is, serious topics are not treated with care as the writing overall is shallow, and the gods as well as any other enemy you encounter are just cartoon villains (and apparently the lore retconning, but I'm not well-versed enough to dissect that so I won't).

I can't take this plot seriously when it feels so disjointed and forced and lazy. and I see no point in caring about anything when choices literally don't matter. no say in who you recruit, no say in the relationships with them and they have almost no awareness of rook, definitely doesn't matter if you have allies or not bc they show up anyway, and only four companions are locked into unavoidable decisions where one of them bites the dust no matter what (which is strange bc why are harding and davrin forced to die no matter if they're at hero status while bellara and neve can literally survive blight if they're at hero status), so it's impossible to try to strategize for better (or worse) outcomes with all the people you've gathered when there's only one right answer that the game pretty much tells you instead of letting you think for yourself (and side note this game does an incredible amount of hand holding). the game actively tries to trick you into thinking your choices matter with the onscreen notifications, but nothing matters bc the devs clearly had only one story in mind and for some reason lied that it had "complex choices".

also rook in general wasn't interesting as a protagonist bc they were written to be perfect. they always know what to say and are so supportive of everyone. they never struggle with anything. not even with leadership beyond "man leading a team is hard :/" but it doesn't actually show how hard it is by having actual volatile conflict between the companions* or showing how their plans sometimes fail. which, if we actually had choices that mattered, would have helped develop that struggle. also? what's with everyone being so friendly? I'm not gonna get into that but everyone is so eerily nice and it's been said a lot but yeah, the world is extremely sanitized and devoid of any real conflict aside from the gods I guess.

*(like off the top of my head cassandra fighting with varric and accusing him of not being on their side or how the inquisitor can literally punch dorian and solas if approval is low enough or fenris and anders bordering on killing each other is not the same as lucanis and davrin distrusting each other or people being uncomfortable with emmrich's necromancy. it just scratches the surface of conflict and never goes anywhere)

and let me say real quick again, there's nothing wrong if they wanted to make a more rigid story about being a hero. it's been done a million times and it can be executed well, but if you do that you need to make sure you 1) don't lie to people and 2) actually flesh out your (especially main) characters and plot to give people a reason to care. look at dragon age 2. hawke is a fixed protagonist with their own life front and center. they ultimately only have two choices (siding with mages or templars), but it works bc the game took time to build up the conflict straight from act 1 so by the time chaos happens in act 2 and 3 you understand why bc it's Been brewing the whole time. it just makes sense. the villains as well have sound reasons and feel real instead of being evil just bc. the story is more grounded, yet you have choices. you decide if hawke ends up alone or not. you decide how they approach situations with force or diplomacy. there's none of that in veilguard. a game that supposedly took 10 years to make. when dragon age 2 took almost 16 months (yes I know da2 also has problems like the fact that the templars are always proven right but this isn't the place to dissect that).

I want to be fair though and I do want to restate what I enjoyed about the game. the cc (though would it kill them to have more variety in face textures like age and body types beyond average.. also no colour wheel... especially since they claimed their cc was so good), the map progression/visuals/exploration (how certain places become more blighted overtime), the factions (though I feel there should have been more content for your faction, and helping them or not should have mattered more), the combat (did not feel like a slog, pretty fun and mindless), the companions (bellara, davrin, emmrich, harding, and lucanis had solid personalities and stories despite my complaints. neve was not memorable and I just feel sad for taash's bad writing), certain parts of the story were good, the intro and the point of no return sequences were solid, and the ending didn't feel rushed or boring compared to inquisition. and yes, I do appreciate that rook can be trans, I just think a little more subtly and care would've been nice.

another thing I did like and predicted was that varric died at the beginning of veilguard, and for a second I actually enjoyed that because i thought we were finally (a bit too late tho) getting some depth to rook and their own struggles of accepting his death and carrying this weight without him. and while I do think maybe they should've taken more time to establish the mentor/mentee relationship so we really feel rooks regret, I still think it was at least the right direction where in their grief they still see him, giving advice and narrating their journey.....but then it turned out to just be solas manipulating them the whole time, immediately destroying any emotional weight this reveal had.

whenever bioware has good ideas they shoot themselves in the foot and make it about solas. it's like nothing in the world exists without solas being involved somehow, and that is just incredibly boring and uninspired to me. not to mention solas just being an insufferable ass the whole time, which is fine, but it's not even in a compelling way like he used to be. he became so ugly by the end and the fact that the devs consider redeeming him the "good ending" and not giving him what he deserves is very telling and once again shows their own bias is king over good storytelling (solas' feelings should not come into play here, whether you/your companions live or die should determine good/bad ending since solas is trapped no matter what, only difference is who is trapped with him. idk but I personally think different endings actually means different outcomes). i will not go into the bs of the secret post credit scene, bc frankly I'm fed up with bioware's shitty writing and I won't be playing their next world ending space aliens game (unless they miraculously pull a good story out of their ass but lbr).

overall the bad outweighs the good for me. it's fun to play as a game, it's a decent fantasy game, but the story just doesn't do anything for me. sometimes I wonder if dreadwolf was a completely different game and was scrapped for veilguard last minute. maybe this was yet another inevitable industry fuck up and maybe there was a good story planned at one point. idk. all I know is bioware lied. respect and credit to the poor devs and writers who actually cared and to those who were kicked from the project, but in the end bioware promised too much and delivered too little.

[just-an-average-fan]



i fucking hate artblock bc i have so many ideas that i cannot phisically turn into reality at the moment and then when i try to fight it and draw anyway this is what i fucking end up with

can i finally make somethig fandom related thats NICE and not THIS??????

[breadvidence]

Using this space to reply to both @blatherby and @fluentisonus!

@blatherby: right right right, "The time has come to journey on/And from this day he must be gone"—and I do think you're correct that standard fanon is he's going into this encounter with the intent to leave, though I suppose I don't know how much by percentage Valvert fic is actually based on the musical vs the Brick, and for the former it's not a misreading per se. I'm thrown, in any case! Really having to recalibrate my sense of the level of his self-harm and suicidality (which still sits at "very nonzero", but slightly lower than "dialed up to eleven", I guess—I think that the line "He was at his own request and through his own complicity driven out of all his happinesses one after the other; and he had this sorrow, that after having lost Cosette wholly in one day, he was afterwards obliged to lose her again in detail" signals that he wouldn't have been able to sustain himself on this course regardless of Marius' part in things).

@fluentisonus said in tags:

#yes!!!! this was something i was thinking abt a lot when i just got here on this last read#& i think contributed to my being more frustrated with/upset by marius this time around than before#i think the other line here is that really stood out to me is 5.8.2:#''He came every day because he had not the strength to take Marius’ words otherwise than literally''#<- which to me does Not speak to someone who is planning to stop visiting.#or at least to actually go through with not visiting#he's in fact willfully taking marius at his literal word re visiting rather than what i think he knows derp down marius would prefer#like he gave marius incomplete reasons & scared him badly (his (jvj's) fault!) but the m jean stuff is i think just intended as a layer of#separation to visiting & that last horrible wrench is all marius. & while not quite unexpected it's not what he (ivj) would have done#naturally if given the choice. in fact as we see it's incredibly hard to prevent himself from going#anyways really good post!#les mis#i think another thing though is that he asks marius to visit when he's quite literally at the door. like. he knows he can't bear#to not have this one thing. like he says all that & asks marius if he should see her again; takes his 'cold' no; gets to the door; & then#closes the door again & turns around to beg to see her <- tbc this is not a disagreement with your point that he always intends to visit#cosette just that both in-book & out of book it's easy to mistake bc it being at the end there makes it almost Seem like an afterthought#rather than i think one of the most genuinely earnest parts of his confession because to him he's been building up to something#he's not convinced he deserves & is asking against his better judgement#But i think this doesn't look good particularly to marius#it looks like he's backtracking on what he's set up#& marius gives in in the moment but it's one of the things he specifically regrets caving to in the next chapter#& i think is frustrated jvj couldn't fully follow through so he decides to force the issue#if that makes sense#hmm also (<- sorry op to come back & add more tags hours later) speaking of the m jean/vouvoyer thing i think you can very much read that#as being not a step towards a final separation but rather a way (to his mind) he can safely & perhaps even more honestly (?) Continue to#visit cosette. he can still see her without being connected to her in sn incriminating way . like you say#<- ofc this is not at all how it comes across to cosette

Yes!!! The level of my "jesus, you murdered that man" feelings towards Marius definitely dialed up a notch by reading the scene through this lens. As I said in responding above: re-reading further, I think it's a misjudgment on Valjean's part—that he can survive on black bread, but not on so little of Cosette—but I do wonder if, in the long run, as she once convinced him to have a fire and better food for her sake, whether she would've rekindled their bond and said to hell with this to the M. Jean and vouvoyer and cellar. Like, she's caught up in a new marriage, in learning what it means to love openly and fuck a man and live in the world, but I like to think given a few more months to settle into things she would've come back around to her papa—because she might not need him like she did when she was alone in the woods, but there's more in love than needing.

Which sidetracks me from "what did Jean Valjean mean to do?" to "what did Jean Valjean actually do?", and in the context of Cosette's happiness—it's always fraught! always makes me holler. Poor old man, and poor child.

I've dithered over making this post because I will feel incredibly silly if everyone else got this on the first go-through rather than the—Lord alone knows how many times I've read this particular scene, actually—but there I was, me and "The Seventh Circle and the Eighth Heaven"—as you do, for idle and entertainment, and I reach

If you will allow it, I will come to see her. I assure you that I desire it greatly. If I had not cared to see Cosette, I should not have made to you the confession that I have made, I should have gone away; but, as I desired to remain in the place where Cosette is, and to continue to see her, I had to tell you about it honestly. You follow my reasoning, do you not? it is a matter easily understood.

And realized that despite the character stating his reason right there in the text I have misunderstood badly. I took Valjean's intent with this confession and in his behavior afterwards to be separation from Cosette, that his desired outcome is to die alone, that he struggles against his love of her to reach that solitude, but it's—not. He says earlier that it's not, as well.

Stay, the unfortunate point is that I have a thread in my heart, which keeps me fast. It is when one is old that that sort of thread is particularly solid. All life falls in ruin around one; one resists. Had I been able to tear out that thread, to break it, to undo the knot or to cut it, to go far away, I should have been safe. I had only to go away; there are diligences in the Rue Bouloy; you are happy; I am going. I have tried to break that thread, I have jerked at it, it would not break, I tore my heart with it.

The thread—to Cosette. He can't separate himself. He would not have to make this confession if he could simply leave her. Therefore he has to confess to Marius for two reasons, as I see it: (1) a big dramatic compulsion to honesty about his symbolic status as one who cannot live in the family of men, sure, but (2) like, real literally, he cannot live in the house. Valjean is practical, he makes arrangements, he's smart, his confession draws from the saint but I think it's also the thief, and what does the thief need? A co-conspirator. Both morally and practically he's averse to living at the Rue des Filles-du-Calvaire, and with both Cosette and her "master" Marius pushing him to move in, he'd have to move totally away, as he's certainly not going to give in—but now he's got Marius' backing to allow him to stay at the Rue de l'Homme-Armé, and he can exist in the in-between space he's always occupied, there in the back courtyard of Cosette's life.

I always wondered at Valjean's vacillation—that he says "To-day, Cosette passes out of my life; our two roads part. Henceforth, I can do nothing for her.", then begs Marius for the right to visit her. But he didn't change his intent at all; he was always keen to visit, to live on the crumbs that scatter from the table. He simply can't pull up a chair.

Marius' passive-aggressive attack on that thread, the destruction of Valjean's heart, Valjean is complicit in accepting that, yes. But he did not come into this parlor looking for that outcome.

🤦‍♂️

[ink-the-artist]

forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.

ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol

[technicalknockout]

guess what day it is🎉🎉🎉🎉🎉🎉🎉🎉

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[moonyasnow]

Even MORE Malina facts bc Wednesdays are super busy for me but yapping about her doesn't take a lot of time~

Some physical facts are that her eyes are purple— which you can't really see in a pencil sketch— and she has Irina's smile.

A way she likes to show love and affection through people is kisses, so she'll often kiss the cheeks, hands and foreheads of the ones she loves, ESPECIALLY her family. And and often kisses the back of her friends and acquaintances' hands when saying hello or goodbye.

Since she's so much taller than her mother Irina, who's just 152cm, she sometimes straight up just picks Irina up to hug and kiss her. She's the tallest of all of the siblings, too, so they all get the same treatment. Unless they're tall enough she'd just need to bend a little to place a kiss on the top of their head

She loves participating in her youngest siblings, Malissa and Malindt's playing. She spends as much time as she possibly can with her family, always making time for them. In part because she knows that one day, she will be queen, and won't have as much time to be able to spend smothering them all in her love. So it's like she's trying to make up for that fact by dedicating her every moment to them.

That said, used to being spoiled as she is, she does not like it when her affection isn't returned. Same way where, if she's given affection from others, she always returns it. To her, it's as simple as equivalent exchange; an expression of love that, if the gesture is returned, means mutual love. She does not like giving and getting nothing in return. So if someone— most often her younger brother Malcolm— doesn't return said affection, she instead prompts to take something from them, like a big bite of their pastry, or an hour of their time. It's the same reason why she gets so upset if her siblings don't still treasure the stuffed animal she gave them from her hoard. She is incredibly protective of her hoard, after all, so in her mind the least they could do is appreciate it.

So uhhhh @blood-red-hummingbee for your Fankid dorm placement thing— I changed my mind, Malina would be in Octavinelle ‘^^

I made a playlist for her too!

Already having a kindy shitty day so to make myself feel better I drew Malina (my granddaughter—)

(Ignore the outfit I just made up something random)

I think the first time I drew her it didn't register as easily that she does look a lot like Irina too

So I changed up the way I drew her eyes and the shape of her hair slightly to get it across better

Also since we've been talking character inspos recently, her biggest inspiration was without a doubt Camilla from Fire Emblem: Fates

From the design itself right down to the 'very doting & protective, almost even baby-ing, older sister' thing

[spaghett-onaplate]

depression is really weird actually wdym i spent 2.5 years of my life in bed

[dizzybevvie]

"Kingdom Hearts is so complicated" "Nomura made it up as he went along" "KH makes no sense" Have you considered that Riku is 15 and autistic and gay bc if you do I think itll change things

[lynxfrost13]

Maybe I’ll finally Wanze post soon

[x-rds]

That post about huge red flags from exes is going around and I’m like well mine requires some background reading

[carcarrot]

ok sitting down for a moment at disneyland. elaborating on the post-beat concert shenanigans in the tags

[du-hjarta-skulblaka]

Some mild existential dread in the house today

[goldensunset]

surprise art attack!!! here’s @deityofhearts ‘s cashmere, everyone’s favorite whimsical tiefling