#which is something i say every time

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[forgetriestowrite]

hey is the fact that Pike, champion of the Everlight and carrier of a vestige of the Dawnfather, stands up for and defends Braius Doomseed, secret follower of Asmodeus, haunting anyone else? Because it is haunting me incessantly. I fear I won't be getting any sleep tonight

[hinamie]

i have so much band!au content in the pipeline my brain is Rotting but enjoy these two for now

jjk band!au

[corviiids]

(more persona 5 / persona 5 royal spoilers again)

(this one has art by dotdotdotukno on twitter please view)

compilation of specifically my obsession with ryuji and goro being terrible... friends??

[vicsy]

used to be, you and me

[dandp]

I'm watching through the early Phil younows for the first time and boy, we understandably harp on Dan the most for the 2012 era denial/overcompensating but Phil's contributions are fascinating. So far my highlights include:

"Dan and I don't do everything together because then we would get sick of each other...as friends" ok no one was reading into it as if you weren't friends

Him willingly reading out "would you rather marry Dan or lick a hobo" and having an extended moment of silence that lasts way too long to be casual as he fights for his life trying to figure out what to say before saying hobo and quickly trying to move on. Then Dan joins later on and he unprompted tells Dan about this. Also should be noted shortly after he answered he was like "huh weird my chat is suddenly being slow and there's nothing for me to read out" which seems a little too convenient to me

[werewolfsmile]

Alec Hardison works best under pressure

Especially time pressure. He'd probably disagree and say he works better when he has time to plan and no pressure, but I mean c'mon, the evidence speaks for itself.

Nate knows it after one job with Hardison - probably soon than that, let's be honest. The others figure it out at the same time or in quick succession. And they proceed to throw Hardison - completely unawares - into situations where his prowess is needed under a time crunch.

Hardison: Great, we made it in! Now how are we doing this complicated next part that involves electronics in less than 2 minutes? The whole team: No idea, that's your job. Hardison: .......... Wait, what?! The whole team: 90 seconds.

And the best part is, he always delivers! Need to defuse a bomb on a plane with only moments to spare? Call Alec Hardison who's not even on the damn plane and has probably never defused a bomb in his life! Need to break into a car that has an 'impenetrable' security system in under a couple minutes while a whole bunch of car thieves watch? Call Alec Hardison who definitely does not know the first thing about car jacking!

I just love how this keeps happening and, every time, Hardison is keen to be involved and keep the con running smoothly, but always gets completely blindsided when they want him to do something that doesn't fall under any of the specialties, so it must fall under his.

Alec Hardison is king and you will never convince me otherwise.

[ganondoodle]

got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-

i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions

i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)

its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized

(huh, i wonder about what kind of person that part was about .. hmmmm)

(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)

(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")

also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much

(i dont know what the last point has to do with anything??)

(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)

(also yes the hyrule monarchy is also evil :))) )

(and also not so secretly so either :)) )

[a-most-beloved-fool]

another wildly unimportant star trek pet peeve of mine is that i kinda hate it when people persistently call kirk "james", either in fic or in posts. like, yes, he's james t kirk. that's his name. but. he's jim. he asks people to call him jim. every time, it's jim. idk, maybe I'm too trans, but I figure that when someone tells you their preferred name, you use it.

I know a guy named bill. his name's william, sure, but he's bill. he specifically said so. I know an alexandria, who is always ally, and I know an aleksandra who is never ever a nickname. I know a thomas who flat out refuses to be tom. y'know? hell, I know a john who goes exclusively by jack, and a sarah who's riley. and it's rude as hell to ignore that.

I do understand that it's. a bit Silly to have that strong of an opinion on whether or not to call a fictional character by a nickname, but. oh well. i'm a bit silly i guess. like, yeah. it doesn't matter. he's not real. he doesn't care.

but he's jim to me.

[lunalikestowriteanddraw]

The “inability to lie” feycurse is interesting to me, especially for Kremy, because I wonder if it also applies to internal lies. Lies you tell yourself to the point where you start to believe them.

I say this because…well, let’s look at Kremy’s love for unicorns. Sure, if we go meta, obviously this stemmed from the feycurse. Doubt Richie gave it any thought beforehand. But going in-universe, there’s a good chance that maybe Kremy already liked unicorns from beforehand. Maybe since he was a child. But probably had to hide that fact about himself, telling himself that “oh, you can’t be into that, only children like unicorns, and you’re not a child anymore”, until he started to believe it. Well, until the Witchlight Carnival changed that, of course.

Now, about Kremy and his affections for Gideon. Kremy IMMEDIATELY started getting all fidgety once he realized he couldn’t lie anymore, and of course it’s partly because…well…it’s Kremy we’re talking about here. But also what if Kremy was lying to himself about his feelings for Gideon (“oh, it’s totally normal to want to sleep with your best friend. Who you totally feel completely platonic feelings for. Yep.”)—lies which immediately started unraveling once Kremy couldn’t lie anymore, despite trying to still try and lie to himself about them. And, of course, everything reared its head during the wedding, but I’m sure we all know about that by now.

[macadam]

Finally had the moment I’ve been waiting years for and got to listen to a 12 year old info dump to me about transformers after he learned I like transformers

[itsaboutspies]

Absolutely love that the hatchetfield series brought so many new fans to starkid but I wish people would let non hatchetfield things be non hatchetfield and not try relate it back to it all the time

[carnivalcarriondiscarded]

The ''Are you trying to romance me?'' meme but with Barnaby and Howdy

i belted this out in like a half hour flat <3 bc Yes

[finisnihil]

2.2 Sunday analysis spoilers ahead

I think a scene that perfectly sums up the Dreammaster and his relationship with Sunday is the one where he’s breaking the news to Sunday that Robin was shot.

Sunday has just appointed head of the Oak Family, given a position of upmost power. The Dreammaster leads in by giving Sunday Robin’s letter and then he innocently asks if she mentioned a stray bullet. A stray bullet? Why would she mention a stray bullet? Robin is safe and happy, wherever could she run into a stray bullet?

Well, a war broke out on that planet she sought it out because of it. For the sake of the Harmony and saving lives… she went to the front lines. You know, where stray bullets tend to shoot down innocent birds?

Well, holy shit, is she okay? Of course I mean it only struck her neck directly but I guess because she is doing such glorious deeds Xipe saw fit let her sing a while longer still. You should write to her- oh no, you stupid boy, only after you finish your pressing work now that you're head, hm?

Let's break down the interaction, shall we?

Firstly, this show was meant to sever Sunday's trust in Robin and isolate him. Robin is the person Sunday cares about the most, his life is but a tool to maintain her happiness and he's not quiet about the fact he'd chose Robin over the Family. When Robin didn't want to sing for Ena in the final plan, Sunday betrays the Dreammaster by taking her place as the sacrificial lamb instead. Point being, Robin is Sunday's only real support system and his only access to something that hasn't been rotted by the Family's corruption. The Dreammaster starts the conversation by highlighting how Robin withholds information from Sunday. She didn't mention getting shot, she didn't mention going to a planet because of war, she didn't mention anything. She isn't telling Sunday when she's in danger. Sunday is already terrified of the world around him, of how bleeding hearts like his sister's and his suffer for their kindness. The Dreammaster going about things this way instills a layer of distrust, Sunday can't trust Robin to be honest with him, he can't trust Robin to be safe, he can’t trust her to trust him. Thus, Robin is taken out of the equation and Sunday is alone with only the Dreammaster in his ear.

Next, we drill in a blame of the Harmony. Robin serves the Harmony like a good child of Xipe but it's precisely that which put her in harm's way. Would she have gone into that situation if not for the ideals of the Harmony? The Dreammaster twists this logic in Sunday's head, whispering it was the Harmony that got his sister shot and mockingly noting that maybe the only reason Robin wasn't dead from it was because she served Xipe so well; he implies that if she failed to meet that nonexistent standard next time, maybe Xipe will let Robin die. Sunday can't trust Xipe to protect Robin because it was Xipe's will that almost killed her. Now he's more vulnerable for the ideals of Order to sing their claws in.

Finally, Sunday's lack of control is emphasized. Sunday has just been appointed Oak Family Head but he still has no control over anything. He can't act out of line because those who supported him may stop and if he fails to uphold the pristine image of the Family there will be hell to pay. Still, I think the most sinister thing about his lack of control is seen when the Dreammaster stresses that Sunday can only write back to Robin after he has finished his "outstanding tasks". He was just coldly told the person he cares most about in the world was almost killed without her deigning to inform him, and he can't even talk about it with her and make sure she's okay until he does his paperwork. The position of Family head is nothing but a formality and it isn't enough to save Robin, it isn't enough to save anyone. Sunday has never been in control so maybe... He should create a world where he has it through Order.

In the credits we see the Dreammaster refered to as "Sunday's Servant" but it's obvious the Dreammaster was the one who manipulated and pushed Sunday to this point, intensifying his trauma and pushing Robin out so he could be the only whisper in Sunday's ear, so he could warp Sunday to be the vessel of Order he wants from him.

This entire scene would have gone so much differently if the Dreammaster actually cared about Sunday but we can tell he doesn't. From the start Sunday has been a bleeding heart that bleeds more heavily every time he tries to alleviate suffering. He's trapped in the cage of Penacony and has come to think the buildup of broken dreams and pain he's exposed to is the way of the entire universe. Robin escaped but Sunday can't.

Sunday is ultimately responsible for everything he did but you can't ignore that the path he took to get here reeks of the Dreammaster's malicious influence. Gallagher notes Sunday is just like Misha in a lot of ways and I think that's why the Dreammaster honed in on him so intensely. Sunday had the potential to ruin everything if he took the path Robin and Misha did so he had to have his wings clipped and taught to think a cage means love, that Order is the way, not Harmony.

It's genuinely such a good sequence, the tension of it all makes it work so well. The fact that Sunday is haunted by it and that the Dreammaster so successfully got into his head without him really noticing. He basically did what Aventurine bragged about doing, exploiting Robin's suffering to hit Sunday where he's soft. The Dreammaster functionally set up a bomb and coaxed Sunday into being the one to set it off.

Sunday is a wonderfully written antagonist, but the Dreammaster is a wonderfully written villain.

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.