#which is something i listen to a lot too

[datironass]

Rules: shuffle your repeat playlist and post the first ten tracks, then tag ten people

Thanks for the tag @bambirex 💕

The Amazing Devil - Pruning Shears

The Amazing Devil - New York Torch Song

Joey Batey - The Ride of the Witcher

Ayane - Analogy

Sonya Belousova, Giona Ostinelli, Declan de Barra, Lindsay Deutsch - The Time of Axe and Sword is Now

Ayane - Nageki no Mori

Joey Batey - Song of the Seven

Marcin Przybyłowicz - Kaer Morhen

The Amazing Devil - The Old Witch Sleep and the Good Man Grace

The Amazing Devil - The Horror and the Wild

[bixels]

Hey, I need some advice. For anyone experienced with kids, how do you deal with young children with hyperactive ADHD. I’m doing well babysitting but I’m afraid of being a pushover and letting these two kids get away with too much, especially when they’re rough-housing.

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[theirwolfbicanthrope]

Jumping off from this discussion with @ladykatibeth, but I want to talk about the parallels between Friedrich Harding and Count Orlok. I think there are a lot to be found, and in a way this gives some insight into Orlok more, imo.

In a lot of ways, Orlok and Friedrich mirror each other, both in personality/status, but also in the ties they have to Ellen and Thomas, respectively. The film itself imo draws up parallels - both via dialogue and in specific context of moments between Orlok/Thomas and Friedrich/Ellen.

Obviously we know Orlok is jealous and resentful of Thomas' connection with Ellen, but so to I think Friedrich is...not necessarily jealous of Ellen's ties to both Thomas and Anna, but neither is he all that thrilled or happy about it. She's an Other, and he doesn't like the potential scandal, the gossip she could cause. He resents when her mental health deteriorates and it pulls Anna's attentions from him. And even though technically she's of a higher class than Thomas, it's pretty clear that her mental illness in a lot of ways negates that (in Friedrich's view) and could potentially harm Thomas' ability to progress in life in a way that Friedrich approves of.

"I will be addressed as the honor of my blood demands it!"/"Know your place, madam!"

Orlok takes great offense of Thomas not addressing him properly, and when Ellen is finally too exhausted and frustrated to keep speaking with difference to Friedrich, he immediately bristles and takes it as insult. (Granted he is sleep-deprived and scared about his family, but this is something that has been building up for some time.) These moments between Orlok and Thomas vs. Friedrich and Ellen mirror each other (and also show how both Ellen and Thomas struggle to meet the "standards" of their gender roles, imo).

Orlok is the powerful figure tied to Ellen who feels possessive of her and will not take this outsider speaking to him with anything less than the respect he believes he is due. Friedrich comes across in much the same way, as Thomas' friend and benefactor and Anna's husband.

Thomas is a threat to Orlok's connection with Ellen. Friedrich, imo, sees Ellen as a scandal waiting to happen, and therefore a social threat to Thomas and Anna (and himself - and really, I believe he views Thomas and Anna as extensions of himself; one could also argue Orlok sees Ellen in a similar light; a possession).

Then there's Friedrich's dynamic with Anna as foreshadowing/a mirror to Orlok's with Ellen.

"I cannot resist her."/"He cannot resist her blood!"

Friedrich even says the 'cannot resist' line twice - first to Thomas, then again to Anna herself at the beach (which is then interrupted by Ellen, helping to lay more groundwork for his growing weariness and resentment of her).

I do not think it's coincidence that this phrasing is used for both Friedrich's love for Anna and Orlok's obsession with Ellen. The script itself even says when the men find Friedrich dead with Anna that 'he could not resist her'. The fact that Thomas finds his best friend dead in the embrace of his dead wife! This is such purposeful foreshadowing of what he will face at the very end.

"He could not resist her."

This is about Friedrich - but it is also Orlok's own undoing.

[a-stars-art-blog]

I like thinking that Albert makes Barok act kinder simply by being in his presence.

I haven’t revisited the games /100%/ yet so I’m probably missing some things that extremely contradict what I’m saying but whatever I’m not taking off my BenBaro tainted glasses >:[

Spoilers below 👍

The biggest point that made me think this is in 2-3 when Drebber threatened Tusspell and Barok called him out on it. Every time I watch someone play this part, they always act surprised that Barok spoke up. So it made me think that Barok hadn’t done anything similar. (Which I’m pretty sure is wrong but I don’t have a good enough memory to say for sure) ((me thinks Barok has had moments of his true gentlemanly nature beforehand but WHATEVER))

And then there was the section where they convinced Albert to let his experiment be investigated. Barok speaks directly to Albert to which Susato comments “I’ve never heard him speak that way before”. Obviously bc the games are not fully voiced, they have to throw lines like Susato’s to tell you things like a character’s tone. In this case, I think it’s fair to assume that Barok is speaking MUCH softer or more patient (maybe even desperate??? If we could be so delusional,,,) than he would be with most characters.

And of course there’s the biggie of Barok taking on Albert’s case and insisting the teleportation worked. We know that Barok took the case bc he didn’t trust anyone else to do the prosecution, and bc he ONLY trusted Ryunosuke for the defense (God I love Barok’s character arc okay anyways) and he knew it’d only be them two that could uncover the real truth to set Albert free.

Even knowing Barok’s intentions, it still makes my brain fuzzle thinking about Barok trying to prove Albert guilty of murder. Like, Barok knew Albert was innocent and definitelyyyy didn’t believe in the experiment but he still did all that?? I believe the game explains it as Barok wanting to keep Alberts reliability as safe for as long as possible.

Which??? is…so??? Cute???!?

Like, again, bc my memory of the games are pretty faint, I could be forgetting some of Barok’s scenes, but he just doesn’t seem like the type of character to prolong the inevitable??? He seems much more the type to want to get down to the truth as fast as possible. So for him to be like “I’m gonna defend my friend’s life work and credibility even if it means his death bc that’s what he would want” LIKE WAH??? Albert did literally say that he would rather die then be proved a sham and it’s, like….Barok knew that!!! He knows his friend!! And wants to respect his wishes!!! BUT ALSO…fuck that he’s not gonna let his only friend die??? So he does help convince Albert to give in but just…the fact Barok prolonged it at all is…yeah…

Maybe it was Barok trying to show Albert that even tho Barok has changed, and people call him awful things, he still understands him all these years later and cares for him. He wanted to let Albert know that before switching gears and disproving his theory. Like…I can’t think of why Barok would want to do that OTHER THAN FOR ALBERTS FEELINGS especially when Barok never intended to follow through.

Anyways this case has Barok acting noticeably weird. Bc it’s Albert.

Like Albert, Barok hasn’t talked to him in 10 years. The last impression/image Barok had of Albert was *10 years ago*. Just like Albert thinks Barok as “unassuming and gentlemanly” “a kind hearted soul”. Barok, too, is running off his thoughts of Albert from 10 years ago bc that’s all he has (obviously those thoughts have probably been altered slightly after seeing each other again but still)

So finally to the main point and reason of this ramble. I like to think seeing Albert again brought him back to his uni days. Seeing your close friend from school, only having memories of him from that time…maybe it ended up affecting him and he subconsciously found himself resurfacing those times.

Speaking up against someone being rude to a lady, defending your friend’s credibility bc you know it’s what they care about more than their own life, speaking softer to said friend, it all seems rather gentlemanly don’t you think?

Side bar:

I’ve found myself going back to the idea of “Barok not wanting Albert to see how far he’s fallen” or “Barok acting a certain way so that Albert won’t dislike him now” multiple times now…inchresting….

I think it just adds to the tragedy of Barok

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[maraschinotopped]

ive been staring at the naqtube channel page just doing analysis thoughts in my head for like 15 minutes and ive just been hit with the realization that Damn this is not normal. normal people dont do this. either the mental illness or the mild sickness is doing something to me right now.

[silverwhittlingknife]

can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)

i'm sure it'll be fine. :D

i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3

[bogos-bint3d]

random thought bc i was making alphyne sims LOL, do you think undyne would ever want to have children? how do you think she’d be as a parent?

While I personally don't quite have a "definite yes" or "definite no" answer for this I personally think that, yeah, possibly! I think it's a question with a lot of layers to it, "is it something the character would want?" "Is it something the character should do?" "How much thought would the character put into it all beforehand?" "How long would the character wait before making that choice?" And first of all I think I should talk about fandom culture's view on kids in general. Why? Because I'm obsessed with validating my opinions like this

It's been said many times by many people now how there are a lot of times where fans end up writing completely out of character for the purpose of placing characters into positions of stereotypical familial structures- ESPECIALLY forcing women into the roles of motherhood where it doesnt fit or make sense for them to the point where I don't think I can really add anything substantial or important to the topic. The pros have very much said what needs to be said.

HOWEVER. I ALSO LIKE TO HAVE FUN WITH FUCKING CHARACTERS. I LIKE TO EXPLORE DIFFERENT TOPICS AND SITUATIONS WITH THEM. I WANT PEOPLE TO BE ABLE TO SHAMELESSLY ENJOY THEIR RIGHT TO INTERPRET CHARACTERS WHERE THEY THINK NESCECARY. WHERE THEY THINK FUCKING FUN!!!

So with that said, while demeaning female characters to singular sad and one dimensionsional traits of "Mother" is very clearly to me Not A Good Thing, people should stop acting like it's a fucking sin to imagine the possibility of a character having a child while still retaining all their accurate attributes, because it is a very possible thing that can be and IS done!!!!!

What are my thoughts on Undyne with all this?

Hehhaahehehaa....... strap in.

Where do I BEGIN. How about the inspirations behind the character of undyne herself.

Ok so see this wonderful lass here. That's a sculpture by Chauncey Ives of the mythical water spirit, Undine. Thinking about it, you all probably know this anyway because I do fairly often reblog Undine themed stuff too. Because I'm just like this. But how about the interesting stuff?

The original myth, created by Paracelsus, an alchemist and philosopher born in the 1400s, I believe comes from his work "A Book on Nymphs, Sylphs, Pygmies, and Salamanders, And Kindered Spirits". I think that's what it was called. I'm too tired to talk fully about it specifically and we need to get to the point so have a video of some guy reading it here

Yay :]

It's pretty much what it says. Paracelsus essentially believed that elemental beings (whom he had adapted and reimagined from ancient or traditional at the time sources) were simply part of the strangeness of God's natural creation and should be studied, as part of appreciation of the Bible etc. And we know ALL ABOUTTTTT utdr and its biblical links/imagery. But back to undine :]

Paracelsus named his takes on the classic concept of elementals: gnomes for earth (YES HE INVENTED THE WORD GNOME!!!!!), sylphs for air (yeah he also invented the word sylph), salamanders for fire (he didn't invent that :[), and of COURSE! UNDINES FOR WATER! He believed undines to be fairly similar to humans, a significant difference being the lack of a soul. Which surely means nothing when talking about Souls Are Important the Video Game. And anyways according to him they were apparently fairly capable of getting a soul through love. Wikipedia also says that Paracelsus says that a child from this love will too have a soul which is nice

Blablabla Wikipedia says undines are like fucking desperate to get a husband or whatever but dudeeeee she can do whatever she fucking wantssssss. I think she can and should be enjoying her life with alphys rather than it being a thing just for a living soul or whatever. They're just happy, no mythology attached

Onto the most iconic interpretation of the myth, 1811s Undine by Friedrich De La Motte Fouque. When you think of the tale of Undine it's almost always that it's this specific story you pull from. Apart from another one I'll briefly touch on later (please hope it's brief). In it, Undine is a woman adopted by a fisherman, who was taken in by the fisherman after his own child died. Hmmmmm wow hmm sort of like how asgore took in undyne after his children died HM BACK ON TOPIC. Personality-wise, Undine is described by Wikipedia (because I don't have the book) as "erratic", and "capricious", which Google dictionary describes as "given to sudden and unaccountable changes of mood or behaviour", which again sounds quite similar to the Undyne we all know and love.

It mentions that when married to Huldbrand (the main guy in the book he's not important tho) she is "kind and gentle" and yeah imo the writing with this IS kinda shit HOWEVER I think if were simply using this as inspiration for undyne I can definitely imagine her *eventually* becoming a calmer and more thoughtful person with A: the presence of someone like alphys to mutually love and understand her for her and B: the absence of having to worry about a war to fight and always sort of being on edge and just being. Like that. And again this would all be a *progressive experience*, rather than in the book where undine literally switches up over night. I do like to consider character and stuff

There's this line from the Wikipedia summary which jumpscared me

I 0% believe this has any significance to deltarune whatsoever however it was so funny out of context I had to add it

Another completely unrelated thing here but there's a fucking guy called "Kuhleborn" and I just. Can homestuck leave me alone. FOR FIVE MINUTES.

Sorry back to cherry picking the story to fit undyne.

Ok so truthfully I don't find anything else from that specific story that I find particularly helpful to undyne, the rest of it's kinda just useless to my point. Re-establishing the fact here that I skipped over a most of the actual significant parts of the story because I specificly want to talk about how I see it parallel to undyne. But that's it really. I just especially wanted to mention this adaptation of the story as it is pretty much the most iconic interpretation of the myth.

That is, interpretations that specifically refer to its source by name. Because by far the most well known media to draw influence from the myth of undine is the iconic Hans Christian Andersen fairytale, "The Little Mermaid". I don't have much to say on how the little mermaid does take much inspiration from undine, other than the way andersen himself interpreted the story. Simply, the fact that Hans Christian Andersen, a man who based this story off of his own feelings at the inability for another man to reciprocate feelings of romance for him, and resonated with the story of undine so much that it was a source of inspiration for the little mermaid itself is so crazy to me. Like. Here is a queer man who read the tale of Undine and understood it so much he wrote his own story inspired by it and made it tie in with his own experiences of homosexuality! Like that's so crazy to me! Because it just makes the undertale character of undyne being sapphic so much better to me! It took the sad story of gay tragedy and took it and made it a story of gay joy!!!!!!! We are all so happys forever!!!!!!!!!!!!!!!!!

Ok ummmm. I got carried away because we are steering very far away from what this post was originally about. Umm. Point is. Original story was of queer sadness but undertale is now of queer joy + the story of queer joy being based on story where being with this person who you really love and being truly and properly bonded in an undeniable and magical way is enough to give you a soul that will live forever. I think that's somewhere near the point I'm trying to make but at the same time it's not quite the point I was trying to make. And this is absolutely just one interpretation of one relationship and this is by no means in any way supposed to be the end all be all of what ANY relationship should be. I really don't think this is what the definition of love is. However for these characters I feel it can be a huge aspect of it for them

NOW FINALLY MOVING ON TO THE ACTUAL CHARACTER FROM UNDERTALE THANK FUCKING GOODNESS!!!!!

Oh undyne. With some of the implications in game that she lost her family, I very much imagine her being cautious with this sort of situation. Would she be able to handle is for example? Would she know what to do. Given its something she might not even have real first hand experience of, is it something she would even want to risk forcing upon another person? I think she struggles so much with responsibility as it is. She wants nothing more than to protect people and cheesus if she had a kid of her own you know she would be doing every single thing in her power to make sure that kid never has to face what she did. Undyne says at one point in game (if you kill her in neutral i believe) she never told alphys the way she felt because if/when she died in battle, she wouldn't want alphys to deal with that. And again, she really would not want to have a kid if she worries that one day that kid would have to worry about someone they truly care about not being with them anymore

So *would* she want them? I don't really think it would be an overwhelming innate desire or anything like that, but really not against it. Sged need a lot of time beforehand first. Some time to live her life to the fullest, time to make sure it's something she can handle without guilt, time to make sure it's something that does bring her joy. And then yeah, 6 or 7 years minimum I can see it happening. And I think it would be nice

"Now let's talk about susie, can we talk about susie? Please stun (and other readers) I've been dying to talk with you about susie all post, okay?" /ref

I don't really have anything to add I just think alphyne should adopt susie. In every timeline. Undertale deltarune I just think ok. Because she doesn't have a good home life to the point where she's like just Not Safe and hm young couple with no children in her area? Undyne would want to help her soooo bad because she understands just what it feels like to be young and alone not really cared for and she would NEED to fix it. That's defo how it is for undertale at LEAST. Idk entirely with dr if it'd be exactly like that cause we don't know what undynes got going down in dr yet.. but even so that's nothing to stop them

Anways yeah I think you mightve been waiting just a wee bit long for the answer to this ask I uhh.....m.....mmmm. yeah man I... yeah. I really do genuinely hope you enjoyed his tho cause uts currently quarter to 2 in the morning and I'm going on a train & to the aquarium tmrw so my ass CANNOT be waking up at 11 am again. Shits fucked. But when I tell you when I'm locked in on an undyne topic I AM LOCKED IN. IT TOOK A WHILE BUT I FINALLY DID IT. MORE THAN HALF OF THIS WAS WRITTEN WITH NO BREAKS OF CHECKS BUT THATS THE BEAUTY!!!!!! FLY MY SCARAB!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[transsextual]

i think i have problems and issues

[mangysah]

I need more people to understand the complexities and the character potential of Spinel being the weirdass losergirl failure that she truly is. Hiding amidst all her cutesy charms. No really I’m serious

[milfbrainrot]

i feel like i type so much more than is reasonable when i do talk to people but i also don't get to socialize a ton so i just have soooo many words in me and if i'm like, tired or short on time, it is so much harder to restrain to the already-pushing-it point i can sometimes manage ;-;

[kaidanalenkosprmanager]

Sophie Shepard & Kaidan Alenko (ME1) 1/?

MIRA'S MORE CANON ME1 "After everything that happened with Zaeed, Caleston, and the Villa? I think need to tell you a few things about BAaT." "Well, after everything that happened with Zaeed, Caleston, and the Villa? I think I might owe you an explanation about how I really know Anderson." AKA: Zaeed Massani and the case of the terrible, horrible, no good, very bad message ping. :) Mass Effect: Legendary Edition (2021)

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[sentientcave]

Mood board for my latest project. Little bit of it below the cut.

You eat the lunch you packed and pull off your sweater, the noon sun warming you up enough to not need it, at least for the moment. You putt along to a new spot and try fishing again, this time catching three good sized fish. Surprising, considering the time of day, but sometimes you get lucky. You're thinking about heading back home when you spot a flash of white under the water.

You grab your camera, determined to be ready. And then a grey shape launches out of the water and into your boat, nearly capsizing it. The white orca sluices through the water next to your boat a moment later, regarding you disdainfully with one bloodshot eye. He flicks his tail as he dives again, soaking you and your passenger.

Your seal friend makes himself comfortable at the prow of the boat, entirely too pleased with himself.

"You're on thin ice, mister!" You tell him, turning back the way you'd come. Thanks to him you missed your photo and nearly went for a swim in deep water. You're pretty sure he couldn't help you out of that situation even if he wanted to, especially with a hunter swimming just below. You certainly don't want four inch teeth biting you in half.

Of course, you don't want to see your friend get eaten in front of you either. You know its the way of the ocean, but he's your little buddy.

The white orca cuts across your path again. You stop your engine, heart hammering, and grab your camera. He disappears into the depths for a moment, and then jumps a little ways away. If you didn’t know better, you’d say he was showing off. You get several quick snaps that you know will be gorgeous— Water droplets catching the sun, his ghostly white body stark against the backdrop of the dark ocean. You grin at the seal, and yelp when something thumps the bottom of your boat, rocking it harshly.

Then the white orca (he needs a name, so you land on Ghost) surfaces next to you, terrifyingly close, and spits water at the seal.

“Holy shit,” you breathe, adjusting your lens for the close contact, camera shutter clicking away as you shoot pictures. Ghost eyes you, and then spits water a second time. The seal looks deeply offended, but not concerned, even with his hunter bobbing in the water a few feet away. “Aren’t you a pretty boy.”

He is pretty. A juvenile, maybe, now that you see him up close— He’s a bit small for an orca, but he’s all alone out here, no pod to speak of, and a juvenile wouldn’t survive on it’s own. As if he can hear your compliment, he creaks at you.

The seal barks back. He seems offended by Ghost’s presence. Understandable, since Ghost was trying to eat him earlier. You get a few funny snaps of the two of them regarding each other over the rim of the boat, having a conversation that you have no way of understanding. You feel a bit insane. A bit like you’re going to wake up laying in the bottom of your boat any minute, and this will all be a funny dream.

[seventh-district]

7am, eating cold leftover teriyaki stir-fry for breakfast and crying over blorbos