#which is something i listen to a lot too

[datironass]

Rules: shuffle your repeat playlist and post the first ten tracks, then tag ten people

Thanks for the tag @bambirex 💕

The Amazing Devil - Pruning Shears

The Amazing Devil - New York Torch Song

Joey Batey - The Ride of the Witcher

Ayane - Analogy

Sonya Belousova, Giona Ostinelli, Declan de Barra, Lindsay Deutsch - The Time of Axe and Sword is Now

Ayane - Nageki no Mori

Joey Batey - Song of the Seven

Marcin Przybyłowicz - Kaer Morhen

The Amazing Devil - The Old Witch Sleep and the Good Man Grace

The Amazing Devil - The Horror and the Wild

[bixels]

Hey, I need some advice. For anyone experienced with kids, how do you deal with young children with hyperactive ADHD. I’m doing well babysitting but I’m afraid of being a pushover and letting these two kids get away with too much, especially when they’re rough-housing.

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[a-stars-art-blog]

I like thinking that Albert makes Barok act kinder simply by being in his presence.

I haven’t revisited the games /100%/ yet so I’m probably missing some things that extremely contradict what I’m saying but whatever I’m not taking off my BenBaro tainted glasses >:[

Spoilers below 👍

The biggest point that made me think this is in 2-3 when Drebber threatened Tusspell and Barok called him out on it. Every time I watch someone play this part, they always act surprised that Barok spoke up. So it made me think that Barok hadn’t done anything similar. (Which I’m pretty sure is wrong but I don’t have a good enough memory to say for sure) ((me thinks Barok has had moments of his true gentlemanly nature beforehand but WHATEVER))

And then there was the section where they convinced Albert to let his experiment be investigated. Barok speaks directly to Albert to which Susato comments “I’ve never heard him speak that way before”. Obviously bc the games are not fully voiced, they have to throw lines like Susato’s to tell you things like a character’s tone. In this case, I think it’s fair to assume that Barok is speaking MUCH softer or more patient (maybe even desperate??? If we could be so delusional,,,) than he would be with most characters.

And of course there’s the biggie of Barok taking on Albert’s case and insisting the teleportation worked. We know that Barok took the case bc he didn’t trust anyone else to do the prosecution, and bc he ONLY trusted Ryunosuke for the defense (God I love Barok’s character arc okay anyways) and he knew it’d only be them two that could uncover the real truth to set Albert free.

Even knowing Barok’s intentions, it still makes my brain fuzzle thinking about Barok trying to prove Albert guilty of murder. Like, Barok knew Albert was innocent and definitelyyyy didn’t believe in the experiment but he still did all that?? I believe the game explains it as Barok wanting to keep Alberts reliability as safe for as long as possible.

Which??? is…so??? Cute???!?

Like, again, bc my memory of the games are pretty faint, I could be forgetting some of Barok’s scenes, but he just doesn’t seem like the type of character to prolong the inevitable??? He seems much more the type to want to get down to the truth as fast as possible. So for him to be like “I’m gonna defend my friend’s life work and credibility even if it means his death bc that’s what he would want” LIKE WAH??? Albert did literally say that he would rather die then be proved a sham and it’s, like….Barok knew that!!! He knows his friend!! And wants to respect his wishes!!! BUT ALSO…fuck that he’s not gonna let his only friend die??? So he does help convince Albert to give in but just…the fact Barok prolonged it at all is…yeah…

Maybe it was Barok trying to show Albert that even tho Barok has changed, and people call him awful things, he still understands him all these years later and cares for him. He wanted to let Albert know that before switching gears and disproving his theory. Like…I can’t think of why Barok would want to do that OTHER THAN FOR ALBERTS FEELINGS especially when Barok never intended to follow through.

Anyways this case has Barok acting noticeably weird. Bc it’s Albert.

Like Albert, Barok hasn’t talked to him in 10 years. The last impression/image Barok had of Albert was *10 years ago*. Just like Albert thinks Barok as “unassuming and gentlemanly” “a kind hearted soul”. Barok, too, is running off his thoughts of Albert from 10 years ago bc that’s all he has (obviously those thoughts have probably been altered slightly after seeing each other again but still)

So finally to the main point and reason of this ramble. I like to think seeing Albert again brought him back to his uni days. Seeing your close friend from school, only having memories of him from that time…maybe it ended up affecting him and he subconsciously found himself resurfacing those times.

Speaking up against someone being rude to a lady, defending your friend’s credibility bc you know it’s what they care about more than their own life, speaking softer to said friend, it all seems rather gentlemanly don’t you think?

Side bar:

I’ve found myself going back to the idea of “Barok not wanting Albert to see how far he’s fallen” or “Barok acting a certain way so that Albert won’t dislike him now” multiple times now…inchresting….

I think it just adds to the tragedy of Barok

[silverwhittlingknife]

can we have a hint about what the spring break tim patrol chapter of red letter day contains? (you kept having dick say "if the joker shows up" and tim's "he won't." for me to be convinced that goes off without any trouble)

i'm sure it'll be fine. :D

i am delighted you're enjoying the story <333 i haven't updated it in soooo long but i got some very sweet comments lately so i have been looking at my scribbles again <3

[mangysah]

I need more people to understand the complexities and the character potential of Spinel being the weirdass losergirl failure that she truly is. Hiding amidst all her cutesy charms. No really I’m serious

[kaidanalenkosprmanager]

Sophie Shepard & Kaidan Alenko (ME1) 1/?

MIRA'S MORE CANON ME1 "After everything that happened with Zaeed, Caleston, and the Villa? I think need to tell you a few things about BAaT." "Well, after everything that happened with Zaeed, Caleston, and the Villa? I think I might owe you an explanation about how I really know Anderson." AKA: Zaeed Massani and the case of the terrible, horrible, no good, very bad message ping. :) Mass Effect: Legendary Edition (2021)

[sentientcave]

Mood board for my latest project. Little bit of it below the cut.

You eat the lunch you packed and pull off your sweater, the noon sun warming you up enough to not need it, at least for the moment. You putt along to a new spot and try fishing again, this time catching three good sized fish. Surprising, considering the time of day, but sometimes you get lucky. You're thinking about heading back home when you spot a flash of white under the water.

You grab your camera, determined to be ready. And then a grey shape launches out of the water and into your boat, nearly capsizing it. The white orca sluices through the water next to your boat a moment later, regarding you disdainfully with one bloodshot eye. He flicks his tail as he dives again, soaking you and your passenger.

Your seal friend makes himself comfortable at the prow of the boat, entirely too pleased with himself.

"You're on thin ice, mister!" You tell him, turning back the way you'd come. Thanks to him you missed your photo and nearly went for a swim in deep water. You're pretty sure he couldn't help you out of that situation even if he wanted to, especially with a hunter swimming just below. You certainly don't want four inch teeth biting you in half.

Of course, you don't want to see your friend get eaten in front of you either. You know its the way of the ocean, but he's your little buddy.

The white orca cuts across your path again. You stop your engine, heart hammering, and grab your camera. He disappears into the depths for a moment, and then jumps a little ways away. If you didn’t know better, you’d say he was showing off. You get several quick snaps that you know will be gorgeous— Water droplets catching the sun, his ghostly white body stark against the backdrop of the dark ocean. You grin at the seal, and yelp when something thumps the bottom of your boat, rocking it harshly.

Then the white orca (he needs a name, so you land on Ghost) surfaces next to you, terrifyingly close, and spits water at the seal.

“Holy shit,” you breathe, adjusting your lens for the close contact, camera shutter clicking away as you shoot pictures. Ghost eyes you, and then spits water a second time. The seal looks deeply offended, but not concerned, even with his hunter bobbing in the water a few feet away. “Aren’t you a pretty boy.”

He is pretty. A juvenile, maybe, now that you see him up close— He’s a bit small for an orca, but he’s all alone out here, no pod to speak of, and a juvenile wouldn’t survive on it’s own. As if he can hear your compliment, he creaks at you.

The seal barks back. He seems offended by Ghost’s presence. Understandable, since Ghost was trying to eat him earlier. You get a few funny snaps of the two of them regarding each other over the rim of the boat, having a conversation that you have no way of understanding. You feel a bit insane. A bit like you’re going to wake up laying in the bottom of your boat any minute, and this will all be a funny dream.

[seventh-district]

7am, eating cold leftover teriyaki stir-fry for breakfast and crying over blorbos

[goldensunset]

surprise art attack!!! here’s @deityofhearts ‘s cashmere, everyone’s favorite whimsical tiefling

[swordmaid]

trying to sleep but this concept has taken a hold of me … thinking about jb first kiss .. but brienne initiating ! jb doing something and their close to each other. in my head jaime is wrapping her arm with bandage like his gold hand is elevating her arm, his left hand is wrapping gauze while she’s holding the roll with her unoccupied hand so he doesn’t drop it (teamwork!!!) but that seems so complicated but I like the idea of them working together on stuff like that ?? and another scenario I’m thinking of is something similar but instead of bandages jaime is sewing something up his left hand is holding the needle and thread while she’s just holding the thing he’s working on bc between the two of them I like to think jaime would be better at sewing anyway unimportant kind of but I was thinking of jb first kiss where brienne initiates … except she tries to but backs out but like comic panel where their heads are close together and he’s busy with something and she’s just looking at him .. at his lips .. he looks up catches her staring and she looks away flustered wanting to leave bc now she’s embarrassed but she can’t and he’s like ? Ok 😳

[turtleblogatlast]

“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo

[velvetjune]

the live action scenes in alan wake 2 are so beautifully done, from the hazy transparent echoes to the long fmv cutscenes. its great following remedy games and seeing that aspect evolve in each one

[im-still-watching-anime]

one piece is crazy fr like what do you mean you’re following up Everyone’s Dead™️ with Objectifying Women: The Arc™️

[bmpmp3]

post ankle-twisting clarity