#which is setting him up for even MORE abuse if someone finds his love and weakness as something to take advantage of

[impulsivemuses]

Yeah so, remember how I said earlier that Percy tends to be desperate and force relationships for the sake of trying to have people like him? Well... there's a flaw to him that I really think that I should make aware... Percy tried to get with Jeremiah even when Jeremiah already has a girlfriend. He was so desperate for love and attention and just anything to make him feel alive that he would be willing to have Jeremiah cheat on his girlfriend for the sake of feeling another's touch in a regard that WASN'T friendship like.

Percy didn't tell his girlfriend or tell Jeremiah his ACTUAL feelings for him. He just... tried to sneak a kiss or hold hands with Jeremiah even when they've only known each other for FOUR MONTHS mind you. I think after Percy was kicked out of his house, he saw Jeremiah's allowance of letting Percy stay at their shared apartment as a offer into their relationship or something... but, Percy was too much of a fucking coward to ACTUALLY kiss Jeremiah or hold his hands... afraid he'd get kicked out AGAIN for fucking something up good.

[sundrop-writes]

Protective

Isaac Lahey x Fem!Reader

Summary:

During his first full moon, Isaac needs to think of something to ground him - to keep his newfound powers from getting out of control. Derek suggests that he use anger, and he knows that Scott grounds himself with his love for Allison.

Isaac finds something in between - thinking of the anger he feels when you get hurt.

Isaac Lahey x Fem!Reader. Pining Best Friends. Hurt and Comfort. Set during Season 2, Episode 9.

Word Count: 2,300

Teen Wolf Masterlist | AO3 Link

Full list of warnings and author's notes below the cut.

Warnings: canon level violence - mentions of Isaac, Erica, and Boyd having to be chained up on the full moon (to avoid hurting themselves and others), mentions of Isaac's abusive father (somewhat graphic descriptions of the abuse that Isaac experienced); Isaac has a self deprecating inner monologue because of the psychological effects of his father's abuse; mentions of Isaac being injured by his father's abuse; the reader also has an abusive father and it's a point on which they related and bonded (and how they became such close friends); at one point the reader describes her abuse as being 'not as bad' as Isaac's abuse (but that is psychological trauma speaking); mentions of the reader experiencing physical and emotional abuse; reader is described as 'pretty girl' at one point in the fic (again, this is very self indulgent); Isaac has a crush on the reader but has never voiced it (it's implied that the reader feels the same way); Isaac and the reader exchange friendly physical affection; emotional angst - Isaac feels powerless for not being able to stop the reader's abuse; I think that's it for this short fic? The themes are on the darker side, but it comes from a personal place for me.

A/N: If you've been following me for any amount of time, then you know I have a thing for sad, abused characters. If you have read my Ellie fic 'My Heart Is The Worst Kind of Weapon' - then you would know why. Isaac is the kind of character I immediately connect to for deeply personal reasons, so watching the entirety of Teen Wolf through for the first time, I couldn't resist writing a fic about him. There will likely be more to come about him, but for now - here is this deeply self indulgent moment inspired by Season 2, Episode 9. If you don't relate to this, I hope you can enjoy it as a distant whumpy fiction, and if you can relate to it - I hope that Isaac can bring you some comfort like he has for me. Much love, happy reading.

...

While the chains rattled against the abandoned subway car and Isaac tried to ignore Erica’s groans of pain from having several large bolts bored into her head, he couldn’t help the question that was rattling around inside of him. 

“How do you do it?” Isaac asked Derek as he arranged the chains around his limbs. He was trying to push down the sickly familiarity of it - being restrained. He was trying to tell himself that it actually was for his own good this time, not just a sick punishment given to him by a powerless, unhinged old man. “How do you keep it under control?” 

“You have to find an anchor.” Derek told him, firm, determined. 

It was nice to focus on the conversation instead of the anxiety rising in his chest, so Isaac pressed on. 

“An anchor?” He questioned, unsure what Derek meant. “Like what?” 

“Yeah. Something else for you to focus on. For me it's anger.” Derek paused. “But it's not like that for everyone.” 

It was immediately obvious to Isaac who Derek was speaking of. 

“Scott.” 

He had Allison. It was some dreamy romantic bullshit - using his love for his girlfriend to keep from wolfing out. But apparently, it worked well for him. 

Derek gave a subtle nod. 

Isaac didn’t have anything like that. He didn’t have some cheesy romance to fall back onto. He didn’t have someone declaring a love for him so openly - because he wasn’t worth loving. Even with his father gone, the world had made it very clear that he was just a piece of shit stuck to the bottom of someone’s shoe - a problem being passed around that nobody could seem to solve. 

“It just has to be something strong enough to keep your mind present. A strong feeling you can hold onto. Anger, love, resentment, regret, rage. Just find something that works for you.” 

Isaac nodded, and Derek went to check that Erica and Boyd were secure as the moonlight came to its full brightness. 

… 

It got Isaac thinking about you. 

You were probably the one person in his life who didn’t think he was a problem. The one person in his life who loved him, even if you didn’t say it out loud. 

He had felt all of those things - anger, love, resentment, regret, rage - the last time he had been with you. When he had been sitting in your bathroom, perched on the closed toilet seat lid after an argument with his father. Naturally, the argument had ended with Isaac having a black eye, and a large cut on his cheek from his father's ring colliding with his face. 

You were the only person he ever went to. No matter how bad things got, you were the only person he ever told. You were the only person who ever understood. Isaac had found out the hard way that your own father was much the same as his. On the first day of freshman year, he had seen you wearing a sweater when it had been a balmy, sunny day, and he had volunteered to be lab partners with you - partially to get closer to a pretty girl and partially because a gnawing feeling was going off in his stomach. 

Even back then - even when he was scrawny and powerless, his instinct to protect you had still been so strong. Even if all he could offer you was a shoulder to cry on and the chocolate bar out of his lunch, he looked at you and he felt the world turning on the simple hope that he could make your day just a bit better. Because he knew, even without words, by the tiredness in your eyes - that you suffered like he did. And he wanted so badly to make it better. 

When the two of you were doing an introductory experiment of baking soda and vinegar to cause the classic foaming volcanic reaction, the rubber gloves you had been wearing caused your sleeve to ride up, revealing a menacing purple bruise on your wrist. Isaac spotted it instantly, and when you locked eyes with him, he held nothing but deep understanding there - not shock or even pity. Nothing but deep understanding and warmth. 

He held your hand under the table for the rest of class, and you had never wanted to pull away. You felt a unique kind of mourning when the bell rang and you had to part ways. 

At lunch that day, you found him under the bleachers by the lacrosse field. Without so much as a word, only a cursory glance around to make sure that nobody else was watching, he pulled up his shirt, revealing an array of horrifying bruises to you - some purplish, some green, some faded yellow - all collected from different points throughout the summer. The time when he had been trapped at home with his father, having nowhere else to go as the man got more aggravated with his presence. 

You ran a gentle touch along the wounds - the most gentle touch he had been greeted with since his mother's death, something that easily brought him to tears. And from that moment on, the two of you had a silent understanding. You spent the rest of the lunch hour exchanging ‘war stories’ and laughing with a tainted dark humor about your separate twisted patriarchs. And the next time he was bloodied and bruised, he texted you to meet him under the bleachers in that same spot, and you didn’t hesitate to rush out of bed at three in the morning to get to him. 

It became a sacred place for the two of you to escape to when you needed it. 

The two of you became a sacred comfort to each other - knowing that there was little escape in telling the police or a guidance counselor, because you had nowhere else to go. 

Today, when Isaac called you, you found your house luckily empty. Your mother and your father were away visiting relatives in another state, so when Isaac told you that he needed you, you texted him the all clear to come over to your house for a reprieve. He was lucky to be able to spend the night somewhere else - to get to sleep in your bed, cuddled up close to you for comfort, without fear. 

He tried not to wince with pain as you dabbed disinfectant on the large cut across his cheek. He hated seeing you flinch with empathy every time his expression wavered even slightly. He could handle the pain. He could be better than this. 

“Isaac.” You sighed his name pitifully, clearly on the edge of tears. 

Both of you knew the thoughts that were pulsing thickly through your head, even without you having to speak them. 

Isaac didn’t deserve this. You wanted to hurt his father in return. You wished you could take away his pain, you wanted to help him escape from it. 

It was a ‘wishful thinking’ conversation that the two of you had dozens of times before. It always ended with you both more upset than when it started, so you swallowed up those thoughts now. But Isaac knew them too well, written across your face and swollen on your lips like the tears brimming your pretty eyes. 

You put down the cotton ball you had been using and turned your back to him, poorly hiding your crying as you stiffly wiped off your cheeks. 

“What do you want me to say?” He replied, hating that this whole thing had to upset you. “You know how it is.” 

To an extent, you didn't. Your father was a screamer. He yelled loud enough to shake the walls, but he rarely escalated to physical violence. You found that you were lucky if you escaped a fight with death threats and tears rather than having hands laid on you. Isaac came to school with fresh bruises every other week - you had to feel that he was worse off than you were. 

“We should just go.” You said, feeling bold in your suggestion. It felt obvious - escaping. “We should just run away. Get the hell away from all this.” 

You whipped back around, still feeling a terrible twinge of pain and sadness inside you at the bruising across his face, the fact that his cheek was definitely swelling up now. 

Isaac frowned. It was a nice dream, and he hated to be the one to dash right through it. 

“You know we can't do that.” Isaac sighed. Ever the realist. Of course. “Where the hell would we even go? With what money? No offense, but the couple hundred dollars you have saved up from babysitting isn't gonna get us anywhere.” 

“It's over fifteen-hundred.” You told him honestly. 

It was a nest egg that you had been sitting on since middle school, hoping to escape your father and never look back. When you met Isaac, you had another thing anchoring you to Beacon Hills, keeping you from buying the bus ticket you had always wanted. 

“But you're right. That'll get us - what? A couple of nights at a motel?” You let out a harsh, dry laugh. Trying to relieve some of the tension. “Well… we could go on a vacation? Escape for a few days?” You suggested, sounding hopeful. 

The idea of spending time alone with Isaac - a getaway where the two of you could pretend none of it was happening, even for a few days - it sounded like paradise. 

Isaac’s mind went to a dream-like vision - having you alone in a hotel room. A bed just for the two of you. Even just getting the chance to sleep peacefully with you, cuddle you, it sounded like a dream. 

He had to pull himself back before his mind went to places a friend shouldn’t stray. 

“A last hurrah before my dad kills me for running away on him.” Isaac sighed. 

The consequences of it would be inevitable. The two of you would have to come back home eventually. He knew that your father would likely feel much the same. He would never forgive himself if you ended up bruised and battered because of something he had encouraged you to do. 

You let out a sob then - the thought of Isaac dying by his father's hands had been all too real to you at times. A horror you imagined in your mind over and over again, especially after times he had come to you with half his torso nearly bruised black and he had been unable to move properly for days. His father was a monster, and you didn’t doubt that he would be capable of murder. 

Isaac rushed to stand up, and pulled you into a hug. His warmth, his arms surrounding you tightly - it was the only place you ever felt safe. You eagerly gripped him back, missing the wince he let out when you squeezed a bit too hard over one of his bruised ribs. But no - he would never fault you for holding onto him too tightly. 

Holding you like this - he felt like he had the world in his arms. Something tight in his chest, telling him that if anything ever happened to you, he would become the same kind of monster that his father was. But in the same way any threat to you made him boil over with rage - you made him gentle. You made him soft and loving. You were the only person in the world who made him feel okay to weep. 

He kissed the top of your head, not a stranger to comforting you with affection even though the two of you remained strictly as ‘friends’. As much as he yearned for more - you were a life vest while he was drowning and he wouldn't risk fucking that up just to kiss you and call you his girlfriend. He wouldn't throw any messy feelings into the mix. 

“It'll be okay.” He told you. 

Coming from his lips, you had to believe it. 

“Thank you, Isaac.” You sniffled. And then, something hit you. “You came over here for my help, and now you’re comforting me.” You let out another dry chuckle, clearly resisting the urge to scold yourself. 

“This is helping.” He told you, hugging you tighter. “This always helps.” He said the last part quieter, a dropped whisper that you could barely hear. 

It was a truth he was afraid to confront just yet. 

… 

But in the present, it was a truth that was helping him more than anything. 

Isaac hadn't spoken to you since he had gotten the Bite. He had been terrified of hurting you somehow. The last thing he ever wanted was to become the thing that you feared. It would have been his worst nightmare to be the one to make you cower in a corner and cry rather than to be the one giving you comfort from it. 

As the moon came to a full wane overhead, and the mighty rage and power pulsed through his veins, Isaac thought of you. He thought of using that power to tear apart anybody who had ever hurt you - to finally free you from those tears. He thought of giving you the same relief he had felt when his father died. He thought of his love for you, even if it was a silent love that he had never gotten the chance to voice. 

“I see you found your anchor.” Derek remarked to Isaac later, after he had gotten Erica and Boyd back in their chains, tightening Isaac’s binds once again, if only as a precaution. 

“I did.” 

Derek looked at him with intrigue, as if waiting for him to explain. 

“Well, you said that you use anger. And Scott uses love.” Isaac told him. “I guess that mine is… some combination of both.” 

“Protectiveness.” Derek explained. “That's what wolves call it.”

...

A/N: This is a oneshot, and I wrote this to be a closed off story/its own little moment inspired by the show. This is a complete story, however, if there is enough interest, I might turn this concept into a longer oneshot and expand on the idea. It would not be me writing a 'part 2' of this, it would be me using this concept and writing a longer oneshot. I do have a personal vested interest in writing about powerful characters defeating abusers, but currently I don't have the time to turn this into something longer, so this is all I wrote. Please do not harass me about making this longer or posting something more, and if you're going to leave a comment asking for a continuation, please also tell me what you liked about this current story. Though I have something else in mind, I do consider this to be a completed story on its own.

[rafeandonlyrafe]

finding freedom

words: 4.2k

warnings: emotion abuse (not from rafe), potential physical abuse (again not from rafe), friends to lovers, brief violence, brief mention of fatphobia/readers body size, soft!rafe (but he still punches someone bc rafe is gonna rafe)

“can we please just not do this today?” you sigh, smoothing your hand down your freshly straightened hair, needing every strand to be set in place for midsummers tonight.

“i’m not doing anything, can you not be a bitch?” scott groans, fixing his tie in the mirror.

you sigh just quietly enough for scott not to hear. the start of your relationship was perfect. he never called you names or hurt you’re feelings, but that changed quickly, and now you’re numb to his insults. you love has faded into nothing, feeling like you’re more of a glorified maid than an actual girlfriend.

“i just don’t want any problems at midsummers tonight.” you say. “the whole town will be there.” at least everyone in the town whose approval you care about.

“i won’t start any problems if you don’t.” scott says, walking out of your shared bedroom. you never should have agreed to move in with him so quickly, but you were getting tired of your parents overbearing nature, only for them to leave for florida permanently a month after you moved out, giving you no other option on where to live.

you check your teeth for lipstick in the mirror once more before following him out.

you ride to the country club in silence, scott staring at the road ahead while you gaze out the window, eyes turning glassy as you slip out of focus like you have more and more lately.

you arrive at the celebration, knowing scott won’t open the door for you. he hasn’t in weeks. you step out, adjusting your dress that had ridden up from being sat down in scotts sports car.

you walk side by side with scott, instead of hand in hand. you wonder if people even know that you’re a couple. if they would ever suspect it when you certainly don’t act like it.

“what do you want to drink?” scott asks, already eyeing the bar.

“i don’t want anything.” you say, hoping that will stop scott from drinking too early as well, but instead he walks away, leaving you alone.

“hey.” a familiar voice purrs out as you turn around quickly.

“rafe!” a smile spreads across your face as you see one of your oldest friends. he quickly wraps you in a tight but still appropriate hug.

“no scott?” rafe asks, looking around hopefully.

“he’s um… already at the bar.” you laugh gently, feeling the awkward tension rise already. scott loves to have you all to himself, which caused you to lose touch with a lot of your friends, even rafe who you used to see at least every other day.

“already.” rafe hums out, words stinging.

“yeah, i should probably catch up with him…” you trail off, walking away leaving rafe looking at you with evident disappointment. 

you find scott amongst the crowd, but don’t bother making your way towards him as you spy kelce and his sister sat at a table in the corner.

“hey!” you smile and take the open seat.

“girl, its been so long! where have you been?” kelces little sister asks. 

“uh-” you’re about to make something up, when thankfully kelce saves you.

“oh shit, i love this song!” he hops up from his seat, chair clattering against the sun bleached hardwood. “dance with me, y/n?”

“yeah, sure.” you take kelces hand, happy that you seem to have slipped back into your natural rhythm as you dance, his hand high up on your waist to avoid any cries of indecency by the other attendees.

you dance with kelce through a couple songs before being passed off to one of his friends you don’t know very well, but you’re happy all the say, laughing as the crowd of younger folk grows as the songs shift more modern.

“y/n, can i have your next dance?” rafe asks, scooping you away from your current partner with ease.

“of course.” you feel your cheeks blushing unwillingly from the way he holds you close to his chest.

“babe, lets go home.” scott suddenly appears next to you.

you take an obvious step away from rafe, putting distance between your bodies for both of your sakes. “i’m not ready yet.” you say, attempting to keep your voice soft.

“well i am. so come on.” scott grabs your forearm, pulling you away.

you manage to look back at rafe as you get dragged towards the door. “sorry.” you mouth, hoping he doesn’t rush after you and cause a scene, even though you can see the anger on his features.

scott finally lets go when you’re out the door as you follow him across the parking lot towards his obnoxious bright yellow sportscar.

“give me the keys.” you say.

“i can drive.” scott says, waving you off.

“you are drunk!” “i said i can drive, woman!” scott shouts at you, ripping open the drivers side door and depositing himself in front of the wheel.

“then im not going with you!” you yell.

“fine, stay here for all i care!” scott slams the door shut and doesn’t even glance back at you as he backs out of the spot, wheels squealing as he leaves the parking lot.

“fuck.” you curse, heading back towards the country club. you make it to the front step before you even realize that you’re crying, tears escaping down your face. you quickly brush them away, hoping kelce or maybe topper or sarah can give you a ride home.

you take a minute to calm yourself before stepping back in, the atmosphere so different to how you feel inside.

you see rafe stood in front of the window to your right, clearly watching everything that went down in the parking lot.

“rafe-”

“are you okay?” he questions, head tipping forward, staring at you with intense eyes.

“i-” you clear your throat, holding back the tears as you force a smile on your face. “of course im okay.”

“i see the way he treats you. its wrong.” 

“we’re fine.” you shake your head, voice as loud as you can make it without cracking, yet still a whisper.

“do you want to spend the night at tanneyhill? the guest bedroom is open for you always.”

“i-i guess that would be fine.” you shrug. “just cause hes drunk. he… he isn’t drunk often.” its a bold faced lie, yet you still tell it, covering for your boyfriend and dampening the anger still sketched across rafes brow.

“mhm.” rafe leads you back outside. he doesn’t talk to you for the ride back to tanneyhill, but it doesn’t feel the same as the oppressive silence that fills the car whenever you’re with scott.

“thank you. i’ll leave in the morning.” 

rafe just nods.

--

you sit on the edge of your bed, staring at scott. “well?” “well what?” he questions, throwing his hands in the air.

“you really don’t know what today is?” 

“no, and you won’t tell me!”

“forget it.” you push yourself off the bed. “i’m taking the jeep.” you call out, not bothering to tell him where you’re going.

you’re not even sure at first as you drive around before you ultimately decide to drive towards the tennis courts. you have none of your equipment, but you can at least sit in the stands and watch others play as a way to pass the time.

“what are you doing here on your birthday?” 

you let out a squeal in shock, almost closing the door on yourself. “rafe! you scared the shit out of me!” “sorry.” he holds his hands up, wide smile on his face. “but seriously, you’re playing tennis on your birthday?”

“scott forgot.” you blurt out. “so… i was just kinda driving around aimlessly.” you shrug.

“well, let me take you out then birthday girl. lunch?” you realize after rafes suggestion how hungry you are and nod quickly.

rafe takes you out to your favorite restaurant, immediately telling the waitress it’s your birthday and you’ll be having dessert first, making you giggle and roll your eyes as an ice cream sundae is brought out for you to share.

“hey.” rafe says, bringing you back to the tennis courts to pick up your car now that the sun has set, having spent the entire day together. “i got you a present.”

“really?” you gasp. “rafe, you didn’t have to!” 

“you’re my friend, its no problem.” he shrugs, reaching into the backseat and handing you a thin wrapped box.

“oh my god, thank you.” you reach across the center console, pulling him into a hug before ripping into the colorful paper, eyes widening when you realize what you were just gifted.

“absolutely not, its too much!” you lift up the beautiful gold bracelet, stone embellishments inlaid into the pattern.

“come on, you deserve something beautiful today. let me help you put it on.” rafe doesn’t give you any time to argue, taking the bracelet and slipping it around your wrist, fingers gently touching your skin as he clips it.

“i-i seriously can’t thank you enough.”

“all i want in return is for you to be happy.” rafe says, looping your fingers together. 

you squeeze them back, holding back your tears as you mutter a goodbye, promising to call rafe soon before heading back home to scott. any time you feel upset on the ride back, you just look at your gift and think of rafe.

“you still don’t know?” you call as you enter the house.

“it’s your birthday.” scott appears from the living room, handing you a gift bag.

“are you serious?” you follow him deeper into the house as he flops back onto the couch, eyes on the television.

“i got you a gift, what more do you want?” scott groans.

you can’t help but laugh, a mean, bitter laugh as you look into the bag. “you’ve got to be kidding me.” it’s an eyeshadow palette with a $2.99 sticker on it. you don’t care about the cost of gifts, but this is clearly something he just picked up from the dollar store with zero thought.

“its makeup. you like girly shit.” scott shrugs.

“yeah, thanks.” you say sarcastically, throwing the bag onto the coffee table as you stomp away. you hear scott following you, and you almost make it into your room before his hand wraps around your wrist, tugging you back towards him.

“what the fuck is your problem?” he shouts.

you want to yell back, want to scream in his face and let go of all your rage, but as his hold tightens on your wrist, you don’t dare to speak up.

“i tried to get you something you liked.” he reasons.

“i know.” by some sick standards, he did.

“i can give you something else you like.” scott guides your hand to his crotch, placing it there before you snatch your hand back.

“i’ve got a headache.”

“of course you do.” scott rolls his eyes, walking back down the stairs without another word.

--

“you could have at least asked me before you agreed to dinner.” scott says, changing out of his sweatpants into an old pair of jeans.

“you don’t have to come.” you shrug, adding the bracelet rafe gifted you last, your favorite accessory to every outfit, no matter how casual. “its just gonna be rafe, topper and kelce.”

“of course im coming. you think im going to let you go out to eat with three men without your boyfriend?” “do you not trust me?” you raise an eyebrow.

scott just shrugs, and leaves his answer at that, grabbing his car keys as you follow behind.

you’re the last one to arrive, a small apologetic smile on your face as the boys see scott following right behind.

the waitress comes to get everyones drink orders now that the party is complete. you order a lemonade, with scott getting himself a beer, as usual. you notice rafe gets just a cold glass of water, his eyes meeting yours from his spot across the table.

“alright, what can i get yall to eat?” the waitress pulls out a notepad and pen.

everyone orders for themselves until it gets to scott. “ill have the stake, medium well. she will have a side salad.”

you furrow your brow, you never talked about wanting a salad beforehand. “um, actually i’ll have the chicken parm.”

the waitress glances between the two of you before nodding and scurrying away.

“god, you’re getting so fat.” scott says under his breath, yet you still clearly hear.

you wait a few minutes, attempting to listen to whatever sport kelce and topper are going on and on about, when the urge to cry becomes too overwhelming and you have to excuse yourself, walking towards the bathroom before slipping outside.

you are leaned up against the exterior of the building, chest rising and falling as you attempt to control all the feelings you have building inside of you.

“why don’t you say anything to him?” 

“god, rafe.” you place your hand on your chest. “you’ve got to stop sneaking up on me like that.”

“i heard what he says. i see the way he treats you, and i can’t just sit back and watch that happen.”

“what am i supposed to do?” you look up at rafe in desperation.

“break up with him.” he says simply.

“we live together. i-i have no place to go. this is a small island, and we have mutual friends. i can’t just walk away and never see him again.

“so how long are you going to put up with it? because i am seconds away from smashing his face in.” rafes fist clenches in anger, like hes visualizing punching scott this very moment.

“i… i’ll do it today. at home so i can get my stuff then i’ll go to a hotel-”

“tanneyhill. you’ll come to tanneyhill. i told you, the guest bedroom is always open for you.”

“thank you, rafe.” you wrap your arms around him in a tight hug, allowing the minutes to stretch by as he holds you.

“lets get you inside, yeah?” 

you nod, allowing rafe to lead you back into the restaurant. scott has a suspicious look in his eye but stays silent.

--

“we need to talk when we get home.” you say, scotts foot pushed down on the accelerator as he speeds home.

“what is there to talk about?” he questions.

“just some things i want to get off my chest.” you leave it at that, returning to the silence you’ve come to know well.

you can barely wait until you’re through the door before the words spurt out. “i want to break up.”

scott stands there with a blank expression, causing you to doubt whether you actually verbally said anything. 

“i want to break up.” you repeat.

“no.” scott says, face flushing with anger.

“what do you mean no?” you question.

“is this because i called you fat? well, im sorry for that. i just think you could lose a little weight.” scott throws his hands up in the air like he’s the victim.

“i just can’t take this anymore. i’m not happy. you’re not happy. why are we torturing ourselves?” “you’re not leaving.” scott takes a step closer to you. “i won’t allow you to fucking leave.”

“scott, please.” you shake your head.

“you’re mine!” he yells, bursting forward to grab your shoulders, pushing you against the wall as you let out a shriek.

your eyes closed, accepting that this is the time. this is when you will be hit. you just hope it doesn’t break anything as you wait for your fate, but it never comes.

your eyes open to see rafe burst through the door, immediately accessing the situation and shoving scott away from you.

“what the fuck!” he shouts, charging towards rafe, but it's no use as rafes fist rises and meets his nose, knocking him onto the ground and out cold.

“are you okay?” rafe wraps you in his arms as your body crumbles, holding you up like your weight is nothing as you sob.

“i-thank you.”

“i’ve got you. come on, lets go get your stuff. im taking you to tanneyhill.”

you nod, in a haze as you gather up your belongings, leaving behind anything that can be left as you get just the essentials, rafe helping you carry them out, even as you step around scotts still body, lying on the floor. you check to make sure his chest is rising and falling, and then don’t look at him again.

--

“ive never seen you so happy.” sarah laughs as you flit around the kitchen, making the biggest breakfast you can for the entire cameron family. eggs prepared in every way, toast, waffles, pancakes, anything and everything. it’s really all for rafe, your savior.

“what is there to be upset about?” you shrug. “i’m single!”

“and youre spending lots of time with rafe again.” she eyes you up and down as your hand shakes slightly pouring a glass of orange juice for wheezie.

“shut up.” you whisper, but the smile doesn’t drop from your face, especially as rafe enters the room. you transformed in the night, the shackles of scotts emotional abuse finally falling away, allowing your true self to reappear.

“im taking you out to dinner tonight, y/n.” rafe says, wrapping an arm around your shoulders.

“you haven’t even had breakfast yet and you’re already thinking about dinner?” you laugh, shoving a plate full of his favorites into his hands.

“to celebrate.” he shrugs. “maybe i’ll convince top to throw a party.”

“ugh, i really don’t want to be around drunk people.” you admit. you want to celebrate, but preferably without alcohol at least for a month. rafe just nods, pressing a kiss to the top of your head before taking a seat at the island next to sarah.

“after you’re done eating, you can help me look for an apartment or a condo.” you tell rafe. “maybe i could ask ward about-”

“you know you don’t need to be in a rush to leave, right?” rafe interrupts you.

“yeah, but i don’t want to take advantage.” you shrug.

“you’re not.” rafe says, that serious, intense look back in his eye.

“okay.” you nod, soft smile on your face as he takes a bite of his waffle. you turn back to the stove as the timer goes off.

“oh, and maybe we could look for some place to move in together.” you glance back at rafe as he speaks, not caring that your bacon is getting crispier and crispier. “probably time for me to leave the nest anyways… and there’s no one i’d rather live with than you.”

--

“gosh, y/n, you can talk about something else.” rafe laughs as you launch into another discussion about what kind of house or condo you could move into together, what features you’re looking for and renovations you want to avoid.

“i’m excited!” you whine, taking another bite of your food.

“its cute.” rafe says, making you almost choke as you take a quick sip of your water.

“i just really can’t wait to live together. it’ll be so refreshing after…” you don’t need to say his name, not so soon after. 

“of course.” he nods. “do you want dessert?” rafe asks, seeing the waitress walking over.

“maybe we could split a hot fudge cake?” 

“here’s another water, sir.” she winks at rafe, handing him another glass even though his is not even half empty. “and can i get you anything for dessert?” she leans down, feigning to be reaching into her apron for her notepad, but is clearly just showing off her chest.

“one hot fudge cake, two spoons.” rafe barely pays attention to her as she scribbles it down and walks away disappointed.

“well, she’s bold.” you huff, glaring at her back until she rounds a corner.

“jealous?” rafe smirks, making your eyes widen.

“i never said that!”

“mhm.” rafe takes a sip of his new water. “don’t worry, you’re cute when you’re jealous too.”

--

“really, thanks for this topper.” you smile, accepting his hand as you step onto his family yacht, taking you and a couple friends, of course including rafe, out for a day on the water.

“just happy to have my friend back.” he says. you feel so lucky to have such amazing people surrounding you, supporting you after your breakup and not holding the way you treated them while in your relationship against you.

you take a seat next to rafe as topper begins to pull the boat away from the dock, allowing your eyes to close and head to rest against rafes shoulder as you feel the sun warm your skin.

you lay like that until topper navigates the yacht into deeper waters for everyone to jump off and swim. you hang back for a moment, watching everyone throw in floating pads or inner tubes as you smile, feeling more relaxed than you have in months.

“ready?” rafe asks.

“oh, yeah.” you pull off your coverup and jump into the water, laughing when you come up as rafe cannonballs right next to you.

you spend the next couple of hours in the water, only getting out to dive right back in. you swim around with rafe, but manage to break away from his attention to talk to your other friends for a bit as well.

your stomach rumbles as topper calls for lunch, having packed sandwiches into the fridge in the yachts kitchen before you left. you sit on your towel on the deck, rafe bringing you back a sandwich and bag of chips as everyone begins to talk.

you watch happily, content to sit back and just be in the moment. you tense up slightly when topper brings out a cooler of drinks, relaxing only slightly when you realize it’s only enough for everyone to have one or two beers or white claws and no one will be getting plastered.

“wanna head back in the water?” rafe asks when you're finished.

“actually…” you look at one of your friends screaming as kelce scoops her up and jumps into the water with her in his arms. “wanna go lay on the sundeck?” “yeah.” rafe follows you away from the crowd until you reach the large white cushions and spread yourself over them, arching your back and stretching.

rafe sprawls out next to you, but turns himself to the side so he can look at you.

“i like you, y/n.” he says.

“i-” its so sudden, so forward, yet so rafe.

“you don’t have to say anything back. but you should know, especially if we are buying a place together.” you nod slowly, taking in his words. “i like you. and i want to kiss you.”

you just nod, a smile spreading across your cheeks as rafe moves closer, placing his hand on your cheek as he leans down, lips pressing against yours.

you’re elated for a moment, until your nose catches the smell of alcohol and you freeze, realizing there’s still the sticky sweet taste on his lips as you’re suddenly transported back to feeling what it’s like kissing scott.

you pull away suddenly.

“i’m… shit. i’m sorry.” rafe stands quickly before you can even process.

“wait!” you call out, legs feeling like jelly yet you force them to work, standing as you rush after rafe, but by the time you reach the main deck, hes taken off on one of toppers jetskis, heading towards home.

“what happened?” topper asks, seeing the tears in your eyes.

“we-we kissed and-” you let out a sob. “i got a flashback of scott because of the beer smell and i pulled away and-” another sob racks through your body. “he thought i was rejecting him but… i love him topper! i need to go and find him and tell him and-” “calm down, okay? you can’t do anything in this state.” topper places his hands on your shoulders, moving you to sit in a chair.

“everyone back on the boat!” he yells, his tone unusually authoritative as everyone scrambles to get the floaties back into the boat.

the yacht moves faster than you thought possible as topper races back, knowing how important this is to you, and to rafe. he’s not going to let his friends miss out on true love just because of a misunderstood trauma response.

thanks to the slow jetski, you reach the dock only a minute after rafe. you’re off the boat and running after him before the lines are even secured.

“wait!” your feet slap against the wood until you reach rafe, grasping his wrist and pulling him to face you.

“just-” rafe sighs. “let me go, y/n. you can stay at tanneyhill of course just… i don’t need you to reject me again.” “let me explain!” you shout, taking a deep breath before continuing. “i wanted to kiss you, i swear. i just smelled the beer on you, and i got a flashback to scott. i got freaked out, it had nothing to do with you. im just… still recovering.”

“shit.” rafe groans, head tipping back at he stares at the sky for a moment, collecting his anger. “i’m so fucking stupid. of course you need more time, you just left him a couple days ago.” “no im… i like you too rafe. i know i need to heal, but i want to do that with you. i love you.”

rafes face turns briefly to one of confusion before a smile takes over. “im going inside to go use toppers mouthwash real quick then im coming back to kiss you. don’t move.”

sfw taglist: @bejeweledreverie @winterrrnight @ladyinbl00d

[after-witch]

The Driven Snow [Yandere Coriolanus Snow x Reader]

Title: The Driven Snow [Yandere Coriolanus Snow x Reader]

Synopsis: You're a District 2 school graduate who comes to the Capitol with her father before the 11th Hunger Games. You don't expect to meet anyone kind, especially not someone named Coriolanus Snow who offers you his arm, his smile, and treats in secret. 

Word Count: 5270

notes: yandere, abusive relationship, non-graphic descriptions of torture and death (not against reader); uses a mixture of book and movie canon

The Capitol was not as dazzling as your father described it but then, he had seen it before the war. Though perhaps it was your own bitterness that made you ignore the signs of returning prosperity that sets it above everywhere else.

The repaired elaborate buildings, the fresh pungent smell of plaster and paint. The cars pumping exhaust fumes into the air. The low rumble of garbage trucks that pick up bright green garbage cans, some of which are actually teeming with plastic trash bags. Such waste was unheard of, even in the oh-so-loyal District 2, where only the lowest of the low find themselves starving.

Although not-starving didn’t mean that everything was plentiful. 

You, though, were lucky enough to avoid the lima bean heavy diet that some of your classmates (now former--graduation was months ago) lived on. Or were you? The meat that graced your family’s dinner table, the pats of butter on toast, were all courtesy of your father’s  immense talent in building creative weapons that allowed the Capitol to stamp out every last bit of rebellion in the Districts. That allowed them to regain control. That allowed them to create the Hunger Games.

Which is why you were in the Capitol now. Oh, not to participate in them. Your father’s status in District 2 had seen to that; it would be a scandal if the name of his beloved daughter were to ever be pulled. 

You were there because your father had been given a lucrative contract, one that was sure to cement your family’s wealth for generations: a contract to build high-tech weapons for the Hunger Games themselves. 

They would still be killing. But on a much smaller scale, you supposed, than the weapons your father designed during the war. 

Still. Blood was blood. And if it had to be spilled, well, there was nothing you could do about it except hope they died quickly. Especially the ones from District 2.

Last year’s Games’ had been awful enough. Your family had watched the Games on a modest television set in the privacy of your living room, sent courtesy of the Capitol. 

You wondered if you would ever get the sight of Marcus’ battered, bloated face from your mind; if you would ever unhear the way his body thumped to the ground when that girl had killed him, out of mercy. If you would ever stop imagining what it must have felt like in those last moments.

But it wasn’t all horror. You’d liked Lucy Gray well enough, even though she was from 12. She had a wild way of dressing and the singing--it was practically theatrical, compared to what you’d heard about the previous games. 

Maybe that was why your father got this contract: theatrics. Maybe the games would be more dramatic from now on. Maybe they wanted tributes like Lucy Gray, who sang and spit and poisoned her way to Victory. It was strange, really, that there’d been hardly any talk of her since her win. 

“Father?” You asked, quietly as you could. 

Both of you were standing in the foyer of the grand university in the Capitol. The outside was still a little ravaged, but inside, it was perfectly lovely. Walls lined with books--perhaps some of them were fake--and marble floors and marble busts dotting the sight lines.

“Mm?” He replied, eyes scanning over his clipboard. He flips it, here and there.

“I was just thinking. About last year’s games. About Lucy Gray, and how the Games--”

Your father rounded on you, eyes suddenly serious and blazing.

“Quiet. Weren’t you paying attention on the way here?” Admittedly, you were not. You’d been daydreaming about what you might do now that you were done with school. There was no university in District 2, and your father hadn’t even mentioned a job. “You’re not supposed to mention--”

“Not supposed to mention whom? Ah, ah, ah. Lucy Gray Baird?” called a voice, almost in sing-song.

Your father stood up stiff, and the life seemed to drain from his face.

Both of you look towards the sound of the voice, and now it’s your turn to stiffen. The voice came from a woman standing in the doorway of the very office that your father was waiting to enter. She was wearing an elaborate jacket made of what looked like rainbow snake scales. Her hair was gray and curly. She had, you realized, two different colored eyes. 

Your father swallowed, and you could see the apple of it bob up and down. It made you think, abruptly, of suckling pigs. 

“Dr. Gaul,” he said, in a voice far too tight to be relaxed. “I apologize for my daughter’s insubordination, I assure you, she meant no--”

Dr. Gaul waved her hands at him and approached you. 

“Did you like last year’s games?” She didn’t look angry. No, she looked delighted.

“I…” It was your turn to swallow, your turn to feel that tightness. “It-it was the first time I’ve watched them, ma’am.” You want to ask this woman: do you think I liked watching someone from my District 2 so horribly? Or any District, really? Did I like it? 

Her smile grew wider. 

“I’m glad. You’ll be watching them every year from now on, I hope. We have big plans.” Her eyebrows raised high. “Big changes. Thanks to men like your father.” She glanced at him and you saw disdain flicker across her gaze. 

And then another door opened, and you heard the sound of polished shoes on the marble floor. Dr. Gaul’s attention dropped away from you like you were nothing at all. She turned to meet the sound of these footsteps, and you did too.

It was a young man. Probably your age, you thought, with light blonde hair and eyes that your mother would have described as “baby blue.” He didn’t look at you, or your father. But that was nothing new. You’d only been in the Capitol for 2 days, and you’d already gotten used to being treated as lesser than. Though, at least, you were not so far down on the food chain that you lost your tongue. 

“Ah, my protege,” said Dr. Gaul, giving the young man a grin. The smile on her face almost looked warm, which was somehow far more terrifying than her manic smile from earlier. “Ever the earnest student. Aren’t you supposed to be enjoying the day off, Mr. Snow?”

The young man, this “Snow,” chuckled and lowered his gaze. “I couldn’t stay away once I heard you were discussing some of the new prototypes for this year’s games.” 

He finally looked at your father, and then at you. But only briefly.

“Can I assume that this is…?”

Dr. Gaul nodded.

“Yes. My little designer from District 2. And his daughter.” Her voice dropped a few octaves when she referred to you. She probably didn’t want you here, you thought. You weren’t supposed to come, but your father had begged the Capitol for a pass; it would probably be your only chance to see it, he said, so you may as well take advantage of the chance.

Snow nodded to your father. It was a surprising gesture, almost respectful. But cold, too, like it was done from necessity rather than anything else. 

Your father stammered a bit and nodded back, and you felt shame begin to creep into your bones. It wasn’t fair, to be lesser-than. But weren’t others lesser-than you in your own District, where you ate better food and never worried that your name would get picked, that your blood would be spilled?

Everyone 

But when Snow turned to you, he smiled. It gave him dimples. 

It was the first kind smile anyone in the Capitol gave you. 

“My name is Coriolanus Snow. I doubt you’ve heard of me, but if Dr. Gaul’s teachings have anything to say about it, perhaps one day you’ll know me as a Gamemaker.” 

You didn’t know what to say. Congratulations, one day you’ll be coordinating Games that kill people? Instead,  you gave your name, voice squeakier than you meant it. But it was fitting, you supposed. Here, you were a mouse, hoping you would get a bite of cheese and make it home unpoisoned. 

Dr. Gaul’s face seemed to react slowly, as if she couldn’t decide what she thought about his words or your interaction, but a small smile grew on it, eventually. “I do have high hopes for you, Mr. Snow. Now, shall we?”

She gestured for your father to follow, face once again impassive with a sprinkle of disdain, as she led the two of them into her office.

Snow gave you a smile and a nod before he left.

You waved, stupidly.

Your father didn’t even look back.

--

I’m dead. I’m dead. I might as well be dead.

Your heartbeat kept time with your racing thoughts as you went up and down corridors, begging your shoes to be silent, wishing your breath would catch and stop coming out in terrible pants.

You were lost. You weren’t where you were supposed to be. If someone found you, if the wrong person found you, they would think you were running, trying to get lost in the Capitol; they’d think  you were a rebel. They’d shoot you.

Just when you thought you might collapse and die from your own nervous exhaustion, you heard the most wonderful sound in the world.

Your name.

It was only the moment after that you realized it didn’t come from your father’s mouth, but the lips of--what his name--Coriolanus Snow. The young man who was a Gamemaker-in-training, or so your father said. But that’s all he would say. He kept tight about anything that went on behind closed doors. 

But this Coriolanus Snow smiled at you, and didn’t look at you like you were some kind of insect he might want to pin on a board, and so when you whirled around to look at him you were smiling.

Ah--for a moment. For just a moment, you saw his muscles tense. You saw the expression on his face falter in worry. Like he thought he was about to miss a step on a staircase, and corrected himself; like he thought you were a wolf and you were only somebody’s dog, off their leash. 

But it wasn’t too surprising. You knew most people in the Capitol thought anyone from the Districts wanted to rip out their throats. 

Well, the worry was mutual. Except in your case, you were forced to walk around with the living proof of that worry--all those “Avoxes,” they called them. Without tongues, without freedom. 

But you swallow all that. Because he smiled at you. Because maybe it wouldn’t hurt to make a friend. Especially right now.

“I’m--I’m lost,” you tell him, giving a shaky smile. “I was waiting for my father, but you see, I got to thinking, and I started to wander around and now I’m… well. I don’t know where I am, actually.”

His smile wasn’t very deep, was it? It was like the gloss of paint on the outside of the Capitol buildings. Pretty to look at, but there must be more underneath.

You expected him to lead you right back to where you’re supposed to be.

Instead, he asked you something.

“What were you thinking about?

You couldn’t tell him. Could you? But something about 

“About… the Games.”

You don’t tell him that you were thinking about Lucy Gray and all those snakes, and the way that Dr. Gaul’s outfit that first day made you think of them. Because your father had slapped you across the face when you got back to your lodgings that night, and told you to never, ever bring up Lucy Gray Baird or the 10th Games unless you were directly asked. And you would probably never be asked. 

Coriolanus gave a little snort through his nose. You liked it. It was nice to know that even Capitol people could seem a little dorky.

“They aren’t for another 3 months. Are you that eager to see them?”

You didn’t know what expression you made, exactly. It was so instinctive and fast that you didn’t have time to control it. 

You only knew that it made him shake his head and offer you a sympathetic look.  

“I apologize. That was rude, wasn’t it?” 

And then he did a strange thing.

He offered you his arm. 

Like you were Capitol, like you were a real person, and not some visiting District wench walking on the coattails of her arms-dealing father. 

“Let me walk you back to the waiting area.”

And the stranger thing?

You took it.

--

You and your father were quickly moved into a small apartment within the university, once it became clear that he would be staying in the Capitol through the duration of the Games. It was best, he said, because ordinary people in the Capitol didn’t really want to see new faces from the Districts mingling around unless their tongue had been cut out first. It made them nervous. The rebel bombings, and all that.

You didn’t mind, because it meant you didn’t have to be flanked by Peacekeepers on the streets. 

And, well.

You got to see Coriolanus more often. Sometimes he greeted you, sometimes he didn’t. He did it less often when Dr. Gaul was there,  unless she was talking to your father and it gave him an opportunity.

He asked you things, too, when he caught you walking back to your father’s little apartment. Like what you did back home. What you liked to do. Whether you went to school, and what you planned to do now that you have graduated. 

This morning, he caught you drawing while you waited in a chair outside Dr. Gaul’s office. Sometimes you waited there--you would admit to no one that it was to catch a glimpse of the kindest person you’d met in the Capitol--and other times you stayed in your temporary home.

“What are you drawing?” He asked. But he had a way of speaking that you’d quickly clocked into. He can make a demand sound like a polite little question. Oh, he wasn’t mean about it, but it reminded you of the way your father talked to his underlings back in District 2. On his home turf, he was far smoother than he was here, where his voice stammered and sweat beaded on his neck.

So you handed it over, even though, to your greatest embarrassment, you’d drawn… him.

“Why me?” He had a smile on his lips. His smiles were nice. Kind. The kindest you’d seen since you came here. But they always felt like that fresh coat of paint; like you didn’t know what he really meant by them, and that was how he liked it. 

“You’re… important,” is all you could come up with. You felt small, then. He would dismiss and probably never want to talk to you again. What a stupid answer from a stupid girl. 

But he just smiled. It was like paint peeling a little.  You could see underneath that he liked what you said, although you weren’t exactly sure why. And his expression tightened up so quickly, protecting what you’d seen, that you weren’t entirely sure if it was real or not. 

“I’m just a humble student at this university. Not so important. Not yet.”

--

You were really going to die, now. This wasn’t some panicked imagination gone wrong, some flight of fancy that took a wrong turn.

A pair of stony-faced Peacekeepers had walked up to where you sat in the waiting area near Dr. Gaul’s office and ordered you to come with them.

You asked to talk to your father. They said no. You asked where you were going. They yanked you up. 

And now they were leading you down hallways that you’d never seen before, where there weren’t even Avoxes roaming the halls with brooms and dustpans. 

They didn’t even answer, just spun around and walked back the way they came. You pushed the door open reluctantly--what the hell was going to be on the other side?--and it was--it was--

It was Coriolanus. Standing there in a nice suit, eyes downcast on a book. Until the door creaked and he looked up.

“What--why did you bring me here? Did I do something wrong?” The thought went through you, that perhaps this had all been a test, to see if you were loyal to the Capitol and he’d found you wanting.

“No,” he said, simply enough. He set the book down and gestured for you to step inside. You did, because what else were you going to do, in some strange room in a Capitol University where you’d been forcibly brought by Peacekeepers.

Snow studied your face. Your eyes darted around, from him, to the room, to the door. 

“I wanted to see you,” he said, a little softer. “In private.” 

“Me?” You furrowed your eyebrows. “But… why?”

He smiled. “Come now, you’re a smart girl, even if you aren’t in university.” 

You really didn’t know. Not at first. But then you watched the way his expression softened, and you remembered it, or glimpses of it, that he’d given you before. When he complimented your drawing. When he said your name. When he escorted you back from the maze of hallways. And his smiles, all his smiles, although you were never sure how much they meant coming from home. 

He took a step closer. You didn’t dare step back. You weren’t sure if you wanted to step back, but it didn’t matter, either way.

He pressed his lips to yours and took your first kiss, in a secluded little study in the heart of the Capitol University. 

--

Your days became routine, although the routine was strictly forbidden and could have probably gotten you executed or at best, gotten you a one-way ticket to a tasteless existence.

You wake up. You stay in your apartment.  You wait for the Peacekeepers. You get summoned here and there, always private rooms, secret rooms, rooms out of the way. You meet Snow--Coriolanus, he said, call him that--and you talk (well, mostly him) and kiss and sometimes a little bit more. He gives you gifts. Trinkets, necklaces that you can only wear under your shirt. Food, flaky pastries made with mountains of sugar, sandwiches made with cream and cucumber. 

But how much longer could it go on? The Games were going to start soon. As soon as they were over, you were going back to your District. There would be no more meetings, no more kisses. No more wondering how far he wanted to go or why he liked you or even if he even liked you as anything more than someone to keep him busy. 

You didn’t dare talk about the Games, but you did talk about this. In the kindest way you knew how for such a sensitive subject. 

“I’ll miss you,” you told Coriolanus after one meeting, when you’re both sitting on a sofa and he’s got your fingers tightly wound in his. He squeezed them tight.

“Miss me?” 

“After the Games,” you clarified. “We’re being sent home right after.”

He squeezed your fingers until it hurt a little. Then he looked up at you. To see if you would say something? Or did he not know how strong he was?

“Oh, that. I can arrange for you to stay.”

Your chest began to feel sick.

“Stay? In the Capitol?” You were torn about Coriolanus, but you didn’t want to stay here. You couldn’t. 

“Yes,” he said, as if it was the simplest answer in the world. “You wouldn’t be the first person from the District granted such an extreme privilege. I’m sure I could--”

“But I don’t know if I want to stay.” 

His gaze narrowed and you felt your stomach clench. He looked at the necklace you’d pulled out as soon as the door was shut, at your lips where a dollop of strawberry cream still rested. 

“I treat you so well, and you don’t know if you want to stay with me?”

His voice was calm, and that scared you. It would have been better if he flew off the handle.

Instead, he simply stood up and gently sent you out the door, and called the Peacekeepers to bring you back to your apartment.

--

Every night for the last week, you have cried yourself to sleep. Because every day for the last week, Coriolanus Snow has not sent for you. Not even once.

What if he told someone? What if you got sent back early, and your father was shamed? What if they broke his contract? Or--worse, worse, worse. There were so many worse things than merely being sent back to District 2.

And then he sent for you, and it was the longest walk of your life, though it was no farther than any of the times you’ve been escorted to your secret meetings.

This time, when you pushed open the door, Coriolanus was not alone. 

There was an Avox in the room. 

It was someone from District 2.

You didn’t know her. Not personally. But you saw her, before. She worked in one of the munitions factories and you watched her walk to work from your classroom window sometimes. Then she stopped showing up, and you thought perhaps she got married. 

That delusion was shattered the moment you saw her, eyes downcast to the floor, wearing a simple gray tunic. 

It’s not until Coriolanus tells you to hurry up and come in that you’re able to move. Even then, you weren’t sure how your body did it; how your arms managed to gain the mobility to shut the door, to twist the lock; how your legs moved, one foot in front of the other, until you were standing stiffly in front of him.

The Avox--you wish you knew her name, but she couldn’t give it to you now, even if you asked--moved seamlessly to a table set up nearby. There was tea and sweets. The sort of thing that you and Coriolanus had been enjoying together for the past few weeks. The sort of thing that you were sure would sit sour in your stomach, now. 

The cup shook in your hands when she handed it to you, and your tears dripped right into the tea.

Coriolanus glanced at the Avox and waved his hand. She left obediently. She would never tell the secret she witnessed in his room, that much was certain.

And then he looked back at you.

“Don’t cry,” he said. Soft but firm. A command, not a coo. “You shouldn’t cry here, in the Capitol. You should be grateful to be here. You should be grateful that I’ve arranged all this for you.”

“I am,” you whispered. 

“Then show me that you are.”

And you did. 

You said what he wanted and looked to him to show you how he wanted you to act, and did just that. You didn’t argue, even to lightly banter. You kissed him and nodded along when he told you about how things would be after the Games, when he had arranged for you to stay.

All you had to do was keep him happy until the Games were over, and then you could go home. 

Bitterly, all of this made you realize just how much of your father is in you; he knew how to appease the Capitol. You could do the same with Coriolanus Snow. At least until the Games were over. Just keep him happy until the Games were done and the blood was spilled, and you would go home. 

They wouldn’t let him keep you here after the games. You were sure of that. You’d overheard some of Dr. Gaul’s assistants murmuring how glad they would be to send the District profiteers like your father home once the Games were over. And you? You’re just his useless daughter, an appendage he brought like an unwelcome suitcase. Why would you be allowed to stay?

--

The Games were over. The winner was from District 1. 

You were going home any day now. Just as soon as your father finished tinkering with the designs, gave his notes on improvements that might be made for next year.

The thought gave you a delightful bounce in your step. It was like having a pat of sweet butter in your shoe on a day when you needed good luck-- District 2 superstition, although the strict rationing meant most people didn’t have even a pat to slip into their shoes anymore.

The sweetness didn’t even disappear when the Peacekeepers showed up to bring you to Snow. It was going to be a bittersweet farewell, you were sure. He might be angry. But you would kiss him and tell him that there was nothing he could do, and how sorry you were not to be able to stay, but that was how things had to be.

Except they didn’t bring you down a maze of corridors that led to a secluded room.

They brought you right into Dr. Gaul’s office.

Breakfast threatened to evacuate your stomach with every step. Not just because of nerves, but because of what you saw. Rows of experiments in glass tubes; some of them move. You walk by a room with a half-open door that showed someone strapped to a gurney, face contorted in a silent scream as they fought against restraints. You almost did lose breakfast, then.

But somehow you made it to the desk of Dr. Gaul without a dribble of vomit to show for it.

The Peacekeepers left with no fanfare and you stood there, ramrod straight. Did she know? Was she going to tell you that you were going to be strapped to one of those gurneys, now?

“I’m keenly aware,” she said, keeping her hands primly folded, “on how much you’ve enthralled my star pupil.”

Toast. That’s what will come up first, you thought . The toast.

“I don’t know what you mean, ma’am.” Your voice was so thin and tinny that you didn’t even believe yourself.

And then the prim facade cracked, and Dr. Gaul threw her head back and grinned.

“You really think I don’t know everything that goes on within these walls?  I know every time one of my lab assistants runs into the bathroom to throw up after a particularly nasty experiment. I know every time one of our university professors sneaks into a closet to down a vial of morphling with a student. And I certainly know when my newest protege is having an adorable little District girl brought to him for… canoodling.”

You weren’t even embarrassed. No.  You just felt terrified to the bone. You only hoped that you’d be killed, shot against a wall, instead of made into an Avox. Let there be some mercy in this world. 

”He’s asked to keep you, you know.” Her voice was low, almost a drawl. She tapped her fingers on her desk rhythmically.

“My Coriolanus Snow wants a bird of his own.” Her smile turned darker. “Not a songbird, though. Oh, no. I think he’s had enough of those.”

Her gaze bored into yours, each color magnified by her intense expression. “I think if I let him have his pretty caged bird, he’ll be happy. He’s more productive if he’s happy.” She smiled. “I like productivity. It keeps the Games more interesting.”

She looked you over one more time, and then waved you away.

“I’ve granted his request. You’ll be staying here indefinitely, courtesy of one Mr. Snow. Your father has already been told.” 

You were wrong.

It was not the toast that came up first, but the sweet butter you’d patted on top.

--

You still had your tongue, but you felt as though it was useless, stuck to the roof of your mouth, as Coriolanus fussed over your outfit. Or rather, as he directed an Avox to fuss over it for you. He could afford his own personal servant, now, he told you. He’d almost flinched after he said now, and you didn’t dare press him on it. Had he not been able to afford one before?

“We can’t walk arm-in-arm in public,” he said, walking around you, making sure the outfit was just-right. “But you can stand by me if I stop and direct you forward.” He reached over and fixed one of your buttons. “Don’t speak to anyone unless I’ve told you to, or they speak to you first. Always address someone older as ‘sir,’ or ‘ma’am.” He pointed at your hair, and the Avox began to fuss with it, eventually covering it in a colorful wrap that Coriolanus said was popular right now. “Address someone our age by the last name and Mr. or Ms.”

When he was satisfied with your appearance, he sent the Avox away. You liked it better that way, it was one last reminder of the horrors in the Capitol, even for someone “privileged” like you.  You’d only been without your father for 3 days, but you felt like your nerves were continually on fire. You wanted to go home. You wanted your family. You wanted out of this place.

But that wasn’t going to happen.

For now, you were still living in the small university apartment the Capitol had given your father. Coriolanus insisted on it, until he could figure out how to move you into his own sprawling apartment that he shared with his cousin, Tigris (who, at least, genuinely sounded lovely) and his grandmother, Grandma’am. She was the sticking point, or so you were told, with a thin smile. She hated Districts, and she ought to, he said. They killed her son. His father. 

She would hate you, too. Even if Coriolanus wanted you enough to make you stay with him; wanted you enough to keep you. But for how long? And would he change his mind, if you couldn’t fit in? 

He said your name, and you snapped yourself out of your thoughts. He held you by your shoulders. Gently. Like one would an unruly child that hadn’t yet learned that there were such things as salad forks and dinner forks, as polite conversation and etiquette. 

You got the feeling you wouldn’t have long to learn all of those things and more, to make him happy.

“Remember,” he said. “You’re District. You’re here because the Capitol has recognized that your loyalty can benefit us in some way. Be grateful.”

“I am,” you said, reflectively.

“Be happy..”

“I am,” you said again, your chest hitching.

He smiled at you. Was it real or not real? 

You smiled back, regardless. And he liked that, evidently, because he leaned forward and kissed you. Then he scrutinized your face and wiped at your lips with his thumb--the kiss had smeared your lipstick. 

“Good.” 

He gestured towards the open doorway. This time, he didn’t take your arm. There would be too many people lingering in the university hallways, all making their way to the soiree held to celebrate the end of this year’s Games and discuss what improvements might be made for the next year. 

You dutifully walked behind him, just like he said. And you would do exactly what he said in all respects. You would stay quiet unless you were spoken to, you would certainly never bring up anything confrontational or controversial, and you would make a good impression. You would be a loyal, grateful District citizen who was given the opportunity of a lifetime thanks to the graciousness of Coriolanus Snow. 

Of course you would. 

Your life depended on it. 

[alistarascendance]

❝𝐈 𝐥𝐞𝐟𝐭 𝐭𝐡𝐞 𝐬𝐮𝐫𝐟𝐚𝐜𝐞 𝐰𝐨𝐫𝐥𝐝 𝐲𝐞𝐚𝐫𝐬 𝐚𝐠𝐨, 𝐢𝐧 𝐡𝐨𝐩𝐞𝐬 𝐭𝐡𝐚𝐭 𝐡𝐮𝐦𝐚𝐧𝐢𝐭𝐲 𝐰𝐨𝐮𝐥𝐝 𝐛𝐞 𝐚𝐛𝐥𝐞 𝐭𝐨 𝐜𝐫𝐞𝐚𝐭𝐞 𝐚 𝐰𝐨𝐫𝐥𝐝 𝐨𝐟 𝐭𝐡𝐞𝐢𝐫 𝐨𝐰𝐧—𝐛𝐮𝐭 𝙩𝙝𝙞𝙨 𝐢𝐬 𝐰𝐡𝐚𝐭 𝐈 𝐬𝐞𝐞 𝐰𝐡𝐞𝐧 𝐈 𝐫𝐞𝐭𝐮𝐫𝐧?❞

— in which, fabled legend Alistar returns from the Chasm decades after their descent, only to find themself faced with an issue: humanity, in their absence, has created a world of suffering, dilapidated by greed, and Alistar’s presence only continues to fuel their selfishness, as a living legend must kill… or be killed.

Alistar: Ascendance is a cyberpunk, dystopian romance interactive fiction that was originally intended to simply be a story, before its writer (me) decided to be impulsive and turn it into an IF.

DISCLAIMERS

this story will contain depictions of alcohol, smoking, blood, violence, profanity, mild gore, yandere behavior, toxic relationships, suggestive themes, discrimination, self-hatred, mentions of emotional and physical abuse, suicidal thoughts, an oppressive government, fictional languages and religions, real world philosophies/religions including but not limited to: cynicism, nihilism and atheism; a corrupt world, discussion of morals and human conscience, as well as other mature themes. this list will be updated as the story is written.

please keep all of this in mind while reading!

A gender-selectable MC, who you choose the name, personality, sexuality, appearance, and morals of.

A wide variety of choices to choose from that will impact your story, and the need to keep your MC sane (or just go batshit insane. That works, too).

5 male love interests + 1 secret RO, all of whom you can maintain a simply platonic relationship with if you wish, or you can just continue to flirt with them endlessly (+ a FWB relationship for some).

An enriching world and story, set in a cyberpunk dystopia (we know all of you are here for the romance though).

A powerful MC 😔😔

ROs (romance options, also referred to as LIs or love interests).

THE SURFACE DWELLER:

Seven. 21, Chaotic Good. Mechanic.

“The HIVE needs to fall. There are no exceptions—not even for you.”

The first person you meet once you arrive on the Surface, you and Seven have a unique bond. He’s got a reputation in the slums and Neon for being great at parties, but his friendliness can easily be read as something more.

Is it something more? Further observations will have to be made…

THE SURVIVOR

Saturn. 23, Lawful Evil. Bartender.

“Keep your head down, and you’ll survive.”

The quiet bartender has a curious perspective on things. He seems to have no problem with the HIVE members patrolling his bar, even serving them drinks like they’re normal customers, despite their heavy armor and edges that are too sharp to be humane.

He also doesn’t seem to be particularly interested in you in the slightest. Why’s that?

THE DIPLOMAT

“Is it better to live in quiet solitude, your voice stripped and taken—or would you rather have died, knowing your voice was the loudest amongst them all?”

Chain. 23, alignment unclear. Current occupation unknown.

He’s someone to keep an eye out for. While he hasn’t practiced his craft in years, he may still prove to be dangerous. Just as friendly as Seven, but far more difficult to truly befriend.

Obtain new information as soon as possible…

THE PUPPET

Judge me if you must. It doesn’t change the fact that I’m up here, and you’re down there.

Orion. 25, Lawful Neutral. HIVE operative.

The HIVE member patrolling Saturn’s bar. Part of something greater than he is, but he’s a part of it, regardless. Keep him around…

OTHER ENTITIES

Argos: Neutral Good. Age unknown. The deity whose spear you brandished, after his passing. He was a good man, but the fact only makes your sins rest heavier in your heart.

Teacher: True Neutral. Around ~200 years old. The chasm-dwelling shadow who taught you all you know of the Chasm and its residents.

Alistar: alignment unknown. Around ~200 years old. That’s you! You’re Alistar. At least, that’s what the world has been calling you ever since you ended the war and revitalized humanity, so that is what you will be referred to as throughout the entirety of the story. However, if you’d like to change your name (as Alistar is the default) you may!

As I am primarily an author (as in I literally have done nothing else with my life) I am new to coding (I took ONE coding club in fourth grade) and am trying to write out and perfect a chapter before converting it into typical IF form.

Once I manage to get things situated, I’ll started to code. I’m currently almost done writing chapter 4, so I’ll start working on coding once I finish it.

If anyone wants to read the chapters I’ve written until now, just shoot me an ask or message :)) I’d be happy to show you. otherwise, here are the ones I’ve posted so far:

CHAPTERS

CHAPTER ONE: COURTING DEATH CHAPTER TWO: THOSE WHO REMAIN CHAPTER THREE: TARNISHED DREAMS

asked to be tagged for new chapters!

[ratsonastick]

Blind Love

Clarisse La Rue x Fem!Reader (happy Ending)

When you return from a mission, hurt and partially blind, Clarisse finds herself growing close to you. But the day you can finally see again she grows nervous that you won't recognize her voice.

Requests are still open

Warnings: Blood, aggression

The first time everyone saw you again, you were bleeding from the eyes, crying hysterically while blindly walking through the camp woods with your friends on your shoulders.

You were a quiet and sweet girl, always with your two other friends, but even though you only had been at camp for a few weeks, you were sent on a quest. 

You didn't have time to remember people, to memorize their faces, you hoped to do that when you returned but unfortunately, you were attacked moments before entering the campgrounds for your return. 

Chiron ran to you, or at least that's who you thought it was, you couldn't see and all you could do was keep limping with your friend on your back. 

There were three of you, but Milo sacrificed himself to give you guys a chance. So you ran with Lila who hit her head, on your shoulders, until something sliced your eyes. You stumbled, screaming in pain and gripping at your eyes as you felt the blood travel down your face. 

Whatever did it to you, didn't want to kill you fell on the ground for Lila, throwing her over your shoulders once more and continuing to try and go in the direction of the camp.

You walked to the healing infirmary with two people guiding you and eventually sat down on a bed while many voices yelled in the background. 

You felt hopeless. You were hopeless, especially when they called out that Lila was dead. 

They covered your eyes with bandages, and you couldn't help but dampen them with blood and tears. 

Someone squeezed your shoulder and you only straightened your back and stayed still. “They will heal with the medicine we will provide, but you need to keep them covered … if they get infected then it's over.” A boy with a gentle voice told you. 

Holding your hand to help you get off the bed. 

They wanted to set you in your bed and allow you to finally relax but you refused. You wanted to sit in the chair on the porch of your cabin, if you couldn't see nature you wanted to at least feel it. 

And that's what you did, almost every day. You couldn't do anything else, you wouldn't talk to anyone, too devastated about what happened to your friends to try and make more. Without sight, you couldn't train, walk around, or explore. 

So you sat and simply breathed. 

But it wasn't till one day when a camper named Clarisse made the wrong choice at the wrong time. 

She didn’t know you, not many did, you were quiet before and now you were like a ghost. And talking to you did not sound appealing to her. 

So when she was walking past a camper that unfortunately left your cabin she decided to trip them because her siblings next to her dared her to. 

But then she heard a deep voice call her, Chiron. 

“Clarisse, we talked about this.” 

Clarisse let out a sigh and turned around to look at him as her siblings ran off, “About what?” 

“About your abuse towards other campers, just because your father is the god of war doesn't mean you have to always prove to him you can be aggressive.” 

You didn't know this girl, but you thanked her for saving you from Chiron. Chiron had been visiting you daily to try and convince you to do things, but you always whispered a no. 

“You need to be friendlier … help others.” He spoke once more, an idea brewing in his head “Which is why I want you to help Y/n … bring her to the lake” 

You let out a sigh, your eyebrows furrowing together in annoyance, now you couldn't say no to him. 

Clarisse looked at him annoyed, her arms crossing and she rolled her eyes. Chiron waved her to follow him and she did, approaching you as you sat there. 

“y/n, you need to get up. You like sitting in the ocean and it's time to move.” Chiron spoke, he didn't want you to think you had a choice. 

“I can't see, why would I want to go to the lake if I can't even see it.” You mumbled looking in the direction you thought he was in. “You still have a few other senses you can use to enjoy yourself there.” 

You sighed once more and turned your head away from him “Again. I can't see … how you plan on getting me there.” 

Chiron let out a chuckle ‘Well this is where Clarisse will come in clutch.” Clarisse looked at Chiron with anger, she did not want to help you, she had better things to do than this. 

Chiron grabbed your arm and helped you walk to Clarisse and gave her your arm. 

When he went to leave he placed his hand down on her shoulder “You can't hurt the blind … it's unfair.” 

While he walked away he chuckled “Maybe you'll learn a thing or two about being kind, Y/n is a good one.” 

Clarisse looked at you, her tongue poking the side of her cheek in annoyance. When she thought you’d say something to her, you didn’t. 

“Are we going to move?” you finally spoke up, your arm frozen in her grasp. “Oh…” Clarisse mumbled as she led you down the steps and the dirt paths. 

She didn’t mind the silence, she found herself enjoying the company without feeling the need to always be talking. 

Every once in a while, she found herself looking at you, how you still moved your head around as if you were looking for things to see, but instead it was only the sounds. She took notice how every once in a while you'd stumble and your grip would tighten on her arm. She noticed all these things and enjoyed them. 

When you finally arrived at the Lake, Clarisse picked a good spot and sat you down and then sat right next to you. 

She never really liked the water, always finding it aggressive, and not in a delightful way, and she hated how the sand always got caught in her hair. But she took notice of how your shoulders softened at the familiar sounds that you had kept yourself from for weeks, and she found herself smiling. 

“You like the water?” Clarisse asked softly, finding herself caring if you were ready to talk yet or not. “Yes … I grew up by the ocean, it makes me think of better times.” You mumbled, your fingers digging into the sand. 

You hate the sand, but you still find yourself touching it trying to remember those times you played with it when you were younger. 

Clarisse looked away from you and back at the lake, she wanted to hate Chiron for making her do this, but she couldn’t. 

After a few moments, Clarisse looked back at you and memorized your face, she wondered what your eye color was and if they matched your personality. “Do you want to … touch the water?” Clarisse thought for a moment, looking around at things to do. 

You had been sitting there for a while, soaking in the sun, she wasn't sure if you were bored. You nodded your head and stuck your arm out for her to grab, and she quickly took your hand, pulling you off the ground and slowly walking you toward the water. 

The waves were small, making a limited amount of noise, but the scent still wavered in the air. You walked closer to the water, Clarisse held a loose grip on your hand not wanting to hurt you, and then you finally touched the water. 

It was refreshing, almost felt like a new start to you, as if you were finally willing to try and live your life instead of sitting around all the time. 

You inhaled softly as you stood there, and Clarisse did the same, finally looking away from you and out at the water. Watching the campers row small boats and splash each other with the water. For once she didn't feel the anger she constantly felt, a part of her wanted to thank Chiron, but instead, she silently thanked you. 

After an hour you finally voiced that you were done, so Clarisse started to lead you back to your cabin. But instead of the usual route, she took a longer path, wanting you to spend some more time walking instead of going back to your cabin where you would sit back down. 

You knew what she was doing, you had noticed the difference in paths and how long they took. A part of you wanted to ask why but you kept quiet. 

Eventually, you got back to your cabin and she helped you to the door, you carefully opened it and felt around, following the string some of your younger siblings had set up for you to follow. 

Clarisse watched as you went inside, she knew you couldn’t see her standing there, so she took her time leaving. 

Every day she would go back to your cabin, saying it was Chiron who was making her help you but in reality, she just wanted you. 

You started to open up to her, showing the lively personality that you had lost during the attack, and Clarisse loved it. 

Things were perfect for both of you until it was the day to get your bandages off along with the stitches for good. While on your usual walk, you told Clarisse and for a moment you heard silence. 

“Aren't you excited for me?” You asked softly squeezing her arm gently and you heard Clarisse hum softly “Yeah –” 

“Will you be there for me?” you asked once more and you heard a soft hum from Clarisse again. You didn't think anything of it, but deep down Clarisse was upset. What if you saw her for who she is, an ugly person inside and out? 

Later that day you went to the infirmary, sitting down on the bed with your foot gently shaking at how excited you are. Will walked over to you and started to unwarp your face and you heard the door open, figuring it was Clarisse you asked someone “Is Clarisse here?” 

Will looked behind him and saw her, but before he opened his mouth Clarisse shook her head at him, staying near the door she waited. She didn't know why she didn't want to stay with you, she was always curious what your eye color was, but she still had that unfamiliar feeling of embarrassment. 

“No … she uhm isn't,” Will answered you, and he noticed how your shoulders visibly fell in disappointment. A feeling that maybe Clarisse didn’t like you flooded your mind but you quickly tried to brush it off. 

Will finally had the bandages off and started to unstitch your eyes, right before he finished Clarisse had left, not wanting you to see her. 

You quickly opened your eyes, looking around, everything was so bright. You smiled and thanked Will, walking towards a mirror and pausing in fright right in front of it. 

There were scars left behind, you were disappointed, you felt ugly and all you wanted to do was talk to Clarisse, but you had no idea what she looked like. 

“They'll disappear eventually don't worry Y/n” Will comforted you and you only nodded and smiled. When you walked around Camp you asked some campers where Clarisse was but they all either said they didn't know, or it was best if you didn't know. 

After an hour of searching you went back to your cabin defeated, it was nearly noon and campers were leaving to go get dinner, but you weren't feeling hungry. 

As you grabbed onto the railing, a habit of yours two hands covered your eyes which made you let out a yell. 

“Sorry!” the voice responded, and you immediately knew who it was. You turned around and saw her in all her glory, Clarisse. 

She was pretty … really pretty. You furrowed your brows together, forgetting why you were upset for a moment until you remembered. 

“I don't want to talk to you,” you spoke before turning around and walking up the stairs. Clarisse was quick to follow “Wait!” she grabbed your shoulder and turned you towards her, her hand running down to hold on to your arm. 

She stared into your eyes for a few moments, memorizing the colors and the way your pupils changed sizes when you looked at her. 

“Stop looking at them,” she looked puzzled for a second “At what?” 

“My scars,” you answered as you turned to look away, a part of you didn't want her to see you looking like this, “Why? They look badass” she mumbled, bringing her hands to gently touch them, which for a moment startled you until her fingertips started to feel nice against your skin. 

“You weren't there,” you mumbled quietly looking back at her, “I was … just didn't want you to see me.” she spoke softly back, her eyes still memorized by you, “But Will said-” 

“I told him to lie,” she responded quickly, her hand finally dropping, leaving your skin feeling colder than before. “Why?” 

“I just … was feeling insecure, wanted to look my best for you.” She spoke with a smile, and you took the time to lock away the memory of what her first smile looked like. “And why would you want that?” you asked even softer, allowing Clarisse’s hands to travel down your arms towards your hands. 

“Are you blind?” she asked in a bit of an aggressive voice, which startled you for a moment, but you did tell her you wanted to see all of her one day. “I like you.” She admitted shamefully, her hands trying to reach for your hips. 

While she waited for a response, she prayed to any god or goddess to help her, she wanted this to work out. 

“Do you think I would have stayed around to listen to you tell me about cartons if I didn’t like you.” She spoke up once more which made you smile, and Clarisse took notice of how your eyes and nose scrunched together when you smiled at her. 

She liked it. 

You both moved closer, not realizing it at first “I like how you aren't disappointed in how I am … or what my hands have done in the past.” she mumbled before she quickly kissed you. Her hands tighten around your waist. 

Through each kiss she mumbled another thing she liked about you, trying to convince you more that she liked you. 

“You're the person I want to crawl home for.” She admitted as she pulled away from your lips, her hands still in the loopholes of your shorts. 

You smiled and brought your hand up to touch her face, and you took notice of how she flushed a darker red at the touch of you. “I like you too Clarisse,” you smiled as you kept your eyes connected to hers. 

For a moment you forgot about everything until you heard a voice in the background, it was Chiron clearing his throat, “You ladies best get to dinner.” He let out a soft chuckle as he walked away. 

[fangsforiris]

hello can you do this but with the sakamaki brothers please and thank you so much if you do 💙https://www.tumblr.com/fangsforiris/754832768603750400/mukami-jealousy-hcs?source=share

Sakamaki Brothers Jealousy HC’s

— — — — — — — — —

Shū:

• He wouldn’t be as outward with his jealousy, if anything it’d be subdued.

• But if he is jealous, you wouldn’t know it.

• If there’s one thing he’s good at, it’s feigning ignorance and placing a wall.

• Canonically in the HDB and MB Anthropology Manga, Shū gets jealous by stupid things, and is in a sense, comical with it.

• He wouldn’t get fussy like Kanato or Ayato.

• More so annoyed that he’s finding himself attached to someone at this level again.

• All of the boys have a certain level of possessiveness, so it’s not shocking if Shū displays his in lethargic and apathetic fashion.

• He values those close to him, so he wouldn’t want to give away what’s his so quickly. That’s where a lot of the motivation towards being jealous can come from.

Reiji:

• Definitely stern and set with it.

• He takes his jealousy seriously, and wouldn’t want to find himself jealous over anything ‘stupid’ or ‘over the top.’

• Reiji will 100% pull his S/O aside and confront them head on about what bothers him.

• Although, at times he can choose to let it linger, waiting for his S/O to figure out what’s bothering him themselves.

• Almost like a game if anything, all at his S/O’s expense.

• He has no problem with punishing his S/O and blaming them for any unwanted advances or attention being made at them.

• His jealousy is more so triggered by Shū and anything to do with him.

• It sends him into a bit of a frenzy, since it’s all linked to his underlying inferiority complex. Which results in his own diminution of his own talents, which can come off as borderline masochistic.

Ayato:

• You’d know right off the bat if this man was jealous.

• He makes no attempt at concealing his true feelings when it comes to his S/O.

• If he’s upset, don’t be shocked when he does take certain things into his own hands.

• That being, if his S/O is being flirted with in front of him, he has no problem with exhibiting violence to show he possesses someone.

• Ayato is all about possession, and is easily one of the most possessive characters.

• So if he thinks his placement is being threatened, he will react in earnest.

• His jealousy can border the lines of unhealthy and obsessive.

• He’d try his best to resist the urge of marking his prey to showcase his property, but at the end of the day, what good would it do if not even his prey can see the faults?

Kanato:

• Easily one of the most explosive individuals to come into contact with.

• You’re threatening his place in his S/O’s life? It’s like alarms and warning bells going off in his mind.

• Due to his extreme mental instability and heavily implied bipolar disorder, he will switch up instantly if Kanato feels attacked or under heavy scrutiny.

• He has no problem with playing pouty and creating a fuss to appeal towards the ‘lolita’ and ‘cutesy’ side he likes to portray to the outside world.

• But in private? He’s a blamer or victim blamer 100%

• He will pin it all on his S/O, even if the circumstances were unavoidable towards his S/O. Kanato does not care.

• He will get physical. As seen within his routes, he does have temperament issues.

• So even if he does subdue himself from having any physical reactions, his S/O is in no way getting out of the heavy verbal abuse coming their way.

Laito:

• Laito is known to put up a wall, almost like Shū, in terms of concealing his true feelings.

• If he’s jealous, it’ll be in the subtext that one would have to take out to fully understand him.

• Laito is someone who, when jealous, wouldn’t want to admit it.

• With his horrible track record with others, he has a slight fear towards true love and the feelings that come with it.

• So for him being jealous, it would subconsciously tear him apart more than his S/O, if anything. That is, if he was to pursue punishment.

• He’d be sure to make his usual perverse remarks, doing anything to not seek out of the ordinary.

• As seen within his routes, he can switch whenever, keeping the Player and Yui on their toes. Expect that for his S/O.

• He’d keep more of an eye on his S/O, lest he becomes left in the past of his own ghosts and worries. It’ll all come in a full circle with Laito, with whatever he does, he knows to expect it to come back at him. Almost like karma.

Subaru:

• Subaru is quite aggressive. Just as an individual and how he can come off at times with his reactions and over the top emotional moments.

• So he wouldn’t take to it kindly with being placed in a position where he’s to be the jealous one.

• There’s two ways it can go. Either he’s flustered and embarrassed about feeling this type of way for his S/O, or he’s viscerally upset at the notion.

• As an individual, it depends on the situation and if he were to get physical with the person/object that is creating this feeling of jealousy within him.

• He’d subconsciously resent himself for feeling these emotions.

• As if someone like him didn’t have the right to even love, much less feel the need to have ownership over someone who didn’t feel the same way back.

• If he’s questioned about it by his S/O, he’d either respond with anger directed towards them for allowing it, or simply shut off and ignore their complaints/queries.

• Subaru tries to be complicit, but with his internal inferiority complex and hatred towards himself, it acts as a conduit for his conflicting feelings.

[immaturityofthomasastruc]

IOTA Reviews: Representation

Oh, so NOW child abuse is bad. Could have fooled me last episode!

Let's get into the twenty-fifth episode of Miraculous Ladybug's fifth season: Representation

We start off with an English news report recapping the ending of “Revolution”, stating that Ms. Bustier is going to run for mayor, conveniently ignoring her attempted coup in “Collusion”. We also see that Gabriel and Tomoe are still uncomfortably focused on making Adrien and Kagami appear to be a couple in public, much to their dismay. While Kagami is visited by Argos (who once again sneaks up on her, like he usually does), Adrien realizes he can transform into his space form and see Marinette whenever he wants and transforms into Cat Noir, planning to reveal his identity to Marinette. Hey, did he even tell Ladybug about his sudden departure? Because it didn't go well the last time he left Paris without telling her (New York Special).

We then cut to Marinette right after the events of “Revolution”, going to the end of the year dance... even though when we saw Adrien and Kagami in London, the sun was still setting, and France's time zone is only about an hour later, meaning Adrien and Kagami must have flown there at ludicrous speed.

Meanwile, Argos and Kagami somehow got from London to Paris offscreen, and watch Marinette from afar, with Kagami revealing she knows she's Ladybug. They decide to tell Marinette that Felix knows who Monarch is in order to ensure his downfall. Nah, I'm just kidding. Here's the real reason they're coming to Marinette for help.

Kagami: My mother and Gabriel Agreste will never allow us to love each other freely. Only Ladybug can help us.

Yep, rather than prioritize the fact that Gabriel is endangering the citizens of Paris on a daily basis, Kagami is seriously more concerned about her relationship with her boyfriend being tampered with. This is like saying Lex Luthor is evil because he cheats on his taxes. Argos transforms back into Felix, and... oh, for the love of God... he disguises himself as Adrien in order to get closer to Marinette. You can't keep portraying Felix as this master of disguise if he only has ONE disguise!

Marinette sees “Adrien” and assumes he came back from London from her, assuming her boyfriend is much more active that the writers actually believe he is, so she tries to follow him while avoiding the guests at the party. Meanwhile, Gabriel and Tomoe learn their children are gone, so he goes to talk with Nathalie and—why the hell is she like that?

Seriously, this has never been established as something that happens when someone uses the broken Peacock Miraculous. Why didn't this happen to Emilie? She looks pretty healthy in her little coffin, and I doubt Gabriel is an embalmer.

Anyway, after Nathalie once again reminds us that she hates Gabriel, but not enough to call the cops on him, Gabriel transforms into Monarch and immediately detransforms back in order to akumatize himself into Nightormentor.

Nightormentor is a pretty average recolor of the Collector's design, which kind of makes sense, considering that Gabriel himself intended the Akuma for himself. The star pattern is okay, but there's not much I can really say. As for his powers, he's just another Sandboy, being able to force people to hallucinate their worse nightmares, only instead of a pillow, his weapon is a staff created from a pen containing the Akuma, with the Horse Miraculous' Voyage to boot. Why he didn't just give himself the same powers he gave Truth when he's trying to find Adrien is anyone's guess.

Cat Noir arrives at the Eiffel Tower to talk with Marinette, just as Nightormentor appears. The two fight, and after a few civilians get caught in the crossfire, Nightormentor escapes through Voyage. As Cat Noir heads to the Dupain-Cheng bakery at the advising of Max, Alya and Nino decide that the totally not useless Resistance should get involved.

While Marinette gives chase, Felix leads her into the school's art classroom, where he transforms into Argos and creates a Sentimonster using Kagami's ring. Felix and Kagami use the Sentimonster's power to do... uh... whatever the hell this is.

Yeah, this is basically a flashback, but the animators probably blew their budget needed for the new models on Ms. Bustier's baby bump, so we're getting this instead, thanks to the Sentimonster Argos created. There are several scenes of Cat Noir and Nightormentor interspersed, but like what I did with Marinette's flashback in “Derision”, I'll give you the summary before I talk about my problems with this.

When Adrien's mother and aunt, Emilie and Amelie, were born, Emilie (who was born seven seconds early) was trusted with the family heirlooms, the two rings we first saw all the way back in “Felix”. Even though this meant she would inherit the family name, Emilie didn't really like doing... whatever the Graham de Vanily family wanted her to do, but Amelie did. Eventually, while studying abroad, Emilie met Gabriel, and the two fell in love. Before marrying Gabriel, Emilie gave up her role as the sole inheritor of the Graham de Vanily family's vague legacy, while Amelie married a man named Colt to please her parents. Both couples wanted children, but it's heavily implied that Emilie and Amelie were infertile, so their wishes weren't able to come true. Emilie finally managed to get a bun in the oven thanks to the Peacock Miraculous, but this made Colt jealous that he couldn't have a child. Out of the goodness of her heart, Emilie asked Gabriel to give the Peacock Miraculous to Colt, in exchange for letting the Gorilla guard Adrien in the future. Using his own jealousy as a source of power, Colt got Amelie pregnant, though at the cost of his health. Colt figured this was the price he had to pay for using “sorcery”, and used this as an excuse to treat Felix like a monster and ordered him around using the ring containing his Amok. Felix himself was unaware that he wasn't human until Colt accidentally broke the ring (which wasn't one of the two wedding rings used to control Adrien and was an entirely different ring containing Felix's Amok), which he stole as soon as Colt died. This is meant to explain why Felix decided to steal back the Peacock Miraculous, in order to save his life. Felix later met Kagami, and the two explain that they need “Someone like Ladybug” to help them.

Now if your only information about this episode is through my summary, it seems simple enough. For everyone else who actually saw this sequence in the episode itself, I'm guessing your thoughts were about the same as mine.

Let's go over every problem I have with this scene, starting with...

#1: The Way Kagami and Felix Explain This

Let me just ask something: Why can't Felix just talk to Marinette about what he knows since he now knows she's Ladybug instead of telling her everything through this weird play? You can still tell Marinette all of this without your two-man show. In fact, why did Felix have to wait until he knew Marinette was Ladybug instead of just talking to her the next time he saw her? Yeah, you could argue it's easier this way, but like I've been saying since Season 4, Felix has had no excuse to wait this long to tell Ladybug about the fact that he knows who her greatest enemy is.

And why the hell is it presented this way? Why does Felix have to recontextualize the story of his family's history in the form of a play? Why turn it into a stereotypical fairy tale that leaves out the names of all the important people, like Emilie, Amelie, Colt (whose name I only learned through the transcript of this episode), and Gabriel? If it was like a hidden message Felix and Kagami wanted to convey to Marinette, that would make sense, but why do they have to be so cryptic when they're only putting this show on for one person? You could easily avoid a good chunk of the questions this raises if this was a show Felix and Kagami put on for the public that Marinette was able to learn the information from. Yeah, it still wouldn't explain why Felix can't just tell Marinette about who Gabriel really is, but at least it's something.

The way it all happens kind of reminds me of this scene from this old Halloween special I saw a lot as a kid, Scary Godmother: Halloween Spooktacular. In that scene, some of the kids act out a scene of this little girl's parents entrusting her with a flashlight to explain why she carries it around, in order to scare off any monsters she runs into, using the graveyard they were in as a makeshift set. This scene works a lot more because it's done in more of a tongue-in-cheek way, with some of the kids breaking character to boost their own egos (for example, the kid playing the mom comments about how responsible she is), and how one kid in particular gradually gets fed up with the whole thing. The scene does its job at delivering exposition in a way that isn't meant to be taken too seriously, and it's clear this is being done by some kids goofing around in-universe.

With this episode, it's clear that the writers want the audience to take this whole backstory seriously in spite of how absurd it all is. Seriously look at this.

We are seriously expected to take this backstory seriously when it looks like some theater major's midterm project. The animators want it to look artsy and unique for the sake of making it look artsy and unique. Why does it look like a play these two put together themselves if they're supposedly using a Sentimonster's power to do it? If the unnamed Sentimonster's powers is how Marinette is seeing all this, why can't it actually be seen as a flashback? Was it always intended to be a handmade play that was changed to the product of a Sentimonster at the last minute?

I get that the animators probably wanted kids to pick up on the visuals of the play, but even then, it makes it hard to really stomach the serious themes this backstory brings up, like infertility and child abuse, with the way they're presented. Not only do Felix and Kagami all play the characters using these white jumpsuits and masks, they also do all the voices, meaning that the only “dialogue” we hear from Colt is delivered by Kagami putting on a deeper voice. Let me repeat that: the only times we hear Colt, the abusive parent and all around garbage human being, talk, it's done by a teenage girl trying to make her voice sound deeper.

But hey, maybe the goofy voice will be overshadowed by the nuanced depiction of child abuse, right? Right?

#2: The Portrayal of Colt and the Double Standards Regarding His Treatment of Felix

I have never seen a single show struggle this much to convey a lesson as simple as “Child abuse is bad”.

When it comes to the parents in this show, terrible parents like Gabriel, Audrey, and Tomoe are almost never held accountable for the way they treated their children. If the writers aren't claiming they really love their children deep down, they're either downplaying how cruel they are at best or playing their behavior for laughs at worst. But here we are, the penultimate episode of the fifth season, and we finally have a parent who is unambiguously treated as a terrible human being with no redeeming qualities... and I still have problems with this.

This flashback really goes out of its way to let the audience that Colt was a real piece of scum in life. He only wanted a child out of jealousy, used his Amok to force Felix to do whatever he wanted, was heavily implied to have physically beat him at times, and blamed him for his poor health on his deathbed when he was the one who wanted to use the Peacock in the first place. Now that I think about it, why did Colt even use the Peacock to create Felix instead of Emelie? Was the episode so determined to paint Colt as a bastard that he wanted to be the one to create Felix himself?

The point I'm trying to make is that the show doesn't really explain why Colt was like this. Why was he such an angry man who treated his only child like crap? I don't know, because all the show's telling me is that he was just a dick. He honestly feels more like a caricature than anything else. He's only as terrible of a person he is in order to make the audience sympathize with Felix. I'm not saying that what Felix went through was okay, but it has the same energy as scenes of Gabriel talking to Emilie's body. It's mostly there to make the audience sympathize with an antagonistic character in spite of all the things they've done.

What's really weird is that even though the whole point of this play is so Felix can tell Marinette Gabriel is Monarch, so what does Colt have to do with this? I'm not saying he's not worth mentioning, but it makes no sense for Felix to tell Marinette about his abusive father before he tells her about Gabriel. It feels more like Felix wants to find a way to excuse his actions before telling Marinette about Gabriel being Monarch. And remember when “Derision” made a big deal about Chloe's terrible parents not excusing her actions? Funny how that conveniently doesn't apply to Felix in this episode.

In fact, let's talk about the elephant in the room: The fact that this episode aired right after “Revolution”, an episode that literally said a character living under an abusive and controlling parent was a fitting punishment for her. HOW THE HELL IS THIS ANY DIFFERENT FROM THAT? If anything, this episode really shows the double standards this show has about child abuse, how the only way your situation can be taken seriously is if you're a “good victim”. Chloe's a “bad victim”, so she doesn't get any sympathy when her mother outright says she's going to take control of her life, yet when Colt actually takes control of Felix's life, we're supposed to sympathize with him now. Why am I supposed to feel bad for Felix now when you just told me I shouldn't feel bad for someone in a similar situation last episode?

In fact, one theory I have about this backstory is that it was intended to kill two birds with one stone, no pun intended. I believe that this episode wasn't just written to give us more insight into who Felix is as a character, but also to show the audience what “real” child abuse is like. As far as the show is concerned with Gabriel, Audrey, and Tomoe? They're not actually abusive parents, Colt is, so you should condemn his actions, and not those three. It's blatant double standards, which is nothing new for this show.

#3: The Way Amelie Just... Lets This All Happen

In my “Derision” review, I discussed how strange it was that so many people in Marinette's life did nothing to help her against Chloe, and the same thing applies here with Amelie.

This episode never really explains where Amelie was when Colt was abusing Felix, much less if she was even aware of it. At least with Marinette's parents, they didn't know because most of Marinette's suffering was at school. Amelie lives with Felix and Colt, so what's her excuse? She seriously didn't overhear Colt yelling at Felix or notice the orders Colt gave Felix? Was she just that ignorant to her child's suffering? Remember, this is supposed to be Felix's good parent.

In fact, does Amelie even know Felix is a Sentimonster? Yeah, “Emotion” established that Amelie knows Felix is Argos, but this episode doesn't really make it clear if she knows Felix is a Sentimonster or not. If it was clear Amelie knew nothing about what Felix really was, it would arguably make things easier to stomach, as she wouldn't know the power Colt had over him.

Instead, even though she's Felix's mother, the show doesn't really explain what she actually did when Colt was making Felix's life a living hell, especially since the flashback says that Amelie was forced to marry Colt, so you can't even say she was blinded by love here. Hell, I'm not even sure if Amelie knew the cause of Colt's untimely passing.

#4:This Doesn’t Really Do Much to Explain Felix’s Actions

Now before you say I'm being insensitive, let me make one thing clear: My issue isn't with the fact that this was done to get the audience to sympathize with Felix. The problem I have is that the backstory doesn't do enough to explain why Felix did the things he did.

Okay, Felix wants the Peacock Miraculous. Understandable, he doesn't want to die, so he has to do morally questionable things to preserve his life like betraying the only person capable of stopping the man who can kill him. What's less understandable is his plan to get the Peacock Miraculous from Gabriel. You'll notice that the backstory didn't mention Felix's first appearance, where he only stole the rings belonging to Amelie's family, and he didn't even think to look for the Peacock. Instead, it cuts from Felix realizing he's a Sentimonster to him striking a deal with Gabriel, not even mentioning that he gave Gabriel back one of the rings as part of the deal, which still makes no sense.

If Felix's goal from the start was to get the Peacock Miraculous, why did he bother stealing all of Marinette's Miraculous as a bargaining chip for the deal instead of the family ring? In fact, why did Felix even steal the ring and wait an entire season to trade it back to Gabriel for the Peacock a season later? And for someone who claims to care about Adrien, he really didn't see anything wrong with giving Gabriel one of the two rings capable of overriding his free will.

As a matter of fact, why the hell is Felix even so hostile towards Adrien? Why did he go out of his way to smear his reputation in his debut episode if all he wanted to do was make a bargain with Hawkmoth? In “Risk”, he mocked Adrien for how he talked, while Adrien himself was aware of how he made him look bad in front of his friends, and that's not even getting into how he made himself look like Adrien as part of his plan to betray Ladybug, which would have screwed him even more if Adrien wasn't already Cat Noir. For someone who claims he wants to protect him from Gabriel, Felix really doesn't care about his cousin all that much.

In fact, why does Felix even hate Gabriel at all? The show hinted that the two had a history, yet during the backstory, which I need to remind you, was told from Felix's perspective on the events, has a surprisingly generous portrayal of Gabriel. Did Felix know Gabriel was Hawkmoth/Shadowmoth/Monarch during his first appearance? Does Felix blame Gabriel for how Colt treated him growing up? Does Felix hate Gabriel for how he treats Adrien? Did Gabriel intend to get Colt sick in the first place? Seriously, what is Felix's deal with Gabriel?!

How does a flashback organized by Felix himself do nothing to really explain why he did the things he did?

#5: The Fact That There Are STILL Several Unanswered Questions Here

For something meant to fill the audience in on several important topics, there are still so many questions about the history of the Agreste and Graham de Vanily families.

Other than the vague backstory about them being rich, we still know nothing about Emilie and Amelie other than them being rich and possibly infertile. We don't know if Amelie ever loved Colt, if she knew he was abusing Felix, or if she even knew if he used the Peacock to play god.

On a related note, why did Emilie and Gabriel decide to use the Peacock Miraculous to create a son instead of adopting? Scratch that, why did she specifically create a Sentimonster to give birth to like a normal baby? Was there some kind of Macbeth-esque guideline that Emilie had to give birth to a child in order for said child to get the inheritance? Did she use the ring to control Adrien like Gabriel does now? Seriously, this is the character the show's conflict is all based around, and we still know nothing about her other than the fact that she was nice.

This flashback just makes no sense, and is such a stupid and confusing way to deliver exposition.

Anyway, during all this, Cat Noir and Nightormentor are fighting, and for the third time this season, Cat Noir attempts to Cataclysm him someone, even when he had Nightormentor pinned down. Nightormentor breaks free and hits Cat Noir with his magic dust, causing him to hallucinate... Cat Blanc?

Yeah, the script calls this form “Anticat”, but given how it looks like a reused Cat Blanc model coupled with the petrified people of Paris, this is clearly meant to bring Cat Blanc to mind. The problem is that NEITHER CAT NOIR OR NIGHTORMENTOR KNOW ABOUT THAT. Why would you remind audiences about an Akuma that technically never existed?

Better yet, is this what Cat Noir trying to his Cataclysm on people this past season (Destruction, Jubilation, Derision) has been building up to? The fear that he'll lose control? You could have fooled me, as he never really showed that much remorse for almost hurting people other than Monarch. Yeah, you could argue that because Nightormentor based his hallucinations off his victims' worst fears, but again, this fear had little to no buildup this season because Cat Noir never felt any guilt for Cataclysming Monarch after “Destruction”, and whenever tried to use his Cataclysm on other people, Cat Noir never really realized the weight of his actions. If you want to make a character arc about Cat Noir worrying about hurting people with his powers, go more into the guilt he feels for hurting Monarch and using that guilt to affect his actions. Don't just use some “Cat Blanc” nostalgia bait to convince the audience that there's been a character arc.

Nightormentor takes advantage of Cat Noir's emotional state to get his Miraculous, only for the Resistance to save Cat Noir by... throwing stuff at him. And this is how they defeat him. While Nino, Alya, Ivan, and Zoe distract Nightormentor, Kim and Max help Cat Noir focus, Cat Noir Cataclysms Nightormentor's baton.

Zoe traps the Akuma in a jar, Cat Noir doesn't take it, he heads off to detransform and confess to Marinette, only for the hallucination to still affect him since Ladybug didn't use Miraculous Ladybug to fix the damage, and even though he knows it's just a hallucination, he still uses it as a reason to not reveal his identity to Marinette, even after Ladybug de-evilizes the Akuma herself.

The episode ends with Gabriel and Tomoe locking Adrien and Kagami in these white rooms while under heavy surveillance to ensure they won't escape, vowing to start “Operation: Perfect Alliance”. Because these two like using the word “perfect” more than they like subjecting their children to what one of my anons referred to as “white torture”.

Because that's a good way to keep your children under control: psychological torment.

Other than the stuff with Felix and Kagami, this episode was pretty dull.

There's just not much I can really say here. The plot was barebones, all Marinette did was listen to Felix and Kagami's story so the writers didn't have to involve any of them in the main conflict, and even Cat Noir confronting his akumatized father doesn't have a lot of weight to it because towards the end, it focuses more on Adrien's nightmare instead of his relationship with his father.

This episode is nothing more than a prologue for the final battle. It's only here to establish Adrien and Kagami's presence in London, Marinette learning Gabriel is Monarch, and even more setup for Gabriel and Tomoe's final plan. And trust me, the buildup will be far from worth it.

THE BIGGEST IDIOT OF THE EPISODE IS... FELIX

It's amazing. The only time this season Felix goes out of his way to actually help Ladybug, and he still screws it up. He abducted Kagami from her hotel in London without thinking of Tomoe hunting him down again when that was the entire plot of “Pretension”, only decided to tell Marinette he knows who Monarch is because he's getting in the way of his relationship with his girlfriend, did so in an unnecessarily convoluted way, and even though he made a big deal about not wanting to use Sentimonsters in his last appearance, he still used one to tell Marinette his life story instead of just saying “My uncle is Monarch”.

And if you think Felix will get a chance to truly redeem himself in the finale, think again, bucko. Other than a brief cameo, this is the last thing he'll do this season. Aren't you glad the writers made this character prominent for seven episodes over three seasons and did nothing else with him?

[kining-the-evil]

May I request a yandere house, Wilson, and chase (separate) with a fem autistic reader, please?

Yandere!House MD Characters with an Autistic Darling

Summary: Will include headcanons for Chase, House, and Wilson

Warnings: Yandere themes, mental manipulation, emotional abuse, slight frustration with reader by chase, autistic!reader. I kept it gender neutral.

Reminder, everyone with autistic is different and certain aspects are more visible in some and less in others.

Taglist: @tuttifuckinfruttifriday @flowercrowns-goodvibes

House MD master list All Master lists

House:

This man is so goddamn autistic.

Anything you do that may seem weird or off to others he doesn't even think twice about.

You're overwhelmed by everything around you? Here, he brought your noise canceling headphones.

You don't want to go to a social gathering? Perfect, neither did he.

You're blunt and to the point? He's never offended by it.

Depending on what your special intrest is it will be a 50/50 chance that he will be supportive.

If it's something he can find intrest in, you both will obsess over it together.

But if he finds it stupid/a waste of time be ready to get berated for it. House will make sure to let you know how he feels about it.

But if you ever get in an argument, are upset with him, or anything else he will buy something to do with your special intrest as a way to bribe you.

If his yandere tendencies are at the point of kidnaping he would do his best to abide by any rituals and sensory issues you have, but he still thinks about his own first.

Wilson

Wilson has been dealing with house for years, so he doesn't have many issues really.

Everything in the house is in a way he knows you like. furniture with textures you can't stand are gone, he makes sure to stock plenty of your favorite foods with the right brands, if you need any extra sensory things (like a sensory swing) he's buying it and setting it up in the house.

He would love anything your special intrest may be, not matter how weird or creepy it might be.

Wilsom will listen to you for hours about whatever it is you're interested in. He basically learns as much about it as you do because you just reread facts to him about it.

Wilson would infantize you a bit, which will be frustrating.

He's a natural caregiver, so he wants to take care of you. And seeing you have something that can make life more challenging will make him want to take care of you even more.

It doesn't help that him as a yandere is very underhandedly manipulative. Twisting his words to confuse you.

Chase

Chase has the least experience in this department.

I think he would underestimate just what it's like to be with someone who has autism, leaving him unprepared.

He doesn't get why you refuse to use a specific blanket, or why you won't eat your favorite food just because it's a different brand.

Chase is an argumentative and controlling yandere, so he may see them as you just being disobedient at first.

It would take a few breakdowns on your part for him to realize just how much these things effect you.

He would try to be more understanding, but he slips up a lot.

One thing he will push you to a lot would be social situations.

He wants that picture perfect relationship, which includes you going to stuff with him.

He does try to give you forewarning about events and some alone time before and after, but if you embarrass him during you better be ready to deal with the yelling when you get home.

[birder-of-remnant]

A Story Done Right

Kill Bill, The Princess Bride, Blue-Eyed Samurai, Wrath of Khan. Our media is saturated with revenge stories. Even children's tales often have revenge as a sweeping premise (e.g., the countless Star Wars villains as a modern example, but older tales such as Cinderella were even more rife with vindictive messages). And to be honest, I have never cared for this plot type.

Revenge stories are usually violent, merciless, myopic, and pretty disregarding of 'collateral' losses. Not all, but most lack any type of interesting moral symbology and substitute dynamic storylines and complex character development in lieu of exciting action scenes and a prosaic fixation on bloodshed. There are certainly exceptions to this, many of the titles I listed above actually have a lot of great things going for them. But I would say that these qualities are in spite of their focus on revenge and not because of it.

And there are an endless number of animes, movies, books, and other stories based on revenge that simply do not appeal to me (not judging other people if they like violent action media, just not my personal taste). Most of the time, I am just left feeling empty at the end, like Neo after volume 9.

But there is one exception to this theme. One revenge story that leaves me feeling whole, not empty. From the banner image, I think it is pretty obvious which story it is. This is my own highly subjective opinion, but I truly believe that the fight with Adam represents the perfect revenge story. And here is my reasoning.

Revenge is Not The Hero's Purpose

In too many stories, the premise begins with douchebag 'X' killing damsel 'Y', leading to hero 'Z' killing a lot of henchmen and blowing up a lot of buildings all for the singular purpose of making Mr. X pay. Once they achieve this purpose, they look around aimlessly before wandering off to have a milkshake or play golf or something. Yeah well, this story does not do this. Killing Adam was never the objective for Blake and Yang, because they have actual goals that involve saving people and not just executing some vendetta.

Don't get me wrong. I love redemption stories, I find them so much more satisfying, especially when the character in question has to struggle to overcome the gravity of what they have done (note: a redemption arc does not mean instant forgiveness, it might never end with actual for absolution for what they have done). I love Emerald's story and think it has a lot of interesting twists that it can take. But there are some characters who are just too far gone to save. And Adam fits that perfectly.

He has a tragic backstory and I truly pity him. But he is also an abusive, murdering shitlord who manipulated and groomed Blake (I wouldn't be surprised if he physically or sexually abused her, which is somewhat implied by her frequently defensive body posture, but is not definite). He kills out of spite and represents Yang's demon, who she could have become. It was cathartic to watch him fall, but I am ever so grateful that his demise was not the purpose of Blake and Yang. Because killing him out of spite for what he did to them would not be much different than the way he lashed out at others for the traumas that he has endured. Some might call it justice, but justice and revenge are two sides of the same coin and the edges between them can be blurry.

The point is, Yang and Blake are so much more than Adam. They killed him out of necessity, not out of hate.

They Are Set on the Future

As I mentioned, I often feel empty at the end of a revenge story. When the villain lies dead within a pool of their own blood and the hero has achieved everything they sought to accomplish, what more is there really? Often, I feel like the story has reached its ending without really achieving anything of note. Often, without really making the world a better place. A plot about revenge is not the same as one about taking someone down to save other people. The former is what Adam wanted and it would have made the world a worse place. But Yang and Blake are protectors. The fight was exhilarating and satisfying, but it ultimately humanized these characters whereas most revenge stories do the opposite, treating human life as cheap entertainment to be killed in the most 'epic' way possible.

But more important, the fight left me feeling excited about the future, rather than feeling burn out from seeing the villain die. Adam was fixated on the past. He was a character of the past. He represented Blake and Yang's trauma, their old demons and fears. He had no further place in their character arcs, because they had evolved into something so much more. Killing Adam was not the end of their story as it is in so many revenge plots. It was simply a new beginning. It felt whole and wholesome. Past, present, and future.

Because it is the People Who Matter

Ultimately, the fight was never about killing Adam. It was about bringing Yang and Blake together. About having them overcome the demons of their past. About the importance of mental health. About their individual traumas (abandonment issues & PTSD for Yang and Blake's fear of hurting others). About the challenges that LGBTQ+ people face in finding security in a hostile world. It was about these two, fucking amazing characters and the ineffably wondrous relationship that forms between them. One based on actual fucking support, equality, and love.

That is all I have on this right now. Hopefully, I did not offend too many people by criticizing typical revenge stories. But I have been wanting to talk about my love and appreciation of this scene for years. I know there have been so many more people who have discussed these same themes and points before, probably more adroitly than my rambling mess, but this is my rambling mess. Thanks for reading!

Random side trivia 1: Mandy Patinkin, the actor who played Inigo Montoya in The Princess Bride, is famous for his iconic line, "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." Mandy felt that the scene was symbolic of feelings towards the illness that took his father. But regarding revenge against people, he actually dislikes his iconic line and how it idolizes revenge.

Random side trivia 2: I love Jeff & Casey William songs and I just love BMBLY (except or that creepy line about the birds and butterflies knowing, wtf). But as an ecologist, I should note that bumblebees do not make honey. Jeff was thinking of European honey bees. Bumblees are cute, fuzzy, chunky super pollinators that live in the ground, in hollow plant stems, or other obscure spots and are either solitary or have very small hives. They virtually never bother people and are super pollinators, actually much better pollinators than honeybees (which are super awesome cool in their own right, but also highly invasive in the western hemisphere and hurt our native pollinators D: And yes, I cherry-picked the ugliest picture of one that I could find). Many bumblebees are endangered, just like our beloved Bumblebees. Save the bees! AND THE BEES!

[fr4nkie0stein]

Angel Dust dating a transmasc reader

Content warning(s): mentions of Hell (as in the location), mentions of drinking/allusions to alcoholism, brief references to Angel's job as a porn star, some crude humor, mentions of Valentino (ew) and allusions of abuse from him to Angel

Okay first of all I'm going to be perfectly clear when I say this: Angel is going to flirt with you when you first meet regardless of what you look like. If you don't outwardly reject his advances he won't stop completely, but he will tone it down some if you make it clear you're not interested in a one night stand

At some point he ends up spilling a bit more about his life than he usually would, probably having come back from a long shift working for Valentino and downing one too many cocktails before unloading all of his problems onto you. He wakes up the next morning tucked safely in his bed with Fat Nuggets by his side, having fallen asleep crying in your lap the night before

He hastily tries to find you so he can figure out what it is he said, but you merely waved it off. After all, everyone needs to vent every once in a while, right? And if he doesn't remember what he talked about, then you don't either (wink wink)

Relieved that you won't go around spilling all of his secrets, he ends up growing closer to you since you now know more about him than he ever planned on sharing, your close friendship eventually growing into a relationship that's even closer

He can and will call you sugar tits if you're okay with it I'm so sorry 😭 he'll stop if it genuinely makes you uncomfortable but if not then that's his go to nickname for you, even if you've had top surgery

Speaking of which, he'll definitely help you pay for any sort of surgeries you may want or if you plan on going on T (or whatever Hell's equivalent of that is, anyway), since he probably has at least some money set aside from all the pornos he makes

Oh and he will never let you in the studio with him btw. It's nothing against you, of course, as he loves and adores you...but that's precisely why he wants you to stay away. Valentino was able to sink his teeth into him already, and he doesn't want the same thing to end up happening to you

Anything else about his life you're more than welcome to be a part of, from where he stays at the hotel to when he goes out partying with Cherri Bomb. He actually appreciates it when you scold him from having too much to drink, because he knows you genuinely care about him and don't want to see him getting hurt

Other than Cherri Bomb, you're one of the only people he trusts. You're his safe space, someone who he feels comfortable crying in front of and leaving Fat Nuggets with in case he has to be gone for a while. Out of everyone in Hell, you're the demon who seems to care about him the most, and he will forever love you for that <3

♡ Send in more requests here ♡

[raayllum]

Anyway borrowing from the Rayllum relevant sections of my "arc 2 is about the pursuit of knowledge / knowledge as a burden" meta for s4 and s5 (minimized/condensed text is from previous meta) let's talk about S6

Season four in a lot of ways was the journey of

Mutual Love as Self Actualization: Part 1 — Uncertainty to Certainty (S4)

As previously noted, Callum starts out S4 at both a loss with the mirror, and still coping with the uncertainty and stagnation of his loss of Rayla. When Ezran reaffirms that Callum still loves her, all Callum can helplessly rely that he doesn’t “even know if she’s alive.” Things don’t really improve once Rayla shows up, either, even if we see the persistent thread of not knowing vs knowing being knit throughout their arc with one another.

When Ezran is trying to get Callum and Rayla to work together, he doesn’t tell them to set everything aside, or even harkens back to their good old days. He asserts their identities and says, “Don’t you remember who you are?” because to him — and evidently to Callum and Rayla, because it works — working together and helping each other has become a fundamental, core part of who they are as individuals. They are that interwoven with each other, and Rayla reflects that in 4x07 with, “Callum, you’re the 'destiny is a book you write yourself’ guy. No one can control you or make your choices for you” as well as what Callum offers up to her in 4x09 where we see the turning point in their prior uncertainty. Although they’ve both changed, they are fundamentally still the same people they were when they fell in love, and there is both comfort, sadness, and acceptance in that realization, where Callum says:

Mutual Love as Self Actualization: Part 2 — Certainty and Discovery (S5)

Upon reconciling once Callum has said what we knew all along — “I’m so glad you come back” — Callum and Rayla return to the castle, and their searches for knowledge become arguably more explicitly stated by the text. Their first scene together in 5x01 establishes that Callum wants to know the Ocean arcanum (“I thought it would be about controlling the tides or fighting the currents” thereby exerting control, which he desperately wants over himself post-S4) as well as Aaravos, whereas Rayla is seeking answers about her family: “If I can figure out how he put you into the cursed coins, maybe I can find a way to get you out.”

This is, of course, something we know she doesn’t trust Callum with yet, not wanting to burden him with her problems especially before she’s reached her own conclusion of what to do about it (to delay it for the good of the world) and we see that the certainty and forgiveness Callum found in 4x09 has more than carried over.

Opeli: Don’t you want to know what she was up to? Why she did all this?

And although very uncertain about opening up, Rayla still expresses certainty that she knows Callum could and can be there for her, if he wants to be — if he’s ready to be.

This is, after all, with both Amaya’s encouragement and Callum’s reassurance that 1) “You can tell me when you’re ready” and that 2) he does want to know from 5x01. Then, we see both their arcs in this way largely — or at least they would, in a perfect world — be resolved in many ways by their interaction later in 5x04:

Previously, we’ve mostly talked about knowledge, especially within the text of the show, as a positive thing. It is the foundational rock of a strong relationship, it can lead to positive self actualization, and it helps the heroes keep Aaravos from being unleashed. When you do not have enough knowledge or perceived understanding of someone (Claudia assumes Soren could never understand her, and Viren and Harrow’s relationship breakdown), your relationship accordingly deteriorates. When you share knowledge, and share experiences (Rayla to Callum about the coins, Soren to Elmer about abusive cycles), you can become stronger together.

But knowledge is not exclusively a good thing. It can also be harmful, or unwanted, or unwanted precisely because it’s harmful. It can bind you to deals or bonds you don’t really want, and once you know something, you cannot un-know it, whether about yourself or about others. And we see this most plainly in the story Archmage Akiyu shares about the prison ("I knew too much").

So if S4 is about beginning to navigate both in spite of and within uncertainty, S5 is about having the safety of that uncertainty stripped away, both in creating more of it, and in removing some of it. Namely, the Ocean arcanum.

He chased the Ocean arcanum because he thought, if Sky granted him potential and freedom, then Ocean would grant him control, but the truth was more complicated than that. While it did grant him control (the ability to break free from Finnegrin’s spell), it also granted him a rather hard truth he’d rather not know.

The first time he cites his poem about true tides and untold depths, he is talking about his faith and trust in Rayla — the way he views her: “If she didn’t tell me, she has a good reason. […] I trust her. Unconditionally.”

The second time he recites the poem, it is about himself. The untold depths are within himself, are parts he is still trying to understand in full because they are uncomfortable truths. In many ways, Callum unlocking the Ocean arcanum is his version of Ezran’s 4x03 speech (see how we looped all the way back? 'Totally’ intentional I swear), that multiple things can be, and sort of have to be, true in order to gain new ground, even if there’s a part of you that wishes it could be simple.

Season six develops this theme, too, but it takes it and calls it Truth, and we see this reflected most notably in 6x06.

Mutual Love as Self Actualization: Part 3 — Certainty and Salvation (S6)

In season six, we see Callum build upon this certainty with Rayla by the way he remains emotionally open with her about his hopes and fears. After his 6x01 nightmare freaks him out, he runs right to her to receive support; when the guilt and fear gnaws at him in 6x03, he tells her the truth of what he did on Finnegrin's ship.

While the obvious facet of knowledge (truth) and salvation here is in 6x06, I also like to think it starts an episode earlier in 6x05. Callum wants to go along with the mission because he knows the quasar diamonds will be what they get in exchange whereas Rayla goes along with it because he's pushing for it (and well, helping people is always nice).

However, where Callum believes that the icy beast they seemingly have to slay is a monster, Rayla believes differently and hedges her bets on what she knows.

This is a great mini turning point in season six for a few reasons. For one, it merges the idea of truth and knowledge into one ("I know it's true") as well as emphasizing the concept of knowing something in your heart, which 6x06 will build on of "dark magic tears a hole in your spirit/heart that light can fill". It also clearly ties back to something that Callum knows he knows, which is that he trusts Rayla unconditionally (5x01). So he goes with it.

When Rayla does reach out to the behemoth, it's with more facets of knowledge: "I know you're in pain. I don't want to hurt you...", knowing the creature's name and the stories ("I know who you are"), and even in her lullaby:

(We'll come back to the lullaby for 6x06's relevancy as well). Once Rayla's kindness and compassion gets through, of her knowledge and seeing the truth of Esmeray's pain much like Ezran saw Zubeia's ("and the truth of you seeing that made it feel like less, like healing"), we return to how well Callum knows her and his knowledge about the trial ("You knew this was the reward"):

If I'd told you, you would've refused to go, because you never do anything for yourself.

To love someone is to know them, and to know them is (in these cases) to develop love for them. The same way that Rayla brings Runaan out of his grief and guilt induced darkness in 6x09 ("I'm your daughter and I love you") and recognizes the grief and guilt plaguing Esmeray, likewise, she represents and is Love to Callum.

He's gone from being uncertain about her survival, about expressing his love, all the way to looking to her for support and direction about the trials set before him:

Kosmo: Dark magic left a hole in you, but the Star-truth ritual can fill the darkness with light. [...] You must search your mind and heart for your one deep truth, the star within you. Then you must let that truth shine and fill the darkness. Callum: One deep truth, huh? Kosmo: Your deepest truth. [...] You must find the star within you, the one deep truth so bright it can fill the darkness.

As know, Callum's trial is still a struggle for him at first. But luckily Rayla's lullaby also foreshadowed the principle of looking inward rather than outward, too, and precisely what kind of answer and truth Callum is going to find.

Callum: I found my one truth.

His truth, his knowledge, his constant, his light... is love, his love, for Rayla and from Rayla. At the end of 6x06 in many ways, Callum is at his most self-actualized, freed from the taint of dark magic and paranoia about Aaravos' control... saved and allowed to become the best version of himself, a bright shining light. A star in his own right. Which is likewise why he expresses his truth before the episode is done. He did dark magic for her, but she's so much more than just darkness or desperation or sadness for him; she's light and hope and Love, too. She's his Constant, Deepest Truth. She's everything.

It's taken two and a half seasons, but he's ready to do more than just know it. He's ready to say it.

So he does.

[dc418writes]

|Hiding in Plain Sight|

✨Pairing: CEO!Curtis Everettxblack!reader

🪄Summary: Curtis has had enough

🚨: 18+ NO MINORS!, soft!dark Curtis maybe???, cheating (do not condone in real life, however for this plot…👀), mention of past adult happy fun times (everyone please be safe!), fingering (female receiving), verbal abuse, language

🎤: this is my submission for Siri���s Birthday Bonenanza! Happy belated birthday @stargazingfangirl18 !! I hope you had an amazing bday with lots of cake, presents, love, and any and everything else you desire💐🎂!!

Prompts:

Scenario: Babe is doing this for your own good

Dialogue: “Do you know how long I’ve waited for this?”

Kink Prompt: possessive!babe, squirting

Trope Prompt: scary,dangerous babe who is only soft with you (Curtis isn’t really dangerous tho, but you’ll see)

*DISCLAIMER!: I DO NOT CLAIM OWNERSHIP OF PICTURES USED as they were found via Pinterest*

At the sudden ‘click’ of the door closing, you’re startled; quickly turning towards the sound to find one of the reasons you felt the need for space from the festivities downstairs. Dressed in all black - from the button up spanning his firm chest to his impeccable slacks and polished designer shoes - it’s as if he walked straight out of GQ how dashing and handsome he looked.

Then again, when did he not?

“Didn’t mean to scare you.” His deep voice never fails to send tingles shooting down your spine. Have you embarrassingly willing to move at his command if he gave it.

“It’s okay. I-I should probably get back anyway.”

“To get ignored by your husband some more?,” he asks just as you pass him. His words make you pause with your shoulders just mere inches apart.

“Curtis..”

“He’s so busy smiling in everybody’s face and trying to be buddy-buddy with my associates, he hasn’t even noticed his own wife is gone. Then again…maybe he doesn’t want to.”

You didn’t want to come tonight. Tired from work and not in the mood to fake laugh at middle aged men who thought they were funny, you practically begged your husband to leave you home.

“You’re so fucking selfish you know that? This is my chance to make necessary connections to very important people.”

“Then you go Wes! Me being there won’t change that.”

He only kissed his teeth, tossing one of your purses at you and not caring of the scattered contents he left. “Be ready by 6 or I’ll get you ready myself.”

It was foolish to hope things would be different this time. You should know Wes would never arrive at anything having to do with business without his self proclaimed ‘good luck charm’. His trophy wife he used to sell this illusion that he was the man that had it all, so rejecting him would only hurt you.

And that’s not to say your husband didn’t deserve success - he was brilliant in his own right. It’s why Curtis himself decided to invest in Wes’ company and was his highest investor to date. But he saw past the illusion, and quickly saw the man he really was.

Which is how your complicated pairing began.

As he steps closer you hate how your body responds: eagerly ready to cave at the closest feeling of home. The bourbon - his favorite - practically being tasted in your own mouth as the smell wafts from his pink lips so close to yours. It mixes well with the spice from his cologne only making your head begin to swim and want to suffocate yourself in his neck.

His thick finger reaches out to trace the delicate gold chain on the necklace perfectly sat just below your collarbones. The small diamonds not equally spaced apart, but set in such a way it reminded you of twinkling stars in the night sky. It’s simple, but fitting for you. You were never the type for lavish jewelry that could blind someone a mile away, and from your short time together Curtis knew that.

“Knew it’d look beautiful on you,” he whispers letting the pad of his finger carry further until he was skimming your collarbone and causing you to shudder.

“I’m still married,” you practically have to force from your soul trying to stop your body from pressing against his. Stop your brain from turning to mush so he could have his way with you. Again.

His jaw ticks. “Why, I don’t know.”

“Curtis please, okay? Besides, you’re supposed to be celebrating.” He gently nods letting the rest of the brown liquor drain down his throat - your eyes shamefully following the bob of his Adams apple and missing how it felt under your lips.

“Fine,” he breathes closing the remaining space so you have no choice but to clutch his shoulders to stop from losing your footing in your heels. Not that he’d let you fall from his muscular arm around your waist. His mouth lowering impossibly closer that depending on what either of you said, your lips would brush. “Celebrate with me.”

“I-I don’t think your date would like that.” Were you angry when you saw the onyx haired beauty on his arm? Far from it. Did you guiltily wish her butt length, model-esque hair would catch fire when she passed one of the candles on the various tables so she’d have to leave? Maybe.

“Here I was thinking I was the jealous one.” And there was that smirk that briefly showed the hidden mischief in this man carved by God himself. “Yes, she’s my plus one, but would be more interested in you than me. Not that I blame her.”

“I still can’t,” you whisper letting your nose tap against his. Slowly but surely you feel yourself becoming drunk off his presence and that will to stand strong diminishing.

“Can’t or shouldn’t?”

At that you’re stuck. Now solely focused on his lips and so badly wanting - needing - to taste them again. Curtis grins realizing this himself. “My eyes are up here sweetheart.”

“Wha?” You should feel embarrassed, but as the air from his nostrils fan your face it only seems to make you needier. And when he brings his hand up to caress your cheek, there’s nothing that can stop you from leaning into his touch. Even between your legs you feel that pulse begin to grow in urgency.

“Look me in the eyes,” Curtis begins slowly, “and tell me you don’t want me. That you’re done. You’ll never hear from me again.”

You try, genuinely try to maintain eye contact but his stormy blues dilated with lust and longing only overwhelms you. Overwhelms you in that you should be good and say you don’t, leave, and act as if none of this has happened but you don’t want to. Curtis has easily become a part of you that you can’t let go and truthfully refuse to do so.

In a blink, your lips are frantically crushing against each others. His tongue smoothly, yet still eager, to reclaim your mouth after being away for so long. Your mind quickly enters that haze you only seemed to experience with him, unable to realize your body is being guided somewhere until you’re perched on the edge of a wooden desk. Your hands gripping the back of his neck while his push your pastel blue mini dress up past your hips leaving your lower half exposed to the cool air of the room.

Finally needing to breathe, his lips descend to your jaw then your neck causing you to whine his name wanting more of his mouth on yours. A quiet “shh” is the only warning you get before his hands are spreading your thighs to find a steady growing wet spot on your panties. His fingertips immediately reach to tease along your waiting slit watching as you squirm and moan.

“My needy girl. Probably been forever since he’s touched you like this huh? Made you feel good..”

The back of your head softly thuds against the wall as you lean back on your elbows. Letting yourself get lost in his touches and how his thumb circles your little button through your thoroughly soaked underwear.

“Do you know how long I’ve waited for this? Know how much I’ve missed you and those little noises you make when you take anything I give you,” he huskily states nipping your earlobe. “My fingers. My tongue. Fuck, and when you take my cock..?”

“Curtis,” you gasp nearly ready to guide his fingers inside you yourself to get that relief you now crave. As always, he knows what you need bringing your delicates swiftly down your legs to circle his middle finger around your dripping hole before plunging deep. The extended moan from your lips directly hitting his cock and making his pants feel tighter.

His ring finger soon joins as they steadily pump in and out. Not having been intimate with your own husband for a while now, you feel pathetic already being so close. Curtis can feel it too, as you clutch and squeeze.

“Should be ashamed of himself not taking care of you like you need. You deserve to be filled all day, every day. Filled to the point you can barely walk without feeling me drip down your legs. That what you want? To be filled with me?”

Your hips buck and grind on their own nearly riding his hand as your skin heats and sweat pricks your forehead. “Y-Yes! Yes Curtis please!,” you moan. His words hitting some deep seated, feral part you didn’t recognize but welcomed while palming your breast.

His mouth catches your scream when he adds a third finger. The room filling with your little “ah ah’s”, squelches, and the knock of the desk against the wall how you bucked to keep up with his fingers.

“Shit, might not ever leave the house. Just keep you by my side always wet and ready. Take you in every room and have you screaming for me.” He palms at the front of his slacks picturing your nude body bent over the counter. Or spread on the table for him and him only. “Or let you ride me and take what you want. Like that night after dinner.”

The way your toes curl and back arches he knows you’re seconds away now. Just needing that extra push to have you a twitching, trembling mess.

“Curtis I-I…please Curtis…Curtis!” Twisting his wrist just slightly to the right, he easily finds your spot as he firmly rubs his palm against you swollen nub making you gush down his hand and onto the hardwood below - a splash or two even finds the top of his shoe. It’s almost like a steady stream as it keeps flowing with every push of his fingers and Curtis can’t help but curse before finding your mouth again.

When you whimper and try to back away he knows it’s too much, slowly halting his movements before removing his hand. Automatically, you’re reaching out for him - needing some grounding force after what felt like your body floating to space - and he gladly lets you wrap your arms around his middle. Your face diving to his chest trying to hide your overwhelmed tears while he rubs your back with his clean hand.

“Did so good for me sweetheart. You feel alright?” You nod, turning your head just enough to catch him suck your release from his fingers; moaning from the taste. “Still so sweet,” he mumbles to himself and you swear you feel a small trickle of release escape your hole from that alone.

Your little bubble of ecstasy is quickly popped when the door opens reminding you of the party downstairs. Curtis shields you the best he can, but your dangling legs can easily be seen.

This makes it easy for Wes to recognize you. His face turning from amused shock at finding the always stone faced Curtis Everett with a woman to anger now realizing you were the moans and screams the men whispered about downstairs.

“The fuck are you doing up here?!,” he shouts making you scramble to get off the desk. Curtis still shields you with his back as you right your dress. Not only for your modesty, but to silently warn Wes he wouldn’t dare stand down.

“W-Wes I can explain-,”

“This was your plan the whole time huh? Use me to get to someone better..”

“No, I..I just-,”

“Just what? Accidentally ended up here with him?! Accidentally let him do whatever?” Now you were gathering a bit of a crowd, only increasing your anxiety.

“Wes please..”

“Please what?! Move on from you being a whore who opens her legs to any man she can get ahead with?!”

“Hey! Watch it,” Curtis warns stepping closer to a slightly drunk Wes.

“And after everything I did for you? Gave to you?!”

“You act like I asked for those things.”

He simply shakes his head before focusing on Curtis. “You know what, good luck with that one. Just a lazy sack that only wants to lie on her back. Can barely do that either always complaining-,”

Curtis didn’t let him finish quickly gripping Wes by the back of his neck making him kneel before you and everyone peeking through the open door. He tried to wiggle free and thrash, but Curtis just tightens his grip controlling Wes as if he was an animal handler trained to do this. Like he’d done it plenty of times before.

“You say you’re the one who gave her everything? Way I see it, you wouldn’t have had everything to give without her. Without your lovely wife, I would’ve already cancelled our partnership leaving you high and dry probably on fry duty at some fast food place. So I suggest you humble yourself pretty fucking quick.”

He seemed to get the message, remaining mostly still besides his back rising and falling from his unsteady breathing. “Matter of fact, I say you thank her.”

Wes is quiet, until Curtis jabs him in the ribs causing him to howl in pain.

“She’s waiting!”

“Th-Thank you! Thank you!,” he shouts sighing in relief when Curtis lets him go.

“Cmon,” he mumbles grabbing your hand to lead you past your husband. Past the vast crowd of people who dared not get in his way.

“W-Where are we going?,” you ask trying to keep up with his longer strides.

“Home.”

“But..but I-,”

Swiftly, he turns catching you against his chest with fingers gently gripping your chin so you’d be sure to hear him. “Home can be my place or yours and he gets put on the street, you choose. Either way from this point on, I’m not letting you stay away from me.” How could you argue with that? Especially now when he was using that commanding tone paired with that intense gaze making your core spasm. “Which one?”

“…Yours.”

He simply kisses your forehead leading you outside to retrieve his car from valet.

As for Wes, he was in for a rude awakening Monday morning when he’d be served an eviction notice saying his office space now belonged to Everett Co., minutes before he was served divorce papers already signed by you and your wedding ring.

-

Not gonna lie, I’m a little iffy about the ending but still I hope everyone enjoys! Also check out the other stories from this challenge as well💕!

[hamliet]

the notion that bnha is pro authoritarianism or social hierarchies is nonsensical not to mention acting like being pro cop is bad

Err... BNHA is pretty pro-authoritarian. I actually find it pretty disturbing. And that's even if the story turns out with the League alive at the end.

As for being pro-cop--cops are human individuals, yes. But people have in recent years in multiple countries (including Japan, by the way) protested against cops being used as tools to maintain social hierarchies wherein people who are not part of that hierarchy suffer for daring to want to be treated as human beings. When I say I'm anti-cop, I'm not saying I hate anyone on the basis of being a cop. But I am saying that the ways in which the police force are used in many countries does societal harm. Critical thinking, yo.

Honestly I feel like this whole story (BNHA) and fans reactions throughout (especially when compared to other stories) demonstrate how people are not using critical thinking. And that can have real world consequences, though it doesn't have to.

I just find it weird that people are okay with a story where the ruling class is always right and always wins. Like... how have they not? I mean, even stories that end up suggesting the ruling class isn't entirely wrong or show flaws in rebellions generally don't go hard on the authoritarianism. But Horikoshi... is doing this.

The whole thing is so weird to me personally, too, because Horikoshi's wishy-washy framing and switches in coding generally seem to be the result of him caring, deeply, what his audience thinks and feels. Too much, really, but it also seems like he genuinely doesn't want to hurt people. Except this ending--even if Tenko does reappear as New Character and saves the League--is the exact opposite. (If Tenko doesn't reappear, then everything I'm about to say is multiplied by a thousand.)

It's catering to mean-spiritedness, and while I do understand fiction isn't reality, the side he's catering to now is making the argument that fictional crimes are real crimes and thus must meet real penalties.

I can play this game too.

If people are gonna make those arguments, I'm going to say they're the problem and the reason we have wars, genocides, assaults, and more.

If you ever want a cycle of violence/abuse to stop, someone has to accept that they've taken the last punch. Not keep going until the other side is WIPED OUT.

If you equate justice with equalizing losses, then you are enacting Dazai from BSD's statement on justice: justice is a weapon. You can never heal by it.

If you want to heal, you have to stop fighting and bandage wounds. And maybe you are too injured to do the bandaging. That's okay. But someone else can, and if you try to stop them on the premise of "but no one bandaged my wounds" you're a bitter person who makes the world a worser place.

If you say a tragedy is the story, sure. But you have to set up tragedies from the start. See, Attack on Titan, which's ending I love. It began with someone crying and an ominous message to the future. You don't set up your first chapter with "this is the story of how I become the greatest hero!" spend 200+ chapters criticizing hero society and have the hero fail at the goal he'd been repeating for 200 chapters in the end and join hero society and still think you wrote a story that delivered in what you promised. You failed.

Either you wrote a tragedy and are trying to pass it off as a happy story (see how well that works usually) or your understanding of a happy story is pretty much just fascist propaganda. And yes, BNHA does have fascist themes at this point. Way more than AoT ever did. But they have smiles and cute frog girls so it's not nearly as dangerous, right? (sarcastic).

The thing is, this is where the lack of critical thinking comes in. While I've seen people talk a bit about how BNHA seems like copaganda, it's taking things much, much further than other stories usually do and into territory where I'm frankly disturbed.

Yes, BNHA started out as a clever critique of hero society and of the very idea it's now seeming to uphold: that the human instinct (which is universal in real life to) to idolize people leads to a lack of humanity for those who do not have those traits we idolize, whether their fault or not, and for people to become villains in response. But not only has it failed to deliver on this premise by upholding society (hey, Naruto and to a degree Tokyo Ghoul also failed to completely change society), it's gone so far as to endorse what it previously criticized.

It's more akin to Game of Thrones Season 8 upholding racism, sexism, and classism, than it is to Naruto or Tokyo Ghoul. GoT ended with a joke about prioritizing brothels being open, as if the misogyny was actually a good thing and not what caused a lot of the problems. There's no critical lens here. It's just like "hey, there was no point in struggling. Monarchies that abuse women, rah rah, let's go!"

BNHA seems to be going a similar route. Deku's murder of Shigaraki, Ochaco's crying over Toga, the way Shouto reaches out to Touya--it's sad, but not framed as something the audience should see as a wrong done on behalf of heroes. In fact, the heroes are not criticized at all. Frickin' Edgeshot, whom no one cares about, is fine. All of them are fine. Their statuses are generally fine, too, except maybe Enji's and even then he's not like going to face the fate of the League and die alone. His family still supports him. Hawks is completely fine and framed positively. His regret over Twice is pure lipservice. Deku really did just need to kill Shigaraki, and all his "I want to save" spiel, much like Ochaco's, is for naught. He just needed to learn to grow up and get in line.

Even if Tenko comes back, and even if Deku like... somehow knew this would happen via vestiges or whatnot (let's be real, he will if this is the case), and the message is just that society isn't ready to move forward, but at least they can live, then... I don't know, y'all. That's still depressing. I don't see how Deku is a hero for that, much less the greatest number one hero. He decided to be a hero at the cost of his own integrity, and if this was a gritty story about the realistic struggle of living in a capitalistic society where ethics are always compromised that would make sense, but... it's not. Even until the final battle, the characters were endorsing idealism.

At the very least, Horikoshi didn't deliver on his promise in the first chapter. At the very worst, he's endorsing fascist ideals.

Like, I'm sorry, but "kill this person for the good of society," the violent upholding of oppressive societal hierarchies, the importance of being a cop hero and the way the military hero brutalities are worshipped, the way heroes are lauded and everyone who doesn't get in line with this is punished, went from being criticized to being endorsed. Those are all central elements of fascism.

The little guy deserves to lose, but, but Deku is the little guy, so it can't be! Except it can be. Because it's actually pretty common irl even to trot out examples of people like Candace Owens to be like "hey, you can't possibly say Republicans are racist!"

And don't you dare say "but Japanese culture makes it unreasonable to expect a non retributive justice!" The Japanese people are not a monolith. Not to mention... Naruto, Bungou Stray Dogs, Monster, Hunter x Hunter, Yu Yu Hakusho, Mawaru Penguindrum, Oshi no Ko, Dragon Ball, Attack on Titan, and Tokyo Ghoul all say hi.

I hated the TG ending, and still hate it, but I'm not going to say that it upheld the CCG as right all along because it didn't. BNHA thus far is doing that with hero society. And even if the answer is for the League be revived and to leave society or whatever, then how can we be happy Deku is a part of this society? How can we root for him, or his classmates? Is he going to work from the inside to change it? Why wasn't that emphasized beforehand as a theme or struggle?

tl;dr Horikoshi has cooked his story no matter what he does now, and I don't think it's salvageable. Either way it has themes that are disturbing especially considering real world events across the globe, and that people should be more aware of instead of focusing solely on stories that have fascism and monsters in them but don't uphold it.

[hazbinhazmeinachokehold]

Sorry if I’m a bother, if that’s the case feel free to skip over this one.

I freaking loved it! I’m now inspired to draw Sam with the overlords now! If it’s not too much trouble could I ask for Zestial, Charlie and the rest of the hotel’s reactions to Sam?

(Ooo!😳 what if for Angel’s it’s Valentino who tries to hurt him?! That could get messy!)

A/n: Nah dude you're fine! Though I don't write for Zestial (not that that's your fault I keep forgetting to put that in the rules.)

Warnings (?): nothing major happens but Val's here so warning for abuse. Also, Alastor is hurt in Husk's part and Val is hurt in Angel's part, it's nothing graphic but if you don't want to read about that skip those parts.

!!!not proofread!!!

Charlie: Just as cuddly as you! Gladly accepts any candy from you. She ends up getting candy from the hotel for you. Let's you tag along if it's safe (or at least what she assumes you can handle.) Despite being the princess of Hell it's a known fact that she's a pushover and usually refuses to use her powers. So it's not that much of a surprise when someone attacks her. What is a surprise is how you react. I'm going to be honest, she is at least a little scared of you now. Though she's pretty sure you'd only attack people when they hurt your friends. We’re about 80% sure they're harmless.

Vaggie: She ain't too keen on cuddles, but isn't totally against it. She's not great with kids when they're just chilling so she doesn't know what to do. Also, she isn't one for sweets but appreciates the gesture. You remind her of Charlie in a weird way (but like platonic obviously.) Vaggie got some crayons for today's bonding activity when some random sinner attacked Vaggie. Before Vaggie could defend herself the sinner was ripped off of her. She just stared dumbfounded as you took care of the sinner. Well, there goes her thinking you're like Charlie. I mean sure you seemed sweet when somebody attacked a person you liked. You became terrifying and did anything to defend them- wait never mind you're more like Charlie now.

Angel Dust: Kinda creeped out by you before you do anything tbh. You follow him around nearly everywhere and keep offering him candy, despite barely knowing each other. But he understands you're a kid and may have a hard time showing you care, but he sets a ground rule: NEVER follow him to work. It's not a place for kids to be, and you followed that! Valentino just couldn't keep his hands off Angel even out of the studio. You too were just at a park, it was night so no one was really around. Until Valentino spotted Angel, you didn't hear any of the words that were said between them. But you did see Valentino hit Angel and that was the end of that. Seeing you almost kill Valentino was horrifying but also very cathartic. After the initial shock wears off you get about 20 bags of candy and however much cuddle time you want.

Husk: He's pretty blunt about finding you off-putting. But you don't seem to care and still follow him around like a lost puppy. The fact that him insulting you didn't sour your opinion of him even a little bit concerns him. So he starts to look after you. Not because he cares about you! Just because it'd be messed up to let a kid get manipulated no matter who they are. He totally cares about you. He gives chocolate milk or any sweet drink you like at the bar. One day Husk decided to stand up to Alastor which seemed to be a huge mistake on Husk's part. It would have been if it wasn't for you walking in on the scene. The threats were made good on. Just towards Alastor instead of him doing them. Husk is a little shaken up but hey he's probably free now. Gets you any candy you want and shows you a shit ton of card tricks.

Niffty: Tbh I don't have much to say about her. She finds you interesting but doesn't give you much thought. Though eventually when you protect her she returns your affection. Because you are scary and small which are both things she is.

Sir Pentious: (this is while he's in hell btw) Not great with kids. Like I don't think the egg bois are kids but even if they are the only experience he has with kids is his minions. But he does try! He does care for kids. He'll get you candy and cuddle if you want. He used to try to take over territories a lot. He always failed but he still made a lot of enemies that way. So when one of them finds him and tries to hurt him while you're around? I mean if he still wants that territory he can definitely take it now. To be honest I think he'd find you cool, even if you're more than a little scary.

[fall0utmind]

New fic!!!!!!

Let me know what you think!!

✨️WOULD YOU STILL LOVE ME IF I TOLD YOU MY DARKEST SECRETS?✨️

A rosquez medical leak AU fic

Here on AO3 (please check it out)

Below the cut for more

(Tw/ mentions of suicide, suicidal thoughts, and medication abuse - no active description)

Please read with care 🤍🤍

CHAPTER 1 - DOOMSDAY 🏍

The news drops some time in free practice at Misano. Marc has no idea how it got out or who told the media, but he knows it would be everywhere for the next week—hell, the next year.

The sun is high in the cloudless sky, beating down on Marc, and filling the air with the familiar scent of burning rubber and asphalt. He’s going for a final flying lap, trying to put in a decent time on the GP23. Pushing through the ache of his body, he toes the limit for both him and his bike. He presses on until he passes the chequered flag, finally releasing the tension he holds, unwinding like a coil.

Only once he’s driving into the garage, towards the concerned faces of his press officer and crew, he realises something is wrong. At first, he thinks that he has done something wrong on track, perhaps he pushed someone off the racing line and ruined a flyer. He mentally scrambles, racking his brain for a mistake, for any reason he may have aggrieved the fans or his colleagues. It didn’t have to be much, these days, more than in 2015 or 2016, but they still sought any reason to string him up on a cross. Just like Valentino had done so willingly, all those years ago, sacrificing Marc as a martyr to the sport so he could be a god.

He shakes himself out of his thoughts. There is a press conference later, maybe it has something to do with that. Marc hasn’t stepped a foot wrong today, he’s sure of it. No crashes, no mistakes, and no on-track battles that people like to examine and use against him. It’s only a practice session. God, he’s overthinking because he got like 4 hours of sleep last night, and this is Italy. Rossi territory. Anxious overthinking is Marc’s familiar friend these days, with so much on the line and so few people in his corner. Press conferences can be tricky in Italy but he’ll get through it, even with the hatred of a nation against him.

Marc clambers off his bike, passing his helmet to a nearby crew member. The team are tense, afraid to look him in the eyes. That’s odd for Marc, he has always had a natural air about him that draws others in and makes them feel at ease. Even Frankie, his ever-present race engineer, struggles to hold his gaze. It does nothing to put him at ease, anxiety coiling in his gut.

They run through their usual practice debrief, evaluating the bike set-up (good, today), pace (impossibly quick for the GP23, and that make Marc glow with satisfaction), and track. It is awkward and stilted, so at odds with the usual team atmosphere which Marc has come to love. The engineers and mechanics shoot the occasional pitying glance at Marc or towards his press officer, patiently waiting in the corner of the garage. Anticipation is clawing at his stomach, making nausea burn in the back of his throat. He knows something is wrong and he can barely focus on the discussion which is wrapping up around him, too panicked to pick up the threads of conversation.

After what feels like an eternity, the crew is dismissed, offering pats of congratulations, or maybe commiserations, as they disperse. Despite his tension, he feels a wave of pride rise in him, pleased with the performance he has managed so far, and grateful that he has managed to find a home within the Italian team.

Marc pushes himself out of his chair, shrugging his shoulders a couple of times, trying to ignore the persistent ache in his right arm. He shoots a tight smile at Frankie, before making his way over to the corner of the room, where the press officer awaits him, a grimace set on her face.

A quick look over one shoulder tells him Alex’s side of the garage is blissfully unaware of the tension in the other end of the room. His brother is happily chatting away to his team, hands waving around as he speaks, a trait which they both shared. Sometimes, he looks at his younger brother and feels scalding guilt at the burden he must carry due to Marc’s failure. It is nice to see him like this, carefree and at ease.

“Marc”

His thoughts are interrupted by the gentle prompting of the waiting woman, who nods to one of the private rooms. After a beat, Marc follows her, heart in his throat despite his best attempts to swallow the nerves. She sits down with a heavy sigh, prompting Marc to follow suit, gingerly sitting on the edge of his chair.

“There’s no easy way to say this Marc”

She awaits his slow nod before continuing

“There’s been a situation. Some of your hospital reports have been leaked, all we know for sure is something from around 2015. We don’t know much about what people know. Currently the media seem unaware about most of it and we would like to keep it that way.”

Marc frowns in confusion. 2015? What? I mean obviously it’s not ideal, a hospital shouldn’t ever let this kind of information reach the general public, especially not for someone as well known as him. But why is everyone walking on eggshells around him about a hospital admission, it makes no sense, at this point he’s at a hospital more often than he isn’t.

He is just about to ask what on earth she’s on about when it hits him. His heart drops like a stone. Hospital, A&E, 2015, the aftermath of Sepang and all the shit that followed. Fuck, fuck, fuck. The press officer might still be talking to him, he doesn’t know. He feels like he is underwater, blood rushing in his ears. Heart pounding so hard he can feel it in his mouth. He sees her mouth moving, but hears nothing over his own thoughts, threatening to drown him. He needs to breathe, realising a few seconds too late to take a gasp of air, grounded by a gentle hand on his arm and kind eyes staring at him with pity.

“Obviously this is unanticipated, we don’t know who leaked this information or how they came across it in the first place. Be assured that we have legal looking into it right now, and we will keep you updated. We don’t know how much people know, its possible the reporters on site today haven’t caught wind of it yet. But they shouldn’t know much, even if they have. At the moment, we have it under control. It has only just come out in the last 30 minutes, but the press conference...”

Marc doesn’t need the look that follows to grasp her meaning Be cautious and be prepared. Right, Italy. Mierda.

“It should be fine, like I said, we are working on it to make sure it was just a minor leak about your attendance to hospital. No details.”

Marc takes another deep breath. Surely no one at the hospital would be stupid enough to share such confidential information. No, no, it is just some background noise, people will think he had an accident. Needed treatment. He trusts his team to keep an eye on it, it will blow over soon enough. He will be surprised if he even gets asked about it, with little to no evidence or substance.

Either way he has to face the press at some point. Not going will just make him look more suspicious, not to mention the hefty fine he will probably receive alongside. He drags himself to his feet, shooting her a smile that is probably a bit more of a grimace and thanking her for the heads up.

She reassures him once more that they have this under control, but his mind is already on another track. He needs a quick shower and to mentally prepare himself for the possibility of nosy reporters.

*

Marc is restless. Ten minutes into the press conference, he feels he’s still waiting for the other shoe to drop. He can tell the others have noticed. Pecco keeps shooting him little glances, and at one point he swears that the younger aborts a small movement towards Marc’s knee, which has been bouncing continuously since they sat down.

Usually, Marc doesn’t mind press conferences too much. Realistically, nothing could be as bad as the tumultuous media circus in the years that followed 2015. And if it ever gets that bad again, he has gotten very good at shutting down and putting his PR training into practice. Despite this, Marc can’t help but feel like he’s in shark-infested water.

He’s so stuck inside his head that he barely registers the question directed his way, his head jerking up at the sound of his name.

“Scusi?”

The reporter gives a slight laugh, eyes sharp and searching.

“What do you have to say about the rumours of your hospitalisation at the end of 2015? There are some suggestions that this was more than a biking injury?”

Marc’s heart gives a little stutter. Shit. He wasn’t expecting that so quickly. For the first time, Marc begins to panic, questioning how much the world knows.

“Ah, I say do not listen to everything you hear in the media”, he shoots the reporters a cheeky grin as a light chuckle goes around the room. He feels Pecco’s eyes burning into the side of his head but does not look back, simply nodding at the facilitator to continue.

The next question is directed to Jorge, asking him about his championship chances this year, with Jorge giving the usual spiel about the team and his bike, talking about the decent lap times he put in today. It had been a good practice session for all of them, with Pecco leading into tomorrow’s sessions, followed closely by Marc, dragging every inch out of the GP23, with Jorge and Enea rounding out the top four. Sunday promised to be an interesting race, with the four of them positing similar times throughout the weekend.

Distantly, Marc registers someone asking Enea about working with Pecco, as the current world champion, comparing his times to the other Italian rider, as if they haven’t been working together for over a year already. Marc almost scoffs. Clearly, some journalists needed new material.

Marc’s attention is drawn to a small commotion in the corner of the room, nearest the exit. He watches as his brother enters the room, wide eyes brimming with concern. Fuck. That isn’t good, Alex must know now. Had something else happened? He has faith in his team to keep this on the down low and prevent it all from blowing up in Marc’s face, but it doesn’t stop the flash of concern shooting through him.

“And Marc another question for you”

Well, so much for that. His head whips around at the reporter's tone, searching the crowd to find the speaker. That tone is never a good thing. The same they use when they are going to ask a hurtful question about Valentino or his most recent crash on the track. He tenses in anticipation.

“Regarding the rumours of your 2015 hospital visits, there are now some reports that these visits were due to a so-called mental health crisis. Do you have anything to say about this?”

His heart stops beating. The room goes dead silent. He can feel everyone’s eyes on him, his fellow riders watching in confusion. For Marc, it is like watching a train wreck in slow motion. He looks up and catches Alex’s wide-eyed stare. He's sweating, beads rolling down the side of his neck. Shit. Fucking shit. He’s starting to think he’s not going to make it out of this press conference in one piece, torn apart by the gnashing teeth of the media.

He mentally shakes himself, unwilling to let the others see his dismay. Instead, he schools his features, wills his mouth into a flat line, and answers with his best media-trained nonchalance.

“Ah, it is nothing. No comment. This is not talking about racing; let's move on.”

This seems to wake Pecco up from his trance, tearing his gaze away from Marc and turning his attention back to the reporters. God knows what he was staring at, maybe trying to figure out if this could help him beat Marc next year, if he’s taken anything from Rossi, it would be that.

“Ah, are you going to ask us about the weekend, I would also like to talk about racing”

Some low mutters travel around the room. This wasn’t supposed to happen. He doesn’t know how they have found out, but he does know all too well that the press are like fucking vultures, circling at any sign of a kill. Alex looks like he is about to cry now, doe eyes wide and glossy, his face slack with shock and horror. Marc thinks his face might be a perfect mirror. He still doesn’t really know what’s going on, but it’s clearly worse than he had originally been told.

“Marc, following on from the previous question, it has come to light that you were admitted to A&E several times in 2015 due to suicide attempts. Do you have anything to say about this? Was this anything to do with your infamous fight with Valentino Rossi?”

Oh god, Marc is going to be sick. They went for the kill and came round for a second blow. He glances to his left. Pecco is looking at him in abject horror, his brain scrambling, trying to keep up with the carnage around him. Enea looks like his worst nightmare has come true, wide-eyed and scared, staring at Marc as if he has never seen him before. Jorge just looks confused, bafflement etched on every feature, mouth downturned.

So much for his team's plan to handle it, it has all gone to shit in a matter of minutes. He feels like someone has taken a sledgehammer to his facade, destroying everything he has made himself be. Marc knows he is taking too long to respond, his jaw slack with shock. The world is staring at him with bated breath, his biggest secret lay on the table in front of them all, ready to be dissected. He can’t breathe. He feels wild with it, oxygen-starved and desperate. He needs to get out. He needs to get out now.

He scrambles out of his chair, sending it clattering to the floor behind him, shaking the rest of the room out of their stupor. The room explodes into a cacophony of noise and camera flashes. He is going to be sick. He makes a beeline towards Alex, tugging the younger along with him whilst he flees.

“Mierda, mare puta!

They know, they know that...”

Verbalising it out loud makes a wave of nausea hit him, sending him stumbling to the nearest bathroom. He flings the door open, leans over the toilet and proceeds to throw up everything he has eaten in the last 24 hours. Alex enters behind him, muttering in rapid Catalan under his breath.

2015 took a lot from him. More than anyone could know, more than anyone was ever meant to know. Jesus, 2015 nearly took everything from him, everything from his family. It has taken him a long time to accept that part of his life. Marc retches again into the toilet bowl, resting his forehead against the cool porcelain as he blinks back tears. Alex is pacing behind him, his angry mumbles and Marc’s harsh breathing filling the silence of the room.

“How do they know, how the fuck do they know? How did anyone find out?

Joder Marc, are you ok?”

Marc lifts his head from where he’s slumped against the toilet, looking impossibly young. Alex is the one person he would do anything for, he would walk through hell and back to protect him. He is the only one who truly knows what happened in 2015, who knows the extent of the demons in Marc’s brain. Now they will have to face them again.

“No, not really.”

It’s then that Marc registers Pecco standing behind Alex, concern painted across his face. There is no chance that he hasn’t witnessed Marc losing it, with Jorge and Enea standing not far behind. There is a horrifying understanding dawning in their eyes, the realisation that the journalists had struck gold. Marc had attempted his life in 2015 and has kept it inside for almost ten years, only for the world to find out entirely against his will. Marc knows that his face paints a portrait of pain and regret. It unsettles the others, gazing into a familiar face but seeing a whole dimension that was perhaps always there, if anyone had paid attention. All this pain is tucked up inside him in a neat little package, ripped open for greedy eyes to see. Pecco looks away, eyes guilty.

Marc feels like he’s been punched in the stomach, gasping for air that just won’t come. The other pilots probably think he is pathetic. He doesn’t think he can deal with another reason for the others to hate him. As much as he tries to rise above it, he loathes that his colleagues cannot bring themselves to like him. He cannot quite put a name to the emotions on Pecco’s face, Jorge’s sadness and Enea’s hurt are much easier to read. Perhaps it is disgust. And isn’t that ironic, the prodigy looking at him, disgusted by the consequences of Vale's war on Marc?

Marc mentally berates himself for giving so much away. He forces his eyes to go blank, pulling on the mask which he so often wears once more. He accepts the hand Alex offers him; his brother pulling him to his feet and bearing his weight as they push past Pecco. Marc keeps his eyes on the floor, unable to meet the pitying faces of Martin and Bastianini. Instead, he lets Alex guide them back to their motorhome in silence.