#when the crown calls

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[burningfaith]

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[minty364]

DPXDC Prompt #71

The bats have a protocol for everything including what happens when you meet your soulmate, unfortunately when your eyes meet for the first time you both cycle through the most important moments in your life and the bats obviously don’t want their secret identities revealed so they essentially kidnap them and are taken to the cave. This is a problem for Danny, he was just trying to get away after his parents vivisected him and dehumanized him to the point where he had a muzzle. Great his soulmate is a bat and he’s been kidnapped and he’s already traumatized his soulmate.

it can be any of them but I imagine Damian seeing red and getting furious at all of this. He’s getting all of his siblings together and they’re going on a murder spree, Jason approves. Danny just goes along to the cave seeing as they know his secrets as well, might as well get a hot meal and bed out of this.

[donutfloats]

I feel like we missed out on Narinder being a dog tbh

I love the dynamic of a dog and sheep because of the whole dog herding sheep and stuff

Also Narinder could have been a Cerberus!!!!!!! That would have been so cool!!!!!!! And he could have worn one of those spiked collars that protect dogs from wolves

[notbecauseofvictories]

This is going to sound negative, but I think Snuff deserves to be the last Discworld book. I mean, Raising Steam is good in certain ways, a fond elegy to the characters and plots a reader has come to know so well. I don't even object to the visceral pleasure of the earlier novels giving way to something diffuse, harder to pin down. (Unseen Academicals felt like this---a wonderful novel, but not actually a victory; just a plot that rearranged matters in an interesting way.) But there's a sort of...ill magic setting in, by the time you get to the scene where Vetinari gives medals to our wonderful shining heroes of the railway.

Namely, they're too good at this.

Vimes uses the Summoning Dark multiple times, and without even the terrified self-doubt he was showing in Snuff. (I have other issues with Snuff, but that was an interesting thread to pull.) Vetinari not-too-discretely points the Black Clerks at a problem, and it is solved; when necessary, he goes undercover working on something he personally considers vaguely distasteful, and yet becomes the center of a folk song. Moist neither sleeps, nor eats nor makes love to his wife (except sometimes, too rarely in his opinion) but rushes all over doing the railways' job for---what? for why?

They're too good, they've climbed too high; Vimes and Vetinari are edging into myth while still being alive, and Moist was already half of a song anyway, has been since he put on the golden suit.

I'm not saying it's not an interesting setup, because strangely it is. But it feels like the start of something, not closure at all, because what else is Discworld good for if not to tackle the fact that everything glowy and laden with awe will not remain such. Because, you know, that's how the world works.

[lilaccatholic]

I am once again thinking about the reluctant ruler whose arc justly and correctly includes assuming the throne and taking responsibility for the people set before them

[s0fter-sin]

thinking about the way ghost doesn't hesitate to start killing shadows when graves betrays them but soap only takes one hostage

you can almost hear the voice in his head telling him it doesn't have to be this way; they can still talk it out

"i'm calling shepherd"

his first instinct when confronted with betrayal is to play it by the books; to go up the chain and sort it out democratically. that goes against everything we've seen him do; he’s quick to drop his enemies and bucks authority at every chance except for the one time he's confronted with the barrels of his allies' guns

he wants a peaceful resolution; for the first time we've ever seen, he doesn't want violence to be the answer

there has to be another fix, a solution that doesn't end with him killing the same men he's been working with; his friends

nothing's happened yet

it doesn't have to go this way

but ghost has been betrayed before. he knows the way this ends; either with him six feet under or his enemy

he doesn't hesitate

it's only when they knock alejandro out that soap shoots; when they spill the first blood and cross a line they can never come back from

only when ghost orders him to run and he has to cover his retreat

and somewhere along the line, between civilians’ screams and taunting voices, between his shaking breath and ghost steady in his ear, that naivety is stripped away; his trust turned to teeth that he uses to sink into throats of men he'd have given his life for

"be careful who you trust, sergeant; people you know can hurt you the most"

he's learned the price of trust

just like ghost did

but unlike ghost, he has someone to guide him through the aftermath

"good advice, It"

[godsfavoritelitlesilly]

It hurts. Is this how you felt, too?

[thegayestofbats]

I like you *genderswaps your Kinger and Queenie*

[m-kyunie]

Karma

[woodlaflababab]

Aang and Androgyny

This is gonna be a bit ramblish but I've been thinking about it, A Lot.

I keep seeing people describe Aang as 'feminine' and that's always kinda sat wrong with me but I couldn't really tell why because they usually had a point, but recently I've realized it's because Aang isn't feminine, he's a great representation of androgyny but people see an absense of masculinity (especially in comparison with Sokka, Zuko, and even Toph) and read that as feminine.

He has a few 'feminine' moments, like the flower crown and the jewlery making, and he also has plenty of 'masculine' moments, the first that come to mind being him shutting people up in The Great Divide and him giggling with Sokka over buttresses.

And I've heard people point out that he has many personality traits associated with women, passivity being a big one, along with his empathy and care, but he also has plenty associated with men like confidence and, uh, I don't know what the word for it is, the only word that's coming to mind is tomfoolery, but that vibe. Being a tomfool.

But I think the kicker is, the two (positive) traits I see most often associated with him are his love for fun, and his wisdom. Both of which are genderless traits. When you think of wisedom you either think of an old man or an old woman. The gender of 'wise' is old. And fun loving is also not a trait strongly tied to either gender either, it's one that bring to mind children or the 'young at heart' (and isn't that interesting, that Aang can be most well known for acting both too young and too old)

Even Aang's basic character design has andogyny in it. He's bald, which is something usually associated with older men bc they lose hair. Among the young, both men and women can be bald, it's an unconventional hair choice either way. His outfit for two thirds of the show is one that is canonically genderless, it's simply the outfit given to those who are learning airbending, regardless of gender or age. And even when he gets out of that one, what does he go to? A school uniform. One both boys and girls wear. His final outfit is sorta ??? on the gender scale because like, clearly a woman would need to wear something under that, but also looser more revealing clothing is typically reserved for women (looking at Katara's fire nation outfit). I feel like there's a reason most genderbent art of Aang I've seen retain his outfit just with wraps underneath.

Aang is almost perfectly androgynous in just about everything he does. He's literally the fucking avatar, the symbol of balance, a being that has been both male and female many times.

But, because he's a boy, people see androgyny and think feminine, just like people see girls who lack feminimity as masculine. They're not. Androgynous is a thing a person can be.

I'm not saying like, Aang is genderqueer or anything, his reaction to the Ember Island Players alone shows he's connected to his sense of gender, but I just don't like people calling him feminine, or watching people debate this by pointing out masculine traits. He's neither.

He's just Aang.

[babyblueetbaemonster]

@tes-summer-fest 24, day 6: mirror

When the barber ask if this is okay, and you look in the mirror and at a loss for words.

Molly belongs to @wouldntyoulichentoknow (thank you for letting me draw her <3)

Molly used to be a barber in Kvatch. Somehow Martin didn't get a haircut from her before. Until today that is XD

Remember that Uriel with fancy hair post?

If you haven't seen that post, don't worry I'll reblog below.

[sk1fanfiction]

noooo stop woobifying them I like them fucked up and problematic!!!

[vulturecamera]

Red-crowned Crane

2024

[waitineedaname]

I just realized xie lian has the exact opposite of "spot the protagonist" syndrome. Everyone in tgcf has the craziest designs, and then he's just. a guy in a white robe. sometimes he has a hat 👍