#what were we trying to say with that
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emloafs · 5 months ago
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so when are we gonna talk about how the costuming for the teens in cobra kai is actually heinous
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bixels · 4 months ago
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End-of-Splatoon thoughts.
Thinking about how since the very start, Splatoon has had a feature where players can draw and post artwork and spot them as graffiti on walls or billboards. Or how the weapons have always been paint brushes and rollers and ballpoint pens. Since its inception, Splatoon has been dedicated to engaging its players with the act of creation and creative expression, showing them how their art can build communities and (literally) change the world.
Thinking about finding golden human-made music discs buried underground for thousands of years, and a grand finale music festival. About the Voyager Golden Records. About those human handprints etched into concrete in Alterna. Did those human artists know it would end like this? First a fiery death and then, eventually, a worldwide celebration of music to represent our shared past, present, and future. Did they know that their songs, insignificant in the face of extinction, would one day become the solution that will save the next dominant life-form from the same fate?
Thinking about how eerily similar the Octarian domes are to Alterna. About how close Inklings and Octolings were to repeating the same mistakes as humans. But their doomed fates were undone not by some miracle technology or military power or a rocket, but by music.
Thinking about how humans wiped themselves out with war, and our parting gifts were liquid crystals that somehow paired with the DNA of primeval inklings and somehow infused them with our memories and culture and a Song. And 12,000 years in the future, that same Song will end a war.
Thinking about how art and music and punk culture and rock & roll and friendly competition and petty arguments and water guns aren’t uniquely human concepts, but the fundamental qualities of intelligent life. An inheritable spirit that can cross evolutionary bounds.
Thinking about the theme of Splatoon, that art and music and fun will not die with the human race. That every piece of art we create is a seed we sow for future generations to reap. That our legacy is ingrained into the crust of the earth. That long after we’re gone, the oceans will remember, and they’ll pick up where we left off.
Thinking about how Splatoon says that the essence of humanity –– the thing that will outlive us –– isn't war or prejudice or destruction or greed, it's a song.
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psychicbby · 4 months ago
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imagine being one of dan’s flatmates in his first yr of uni lmfaoo??? like ok here comes this guy and like the first day he shuts himself in his room to play video games. ok cool whatever maybe he’s nervous. most of the time you never see him bc apparently he has an older friend nearby that he’s always with. when he is in the hall he’s burning pasta bc he’s cooking inept and staring down the washer bc he doesn’t understand how to do his own laundry. oh and he makes videos for youtube where he talks to himself (again this is like 2010). so after barely seeing this man the entire term you find out he’s dropped out of uni. ok whatever you never really think about him again until you’re on youtube and you see his face on the homepage. his video has like millions of views and thousands of likes. oh, there’s the friend he was spending all that time with. somehow he’s become some sort of an internet celebrity??? lmfaooooo. what a serve on dan’s part.
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poorly-drawn-mdzs · 4 months ago
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Council of lovefools.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#jiang yanli#jiang cheng#They don't have an actual sleepover in this scene but the vibes were so sleepover coded...I had to get them cozied up.#Late night talks with friends and family are some of the best conversations.#My siblings and I used to have room sleepovers with each other (Actually an excuse to stay up and talk about runescape)#Currently my flatmates and I also have really great heart to hearts late into the night.#Pondering shit like 'What defines confidence?“ and ”Why are people terrified of letting themselves fall in love?"#All that aside; There is a really great conversation between JC and WWX here. They are so close and yet so far way from each other!#Fundamentally they *agree* about many things - but JC now has to play the role of someone more 'mature'.#His temper is reigned in and he had to take a more nuanced approach. Whereas WWX can be far more reactionary.#JC has changed to become someone more mature (or at least he is trying).#Contrast this attitude with the scene *right* after where WWX literally goes baby mode with JYL. Rolling around going “I'm Fwee years old”.#When children are hurt we comfort them with hugs and warm food and a laugh. It's not enough when you're an adult. It's not simple anymore.#WWX is stuck in the past when everyone else is shifting and moving on! It's a depression allegory (and just...actual depression)#But we also get to see how some things have stayed the same. They still bicker about soup. They still tease. They are still together.#They all care for each other very much but they are struggling against trauma and are not equipped to talk about it.#You can't really blame WWX for being so protective over JYL. But JC is right: “You don't have a say in who she likes.”#It may have started as an arranged marriage but *she* is *choosing* what her heart wants. JC sees that. WWX cannot.#The final act of love is letting go after all.
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thedisablednaturalist · 23 days ago
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physically disabled person: hi
every abled neurodivergent person in the whole world: Hi I know this isn't about autism but I have executive dysfunction and I really think we should talk about that more not to derail or anything I just wanted to share my experience :) don't forget that not all disabilities are visible! I have anxiety and depression and this explains sooo much!
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dykedvonte · 2 months ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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marypsue · 19 days ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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sweetieviktor · 3 months ago
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viktor x librarian! reader (headcanons + tiny scenarios) part 1
summary: how you've meet each other, when you feel in love and your first exchange of "i love you"s.
content warning: just tooth rotting fluff and cuteness between those two. :D
author notes: i know that sooo many people writed this same idea but i can't help it, it's just so cute and so good to write!! when i was writing, the words came almost instantly and gods, i love to write fluff so much!! oh, and today, when i was re-reading this with my friend i was thinking the whole time "damn i love him" ((and i was awoken until 3am yesterday trying to finish this one but i feel sleep and couldn't end it, but i finished it this morning and now, at night time, im posting in here! anyways, hope you guys like it. :) (there is more of this concept if you want to see it too! heres the link for part 2!)
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» the moment the doors hang open, you turn to see who it is, and as you do so, the whole world stops.
» the prettiest man you've ever seen in your life just came into the library you work in. literally, the prettiest man.
» the way his fluffy hair falls around his face and his curious eyes keep looking at everything, scanning all corners of the room, every little thing he can, shining whenever he sees something he likes.
» and his boyish little smile, barely showing his teeth, that he was giving while talking to a furry someone just by his side.
“oh hi, dear friend!” waving, heimerdinger spoke, walking with tiny, fast steps in your direction, pausing when he was close to you. meanwhile the boy beside him was walking a little slower, his cane thudding softly against the floor.
he stopped near the yordle and looked at your face, giving a polite smile, offering to you his non-occupied hand, and you shaked it, giving him a smile of yours. “i’m viktor, heimerdinger's assistant. he said you could help me with some resources i might need, and i would very much appreciate any help your books could provide.”
“i hope you don't mind him coming here to do some researches, friend. he may come here often!” the yordle laughed, looking between the two of you and then walking away.
“ehhh.. so, do you have any books about-”
» basically, this is how you and viktor knew each other, through a friend in common. and, from this day on, he came to the library more and more often.
» at first, he just showed up, asked for a book you could provide and got out of the establishment. then, he tried to strike up a small talk with you whenever he was waiting for you to look up said books. now, he just straight up rants about any experiment he may be doing at the time.
» and if you're genuinely interested in his rant, he could go for hours just explaining every little detail to you, and he would love every second of it.
» because now he is a regular, you just analyze what he is up to in the most recent days and choose some books that might be useful to him, putting them in the drawer, below the reception desk. and when this happened for the first time he was almost flustered, because you cared enough to look up, sort and search for things that he didn't even asked for.
when you heard the door swing open, you looked at it's direction, smiling as you realized who it was. “hey, viktor! welcome again!” it was the third time this week he got to the library, looking for the same type of books, so you just worked a bit ahead this time. “i don't know if it is exactly what you need but i think that you could use these ones, they have some information you might like.”
“but i still didn't ask for anything..?” he stared at you with a puzzled face, trying to understand why you were giving him those.
“i just think it goes along with your research. also, i wanted to help.” you shrugged, smiling brightly at him.
and maybe this was when he thought for the first time “damn.. i might be in love.”
» after this, he always tried to stay closer to you, to say things you might like, to show you that he cared for you just as much as you cared for him.
» he even brought coffee (he got sweet milk for himself) and pastries for you both to share one day. and this was for sure one of the best excuses to transform a boring afternoon with no clients, into a lazy reading session, this, of course, until a client came and ruined the cutesy atmosphere between the two of you.
» of course he thought about asking you out before, but it was hard. he wasn't used to the feeling of love, of liking someone so deeply like this. so what could he do besides admire you everyday he was in your library? look at you with pure adoration, chuckle lightly whenever you said something that wasn't even that funny, and after it all just show you the most beautiful, bright and in love smile.
» he didn't like to belittle himself, but he really think you would be better with someone that wasn't him. you were so different, yet so alike him, it almost felt like it was meant to be.
» then, in one of his “oh, i will stay here for 15 more minutes and then i'll go home” times (that never lasted 15 minutes, to be honest), it was almost closing time, all of your coworkers were in their homes, no more clients in, simply, not a soul in there. only you both.
» you kept looking in his direction from afar, thinking to yourself how could you get someone so intelligent, so brilliant, so beautiful, so... him. you knew what you wanted, but again, it was hard. and, if saying your feelings out loud was way too scary, writing it all down seemed easier. so, you picked up a pen and a paper, writing in it everything that was inside your chest, your heart. you poured all your feelings into every word that you scribbled down.
» until you heard him packing up his stuff. you started to panic, and now there was only two options, leave the paper as it was and try to act neutral, or try to hide it and look even more nervous? well, there's no time to think! he was already in front of you while your head was spiraling nonstop.
“hey... you are fine? you look stressed.” he examined your face, tilting his head to the side, admiring every little feature of yours. your pretty eyes, your nose, your kissable lips...
“yes! i'm completely fine, no need to worry!” you put your hands on top of the little confession, smiling anxiously, hoping that he don't notice the sweet words you wrote down just for him.
“oh, what did you got there?” he looked at the paper, then at you, and back to paper. on a common day you would like to have his focus only on you, but it was making you even more nervous now, your stomach was turning itself, your hands were cold and trembling. and when he noticed it, he took your hand in his, and you could feel that he was shaking too. “hey... look,” he took a deep breath, almost like he didn't want to continue, like he was still choosing the right words to say. “i understand that some things we just want to keep them personal, only for ourselves. so, ehh, you don't have to show me what you wrote.”, he said with a nervous smile displayed on his lips, while caressing your knuckles with an almost feather-like touch, too afraid to ruin the moment and lose you right now.
and you didn't want to lose him too. even with your brain telling you that you shouldn't tell him, your heart knew you needed to say it, breaking itself or not. so it was now or never. “well... recently i've been thinking about our friendship, about what it could possibly be, about you.” you averted your gaze to the ground, wishing that you came up with fancier words and a better way to confess to him before it all, but you couldn't turn back now. “honestly i can't stop thinking about you, it's like you consumed every logical thought in my brain, everything that wasn't... you.” finally you looked at his eyes, just to see he already looking at you, eyes finally shining for you, because of you. “i love you, viktor. with everything in me, i really love you.” it seemed so right to say these three little words to him, to let him know how you felt since the first time you've seen him.
“and i love you too.” he came closer to you, still with his hand on yours, but now holding it gently, intertwining your fingers together, pressing quickly his lips in yours, smiling in pure awe, completely lovestruck after it. “i love you more than anything, my little star.”
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a-stars-art-blog · 28 days ago
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Shitposts + serious WIP (?) comic
2nd shitpost inspired by @euporie-art ‘s tags on one of my other shitposts lmao
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Tangent about the jail scene here ⬇️⬇️⬇️
It’s been rattling in my brain whyyyy Barok faces away from Albert in this scene
It’s an obviously deliberate decision so it got me thinking. Now unless someone already did an amazing analysis about this, please ignore this so I don’t look stupid and send me it instead fjskakak
TL;DR exactly what the comic said
Highly doubt Barok was so upset at Albert as to not face him (at least not too much). He DID go visit him actually, which is something Albert didn’t even predict. (Take that as you will). Barok could still be upset with Albert but I don’t see him as the type to turn his back to him like this.
My initial thought could be that Barok didn’t want Albert to see how grumpy and gloomy he’s become but I figured since he knew they were gonna see each other soon anyways, there’d be no reason to avoid it (unless he wanted to avoid a barrage of questions/concerns from Albert)
It’s like,,,what possible reason could there be that doesn’t make you think “well they were about to see each other in court in, like, less then 24 hours so what was the point?”
That’s when my thought train decided to go away from “Barok personal self-loathing” reason to “Barok personal something else” reason
Why would Barok not want to look at someone he considers a friend, especially one in a tough situation? Maybe, I thought, bc it would be to painful for him
When they were in uni, they probably had high hopes for each other. To expect the other to do great things, be great people, be famous. Imagine 10 years later you find out your buddy is in JAIL??? That’s probably very heartbreaking. I wouldn’t blame him for not wanting to see someone he holds in high regards in a cell. But he’s still gonna be a good friend and visit him anyways <3
Okay another thought that JUST popped into my head!! Barok not wanting Albert’s image of him to change just yet.
Up until just recently, Albert had nothing but positive and nice things to say about Barok. He hadn’t talked to him in YEARS so his image of Barok is still of “the little darling”/varsity days.
Albert was probably the only person closely connected to Barok that still held that image. And Barok probably knew that. I think it’d be incredibly tragic if Barok wanted someone to still believe in him. To have someone who still saw him as nothing but good and hopeful. A bright man with a bright future. Albert seeing his face and seeing that brightness gone away would probably make him understand something’s gone horribly wrong.
Of course, them seeing each other is inevitable but Barok prolonging it is still a painful thought. The fact Barok prolonged their face to face meeting at all is really sad :(((
But bright side is that Albert never commented (initially) on his appearance. Just his mean behavior lol and I actually really really appreciate how their friendship was never really put into question. They never had a conversation where they were like “hey you’re scary now” or “hey I’m scary now” “we should probably stop being friends” they’re both fucked up <3 but it’s still fun to imagine that “what if”
Anyways all this to say that Barok cares so much about Albert that even his actions that look cold and heartless, actually come from a deep place of love and respect holy shit????
That or he’s just a tsundere
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coquelicoq · 2 months ago
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[ID: Panels from chapter 101 of the Natsume's Book of Friends manga. Natsume thanks Natori and Matoba for coming to rescue him and Nyanko-sensei. Natori's serious but unsurprised expression remains unchanged over three panels. Matoba's lips are slightly parted, and in the second panel he says, "Huh…?" /end ID]
the contrast in reactions between natori and matoba...matoba and his little taken aback "what the hell am i supposed to do with this bid for human connection" face that i hold so dear. idk what's going on with natori exactly but my guess is he's just. really scared for natsume. he must have been, to have gone to get matoba. natsume doesn't get natori's affectionately indulgent look until after the danger has passed. natori's gotta get his game face on.
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Gourmand: Any minute now.
Hunter: …I-
Arti: I’m sorry!
Hunter: Huh?
Arti: I-I’m so sorry. For attacking you, and for- for everything. 
Arti: I’ve been such an asshole to you.
Hunter: …Yeah you have been an asshole. But I fucked up too, I didn’t know what I was saying. I thought… 
Hunter: …it doesn’t matter what I thought. I shouldn’t have said that. I, uh… I-I heard about your k-
Arti: Don’t. It’s in the past now.
Gourmand: Is it? 
Gourmand: You attacked him over saying something that triggered you, so no, it doesn’t seem to be all in the past. 
Gourmand: It isn’t fair to hurt someone for not knowing something that you never told them. 
PART ONE IS DONE!!!!!!!!! Part two will probably come in about, uh, seven years, give or take. /j
(It isn’t perfect, but it’s been too long and I needed to get the first part of this comic out. I’m honestly super happy I finished, because it was unnecessarily hard lmao. Anyways I’m gonna ramble in the tags now)
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icantalk710 · 16 days ago
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Looong day of catching up on emails and work to set myself up to be (mostly) on vacation as of xmas 😩☕😵‍💫
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sergle · 4 months ago
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talking about the topic of animated movies not Hitting, I accidentally reminded myself of one time on twitter, I think around the time that Raya came out?? I was poopooing on how much the dragon looks like elsa, and then talked about how I wish 2d animated and hand animated films were still The Medium instead of nothing but the highest resolution skin texture fur textured 3d animated films bc I'm tired of seeing it, etc etc and then someone who I was not mutuals with, they must've been someone working under the disney IP in some form, and must've either done some work on raya or just worked on 3d animated projects in general, replied to me SEVERAL TIMES as if I was subtweeting them, with something to the tone of "just say you hate me and you think my art is trash" and I think about that ALL the time
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bitchslapblastoids · 4 months ago
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Was thinking about how much of a normo I come across as irl, how I’ve felt a lil odd person out at their shows bc of being a bit older (29) and looking so aggressively normal, how generally confused people in my life would be if they knew about my d&p obsession, how thoroughly i mask weirder traits and essentially codeswitch to suit the mainstream, etc.
i feel kind of fish out of water when I imagine how all the people that populate my tumblr phandom ecosystem are likely presenting to the world irl (I.e. more visibly queer, counterculture, and so on). But then I think maybe the most visible phannies are the ones with the most curated, alt, deliberate daytoday lewks/style? So maybe what I’m picturing is off base? But then I’m also basing this off of what audiences look like in audience footage, m&gs, etc.
Sooooooo i would like to know… do you guys feel like you present as someone who may be Deeply Online and obsessed with two gay nerds from the internet? Or do you hide it and fly under the radar, masking as a total normy and living a double life?
(To clarify I don’t mean you’re like out and about wearing the fringes boob sweatshirt lol I more mean vibes and overall lewk yk?)
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cloudyfloss · 5 days ago
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the lesbian flag (mostly) colourpicked from glinda's ozdust dress !!
pics i used will be under the cut
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denkisauce · 6 months ago
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(bnha manga ending spoilers)
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what was the point
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what was the point
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what was the point
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WHAT WAS THE POINT
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WHAT WAS THE POINT
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WHAT WAS THE POINT 😭😭
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what was the pointtttt
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