#what were we trying to say with that

[emloafs]

so when are we gonna talk about how the costuming for the teens in cobra kai is actually heinous

[bixels]

End-of-Splatoon thoughts.

Thinking about how since the very start, Splatoon has had a feature where players can draw and post artwork and spot them as graffiti on walls or billboards. Or how the weapons have always been paint brushes and rollers and ballpoint pens. Since its inception, Splatoon has been dedicated to engaging its players with the act of creation and creative expression, showing them how their art can build communities and (literally) change the world.

Thinking about finding golden human-made music discs buried underground for thousands of years, and a grand finale music festival. About the Voyager Golden Records. About those human handprints etched into concrete in Alterna. Did those human artists know it would end like this? First a fiery death and then, eventually, a worldwide celebration of music to represent our shared past, present, and future. Did they know that their songs, insignificant in the face of extinction, would one day become the solution that will save the next dominant life-form from the same fate?

Thinking about how eerily similar the Octarian domes are to Alterna. About how close Inklings and Octolings were to repeating the same mistakes as humans. But their doomed fates were undone not by some miracle technology or military power or a rocket, but by music.

Thinking about how humans wiped themselves out with war, and our parting gifts were liquid crystals that somehow paired with the DNA of primeval inklings and somehow infused them with our memories and culture and a Song. And 12,000 years in the future, that same Song will end a war.

Thinking about how art and music and punk culture and rock & roll and friendly competition and petty arguments and water guns aren’t uniquely human concepts, but the fundamental qualities of intelligent life. An inheritable spirit that can cross evolutionary bounds.

Thinking about the theme of Splatoon, that art and music and fun will not die with the human race. That every piece of art we create is a seed we sow for future generations to reap. That our legacy is ingrained into the crust of the earth. That long after we’re gone, the oceans will remember, and they’ll pick up where we left off.

Thinking about how Splatoon says that the essence of humanity –– the thing that will outlive us –– isn't war or prejudice or destruction or greed, it's a song.

[specialgradefckr]

Cutest Girl Alive~

tw: explicit content. brat!reader, gojo is not a brat tamer he is a brat enjoyer, hate sex vibes, very very tsundere!reader, gojo is hilariously oblivious about how annoying he is, reader is kinda mean (not without reason...)

satoru gojo who just doesn't know what your problem is.

he really doesn't! suguru doesn't believe him, of course, but it's true - he didn't do anything. at least not anything that would warrant you asking if his "inbred, illiterate ass is too important to file a report".

ichiji said it was just because his paper backlog made things difficult for everybody. but the inbreeding comment was uncalled for!

his mom is super hot, though. he told you as much, and offered to set up a date, just in case you swung the other way.

unfortunately, the only thing that swung was your hand against his face, which didn't make contact, but it still hurt his feelings!

(you'd looked him dead in the eye. "good." walked away.)

and that wasn't just an isolated incident!

he'd caught you at the vending machine, bent over. satoru had politely refrained from slapping your ass and loudly announced how hot it was.

perfect gentleman!

whereupon you had turned around, smiling tightly, and offered him the soda.

"see," he teased, cracking it open, "i knew you could be nice if-"

the soda sprayed all over his face. your smile looked a little looser, a little realer, and your laugh - while awful and wicked - had been terribly adorable.

when he started to laugh with you, though, you just glared. rolled your eyes, and walked off in the middle of the conversation.

and just. random moments! your face falls into an admittedly cute pout (suguru says it's a grimace) whenever he walks into the room.

"how's your day been?"

"good, until you got here."

like, he's not crazy here. you're just being mean.

honestly, it's kind of funny. or it would be funny, if it didn't kind of hurt a little.

suguru doesn't get the same kind of response. when he begs, pleads, and bribes suguru into asking you what you don't like about him -

"if i had to say... everything."

whereupon suguru had burst out laughing.

mean!

but that's the thing, though. you were nice to suguru, to everyone else.

you're not a bitch. you're a bitch to him.

he's special.

you don't treat anybody else like this.

why is that, satoru ponders. why do you especially dislike him?

suguru says it's his shitty personality. joke's on suguru because his best friend has been some guy with a shitty personality for about a decade now! loser.

anyways, he comes up with a plan. he texts you from another phone and number, something perfectly random and polite. a picture of a cat he found on the street.

(you love cats so you'll definitely respond. he knows because he's been popping in on you for several weeks now. it's not stalking because he doesn't follow you! and that was so rude of suguru to say!)

the conversation that follows is perfectly pleasant. sweet, even. he enjoys it, right up until -

mean girl <3: hey could you do me a huge favor actually? satoru gojo: anything 4 u kitten!! mean girl <3: kill yourself gojo

his number is blocked.

whoops. wow. do you have a built in satoru gojo detector or something? what is he missing? what gave him away???

suguru looks over the texts and just stares at him blankly at the question.

"well? what could have clued her in?"

"oh, god... satoru, if you can't tell, just forget about it. and stop trying to fool her."

he probably should. stop, that is.

he's not following you but he's definitely teleporting into places he knows you'll be. trying to run into you. constantly. daily. hourly, even.

he likes to stay updated on all your missions. your favorite restaurants. maybe he watches you a little.

there's just something that draws him in. your quick wits, your derision. the way you look at him with all that fire.

you want to laugh at him. he wants to laugh with you.

and yeah, he gets rock hard when you yell at him. he'd let you slap him but you don't bother trying anymore after hitting his infinity that one time. bummer.

it's a late summer evening - sun still up, orange on the horizon. he's stuck filling out reports, you're stuck grading papers.

in silence, as always. you'd never speak to him unless it was to insult him.

"hey," satoru says all the sudden, "you wanna fuck?"

the silence that fills the room is colder, harder -

"are you fucking serious?" insulted, outraged - that's about what he expected.

but... if he looks with the six eyes... if he glances at your sympathetic nervous system, if he squints really hard and swears three times over, maybe he can convince himself -

"you're not totally against the idea, are you?" he draws himself up from the table, smirking.

hooking a finger in his blindfold like he's trying to remind you just how long they are.

you stare at him.

"dead serious," he confirms, "right here right now. i can be fast."

"i don't doubt it." oooh, there's that bite again, "i doubt i'd enjoy it."

his smile bares teeth.

"wanna bet?"

and fuck, just look at you now. look at you!

with all six eyes he is. and satoru likes what he sees.

hunched over, teary eyed. face bright red. you used to scowl at him with that face, that pretty face, all hard lines and snarled lips -

and look at you now! so cute and precious and soft! so sweet he wants to take a bite out of you.

you even yelp, adorably, when he nips at the inside of your thigh. sensitive, twitchy.

he's dizzy with it. with the taste of you, of your cum. your high pitched little whimpers in his ears are still ringing in his ears, along with your mean retorts.

"where's your smart mouth now, baby?" he teases, lips glossy with your slick.

and god, it's even fucking hotter watching you try to glare while blushing and trembling and blinking away tears of overstimulation.

"sh-shut up and put your dick in me, gojo," you bite out, "if you even know how."

you jolt when he kisses your cunt, looking you in the eyes while he does it.

"awh, you poor thing," he cooes, crawling up your chest to go face-to-face, even as another hand goes to dig his cock out of his pants, "so impatient."

he can tell it riles you up. that you don't know what to do, trapped in his gaze.

"fuck off, gojo."

"i'll fuck you," he says with a snicker, kissing your throat. like he knows you won't let him kiss your lovely little pouty face.

how could he not have seen it before?

(well, he had his blindfold on for one. but the principle of you being unsettled by your attraction towards him still stands!)

he lines himself up, nice and easy. feels your unsteady hands reach, cling to his shoulders, and that's almost as hot.

you look down to avoid his gaze, but then your eyes widen at the sight of his cock. huge and pink and throbbing.

"yummy, right?" he croons, "you can have a taste after if you want. you're so sweet, you deserve a lick or two."

you make this sharp gasp, the most adorable, helpless noise, your whole body jerking as he plunges into you, and satoru nearly cums just from that.

cute. cute cute cute cute so fucking cute he's gonna go crazy.

he bites at the place your shoulder meets your neck just to sate himself. soft skin, tender flesh. salty and slick from sweat.

you melt in his mouth. around his dick. whimpering and sniffling and mewling little demands.

"get on with it, gojo, fuck, is this your first time - "

"first time fucking a cunt this wet?" he purrs between sucking marks on your neck, "yeah, baby. it's crazy, how much you want me."

"you went down on me for like," another high-pitched squeak as he nips your ear, "t-ten minutes, dumbass. of course i'm wet!"

your hands claw at him, trembling just like your voice.

he shoves himself in, all the way to the hilt, disintegrating any coherence you had left. all you can do is cry out, wailing when his long fingers brush over your poor, swollen, tender clit.

"awh, baby, you can take it," he croons. his heart does a little delighted flutter when he sees your (utterly kissable) lips purse in annoyance, only to fall apart again when he pumps back into you.

"run out of nasty things to say, huh, baby?" satoru swears he can feel your pretty little clit twitching and pulsing at his touch, just like his cock throbs inside you.

his eyes glitter as he thrusts in and out. god, your hot fucking body tensing and shuddering against him, the exhaustion warring with pleasure and aggravation on your face.

there's not a single part of you that isn't utterly fixated on him. in this moment he's the most important thing in your world.

and it's glorious. your cunt is clenching him like a vice, unraveling him almost as far as he's already unwound you. little moans spill from your mouth, music to his ears.

that face, god, that fucking gorgeous face that's always frowning at him. so pretty now.

"look at you," he pants, close so close, "god, you're - such a bitch all the time - you just needed a good fucking, huh?"

satoru snatches your face by the jaw, looking you straight in the eyes.

they're all wet and messy and a little bit red. he's so close he has to press hard, fast circles into your clit to get you closer, closer -

"f-fuck," you sob, "fuck, hngh, you-"

he licks your tears off your cheeks, "just needed some good cock, huh? that's all it takes to shut your mean little mouth?"

clawing at his back. he feels you squeezing him for all he's worth, milking him -

"fuck, i'm cumming," he groans, bursting hot and liquid in your tight cunt.

you gulp down heavy, airy breaths. delicate noises as you tremble in his arms.

fuck, you're so gorgeous. satoru lays you back, your lashes fluttering, face flushed, spread out on the desk all limp and exhausted.

his ravished beauty. his little spitfire.

"see," he cooes, cupping your cheek, "all sweet for me now that you're filled with my cum. see how nice it feels when you're good for me?"

your hands shoot up, slapping his hand away, covering your face.

"your mouth is literally only good for eating pussy."

he laughs, leaning in to hold you against him. "and yours is only good for talking shit."

"maybe if you weren't such an asshole you'd know better." you snap, pulling back, sliding him out of you with a little gasp that gets his cock twitching again.

he whines at the loss of you, "awh, come on, don't be like that."

you roll your eyes. it's pretty incredible how well you're composing yourself, fixing your clothes and hair. taking a deep breath as you pointedly ignore his pestering and prepare to leave.

his bitchy, pretty baby. so much less intimidating when he's seen you moaning and cumming in his mouth - but he thinks you're even more adorable now.

"i gave you more than your fair share of orgasms, didn't i? show me what else it's good for~" he sings, staring at you the whole time.

you ignore him until you're dressed again. glancing at him from the corner of your eye. turning away.

"...next week after class." you say, stopping just before you leave, "i don't like owing people."

"heh." satoru watches you dart out the door, shutting it briskly behind you, smiling to himself.

maybe you thought he couldn't see it - as if he isn't always watching your face - but just before you left, he could tell.

the faintest dusting of pink on your cheeks...

you really are the cutest girl alive, huh?

(megumi tells him to stop whistling that day - he doesn't stop for an entire week.)

[psychicbby]

imagine being one of dan’s flatmates in his first yr of uni lmfaoo??? like ok here comes this guy and like the first day he shuts himself in his room to play video games. ok cool whatever maybe he’s nervous. most of the time you never see him bc apparently he has an older friend nearby that he’s always with. when he is in the hall he’s burning pasta bc he’s cooking inept and staring down the washer bc he doesn’t understand how to do his own laundry. oh and he makes videos for youtube where he talks to himself (again this is like 2010). so after barely seeing this man the entire term you find out he’s dropped out of uni. ok whatever you never really think about him again until you’re on youtube and you see his face on the homepage. his video has like millions of views and thousands of likes. oh, there’s the friend he was spending all that time with. somehow he’s become some sort of an internet celebrity??? lmfaooooo. what a serve on dan’s part.

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[thenamesapollo]

state of deltarune theories is so so bad cuz they all try to connect back to the theme of escapism without noticing that that theme isn't even in deltarune.

[a-stars-art-blog]

Shitposts + serious WIP (?) comic

2nd shitpost inspired by @euporie-art ‘s tags on one of my other shitposts lmao

Tangent about the jail scene here ⬇️⬇️⬇️

It’s been rattling in my brain whyyyy Barok faces away from Albert in this scene

It’s an obviously deliberate decision so it got me thinking. Now unless someone already did an amazing analysis about this, please ignore this so I don’t look stupid and send me it instead fjskakak

TL;DR exactly what the comic said

Highly doubt Barok was so upset at Albert as to not face him (at least not too much). He DID go visit him actually, which is something Albert didn’t even predict. (Take that as you will). Barok could still be upset with Albert but I don’t see him as the type to turn his back to him like this.

My initial thought could be that Barok didn’t want Albert to see how grumpy and gloomy he’s become but I figured since he knew they were gonna see each other soon anyways, there’d be no reason to avoid it (unless he wanted to avoid a barrage of questions/concerns from Albert)

It’s like,,,what possible reason could there be that doesn’t make you think “well they were about to see each other in court in, like, less then 24 hours so what was the point?”

That’s when my thought train decided to go away from “Barok personal self-loathing” reason to “Barok personal something else” reason

Why would Barok not want to look at someone he considers a friend, especially one in a tough situation? Maybe, I thought, bc it would be to painful for him

When they were in uni, they probably had high hopes for each other. To expect the other to do great things, be great people, be famous. Imagine 10 years later you find out your buddy is in JAIL??? That’s probably very heartbreaking. I wouldn’t blame him for not wanting to see someone he holds in high regards in a cell. But he’s still gonna be a good friend and visit him anyways <3

Okay another thought that JUST popped into my head!! Barok not wanting Albert’s image of him to change just yet.

Up until just recently, Albert had nothing but positive and nice things to say about Barok. He hadn’t talked to him in YEARS so his image of Barok is still of “the little darling”/varsity days.

Albert was probably the only person closely connected to Barok that still held that image. And Barok probably knew that. I think it’d be incredibly tragic if Barok wanted someone to still believe in him. To have someone who still saw him as nothing but good and hopeful. A bright man with a bright future. Albert seeing his face and seeing that brightness gone away would probably make him understand something’s gone horribly wrong.

Of course, them seeing each other is inevitable but Barok prolonging it is still a painful thought. The fact Barok prolonged their face to face meeting at all is really sad :(((

But bright side is that Albert never commented (initially) on his appearance. Just his mean behavior lol and I actually really really appreciate how their friendship was never really put into question. They never had a conversation where they were like “hey you’re scary now” or “hey I’m scary now” “we should probably stop being friends” they’re both fucked up <3 but it’s still fun to imagine that “what if”

Anyways all this to say that Barok cares so much about Albert that even his actions that look cold and heartless, actually come from a deep place of love and respect holy shit????

That or he’s just a tsundere

[sweetieviktor]

viktor x librarian! reader (headcanons + tiny scenarios) part 1

summary: how you've meet each other, when you feel in love and your first exchange of "i love you"s.

content warning: just tooth rotting fluff and cuteness between those two. :D

author notes: i know that sooo many people writed this same idea but i can't help it, it's just so cute and so good to write!! when i was writing, the words came almost instantly and gods, i love to write fluff so much!! oh, and today, when i was re-reading this with my friend i was thinking the whole time "damn i love him" ((and i was awoken until 3am yesterday trying to finish this one but i feel sleep and couldn't end it, but i finished it this morning and now, at night time, im posting in here! anyways, hope you guys like it. :) (there is more of this concept if you want to see it too! heres the link for part 2!)

» the moment the doors hang open, you turn to see who it is, and as you do so, the whole world stops.

» the prettiest man you've ever seen in your life just came into the library you work in. literally, the prettiest man.

» the way his fluffy hair falls around his face and his curious eyes keep looking at everything, scanning all corners of the room, every little thing he can, shining whenever he sees something he likes.

» and his boyish little smile, barely showing his teeth, that he was giving while talking to a furry someone just by his side.

“oh hi, dear friend!” waving, heimerdinger spoke, walking with tiny, fast steps in your direction, pausing when he was close to you. meanwhile the boy beside him was walking a little slower, his cane thudding softly against the floor.

he stopped near the yordle and looked at your face, giving a polite smile, offering to you his non-occupied hand, and you shaked it, giving him a smile of yours. “i’m viktor, heimerdinger's assistant. he said you could help me with some resources i might need, and i would very much appreciate any help your books could provide.”

“i hope you don't mind him coming here to do some researches, friend. he may come here often!” the yordle laughed, looking between the two of you and then walking away.

“ehhh.. so, do you have any books about-”

» basically, this is how you and viktor knew each other, through a friend in common. and, from this day on, he came to the library more and more often.

» at first, he just showed up, asked for a book you could provide and got out of the establishment. then, he tried to strike up a small talk with you whenever he was waiting for you to look up said books. now, he just straight up rants about any experiment he may be doing at the time.

» and if you're genuinely interested in his rant, he could go for hours just explaining every little detail to you, and he would love every second of it.

» because now he is a regular, you just analyze what he is up to in the most recent days and choose some books that might be useful to him, putting them in the drawer, below the reception desk. and when this happened for the first time he was almost flustered, because you cared enough to look up, sort and search for things that he didn't even asked for.

when you heard the door swing open, you looked at it's direction, smiling as you realized who it was. “hey, viktor! welcome again!” it was the third time this week he got to the library, looking for the same type of books, so you just worked a bit ahead this time. “i don't know if it is exactly what you need but i think that you could use these ones, they have some information you might like.”

“but i still didn't ask for anything..?” he stared at you with a puzzled face, trying to understand why you were giving him those.

“i just think it goes along with your research. also, i wanted to help.” you shrugged, smiling brightly at him.

and maybe this was when he thought for the first time “damn.. i might be in love.”

» after this, he always tried to stay closer to you, to say things you might like, to show you that he cared for you just as much as you cared for him.

» he even brought coffee (he got sweet milk for himself) and pastries for you both to share one day. and this was for sure one of the best excuses to transform a boring afternoon with no clients, into a lazy reading session, this, of course, until a client came and ruined the cutesy atmosphere between the two of you.

» of course he thought about asking you out before, but it was hard. he wasn't used to the feeling of love, of liking someone so deeply like this. so what could he do besides admire you everyday he was in your library? look at you with pure adoration, chuckle lightly whenever you said something that wasn't even that funny, and after it all just show you the most beautiful, bright and in love smile.

» he didn't like to belittle himself, but he really think you would be better with someone that wasn't him. you were so different, yet so alike him, it almost felt like it was meant to be.

» then, in one of his “oh, i will stay here for 15 more minutes and then i'll go home” times (that never lasted 15 minutes, to be honest), it was almost closing time, all of your coworkers were in their homes, no more clients in, simply, not a soul in there. only you both.

» you kept looking in his direction from afar, thinking to yourself how could you get someone so intelligent, so brilliant, so beautiful, so... him. you knew what you wanted, but again, it was hard. and, if saying your feelings out loud was way too scary, writing it all down seemed easier. so, you picked up a pen and a paper, writing in it everything that was inside your chest, your heart. you poured all your feelings into every word that you scribbled down.

» until you heard him packing up his stuff. you started to panic, and now there was only two options, leave the paper as it was and try to act neutral, or try to hide it and look even more nervous? well, there's no time to think! he was already in front of you while your head was spiraling nonstop.

“hey... you are fine? you look stressed.” he examined your face, tilting his head to the side, admiring every little feature of yours. your pretty eyes, your nose, your kissable lips...

“yes! i'm completely fine, no need to worry!” you put your hands on top of the little confession, smiling anxiously, hoping that he don't notice the sweet words you wrote down just for him.

“oh, what did you got there?” he looked at the paper, then at you, and back to paper. on a common day you would like to have his focus only on you, but it was making you even more nervous now, your stomach was turning itself, your hands were cold and trembling. and when he noticed it, he took your hand in his, and you could feel that he was shaking too. “hey... look,” he took a deep breath, almost like he didn't want to continue, like he was still choosing the right words to say. “i understand that some things we just want to keep them personal, only for ourselves. so, ehh, you don't have to show me what you wrote.”, he said with a nervous smile displayed on his lips, while caressing your knuckles with an almost feather-like touch, too afraid to ruin the moment and lose you right now.

and you didn't want to lose him too. even with your brain telling you that you shouldn't tell him, your heart knew you needed to say it, breaking itself or not. so it was now or never. “well... recently i've been thinking about our friendship, about what it could possibly be, about you.” you averted your gaze to the ground, wishing that you came up with fancier words and a better way to confess to him before it all, but you couldn't turn back now. “honestly i can't stop thinking about you, it's like you consumed every logical thought in my brain, everything that wasn't... you.” finally you looked at his eyes, just to see he already looking at you, eyes finally shining for you, because of you. “i love you, viktor. with everything in me, i really love you.” it seemed so right to say these three little words to him, to let him know how you felt since the first time you've seen him.

“and i love you too.” he came closer to you, still with his hand on yours, but now holding it gently, intertwining your fingers together, pressing quickly his lips in yours, smiling in pure awe, completely lovestruck after it. “i love you more than anything, my little star.”

[coquelicoq]

[ID: Panels from chapter 101 of the Natsume's Book of Friends manga. Natsume thanks Natori and Matoba for coming to rescue him and Nyanko-sensei. Natori's serious but unsurprised expression remains unchanged over three panels. Matoba's lips are slightly parted, and in the second panel he says, "Huh…?" /end ID]

the contrast in reactions between natori and matoba...matoba and his little taken aback "what the hell am i supposed to do with this bid for human connection" face that i hold so dear. idk what's going on with natori exactly but my guess is he's just. really scared for natsume. he must have been, to have gone to get matoba. natsume doesn't get natori's affectionately indulgent look until after the danger has passed. natori's gotta get his game face on.

[ask-the-colony-tree-siblings]

Gourmand: Any minute now.

Hunter: …I-

Arti: I’m sorry!

Hunter: Huh?

Arti: I-I’m so sorry. For attacking you, and for- for everything. 

Arti: I’ve been such an asshole to you.

Hunter: …Yeah you have been an asshole. But I fucked up too, I didn’t know what I was saying. I thought… 

Hunter: …it doesn’t matter what I thought. I shouldn’t have said that. I, uh… I-I heard about your k-

Arti: Don’t. It’s in the past now.

Gourmand: Is it? 

Gourmand: You attacked him over saying something that triggered you, so no, it doesn’t seem to be all in the past. 

Gourmand: It isn’t fair to hurt someone for not knowing something that you never told them. 

PART ONE IS DONE!!!!!!!!! Part two will probably come in about, uh, seven years, give or take. /j

(It isn’t perfect, but it’s been too long and I needed to get the first part of this comic out. I’m honestly super happy I finished, because it was unnecessarily hard lmao. Anyways I’m gonna ramble in the tags now)

[icantalk710]

Looong day of catching up on emails and work to set myself up to be (mostly) on vacation as of xmas 😩☕😵‍💫

[sergle]

talking about the topic of animated movies not Hitting, I accidentally reminded myself of one time on twitter, I think around the time that Raya came out?? I was poopooing on how much the dragon looks like elsa, and then talked about how I wish 2d animated and hand animated films were still The Medium instead of nothing but the highest resolution skin texture fur textured 3d animated films bc I'm tired of seeing it, etc etc and then someone who I was not mutuals with, they must've been someone working under the disney IP in some form, and must've either done some work on raya or just worked on 3d animated projects in general, replied to me SEVERAL TIMES as if I was subtweeting them, with something to the tone of "just say you hate me and you think my art is trash" and I think about that ALL the time

[bitchslapblastoids]

Was thinking about how much of a normo I come across as irl, how I’ve felt a lil odd person out at their shows bc of being a bit older (29) and looking so aggressively normal, how generally confused people in my life would be if they knew about my d&p obsession, how thoroughly i mask weirder traits and essentially codeswitch to suit the mainstream, etc.

i feel kind of fish out of water when I imagine how all the people that populate my tumblr phandom ecosystem are likely presenting to the world irl (I.e. more visibly queer, counterculture, and so on). But then I think maybe the most visible phannies are the ones with the most curated, alt, deliberate daytoday lewks/style? So maybe what I’m picturing is off base? But then I’m also basing this off of what audiences look like in audience footage, m&gs, etc.

Sooooooo i would like to know… do you guys feel like you present as someone who may be Deeply Online and obsessed with two gay nerds from the internet? Or do you hide it and fly under the radar, masking as a total normy and living a double life?

(To clarify I don’t mean you’re like out and about wearing the fringes boob sweatshirt lol I more mean vibes and overall lewk yk?)

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.