#what the fuck is wrong with me lol

[evilfloralfoolery]

My bestie sends me this message Sunday and it's just a link with the words "imagine Grimm." It's this guy doing a rather hilarious and spontaneous striptease in a terribly unlikely place while onlookers are both impressed and cracking up. The guy has Grimm's body type and some similar features. Definitely had his smartassy smirk. The whole thing was silly, sexy nonsense.

She thought I would just crack up and move on.

I did not. 😂😂

So, now we have 3k+ of Grimm and Indigo doing under cover work in a strip club where Grimm is the dancer and Indigo has to pretend not to know him and act as a client so no one catches on.

Oh yeah, and Grimm has a cold.

What the fuck am I even doing with my life. 🤣🤣🤣

[taciturnpoet]

trying to get the right timing on an animation/edit is such a bitch why am i a perfectionist

[vespys-refs]

.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[disgracecadet]

Not me crying listening to jumper by third eye blind like “this shit trans as fuck” at 2pm on a wednesday

[bixels]

tarpit site.

[deadsetobsessions]

Once more the hallucinations hit, and once more I am here writing it out.

My brain is fucking terrifying and I want out, so bad. This came to me in the form of a nightmare.

Also, please don’t take the timeline into consideration, because I have no idea what’s going on. Again, nightmares and dreams tend to not have the best coherency when it comes to plot and timelines. The reincarnation doesn’t have a name, I was too busy feeling terrified. Shit in parentheses was how I experienced the nightmare. Everything else is just me adding sprinkle sprinkle.

——

Ra’s al Ghul.

Talia al Ghul.

Two names that she had been aware of, in the peripherals of her hyper fixation. Two characters meant to enhance the story of the Dark Knight. Side characters, on a good day. Perhaps, a main antagonist on a better day.

On a bad day?

Main characters. Real, living people. Real, living, breathing assassins.

Unfortunately, they’re her new family. One she remembered coming into, bathed in a pool of blood and screams.

She was not a baby.

She is now, a baby. The first of Talia al Ghul’s children. The eldest, once Damian al Ghul was born.

Swaddled in emerald green and gold silks, she was presented to a man with silver streaked hair and a receding hairline. He too, was robed in green and golds.

“A daughter, Talia?” He rumbled, the smooth Arabic flowing out of his mouth failing to hide the acrid disappointment. The child, past the haze of confusion of suddenly being deported from her own adult body into one of a helpless child, felt a stirring of irritation. It’s good she learned the language, because now she knew exactly how Ra’s felt about her. The child grumbled a displeased sound. Not that she would have ignored the fact that her grandfather was Ra’s al Ghul. (He smelled like moth eaten fabric and blood- but I think that was because my cat accidentally scratched me.)

“My apologies, father.”

“Do not tell the young detective of this. Had it been a son, perhaps things would have been different. No, a daughter would only hinder him.”

Talia bowed, hands tightening on her daughter. “May I raise her, father?”

“A resource is still a resource. Go ahead, Talia.”

“Yes, father.” Talia took the dismissal and bowed before leaving.

On her way back to the room with the reincarnation’s crib, Talia al Ghul stroked her daughter’s head.

“I wish you were born a boy, my daughter. I am sorry my beloved will never know of you.”

The reincarnation looked at her new mother. She’s young, the woman-child realized. A teenager.

“You’ll have to be useful, my daughter. Your grandfather is not so kind as to keep the useless. I… do not wish for your death,” her mother muttered.

Great. She got new life and it’s already in danger.

——

She learned to swing a knife. Swords. She learned and devoured the teachings. She learned to be useful.

But then they asked her to take the life of a man who did her no wrong.

Her baby blues clashed with her grandfather’s Lazarus green.

She was still young. A child.

“No.”

“No?”

“He did no wrong.”

“He failed, granddaughter.” Ra’s smiled down at her, patronizing. Cruel. “Perhaps you possess your father’s heart, and you are foolishly sentimental, as women and children tend to be. But in the end, you are an al Ghul and you will obey. Plunge in your blade and I will reward you.”

The reincarnation looked at the man kneeling in front of her, resignation and a hint of pity in what little she could see of his face.

She’s already died before. What did she have to be afraid of?

“No.”

They tried to beat the weakness out of her. It didn’t work.

——

The reincarnation stared at the mirror, left alone in an opulent cage of gold and emeralds and precious stones that meant little to her now.

Her hands traced her back, small fingers finding purchase in soft skin. Her mouth opened fruitlessly, noise refusing to escape. She still felt the burning magic, the brand her own blood had carved into her skin and soul because she refused to kill. The chains her grandfather had shackled around her with magic and cruel amusement.

She had killed him, in the end. Obey, or be punished. Her body had moved without her permission, the reincarnation a prisoner in a body that refused to do as she commanded. The knife swung, a life taken, her hands dipped in red.

She learned a valuable lesson that day.

There were things worse than death.

“This is an order, granddaughter.”

The Magic had flared a searing heat at her neck, forcing her to kneel on broken legs. Ra’s loomed above, authority in his voice. She was bound to obey, regardless.

“You will never speak another word of affection, you will never speak another word to anyone unless I allow it. Perhaps this will teach you of your folly, and your place in this world.”

The loss of her freedom and the fear that came with it was a bitter and devastating lesson.

——

Ra’s al Ghul was so much worse than what little she knew of him.

She was right to be afraid for herself.

Her mother had worried, when she’d withdrawn and refused to speak to her. Even if she could, the reincarnation would not have wanted to. The reincarnation had felt furious, back then, when she thought of Talia. Her mother who refused to protect her. Her mother, who claimed she loved her but refused to see the chains Ra’s wrapped around her neck. She who plied the reincarnation with a supportive hand but forced her into the fighting pits.

But, as the reincarnation stumbled out on bruised and used legs from Ra’s al Ghul’s meeting chambers where he had allowed his business partners to partake in her, she realized that Ra’s was a monster in a human’s body and her mother was a victim of his making.

The lesson Ra’s taught her that day was that if she was not useful, if she did not kill, he would take what was left of her and make use of her.

Hate flared in her heart, and the beginning of Ra’s downfall began the day he let her go from the chambers alive. Injured, but alive. Injured and violated, but alive and furious.

——

She carved her hate and rage and helplessness and fear in the bodies of the people he bid her to kill. Her silenced screams were expressed in the way she splattered blood, the way she covered herself in it. A killing machine first, a stress reliever second, and a child… wasn’t on the list of things she was allowed to be.

His enemies were felled, one after another. He gave her his approval, something she detested.

But still, she continued, bodies racking upwards, tens turning to hundreds, hundreds edging into thousands.

The red in her ledger became ichor and guilt. Her language became violence and obedience.

“You have become a sharp tool, granddaughter.”

She was a genius, after all. And now, she could not disobey. A blade that Ra’s believed will never point towards him. She kneeled. She obeyed.

“Thank you, grandfather.” Her words were only allowed to come out- without searing, terrible pain- when she was thanking him. She tried not to do it as often as he wanted. He thought he broke her when he read the obedience she carved into her body language.

But she never bowed. Never. Not to him. Never.

——

“My weapon could learn much from your granddaughter,” David Cain sat across from Ra’s, wine in their stupid goblets. How she detested the green and blacks he’s seen fit to dress her with. She’s dressed provocatively, not of her own choice. She doesn’t have much of those- doesn’t have much in ways of choices- these days.

She was twelve, and Ra’s al Ghul deserved to die.

“Her combat is a higher form of what my daughter has achieved. How did you do it?”

When Ra’s began to reply, she slipped away.

She found the girl. She found… the cage- the black box- the child was placed in. The child flinched from her when she opened the metal box, fear only easing as the reincarnation kept her body language neutral and kind. (It was pitch black, and about the size of like, a closet. No light. Only from whatever door the box had.) (Cass’ hands hurt from banging on the walls to be let out)

David Cain’s daughter, her mind whispered, the memories of another life once more making itself known.

“Cassandra.” She whispered, regretting it immediately when pain wracked her body. She fell to her knees as the punishment for disobeying an order slammed into her.

The girl looked at her in concern, but did not move closer. The reincarnation stared at this girl and saw a reflection of herself.

David Cain would be here for a month. She will free Cassandra in those days.

——

The weapon stared at the girl in front of her, kneeling in pain.

She did not understand.

-

The girl came back. Water. Food. Kind.

The weapon felt warm. The girl was quiet. No sounds. Good. The weapon knew the girl understood. The weapon thinks that the girl is a weapon too.

-

The girl comes back, again. This time, she makes a sound. It hurt her, but she did it again. The weapon understands when the girl points at herself and repeats the sound. The sound means the girl. The girl expects something from the weapon.

The weapon makes the sound, flinching to see if the owner will come to punish it. The girl purposefully sits, relaxed but vigilant… and protective. Of the weapon?

The weapon relaxed. It repeated the sound, pointing at the girl.

The girl smiles, in pain. But approval. The weapon feels- the weapon is warm, like under the blanket. Approval.

The girl teaches her to make sounds but the weapon communicates without it. It does not like the sounds, does not need them, but the girl seems to think it’s important.

The weapon likes the girl, so the weapon learns. They still understand through no sounds, through reading each other.

-

The girl comes back, silently. Secretly. The weapon does not notify the owner. The weapon feels- does not want to.

The girl- the girl with the sound- she says a different sound. Her body tells the weapon that it’s important, this sound.

And when the girl points at herself and says her own sound, then points at the weapon and says that new sound again, the weapon begins to understand.

The girl had given the weapon her own sound.

“Cass—n- ra.”

“Cass,” the girl said, and Cassandra understood.

“Cass.” Cassandra pointed to herself.

-

The owner wanted- wanted Cassandra to end a life. Cassandra watched the owner kill and gesture to the dead thing.

Cassandra did not want to.

When Cassandra is placed back into the pitch black box, she waited for the girl.

The girl came.

“Don’t want.” Cassandra clung to her, reading the welcome and the sadness in the girl’s body. Cassandra tucked her face into the girl’s shoulder. She is cold. The girl is warm.

The girl hugged her back. The girl understood. Sadness hardened into lines of determination. Cassandra felt… light. Felt hope.

-

Cassandra slipped away from the place, water in her pack for the dessert and money to run from the country. The girl stayed behind, seeing her off. The girl tells her to never come back.

Cassandra did not want to leave the girl behind, but the girl could not go.

“Be free, Cass.” The girl had whispered through the pain. “For the both of us.”

——

Her grandfather knew. He allowed David Cain to break her, not kill because she was of use to him still, as a lesson. She found that she hated his lessons. But, she hated his attention more.

And still, she could not regret. How could she, when Cass trusted her with what fragile hope she had?

So, she lets him beat her, and provokes him with smirks and fearless eyes because the longer he’s focused on her, the more time Cass has to run.

Then, he gets too angry, and insults Ra’s, whose eyes grew cold. Her grandfather gestured and while she usually hated the command that followed that gesture, she could not feel that hatred now.

She got back up, legs broken and arms twisted once more, and attacked David Cain.

Ra’s would not follow Cass. Not when she was not his business to deal with, and not when David Carin’s fury amused him so.

David Cain would not follow Cass. Not while she still drew breath. The reincarnation stood, and threw herself at one of the best assassins of the century.

She tore his throat out with nothing but her teeth. She felt, for once, not like a monster. Not even when Ra’s nodded in approval and ordered for David Cain’s broken body to be cleaned up.

——

She’s been granted a mission in New Jersey, once her months of discipline- of torture- ended. She does not get ordered to find Cassandra. She’s fourteen now, and as silent as ever. Her mother had adjusted to her silence by then- long ago, actually, taking it as a quirk her daughter had developed. She hadn’t been a terribly vocal child, after all. Talia praised her for being useful even as a woman- the self degradation something the reincarnation had no doubt Ra’s had insidiously trained into Talia- and for being loyal to Ra’s.

Sometimes, she hates Talia for being- for-

Never mind. She couldn’t afford to hate anyone else.

She killed her targets early, determination and wistfulness urging her movements into sharp . Then, she made her way to Gotham and slipped into the city of darkness- where her father was.

She watched as he hid in the shadows almost as easily as she did. She watched as he flew and glided with the younger Robin. (He was younger than her by a year. She checked.) He was free. They were free.

She wished…

As she turned away, she saw a child tumbling from the edge of a roof. It was an instinct she’d thought Ra’s had managed to bury after the months he’d spent making sure she killed only children.

She hated him.

She caught him, swooping in and tucking him against her side as she plucked him from the air and plopped him back onto the crumbling roof of Gotham’s slums.

“Oh, thank you! So much- are you a vigilante?” The boy asked, looking at her masked face. It’s a good thing she wasn’t exactly dressed like a regular League operative.

She shook her head. Her eyes fell onto his camera, faint memories rising once more. She had an inkling-

“I’m- uh- Tim!” The boy introduced himself nervously, edging away from her silence. “Thank you for saving me…?”

She nodded. She pointed to the camera, tilting her head.

“Oh- you… want to see it?” He clutched his camera closer. Oh, he did have some sense of self preservation. She wondered why a seven year old was allowed to roam these streets… but she did worse at seven.

She held her hand up and back up. The boy hesitated, and then showed her the camera. “Uh- I took pictures of Robin and Batman!”

They sat on that roof for hours, and she let Tim Drake tell her stories about her father and his son. Ward. Son.

She could tell that Tim didn’t have anyone to listen to him.

She didn’t have long until she had to go back or risk severe punishment, but… she could make time for Tim, to listen to him.

She wondered if Cass managed to escape completely. She wondered if her sister all but in name and blood learned how to smile.

——

Tim had never had a friend before!

She listened to him! And gave him hugs the one time he was brave enough to ask! And she seemed to like Batman and Robin as much as he did! No one who didn’t like them would listen to his endless rambling otherwise, right? (Tim was super skinny, like ribs poking out skinny. He looked like a sickly Victorian child and he was kind of cold)

“And then, Robin went like this,” he pantomimed the awesome punch Dick Grayson did on a Joker goon. “And the guys got knocked out just like that!”

His new friend nodded, looking interested.

“Sorry, am I talking too much?” Tim asked anxiously. He didn’t want to make his friend hate him!

She shook her head, and gestured for him to continue.

“Are you sure?”

She nodded.

His new friend was so cool! She even taught him how to throw a punch and to fight!

——

When she had to leave, she prepared Tim for it.

“Do you have to go?”

She nodded and placed a hand on his head, ruffling his hair. Her other hand held a duffle bag with an assortment of weapons she carefully kept from him. (One of the blades still had guts on it, which, ew.)

“Try not to fall off anymore roofs, little photographer.” She said, smiling at his shocked look before leaping away.

“Wait, you can talk?!” He shouted at her back. She smiled a little wider.

——

“A son, this time.” Ra’s al Ghul’s voice echoed in his disgustingly flashy throne room. It rings of approval.

The reincarnation stood behind her mother, eyes cast downwards.

“Well done, Talia. I finally have a worthy heir.”

Damian al Ghul cooed.

The reincarnation was scared. But… she could not allow her younger brother to be trapped like she was. She’s fifteen now, a decade of slavery having worn her down and nearly broken her. But with her brother… no, she could not allow it.

She met her mother’s eyes and knew then that they agreed. Protect Damian, at all costs.

She ignored the sting of envy. So what her mother could not find it in herself to protect her daughter? So long as she protected Damian, it didn’t matter.

Maybe she didn’t matter. Maybe she wasn’t worth anything. Maybe- maybe- maybe.

She also ignored the seed of disgust she had for mother’s actions in conceiving Damian. She couldn’t do anything about it. Talia was also a victim.

A louder voice in her asked if she could really excuse that, when Talia had a choice and she chose to hurt and violate Bruce Wayne like that. She wondered if she could truly ever forgive Talia. She wondered if Bruce Wayne got therapy.

——

She stared at the tome in front of her, eyes blank. (Actually, she had no eyes. Like? Empty sockets, but then later she had eyes???)

The brand- the shackles- the chains could only be broken if Ra’s died. She wasn’t opposed to that. But if he died, so did she. She couldn’t even kill herself to get out, because the chains would be there even if she died. If she was revived- a high chance, thanks to the fucking pits- then the chains would still be there.

Perhaps… she could use the pits?

Her mind turned and turned.

——

“This is your ukht.” Her mother pointed at her. Damian stared up at her, and she melted. Her brother was too damn cute.

“Ukhti?”

She nodded as her mother smiled in joy. “Yes, habibi.”

She was better at hiding the pain, now. She was better at enduring it, too, that fucking burning feeling. She spoke more, but only to Damian.

It would not do for her brother to grow up not knowing how to receive verbal expressions of affection. Not like she did, in this life.

Still, it hurt to speak. But then, she had an idea, based on Cassandra.

She could not speak, but speaking wasn’t the only way of communication. She’ll teach Damian sign language- standard, as commanded- but also her own version. Yes, she could do it. It wouldn’t be hard.

She was a genius, after all, and creating languages wasn’t as hard as people seem to think.

——

Damian copied her, small fingers patting his hand four times.

She did it back to him. “I love you.” She tells him, with sounds and with motions.

He does it back, excitedly, because he had a secret with ukhti!

——

Sometimes, she dared not to touch Damian. She wants to ruffle his hair and give him hugs but the ichor on her hands reminds her to not get to greedy. She did not deserve it.

Not when her hands were stained with the lives of so many people.

——

Another mission.

She was twenty now, and not much closer to escaping her bonds. Though, once she hit her majority, Ra’s lost interest in her in that way. A blessing, even if she had to seduce his “business partners” into giving him better deals more often now.

She stops by Bludhaven. The Robin she watched so many years ago- six, by her count- had grown new wings and moved. She wanted to see if he could fly still.

He could. He flew as free- no, freer than his days as Robin.

She dipped away to complete her mission (nuclear weapon trading, really?) and swings back to see a spider trying to break the former Robin’s wings.

“No.” Nightwing whispered, staring upwards at the cloudy sky blankly. “Please, stop.”

She didn’t need to hear any more. She saw red, and dove feet first straight onto the spider’s head, knocking her out.

She picked up a near-catatonic Nightwing, and helped him to his apartment. She left Tarantula in the rain and felt zero guilt about it.

He changed mechanically, some kind of instinct keeping him from removing his domino, but it was a bit pointless considering she escorted him to his personal apartment.

She watched as Nightwing slipped into an exhausted sleep before leaving. She had a spider to squish, and traces to hide.

——

Dick wakes up, drained and exhausted. He… someone saved him.

He sees a scrawled note, handwriting impeccable enough to be a font, written with his pen. He picked it up from his table, and his eyes tiredly read the message.

“Don’t worry about Tarantula. Or your identity.”- A friend.

He remembered- the mask- the mask of the stranger that saved him vividly. He’d remember. And he’d thank them if they ever came back.

——

She was in charge of training assassins, these days. A year and a half later after Bludhaven, she was back in Nanda Parbat, and she’s devoured every magical tome she could get her hands on. They all say the same things.

Her assassins were trained well, and Ra’s praises her with more responsibilities as he followed the pit in his obsessions. Her mother began to splinter the group, not knowing that as Ra’s began his descent into madness, people looked towards her instead of Talia for leadership. They did not know that her unwavering presence by Ra’s side wasn’t voluntary but it is their true that she became his right hand out of pure skill. And flawless obedience, of course.

Then, someone new joins.

Someone with pit rage and empty eyes that goes rigid when she approaches.

Then again, most of the operatives freeze up when she walks towards them.

Her memories roar. A child.

He bowed, and her eyes followed the streak of white hair at the forefront of his skull.

She gestured at him to follow, and ignored the pitiful eyes the rest of the assassins gave to the kid- they act like her training was hard when she went easy on them (it was)- and led the kid towards the training rooms.

She knew who he was, even if her grandfather and mother didn’t think she knew.

Her… Bruce Wayne would probably appreciate his son being returned relatively sane.

But first, she had to beat the Pit out of him. Then, she could assign body guarding duties to him, in an attempt to protect him.

——

“Grandfather, I will take Damian’s punishment.”

“A whipping girl, granddaughter?” But he nodded anyways. He made Damian watch.

She kneeled and allowed the punishment. She couldn’t always protect him from Ra’s, but this she could do anytime. It’s not like she was unfamiliar with the torture. (The whip had barbs. Rusty. And they sprinkled salt.)

——

“I liked poetry….” Jason Todd tells her after a training session. “I think.”

“Sure. I’ll call you Grave, then.” Pain. But she was used to it.

He tilted his head, eyes going blank once more. She sighed. There went his memories again. (His eyes were blank and glazed. Like looking at someone you love and knowing they’re looking through you.)

——

“I would not trust her,” she says to the air, next to a Red Hood emerging from Talia al Ghul’s chambers. She could see it, the beginnings of Gotham’s new crime lord. But still, “Talia al Ghul is known for her lies.”

She pushed away from the wall. It was up to Grave if he listened. It was out of her hands now.

——

She’s twenty-five, and she’s helping Damian pack for his first meeting with Bruce Wayne.

“You must not tell him about me.” Because he’d come rushing here, and she had worked too hard to save Damian for her fool of a father to come and ruin all of that effort.

“I promise.” Her little brother said solemnly. Ukhti said it out loud, which meant it was important and she expected him to keep that promise.

The only other time he’d heard her speak was to tell him she loved him.

The reincarnation smiled and told him through their special sign language, to treat the current Robin with respect and to try his best to get the current Robin to pass down his title.

‘Robin is earned. They have different rules, over there. Try your best to learn those rules.’

Her brother was sheltered. She loved him, but he was spoilt and sheltered. Of course she was worried. Talia barely mothered him.

“I know. You do not have to remind me so often, ukhti.”

She smiled, and patted his head.

“Be safe,” she whispered. “I will miss you.”

Damian darted in for a hug. “Of course. Goodbye, sister. See you soon.”

She hoped not. It was hard enough to convince Ra’s that Damian would learn more under Bruce Wayne.

(She was locked in a small closet- like Cass- for about a week, because she brought up the idea first.)

——

She found it.

The answer to pit rage laid in an old, all but crumbling tome from Atlantis- answers “from a ghost.”

——

Bruce Wayne died. Months after Damian came to live with him. That- irritating- she sighed and worked with her mother to turn Ra’s al Ghul’s attention away from Gotham, lest he called Damian back in Bruce Wayne’s absence.

The little photographer caught grandfather’s attention. She stood vigil as he played chess with Ra’s. His interest in Damian wavered. Anticipation blurred in her veins.

She saved his friends. Her assassins. She let them go, telling them to wait for the little photographer’s plan. (Y’all miss girl had fucking bloody handprints on her pants like someone tried to grab it.)

The first few people who had an inking she might not be loyal to Ra’s… and it was them.

When her other assassins attacked Red Robin, she cut them down before they could touch him, helping him with a furious League of Spiders or whatever operative. She hated spiders.

“What…?”

“You’re a lot of trouble, little photographer.” She sighed. His jaw dropped.

“It’s you!”

“Go,” she cut him off. “Blow this place up. I left a surprise for you outside.”

——

“Owens?! Z?!” Tim trembled, exhaustion and shock and wonder hitting him at once.

“Heya, boss!” Z chirped. Owens helped Tim up while Z helped Tam. Pry walked around them, looking out for further threats. “The nightmare trainer let us go. She knew you, I think.”

Tim smiles, all shark teeth and zero hero. (In the background, the song zero to hero from Hercules 2, played in reverse.) “Tell me more.”

——

Damian grunted, bracing himself for the magical creature’s attack.

“Robin!” His father barked out, panicked. Damian hoped he’d survive-

Shhhlk!

He looked up and there stood his ukht. She bounded forwards, using the odd fauna of the magical plane to bolster her movements as she sliced the creatures apart with her swords, magic humming brightly as she cut through them… and the magicians attacking them.

“What- what are you doing here?” He asked. She greeted him, three fingers curled over her shoulder.

‘My question is,’ she signed. ‘Why were you here without a magical weapon.’

Damian sighed as father stepped in between them.

“Who are you.”

“Batman. Cease your excessive worry. I trust her with my life,” Damian snapped. He stepped around a shocked Batman, looked him in the eyes, and unsheathed his katana. He handed it over to his ukht, who took it with amusement.

‘See?’ His eyes seemed to say. Father tensed when his sister unsheathed her own blade and handed it to him.

‘Are you here for a specific reason?’ His sister signed to him.

“Uh, you gonna introduce us, little man?”

Damian sent the Flash a derisive look and ignored him.

“We’re looking for a magician. He set a squadron of demons loose into D.C. last night. He has a tower.” Damian added.

“Robin,” Father growled. “Who is this.” Damian shot him a look and turned back to his sister.

The reincarnation tilted her head. ‘Tower… it’ll have to be that way.’

“Could you take us there?” Damian asked. Truthfully, he could find the way himself. But he wanted more time around his ukht. She nodded and Damian straightened.

“I feel like we should be concerned that Robin’s friend just murdered a bunch of people.”

His sister glanced back and ignored them.

“Silence, incompetents. Speak another word against her, and Batman’s no killing rule will be applied creatively.” He hissed. (The fucking surroundings hissed with him y’all what the fuck)

He turned when his sister ruffled his hair (Superman muttered a super shocked “what the fuck.”) and Damian allowed it. He had missed his sister.

——

[cloud-ya]

drew this a while ago but I kept it until I'd get to lunastra

[mr-malumm]

Cringetober day 30: supernatural 👊💥👻

GAHHHHHHHHHHH so basically if this isn't the plot of ghostfuckers i will kill BFHSHHSHAA

[keferon]

Isn’t Vortex a fucking torture freak tho? 👀👀👀

Yep. He is. He is a lot of things actually. The more you learn about him the more fucked up it gets

[puppetmaster13u]

I was reminded of a Thing from the reblogs on the Mermay 03 Prompt

Very similar vibes. But with platonic omegaverse, and dragons. Gotham? Already cursed to hell and back. But then another curse was formed via the museum bringing in this strange statue. That of course got stolen because solid crystal and gold. Then got broken, split in half. And oop. New Curse.

Now before I get into the curse, lemme explain the omegaverse side of things. Everyone is born a secondary gender labeled Alpha, Omega, or Beta. There's also medical conditions where one is neither, usually a mix of genetic and hormonal issues. Gotham however, is Weird. They have no set scent according to Outsiders. Really? They can shift and switch (Yes there's a large LGTBQ percentage in the population) at will. It can take months for someone new to the city, but those that have been there for a few generations can do it in hours. For those like the Waynes or other founders who have been there since the beginning of the city? Minutes. It's more than a little unnerving to Outsiders who are used to things staying the same.

But that curse (or blessing as others call it) mixed with the new dragon one. See, they can all change into draconic form, and do their best to keep that secret. But they also have different forms depending on the secondary sex they are at that time.

@f4nd0m-fun & @golden-buddle idk if u'd be interested in this but-

[bandsandwristbands]

Is anyone interested in some spicy leegaa + nart 👉👈

Uncensored

[ennard-is-near]

Do you…Do you guys think Scott Cawthon knows what a frontal lobe is? Do you guys know what the frontal lobe is? Because I feel like some people don’t know how much brain that is.

Like holy shit (Brain facts below the cut)

Okay hi welcome to brain facts. So the fascinating thing about human brains is that the basic stuff is in the brain stem and towards the back of the brain, so things like breathing, digestion, and other stuff you do without thinking about it are all back there. The more complex stuff is in the front. Your frontal lobe in particular controls your speech (in an area called Broca’s area I think), motor function and personality. Less severe damage can result in lack of social awareness or increased impulsivity. But we aren’t talking about “less severe” damage so let’s get to the good stuff.

In the 1840s sometime, a man named Phineas Gage had a giant ass metal pole blown (with some sort of explosive gunpowder) through his head (entering under his cheek and exiting the top of his head) and survived. I don’t really think I can do justice how insane this is, but google it if you want to see a photo of a guy holding a rod that went through his head and a couple recreations of it. Gage was alive after this, and was mostly fine except for he had severe personality changes and intense epileptic seizures. What I’m getting at with this is that because the rod shot through his frontal lobe (FNaF reference) he was fine and actually survived about 13 years (just with the personality of an asshole) before he died of a seizure.

A lobotomy was an extremely popular practice in the 1950s that was intended to cure mental illness. Of course nobody knew what was going on back then so really sometimes they were just “curing” like hysteria or melancholy or whatever. The procedure, in its most popular form, involved sticking an ice pick up through a patient’s eye socket and just scrambling their brains (The frontal lobe) with it (extremely simplified). This often resulted in severe damage to their motor and speech skills, their personality, their thinking, etc. But it did make most people easier to deal with, so that’s good I guess. Arguably the most famous lobotomy patient (victim) is Rosemary Kennedy, JFK’s sister.

Okay, this is a FNaF account actually. So I’d like to call attention to a couple things Phone Guy says in reference to the Bite of ‘87. He says that Jeremy survived “without a frontal lobe” which is completely wild but like…probably possible? However it would lead to like total paralysis and complete inability to form coherent thoughts. And while in The Week Before, Ralph does say something about him “not talking anymore. Or doing much else.” And everyone does act like it’s a completely wild thing that he survived (which it is) but I feel like we should probably chalk “without” up to hyperbole, though you don’t have to if you don’t want to.

But even with it still like…partially intact some symptoms of severe injury to that big chunk of your brain are: short-term memory loss, loss of motor (both gross and fine) and speech skills, completely disorganized behavior and thinking, intense personality changes, creating false memories (confabulation, which sounds like a word I made up but it’s not) and probably the wildest one called anosogonia, which is where you just don’t realize that something is wrong with you (or the extent of it)

All this to say: nothing, really. I just really wanted to talk about this.

[sanasanakun]

I would argue that Megumi leaving Gojo out of his loved ones when thinking about his idealist life with Tsumiki and Yuji highlights the continued tragedy that is Satoru Gojo's lack of communication and connection skills. Alsoooo (and this might be an asspull) it feeds into my perception that both Megumi and Gojo wanted the relationship to be deeper but both couldn't ever come to truly understand one another and connect on that level. And I have alot more comments on that but that will wait till another day if I feel like it lol

[shannonsketches]

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.