#what happens to all the people that depend on her

[sosa2imagines]

My doll...

Disclaimer- Something my pervert brain thought about, I hope you all enjoy. Warning- Soft dark Bucky, smut, possessiveness, jealousy, 5.3k words.

Bucky Barnes had always been a man of few words. A soldier by nature, a soldier by habit. But it was something about you that had always made him feel like he was at a crossroads with himself, like his life could go one way or another depending on whether or not he could ever find the courage to speak up.

The first time he realized he was in love with you, it wasn’t a dramatic moment. There were no bells, no grand gestures. It wasn’t like he had a clear, defining thought of this is it. It was quieter than that. He was sitting next to you in the Avengers’ compound, watching you work on some new project you had thrown yourself into, fingers deftly moving over wires and circuits. Your brow furrowed in concentration, lips parted in that way that made him want to reach out and touch you.

He never had before, of course he was too afraid of ruining the friendship, too afraid of making things weird.

And that was how it had always been. Quiet. Unspoken.

But even with those feelings slowly building, Bucky stayed quiet. He watched you from the edges, from the safety of his distance, telling himself that if you ever really loved him, you’d say it first. He couldn’t risk the possibility of losing you altogether. So, he waited. And waited. And waited.

Tonight, was supposed to be like any other. A rare night off from their duties. No mission on the horizon, no danger lurking around every corner. The team wasn’t together, except for you. You suggested going to a bar nearby for a drink and a break from the constant grind of life in the compound. Bucky had decided, almost reluctantly, to say yes.

Bucky had, of course, known you cared. In all the small moments, like how you would always check in on him, ask him about his dreams or how he was really feeling. And the way your eyes lingered on him when you thought he wasn’t looking.

I know you love me, he thought. I know it.

But Bucky never had the nerve to say it out loud. And now, here he was, sitting across from you at the bar, staring into his glass of whiskey, wishing he could just reach out and touch your hand without the world falling apart around him.

He was far too aware of how close you were, and yet how far away you still seemed.

You were laughing, your voice light and full of life. You always seemed to shine brighter when you were in this mood, the weight of the world lifted, even if only for a moment. But Bucky could see the flickers of doubt in your eyes. Could see the way you kept looking over at him, waiting for something.

Maybe tonight was the night you’d say it. Maybe tonight you’d do what Bucky couldn’t bring himself to do.

But as he watched you, a strange feeling began to take hold. A spark of jealousy. It was a ridiculous thing, he knew. But it wasn’t about you. It wasn’t about the way you looked at other people—it was about the way you looked at him and didn’t say anything. Didn’t do anything.

It was then that a woman approached him.

Bucky didn’t want to be rude. He’d never been the type to just turn someone down, but when the woman slid onto the seat next to him, her eyes lighting up at the sight of him, he didn’t feel the usual discomfort. Instead, he felt an odd sense of power and control, maybe.

She was bold, confident. The way she laughed, the way she touched his arm, the way she spoke to him, it all felt like a challenge. A test. And before he could stop himself, he realized something. He wasn’t afraid of this woman. He wasn’t uncomfortable.

But you were.

He saw the way you stiffened in your seat, the way your smile faltered. You hadn’t said a word, but Bucky could tell, he knew. You were jealous.

And for some reason, that made his heart pound. A dark thought crept into his mind, ‘Maybe this is how it’ll happen. Maybe I can make you admit it. Maybe I can get you to finally say what we both know is true.’

The woman leaned in closer, her fingers brushing his. Her breath was warm against his ear as she whispered, “So, what do you say? Care to dance?”

Bucky glanced at you once more. You were still staring at him, but now, there was a mix of frustration and hurt in your eyes. His breath caught in his throat. He should stop this. He should turn away. But a dangerous impulse surged through him.

“Sure.” he said, standing up without another word, letting the woman take his hand and pull him toward the dance floor.

He could hear your breath hitch from across the room. He could feel your gaze burning and intense. But he didn’t break. Not yet.

They moved in close as the music shifted, her body pressed against his. It was all a game now, a game Bucky wasn’t sure he wanted to play but couldn’t help himself from continuing. Every move he made, every gesture, was designed to make you feel something. To make you feel what he had felt for so long ‘the ache.’ The longing. The desperate desire for something more.

But as they danced, his thoughts were on you. Only you. And all the ways he had hurt you without ever realizing it.

You were standing now, getting your things, heading for the door. And Bucky’s chest clenched as he realized something. He couldn’t let you go. Not like this. Not anymore.

“We are done!” he said to the woman, his voice sharp as he brushed past her, heading toward you.

The cool night air hit him as he caught up to you just outside the bar.

“Doll, wait,” he said, his voice catching in his throat. “Where are you going?”

You didn’t turn around, didn’t even slow down. “I’m going back to the compound, Bucky. I’m done.” Your voice was quiet, but it was laced with finality. “I’m done pretending. Done watching you with her.”

“I’m going back to the compound,” you repeated, your voice a little too calm, too controlled. “I need to clear my head. I think I’ll go check in with Steve.”

The moment the words left your mouth, you felt the shift in the air. Bucky froze.

You hadn’t expected it, Bucky was always so controlled, so guarded. But there was something in his eyes now. Something darker. The breath you’d taken in to steady yourself suddenly caught in your throat.

“Steve?” Bucky’s voice was low, tight with barely contained emotion. His grip on your wrist tightened, and you could see his jaw clench, the muscles beneath his skin rippling with barely restrained anger. “You’re going back to Steve?”

You nodded slowly, avoiding his gaze. You had no idea why, but you couldn’t meet his eyes right now. Maybe it was because you could feel his anger building, and it made you uneasy.

“Yeah,” you said, trying to sound indifferent, but even to your own ears, the words felt hollow. “I’ll be fine, Bucky. I just need some space.”

You tried to pull away, but his grip on your wrist tightened, pulling you back toward him. His eyes locked onto yours, and there was something in the depths of his gaze something primal that made your breath catch.

“Don’t lie to me,” he growled, his voice rough, his tone clipped. “You’re not going back to Steve. Never ever!”

His hand moved to your other wrist, and before you could protest, he spun you around, backing you up against the cold brick wall of the alley. You gasped at the suddenness of it, the sharp heat of his body pressing against you. The force of it left you breathless, but it wasn’t just the physical contact that left you feeling winded, it was the storm swirling in Bucky’s eyes.

“I don’t care about your games, doll,” Bucky continued, his voice now a dangerous whisper. “I don’t care if you’re trying to protect yourself or play it safe. You don’t get to walk away from this. Not after all these months. Not after I’ll final say what I should’ve said the first goddamn time I saw you.”

Your heart hammered in your chest as Bucky’s breath came faster now, his face inches from yours. You could feel the heat radiating off him, the anger and frustration practically crackling in the air between you. His hand was on the wall next to your head, caging you in, his body pressing into yours like he was trying to hold you there, to make you listen.

“Don’t you dare go back to Steve!” he snarled. “I know what you’re trying to do. I know what you’re hiding from. But don’t you dare tell me you’re choosing him. Not when we both know what’s between us.”

Your stomach twisted at his words, a jolt of panic rising up in your chest. You had to get away from him, from this. But somehow, the words felt wrong. He was right. Something had shifted tonight, everything had shifted tonight. And the more you tried to run from it, the more you realized that you were just as tangled up in it as he was.

You shook your head, trying to pull away from his grip. “Bucky, stop. Just stop.”

But he didn’t. His hand moved from the wall to your face, cupping your jaw with surprising gentleness. His thumb stroked over your skin, the touch almost tender despite the fury that was still burning in his eyes. It was like he was trying to hold on to you, trying to keep you from slipping away.

“I’ve spent months pretending I didn’t want you,” Bucky muttered, his voice low and raw. “I’ve spent months watching you with him, keeping my distance, telling myself it was enough just being close to you, just being around you. But it’s never been enough, Doll. It’s never been enough, and I can’t do it anymore.”

“I love you, Y/N. I’ve always loved you.”

Your breath caught in your throat. For a moment, neither of you moved. The world stood still.

You swallowed hard, fighting the surge of emotions that were building inside you, fighting the tears threatening to break free. You had never seen Bucky like this so raw, so vulnerable, so… angry. It terrified you, but in a way, it also made you realize just how deeply he cared for you. How much he had always cared for you.

His grip on your face tightened, but there was no anger in his eyes now, only something softer, something that made your heart beat even faster. “I don’t want to claim you, Doll. I want to have you. I want you to choose me.”

Before you could respond, Bucky’s lips crashed into yours again, desperate and urgent. It was no longer a question, no longer a plea. It was an answer. His hands slid to your back, pulling you into him with such force that you could feel his heart racing against yours.

The kiss was everything every unspoken word, every hidden desire, every emotion they had both kept buried for so long. Bucky was done hiding, done pretending, and as you kissed him back with equal fervor, you knew there was no going back from this.

“Don’t go back to him,” Bucky whispered against your lips, his voice thick with need. “I’m not letting you go.”

You didn’t know what to say. The words felt like they were stuck in your throat. You had always thought you’d have time to figure this out, but now that the truth was out there between you, out there between him, you knew that there was no more time for pretending. No more time for games.

You pressed closer to him, your hands threading through his hair as you kissed him again, and in that moment, you realized there was only one thing that truly mattered.

Bucky dragged you in the room at the backside of the bar.

Without warning, he pins you against the wall, his body pressing against yours. His hands cup your face, holding your gaze captive.

He presses himself closer, one thigh between your legs. His hands move from your face to your hips, gripping them firmly. His lips graze your ear as he speaks, his voice a low grumble. “I'm going to show you exactly how much I want you, right here, right now.”

His mouth closes on your neck, kissing and nipping at the sensitive skin. You feel his fingers slipping under the hem of your tee, tracing a path of fire along your waist. “I've wanted you for so long, you have no idea. Watching you, smelling your scent, feeling your touch... it's been driving me crazy.”

His lips move down the column of your throat, leaving a trail of hot kisses along the way. One of his hands moves up to cup your breast, his thumb gently circling your nipple through the thin fabric of your bra.

You let out a gasp, arching into his touch. Your body is responding to his every move, awakening a need you've kept buried for far too long. Bucky smiles against your skin, enjoying the way he's unraveling you piece by piece.

“You like that, don't you? Feeling my hands on you, my mouth on your skin.” He whispers in your ear before capturing your earlobe between his teeth, biting down just hard enough to send a shiver down your spine.

His other hand slides under your skirt, trailing up your thigh, his touch leaving a trail of fire in its wake.

Your breath hitches, your legs growing weak as Bucky's touch becomes more and more brazen.

He chuckles lowly, satisfied to see you coming undone under his hands. “You're so responsive... so sensitive. I love seeing you like this, completely at my mercy.”

He spins you around, pressing your front against the wall. You feel his weight press into your back, his hands roaming everywhere, claiming you as his own.

“I'm going to make you mine, here and now. There's no stopping this, no denying what's been boiling between us for so damn long.”

His lips find the nape of your neck, kissing and sucking on the soft skin. His free hand slides down your stomach, resting just at the waistband of your panties. The contact is almost too much, your mind reeling from the barrage of sensations.

“I want you so badly... Can I have you? Right here, right now?” He asks, his voice a deep, raspy whisper. He's poised on the edge, waiting for your answer, his body tense with anticipation.

You can't find the words to speak, too overwhelmed by the storm of emotions and sensations he's stirring within you. Instead, you respond by arching your back, pressing yourself against him, wordlessly signaling your consent.

Bucky lets out a guttural growl, the sound filling the air. He doesn't need anything more than that. His hands move with newfound urgency, peeling away the layers of fabric separating you from him.

He turns you around, his expression darkened with desire. He looks at you hungrily, taking in every inch of your exposed skin. His hands run up your sides, tracing the curves of your body, committing every detail to memory.

“You're so beautiful... So goddamn perfect.” His words are punctuated by small, lingering kisses along your collarbone, across your chest, down along your stomach. You're lost in the sensation, your body on fire under his touch.

He sinks to his knees in front of you, his lips continuing their exploration of your body. He kisses and nips at the tender skin of your inner thighs, teasing and tantalizing you with every touch.

“I want to taste you... I need to taste you...” He husks, his hands wrapping around your hips, pulling you closer. You can feel his breath on your core, hot and eager, making you shiver in anticipation.

His tongue darts out, tasting you lightly, just enough to send a rush of pleasure through you. You gasp, your fingers threading into his hair, holding him close. Bucky smiles against your flesh, enjoying how responsive you are to his ministrations.

He alternates between soft, almost chaste kisses and more firm, calculated licks. He's enjoying the taste of you, the sounds of your moans and gasps. His hands grip your thighs, holding you firm while his mouth works magic, making you moan obscenely.

“You taste so good... Better than I ever imagined.” He lifts his gaze, meeting your eyes. The raw hunger in his expression takes your breath away.

You want to speak, but your mind is a jumbles mess, unable to form a coherent word.

“You're driving me crazy, doll. I want to devour you, to make you mine in every way possible.”

And then he does. He dives in, his mouth devouring you in a frenzy of passion determined to bring you closer to the edge.

Your gasps turn into cries of pleasure, your body writhing under his skilful mouth.  Bucky's hands grip your hips, holding you steady as he brings you closer to your climax.

The world seems to spin around you, your senses overwhelmed by the pleasure Bucky is giving you. He's relentless, pushing you higher and higher, determined to give you more than you ever dreamed of.

His tongue works relentlessly, applying just the right amount of pressure to drive you wild. Your fingers dig into his shoulders, nails biting into his flesh, anchoring you on the ground.

Just as your were about to come, Bucky suddenly pulls away, his breath ragged, his eyes dark with desire. He climbs to his feet, pinning you against the wall once again

“I need to be inside you... Now.”

He's barely able to get the words out, his voice thick with need. He captures your mouth in a fierce kiss, his hands already pushing your skirt up around your waist.

His body presses against yours, the hard length of him rubbing against your core. You can feel the heat and strength of him, the evidence of his desire poking you.

“I need you, need this... I need you now..” He repeats the words like a mantra, his lips trailing along your jaw, your neck, your ear.

He pulls you around, turning you to face the wall once again. You feel the cool surface against your skin, a stark contrast to the heat of his body behind you.

“I'm not going to be gentle.” He warns, his hands gripping your hips, pulling them back against him.

You feel him against you, hard and eager, his breath coming in ragged gasps. His hips move against yours, and you can feel just how much he wants you, how badly he needs you.

“Can you take it? Can you handle me like this?” He asks, one hand traveling up your spine, his fingers tracing the line of your vertebrae. His touch is demanding, possessive, but somehow still tender, as if he's afraid he'll hurt you.

You manage to nod, too far gone with pleasure to form words. Bucky lets out a low, satisfied sound, his mouth nipping at your shoulder as his hand slides around to your front.

He cups your breast, his thumb grazing over your nipple, teasing and provoking.

“I'm going to take you, right here, just like this.” He growls, his hips pressing against yours.

You can feel him against you, his body poised and ready, the tip of his cock, teasing your entrance. “Are you ready for me?” He asks, his lips against your ear, his breath hot and urgent.

You can only manage a small, breathless moan in response, your body yearning for him to take you, to make you his own.

“I need to hear you say it. Tell me you want me... That you need me...” His words are a needy, almost desperate plea, his self-control hanging by a thread.

You find your voice, forcing the words out despite the overwhelming pleasure coursing through you. “I want you... I need you... Please...”

“That's all I needed to hear.” The words are a rough, guttural grunt, the last vestiges of his restraint snapping. He positions himself behind you, the head of him rubbing against your entrance.

His hands grip your hips again, holding you in place. He's so close, so very close... But still, he waits, wanting to make sure you're ready for the next step.

“Just tell me if it's too much, okay? If I go too far, I want to know.” He whispers the words, his voice betraying a hint of vulnerability, a hint of doubt, despite the powerful, animalistic way he's holding you.

You nod, your body thrumming with anticipation. You trust him, trust him not to hurt you, and that trust makes all the difference. You push back against him, signaling your readiness in the most primal way possible.

He lets out a low, gravelly moan, his body trembling with the effort of holding back. He needs this as much as you do, maybe even more. “God, I can't wait any longer...”

He pushes forward, slowly, carefully. He's being as gentle as he can be, wanting to give you time to adjust to the intrusion. But it's torture for him, the heat, the tightness, the way you're clenching and squeezing him, enveloping him in a way he's never felt before.

“You're so damn tight... So perfect...” He groans the words, his body moving involuntarily, the pleasure too much to resist. His hands grip your hips tighter, his mouth trailing kisses along your back, your shoulders, your neck. He can't get enough of you, his body moving in a rhythm that's old as time itself.

“You feel so good. I never knew it could be like this.” He mutters the words against your skin, his voice thick with ecstasy.

He picks up the pace, his body moving more urgently now, following the pull of pleasure that's driving him onward. His hands are everywhere, caressing and touching, worshiping every inch of you like a man possessed.

“I could stay inside you forever. I never want to let you go.” He murmurs the words into your ear, his voice ragged and broken. He's lost in the moment, in the pleasure, in you.

You reach a hand back, tangling your fingers into his hair, holding onto him like an anchor in the storm. All the rights and wrongs, thrown out of the window.

“Don't let go... Don't ever let go.” He whispers, his lips finding your neck, the skin there already tender from his earlier attentions. His movements become rougher, more frenzied, as if he's desperate to get even closer to you, to merge himself with you in every way possible.

“I need you... I need you so damn much...” The words are a broken chant, gasped into your ear, his breath hot and ragged against your skin.

He's moving even faster now, the sounds of skin slapping against skin filling the air, the only break in the silence apart from your moans and gasps. The pleasure is building, growing stronger and stronger with every thrust, threatening to consume you both. You can feel yourself close to the edge, teetering on the very precipice of ecstasy. Bucky knows it too, he can sense it, sense the mounting tension in your body.

“You're close... I can feel it. I'm so close...” He growls the words, his voice tight with the effort to hold back, to keep control for just a little while longer.

“I want to hear you say it... I want you to let go... Tell me you're mine.” His voice is harsh and ragged, his body trembling with the effort of holding back his release.

You struggle to find the words, to form a coherent thought amidst the haze of pleasure. “Y-yours.. I'm... Yours...”

The words send a wave of pleasure through Bucky, his hips twitching involuntarily at the sound of your surrender. “Say it again... I need to hear it again…”

“Yours... I'm yours, Bucky... All yours...” You gasp the words, your voice quivering with the force of your ecstasy.

That's all it takes. Your surrender, your declaration of ownership, it breaks the dam that's been holding him back. “Mine... You're mine... All mine...” He repeats the words like a mantra, his body moving with a new fervor, a new intensity.

“Steve won’t take care of you like I can.” He thrust, “All I have to do is…” he hits you with another powerful thrust, messing up with your senses. “Make a sad face and remind him of my past!” He hits another powerful thrust, and the voice you make is between a cry and a moan. “He will happily give you to me!”

He buries his face in your neck, his lips finding that sensitive spot just below your ear. When he speaks again, his voice is a possessive, guttural growl, thick with desire. “And don't you ever forget it.”

His lips find yours again, claiming your mouth in a kiss that's hard and demanding. He's drowning in you, in this moment, the world around you reduced to nothing but the heat and the friction and the pleasure.

He's close, so close, but he won't give in, won't let go until he's brought you to your release, until he's given you everything he can give.

“Come for me, doll... Let go... Give yourself to me... I want to feel it, feel you...” His words are a rough, ragged plea, a demand made out of pure need. He's holding back, waiting for you to reach your peak, his body taut and trembling with the effort to hold back his own pleasure.

You can feel yourself teetering on the edge, balanced between light and dark, pleasure and pain, sanity and madness.

“Let go... Just let go... I've got you...” The words, the promise, they're enough to push you over the edge. You shatter, your body arching against his, a cry of ecstasy tears from your lungs. The world spins around you, your release crashing through you like a tsunami, leaving you breathless and trembling.

Bucky's there, holding you against him, his arms wrapping around, holding you up, keeping you from collapse. He's still hard inside you, so close to his own climax.

“God, you're so perfect... I've never experienced anything like this before...” His voice is gruff and broken, his breath hot against your neck as he pulls you flush against him. He lets out a low, guttural moan, his body trembling with need and restraint. “I need you.... I need to let go... you will let me come in you, won’t you? You will be a good girl for me, right doll?”

You nod, your body still thrumming with pleasure as you push back against him, signaling your absent-minded consent.

“You're going to be the death of me, woman...” His words are a rough whisper, a promise and a threat all at once. His grip tightens around you, his body tense and coiled like a spring. “Just a little more... just a little longer... I need to give you everything...”

He buries his face in your hair, his breath coming in jagged pants now, his body taut and trembling with the effort to hold back just a little longer.

“Almost there.... almost... I'm so close...” The words are a ragged gasp.

He let out a low, guttural groan, his body tensing against yours, his arms pulling you tight against him. “God, I... I can't... I'm...” he doesn't finish the sentence. Instead, he buries his face in your hair, muffling his moan against your shoulder as his body tightens and spasms, his release washing over him like a tide, powerful and consuming.

He holds you close as he comes down, his body trembling with the aftershocks, his breath warm against your skin. “God... that was... incredible...” The words are a rough whisper, his voice thick with emotion. He presses a tender kiss to your shoulder, his lips lingering against your skin, as if he can't bear to let you go for even a moment.

He tightens his arms around you, pulling you flush against him, as if he can't bear to have you any further than an inch away from him. “You're amazing, you know that?”

He nuzzles your neck, his lips leaving tender kisses along the sensitive skin there. He's so gentle, so different from the rough, desperate man who'd been consumed by need a few moments ago. As he sees his release dripping from between your legs, his eyes darken, making him feel more possessive about you.

“Mine...” He mutters the word against your skin, his voice thick with possessiveness. He knows it's probably a bit irrational, but he can't help it. He needs to express his claim over you, his desire to protect and own you in every way imaginable.

He then moves his fingers on your thigh, collecting some of his release on his fingers, bringing them closer to your mouth, a silent order.

You know what he wants, what he's demanding, even if he doesn't say the words aloud. Your eyes meet his, holding his gaze, as you slowly bring your hand up to wrap around his wrist, drawing his fingers into your mouth.

“Good girl…” He murmurs the words as he watches you, his eyes darkened by a possessive, primal need. He loves how submissive you are in this moment, how willing and eager you are to please him.

He holds your chin, his fingers tracing the outline of your lips, feeling the glide of his own release against them. “You have no idea what you do to me, doll. You make me lose all control. And I love it…”

He leans in, capturing your lips in a kiss that's equal parts tender and possessive. He can taste himself on your lips, and the thought just makes him want you more, more fiercely than before.

He pulls back enough to rest his forehead against yours, his breath coming faster now, his body stirring once more. “I swear, doll, you're going to be the death of me...”

He captures your lips again, kissing you deeply, his tongue delving into your mouth, tasting you, claiming you, marking you as his in every way he can think of.

Little do you know, about the real possessiveness he feels about you. Bucky is already planning to take you far away from everyone. To keep you all to himself. While you are already lost in the kiss and afterglow of the sex, Bucky is already planning about the future.

He kisses you again, with a fierce intensity, his hands roaming over your body, as if he's trying to memorize every inch of you. He's thinking of all the ways he wants to have you, all the ways he wants to make you his. He's already made up his mind. You're not just a passing fancy, or a distraction. You're his now, and he's not going to let you go. Not ever.

He then sits on the couch with you, while you rest in his arms, he picks out his phone preparing to take you away. He types out a quick message, his hands still caressing your skin, his eyes never leaving your face.

He's arranging for a secure location, somewhere remote, somewhere he can keep you safe and, more importantly, all to himself.

“My doll.”

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[mizgnomer]

Behind the Scenes of The Star Beast - Part Eleven

Excerpt from Benjamin Cook’s Star Beast Set Visit in Doctor Who Magazine 597:

They’re about to crash a spaceship into north London. “There is no ordinary week on this show,” says Vicki Delow, Doctor Who’s newest producer. “Every day, I think, oh my God, what the hell are we doing? Why can’t it just be two people talking in a kitchen? But then I remember: it’s the best job in the world. How many people get to go to work and crash a spaceship? I think it’ll look amazing.” But the spaceship’s going to be added in afterwards, right? “For budgetary reasons, yes,” she smiles. Either way, Donna won’t notice. She’ll be too busy showing her daughter how to stack boxes. “Mum! There’s a plane crashing,” Rose will say. Donna: “But watch me stack correctly.” The Doctor: “I don’t think that’s a plane. It’s a spaceship in trouble.” “What is the trajectory of the spaceship?” David asks Rachel [Talalay, director], during the rehearsal. “Do I acknowledge it at all?” asks Catherine. “Is the spaceship on fire?!!” asks Yaz. So. Many! Questions! “Well,” says Rachel, coolly, “it sort of depends…” Across the cobbles, Scott [Bates, the First Assistant Director] is talking 83 – count ’em – extras (or ‘supporting artists’) through the scene: “Here’s what’s gonna happen. You’re all going about, having a nice old time, then I’m gonna shout out ‘PHWOOMF’.” A ripple of laughter from the extras. “Hey, I’m doing my best work here! I’m gonna shout, ‘PHWOOMF’, then everyone is gonna look up there –” He uses a laser pen to point to a spot on the bridge above them. “No matter where you are, you look up there… and you’re not gonna believe what you’re seeing.” The extras rehearse their “oohs” and “wows”. “Give it MORE, c’mon!” says Scott. “Some of you get your phones out, take pictures. Then I’m gonna move my laser, you follow it… and then I’m gonna go, ‘KABOOM!!!’ And everyone’s like, whoa! So let’s give it some, yeah? We’re making television gold here.” “We’re gonna get a BAFTA!” cries one over-enthusiastic extra, called Matthew. “Oi, I do the jokes,” says Scott. “Good luck, everyone. Let’s have some fun. If we’re lucky, we’ll get one in before it rains…”

Additional parts of this set are in the #whoBtsBeast tag. The full episode list is [ here ]

[forthegothicheroine]

I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.

The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.

The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?

Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.

Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)

Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.

Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.

Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)

Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?

The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.

Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.

Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.

In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.

Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.

The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.

The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.

[ismaeldrawsthings]

I am the friend that's too woke bc my concept of gender dynamics and expressions make it difficult for me to understand What The Fuck are People On when they come to this god forsaken website and say "Madeline Miller imposed straight relationship dynamics onto Patrochilles' relationship" or "Madeline Miller made Patroclus feminine".

Is healing an inherently feminine trait for you? Is him not being fond of violence in the book inherently feminine to you? I don't understand.

It may not go with the context of The Iliad, but it goes perfectly with the context of TSOA. Of course Patroclus, the boy who accidentally took a life when he was still a child, wouldn't like violence. It goes hand in hand within the context of the novel. As well as him being a healer, having learned with Chiron. All of this make sense in the context of TSOA.

Now... And hear me out on this, you're allowed to disagree: I don't believe this is really mischaracterization.

I personally don't believe such thing as "mischaracterizing" a mythological character exist. Since mythological characters are moldable depending on: The culture in which they are written, who wrote them, the historical context, among others. They are multifacetic and their characterizations depend on the aforementioned factors. For example, in The Iliad, Helen fucking hated Paris and wanted to go back to Sparta with her husband. Meanwhile, in The Odyssey, Helen immitates the voice of the wives of the men inside the wooden horse in order to torture them, wanting to sabotage their victory in order to stay in Troy. These are two completely different and opposite characterizations of her character. Helen is one of the biggest examples of how characterization works in mythology. Some people believe she loved Paris and went to Troy willingly with him, others believe she hated him and he took her forcefully and raped her. All of these interpretations are true bc myths are ambiguous and adapt to the people's beliefs and practices.

And they adapt to their time, for which I say that Patroclus' character in TSOA was not a mischaracterization of him as a whole. Patroclus represents kindness, and the traits of a kind man were different in ancient Greece than they are today. It doesn't matter. What matter is that his kindness is a key part of his character, so Miller's writing isn't wrong. It isn't a misunderstanding of his character. She based this "anti-violence" version of him on Shakespeare's interpretation of his character, but Shakespeare was not wrong either. Shakespeare wrote what a kind man was in his time, and Miller wrote what a kind man is in her time based on the representation of kindness from previous time. And both of them are true. Both of them can be true, as well as all the prior.

People say Miller's characterization is wrong and could've not existed within the context of The Iliad or the Trojan war as a whole, for which I say: this is symbolic. The Trojan war is symbolic, is mythological, it does not exist. Is a lesson on moral ambiguity within the context of war and how a man's life is not worth more than other's (and a bunch of other things). It's relevant, it transcends time. It can be adapted and reinterpreted to give that same lesson in different historical contexts.

Why do we keep learning about The Iliad? Why does it matter? Why should it matter, if people are so insisten on the fact that it happened in ancient times to ancient people within ancient contexts? Because it is still relevant. War is still relevant. We cannot just say "oh, those old Greeks!" And rub our hands off because it doesn't apply to us. A modern reinterpretation of these old myths and characters are important for you to still understand the lessons these myths were meant to give in your modern context. And is not wrong to do so. Is not a "mischaracterization" or "misinterpretation". Is just another interpretation.

But that's just what I believe lmfao you're free to disagree with me

Summarizing: I don't believe you can really mischaracterize a mythological character as long as your characterization of said mythological character doesn't interfere with the purpose of their existence in the myth they are from. Patroclus is Achilles humanity and compassion, he stands out for his empathy, diplomacy and kindness. Madeline Miller does a great job of representing this, regardless of whether her representation of these traits differ from what they were like in an ancient context.

[zhuoyichenpretty]

Ep 22-23 Commentary

Ha...I was inexplicably nervous for eps 22-23 and it looks like I was right to be (-: What a rollercoaster. Spoilers below!

I've just come out of ep 23 and uh????? holy shit????? ZYC????

Ok ok but to backtrack, let's do my comments semi-chronologically:

Ep 22:

A carry-over from ep 21 that I have to mention—heck yeah PSJ give WZY hell. She doesn't have all that many lines but she sure knows how to make them count. Also seeing PSJ and WX get screen time just the two of them makes my brain go "yay <3"

Back to ep 22, loved the fake-out sundial ayeee that was a nice Chekhov's gun that also brings the real sundial back into relevance for later. Also me eating up the PSJ and ZYC crumb of an interaction has brought to my attention how starved I am of their screen time together.

This whole ep was a great lament towards the feared inevitable. Every sad downcast look from ZYC, every complicated glance WX gives him. A wonderful, terrible crossroads for these characters. I love that for ZYC especially, it's such an incredible mess of emotion coming to a head. Bad enough that he's come to care about the demon who killed his family and ruined his life, bad enough that he's sworn a blood oath he regrets and tied himself to punishing someone he no longer finds culpable, bad enough that ZYZ's life or death depends solely on his choice and ZYZ is constantly practically begging for death when ZYC wants him to live. How much immensely worse it makes the whole situation that WX is literally ZYZ's soulmate. And obviously the whole team has only grown more and more attached to ZYZ, too. ZYC's personal turmoil aside, how heavy must that responsibility and guilt be? For the finishing blow that only he can deliver to also deeply threaten every other person he cares about? Everyone understands in the abstract what must happen and why, but just like seeing ZYZ lose control firsthand, the gulf between understanding and experiencing is so unimaginably wide. If he kills ZYZ, can there really be no resentment from his friends? From WX?

Also it seems ZYC only wears cloaks so that he can give them to other people lmao

Ah fuck, the farewell drinks. I didn't even factor in how ZYC might not survive the encounter (''': The drama truly was like hm can we possibly give ZYC a worse day than that night his whole fam died? Maybe give him a bunch of new family members and also the blade and the fate and the sole responsibility to potentially irrevocably scar said family members with? And he might die in the process too? (-: haha maybe? (((-:

Oh. Oh. Addendum. I forgot this til I saw it mentioned in another post—ZYC recounting his oath as he watched WX smile when they discussed reviving the tree...I could feel him weighing those words against his own life, against ZYZ's life, against WX's happiness. One way out of this impossible situation is indeed to doom himself. I'm in pieces.

Damn if WX isn't dedicated heart and soul, going into the sundial like that. I'm sad no one could keep her company for those 300 years but also I guess that's kind of an impossible ask (and maybe not survivable for the other non-goddess mortals? I'm admittedly very unclear on sundial time loophole logistics). It would have been nice to see someone offer though, even just to be turned down.

Ooh I like the soul needle fake-out, given this show's penchant for retroactive "actually we had a plan all along" moments. A good subversion of the narrative's own style.

Also I saved this for the end because it doesn't really fit the linearity of my comments but what the fuuuuuuuck oh my god I absolutely flipped out at this scene:

I am at once rabidly intrigued and at the same time not sure if I'll be satisfied with whatever payoff will come for this so I don't want to overindulge in theorizing and setting my own expectations too high. Maybe this is just a fevered hallucination, maybe it means nothing (I hope it means something). But damn!!! What a gorgeous man crazy scene.

In conclusion, ep 22 had some good stuff for me. Plot development and reflection and tension enough that I may have been satisfied with just that one episode. But they gave us two, so onward to ep 23 comments!

Ep 23:

I like how many solid reasons the team has to suspect ZYC being possessed. Even though I withheld judgment during my watch given how quickly the show usually confirms that kind of stuff with a possession mark, just simply casting that doubt made the whole build up that much more intense.

ZYC slowly walking down the corridor with the whole grounds lit a somber and haunting gold—*chef's kiss*

ZYC's monologue to a catatonic ZYZ is so important to me. The closest we'll get to his internal monologue about this whole situation. The kinds of things said when we think there's no conscious listener.

Okay so, having finished this episode and looking back, Li Lun's hands coming up from behind ZYC was not to denote possession (at least in this episode), potentially is a visual from ZYZ's POV, and seems related to the above screencap. I am so, so curious. Once again, I'm stopping myself from further speculation because I want to be surprised but ahhhhhhhhh

PSJ shooting at Ao Yin is so gorgeous. Her action scenes seriously never disappoint—the creativity of her fight choreos!! Also very cool that the whole team is getting to take part in the action, not just the two male leads.

Bai Jiu possession was not on my bingo card but I sure do love that we literally saw the possession take place and I still didn't connect the dots. Good shitttt. Also oh no ): ZYC was telling the truth about the soul needle, he was just tricked ):

Seriously from the Ao Yin case to getting PSJ released to reviving the Divine Wood to getting tricked by possessed!Bai Jiu to making pear soup to fighting ZYZ to fighting Li Lun—when will ZYC get a single goddamn vacation day holy shit.

Also when will WX tear up that contract so ZYZ can stop having a mild heart attack every time he wants to kiss her ): &I love that they saved the 300-year montage for this moment. While their ship doesn't give me brainrot personally, who could be unmoved by that incredible and undisclosed sacrifice? That's soulmatism.

Okay, I'd seen clips of them filming the ZYC and Li Lun fight but damn I did not expect it'd be happening right now!! Right after already taking damage from ZYZ? And my god is Li Lun brutal. The two actors did such an impressive job on this entire fight, what with Li Lun's ease and ZYC's suffering. I really appreciated the extensive hand-to-hand combat after Li Lun literally obliterated ZYC's sword. (Also though, given the origin of that sword, I kept hoping for a flashback to ZYC's brother once it broke, but alas, no dice.) Anyway, the show does not play around about ZYC whump it seems. I was very very shook by that throat punch; that shit legitimately looked like it hurt.

Honestly, I had a hard time with the extended ZYZ and Li Lun conversation at the very end because oh my god someone please heal ZYC lmao. But of course, that's the end of the episode~~

Y'all...check on your local ZYC stans because I was not okay after all that (': I need a heaping dose of comfort after all that hurt, but as always I'm cautious of hoping for much from canon itself. So yeah! Ep 23 was solid, but I would probably be in better shape if today's release just ended on ep 22 ((':

Time to go wait for the cast's Hi6 episode to drop so I can heal my battered heart ;-;

[starlightshadowsworld]

I saw a TikTok by @ craycrayglitterbug on Batman being called to help the police deal with an out of hand protest. And the Batfam doing the exact opposite.

So this is why the Yokohama police department no longer ask the Agency for help with stopping protests. Because they will always turn on them.

Atsushi and Kyouka are fighting back against the police and keeping them away from the protesters. Atsushi’s transformed and Demon Snow soars overhead to alert Kyouka for anyone who needs help.

No one is going to get passed them.

Junichiro sneaks up behind officers and grab the people being hauled away the police. He’ll hide them with his ability until they’re safely off the premises.

With him is Fukuzawa who escorts people to safety and resumes his position as a bodyguard. His katana is unsheathed in warning that all these people are under his protection.

Yosano has cornered off an area for first aid. She’s well prepared and makes sure that everyone that comes is tended too. And smiles sadistically with a chainsaw in hand if anyone even thinks of hurting her patients.

Naomi and Kenji are handing out water bottles and food. They are directing people to the medical area and making sure everyone has what they need.

Naomi is teaching newbies how to be safe and throw a proper punch (and demonstrating it.) She’s got pepper spray and she will use it. Not that she really needs it because of anyone tries to get in they’re way, well Kenji will make them regret it pretty soon.

And he won’t be the only one.

Kunikida is front and centre. There’s a megaphone in hand as he rallies everyone behind him. Bringing up the morale and reminding everyone both the Agency and the protesters as to why they’re here in the first place.

He also definitely punches a cop.

Beside him is Dazai who’s mostly observing everything. He’s laid several traps in the police’s path and is just watching and waiting to set them off.

Similarly, Ranpo is perched nearby watching his go off without a hitch. He makes a mental note of the officers in attendance. He’s going to have fun embarrassing them tomorrow.

Katai is not out there with them but he’s also helping out. Erasing posts and such with anyone’s identity leaked. As well as any proof that they were at the protest or arrested. He also anonymously tips off any non corrupt officials of those taking part in the opposite side.

Depending on the type of protest the Port Mafia may be in attendance. When that happens an unspoken peace falls between the two organisations.

After all the protection of the city is the one thing they can agree on.

Black Lizard all fan out.Akutagawa sighs and makes his way to join Atsushi and Kyouka. Chuuya finds his way to Kunikida (and Dazai unfortunately) to get in on the plan and rally his subordinates into this fight.

And once again Yokohama police are reminded that the Agency works with them not for them.

[msbellebelle]

Hermitcraft headcannons because Im Normal

Scar cant look people in the eyes. He has to talk to people sideeyeing them constantly, because otherwise hes just not looking at them at all while talking. He's able to look forward, he just cant when it comes to looking at someones face

Mumbo's mouth is completely hidden by his mustache and only appears for exaggerated expressions

Ren's doggy ears are on the sides of his head in the same location where human ears would rest, but Pearl's doggy ears are on the top of her head. The sides of her head where human ears would normally be are completely blank.

Bdubs is constantly over-exaggerating his facial expressions regardless of whats happening. Of course he has his big ass grin, but i think he also looks righteously pissed anytime hes relatively mad, or looks absolutely pathetic and miserable when hes mildly upset. He's also the type that moves his mouth a LOT when talking (this sounds a little weird, so like, you know how some people can speak normally without moving their lips much to phone out certain letters? Bdubs is the exact opposite of that, hes constantly phoning letters and pronunciations in the most ridiculous looking way possible)

Grian and Jimmy are both avian-human hybrids, but Jimmy is more human and Grian is more avian. Examples: Jimmy has a regular nose and human ears, while Grian has a beak-like nose and no ears, just ear holes. Grian has bird feet and clawed hands, Jimmy does not. They both have feathers lining their cheeks, but Grian's feathers go down his back and form a tail.

Speaking of Grian, his mouth is also never visible, and only appears for exaggerated expressions.

No one has ever seen Etho take off his mask. Even when hes seemingly eating something, you never actually see him take a bite, and then you look away for one second and suddenly whatever he was eating is all gone.

Cleo's limbs can fall off and be taken apart, just like sally from nightmare before christmas

Tango's hair becomes more ignited and flamed depending on his current mood. Being sad or scared completely douses any sort of embers, and being excited or angry sets his hair ablaze

That is all the headcannons i have for now

[1toreyouapart]

The Lies We Tell

***FANFIC THAT INVOLVES REAL PEOPLE. 18+ ONLY. MDNI. DO NOT READ IF YOU DON’T LIKE FANFIC THAT INVOLVES REAL PEOPLE***

Summary that tells you nothing: Sometimes everything you ever wanted has been right there, within reach, all along.

CW/TW: Angst, fluff, swearing, friends to lovers, jealousy, smut, fingering, PinV, pet names, friends with benefits, more to come as I actually get things written out.

Masterlist

First Encounter

Life had a funny way of happening sometimes. One moment you're crying in your best friend's arms, the next his lips are on yours and you're kissing him back like your life depends on it. And then everything comes to a standstill, and a week later neither of you can even look at each other. Over a stupid kiss. And your roommates and friends can feel the tension. See it. So much so that they all have mentioned it.

Quinn sighed, reaching across her bed for her phone. A week of sleeping, or rather not, in her own bed. Just a solid week of staring at the ceiling every night for hours on end. One week of Noah hiding in his room, not answering the door for her. Seven days of his bedroom door staying locked. Of hearing it creak open as she lay in her bed, wide awake, listening as he crept downstairs. An entire week of him avoiding her at all costs. Unanswered texts. Calls going straight to voicemail. No answering her knock on his door. Nobody joining her in the bathroom while she showered. He was just gone. And how was that fair? He had kissed her!

Her text from four hours ago had been read. No response. Just read. All that talk about how she deserved better and one stupid fucking kiss had him completely ghosting her? While she actively lived with him?! The fucking bastard.

Everything in her went cold. Leaving her phone on her bed she carefully climbed out of bed, avoiding the spots on her floor that creaked. He wanted to be a dick? Well, he could deal with the consequences instead of hiding.

With bated breath she tiptoed out of her room and across the hall. Slowly, carefully, she pressed her ear against his bedroom door, listening for signs of life. The faint sound of a movie starting reached her ears and she smiled. Caught him. With no hesitation she knocked, calling his name softly. No answer.

Frustrated she knocked and called his name louder. Still no answer. She knew it would be locked but she had to try anyway. The knob didn't turn. She wished she could blame rage for what she was about to do, but it was just hurt. He was the one person who never left. Never abandoned her. Always reminded her that life was worth living. And now he was acting like she didn't exist? After something he had initiated? That hurt more than anything.

"Noah!" She yelled, banging on his door. "I can fucking hear you! Answer me or I'm kicking the goddamn door down! You don't get to do this, too!"

Nicholas's door creaked open at the end of the hall, followed quickly by Noah yanking his bedroom door open and hauling her inside before he slammed it closed and locked it again. One look at him and she felt somewhat guilty. He looked like he'd barely slept, if at all.

"What the fuck, Quinn?!"

"You're seriously acting like I'm wrong here?! YOU kissed ME. And yes, I kissed you back! What the fuck of it?! It was a kiss, Noah!"

His large hand covered her mouth as he drug her over to his bed. Why in the fuck was he acting so paranoid? Quinn pushed him away, making a show of keeping her mouth shut as she sat on the edge of his bed. He wanted to play? She could play.

"Quinn. People are fucking sleeping. What the fuck?"

Noah dropped to his knees in front of her, his eyes pleading with her. For what she didn't know. But she watched as he repeatedly started to reach for her, then draw back. Noah had never been scared of touching her before. This was weird. Even for him.

"Seriously, Noah? You kiss me and then act like I don't exist? After telling me I deserve better? And then you go and act just like them? The fucking audacity!" She was yelling again. She didn't care.

Quinn watched as he drug his on hand down his face, rubbing his mouth. He was frustrated. Good. He deserved to be frustrated after this shit. Who did this over a stupid kiss? It wasn't like it had gone any further and crossed major friendship lines. Was she that fucked up that even a kiss was too much?

"Noah," she begged, her resolve breaking. "You're my best friend. It was just a fucking kiss. Please." Her voice shook, breath coming in short spurts. "I'm sorry I kissed you back? I'm sorry for whatever I did that made you this mad at me. I'm fucking sorry, Noah."

She completely dissolved. Clearly she had done something wrong. But what the fuck had she done?

"Quinn..."

"What did I do, Noah?!"

"Exist."

And then his lips crashed into hers, desperate. Pleading. She couldn't help but respond in kind, her fingers threading through his hair. Pulling him closer and closer still. They were all desperation and teeth and tongues, fighting for dominance. Just two people finally acting on the feelings they had always known were there. Desperate to be as close as possible, yet desperate to just consume each other.

Noah fisted his hand in her hair, the other gently caressing her cheek, his thumb resting just on the corner of her lips as he tugged, tipping her head back, gaining more access as her lips parted on a soft gasp. His tongue delved into her mouth, hungry, but gentle. Tasting every part of her. Memorizing every movement that made her moan. His free hand traveled slowly south, fingertips tracing over her throat, over her collarbone, hesitating at the swell of her breast.

Quinn tore her mouth from his, frustrated. Here he was, finally touching her, and he was stopping?

"Noah. I swear to fucking God," she pleaded.

"What do you want, baby?"

His eyes locked on hers and she saw everything there. Everything he had been fighting the last week. All the things he had been avoiding. This moment here. He wanted her. And he wanted her desperately. Just as much as she wanted him.

"Touch me," she begged, her voice barely above a whisper.

He broke then, his mouth attacking her throat, biting and licking and sucking. And she was helpless against him. They tumbled back on the bed together, pressure already building deep within her. His free hand quickly slid down, much further down than she anticipated or needed, resting on her bare inner thigh. His fingertips danced across her skin, tracing lazy patterns.

"Noah," she begged, pressing her body against his, feeling herself grow impossibly wetter by the second.

He didn't make her beg anymore. Deft fingers shoved her panties aside, a single digit rubbing lazy circles on her clit. The pressure deep inside her quickly turned into a tight band, ready to snap. She was so close already that she nearly panicked. It had never been this intense before, and he wasn't even inside her yet.

"Fuck," he groaned, slipping a single finger inside her. "You're so fucking wet. Jesus Christ, Quinn."

Everything was on fire. Her skin. Her lungs. One of those long fingers she'd admired for years was deep inside her, stroking her in just the right spot as it pumped in and out of her. And just when she thought it couldn't get any better he slipped another finger inside her, and she swore she blacked out for a second as he curled his fingers inside of her, applying more pressure to that spot deep inside her, his palm rubbing against her clit as he worked her with his fingers.

"You're close, aren't you?"

All she could do was moan desperately in response, her hips writhing against his hand. That band was growing tighter and tighter, and she was desperate for release from the pressure low in her belly. His forehead dropped to hers, holding her gaze, his pupils blown so wide with lust his eyes almost appeared black.

"Noah!" she called out his name as that band snapped, her hips stuttering as she clamped down around his fingers, her orgasm tearing through her.

"That's it, baby. There you go. That's my girl," he praised as her orgasm peaked, talking her through it, his fingers still pumping in and out of her, massaging her through it.

Dazed she watched as he pulled his fingers out of her, bringing them up to his lips. She watched, her heart leaping out of her chest as he sucked every drop of her off his fingers, eyes never leaving hers.

"Goddamn it, Quinn. You taste even better than I imagined."

Tag: @collisionofyourkissmakesitsohard

[selfproclaimedunicorn]

Aha I’m back for the oc ask game! This time around, mayhaps any of these?: Kaleb x Taryne, Sarra x Yorick, Aldreda + Brandon, and Kaleb + Cassana?

Can I hear a round of applause for world class slut & professional other man for Lord Kaleb Dormaire?

We have already established with the Aldreda ship that this man is willing to bottom, but I really think Taryne would push that limit. Does he love a strong woman? Yes. Will he take the strap like a champ? I fully believe in his ability to do so. Can he exclusively be a sub? Honestly, I don't know if he's got it in him & Taryne will not give up control in the thing she's doing Just For Herself. That said, I don't think they wouldn't not work. I feel in my bones that Kaleb & Taryne would be more a "friends with benefits" type thing than whatever exactly she has going on with Gwayne.

It'd probably start out in a similar way of "I have a pre-established relationship with Alicent, & when I came back to King's Landing to see her here is some rando she's made part of her household since Lyonel Strong's promotion/Jasper Wylde got a job. Things have now spiraled a little out of control a little bit." Kaleb would definitely have more tact than Gwayne upon first contact, but he'd wind up in a similar situation of picking up the queues of how awful & traumatizing Taryne's marriage is, & once some level of comfort was there between them he'd offer some form of companionship at the very least just to give her some moments away from her husband, & from there it just kind of builds until they act on whatever attraction is there. They'd both definitely be having a nice time, & letting Taryne be in charge on occasion is probably nice, but bestie I am looking at this man's amount of kids & his pullout game is not good enough for Taryne to have him be her regular Other Man unless he's willing to never put it in. Kaleb, I see your breeding kink. You can't hide it from me. My son, Yorick, is the same fucking way, I perceive you whether you like it or not. Taryne's definitely fond of him though! He's an actual good, genuine man who won't hurt her, & that really goes most of the way for her. Not a long way, like 90% of it. The bar is on the ground.

They've definitely got "judging & side-eyeing people at the function, & maybe they hookup after it" vibes.

Yorick & Sarra sounded familiar, so I did hunt through the tag & I have ruminated on this before actually! So linking

Oh, you mean her step-son by way of fucking both his parents?

Gonna be real, she looks at him & just sees her youngest brothers, because some of them died young enough that temporarily being heir to Lonely Light or the expectations of their dad or Ironborn (specifically at Lonely Light) never had a chance to super get to them. So Brandon is kind of a What If scenario for her. "Would any of my brothers have been like him? Would they have been friends?" That type of thing

I think he'd be interested in Aldreda as a person regardless of what canon we're going with (Alicent alive at Lonely Light with Aldreda or her canon fate) just because she's important to his parents & "she's a cool warrior woman who let me have a knife!" And that would obviously evolve as he gets older to probably seeing her as some sort of extra parent or aunt or something--how that plays out I think would just really depend on what happens with Alicent (& by extension probably where he winds up going)

Honestly though, Aldreda would probably waffle a lot on if she wanted to be around him when he's younger. She'd never be outright cruel to him or send him away, it'd be more a "do I have the mental capacity to be around a child?" Part of it is her having never thought about her own ability to have kids & the subsequent having of them/motherhood & being at least a little confronted with it by now kind of being his step-mom, & part of it is the weird "my younger brothers were all this age once" that turns into "he's older than [brother x] ever got to be." It's, like, "am I mentally okay to be around the happy, optimistic child? If yes go be near the child. If no, decide if you want to do emotional self harm or not & proceed from there." (I never said Aldreda was the healthiest person out there). She'd definitely be encouraging of him & would probably give him pointers for training, but she'd also be rolling her eyes at the knight thing, I cannot lie. But you can't totally blame her, there's no knighthood culture on the islands! She wouldn't discourage him though, she'd just privately think that there's better things to dream of. Also, she's definitely taking him out on her longship at some point because "every boy needs to go out on the ocean. It puts hair on their chest." Did she tell Alicent or Kaleb beforehand? Maybe.

I think they'd be at least casual friends, with varying closeness depending on if it's SOTF or TRP. Because, like, they were both growing up in The Red Keep, but she was also never really a part of Rhaenyra's friend group until they were both a little older.

In SOTF, it'd definitely be a case of "this is my husband's cousin's boy (aside from Laenor, of course) that I also know & have a positive opinion of. Of course I am going to be kind & welcoming to him!" Because Cassana Strong is, first & foremost, a big sweetie pie. She's a little insecure, but she's a sweetie pie & she will never make someone feel unwelcome unless they've given her a reason to. She'd maybe be a little judgey about him having so many bastards (because she's even judgey about her brother in that regard), but she wouldn't say anything to him about it. Because that's rude & also it's kind of just expected in Westeros. Not stopping her from being gossipy as hell though.

In the TRP crossover AU though, they're definitely closer since he's married to Her Girl. Like "that's Daenys's man, your honor. I have to giggle about him with her, that's girl code." Also, like Rhaenyra, she's definitely encouraging them & probably helping to set them up, because she's watching Daenys moon over him too! Her insecurity would make a bigger impact, temporarily at least, on their relationship here though. I'm not going to go into too much detail, because that's spoilers for her arc in that fic, but there would be a rough patch where she kind of ices him out & is kinda harsh towards him for a couple months. Yes, it would be a bitterness thing & she is butting heads with at least Daenys & maybe even him depending on how much he's willing to try to pus that due to her very sudden 180 on how warm & friendly she normally is. It's not beyond repair, & she gets over it, & I also think she'd be willing to tell Kaleb what was going on more than she probably is Tyland in noncrossover TRP since, like, she's known him since he was a kid.

Overall, I think Kaleb & Cass would have a very nice friendship. Maybe not a best friendship, but a comfortable one.

[mcsiggy]

I was wondering why can’t/won’t Persephone be around zeus?

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[cuteniaarts]

Wine stains on porcelain

(Alternatively: @katkastrofa and I have created 5 OCs in 3 days and I suffer from chronic “I wanna draw the little guysssssss” disease)

[ruvviks]

made the realization my vampire story would work best as a video game and now i can't stop thinking about it

[autism-corner]

Goddamn

[randomnameless]

Localization discourse has cropped up again on Twitter, and someone posted a few before and after screenshots of an Echoes mod that retranslates the game to be more faithful to the original JP script, with that same person claiming that all the mod does is remove all the personality and charm 8-4 added to the dialogue; for reference, here's the lines they're referring to:

Lukas (EN): But just once, i should like to be red with rage, green with envy... Something!

Lukas (JP): But still, i've never been caught up enough to lose control of myself...

Clair (EN): Do i not deserve better than these trite gambits of yours?

Clair (JP): That kind of behavior is very hurtful towards the one it is directed at.

Clair (EN): If that crass phrase means you wish to speak with me, then please proceed.

Clair (JP): Oh, Dyute. What is it?

I can somewhat get why people could see the first change as just being a less interesting way of getting across Lukas' lines about struggling with not feeling enough emotions (though even then i'd argue that changing the lines from him being dejected and resigned at his emotional struggles to him being actively angry about them is a decently big change to his character and not just "oh they worded it in a more interesting way"), but i really don't get how people can argue that Clair's localized lines aren't blatantly rewriting her character; her criticism of Gray being changed from "your behavior hurts people and you should stop because of that" to "your behavior hurts me and you should stop because i'm your superior and deserve better than to be toyed with by the likes of you", along with her greeting to Delthea being changed from "oh hi, what's the matter?" to "if that gross phrase means you want to talk to me, then i suppose i can grant you the privilege of a conversation" doesn't make the dialogue any wittier, it's just making Clair into more of a spoiled brat than she was intended to be originally.

You ruined my day with this :(

(i know this is an old ask, but I forgot it in my drafts!)

I thought FE15's localisation was nice, but granted, I didn't have access to the JP script (nor JP audio!), but now I wonder if the schtick "nobles vs commoners" wasn't overplayed in the lolcalised version, which in turn, would kind of explain why some people felt cheated by Alm's reveal -

Even if I always took it as "being a noble has nothing to do with birth" didn't meant Tobin as a peasant could become a noble and have a noble heart, but meant that even if you are born a noble with super special powers or not, being a noble character only falls on you, and the actions you take : Alm rescues random women (FE15 for you!) around at the cost of his mission/safety/etc, when Berkut, who is noble-born just like Alm, hunts peasants and burns his fiancée.

8-4 adding more "Nobles BaD" feels in touch with what ultimately happened with Fodlan, even if while the FE series already tried to dip its toes in this water with Ike, his "nobles BaD" ultimately amounted to childish tantrum and refusal to deal with "complicated things" when you realise and learn what kind of people he's working with, and their responsabilities.

In a way, I can understand the people being annoyed that the mod removed the "additions" brought by 8-4 if they really made the characters more memorable - but my stance will always be to be able to choose if you want to put parmesan on your pasta or not.

8-4!Clair is a spoiled and snob brat - but can't we get the choice to get a Clair without parmesan?

You know what, I'm thinking FEH's decision (in 2017!) to, uh, not include dual audio was due to the supposed limitations of the app, but imo, was also amde with the dubbing/US!VA industry in mind because, imagine the players from FE14-FE15 having characters who, by tone alone, are different from the ones they're used to, what kind of message would that send to players? You've played the parmesan!version of those games?

And to be clear, I like my pasta carbonara with heavy cream because I'm french and cream is life.

And yet, IDK, maybe that's just me, but I think I'd feel a bit out of the loop if I was thrown in game that celebrates a franchise I never played, since the games I played were... heavily "localised" to catter to my tastes and overplayed issues that weren't there because I'd maybe like this theme more than what was initially presented.

Cultural differences are a thing, but Crayon Shin-Chan is meant to be watched, in japan, by children in primary school.

OD's Crayon Shin Chan is basically japanese!Family Guy.

We had the "same" heavily lolcalisation back in the days here, with French!City Hunter ("Nicky Larson") and French!Hokuto no Ken ("Ken le Survivant"), and while in the 80s-90s some people still harped that those were the "real deal", with time it became more and more widely accepted that Nicky Larson and Ken le Survivant were... products that were lolcalised to fit with the regulations of that time (no blood for children! no swear words - when the regular french person says "merde" at least 10 times per day) - but if you were to go and interview the authors of those mangas, they wouldn't have a clue about what you're talking about with your french "dessins animés".

(granted, I've heard that recently, during a convention, both the author of City Hunter and Hokuto no Ken were surprised but pleased that even if it was lolcalised to oblivion, their work was so appreciated here!)

With modern FE though, I feel like FEH has to pretend that Nicky Larson and Ryo Saeba from City Hunter are the same person - so they will put Ryo in a fridge and call Nicky Larson "Ryo Saeba".

I mean, that's what we got with Halloween!Rhage - who roars using her special, and yet winks in her artwork because the artwork was commissioned by the people who designed/came up with Rhea, not with Rhage - and here, with your examples, with Clair.

Clair is a young noble lady, who as you pointed out with those lines, is a well mannered noble who doesn't hurt nor is looking down on people from lower birth, eons away from the "oujou who only means well" trope we ended up with with 8-4.

At the end of the day, people are free to enjoy whatever they want, let it be 8-4!Clair of Jp!Clair - but I'll have the same opinion as I always did regarding localisation : was it really up to 8-4 to change her characterisation this way? Are they still localising or swapping Jp!Clair with a brand new character of their creation?

If so, can this still be called localisation?

[andrewknightley]

every scene with aveline in da2 is like oh wow aveline woudl be so fucking cool. if we explored this in deep. wouldnt it