#what a ramble I’m so sorry

[ninyard]

I didn't like when andrew said renee was useful?

Like weren't they friends idk it sounded weird

Okay maybe this is me being the big ol Andrew Minyard apologist that I am but I’m not sure he means that in the way that it seems. Prepare yourself for my silly thoughts:

Andrew and Neil got to this place in their conversation by Neil asking how Andrew can be so disconnected from his teammates. Neil feels he has to let them in, let them be his "friends", let them get to know him. So how has Andrew managed to keep them at such a distance, to avoid letting them in? Because he doesn't want to. Andrew just says they're not interesting enough.

Neil is already wondering what's going on between Andrew and Renee at this point. So he sort of backtracks on himself then - Andrew actually has let people stand in, and Renee is one of them.

And Andrew knows everyone is betting on him and Renee. He’s quick with the, “You expected a different answer?” because I think he knows there’s a high likelihood somebody has told Neil about this bet, and given Neil’s “That’s it?” I think he could also tell that Neil thought that him and Renee could’ve been a thing (or at least that that was the only way he could make sense of their relationship).

Andrew is quick. We know he is. So I think he would've realised exactly what Neil was curious about when he mentioned her name and then said "She's not interesting?" (Which really means “Is she different?” Or “Are you actually more than that and not saying it?”)

Then right after that, there's this -

Andrew thinks it's obvious. Andrew calls him stupid, Andrew mocks him. Andrew knows why he's asking about Renee. He thinks Neil is stupid for not realising why it wont happen. He lets Neil squirm for a bit because Renee is his friend, even if he won't say that, and this just opens up the opportunity for Neil to actually talk to her.

I think he said "She's useful," because he's not going to say "She's just my friend," or "She's like me," or whatever else he could've said. Andrew is not the type of guy to turn around to Neil’s question and say ACTUALLY you are right! My friend Renee IS interesting! I forgot about her!

I think that's literally Andrew's way of saying she is his friend. Also, bearing it in mind that he's still medicated at this point - I don't think he means it in the way of "she's not my friend, she's just useful to me", but instead means it like "she just my friend, nothing more, and she's useful.” I think it’s a meaningless throwaway way to describe her. But even if he did mean it, he doesn’t mean it in a negative way. Not “Yeah. She’s useful I guess. She does things but that’s about it” but “Yeah, Renee is useful. She’s there if I need her” instead.

Does that make sense?

(And also; it’s Andrew we’re talking about. He tells Neil he hates him. I don’t think him saying that about Renee is to be taken too seriously)

But

I do actually think in some ways he means it when he says she’s useful. Renee is useful to Andrew.

She’s the only person on the team who has related to him. She the only person, before Neil, who even had the slightest idea about what Andrew had been through. Renee is useful in the way that she’s someone for him to relate to. He sees himself in her, and her the same. They understand each other. Which is probably likely a first for him. Shes spars with him. She’s his wingwoman. She’s his friend. She cares about him. She talks to him like he’s a human. (She makes him feel like less of a monster) ((not that he cares)) She’s always covered for him in the goals, too, when he’s been too sick to play. I’d say that’s pretty useful.

Idk. I’m pulling things out of nowhere because I’m too tired to think but. Yeah I think Renee is actually useful to Andrew, but I also think Andrew is Andrew and he says things he doesn’t mean, or says things that actually mean something else ALL THE TIME. So i don’t think him saying Renee is “useful” is anything demeaning against her. I think he’s winding Neil up because he knows where his line of questioning is going/coming from.

[whatsjulietslastname]

HEY GUYS REMEMBER WHEN CHLOE WANTED MAX TO BE THE LAST THING SHE EVER SAW BEFORE DYING. BTW GUYS. REMEMBER WHEN CHLOE SAID “i’m never leaving you” AND “that’s okay we will, forever” AND “Max, i’ll always be with you”. GUYS GUYS GUYS HOLD ON REMEMBER WHEN CHLOE SPENT YEARS TALKING TO MAX IN HER DIARY BECAUSE SHE COULDN’T LET HER GO GUYS. AND WHEN SHE TOOK MAX BACK IN A HEARTBEAT BECAUSE SHE MISSED HER TOO MUCH. OH AND BTW REMEMBER HOW THEY WERE CHILDHOOD BEST FRIENDS AND GREW UP TOGETHER AND FELL IN LOVE AND ARE NOT LINKED ONLY BY A ‘trauma bond’. DO WE REMEMBER THAT. COLLECTIVELY.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[aashiqeddiediaz]

cosmo and wanda did not age well

[c0nn0rsseur]

Can we take a moment to appreciate Bryan Dechart’s performance as Cyberlife Tower Connor aka Sixty and Sixty as a character? 🤌

Though Sixty and deviant Connor are physically identical (minus their demeanors, e.g. the way they stand and walk, like wow, Bryan, wow) and their voices technically aren’t different from each other, the distinction is still clearly there, at the same time it’s so nuanced too. Sixty sounds condescending, imperious and callous compared to deviant Connor whose voice is empathetic, curious and sincere. I’m not even talking about their lexicon, their choice of words here (there’s of course a difference too). Even when Sixty tries to convince Hank he’s the real Connor, you can hear how he’s failing to sound exactly like his counterpart because he can’t replicate deviant Connor’s voice and speech pattern just so. Sixty’s also being very commanding when trying to fool Hank into shooting the real Connor (Hank even gets irritated because of it). Damn that’s brilliant acting, all hats off to Bryan. His performance in this game never fails to impress me. (I wish there were dialogue for RK900 too, I would’ve loved to see Bryan’s take on his voice and presence.)

Also also I have to mention I love the take that Sixty really was a deviant all along too, an ”evil” version of Connor if you will; cold, calculating and even enjoying the situation he had Connor (and Hank) in. You know, doing all of it because he wanted to, because he liked it. Why else would he deliver a whole ass villain monologue before executing deviant Connor, gloating about how he knows what he is and that he is the obedient, favorite child, plus calling Connor a disappointment (and a disappointment to him especially, like how Connor should care in his final moments that Sixty despises him for not being a good little robot)? AND shooting him several times non-lethally before landing that final shot (if the story goes there), like savoring the situation. Of course he also has to ask if Connor has any last words too. That’s definitely not what an efficient machine would have done to make sure it accomplished its mission. In some outcomes his stalling costs him the victory.

Top that off with the ending where deviant Connor dies but the androids still wake up, Sixty is scared and emotional because he failed, scared to be deactivated because of his failure. Then there’s this scene where he shoots deviant Connor eleven times in front of his friend. After that Sixty takes in Hank’s reaction and even torments him by saying Connor’s death was his fault. Still doesn’t sound like a machine much, huh? More like a sadistic psychopath.

Man, I wish we could’ve seen more Sixty, it would’ve been chilling to see if he went full-on rogue, maybe being Markus’ right hand/attack dog on a leash in the violent revolution arc, maybe with his own agenda of taking Markus’ place and wanting to subjugate humanity. Or maybe deviant Connor could’ve persuaded him to their side by making Sixty to see he was nothing but a tool, unintentionally prompting him to seek revenge and to reduce Amanda and Cyberlife to atoms (not what Connor intended haha). There could’ve even been a redemption arc for him, like in a ”what’ve I done?” type way. You know, a bit of an internal moral struggle. And of course, our fave ”sack of shit” (as Hank so eloquently put it) demanding answers from his maker, Kamski, in a not-so, uh, conventional manner. Let them measure their respective arrogance and wit and see who comes out on top. Or would they team up?

Such a delicious character, so many delicious what-ifs.

[weirdozjunkary]

God, I’m sorry gamers. I wanted to give the Minecraft movie a benefit of the doubt. But oh my god it looks so bad.

[bi-buckrights]

Brb thinking of repressed Tommy growing up with a misogynistic, racist, homophobic father who only makes Tommy hate who he is, until he’s hidden all the good parts, even from himself.

And then the Army, which obviously isn’t known for its progressive culture, but at least he’s away from his father, and he maybe has a chance to start to discover those parts of himself he had kept locked away for so long.

But then there’s Gerard at the 118. And suddenly he’s a kid again, burying all the beautiful parts of himself and locking it away to protect himself from his father, reshaping himself to fit the image of what he was taught a man should be, the man he had to be so he can survive at work, until he doesn’t even know who he is.

But then Chimney comes along, and then Hen. And he starts to question everything that has been so deeply ingrained in him until one day, after he’s left the 118, he allows himself to start peeling back the defenses he built around himself, and he finally sees a glimpse of hope

[malenjoyer]

Good morning 🙏🏼

I want to thank everyone their support with reblogging my stuff over the years and reblogging some of the context of the situation.

Tumblr and Instagram is filled with the most supportive people I’ve ever had the chance of meeting. The last time something like this happened, I didn’t have much support, not even from people I thought were close to me. It took me a year or two to be okay with being perceived again in fandoms. So I’m very grateful for everything.

I just wanted to post that I appreciate all of the asks and I’ve been reading all of them. I actually get anxious I’m spamming everyone too much so I probably won’t reply to everything. Please don’t feel pressured to support me financially, there’s is a free option on patreon to follow. I’ll post future project plans and occasional updates because I still love comics and I still love DC/Marvel. I do enjoy having people following along for my art/reading journey so I would always be okay with people just following for free. My brain is telling me this post is too long now so I will go 🙏🏼😭

[inthehouseoffinwe]

Maybe the reason Legolas always looks so perfect is elves don’t need to sweat to regulate body temperate. Maybe they just don’t sweat. Or it needs to be some seriously extreme physical strain.

Like I don’t see immortality working if elves are going to overheat as easily as humans do.

Then again maybe it’s an evolutionary trait of later elves born under the sun, and the later they’re born, the better the evolution (eg. Legolas’ is way better than Elrond’s because he was born 3rd Age.)

Which would be really funny to hold over the heads of these older ‘hardier’ elves. Like yes they’re harder to kill, but they also sweat worse than humans do. It’s only said hardiness which stops them very literally boiling to death, but it’s still an all round uncomfortable experience.

Because I don’t think the trees gave out heat? Unless it was a byproduct of the light, but I don’t think so.

…unless it’s a Laurelin specific thing because the sun and moon still come into existence and seem to work the same as ours.

Either way I imagine Valinor had some kind of thermostat keeping everything within a certain range. Then we get to Beleriand and sun and moon and everyone’s in for a surprise.

Fingolfin’s host included. They’ve seen the ice, sure. But they have no idea what deserts, or even hot summer days are like.

Even in Valinor it takes time to devise a new thermostat that accommodates for the new temp changes between day and night and all the stuff that comes with it.

[only-lonely-www]

So basically ATLA brain rot has hit me like a truck

[i-may-be-an-emu]

hehehe

[d0d0-b0i]

this entire convo to me is really interesting!

i wonder if this is partly just a way for the devs to tell us that we shan’t yet know all the romance routes, or if it’s a way to show yet again that melinoë continuously hates defining anything real about herself outside of “the mission”, due to a lack of being born into a weapon, and never having the will to choose anything at all really.

what about the mortals? ah who cares, but again, you have many mortal friends(+more) that you refuse to define your positions with because they’re the good ones

but what about the actual valid arguments all of your enemies have made so far? doesn’t matter, it’s either lies or attempts at misguiding you from “the mission”

but what about the fact that you and your group might be wrong? if that’s the case, the part of you that’s wrong can be remolded into something better, including core parts of yourself, so why go through the heartbreak of cutting off branches attached to a rotten tree?

why should gods have to choose, but why does melinoë choose to herself who’s bad and who’s good? what’s black and what’s white? who’s wrong or right? are there not grey areas here? certainly some who fall in line with chronos might actually have a good reason as to why, and mel seems to be fearing this truth.

what would happen if she ever made choices or ever defined anything in her life? all romantic interest is as it is who cares, nobody needs to care just vibe why be serious when there’s “the mission”, hecate is just her mentor-mom-teacher-guardian, nothing weird there that will never anything addressed no way siree! none of her relationships need to be defined because what if she views odysseus more as a brother than zagreus, hecate more as a mom than persephone? what then? what then??

a walking contradiction would have an easier time than her good lord

[chaosinstigator]

I’ve said it before and I’ll say it again; the day Daniel retires from f1 on his terms because he wants to is the day I’ll accept it.

[oobbbear]

Old man yaoi kill me old man yaoi…

[ennard-is-near]

(This whole thing is based off the theory that Michael is still alive in Security Breach, which is hilarious imo)

A FNaF game where you are the night guard in the Pizzaplex, and the antagonist is Michael Afton. He’s not trying to kill you or anything, you just have opposite goals (You like the animatronics and the Fazbear brand, he does not). He’s also trying to get you to quit or get fired.

Things are going wrong. Stuff is being stolen and vandalized. The animatronics are being tampered with, sometimes they’re vandalized too. Things never stay how you left them. You are starting to feel like someone has broken in, which is especially bad, because you’re a security guard. It’s your whole job to keep people out.

Your character will occasionally say how bad it smells in the room. Sometimes you remark that you’re being watched. There’s sometimes footsteps or scuffling noises in the background. If you look close enough in certain rooms, you can see the faint outline of a guy or two white dots in the darkness around the light from your flashlight. But you can’t find the source of whatever this is (he’s gotten too good at hiding).

Your character will become more aware that someone really is there throughout the game. You go from asking “Hello? Is someone here?” When something strange happens to saying “I know you did this!” To the darkness because you know he’s there. You can get more hostile towards him, if you’d like, calling him a twat or whatever. You could be nice to him, too. It doesn’t stop him, when you’re nice, because he seems to have some sort of goal (you couldn’t begin to guess what) but it’s not like he’s doing that much damage and he makes your job a little bit more fun.

You never see him, though. Other than the occasional glimpse of movement in the shadows or your flashlight’s glow reflecting off his eyes (that must be what it is, right?) he stays silent and hidden. That’s why you feel you can’t tell anyone, he’s clearly good at hiding and they wouldn’t find him. Plus, he’s annoying, but he doesn’t seem that harmful. (And maybe the darkness is just making you crazy. Maybe there really is nobody there)

But things are definitely going awry. For one, the animatronics are freaking out. They’re weird, almost hostile, towards you. The staffbots follow you around but don’t speak or offer you things, and it freaks you out a little (you can fight them, if you’d like, though it’s not really a fight and more just you beating them up. You could also try and incapacitate them or just try to ignore them). The Glamrocks are scary too, obviously. They chase you, grab you and jumpscare you. (One time though, it seems like one of them is actually going to kill you. It throws you to the floor and you cover your face with your hands. But instead of feeling the impact, there’s a strange noise. You open your eyes to see it incapacitated, and you can hear footsteps shuffling away. Huh.) Even Helpy begins demanding you quit, sometimes being friendly, “No amount of money is worth doing this job,” sometimes he’s meaner, “You’re going to quit or you’re going to die.” Whoever is in the shadows is definitely messing with them in some way.

One night, Helpy tells you, “Sorry, you are going to get fired.” And that night is horrible. Shit is breaking all the time, and the Glamrocks and Staffbots are all over the place, either destroyed or with completely ruined AI. You can’t stop it (maybe you should have been [nicer/meaner] to whoever is doing this) all you can do is try and undo as much damage as possible and tell whoever is there that you really need this job. He doesn’t listen.

When 6am rolls around, your boss arrives and you’re presented with a pink slip. He tells you that your behavior is unacceptable. You either made all this mess yourself or allowed someone else to do it and neglected your job. You’ve been nothing but unprofessional for the duration of your employment, anyway. The animatronics have clearly been tamped with by someone with some knowledge of how they work, not just some random vandal. You must have been messing with them for a while to learn how they worked and took it too far. And, adding insult to injury, tells you that you make every room you’re in smell like death. You don’t have anything to say to defend yourself, you definitely can’t blame a person hiding in the darkness who you didn’t report before and have never fully seen, so you just leave.

Bonus: Here’s an image I made last night at like 2am. It’s just one of the SB rooms but I make it darker and added the flashlight and some other things.

Anyway, sorry this post got so long and turned sort of into fanfiction. I had fun writing it, though. I was just thinking about the fact that Michael might still be kicking in Security Breach (again, hilarious. Also why is he barefoot? Put shoes on, Jesus Christ) and was like “Well, what if you had to play against him?” Because Michael making the lives of night guards harder is very ironic, even if he has good intentions. And it spiraled and turned into this. If you made it this far, wow thanks for reading <3

[xreanimatedcorpse]

Putting Harrier du Bois in Paprika (2006)