#what a ramble I’m so sorry

[ninyard]

I didn't like when andrew said renee was useful?

Like weren't they friends idk it sounded weird

Okay maybe this is me being the big ol Andrew Minyard apologist that I am but I’m not sure he means that in the way that it seems. Prepare yourself for my silly thoughts:

Andrew and Neil got to this place in their conversation by Neil asking how Andrew can be so disconnected from his teammates. Neil feels he has to let them in, let them be his "friends", let them get to know him. So how has Andrew managed to keep them at such a distance, to avoid letting them in? Because he doesn't want to. Andrew just says they're not interesting enough.

Neil is already wondering what's going on between Andrew and Renee at this point. So he sort of backtracks on himself then - Andrew actually has let people stand in, and Renee is one of them.

And Andrew knows everyone is betting on him and Renee. He’s quick with the, “You expected a different answer?” because I think he knows there’s a high likelihood somebody has told Neil about this bet, and given Neil’s “That’s it?” I think he could also tell that Neil thought that him and Renee could’ve been a thing (or at least that that was the only way he could make sense of their relationship).

Andrew is quick. We know he is. So I think he would've realised exactly what Neil was curious about when he mentioned her name and then said "She's not interesting?" (Which really means “Is she different?” Or “Are you actually more than that and not saying it?”)

Then right after that, there's this -

Andrew thinks it's obvious. Andrew calls him stupid, Andrew mocks him. Andrew knows why he's asking about Renee. He thinks Neil is stupid for not realising why it wont happen. He lets Neil squirm for a bit because Renee is his friend, even if he won't say that, and this just opens up the opportunity for Neil to actually talk to her.

I think he said "She's useful," because he's not going to say "She's just my friend," or "She's like me," or whatever else he could've said. Andrew is not the type of guy to turn around to Neil’s question and say ACTUALLY you are right! My friend Renee IS interesting! I forgot about her!

I think that's literally Andrew's way of saying she is his friend. Also, bearing it in mind that he's still medicated at this point - I don't think he means it in the way of "she's not my friend, she's just useful to me", but instead means it like "she just my friend, nothing more, and she's useful.” I think it’s a meaningless throwaway way to describe her. But even if he did mean it, he doesn’t mean it in a negative way. Not “Yeah. She’s useful I guess. She does things but that’s about it” but “Yeah, Renee is useful. She’s there if I need her” instead.

Does that make sense?

(And also; it’s Andrew we’re talking about. He tells Neil he hates him. I don’t think him saying that about Renee is to be taken too seriously)

But

I do actually think in some ways he means it when he says she’s useful. Renee is useful to Andrew.

She’s the only person on the team who has related to him. She the only person, before Neil, who even had the slightest idea about what Andrew had been through. Renee is useful in the way that she’s someone for him to relate to. He sees himself in her, and her the same. They understand each other. Which is probably likely a first for him. Shes spars with him. She’s his wingwoman. She’s his friend. She cares about him. She talks to him like he’s a human. (She makes him feel like less of a monster) ((not that he cares)) She’s always covered for him in the goals, too, when he’s been too sick to play. I’d say that’s pretty useful.

Idk. I’m pulling things out of nowhere because I’m too tired to think but. Yeah I think Renee is actually useful to Andrew, but I also think Andrew is Andrew and he says things he doesn’t mean, or says things that actually mean something else ALL THE TIME. So i don’t think him saying Renee is “useful” is anything demeaning against her. I think he’s winding Neil up because he knows where his line of questioning is going/coming from.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[tawaifeddiediaz]

cosmo and wanda did not age well

[weirdozjunkary]

God, I’m sorry gamers. I wanted to give the Minecraft movie a benefit of the doubt. But oh my god it looks so bad.

[c0nn0rsseur]

Can we take a moment to appreciate Bryan Dechart’s performance as Cyberlife Tower Connor aka Sixty and Sixty as a character? 🤌

Though Sixty and deviant Connor are physically identical (minus their demeanors, e.g. the way they stand and walk, like wow, Bryan, wow) and their voices technically aren’t different from each other, the distinction is still clearly there, at the same time it’s so nuanced too. Sixty sounds condescending, imperious and callous compared to deviant Connor whose voice is empathetic, curious and sincere. I’m not even talking about their lexicon, their choice of words here (there’s of course a difference too). Even when Sixty tries to convince Hank he’s the real Connor, you can hear how he’s failing to sound exactly like his counterpart because he can’t replicate deviant Connor’s voice and speech pattern just so. Sixty’s also being very commanding when trying to fool Hank into shooting the real Connor (Hank even gets irritated because of it). Damn that’s brilliant acting, all hats off to Bryan. His performance in this game never fails to impress me. (I wish there were dialogue for RK900 too, I would’ve loved to see Bryan’s take on his voice and presence.)

Also also I have to mention I love the take that Sixty really was a deviant all along too, an ”evil” version of Connor if you will; cold, calculating and even enjoying the situation he had Connor (and Hank) in. You know, doing all of it because he wanted to, because he liked it. Why else would he deliver a whole ass villain monologue before executing deviant Connor, gloating about how he knows what he is and that he is the obedient, favorite child, plus calling Connor a disappointment (and a disappointment to him especially, like how Connor should care in his final moments that Sixty despises him for not being a good little robot)? AND shooting him several times non-lethally before landing that final shot (if the story goes there), like savoring the situation. Of course he also has to ask if Connor has any last words too. That’s definitely not what an efficient machine would have done to make sure it accomplished its mission. In some outcomes his stalling costs him the victory.

Top that off with the ending where deviant Connor dies but the androids still wake up, Sixty is scared and emotional because he failed, scared to be deactivated because of his failure. Then there’s this scene where he shoots deviant Connor eleven times in front of his friend. After that Sixty takes in Hank’s reaction and even torments him by saying Connor’s death was his fault. Still doesn’t sound like a machine much, huh? More like a sadistic psychopath.

Man, I wish we could’ve seen more Sixty, it would’ve been chilling to see if he went full-on rogue, maybe being Markus’ right hand/attack dog on a leash in the violent revolution arc, maybe with his own agenda of taking Markus’ place and wanting to subjugate humanity. Or maybe deviant Connor could’ve persuaded him to their side by making Sixty to see he was nothing but a tool, unintentionally prompting him to seek revenge and to reduce Amanda and Cyberlife to atoms (not what Connor intended haha). There could’ve even been a redemption arc for him, like in a ”what’ve I done?” type way. You know, a bit of an internal moral struggle. And of course, our fave ”sack of shit” (as Hank so eloquently put it) demanding answers from his maker, Kamski, in a not-so, uh, conventional manner. Let them measure their respective arrogance and wit and see who comes out on top. Or would they team up?

Such a delicious character, so many delicious what-ifs.

[bi-buckrights]

Brb thinking of repressed Tommy growing up with a misogynistic, racist, homophobic father who only makes Tommy hate who he is, until he’s hidden all the good parts, even from himself.

And then the Army, which obviously isn’t known for its progressive culture, but at least he’s away from his father, and he maybe has a chance to start to discover those parts of himself he had kept locked away for so long.

But then there’s Gerard at the 118. And suddenly he’s a kid again, burying all the beautiful parts of himself and locking it away to protect himself from his father, reshaping himself to fit the image of what he was taught a man should be, the man he had to be so he can survive at work, until he doesn’t even know who he is.

But then Chimney comes along, and then Hen. And he starts to question everything that has been so deeply ingrained in him until one day, after he’s left the 118, he allows himself to start peeling back the defenses he built around himself, and he finally sees a glimpse of hope

[malenjoyer]

Good morning 🙏🏼

I want to thank everyone their support with reblogging my stuff over the years and reblogging some of the context of the situation.

Tumblr and Instagram is filled with the most supportive people I’ve ever had the chance of meeting. The last time something like this happened, I didn’t have much support, not even from people I thought were close to me. It took me a year or two to be okay with being perceived again in fandoms. So I’m very grateful for everything.

I just wanted to post that I appreciate all of the asks and I’ve been reading all of them. I actually get anxious I’m spamming everyone too much so I probably won’t reply to everything. Please don’t feel pressured to support me financially, there’s is a free option on patreon to follow. I’ll post future project plans and occasional updates because I still love comics and I still love DC/Marvel. I do enjoy having people following along for my art/reading journey so I would always be okay with people just following for free. My brain is telling me this post is too long now so I will go 🙏🏼😭

[only-lonely-www]

So basically ATLA brain rot has hit me like a truck

[oobbbear]

Old man yaoi kill me old man yaoi…

[xreanimatedcorpse]

Putting Harrier du Bois in Paprika (2006)

[whereismyhat5678]

HOLY. SHIT.

I don’t even wanna separate these?? TAKE THE WHOLE SHEET I’M SO PROUD OF IT WHAT????

I was playing around with expressions and OMG, I think I unlocked something???

It was mostly from yesterday’s post, I liked the way I drew Pizza Head so I decided to try drawing him again (since it’s been a while) AND GOD I LOVE THESE‼️‼️‼️ Seriously started out rough but then I just kind rolled with it! I like it! I like it a lot‼️ 😆😆

Also since I drew Brick yesterday as well, I decided to change the way I draw him, just a bit 🤏

Today was so fun AAAHHH!!!! 💞💞💞💞💞💞

[shepscapades]

*rotates dbhc!Xisuma and Doc in my head*

I'm sorry but I absolutely lose my mind over them ( I have literally no one who I could ramble about this to and I need to get it out). I want to analyse stuff, so let me just:

*breathes in*

It's visible that they are good friends and have been since the time when Doc deviated, research partners doing... research? Or whatever researchers do *shrugs*.

But there's one thing to it, X created Doc and most of other androids. He understands what is deviation because Doc explained it to him but his friend is still an android after all. We also know that X always calls Doc "Docm" but in previous comic he calls him "Doc" and it is stated that it's the first time he ever called him that. In which moment he calls him that? In the moment when he realises that Doc is more human than android now, I may be delusional about this all but I just feel like: the moment when he sees Etho overpower Doc, shove him and break him and stuff, Xisuma sees that Doc isn't a fearless machine but a someone, a human, he got overpowered by Etho and suffered consequences, he felt fear like a human not a machine. Also he lost his arm because he was trying to stop Etho from hurting X as we see in the second part of the comic, which only adds to that. So, this is the moment where X fully realises that he means something to Doc, not as a creator, but as a friend, and that's why for the rest of the comic he constantly makes sure if his partner is alright by talking to him, glancing at him. You know stuff. He grew closer and closer to Doc as time passed and I think this was the climax - the moment he called Docm77 "Doc".

While Doc is doing the most stoic stuff ever and trying not to self destruct and stuff, he cares about X too, very much even, he's protective towards him and shows it by jumping into danger he could have avoided [ Etho attacked X because he's an admin and probably knows where's Grian - Etho wants to hunt down this pesky bird for killing Bdubs] just so his partner won't get hurt how sweet <3 RIP arm you will be remembered...

Anyways I feel like they should talk about stuff and maybe cuddle and maybe I don't know LIVE?? NOT DIE??

Yeah, I think that I don't even need to explain for how long they've been spinning in my head.

Also wanted to thank you so much for so many kind words on my fanart !! I'm glad I can make someone happy with my cheap, old drawing tablet and some self taught skills lol sorry for flooding your ask-box again so so sorry but those comics make me go AWOOGA holy shift, and also DOC AND X CONTENT !! They are so underrated that you almost can't find anything good relating to them as a duo! [personally I think they're great, just two dudes that do things together and care for eachother <3]

So, yep. Prepare yourself for things like that after every new part comes out I WILL make memes and I WILL analyse block men.... sorry not sorry :)

[how to get me into an AU- tutorial: Xisumavoid must be in it- the end]

WE ARE ROTATING THEM. WE ARE WATCHING THEM ROTATE!!!!! you freaking GET me

(THERE ARE SOME INTERESTING THOUGHTS HAPPENING HERE!!!! None of which I’ll confirm but Eye Emoji :3 I love love love these theories they make me so happy ehehehehehe)

(ALSO YOU’RE SO WELCOME!!! That art made my day fr LMAO I love and appreciate it so much!!! <3)

[ennard-is-near]

(This whole thing is based off the theory that Michael is still alive in Security Breach, which is hilarious imo)

A FNaF game where you are the night guard in the Pizzaplex, and the antagonist is Michael Afton. He’s not trying to kill you or anything, you just have opposite goals (You like the animatronics and the Fazbear brand, he does not). He’s also trying to get you to quit or get fired.

Things are going wrong. Stuff is being stolen and vandalized. The animatronics are being tampered with, sometimes they’re vandalized too. Things never stay how you left them. You are starting to feel like someone has broken in, which is especially bad, because you’re a security guard. It’s your whole job to keep people out.

Your character will occasionally say how bad it smells in the room. Sometimes you remark that you’re being watched. There’s sometimes footsteps or scuffling noises in the background. If you look close enough in certain rooms, you can see the faint outline of a guy or two white dots in the darkness around the light from your flashlight. But you can’t find the source of whatever this is (he’s gotten too good at hiding).

Your character will become more aware that someone really is there throughout the game. You go from asking “Hello? Is someone here?” When something strange happens to saying “I know you did this!” To the darkness because you know he’s there. You can get more hostile towards him, if you’d like, calling him a twat or whatever. You could be nice to him, too. It doesn’t stop him, when you’re nice, because he seems to have some sort of goal (you couldn’t begin to guess what) but it’s not like he’s doing that much damage and he makes your job a little bit more fun.

You never see him, though. Other than the occasional glimpse of movement in the shadows or your flashlight’s glow reflecting off his eyes (that must be what it is, right?) he stays silent and hidden. That’s why you feel you can’t tell anyone, he’s clearly good at hiding and they wouldn’t find him. Plus, he’s annoying, but he doesn’t seem that harmful. (And maybe the darkness is just making you crazy. Maybe there really is nobody there)

But things are definitely going awry. For one, the animatronics are freaking out. They’re weird, almost hostile, towards you. The staffbots follow you around but don’t speak or offer you things, and it freaks you out a little (you can fight them, if you’d like, though it’s not really a fight and more just you beating them up. You could also try and incapacitate them or just try to ignore them). The Glamrocks are scary too, obviously. They chase you, grab you and jumpscare you. (One time though, it seems like one of them is actually going to kill you. It throws you to the floor and you cover your face with your hands. But instead of feeling the impact, there’s a strange noise. You open your eyes to see it incapacitated, and you can hear footsteps shuffling away. Huh.) Even Helpy begins demanding you quit, sometimes being friendly, “No amount of money is worth doing this job,” sometimes he’s meaner, “You’re going to quit or you’re going to die.” Whoever is in the shadows is definitely messing with them in some way.

One night, Helpy tells you, “Sorry, you are going to get fired.” And that night is horrible. Shit is breaking all the time, and the Glamrocks and Staffbots are all over the place, either destroyed or with completely ruined AI. You can’t stop it (maybe you should have been [nicer/meaner] to whoever is doing this) all you can do is try and undo as much damage as possible and tell whoever is there that you really need this job. He doesn’t listen.

When 6am rolls around, your boss arrives and you’re presented with a pink slip. He tells you that your behavior is unacceptable. You either made all this mess yourself or allowed someone else to do it and neglected your job. You’ve been nothing but unprofessional for the duration of your employment, anyway. The animatronics have clearly been tamped with by someone with some knowledge of how they work, not just some random vandal. You must have been messing with them for a while to learn how they worked and took it too far. And, adding insult to injury, tells you that you make every room you’re in smell like death. You don’t have anything to say to defend yourself, you definitely can’t blame a person hiding in the darkness who you didn’t report before and have never fully seen, so you just leave.

Bonus: Here’s an image I made last night at like 2am. It’s just one of the SB rooms but I make it darker and added the flashlight and some other things.

Anyway, sorry this post got so long and turned sort of into fanfiction. I had fun writing it, though. I was just thinking about the fact that Michael might still be kicking in Security Breach (again, hilarious. Also why is he barefoot? Put shoes on, Jesus Christ) and was like “Well, what if you had to play against him?” Because Michael making the lives of night guards harder is very ironic, even if he has good intentions. And it spiraled and turned into this. If you made it this far, wow thanks for reading <3

[electricbathsalt]

It’s starting to feel like the vagueness of Chisaki’s story is in of itself part of his story.

He was a child surviving on the streets after whatever event it was that liberated him from AFO’s care. We don’t see any of that, though—we cut forward to him being taken in by Pops. It shows that Pops is “kind” and “generous”, how he helped Chisaki. How Chisaki got involved with the Shie Hassaikai, why he’s so attached, to the point of doing all he did.

The only parts of his past we get to see where he’s not in the presence of someone else, are the ones that are relevant to someone else’s story (him using rats to figure out Eri’s quirk, him being in the orphanage which we now know was shown to foreshadow the Decay-Overhaul reveal, and his side of that is not touched upon at all).

We’ve all talked endlessly about how short and unclear Chisaki’s backstory is. It’s like they made it as perfectly concise as possible, only what was necessary to push the plot forward and explain what’s going on.

Maybe it’s that the actual point of Chisaki’s story is that his story is not meant to be told, because that is his “tragedy”. Chisaki was never meant to be witnessed in his entirety. His story was never meant to be his own. He will always serve as a tool to someone else’s.

[prettydjarinsoloinspires]

honestly at this point Marvel can do whatever tf they want to with Lokius. they’ve already given me all i need to have one of the greatest ships of all time. it’s a love story that writes itself, even if they refuse to see that. no matter what happens, good or bad, Lokius will always belong together, in my opinion. they compliment, balance and KNOW each other. Loki has come so far in such a short period of time BECAUSE of Mobius. Mobius is the only one who has ever truly seen him. they might never be canon, but they sure as fuck should be.

[weadapt]

I think it’s interesting storytelling how in the beginning of the game Cal says the Sixth Sister’s name, Masana Tide, and reminds her of who she used to be—and it visibly distresses her because it hurts what was done to her and Cal isn’t wrong in what he’s saying. The shocking thing for me was the moment when Cal said “It’s time to set you free”. It was such a surreal feeling hearing Cal say that, those kinds of words, to know he decided it was time to strike her down; it’s understandable because she killed his entire crew, but for Cal to be the executioner in that way was scary to see coming after only experiencing the young kid he was in Fallen Order. Now you really get the feeling Cal has been through a lot, he’s grown as a man since Fallen Order and he’s calloused, not entirely in a bad way given he’d have to be to survive but still in a depressing way, as a result. I know overall and gameplay wise, Cal has killed a lot of people, it’s nothing new, but storytelling wise it’s a serious moment for Cal. It’s a moment you know is going to follow him the rest of the game for character development. After he kills her, it’s made clear by the music and by Cal’s body language that this isn’t a good thing coming from him. It isn’t a triumph. Even BD-1 knows and worries for Cal with his little “Boop…?” and Cal is only able to respond rather shakily, “Yeah… I’m okay”.

When he meets up with Bode and Bravo and they ask him what happened to the Inquisitor, he gives a simple, no emotion, “Dead”. The long pause of Bravo not saying anything in response to me says a lot; it feels like he isn’t used to Cal having a reaction like that.

Then we have Rayvis. Cal defeats him in battle and asks him to join in the fight against Dagan. He doesn’t want to kill Rayvis—“You don’t have to do this”. The oddly tragic part to me is that Rayvis has dreams of seeing Tanalorr again. If Dagan succeeds his dream will be realized, but he’s given up on the dream and wants a warrior’s death now. He wants to die, and in his mind, honorably, by Cal’s hands, and he’s going to force Cal to do it. But for Cal it’s another execution on his part. He pauses before he lifts his saber and kills Rayvis. It isn’t a triumph. Again we’re given a sudden swell of music to tell us the emotion behind the action of killing Rayvis. You can see it’s affected Cal badly. BD-1 seems to ask Cal the same question as before, “Boop…?” but this time Cal doesn’t acknowledge the question and just replies, “We should go”.

Killing Dagan hurts for Cal too. Dagan is a Jedi, someone who held onto the Order, who tied his entire identity to it and all of his goals are focused on restoring the Order and fighting to change the universe. Just like Cal in a way. Dagan is single-mindedly focused on the mission, so obsessively, he lost himself and the one he loved as a result. Cal understands and see the parallel of that kind of drive in his own mission against the Empire and it terrifies him. Dagan could’ve helped him fight the Empire but it became another tragic moment of having to kill a once fellow Jedi. This is another tragedy. Bode doesn’t care about Dagan being dead on the floor but Cal does. Cal has enough respect to place Dagan’s lightsaber on his chest. Cal pauses to reflect but Bode immediately gets back to getting the compass.

We have this interesting arch of reactions to killing his opponents. They were each killed for the mission. It was necessary. They each started the fight against him. No matter the reason though, it’s still very painful for Cal.

Cal is being pushed into this direction of forcing him to question his beliefs and who he is. His whole identity at this point has been tied to the Order, of being a Jedi, and it’s very clear by his conversations in Fallen Order that it really matters to who he is. By the end of Survivor, we have three fallen Jedi: Masana Tide, Dagan Gera, and Bode Akuna. So who is Cal Kestis? What will he become? Is he doomed to fall like they did? That’s what troubles him—“Let’s just say I don’t wanna end up like him [Dagan]”.

He’s afraid he’s going to lose himself.

The fear is almost realized when he’s about to kill another opponent. The one behind the murders of his friends and mentors. Cal’s been killing each of his main opponents up to the point at Nova Garon—this one will be no different. Except killing the man who sent Bode on the mission to infiltrate his team is different. Cal is on the edge of losing himself to the Dark Side. In Fallen Order he pleaded for Cere not to use the Dark Side because “She’s stronger than that”, “[she] still had a choice”. But Cal is failing to remember any of that for himself. He wants to kill because he’s angry, grieving, and in immense pain. Merrin has to bring him back—“This is not you!” There’s a question of whether or not Cal would’ve been able to stop himself if Merrin hadn’t been there though.

When we get to the final battle, Merrin is warning Cal of what’s likely going to happen but he ignores her for a while which prompts her to say, “Well? Say something!” He doesn’t want to acknowledge that Merrin is right and they’re likely going to have to kill Bode, and with that, taking Kata’s father away—a loss of family Cal and Merrin know too much about. So they both try and give Bode every chance to stop and turn away from what he’s done, despite how much Bode had hurt them. Sadly, Cal once again is forced into using the Dark Side to prevent Bode from killing Merrin. It was worth it. It was worth using it to save Merrin. He couldn’t let her be killed. He couldn’t see that happen before his eyes like he had with all of his friends and mentors.

After everything is over, there’s this sickly feeling left behind. Not simply because of Bode’s death, but because of the impact on Merrin realizing Kata has lost family just like she and Cal had, but also because of the impact the death of Bode has on Cal. And after Cal carries away Bode’s body, the music changes to an eerie, ominous, high pitch, minor key when we see Cal board the Mantis. The kind of change in music which lets the audience know there’s something seriously wrong. Things are different now. Cal’s different. And he knows it.

He’s lost in time watching the pyre, reflecting on everything that had happened but also on how grateful he is to Cere, but he knows the impact of her loss will continue to be with him for the rest of his life. Just like Jaro Tapal. Another guiding force in his life is gone. With Cere and Cordova gone, there is no longer any Jedi wisdom to seek out. He’s now alone in that way as a Jedi.

“I’m scared… I almost lost myself… I don’t know if I’m ready.”

Cal and the audience are left with the dreadful realization—

“I don’t know if I’m ready for what comes next”.