#well. a lot of comments actually.

[autism-swagger]

Presented without comment.

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[feroluce]

So Sampo is canon described as the only person who can travel between the overworld and underground, but it's never actually revealed HOW he gets around.

I'd like to believe part of the reason he's so secretive really is just because of business. One of the best ways to keep your customers is by being the only one to offer something, and Sampo stands to make a pretty nice profit if he's the only one able to smuggle in supplies. Gotta protect the trade routes ☆

BUT the other part is because he's probably one of the only ones that could SURVIVE it. I'd like to think a lot of his routes enter the overworld either in places like Backwater Pass, where it's technically in the city but is overrun by Fragmentum, or on the frontlines, where it's frigid cold and crawling with Silvermane Guards.

If someone manages to get all the way up, and even if they manage to sneak past all of the Guards/monsters and not freeze to death, there's still the possibility of getting caught in the city proper by regular civilians.

And if Cocolia heard word of someone caught in the overworld, I can't imagine there's any way she would just leave that, she separated the halves for a reason. This person would be interrogated, and then the route sealed off, and then the Undergrounders would lose a vital supply route. Sampo has to be extremely careful to not get caught and not be tailed.

And I'm sure he does a lot of shady trading in Belobog proper, but I think a lot of it also comes from him looting the Fragmentum-corroded areas, too. After all, in the Cyrille the Fool quest line, when the trailblazer sees something strange in the Fragmentum, the first person they think to consult is Sampo.

So I love the thought of Sampo being like extremely disciplined and being able to be out there for like days at a time.

Looting is easier in the beginning, but eventually Sampo has to go farther and farther out for supplies. Sometimes he'll be out there for days, and it's not exactly a safe place to sleep, but he can stay awake and alert for absurd amounts of time if he needs to be. Going for 24+ hours isn't unusual for him on a big supply run; Sampo will be awake for a day or two, he'll bring back everything he finds to Natasha, then sleep for a solid 8-12 hours and be back up again. He takes a couple of low key days where he rests or does easy work, then he's ready to plunge into the fray again!

On the rare occasions he sleeps in the Fragmentum, it's not for very long, less than an hour, and Sampo has traps he sets all around him while he sleeps sitting up with daggers in hand. Caelus finds out about this habit the hard way because he gets restless and decides to go explore (I'd like to think with the Stellaron dwelling within him, he's largely immune to any kind of Fragmentum corrosion), and he sees Sampo curled up in a corner, head down. So of course he approaches to see if he's ok, and-

A trap pops and hisses

There's a bright flash of pink

Caelus blinks

His back hits the wooden wall behind him

There's the sound of reverberating metal-on-metal right next to his ear

Caelus blinks again

...and is shocked to suddenly find that Sampo is looming over him, pinning him to the wall, one dagger sunk into the wood and the other blocked by his metal bat.

And they both just stand there for a beat, until Sampo blinks the bleariness out of his unfocused eyes, and then he yawns obnoxiously right in Caelus' face and tells him he shouldn't interrupt people's beauty sleep! How is Sampo supposed to stay so handsome otherwise!?

Caelus only notices shortly thereafter that there's a thin line of blood on his neck, and he belatedly realizes that Sampo really would have taken his head off by pure instinct if he weren't also incredibly quick with his reflexes. No wonder he's the only undergrounder surviving out in the Fragmentum; anything that approaches in his sleep thinking they have easy prey is almost instantly demolished.

[boxheadpaint]

ahhh I forgot about ableism. I forgot about that

[ded-lime]

weird how its harder for me to imagine bride mozart than salieri, but still

[rox-of-iu]

ayoo guess who finally sat down and caught up with cultivate B)

is me. so you know what that means.

spoiler warning for cultivate ch 30-37

there was actually.... more things i wanted to draw but I already did so many I had to physically restrain myself hfsjkkdh anyway yes can you tell i love this fic very much

yet once again. cultivate by the wonderful @neonghostcat

[i-may-be-an-emu]

Sfth textposts! :)

The first lot I made

a few more

[spitblaze]

This is going to sound mean but I mean this in the most sincere and compassionate way I possibly can:

If you see a comment on the internet that is transphobic towards your group and your first assumption is that the person who wrote it is a different kind of transgender and not cis, especially if that comment is completely removed from all context or anonymous, no avatar or username or anything, take that as a sign to log off for a few days or pick up a new hobby.

[three-dee-ess]

I love reblogging posts from like 3 months ago with 50 notes and then checking on them later and seeing they have 300+ notes. most of the notes have my silly gimmick reply removed!!! and I think that's beautiful!!

[altschmerzes]

omgggg shipping is not arophobic in the LEAST but keep making us look like whiners with no real problems by continuing to complain about it I guess

yeah that's definitely what i said in any post ever man great job

average person who has made shipping their entire identity will see a post where someone says 'hey please don't say these specific types of things that are degrading and cruel about nonromantic relationships while enjoying your ships and maybe examine the thought processes and beliefs and prejudices that led to saying them' and be like 'oh so you're a whiner with no real problems who thinks shipping is arophobic?'

telling on yourself there bud

[faunandfloraas]

Seungmin saying they changed song by so it would be easier for people to watch and listen and then me seeing people going "Yes! It's good it's on tiktok and shorts now" and I'm like. Oh. You're all so fucking stupid <3

[spywhitney]

How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:

[wardingshout]

Hi!! I just wanted to say that the way you draw characters/use colors in your art is an absolute dream, I've never seen anything prettier. Do you have a specific way you pick/use colors, or any advice for coloring? You inspire my art so much, and I'd love to learn how to color like you someday :)

@braventheninth gonna reply to both of you here hope that's cool!

aaaah thank you so much I'm really honoured to hear you both like it and that it inspires you anon !! ;v; I don't actually know much about art theory-wise, aside from very basic colour theory that I always forget so most of my choices are pretty instinctual and based on my own preferences!

i can do my best to explain my thought process though! uuh it is. lots of text though just as a warning.

one thing I tend to do with almost everything is pick what kind of colour mood I'm going for! usually, since I love orange and also warm feelings, I'll aim for some kind of warm tone and when doing that I try to slide every colour I pick towards the warm end of the colour wheel. Blacks and whites are especially good for this! As a general thing I almost fully avoid picking any colours along those edges of the colour picker

instead I'll move all my colour choices a nudge into the square for the colours towards the tone I want (in this case warm) (the white is there be warm too I just forgor to type it).

and since I wanted warm colours for this drawing I desaturated the blue of Brain's pants so it would fit in better. I once heard someone say you should always pick one main colour and saturate fully and the further away from it on the colour wheel you got, the more desaturated your colours should be. I don't really do that bc I like my colours to stay bright but I do keep it in mind to mess around with sometimes.

I'm not always great at keeping this consistent, but I think it usually makes for pretty decent results... Other things I keep in mind are that when I pick the colour for my shadows I always make a little slide on the colour wheel towards the opposite tone of what I based my main colours on. oh and picking the right base colours ?? no clue tbh I always put every colour on it's own layer and then I spend a couple minutes adjusting them all seperately until I feel like they go well enough together. I usually avoid the bottom to right section of the square fully, bc I find they often get oversaturated and muddy, but that's just a personal preference I guess.

also since I enjoy the way coloured lineart works for my stuff I tend to mess around with layer settings for my lineart! usually the end results will look something like this:

where the clipped layer is clipped on to my colours folder. lineart is the only place where I just use plain black since I'm gonna change it with these layer settings later. it often still shows up as black for darker colours (and especially blues?) but it keeps a slightly coloured edge that I enjoy. if the blacks of the end result don't look good, messing around with the layer opacity usually changes stuff up. sometimes I'll also erase part of the lineart from one of the layers as a way to adjust.

I think what might be more relevant though, is the way I've been picking my colours for most of my recent posts though, which is. very differently. and also quite dependant on the fact I've been drawing on Tegaki! Tegaki has a limited colour palette that looks like this

only the 6 colour slots next to the bottom greyscale can be replaced by your own colours. As shown here I only bothered to add something to half of them; mainly the beige-ish colour I like to use for whites, a brown that I never use bc it's ugly with everything else here and a purple? that I only Think I added. both the brown and purple suffer from being too desaturated for the rest of the palette, which makes them stand out in a pretty bad way when used tbh.

I have. absolutely no idea what I'm doing with colours on this site though ngl. I think it just automatically pushes you to be a little more chaotic with the choices? a simple example is the green I picked for Link's tunic here doesn't really have any good, easy choice for shading imo. most of the "darker" green tones just feel more saturated, and it sticks out pretty bad as a shading colour for the more muted green I picked for the tunic. Removing those, the choice was either a mossy green or a blue.

and while the mossy green is still green, it feels far too dark a shading colour compared to what I picked as shading for the rest of the drawing. The blue has the added bonus of being closer to the purple I used for the black-ish parts.

I think my point is that it's really easy to push yourself to make some fun new choices when the tools you're using limit you a bit in a way? Looking at it now, I'm also seeing that the hands were lined with very different colours. I remember just thinking that I couldn't be bothered to find the exact same purple I used for the first hand so I just went with the first thing I landed on, that being a pink. But now I think it works pretty well since the one hand is lifted a bit more into the light and that goes well for a bright colour like pink. happy accidents and all that right ?

I am fully just yapping at this point 🧍 but the point still goes for most things drawn on this site.

like there was no reason to add the blues or reds or pinks to the heather here but I only had so many purple shades to work with. it might be less realistic but I don't think it would've come out as well if I had stuck to only the purple shades from my reference photo.

This ended up way way too long and I have no idea if any of it made sense or was helpful at all, but it was surprisingly fun to reflect on my own choices a bit more! especially since I often just do whatever I feel like I think it's helpful to sit back and consider what instinct actually tells me it's the right thing to do.

in an attempt to do something actually helpful uuh I recommend messing around with 2 specific things and switching around with them a bit; namely limited colour palettes (like 1 or 2 main tones imo) and then just going absolutely ham and just using whatever colour for everything (make them orange! put some blue and purple on the bark! leaves can be blue if they want to! (go more ham than I did tbh))

I think just messing around does so much for making some kind of sense of colours even without Knowing how they work. it's easy to say we should all study, but personally I'm pretty bad at it and it's more fun to just trial and error it... errors do happen a lot though omg do they happen, but that's helpful for figuring stuff out too!

[rainingincale]

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[rolandkaros]

forever hilarious to me that tennis is promoted as this prestigious highbrow big-brain sport when most tennis fans these days are like. yeah this is my favorite player. yeah i don't know why they're like that. yes they are stupid. no i will not choose somebody else.