#well that got rambly

[kcrabb88]

I feel like we really lost something when we started looking at writing as a reader-centric product meant to appeal to the desires of a specific audience rather than a writer-centric approach of someone writes whatever particular thing particular compels them/whatever weird thing the demons in their head want to talk about, and people out there who are also compelled, and/or relate, find that writing. A lot of discussions of writing really center around what readers want rather than a writer's exploration. Sometimes as a reader I don't know what I want. I click on a fic or pick up a book I'm not sure about but that looks interesting, and I love it. Reading what I expect to get is it's own joy, but we always need to expand our horizons and not get mad at creators for not always writing what we want/expect.

[noodles-and-tea]

Just some more thoughts on that jayvik dbh au

[eydilily]

would you bite the hand that feeds you?

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[thebrainrotsreal]

Eve, Kate, Mark and Rex! Nailing some ideas down on how I wanna draw them in the future, and enjoying messing with their designs like usual! Not a fix-it whatsoever just fun + ref for the future! I cannot do realistic styles so translating them into something I can do while still being recognizable is peak. I will mess with Rex's suit more. Trust. I Kate so much now. Look at her <333333

[pillowbugs]

okay. this is going to be a rough post because i am still reeling from that direct. sorry about that.

but the map of lumiose city for legends: Z-A just released on the official website.

immediately, one thing struck me:

now, this may not actually be the case, but there's a possibility that this is lumiose station, where you take the TMV from lumiose to kiloude in the XY postgame.

why this building in particular? well, it happens to bear a striking resemblance to the famous gare du nord railway station in paris, which lumiose city is based on; and is even in a somewhat similar relative location in the north.

(location on map - may not be fully accurate to XY's map, but in that game, lumiose station is still on the east side of the north boulevard at least.)

(note the shared features: skylight along the ridge, arches)

with that in mind, it's interesting that chandelure is one of the pokémon featured in this visual. of course, it could easily be just a cute little visual gag (chandelier pokémon beside modern chandeliers); chandelure was part of the XY regional kalos pokédex after all.

however, chandelure is also famously associated with ingo, who is famously associated with trains, and appeared in the previous legends title, even mentioning the former briefly during a plot scene.

could this be a nod to them? no one knows.

of course, if the depicted building isn't actually lumiose station, this whole post is moot and i am but a harlequin in burgh's gym. but for now? i am going absolutely INSANE over this. possibly the most hype part of the reveals today for real.

[kelddaa]

mornings in the desert

[the-one-who-lambs]

This is a super super gentle reminder not to put your favorite authors on a pedestal. We're real people living average lives and not trying to be influencers. We criticize ourselves enough and we don't want to be held to an invisible standard (we start to worry we fail to exceed our own selves) or compared to other writers (we are not competing) or tailor our craft to cater to a wider audience (the right people will find you).

[remxedmoon]

i hit 1k followers recently!!!! yipee!!!!!!! thank you all!!! so in celebration here’s all of my completed isat doodle pages, from oldest to newest. go nuts with them!! and maybe don’t look at the first doodle page too closely. it’s Old.

(no greyscale version below for once! just some mushy ramblings. you don’t have to read them don’t worry)

hhhhhha?? so many people. where did you come from. how did you all find me.

ok but seriously, thank you all so much for all the support. i never really. expected to make it this far? like, ever?? i’ve mentioned it a few times on here, but i’ve been a lurker for the past… 2 years, i think? and even before that, i never gained much traction outside of a couple posts. so this has been. very new to me!! in a nice way!! it’s weird to feel like an actual member of a community!! that people know about!

the idea of finally coming back to social media was Daunting (i literally got stress hives writing my first post lol) and the warm reception really. meant a lot?? i don’t think i would’ve ever gotten the courage to come back if i hadn’t been encouraged to by the people over at the isat discord!!

the fact that people actually care about my art still doesn’t feel real?? seeing people take inspiration from my art is just. surreal. just. auagssh. thank you all so so much for everything, i really do appreciate it!!! i’m really glad to be in this community. sorry if this all sounds sappy and long winded i’ve just got a lot of emotions about this whole thing!!

(also as a bonus for reading all this or whatever. here’s a concept page for isatscryption! it felt a little out of place next to my normal canvases so i’m putting it down here! yipee! sorry my notes here are so disjointed auauau…)

[sualne]

suicide kings

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[ghost-kings-court-jester]

Need to see more people talk about Hua Cheng’s intelligence.

He literally learnt a language just by looking and studying it despite having no context for it. He has a near perfect memory and can recall multiple facts in any given area. He runs a gambling house and city and manages all the money. He’s picked up multiple art forms and can recreate Xie Lian perfectly down to his exact robes just from memories he had of him when he was a child. He learnt how to use a saber just through watching Xie Lian once and got so good at it in such a short span of time Xie Lian assumed he was a general and then he won Mt Tonglu. Have I mentioned his memory it’s genuinely scary the other immortals in the series don’t have a memory like his. He reads multiple academic essays and books from multiple kingdoms and time periods implying he’s a polyglot on an insane level. He’s amazing at investigating.

HE BEAT MULTIPLE CIVIL GODS AT DEBATING.

Like just incase you don’t get that, these guys got to heaven for being so smart. They were considered good enough to become a god because of their intelligence and he outsmarted them. He’s so so intelligent like yeah he’s great with a sword but that is Xie Lians thing, he’s only as good as he is because he wants to be Xie Lians equal.

This guy spent his immortality learning literally everything (except calligraphy) and he mastered all of it and sure he is immortal but it’s clear he mastered it in short spans of time. He was carving statues like Michelangelo in under 10 years. Again he learnt to be amazing with a sabre while he was still alive so like 3 years max and mostly from memory. He established a full city with labour, homes, jobs and runs it despite dying as a starving orphan at 17.

HE BEAT MULTIPLE CIVIL GODS AT DEBATING.

[opikiquu]

my life a movie (PSYCHOLOGICAL HORROR)

[sainz100]

2024 Brazilian GP | x

[kazumist]

no one in the third division would’ve expected that their vice-captain was actually clingy in the morning.

hoshina stirs in his sleep, his arms finding themselves wrapped around your waist as he pulls you closer to his chest. the sound of his loud and beeping alarm rang through the room and that was enough for you to get up. soshiro, on the other hand, was still slumbering despite his annoying alarm basically blaring into his eardrums.

“soshiro… your alarm,” you mumbled, still half asleep yourself as you gently shaked him awake. he mumbles something back, though you didn’t really understand it. you felt one of his arms leave your waist as he turned over to the night table on his side of the bed to turn his alarm off. assuming that he was going to get up right after, you sat up, rubbing your eyes with your knuckles as a yawn escaped your lips in the process.

but you were surprised to get pulled back down again onto the bed. hoshina leans in, burying his face into your neck. he inhaled your scent—he could faintly smell the scent of your shampoo that you used last night. hoshina felt at peace like this. although, yes, he has to get up sooner or later so he can start the day, let him indulge in your warmth just for a little while.

“just give me five more minutes, ‘kay?”

[avnasace]

(edited for spoiler warnings jjk spoilers ch236)

gojo and geto now having the same death anniversary, megumi's body being used to kill someone he loves AGAIN, gojo's students all watching him get sliced in half, gojo wishing geto was a teacher, the fever dream conversation with Geto, Haibara and Nanami, oh gege we are in your walls for real this time you were cruel for this...